#we do NOT talk about generation me here and i do Not really like the fact that they were broken up but at the same time. the angst

[plainclothesdisaster]

DPxDC Mechanical Engineer Danny

Danny caught the attention of Batman while studying at Gotham University for his alternative energy projects. He’s hired right out of college to work on the Watchtower.

He shows absolutely no tell of his abilities till there’s a dire situation- Flash’s electric discharge messes with one of his projects in progress and the whole base would have lost air pressure if he hadn’t done a quick fix using telekinesis and ice.

Of course Batman notices.

Batman assumes the worst- he suspects Danny’s a rogue of some kind, someone who has infiltrated the Justice League with an ulterior motive. But he can’t just fire Danny now- he’s the only one who knows how the new Watchtower energy source works. Plus, he’s not letting Danny go anywhere until he’s figured out his true motives.

Cue Batman subtly testing Danny- tossing things at him to trigger inhuman fast reflexes, having him lift too-heavy machinery, setting up convenient opportunities to steal or snoop or otherwise be up to no good. Danny does take advantage but only once, to use a computer terminal with unlocked clearance. He didn’t plant any bugs that Barman could find, and he otherwise kept up his powerless civilian act perfectly.

Still, Batman’s not satisfied. He brings an infrasonic sound emitter to Danny’s lab one day, and that, of all things, is what gets Danny to break.

“I know what you’re doing,” Danny admits with a sigh, finally. “If you’re really that suspicious of me, I can leave, but I kinda like my job so I’d prefer not to. The benefits are insane compared to what’s standard.”

“I don’t know what you’re talking about.”

“Sure. yeah. How about you turn off the freaking noise generator and we can talk?”

“Hm.” Batman obliges, and he takes the stool next to Danny at his gesture.

“Number one, I’m not a meta. Despite all the data and conclusions you’ve probably drawn otherwise. Number two, I’m on your side. I’m here to work on the base, that’s it. I follow your rules to the letter.”

“The-“

“The classified files I looked at? Yeah that was the one exception. You already know what I looked at, I’m sure, but maybe you haven’t figured out why. It goes back to point one- I may not be a meta, but I am something that organization, the GIW, cares about. I looked at your files on them to sus out your relations. Seeing as I don’t particularly love being the victim to twelve degrees of human rights violations if I can avoid it.”

“Hm.” The Ghost Intelligence Ward was one of many government agencies that the Justice League hadn’t worked closely with. But they also hadn’t been flagged for Justice League investigation. Danny’s comments made him doubt that call.

“Any other questions?”

“If you’re not a meta, what are you?”

“I’m an engineer. A pretty decent one. And I’d really, really like it to stay that way.”

Batman considers, and ultimately lets him stay. He likes Danny (everyone likes Danny), and it would be a massive pain in the ass to replace him. He really is a good engineer.

It’s only much later that his faith in Danny is repaid in spades.

Batman finds Danny on the Watchtower command bridge. Alarms are blaring, the station has been knocked out of orbit, out the window there’s shrapnel floating everywhere as a space battle rages around them.

On the station it’s chaos. Technicians run around, shouts from the med bay, sparks from the walls.

Batman and Danny stand at the main controls, watching the battle outside, stoic, unmoving.

Wonder Woman’s harried voice crackles through on coms: “We need backup.”

“There is no more backup.” Batman replies, while looking pointedly at Danny.

“What?”

Batman doesn’t move.

“What.”

“The impact from Darkseid’s initial attack should have sent this station on a terminal trajectory toward the planet.”

“Well. We aren’t currently plummeting to our deaths, so turns out it didn’t do that.”

“You did something.”

“I don’t know what you’re talking about.”

“You’re lying.”

“Maybe Superman nudged us back on course in all the chaos.”

“I’ve been watching the trackers. No one else with the capability has come near the station.”

“Can’t you just be grateful we got lucky?”

Sounds of peril screech over the coms. Danny’s face scrunches.

“Luck had nothing to do with it. As it is now, we are going to lose this fight.”

“Isn’t there anyone else you can call?”

“I’m asking you. You can help, can’t you?”

The glare-off lasts a long moment more before Danny breaks.

“Fuck. Fuckity fuck.” Danny runs his hands through his hair. “Shit. You don’t know what you’re asking.”

“I’m asking you to save this and countless other worlds from a genocide. I’m also asking you to save my friends.”

Danny looks at him, hard, weary, and with a kind of deep resolve that feels far too ancient to be on the face of a supposed twenty-something.

“Fine. Fine. Okay.” He steps back and transforms. If Batman is surprised when he shakes off his human appearance like an old coat, he doesn’t show it. But what’s undeniable is the being in Danny’s place has the unmistakable presence of power.

“No one else can know.” His voice echoes in a way that’s sonically impossible, both sounding closer and further away than he should be.

He pulls a gear-shaped medallion seemingly out of thin air and puts it over his head in one motion.

“If I get in trouble for this, I’m blaming you.”

He vanishes. Outside, the shape of the battle changes instantly. The stars seem to glow brighter as the arms of the galaxy flash with the colors of the aurora. Then it’s like the void of space itself comes alive. It moves the spaceships back like they’re toys, plucking them from one side of the field to the other. It finds Darkseid at the heart of the chaos and massive arms of nothingness and darkness wrap around him. He’s screaming as it swallows him whole.

His armies scatter. The battle turns. The JL deal with the stragglers, but the air of relief is palpable.

Danny reappears next to Batman, once again donning his grease-stained coveralls. Arms folded.

“Happy?”

It took all of five minutes. Less, probably. Batman tamps down a thousand questions.

“Thank you.”

“I’m gonna need two weeks off minimum.” Danny snaps. “One to deal with the bureaucratic nightmare you’ve just caused me, and another to recover from the headache.”

Batman blanks. “Granted.”

Danny sighs. “And I’m not fixing the station until I’m back. It won’t fall out of the sky as is. Make up whatever excuse you want.”

“Done.” He considers. “I would prefer to tell them the truth. That you saved us.”

Danny glares. “I’m not supposed to save you. I made a pact not to use my power to influence the mortal realm.”

“A pact with who?”

Danny rolls his eyes. “The embodiment of Time. The concept of Justice. Among others.” He smirks at Batman’s confusion.

“And what, exactly, does that make you?”

He stands, framed by the space window, haloed by the stars. “I’ll give you three guesses.”

Batman frowns.

“Look. I like you guys. I like working on your base. I like supporting the work you do. But you can not go factoring me in to any of your plans or contingencies. This was a one time thing.

“So to answer your question again: I’m an engineer.”

[magerightsmagefights]

This reminds me of the sentiment I had when I first played the game, when I got to know both Davrin and Lucanis that I thought, "Hmm. These seem like two petri dishes of Fandom Romance, labelled "Blackwall Concept" and "Blackwall Appearance" respectively.

Let me explain.

I am not saying that either Davrin or Lucanis are based on Blackwall, nor that they are Blackwall cut in half. But in terms of story, and particularly the way the first few scenes treat Davrin/Rook vs. Blackwall/Inquisitor, there are a few striking similarities.

Their first scene introduces us to an (assumed) Grey Warden, who is gruff, action-oriented, and will take control of a dangerous situation without hesitation. Through external storytelling (Assan/Blackwall's recruits) we are also told that this man has a gentler, nurturing side to him, and a goal to protect those weaker than him. This man is not awestruck by the protagonist; indeed, he's comfortable issuing orders to them if the situation calls for it. He isn't recruited by any initial attraction to the protagonist; he agrees to join the team because he has a deep-rooted urge to help, to save, and to protect.

As we get more acquainted with this Grey Warden, we learn more about him: he's comfortable and competent in a command structure, no matter whether he is subordinate, superior, or comrade. He likes animals, is generally laid-back, and carves wood in his spare time. He protects the innocent, and admires those who do the same. He's self-sacrificing to a fault, perhaps to a worrying degree, but that's par for the course with Grey Wardens.

Here, of course, the two paths diverge. Davrin is a woodsman in the Dalish sense, with a love for nature and a soft, mischievious side he thought he'd left behind in childhood. Blackwall is, well, Blackwall, and who he appears to be is different than who he is. But that's what I'm talking about. Appearances. Because the first few scenes are how most people get their first impression of Blackwall, they don't know the truth about him.

All to say, everything Blackwall appears to be at the start, Davrin actually is. Everything you thought you were getting from Blackwall, Davrin actually delivers. Gruff, masculine with a soft side, Grey Warden warrior who self-sacrifices. Love for animals, love for those weaker than himself, and willing to cut his own throat to feed the flower of hope.

And then we have Lucanis. He is nothing at all like Blackwall, except that they are middle-aged men with long(ish) black hair and excellent black beards. There's not much else to say.

It's so clean-cut, it feels like a science experiment. If not for DAV's hellish development cycle, I'd wonder if it was deliberate. Here sit our two petri dishes, and between them sits a question: Is it the character concept, or the appearance?

Given the preceding posts, and the general nature of the DA fandom, I think the answer is self-evident. But this is about more than popularity. Blackwall wasn't the most popular Inquisition romance. This is about who the fandom is markedly aggressive to. On its own, the sentiment "Davrin is irrelevant" is, frankly, bizarre. Others have already mention how crucial he is to the main plot, so no need to retread old ground. This isn't even about relevance, because plenty of DA companions are irrelevant to their main games. That's why you can kill, send away, or simply refuse to recruit so many of them in the first place. Davrin is certainly more 'relevant' than Blackwall, and yet there is far more discourse around him. Davrin is far more crucial to the main plot, and yet there is still that constant string of questions about whether he's "really necessary? Do we really have to pay attention to him? So what? He's the least interesting companion, not because he's Black, it's just because he's badly written."

Is he, though?

Is he?

i'm sorry but the "da fandom is a little racist BUT veilguard holds most of the blame for making davrin so irrelevent in the game" excuse is the weakest shit i've ever heard. no actually i genuinely think this is almost exclusively a fandom issue. like i won't argue that the "davrin vs harding choice is reliant on assan" shit john epler pushed was unbelievably racist and i won't argue that there's merit to the fact that it was tone deaf at Best to have the black man's character arc so reliant on his animal companion but i'm sorry you cannot fucking convince me that the "knight in shining armor with a gentle heart and a cute animal companion that takes you out on picnic dates and carves you little wooden trinkets" character is not almost Perfectly Engineered to be the most popular romance option in any game ever and yes i fully believe the only reason he isn't is entirely hinged on the fact that he's black and no amount of whataboutism towards the devs can convince me otherwise

[fangirltothefullest]

You know.... tumblr is the only place I've ever felt like people can match my brand of neurodivergence. And I'm not talking about the weird conversations or funny posts either. I just mean in general conversation and interaction.

I've been in a small room with 12 other strangers for this soft skills class I have to take for this program that's helping me get a government job as someone with adhd and I just..... feel like such an alien when I'm in the room with them? They're all different ages and some are even around my age but it's like I'm pretending to be a person for them just as I would be doing around neurotypical people.

I am constantly masking in front of these people that are supposes to be like me.

More than one have adhd like I do but they're so different than me? There's so much unnecessary laughter that feels so forced and fake? All anyone wants to talk about are sports and parties and alcohol and drugs. Its exactly likw it was in every other social situation ive ever been in. "Who last partied and got black out drunk"- "my party days are over but i can still knock back a 12 pack of whatever and function just fine"‐ "last weekend i partied i got too high to remember my name-"

Or who rooted for which sportsball team and why the spoinklers are better than the spronklers. The sprunklies had a great pass but they called it too much for the spranklies and it was all rigged. I would stop watching it but I like mr pitcher-catcher-thrower-frontguy and if he can make it this year he'll win them for the whateverchampioncup for sure.

I feel like an alien studying an entirely different species.

Like is this how people always interact? Is it all fake nonsense or is it code? It feels like it's all in code and I just have no fucking idea what that code is.

Cause like I can tell none of them actually care! I KNOW we are here for a soft skills class but like.... this isn't soft skills this is high school locker room. This is people desperately trying to fit in. Soft skills are keeping things civil and connecting with fellow humans.

This didn't feel like forming connections, it felt like pretending. It felt like showing off. It felt like people vying for their chance to be in the spotlight. It felt like America's next top banana.

We were told not to talk about religion, politics, sports and personal lives at work because all it does is start drama at the workplace. What did they proceed to do? Talk about every single subject on the no-go list the moment we'd agreed not to. Did they think "no" was code for "do this immediately"?

Like is it me? Am I really so confusingly alien that even the people that are supposed to be like me, that also have adhd, are just so different?

And I come here on tumblr and yall get me.

I post about making a PowerPoint about the most fuckable pasta shape and yall are like drop the PowerPoint.

[flymetosnarryland]

We have a problem...

There is only one person you can ask for help when Harry disappears, right?

I'm stressed, super tired and in pain, so… going to vent a little, because feeling a bit helpless, eh. The thing is, I have this nasty cough and I have it all my life. 30+ years of endless months of freaking cough that no doctor knows why I have it and how to fix it. I know people have worse health problems, so I'm not complaining. I'm just living with it, even if it's really hard sometimes, because my body is too tired to deal with it. Imagine coughing every day for couple months in a row like you spit your lungs and other inside stuff out. Your throat is sore all the time. You have hoarse and your chest muscles are on their limits, everything just hurts. Every time it ends, I'm feeling fucking blessed. Now it's going for two months after a month or so break and I'm pretty sure one of my chest muscles tore up or something. The doc I went to, said by hearing what I feel, that it's some in between ribs nerve issue. She gave me some fat painkillers and say goodbye, heh. (They works half way though) I hate to take pills and trying to avoid it as much as I can. But I started this year with different pills for different shit and I just want… I want this cough to stop. I want to be free from other not fully understood health issues than was born from that stupid flu and go back to my good, free from stress life. It was so good before, eh. I just cross my fingers that the lungs specialist I have a visit at Monday will not treat me like a pest and actually will be able to help solving some of the 30 years old cough's mystery. I'm not dying or something. I'm happy, because I'm pretty healthy in general. But I'm so freaking and dead tired because of stupid, neverending cough and can only cry. Just cry, cus can't do a shit with it. Normally I was swallowing it all. It's a shame to talk about something such trivial like this, isn't it? But as my psychologist said, I shouldn't ignore things that makes me feel really bad. And to be honest, talking about it, venting here and even crying, eh, it helps. Next day is a little bit better. Every time. And I'm really happy and grateful for having something to do. To be able to draw at least, since I'm slow with writing cus of the pain. But Snarry truly is my comfy blanket and helps me a lot dealing with stress.

Whoever managed to read that wall of cry, thank you. Hopefully you will not count me as stupid, heh. It's hard as fuck to share personal stuff for me. Especially knowing that other people have bigger problems... mines sounds silly compare to others. I know...

[moanz111]

i stumbled upon this while scrolling and it's such a well-written post that i just had to share my thought on this too!

first of all, i've been a fanfic reader since i was very young so i know what it feels like to be on the other side. i've been anxious and nervous to reblog or write comments and have never even thought of messaging the authors i read and liked just because i was terrified of being perceived. but trust me, writers are so incredibly grateful for every little interaction they get. i know it can be nerve wracking but you will never be judged for what you have to say! every single piece of feedback and opinion i get means the whole world to me and every time i get a comment, a reblog or an ask makes me so happy, it seriously makes my whole day.

i've been on the writer side since summer 2023 and a couple of months ago i came back after an extremely long hiatus and was so scared and worried because almost a year had passed since i had last promised updates yet i had failed to come back due to many reasons. but then i saw that people still cared and even though i lost most of my readers from back when i first started writing, i was so happy to see that new people were getting interested and were actually willing to talk to me and share their feedbacks. so thank you, to those who have been doing that <3

i don't judge people who decide to stay silent but trust me, there's nothing to fear! writers don't bite, we're human too so of course, naturally we thrive off interactions too, just like anyone else. there isn't a barrier between the two groups - all of us are fans of the same things and share the same interests, this is always a two way relationship.

writing is my hobby and something i like doing but sometimes the silence is killing me especially after coming back from a hiatus 😭 i don't write for notes, i do it for my own enjoyment but still, hearing something nice about your works always feels good and validating!

and about the genres - i see too what's more read and what's popular but it's so sad to hear that authors force themselves to write something that they don't originally really want to just to have someone read their stories. every story is worth giving a chance and authors shouldn't be required to fit themselves into certain boxes just so people pay attention. no one can be forced to read anything of course but my whole point is to be kind to authors and give them a chance because sometimes you can find such gems when you least expect it.

of course, there will always be genres that are more generally liked but we need diversity too so please, writers do what you want and what you love - the right people will appreciate it.

and on that note...i've been mostly writing smaus/texts so i feel like like sometimes it's even harder to get feedback and i think these are not as read as before but i still think it's worth keeping even this genre alive just because it's so fun (at least to me).

i just hope our community here stays alive for longer and starts thriving because it's so sad to see so many people leave :(

just be brave, interact and encourage others to do so too! support your favourite writers because they all are amazing and deserve all the love in this world!

to a dying? atinyblr

i don't usually speak about these things, but a lot of blogs (amazing writers) are leaving this platform or taking time off bc of lack of engagement which serves as a big demotivating factor. especially and specifically in this atiny fandom, some things have come to my attention and i just want all readers and writers to take a look at this post and refresh some reading and writing etiquettes, as well as revive the essence of being a part of this fandom.

feedback:

i understand that there are a lot of silent readers on here, but since tumblr is dying and our fandom is not very huge, the least you can do to show the writers some support is like the post. 

which brings me to the point that the like function didn't even exist in the past. this site still runs on reblogs. as readers, to show your favourite writers some semblance of support, you should be reblogging with tags. a simple ‘#ateez x reader’ or ‘#ateez fics’ is enough. it's literally not asking for much– reblogs are the only way writers can get reach.

if you cannot do that bc of your blog's aesthetic or whatever, side blogs exist. if you still cannot do that, a simple anon ask appreciating the writer sometimes saves them.

also, what has happened to the quality of reblogs? readers consume years of writers’ work and efforts in mere hours and don’t even leave any feedback? art in general in all forms is very underappreciated and with all sorts of problems like plagiarism, ai writing and everything, true art and writing is dying and needs to be appreciated now more than ever. we’re literally the last generation witnessing ai take over in all fields of arts. appreciate content creators before it’s too late, don’t be a content glutton!

updates and requests:

asking writers for updates when they specifically mention that they would prefer posting at their pace is wrong for so many reasons– we all have a real life. you, the reader, do too. just like you don't always have time to read, writers don't always have time to write. do you ever see the writers asking their readers 'why have you not read my latest chapter?' 

most of the times, writers mention in their bio/faq post or elsewhere that they do mind being asked about updates. respect your writers, please, and do a little scroll before you send such demanding asks (also, sugarcoating when asking for updates does not make it any better!)

if you are only asking about updates, it demotivates a lot of writers bc these same people will disappear when it is time for feedback. writing is a form of art. we can write, artists can paint, musicians can compose music, but all of it has no meaning unless it is shared with an audience and appreciated. readers are just as important as the writers but there is no way of knowing fics are valued unless feedback is given.

the same goes for requests. you can only send a request when the requests are open, which is usually mentioned in the writer’s bio/faq post. it’s literally not that hard to check if requests are open and it’s basic decency to not send a request when the writers specifically mention that requests are closed. when sending a request, please be courteous. a ‘please’ or ‘thank you’ are examples of being courteous when sending requests.

the fanfics in atinyblr:

i understand that you can read whatever you like, but why is it that in the atiny fandom, fics that do not contain smut hardly ever get attention? as a writer, i enjoy writing and reading smut, and while i am not specifically a smut blog, i have noticed how fics containing smut get far more reach than fics that do not contain smut– not just in my case, but other amazing writers as well. 

there are such amazing fictions in this fandom. all fics are crafted with dedication and care, yet stories without smut often get sidelined. writers are not able to express themselves in their writing freely anymore and they simply conform to a genre they know readers will consume, as they are forced to consider adding smut to their stories so they can get more reach in this fandom. i have heard accounts from a lot of writers who were inclined to add smut to an otherwise smut-free fic just for reach.

this is by no means hate to the smut writers. i am also not placing blame on them. smut drabbles have always been in this fandom, and there are amazing smut writers out there, doing their thing. it is the readers here who are failing the writers. readers are quick to talk about the lack of ‘good fics’ or ‘plot’ yet will not even bother searching for these works. there used to be a good balance and appreciation for all genres alike.

i know that smut is what's hot and trendy these days, and drabbles in general, no matter the genre, are easier to read when you want to take a short break. but there is such a lack of longfics in this fandom, especially as of lately, and as someone who has personally witnessed the ratio of longfics decrease exponentially, i felt the need to point this out. appreciate all writers! appreciate all genres! longfic writers need as much validation and encouragement as drabble writers, and vice versa! don't be too harsh on longfic writers for not pumping out fics at the same speed as shortfic writers.

and on that note, smut drabble writers experience a lack of quality feedback despite the high engagement, so readers, please don't hesitate to point out exactly what you liked about a fic, even if it's a short drabble! be kind to those writers, give them time to write and be kind when sending requests! they may post more often but they, too, have a life.

tags:

this is specifically for the people who will post a very normal picture of a member, no caption, but tag it something like #ateez smut, #ateez hard hours, #ateez x reader. and for the people who tag their asks with irrelevant tags– literally learn to tag your post properly, and stop crowding the wrong tags. you're just proving the point that if you don't tag a post with the smut tag or something similar, it won't get reach. if you've posted with a caption, that makes sense (though it still doesn't warrant some of the tags being used there).

as for writers, also learn to use your tags appropriately. fics that do not contain smut should not be tagged with smut related tags. believe in yourself. i get that there is the problem of reach but do not overcrowd tags with irrelevant material.

disclaimer:

this is by no means about me. if i cared about the notes, or lack thereof, i would have stopped writing a while ago. while it is challenging to be a writer here, especially as of lately, i still enjoy posting whatever i write no matter the genre or the word count. but it's a bit disappointing that my planned out fics get much less attention than a simple smut headcanons post that i wrote in the heat of the moment with my friend in literally a few hours as a joke (which has reached almost 10k notes btw in a span of 2 years). sure, it has exposed my blog to new readers but that's about it.

this post is for all the amazing writers who have left, are thinking of leaving, or are struggling to voice these problems because they are afraid of being marked as 'problematic' or a 'hater' or something worse. i am not afraid to voice my opinion on here, and if you think that i am wrong, feel free to interact with this post and correct me because i am not claiming that i am right about this.

these are just the observations i have made as someone who has been actively writing on this platform for about 4 years now, and since i have a decent number of followers, i hope this post gets more reach. do not be afraid to reblog this if you agree, and even if you do not, reblog this so someone else gets educated. i may have missed some points so feel free to add if you want too.

[crsssie]

sniffles and sneezes - spencer reid x sharpshooter!reader

You think on occasion that Spencer is too smart for his own good. F4 on the chess board, talking down an incredibly intelligent unsub, cyphers read like the languages he understands. On strange occasion, you find yourself sitting on the balcony of your shared apartment all alone when he's reading.

You don't know if he can read the insecurity off of you every time, but he has a general sense of when to leave you alone and when not to.

You sneeze, scrunching your nose as you sniffle and huff.

"Here." Spencer hands you a mug of tea, blanket in the other hand wrapped around your shoulders.

"Thank you." You sigh. "Got... tired."

"It's a taxing job. I'm a taxing man." He rubs your shoulders soothingly. "You going to tell me what happened, or should I guess?"

"I was just wondering." You sniffle, taking a sip of the tea. "Oh, that's so good— I was wondering if I'm really fit for the team."

Spencer nods slowly. "Like me a couple hours ago?"

"I don't know." You huff. "I feel like I'm only really good for shooting things."

"You provide insight that no one else can. You have a perspective that few do."

"No, but there are plenty of snipers out there." You blink slowly. "I'm not that special."

"Well, they're not you. Everything is intentional, no?"

"I'm not too sure about that." You tilt your head. "Though, I do have to say, it was fun when we first met."

"Oh, honey. There's no scientific reasoning behind how I fell for you at first sight. To call you an angel from heaven couldn't have possibly be more accurate."

You laugh. "It was not that dramatic."

"Thought about the possibility of a God existing for a solid second when I met you."

"You liar." You hit Spencer's arm, panicking when the tea threatens to spill over.

"You just don't know."

[postsforposting]

that's an incredibly negative view. i don't think people should default to steelman; i do think taking a positive view, especially of toneless plain text, should be the default. it makes for a pleasant atmosphere. unfortunately people, especially online, seem to think the meanest view of those around them is.....a good thing? how it should be??? that there's no other way to do things???

we really can just. not. do that. believing other people mean well is....a pretty basic requirement not only for civility but also for simple geniality.

and again, "it sure can be stated in a negative or entitled way, but that is true of literally everything. that isn't the nature of the sentiments expressed here." i didn't rephrase anything.

the difference is your attitude vs mine about other people that neither of us know. everyone knows a "bad attitude" sours everything, not because the rest of the world is suddenly foul, but because that's what you personally see. most people have the self awareness that's a personal problem and they should not change how they treat other people based on....personal mood. you can feel annoyed while understanding "annoyance and selfishness" is your own miasma and not what others meant.

that's. really the entire thesis. if we're going to declare hate is the default, and it's this hard for people to understand, perhaps we need to demonstrate why that's a bad idea.

"where is the content"

if we interpret the meaning in your way, this is someone who is either new to fandom or to a particular website. it is a normal question to ask. most people in the world never even know settings and manuals exist, let alone look at, understand, or change them: the things that control their experience. for clarity given the nature of this conversation, i do not mean "haha what a fucking entitled jackass" in the sense of your use of "ignorant"; i mean "figuring out and understanding things is hard for most people". let alone people who are new to a thing. asking something like this is normal, expected, and necessary. responding in the tune of "what an asshole" is unkind and establishes a gross atmosphere.

i daresay a lot of people are familiar with the lucky 10,000 comic. everyone likes that, but when it comes time to practice it? yeesh.

you misunderstood what i said above; i don't think it would be useful or correct to dismiss that as ""fucking ignorant"". it sure does make a lot of people feel good to do that though. which is the problem.

even going "where is the content????" is often "i am frustrated that i can't find these wonderful things everyone else easily finds, will someone show me". "where the fuck is everything" is the same idea in a much more combative tone; for some strange reason, it seems like that would be seen LESS negatively given the worldviews in this post.

imo, generally people ask "where is the content" to express that they have noticed there is less now than there used to be. hence: i love this so much, why don't other people.

people write in the style of how they talk when having an in person conversation. generally nobody goes around delicately crafting their punctuation to avoid the slew of wrong interpretations that are possible with any statement. let alone the cultural differences that can contribute to that. people assume you're going to understand them, or at least that you'll ask for clarification and not default to jumping down their throat. like, you know. the way people navigate normal conversations.

i don't know why people should have to put that much effort into what they say, while listeners not only don't but aren't expected to put in any thought to how they're interpreting it. the speaker has to accommodate literally every possible way they could be interpreted, including batshit aggressive ones (which means they have to assume their listeners are both.....ignorant....and nasty? unpleasant way to live.), while the listener gets to assume their knee jerk and negative assumptions are perfect and they can't have possibly misunderstood or inserted things that aren't there?

fuckin weird.

"why has all the hype died down"

if most people understand this, either this person is one of the ones that do not, or they don't mean it strictly literally.

if they do not understand it, again, asking why is a normal and expected thing. lucky ten thousand, yeah? responding negatively to that is....not nice. does not create a pleasant atmosphere. i don't think most people are familiar with serious fandom; most people aren't part of it, meaning they watch a thing, like it and move on without engaging further. the "fandom" people are generally familiar with is juggernauts that have lasted decades, things with dedicated yearly events: things that have never died down and the average person always likes. it is normal to think that if you like a thing, you don't suddenly stop. that's wrong, but it's how people think of fandom.

if they do not mean it literally, imo it usually means something to the effect of "why did people stop liking this". a normal thing to ask, especially if they also don't understand the fad nature that most fandoms go through.

"Why is there no more content why did everyone leave"

follows naturally from the previous. "there is nothing" generally means "i can't find anything". it's a request for help. people are uninclined to phrase it as "please help" because.....a lot of people respond to that with "haha what a fucking ignorant asshole". it should not be hard to see why that's destructive.

it could also mean "there is way less", which again, is normal to wonder. "there is way less" is only asked if you....want more. because you enjoy it. that brings us to

"it's about the blatent dismissal of creators' work and being content-hungry"

which you unambiguously mean in a negative way.

"i am sad that there is less" does require that the speaker enjoy the content and would like more. that is....the opposite of "blatent dismissal". the most common fan question is "will there be a sequel" and "what's the release date". you seem to think those are disgustingly hateful things to ask, which is a bit odd given that most fandoms get upset when their canon content is cancelled.

"i like this so much that i want more" is second breakfast and elevensies type behavior. of course people are.....content hungry. i think it's a bit mean to take gollum's view that pippin and merry are nassssty wicked hobbitses for that. it should be obvious that such an attitude drives people away and makes it feel like their appreciation isn't wanted.

....

i gotta say, i'm tickled pink that people who identify as "serious fans" deny that there can be meaning beside what you personally interpret, especially when the common fandom sentiment is "oh that was a clumsy accident, it doesn't mean anything deeper" while.....inserting all this extra meaning for actual, real, people who haven't had years to craft what they mean. we imbue two seconds of thought with hatred, but nothing for years' worth of a deliberate act?

"there is less" is about those who stopped. it is not about those who remain. it's quite obviously not about you. to answer with "it's not dead, i'm still posting" is to insert yourself where you weren't addressed. sir this is a wendy's. even when it IS a personal question, that's not inherently a demand to perform, it is literally just interest in you and your thoughts. "why" is not a hateful question. and even, EVEN a personal question, you still really can just. not answer at all. regardless of the valence you assign to it.

people are always going to have the same questions as other people, because every day someone new shows up, or someone old has a new thought. reality and your reaction to it are separate things. if they were not, we would have to shout down every kid asking endless whys, since obviously the parent's annoyance and frustration must be synonymous with the kid being a hateful greedy dismissive monster telling its mother she's not good enough, a child who needs to be taught that expressing interest is a sin. bad way to go about interacting with other people, if i do say so myself.

if you don't enjoy the culture of having everything you say reprocessed into its secret and true evil meaning that you obviously totally intended, perhaps we should. just not do that. to other people. as a general rule.

hostility is unpleasant to be around. there shouldn't even be "doubt" to benefit from, but even then, assuming other people aren't evil should not be treated as a sin. whereas doubt literally is a canonical sin.

'Where is all the Deadpool and Wolverine content'

'Why has all the hype died down'

'Why is there no more content why did everyone leave'

Meanwhile the people who are making the content are left feeling insulted because lord forbid we're not enough. Dude stfu and make your own stuff or didn't complain.

Do you see me whining about Boondock Saints? No! Because that's an old franchise and there's not near as much stuff as they're used to be, but I love everything that comes from it. And I don't ever complain.

[didalexiabreakupwitholgaisback]

Can you please give us your full match breakdown if you have the time? I love reading your thoughts and it helps me learn so much about the game.

hi anon - thanks! okay, here are my general thoughts below the cut:

tl;dr it's not a castrophic loss but if you look at the trend of league matches, we saw it coming. february is the one month we have to get our shit together before the champions knockout matches start! so there's more to learn from a loss than a win at this stage! this is do or die time for pere 🙏

so we have to note that it's the first home loss ever at estadi johan cruyff and it was against levante, a team that i've discussed a lot on my blog as being an example of a good team that has fallen from grace. it's women's team budget was cut and the team sold off all its top players, and levante is now facing potential relegation in the league.

this is a levante who fired its previous coach (who is facing serious allegations against him) and so you could say that levante has that "new coach bounce" feeling about them. they had a gameplan (low block and attack on counter) and they executed it well.

with that background, it was obvious that pere would be playing the "b" team, meaning mostly squad players. now when we talk about rotation in the team and that includes using bench players for matches against these lower ranked teams. they need to get minutes and game time and these are the "safer" matches to play. because at the end of the day, thankfully there's really no major consequence to the loss here but we know more about what areas the squad need to work on.

having said that, pere got his tactics wrong with this line-up. it felt like they hadn't played together and weren't on the same page with each other. now even when you play your "b" team, they should at least be able to anticipate each's others runs and be unified in the plan to break down a low block. that didn't happen here tonight and that's on pere with a lack of training against this type of defense from the opposition.

as evidence of that, there were too many moments when passes were mishit because of lack of anticipation of player runs or a player was on a run and then had to double back because the player with the ball was a step behind and they had to catch up. the reason we practise rondos and these small sided drills it to minimise this. but i saw way too much sloppiness today.

we need to be more disciplined. you saw errant passes or shots on goals when our players were getting frustrated, either due to a lack of calls by the referee or after time wasting by levante. you can't let opposition tactics get under your skin like that.

can pere please rest aitana for once? you can't start aitana and play her for 90+ minutes match after match and expect her to be effective as a leader for this "b" team. the same goes to caro who has just come back from injury. having said that, they had some great crosses, but we couldn't finish them...

by that same token, you can't throw on alexia and ewa and expect them to clean up your mess if the tactics are messed up from the start.

this is the most extreme example of what we have been battling with all season. there were so many matches with a weak first half and where we didn't score until the second half or get our flow going until the second half. it was too little, too late tonight.

we need to be more clinical on finishing. salma missed chances, aitana missed chances, esmee missed chances, kika missed chances, alexia missed chances. caro missed chances. it wasn't flowing for anyone. this has likewise been an issue since the beginning of the season. 47 shots and only 1 goal to show for it is unacceptable!

and to drill down on scoring, we need to be better on set pieces like corners and free kicks. we had 18 corners, 18! you can't have that many opportunities and not capitalise on them!

i can't put this loss on ellie but this is why we need more reps for her because we need to build up her confidence so that she's in total command of the defense and we don't have incidents like the second goal. by that token, not a great defensive performance. we can't ball watch and we need a better understanding as a unit. engen was okay in the first half and had a few mistakes in the second. but patri is injured and it doesn't help engen to say she's washed and be overly critical. just like everyone else, there are areas where she can improve too!

anyway, like cata says, with this team to the death, so let's watch the game tape back and make damn hell sure that we are learning from this! 🙏

[bwat5-blog]

A Sister's Love: Jinx & Vi

**Spoilers For Arcane**

A while back I had a short but pleasant discussion with someone on one of their posts about Jinx's treatment of Vi, and how it can feel like Jinx doesn't seem to care about Vi in many instances. In hopes of further discussion, I posted in the community where many of you wonderful folks shared your thoughts on the subject and I got a lot of really good insight into this as well. I was thinking about that this morning and it got me thinking about Jinx in general, and more specifically the times when even if it's not as clear, her love for Vi shines through.

I've said this many times but it bears repeating. I am aware that I have been quite harsh on Jinx. The unfortunate reason for most of that is that a significant amount of Jinx fans have an obsession with comparing her to Caitlyn or Vi that borders on the fanatical. But my issue has never been, and will never be with the character herself. I think she is absolutely amazing as a character and loved watching her story unfold.

*I do this every-time but I think it's important. Especially because some of you have shared with me that your own mental health is what has made you connect with Jinx so strongly. I understand and recognize that her mental health plays an immensely important role in her character's journey. I am in no way, shape or form a qualified mental healthcare professional. So any disrespect or lack of sensitivity is not my intention*

Jinx & Vi:

The journey of these sisters is heartbreaking and inspiring in equal measure. It is many people's favorite part of the story and for good reason. They are so close when the show begins and ripped apart by the darkness in their world. Only to fight their way back to one another through love and sacrifice.

But their story is not without conflict. In fact at their lowest point they almost kill one another. There is much that can be said about Vi's love for Jinx, the times she fails her, and those important moments, but I want to focus on Jinx right now.

I don’t have exact quotes on hand, but someone in the community made an excellent point during our discussion. Even when Vi and Jinx are at odds, and Jinx’s hallucinations try to convince her that Vi no longer loves her—that she’s been replaced by Caitlyn—Jinx fights back. She defends who she knows her sister to be, even if she can’t always silence those voices. It’s only pain, fear, or manipulation that pushes her too far, making her lose her grip on what she knows to be true.

During the horrifying sequence when Jinx is being saved by Singed, she hallucinates. And who does she hallucinate in that terrifying moment when she is in terrible pain and in such need of comfort? Vi. Even though she just tried to kill Vi on that bridge. The vision is only corrupted when Caitlyn appears, which all stems from Silco and Sevika feeding Jinx's paranoia.

Okay. I know what some of you are thinking seeing me post ANYTHING about the dinner party on a Jinx positive post. Hear me out. There is no question that Jinx does ALL sorts of fucked up shit here. But we are talking about her love for Vi. What does she want here? She wants things to be like they used to be. She wants her sister. She is in such a dark and twisted state that she cannot see how terrible her actions are, but at her core, she wants her older sister to love her like she used to. She doesn't hurt Vi (I mean aside from the bonk). Additionally, and again- I AM NOT SAYING SHE DIDN"T DO TERRIBLE THINGS HERE- Even with all she did to Caitlyn, she knows Vi cares for Caitlyn, she views Caitlyn as the one who was taking Vi from her, and yet she doesn't kill Caitlyn and she easily could have. This is not about justifying anything she does. It's about looking for what lies beneath the darkness in her to see the person she has the potential to be again.

Here at their lowest moment, when Vi and Jinx have almost killed each-other, and Jinx is glad Vi is the one who is going to finish her, Jinx screams "NO!" when Isha does this. She doesn't want Vi to die.

Vi is at her worst during her pitfighter arc. I'm not going super in-depth on this because this post is about Jinx but Vi is in a self-destructive spiral and totally alone. It's quite clear in one moment that Jinx is there in the crowd but if you slow down the whole sequence you actually see her there a few times. This was primarily what I was discussing with some other people and I believe Jinx was watching over Vi in the best way she could process. I'm sure there was some degree of pleasure in seeing Vi cast out by Caitlyn at first, but with all other signs pointing to Jinx caring for Vi I don't think Jinx was here laughing at her sisters pain. More trying to be there and watch over Vi but with no idea how to approach her with all that happened.

*I fully recognize there is a degree of speculation on my part for this point but I think it's reasonable, feel free to let me know if you disagree!*

With everything that has happened between them, the fact that Jinx comes to collect Vi when she finds out about Vander speaks volumes. There is still much to be worked out between them but she wants their family to together again including Vi. And although I couldn't find the GIF for it, when jinx is in the dark with her lighter after Vi and Vander fight is such a heart wrenching moment. She is clearly so afraid that she has caused the death of her sister, her dad, or both. She cares so much for those that she has left.

Jinx and Caitlyn's history is the furthest thing from simple. But in this moment, Caitlyn cast Vi out, hit her, became the commander and placed Zaun under martial law all because she wanted Jinx (this is not a who is right and who is wrong I'm just making a point), Jinx would HATE Caitlyn. But she knows what she means to Vi. And she just saw Caitlyn save Vander. Jinx easily could have let Rictus finish Caitlyn then jumped in if it was just about saving Vander but she still jumps headfirst into the fight.

In the aftermath of Isha and Vander's death, Jinx could easily have escaped Caitlyn. But Caitlyn tells Vi that all Jinx wanted was to make sure Vi was safe after Vi sacrificed herself to protect her.

Jinx's mindset in this moment is a complicated topic. But I want to focus her feelings about Vi. Vi has come and broken her out of jail, risked everything for her again. And Jinx realizes Vi will never give up on her. Even at great cost to herself. So Jinx punches her and leaves her, and almost begs her to start living for herself. Because she knows Vi cannot give herself that permission. She wants Vi to choose her own life, and to choose love.

Free and clear, obviously Jinx was going to do something horrible but thankfully Ekko talked her down. Even still, she could have done anything. But what does she choose to do? She chooses to ride to war with her people, honoring Vi's faith in her.

And of course, the absolutely devastating final sacrifice (I know she's alive but you get it) of Jinx saving Vi's life when the pain and grief finally overwhelm the fearsome brawler. I have mentioned it many times, but Jinx's core belief is that everyone who gets close to her dies. She thinks she is a curse on all who love her. But in her last action, she saves the life of the older sister she knows will always love her, and who never gave up on her.

I have touched on most of this before but it was just on my mind this morning. I hope I didn't bore anyone. I know there are LOTS of strong feelings about Jinx and like I have said over and over nothing here is about justifying the wrong she did. It's just about looking at those moments that showed her true colors even when she herself couldn't see them. Hope you enjoyed, take care!

[lemonlyman-dotcom]

FAVORITE FANDOM MEMORIES

I was tagged by approximately ten million people, thank you all I am queuing your posts for today through the weekend as to not completely flood the dash lmao 😂

⭐️ ATX Trip With Anne For S5 Premiere

This was soo much fun!!! I’ve wanted to go to Austin for a long time, as a lifelong Spoon fan and general music nerd this is the Mecca and I’m glad I was able to go with Anne so we could nerd out about Lone Star! We ate amazing food, got to walk all over the whole city, checked out landmarks from the show, built new headcanons like what touristy things TK, Marjan and Paul did when they first got to town in s1. And we got to see my beloved Omar Apollo 😍

⭐️ Season 4-5 Hiatus Rewatch

I made soo many new friends including ANNE, we hadn’t ever really talked before but she slid into my DMs early in the rewatch and asked if she could help and then we have basically talked every day since 🤭 And all the really amazing pals I made during the weekly group watches, my unhinged polls, just generally chatting with folks about the weekly episodes and going deeper with headcanons and stuff. This event really helped me feel accepted into the fandom and I think it did for a lot of others!

⭐️ Rabbit Holes and General Shenanigans With @carlos-in-glasses

We are the goofiest. There was the time she wrote Owen sleeping in a vest and no pants I was like…? The time I thought a dressing gown was an old Victorian nightgown… THE ALAMO …The time she thought somebody had SIX FINGERS

⭐️ Wearing @chicgeekgirl89 Down Until She Finally Let Me Be Her Friend

I remember the first time I posted a fic and getting a comment from you and being like 🤯🫨 hehehe And then when you posted Saturday Night’s Alright I was losing my shit so much I dm’ed you my live reactions. And then HARASSING the hell out of you every week for Thirsty Thursday!!! It’s so much fun!!! AND THEN YOU TRICKED ME WITH MY SECRET SANTA FIC!!!! Omg you guys she played me LIKE A FIDDLE!!! An elaborate ruse!! She pretended like she got some rando who provided a bunch of dud prompts, had me pick one and then proceeded to WRITE A FAKE FIC to throw me off her track lmaoooo

⭐️ My Silly Fandom Edits

I *think* this started out as me terrorizing @guardian-angle22. And then I randomly decided to make that first snack post before 5x01 and people really liked my weird edits so I kept doing it heheheheeeee!!! I’ve had so much fun with Ranger Baby Seal with @literateowl and @laelipoo and also just generally (affectionately) making fun of Rafa. He’s such a goober, I adore him, and I really need him to wear this hat.

⭐️ All of the Art by @whatsintheboxmh

I have been so incredibly blessed by May!! She’s made some truly beautiful art for some of my fics, some absolutely unhinged art for my fics and polls and metas. It’s always an absolute delight logging in and seeing a notification that she’s made a piece of art for some goofy ass thing I said or a silly poll I made. Here are just a few:

⭐️ All The Friends!!!!!!

Everyone who I’ve talked to, be it about fic or headcanons or discussing our interpretations of an episode or a scene, or anything!! If I’ve talked to you a few times or on a daily basis, know I cherish you!! This is my first fandom experience and I’ve really been enriched by all the different folks I’ve met and interacted with!! And I’m continuously blown away by all the talent! Watching season five live with everyone is such a serotonin boost every week!!! Also shout out to my discord girlies!! I’m so glad we randomly decided to start a discord for people who love OG but hate ****** 🤭

⭐️ When @ladytessa74 Had My Fic Bound 😭

Tessa had this beautiful copy of my fic bound and she was so sneaky and surprised me with it!! 🥰

⭐️ Writing Fic

I remember how scared I was to post my first fic!! But people were so lovely and supportive, and I’ve had such an incredible experience uncapping this creative well inside of myself that I never knew was in there!! I feel like I’ve grown sooo much since I posted that first fic in June of 2023!

ETA: THE DAY I WON THE BASEBALL SO WE COULD ALL WATCH 5x05!!!! OH MY GOD THAT NIGHT WAS THE MOST FUN I’VE EVER HAD ON HERE!!!!

Thanks for the tags: @thisbuildinghasfeelings @annoyingcloudearthquake @everlastingday @welcometololaland @she-walked-away @carlossreaders @nisbanisba @tellmegoodbye @heartstringsduet @freneticfloetry @firstprince-history-huh @carlos-in-glasses @bonheur-cafe @goldenskykaysani @chicgeekgirl89 @herefortarlos

Tagging: @messymindofmine @toomanycupsoftea @hereghostslive @just-inside-her @laelipoo @literateowl @reyesstrand @reasonandfaithinharmony @guardian-angle22 @alrightbuckaroo @basilsunrise @carlos-tk @doublel27 @fitzherbertssmolder @irispurpurea @noxsoulmate @reeeallygood @shes-an-oddbird @tailoredshirt @ladytessa74

[betweenthescarletmoon]

hello fellow mutual from tiktok!!! I am so happy to see you put your thoughts here, i feel it was much harder for us to discuss jayce over there!

I agree with everything you said. A fourth act would've worked wonders for Every Character, not just him. And it does anger me so much that Jayce wasn't seen nor Written as a profound character because of s1. I wish i could have a talk with Christopher Linke about this

The idea that people can only like characters because they're attractive to lessen the load of digesting media is imo most likely the Editing Effect of inatagram and tiktok. It pains me to say but i do wonder if arcane came out by the time we as a generation watched AMVs and 7min edits on youtube instead (or at least i did). Maybe then people would have more profound thoughts on all the characters, including Vi, Jinx, Silco, Mel. And i am glad we can discuss things more over here, but it's still not as common to discuss and analyze as it used to be either.

You've mentioned one of my biggest gripes with fandom interpretation in the cave, WHO would debate bisexuality when they have nothing left but the crumbling inner workings of their mind, building the last comfort it can?? Thank you, i really like the idea that he also found himself resenting them, that is actually a much closer observation to how he Looks at them. I truly like that transition from his tears (which represent his old, vulnerable, sweet self) to that colder bitterness that guides him for the rest of the season (until we get the ending, which from a character narrative standpoint, doesn't make sense to me tbh).

Here's the thing, I've also placed myself in the difficult position of liking those thirst edits, saving them in a folder called "thirst traps" to keep them apart from my Real Jayce Folder, laughing at some of the "why trauma jayce kinda" and the like...while also deep down just feeling so empty and sad about it but feeling like there was nothing i could do about it? I don't wanna be dramatic but it Felt isolating. And maybe it does make me a hypocrite! Conformity and yadda yadda, but i cannot imagine that Jayce was designed to not be hot. I believe that was fully intentional, but i also thought that they were prioritizing his character. When i first saw act 2, i didn't know his agency would be obliterated and his arc ripped from his hands to place it solely on Viktor's. So now it feels even worse, that That is what the writers used him for too. And people are completely fine with it! They're so happy about the soulmates.

Your observations about him not stopping and being stuck in survival mode bring me clarity fr. He's never truly been a man about rest, was he? Perhaps that was his main trauma response all along, sacrificing sleep and Academy grades to get Hextech running, almost killing himself the moment he felt he lost it. Of course he'd do that at a more extreme level, but because act 3 doesn't rest or let the story breathe, i frankly didn't interpret it as that, it just felt like he conveniently stopped being mentally ill to give a speech and fight the war 😂 if he survived, he probably wouldn't have stopped, because stopping meant that PTSD would rear its ugly head. But the tragedy of it all Was that he died. Saving the world yes, but it feels so empty and cruel that he suffered so much just to die. No real accomplishment or meaning, just him serving the narrative and saving Viktor.

PS : i adore viktor i really do but it's getting hard not to resent him bc of what the writers did to butcher him, and how they stripped jayce of everything he was outside of him. I still love him! I promise!

And mutual! If you wanna keep talking in DMs you are welcome to!!

Random Thoughts on the Arcane Fandom about Jayce

this is gonna be a mess but I have nowhere else to talk about this.

I've recently noticed how Jayce Talis has been subjected to all kinds of sexualization since the drop of Act 2 of the second season. People have mentioned many times how trauma has made him "hot". A good and well-known example of this is Danny Motta's reaction to episode 5, where he said, "Holy shit, they made Jayce hot! [...] My dude went from looking like a Muppet to the king of Rohan, and all it took was a little bit of trauma."

This isn't entirely new for him? If people didn't hate Jayce back in S1, they ogled him in the scene where he works on the Forge shirtless, which IS kinda the point because the animators are making him very obviously attractive. But most importantly, he as a character has been reduced to his sexual or romantic relationships since the beginning of time.

It seems that S2 is a response to this in a way. His arc from the ending of S1, where he took responsibility of his actions out of guilt for the child he killed, was slightly set aside for Viktor. Well, ALL of his life, dreams, decisions, everything about him was eclipsed by Viktor's shadow because of the whole "all times, all possibilities" twist. He wasn't expected to show up as a Councilor in any of the meetings, and we must assume he quits at some point, but he surely hasn't resigned from his position by the time Viktor wakes up. Apart from that much needed scene between him and Cait, and the one where he attends the memorial (and is attacked by a vengeful mother), we don't see many of his decisions or what leads him to make them, other than Viktor. This is beautiful in a way because we can SEE how it is a trauma response to losing him. He is obsessive by nature, and he clings to what keeps him and his loved ones safe excessively, but I still had to do a bit of mental gymnastics as to why he went back on the second promise: to not build Hextech weapons again. (Hint: it has to do with the fact that VI saved him with HIS weapon, but it went so fast it's hard to process in the first watch.)

Now back to the sexualization problem. Every time I look up his name and trauma, or PTSD, 95% of the results are thirst edits on Tiktok about how hot he is. No joke. One of the more serious results is my own edit. Of course, a lot of people connect with his suffering without naming it as trauma, and that is great. My concern is that there has been so much focus on Jinx's trauma, Viktor's trauma, even Silco's trauma (which are all valid and fascinating to explore), but there's less attention for other characters who clearly show how their own traumatic experiences has shaped them. Vi, Caitlyn, and Jayce are some of the clearest examples of this, and they've experienced some truly heinous things in the show. Trauma cannot be compared, ever. But why is it that Jayce, who lived through an apocalypse that HE knows HE caused, and lives in complete isolation except the "company" of metal watchers, to the point that he loses touch with reality, and is changed so irrevocably that he loses the naivety and starry-eyed optimism that has always defined him...is seen as hot? And more importantly, why is it that there is very little attention to his experiences on that cave? Every scene between him and Viktor is uploaded in 1080 HD quality, but the scenes of him alone? Fighting to survive? Showing remarkable resilience in the face of his suffering? No, that's not as fun. Not a single one of those scenes is uploaded fully, and I have checked many times. (Some people have actually skipped those scenes to focus on Timebomb. I'm...)

I went online and looked up "why do people sexualize traumatized characters" because let's face it, it's real, it's interesting, and I cannot judge or else I am a hypocrite. Bucky Barnes, Loki, Ellie Williams, Dean Winchester, Vi herself, the list goes on much longer but I can't think of others off the top of my head. We connect with their suffering, and we are pulled by their experiences.

However, Jayce is such a complicated case because he is usually thought of as the greedy himbo that fumbled two baddies, or the confused bisexual, or the guy who lost it because of a situationship (much like Vi, who DID NOT lose it because of a failed romantic endeavor bfr). And then the plot goes and tells us, "Actually, yeah, his life outside of Viktor doesn't matter, he's not even supposed to be alive, because Viktor saved him. All of time is completely inextricable from Viktor." People hate meljay because she manipulated him and "trapped" him in a relationship or something, only to celebrate it when something suspiciously similar happens with the male romantic interest? I initially thought it was beautiful too, bc Soulmates, but man. Mage!Viktor really left the man he loved to rot in complete isolation, eating raw reptiles until throwing up, losing his mind. Say what you want about the allegory for Viktor's life, at least Viktor's isolation was metaphorical up until the Glorious Evolution.

Despite us being shown this, people make thirst edits of him in his black fit, and fighting with sexual tension with Viktor. I fear...that I am the only one who finds this tragic. The man forced to create a larger than life persona to sell his work and be seen as an attractive pawn of the system, has become the attractive pawn of the narrative. Viktor's narrative.

Perhaps Viktor was forgotten by the world. But Jayce's kind heart, and brave soul, were forgotten by us.

Just some thoughts to chew about my favorite character and my wish that more people focused on his arc with me

[lorynna]

The thing that bothers me about the radical feminist community on Tumblr is how unforgiving and harsh some radfems are, when they disagree with your views. I've seen it a couple of times now. We will talk about sisterhood, supporting each other and the love we share for other women but sometimes we cannot criticize each other respectfully.

Especially for the women only slowly getting into radical feminism, because it is new to them, they can be quick to get sassy reblogs due to posting their yet unripe thought processes or making mistakes and that's genuinly sad to see.

On the other hand when it comes to other disagreements: I understand your frustrations and I understand that we won't always agree with each other on everything but that doesn't mean that we have to be unkind to each other.

Sadly, I often feel like me saying things like "I don't think that men are inherently evil", "men have the potential to improve" or "i had a great father figure in my life and I am happy in my current het partnership" puts a great target on my back and I've had many harassive anons sent to me by other supposed radfems.

In all honesty I don't feel free to sometimes say what I think because I just have the feeling that there will be harsh backlash for stating things like the sentences put in quotation above - even when I never challenged radfems that think differently or have had a different life experience compared to mine. Even when all I do is state my own life's reality detached from everything else.

And by sharing mine - I never mean to undermine or disregard the experiences of other women. I respect you. I see you. I see why you hate men and I would never argue with you about why you shouldn't. Again, I empathize with you and I acknowledge that we have different lived realities.

I don't think I have to defend myself regarding this stance but without going into too much detail I was really lucky to have a really amazing father growing up. Generally, I have had great male role models in my life and I love them very much. Just as much as I love my boyfriend who treats me very well. I have seen two sides of the same coin. And if me therefore saying that I don't think that "all men are inherently evil" makes you want to refute my experience angrily - that's your choice.

I am in my early 20s, I have not been part of radical feminist for very long and I am not as smart or as eloquent as many other radfems on this platform - without question. I am here for the discourse, for learning from others and to listen to their experiences. I hope to make Tumblr a little bit of a better place.

[unreesonable]

Screenwriting advice from Mackenzie Crook, Reece Shearsmith & Jed Mercurio

Snippets from the 2015 Bafta Guru TV Craft Sessions - full video in link above. Transcript of the clips below

Interviewer: I'm delighted to be here with the TV and BAFTA Craft nominees for writing, both in comedy and TV drama. Our three lauded writers are Reece Shearsmith for "Inside Number Nine," Mackenzie Crook for "Detectorists," and Jed Mercurio for "Line of Duty." I'd like you all to tell us a little bit about each of your programmes. reece.

Reece: Well, "Inside Number Nine" is an anthology series, which is a very unusual thing, I think, to exist these days. I mean, you couldn't move for them in the '70s, and it was kind of what I grew up loving and watching. The half-hour play, "Play for Today," was a very appealing, enjoyable thing to me because you didn't know what you were going to get - same as "Alfred Hitchcock Presents," "The Twilight Zone," and of course "Tales of the Unexpected."

And that has gone out of fashion, I think, a little bit because of the mythical idea that if you're not following a set of characters, you won't return to the programme. And that's why they're not commissioned these days very much. But our argument, when we went in and pitched the idea of doing such a thing, was that if they were good you would forgive them for whatever they were. And I think we just really wanted to do that thing of kind of like chamber pieces - we talked about them being these quite claustrophobic little plays, and I think that was what drove us to do it.

Interviewer: OK and Reece what about the inspiration behind your series ?

Reece: Again, it was kind of just stuff that is enjoyable to research yourself. Some things came literally - "Sardines," episode of "Inside Number Nine," came when Steve and I write in a room in Muswell Hill and there's a massive wardrobe in the corner, and we were just literally one day - we'd been staring at it every day for however many months that we sit in that room, and then one of us said, "What about a game of sardines?" Initially, that was a funny idea just to think, well, we could just one at a time fill it with people arriving and hiding in the wardrobe. There was a version of that script that was simply that, and that was enough. Then we read it back and thought it's not enough - it's good, it's funny, and there's some quite funny dialogue in it, and it's slightly awkward, but there was something missing.

It wasn't until we went back in and peppered in the vague dread of the revelation of the child abuse that we realised that instantly elevated it into something much more fruitful. And that's always the way with our writing, I think. We are never satisfied with the first root idea of a gentle - you know, we tried to do it, and we can never do it, always feels lacking if there isn't somebody being murdered or some kind of dreadful extra element that just heightens it and gives you an element of jeopardy and peril in a supposed half-hour comedy that you would get in a drama. And I think that's why people are sometimes shocked by what we do because they are smuggled into a half-hour comedy, whereas you would be ready for it if it was at 9:00 on BBC 1 and you were set up for a drama. But I think we do things that are not that outrageous, but I think that they are a bit blindsiding because they are in the guise of comedy and maybe more powerful because of it.

Interviewer: And Reece for you - what's your writing process?

Reece: Well, we talk a lot, Steve and I. I couldn't - I admire the fact that these two write alone. I couldn't do it, I don't think. I think I need to have the instant reaction from Steve. If we can make each other laugh in the room, if it's comedy, then it goes in generally. But there's a lot of talking about - with these particular "Number Nines," being self-contained stories, we talk a lot about what the idea might be. Sometimes we've had - we've got an ending we might want to get to, or we've thought of a character that could be in something, and it's like crafting a story then and how do we most leanly tell it and what scenes do we need to get this across in however... you now, judiciously.

I think we do that because we fear the idea of beginning and feeling a little bit wayward in where we're going. But we have done that before, and I think sometimes we've written ourselves... Much like the Coen brothers when they wrote "Blood Simple" - they deliberately enjoyed writing themselves into corners and then thinking how does the character get out of it rather than being kind of ahead of the characters, which is a joyous thing and also quite surprising to yourself.

With these, some of the surprises at the end we've changed - we've thought we've had one route in our mind and we've thought, "Actually, now looking at it, we've got a third of the way in, I think people are going to - this is obvious to us," so we've changed it. So that's hopefully second-guessing what people think the story might be going. So that's been enjoyable. Writing a lot, talking a lot, and then beginning to be able to write it down with what we need to get out of the scenes as far as exposition and trying to hide the exposition. And then finally there's a pass that's "and why is it funny?" and hopefully that's the final kind of bit that puts it into BBC comedy. You know, it is meant to be funny. A lot of our things are not funny, I concede, but it's because we kind of enjoy the drama and the tension and the release of that in the mechanics of telling a joke. So yeah, a lot of writing before we dare to write so that we're not trapped not knowing where we're going.

Interviewer: Well, gentlemen, thank you so much for being so talented, being so generous with your wisdom and your experiences, and the very best of luck tomorrow night.

All: Thank you, thank you.

[cecilysass]

When I Think About You, I Touchstone Myself: Fic Recs for the Biogenesis/ Sixth Extinction/ Amor Fati trilogy

I thought it was time to do some fic fixes for these important episodes for a few reasons.

First, Amor Fati is an episode I can’t ever stay away from; I both love it and have big issues with it. I love the tribute to Last Temptation of Christ, a film I admire, but I also find the identification of Mulder as a Christ figure to be problematic, or at least to raise questions the show doesn’t really address. I love the touchstone speech and the boy on the beach sequence; I find a lot of the real-life dialogue (e.g. between CSM and Diana) to be clunky.

And honestly, I find it kind of irritating that Diana's death happened off screen, too. Deep Throat, Spender, X, CSM, Well-Manicured Man, Blevins — their deaths were all dramatized onscreen, so it seems weird that Diana’s was not, doesn’t it? Anticlimactic and odd. To me, it's the straw that broke the camel's back for the Diana arc, really raising the question of whether she was ever really written intending to be an important character to the mytharc plot at all ... or whether she just really was a cardboard cutout character there to generate jealousy.

But I digress. What I mean to to say is: I always want to talk more about Amor Fati.

Second, I particularly enjoy me some psychic Mulder fic, and there are some great examples below. How well does he read minds? Does he read Scully’s? Her every thought? How long does it last? Readers want to know.

Finally, if you believe season 7 was the season of secret sex, or even if you just hold to season 7 as the “sometime consummated” season, these 3 eps have to be a crucial turning point. Some people maintain that Mulder got the affirmation to move ahead with MSR when he heard Scully's thoughts. Possibly. Either way, though, by the end, through the events of Amor Fati, they both validate the other’s point of view in a way we don't really see before. Plus, you know, maybe you heard? They’re one another’s touchstones. So this is a crucial MSR trilogy, too.

So I have a (NO DOUBT INCOMPETE) selection of fic recs below. I’m mixing up the fic recs for all three episodes, but I try to note if a fic is really more about one ep than another.

Fic Recs:

Before the White Noise - Nimz12peekaboo Scully goes to see Mulder inside his padded cell in Biogenesis. This is sweet and canon-attentive, if not quite compliant.

A Less Certain World - Sarah Segretti This is really only post-Biogenesis and goes AU after that; it’s the author’s AU Sixth Extinction, I suppose. Mulder is much more affected by the trauma to his brain and body than in the show, and Scully is scared for him. Amazing fic.

Temporary Shelter - Gwendolyn Also a Biogenesis post-ep, this fic imagines that Scully springs psychic Mulder from the hospital and then takes him back with her to the Ivory Coast. They stay in a cabin (with only one bed!) that was once occupied by another couple affected by the artifact. This is rich in plot (and in MSR.)

Stunned - Vickie Moseley This is, by description, what happens in the commercial breaks in Biogenesis. And let's just say that it’s kind of a lot. This fic focuses on Scully coming to calm Mulder down at the hospital, on their trust between one another. There is a little Diana wrap up, too.

All the Places - Ambress A lovely, lovely take on Mulder’s ability to read minds. I cannot recommend this highly enough.

Out of Our Minds - Sarah Segretti and haphazard method This is specifically post-Biogenesis, written before season 7 began. It focuses on the rather realistic idea that Scully would be freaked the fuck out by Mulder being able to read her mind—like, existentially freaked out. Both characters’ POV here; both characters have your sympathy; angsty and extremely true to character.

Disonance - suilven This piece is kind of a classic in my own little personal world. It just such a satisfying concept. It delightfully doesn’t take the canon implications of Mulder’s telepathy seriously, like, at all, which is why we love fanfic. Mulder, Scully, and Diana get stuck on an elevator just as Mulder’s starting to realize he can read minds. Delicious set-up.

the things they say in the dark - MonikaFileFan Missing scenes for Amor Fati, this piece helps us see the two moving closer and closer together while still having the invisible line between them. There is hurt/comfort here with Scully caring for Mulder, and a little light mind reading. So sweet and well done.

how to tell your lover you’ve seen all their secret gardens - 0666666 While Scully is taking care of Mulder after the events of Amor Fati, he tries to think of how to tell her he heard her thoughts. Very good.

Woven Deep by Maureen B. Ocks This is a really smart little Amor Fati post-ep with sharp dialogue / banter throughout. Mulder is in recovery, and they have a chance to talk about his experiences. It’s Mulder POV, but Scully is written very well here.

up and down the east coast by skuls When he’s still supposed to be recovering from Amor Fati events, Mulder asks Scully to go on a road trip to look for Sasquatch. She agrees. This one isn’t about psychic Mulder so much as the little guarded steps the two take towards acknowledging their feelings. Extremely sweet.

Synesthesia by haphazard method On a case shortly after the events of Amor Fati, Scully is still coming to terms with the role she plays in their partnership. An excellent conversation.

Petrichor by Aloysia Virgata. A lovely gem, a fandom classic. A one-chapter case file set directly after Amor Fati. Mulder and Scully’s relationship is offkilter and unsettled; Mulder is troubled by dreams with messages from a familiar ghost; the plot riffs on Anglo-Irish folklore. The spot-on banter and exquisite writing one expects from this author.

Eli Eli by Marguerite Mulder is recovering physically post-Amor Fati while Scully tries to cope with the crisis of faith her experiences in the Ivory Coast provoked in her. Skinner sends them to a beach house in Galveston to rest and heal.

Silence Waiting by JET Scully is struggling to cope with the implications of what she saw in Africa as Mulder heals and worries about her. This is intercut with the story of another telepath, Gretta, who grows up only reading the thoughts of one boy in her town, Frederick. This fic is lovely in every way and makes me weep.

The Boy on the Beach - me me (cecilysass) Yeah, I include my own fic. I just know it best, you know, lol? I include this one specifically for this theme because it was really written in part to engage with Amor Fati, specifically with the implications of Mulder’s Last Temptation of Christ-inspired dream sequence. But I'm the author, so you know, grain of salt.

Let me know what I missed!

[ngage2003]

Alright. So, here is a fun question.

What the fuck is up with Brian's/"Hoody's" continuous use of religious-coded phrasing?

⟦Note: I am Jewish and not that familiar with a ton of Catholicism, and am mostly just going crazy here. Don't take my theory too seriously unless you agree with me in which case do.⟧

⟦Also, content warning: graphic verbiage towards the end, also heavy religious discussion, duh. (Also maybe sacrilege?)⟧

What I mean specifically is his use of the term "Deluge" in one of his videos, the association between himself and the word "Advocate," and most importantly, him calling the face connected to the Operator "The Ark."

Footnote: Face as in the center of the Ark is the "mouth" of the Operator, (in other words, how it eats) and the Ark as a whole is the closest thing we see to a representation of what it is, an unfathomable monster, like a face can be seen as a representation of a person/personhood.

These names are on first read are just seemingly randomly chosen, but I think there is some small sense here, if a bit abstractly. Based on comic 3.5 of Marble Hornets, ToTheArk, we know Brian is stuck talking in codes, so lets try to unravel this one.

Lets start with the simplest.

】 Advocate

Brian calls himself "Advocate" in relation to an old video of himself where he is talking to Alex, but due to the glitchiness on the video I believe you could kind of take this as a general statement about himself. Regardless, what the hell does that mean?

When we use the term "advocate" in plain speech, it means a person who publicly supports or recommends a particular cause or policy, but there are specific ties with it under Catholicism. There is variation depending on what translation you use of course, but one example of religious use is in one title of Christ as "our Advocate with the Father" (I John 2:1). Another is how the word advocate is used in relation to the Holy Spirit, (John 14:16,) as another advocate to more or less "help [humanity] and be with [them] forever".

"Ok, cool I guess," you say, "but uh what does that have to do with Marble Hornets?"

Well! While Jesus is off having a Phoenix Wright case with God/being god's messenger pigeon for humanity, Brian is helping someone himself! Specifically, he is helping Jay, the person all the ToTheArk videos are for, for the most part. He is quite literally guiding him around, what for we could debate, but he clearly has his own abstract chess game going on and leading Jay by a metaphorical carrot on a stick is part of it.

I believe this is why Brian calls himself the Advocate. He is with not only Jay but also Jessica, while also being on the former's side, (he doesn't want him dead like the Operator does at least,) and also helping and/or guiding him. I mean, he gets him out of his house before Alex burns it down, as example, and he gives Jay the name of the Operator, along with hints that Alex is dangerous/doesn't exactly have his best intentions. Hell! In Entry 78, if you're comfortable jumping that far ahead, he even gives Jay a knife to free himself with, and his camera back. This of course accidentally leads to Jay's death, but I don't think Brian wanted that to be honest, not with how he hates Alex and the Operator. Brian is just unfortunately human rather than actual divinity, and probably couldn't plan for that.

Let's move on.

2.】 The Deluge

This one is in my opinion the least clear, which is why I stuck it in the middle, but I am still going to give it a shot.

The "Deluge" video is a ToTheArk video where we see a flashing light, weird audio, and then the words, "watching you," along with the description being "///". Purportedly, if you speed up and reverse the audio, it is saying "Alex" over and over again. Combining it with the ending words, we get "Alex [is] Watching You."

What is the Deluge in Catholicism though? Well, simply put its the Great Flood, specifically that really swag one (/sarcastic tone) that God summons for 40 days and nights to drown everyone for being too sinful or whatever, except for his favorite boy, Noah, and his family, who are inside a big boat. Awesome. Cool. Makes sense.

We could get up in the semantics about the "ark" of Noah and "ToTheArk" but A) I have a whole chapter on ToTheArk and The Ark, and B) I personally believe the Ark is named for the Ark of the Covenant so lets just scrap that idea.

Instead, I believe that in this part, Brian is making a comparison between Alex and the Deluge. After all, Alex did kill the cast of Marble Hornets in kind of rapid fire succession like a quickly rising Deluge would, all except for Jay who he had emotional ties to. (And Tim but Tim's survival is complicated and isn't purposeful.)

"Wait!" You cry, "how do you know that Alex killed everyone in rapid fire succession??"

Well, technically I don't, but I do know he tried to kill like 3 of his friends in literally the same 24 hours, which would make sense as if the extremely close cast of Marble Hornets noticed other people were missing and they were last seen with Alex, that would get suspicious, but I digress. All of these killings take place in the hospital in my opinion, where the Operator seemingly has some power, or at least is able to appear more regularly like other places in Rosswood and Alex's house.

First of these was the least successful, Tim, who Alex led to the hospital in Entry 56 and then beat into unconsciousness with a stick that is canonically a pipe based on cast commentary. We see him (or in my opinion, Masky,) scrambling around at night then, using the camera to find his way in the dark, before hiding against a wall. It is very likely to me that he stayed here over night. There are some strange parts of the tape though, like Alex being randomly in the hospital at night, as if he was looking for Tim for some reason.

Regardless, there is then Brian in Entry 51, who is led to the hospital before the Operator snatches Alex away for a moment. (In my opinion probably to Operatorture him a bit because he was hesitant to kill Brian because he actually knows him as a friend (Entry 84) but whatever, coughs.) Brian then wanders around the hospital with Alex's camera before finding Tim huddled up against a wall, much to his confusion, before the Operator shows up and some weirdness happens and Brian dies while Tim/Masky disappears.

Now, we have seen Masky go to the Hospital after Operator encounters seemingly to cope, so maybe this was coincidence, but there is some dialogue in Entry 51 that makes me believe this isn't, especially based on Entry 22, where we see Alex seemingly leading Seth either to his death by the Operator in a strange dilapidated building at night. (Hey, that sounds a bit familiar?) That dialogue is :

Brian: Where’s Seth at? Alex: Uh, we came out here yesterday and he wasn’t feeling too good so he just stayed home today.

Hey that is convenient. You brought him here yesterday and now he just magically isn't feeling good.

In my opinion it is kind of obvious here that Alex probably killed Seth and Brian along with trying to kill Tim after merely finding a convenient place to do so. This was all in the span of 24 hours or less, kind of much like a certain flood might.

This moment is definitely a subversion though, (as use of christian imagery often is in Marble Hornets) as rather than the Flood being a tool of God to destroy the wickedness of men or whatever, Alex is becoming a tool of the Operator to feed it.

And finally, 3.】 The Ark

Wooo Boy. The Ark. Ok. okOkOKOK.

Now, we all know what Brian named the face/mouth of the Operator "The Ark," but what IS the Ark in Catholicism? Maybe you're raising your hand right now and saying "ah that thing Noah went on" and you are technically correct but also wrong. There is a far more important Ark in Catholicism than that one.

Lets talk about the Ark of the Covenant real quick, specifically what it represents rather than solely that fun little golden box, as much as I would love to talk about it and the arks of synagogues.

Ok so I am probably going to mangle some theology but stick with me. There are two Arks of the Covenant in Catholicism, the one of the Old Testament, (the first book of Christian canon which more or less covers backstory,) and the New Testament, which is more or less Jesus's teachings.

Sidenote: The Old Testament is NOT the same as the Tanakh/Hebrew Bible. The former is one scripture while the latter is technically three, and even if it shares some similarities with the Torah, (the first part of the Tanakh,) the two are pretty different and both have their own wildly differently translations and cultures around them.

The Old Testament's covenant is of similar design to that of Judaism's, being a symbol of the covenant between God and his followers, built by the holiest of man's hands but carrying divinity in the form of the commandments within it.

The Ark of the Covenant of the New Testament though is a bit different, as it is Mary.

She literally carries the covenant between God and man, the connection between him and his followers. She builds it inside her, acting as both carrier and partial creator to this firm bridge.

I believe, Brian gave the Ark its name, because in a sense, it is its own sort of womb.

The Ark is a close off yet impossibly living environment, one that bridges between our reality and the true center of whatever it and the Operator are. It feeds by leeching off of the world outside it, reaching through Rosswood and growing and gorging. Much like the natural parasitic nature of an embryo or fetus to its mother, it is tied to our world, dependent on it, dependent on us even as it warps and robs people of themselves.

Whatever is beyond the Ark, it is something as unfathomably monstrous as divinity, a holy tapeworm that siphons off nutrients from our world, warps it to fit its needs, literally shifting around the land to get closer to satiating its hunger, apathetic to the rules and limits of our world.

-

Even as we get to this answer though, we still technically haven't answered our original question.

Why is Brian of all people using this continuous religious-coded phrasing?

Well, this I believe in part has to do with how the Ark feeds. It is as much stomach as it is womb, digesting you slowly, acidity peeling back your layers until it eventually gets to your core, your most fundamental beliefs and self.

Alex's core was Jay in a sense, which is why he refused to kill him, at least until the Ark and Operator fully broke him down at the end of season 2, at which point he fell apart completely as a person in season 3. (I.E. he stopped shaving, he didn't get new glasses when Brian knocked off and presumably broke his in Entry 67, he started constantly corrupting film.)

Brian's core is still in tact though, even with how ruined he is by the Ark and Operator, left only able to speak in codes.

I think Brian was raised with a strong sense of wrong and right. It is also why he becomes so obsessed with Alex dying, with Jay surviving, with taking on this great burden of playing this complicated chess game against this paranatural entity and stopping all this. Right and wrong were simply taught to him at a very young age, ingrained into him, and his compassion and empathy, (the things that led to him goading Tim into helping because Alex needed actors and inviting Alex to dinner because he was lonely,) were torn away by the Ark.

I think his moral compass could in part be so strong be due to, or at least in conjunction with, the fact he was raised religiously. I think he probably strayed a bit from his religion in College as most people do, but it is still something integral to him, something at his core that he knows even when nothing else is making sense.

This is not to say I think Brian is still religious now, (I doubt you could look into the center of the Ark and still be religious honestly,) but it is why he clings to religious metaphor in the middle of all his strange codes.

That is my headcanon.

Thank you for reading.

[rockwgooglyeyes]

warning!! this gets really long lmao - talking about themes in Arcane season two - arcane season two spoilers, kind of obvious but need to clarify. i dont talk about shipping in this at all btw! i have ships i like but like that's not here nor there, not relevant for this imo

I was watching an Arcane analysis video and while I wouldn't really go out on a limb and say that "I know what season two was about" like the themes and stuff because the themes found in a work are, inherently, going to be subjective and up to audience interpretation, and obviously, I'm not going to say that "I know Arcane's themes better than anyone else," I don't, that's not what this is about, but I would argue that season two does have a few universal themes. Some of those are carried over from season one, being relationships and love in general, what we are willing to do for love, but there are some that are focused on more so in season two than in season one.

This might have been said before- I don't really touch the analysis/meta side of the fandom, so I am sorry if I'm retreading old ground. Additionally, while I don't think that season two was nearly as perfect as season one, I enjoyed both and I think they were both solid, enjoyable seasons. The writing in season two was not immaculate but it was not bad, either. If not held in comparison to season one, I doubt it would be judged so harshly. Nevertheless, that's a whole other can of worms, and one that I would really rather not open.

Back to the themes- my argument is that, if season one is about siblings (sisters specifically), trauma, and change, then I would say that sacrifice, love, and the consequences of death, are the main themes in season two. These are all themes that are present in season one (Vander's sacrifice for Violet & Powder, the consequences of Vander & Silco's deaths, love is relevant w/pretty much everything) but they are focused on more heavily in season two.

These in particular are seen but not limited to Jinx's sacrifice for Vi at the very end, Heimerdinger's presumed sacrifice for Ekko, (the more sacrifice oriented ones), Jayce choosing to save Viktor, Caitlyn's fixation on Jinx and her descent into tyranny, Mel being forced to kill her mother, and Singed's obsession with keeping his daughter alive (the consequences of death).

These are the themes that stuck out to me as the biggest because, while there are the more philosophical, overarching ideas of fate and evolution and the multiverse, that's not really something that is widely accessible and they are themes, yes but they are not through-lines for every character. I mean, the fate one could be argued, General Medarda fated to be taken down by family, Jinx and Vander both fated to die, Viktor fated to fail (unable to achieve Hextech dream of helping the undercity, unable to achieve glorious evolution), etc etc, and I would say that fate is probably the trickiest of these themes to really dissect because it is carried out as expected as many times as it is subverted. It's also not really what I am trying to address here lmao

I would argue that there is the consistent theme of the consequences of death, which I know is a little bit of a long theme, themes are supposed to be one word most of the time, but I can't just say that this is the theme of "grief" because it's not just grief. It is about what people do in response to the death of their loved ones. Arguably, that could be what the whole season is about, really. Jinx is reeling at the death of Silco and her starting the war with topside, she has a death wish and she wants to "repent" in a way for killing Silco and for choosing to embrace being "Jinx" which is something she doesn't see any way of coming back from. She finds a will to live in Isha, who gives her a purpose and a reason to stay alive, and that gives her the ability to eventually attempt reconciliation with Vi. Caitlyn is screwed up over her mum's death, trying to maintain the relationships she once had in the face of all of her new responsibilities as well as the war looming, and with her preexisting obsession with Jinx being twisted by her mother's death, she wages war on Zaun and attempt to locate Jinx. In this manic grief, she forces Vi to make decisions that Vi isn't able to truly make (asking Vi to become an enforcer) and she kind of ends up burning all of her bridges, irrevocably changed by her trauma. Which, y'know, fair. At the same time, Vi is dealing with the death of "Powder", finally giving into Ekko's philosophy and vowing to hunt down her sister, which she isn't really able to do without Caitlyn there as a guiding light because Vi is fragile as it is, so when that relationship implodes, she throws herself into the deep end to avoid having to actually think about anything. That's interrupted by Jinx and then both of the sisters face a twisted version of their father, Vander, and try to process that.

Viktor is one of the most difficult ones because his story is so deepy intertwined with Jayce's, they have separate arcs but they are woven so closely together that they are nearly impossible to discuss without mentioning the other. Viktor is fatally injured by Jinx's missile and Jayce breaks his promise to destroy the Hexcore and using said Hexcore to save Viktor's life. This is two different sides of the "consequences of death" because one, Jayce's actions are the consequences of Viktor's temporary death, he acted rashly and in desperation, in a successful attempt to save Viktor's life but on the other hand, it gets into the consequences of death because, why was Viktor saved instead of anyone else, such as one of the council members? Why save Viktor instead of Caitlyn's mother? The consequences of Viktor's death was Jayce once again showing how devoted he is to Viktor specifically, against all odds, and choosing to defy death for someone he loves, which against the natural order of things and directly sets off a series of events that Heimerdinger warned of, and also, that Viktor was scared of.

When he returns, Viktor is himself but he is influenced heavily by the Hexcore, at the same time. He isolates himself and creates the utopia he dreamed of making with Hextech thanks to the powers of his Hexcore. He drives Jayce away on purpose, at first, but the more people who are added to the Hexcore, the more detached he becomes and the less he is trying to distance himself from Jayce. Jayce goes through the whole multiverse shenanigans and comes back grimy and determined to stop Viktor.

The arc for Jayce and Viktor in this season kind of mirrors Vi and Jinx, a bit, with the way that Jayce keeps choosing Viktor over and over, similarly to Vi choosing Jinx over and over, and like Vi hunting down Jinx, Jayce has a period where he turns against Viktor. At the same time, it's different, because it's almost as if this is the same arc that Jinx and Vi could have had if Vi did shoot Caitlyn and play along with Jinx's rules, because Jayce is finally absorbed into the Hexcore with everyone else and resolves most of Viktor's conflict by not giving up on Viktor. By choosing Viktor over everything else. By telling Viktor that even if he can't achieve his dreams, that doesn't make him broken, that his imperfections make him beautiful.

Ekko's story around the themes, I think, is more about the way that the butterfly effect works, how little choices make a big different, and how things could have gone if only things were different, as seen in his multiverse episode. That ties into the consequences of death via showing what could have happened if Vi were the one who died instead of Vander, how that would have impacted their family and their relationships, how it changed the trajectory of the plot overall. Additionally, Ekko is one of the characters grappling with the most grief at the very end, having lost Heimerdinger, who was a mentor to him, and Jinx, who he loved.

It's fascinating how Ekko's story shows specifically his response to loss (Heimerdinger) was to take action, make a practical choice. But also, he latches onto one of the most important people in his life who is still alive, Jinx, and while he is focused on saving the world, he's devoting a lot of effort to restoring Jinx, too, which isn't exactly the most practical decision he could be making. Jinx is notorious for her volatility and Ekko has seen that first hand, yet, he pulls her out of the gutter and will not let her give up. So, while he's more tertiary when it comes to sacrifice plots (Jinx and Heimerdinger) but when it comes to love and the consequences of death, he's pretty focal, as his story ends up largely being about his love for Jinx, his love for the world, and how he deals with Jinx's death and Heimerdinger's death.

I don't want to talk about Heimerdinger I don't like him I don't care.

I could talk about Mel and her relationship with her mother as well, the way it parallels Caitlyn's relationship with her mother, but this post is long enough as it is, so if I talk about that, I'm saving that for another day.