#we don’t like Ted

[al-val-meadow]

We all need a muppet history in our life. Now say it with me, “We don’t like you Ted, but we do like muppets.”

Okay Muppet History you are a Legend!!!

[yourlocalabomination]

Hey, Dickhead!

*smashes your face in with a crowbar*

[hilsonamore]

i don’t get people who don’t ship hilson because like- what more evidence would you want to convince you that they were in love with each other? Seriously, apart form the kiss and the canonical sex etc etc, what more is there? Love confessions? Done. Over-protectiveness? Done. Self-sacrifice? Done. Longing, loving stares? Done. Everyone else being aware of the tension between them? Done. Taking care of each other during difficult times? Done. Being silly and cute only around each other? Done. Always, even after the worst of scenarios have taken place, coming back together? Done. Literally not being able to function normally if the other is unwell/ there’s a rift in their relationship? Done. Being protective of each other when someone dares insult them? Done. Giving up their EVERYTHING just to be together? Done.

Like, WHAT MORE IS THERE?

[slytherinslut0]

canon fact: slytherin boys don’t fight women.

[caslutz]

Ted Lasso Text Posts: Part #10 (RJK version)

1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9

[indelicateink]

as an american, sam reid’s total inability to hide his contempt for overly fake-chipper american journalists, especially ones who Have Not Done The Assigned Reading know and care about the show, will never not be hilarious and iconic to me

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.

[severinaprince]

u kno, I don’t think that people consider enough the possibility (and very high probability) that Snape wasn’t mean to student’s because he wanted to, but more so because he had to. Not saying they he was nice. That man sure as hell wasn’t nice, especially when reading from Harry’s point of view.

But let’s consider for a moment the objective circumstances: Severus Snape was a past Death Eater, who at 21-ish years old changed sides (something only Dumbledore knew to which extent and the reasons), and knew of the possibility of the Dark Lord coming back because Dumbledore told him, and anyone who listened honestly, that he didn’t believe Voldemort to be truly gone.

Now, Severus Snape knows that Harry Potter, this child who is the Dark Lord’s undoing, is alive and is coming to the school, as probably most of his contemporary schoolmate’s kids are also going, have been there a while and will come for various years after. Snape is still bound to Dumbledore by his promise to be a spy, and is bound to Voldemort by brand. And Dumbledore is highly suspicious shit is about to go down (which u kno, he was rights ‘cause even from the first year lil Harry started Going Through It™️).

Having that background: Severus Snape, Head of Slytherin, and presumed Death Eater (‘cause u kno, spy), who was never known to be openly warm nor kind, who was fiercely bullied and he retaliated when felt necessary, is supposed to seem impartial and nice to all of his students?

Morally, should he had been? Heck yeah. Any decent teacher and adult should.

Realistically, should he had been? Well, if he wanted his cover blown, sure. If he wanted all of the Death Eaters who had children in school questioning the hell out of him, yeah. If he wanted Voldemort suspicious of his alliance and current belief system (which would have been at odds with the Death Eater ideals), uh-huh. But that would have made for a lousy spy at best and disastrous war changing consequences at worst.

And let’s be really honest here: Dumbledore gave him the position as teacher, primarily because he wanted to use Snape as a spy. That was Dumbledore’s priority, not the teaching. Which is a little wild to think coming from a school headmaster, truly.

This theory (which personally extends from theory to canon, because that’s how being a spy works) does not excuse him from how his prejudice blinded him from seeing Harry for Harry and not James (but the case could be made that neither did Sirius, but that’s another topic). That was wild. However, at the same time, he looked out for Harry’s life.

Again, I’m not saying Severus was warm and nice and he certainly acted mean and cruel at moments, particularly with kids from the other three houses. I just think that was part of the tragedy. He had a role to play, he played it perfectly, getting himself branded as a coward and a traitor by the people closest to him. And because of him, they won the war.

[gottagobackintime]

“I was 99% sure that you’d support me. But the 1% chance that you wouldn’t scared the shit out of me”

[alyona11]

Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

[faramirsonofgondor]

we all know that when jamie said “it’s funny when roy’s yelling at other people” what he really meant was “that was so fucking sexy i want to jump his bones rn” but unfortunately the ted lasso writers are cowards 😔

[bpdamn]

daily reminder that there’s a difference between hating your abuser and hating every single person with npd. one is understandable the other one just makes you an asshole

[boasamishipper]

i can tolerate a lot of things from writers and showrunners but outright condescension and disdain for their fans is not one of them

[gaytedlasso]

The way Trent’s book feels like it just became a tiny footnote in the story

[queenretcon]

okay so listen I have this thought

after seeing the movie twice in theaters (where I could still have missed something), I don’t think there’s any direct mention that Victoria was the one who took Jenny in after her mom died (when she was 6) and her dad disappeared (when she was 8)

I think the 15 years Victoria mentions probably started from when Ted disappears (putting Jenny around 23?), so there’s a lot of time in Jenny’s life where we don’t know who was taking care of her. I suspect the intention was for it to be Victoria unless the ambiguity was on purpose, and Jenny likely did live with her for a time

but maybe not the whole time? maybe there’s somebody else who Ted would leave his darling daughter with if he was about to try a dangerous stunt? somebody who Victoria would easily be able to win custody from, adding to Jenny & Victoria’s animosity? somebody who would raise a kid who would steal some shit from a high security facility while wearing that rad lavender suit?

[jamietwat]

On Jamie’s birthday, Roy gives Jamie two things

The first is a more recent Roy Kent poster because he thinks it’s funny and to be a dick. When Jamie opens it, Roy sounds heavily amused as he tells him he even signed it for him

It was supposed to be a joke (and Jamie does find it funny too) but Roy did not count on having to stare at his own face every time he’s over at Jamie’s now but Jamie loves it and gets it framed and displays it prominently in his house

The second thing is his jersey from playing for Team England except he had Tartt changed to Twatt and Jamie loves it just as much as Roy loves his Kunt one