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Reece Shearsmith on This Morning, 4th September 2014

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The League interviewed by Adrian Smith, 21 January 2009

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Clips from the live recording of the Uncanny Christmas Special at UncannyCon, 8 December 2024, Royal Festival Hall

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Miranda Hennessy and Reece Shearsmith in production stills for To Have and to Hold, taken December 2017. Miranda would later go on to join the IN9 Theatre Company for Stage/Fright.

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Got the big coat on. (Or "Cowl") Off to watch "Gravity".

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Reece Shearsmith and Steve Pemberton interviewed at Shanghai TV Festival, June 2024

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Reece Shearsmith and David Benson, 2017

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New York, January 2018

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Reece Shearsmith & Steve Pemberton answering my question on the Empire podcast. (And laughing at judging my username)

Source (x)

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Rehearsals for A Very Expensive Poison

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Article, from The Free Lance-Star (21st April, 1990), about "The Foot in Mouth Theater Company", from Reece's Theatre-in-Education Days. Source

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Reece shared this on Twitter during lockdown. Full wide of Maureen and David's Soulja Boy dance for Death Be Not Proud.

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At the press night performance of The Pajama Game, Shaftesbury Theatre, London, 13 May 2014

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guys getting hurt dot com slash sad little perverts

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Each Inside No 9 is set in a different, often freaky, location – we asked the cast to tell us about the most hellish places they've ever stayed in... Radio Times interview 30 January 2018

Steve Pemberton

When I first graduated from Bretton Hall College in 1989, I found myself renting a small room in Wakefield with some friends who were still students. It made the house in The Young Ones look like Howard Hughes’s penthouse. Dirty green carpets and brown furniture had been there so long David Attenborough could have done a full series on the abundant life forms that were no doubt living alongside us.

The scariest thing about the property was the dark and musty cellar, which housed ominous-looking bin-bags full of old tools, Christmas decorations and very possibly previous tenants. When my friend John prised the lid from a paint pot, hoping perhaps to brighten up his bedroom with a lick of colour, he was horrified to find a stool inside – and not the kind you sit on.

This grim discovery was the last straw for me and I determined to move out as quickly as possible. But nothing goes to waste, and the turd-in-a-paint-pot story does crop up in an episode of this series of Inside No 9…

Reece Shearsmith

Years ago my wife (then girlfriend) and I went into a travel agent’s and had them organise our first holiday abroad together. We wanted somewhere quiet, lovely views, not too many people. The lady looked at us, presumed we were young people and sent us on a package holiday to Kavos, which is the setting of reality show Sun, Sea and A&E. We got there and it was heaving with stag and hen nights. A sea of Viking helmets, L plates and tinsel halos. It was, for us, a previously unexplored circle of Dante’s Hell.

The accommodation was essentially a tiled Portakabin. A potpourri in the bathroom turned out to be a bowl of dried moths. Twin hospital beds in a room resembling a Victorian asylum crossed with community service facility.

We were the only people at breakfast as everyone else was in bed, having been up all night shouting. The beach was a black sliver of seaweed with jumping flies all over it. I think we ended up hiring bikes and trying to pedal away but were stopped by guards at the gate.