#we didn't even talk about how they're changing the past

[teecupangel]

Behold! A crack fic idea!

Extra point if each time one of the Desmonds does something that goes against the timeline we get a flashforeward to the present day, and it's a different kind of post-apocalypse each time.

Extra extra points if the post-apocalypses get increasingly absurd and ridiculous as the story goes on.

Okay, so for this one, we have:

Clay!Desmond

Layla!Desmond

Minevra!Desmond

The Reader

which means I can do this:

How the Desmonds met cat!Desmond:

I kinda like the idea that we never learn who sent cat!Desmond into the past. Hell, we never learn he’s actually a Desmond as well. He just keeps following them and likes to use his claws to get a ‘piggyback ride’. XD

A visual representation of how the Desmonds are tackling every major events of their ancestors:

(not part of the visualization: the dude in charge of the Templars in Cyprus because the Desmonds actually forgot about him and thought he was just one of the mooks)

And then we have Elijah who tries to act all serious and kinda like a dick (it's the Aita genes) but can't help but lean into any kindness and gentleness the Desmonds show him.

The poor modern gang:

(It would be funny if they didn't realize that there are multiple Desmond running around at first so they assume they only have one Desmond to worry about)

Rebecca updating her notes every few weeks:

The modern day gang's relationship with the Desmonds (that the Desmonds are unaware of)

Also... this was the first ridiculous 'apocalypse' I thought of XD

What the structure of the idea would probably be:

[artist-issues]

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

[hairmetal666]

It's a fluke that Eddie ends up a gymnast. Wayne only signs him up for summer classes at Hawkins's tumbling gym to burn off his excess six-year-old energy. Nobody, lest of all Eddie or Wayne, expects him to be talented at it.

And now, somehow, he's at his first ever elite gymnastics competition. His coaches all said he was good, but he hadn't really had a frame of reference for what that meant. Not until now. Not until he's in 3rd place after high bar, right behind Steve Harrington.

They tumbled together, as little kids. Steve a tiny boy with an absurd pompadour, monopolizing the mats for insane tumbling passes and lording his high-end competition shirts over the other kids (none of the rest even wore actual gymnastics gear; they were six and it was Hawkins).

Now, he's a swaggering fifteen year old with the same pompadour and bad attitude. They're not on the same rotation, but as Eddie moves on from his floor exercise, Steve makes a point to ram into him.

Eddie doesn't react and maybe that would've been the end of it, but he ends up placing, and Steve corners him in the locker room.

"Come to congratulate me?" Eddie smirks.

"You better watch your back, Munson." Steve shoves him into the lockers.

"I knew you were an asshole, Harrington, but I didn't realize you were a sore loser."

Steve leans close, heat melting into Eddie. "You better count yourself lucky you've gotten this far. Not really a sport for poor kids."

Eddie bristles at this. Yeah, sure, his gear is secondhand, and he and Wayne learned how to sew to mend his competition shirts, gymnastics pants, and warmups, but they work hard, together, for Eddie to do this. "Don't worry about how I afford to be here." Eddie checks him as he brushes past. "Just fix those wobbly flairs on pommel."

The rivalry is hot and fierce and mean, made even worse by the fact that Eddie has an enormous hate-boner for Harrington. It's not, Eddie reasons, his fault. He's gay and surrounded by guys whose bodies are honed for a sport based on strength, endurance, and agility, Steve the most beautiful of all. So he looks, and he longs, and he hates Harrington with every fiber of his being.

Eddie's sure this would continue for their competitive lives, but everything changes the summer before their junior years of high school. They're at a training camp, the kind for world champion, Olympic hopeful types. Steve is practicing ring dismounts when he loses himself in the air, lands hard off the mat, destroys something in his knee. He needs surgery, the recovery time 6-8 months, if he's lucky to be able to compete again.

Maybe a year ago, Eddie would be excited by this development, but now it's kind of devastating. He doesn't bother examining why.

--

Steve comes back and he's--different. His first competition, he comes up, asks, "Eddie, hey, can we talk?" And, well, they've never been on a first name basis before and Steve is so so pretty, so he agrees.

"I just want to say, I'm sorry how I treated you back before. I was a real piece of shit and you never deserved it."

Eddie truly doesn't know how to respond, never foresaw this day coming. "Thanks. Uh--yeah. Thanks."

They stare at each other for a few seconds longer before Steve taps him on the shoulder and walks away.

It's not the only thing that's changed about Steve. There's this big group of feral children that follow him around everywhere now. Apparently, Harrington told them Eddie plays dnd and now they follow him around too.

He also. Has a girlfriend now. She's pretty; delicate looking. Her name is Nancy. And she's nice, or whatever. Eddie definitely isn't jealous. It's just. He's been with Steve in locker rooms for years, and he thought--well, he'd seen the way Harrington's eyes sometimes lingered on a bicep, a well-cut thigh, the intrigue of a pelvic v, and he thought--not that it matters, but he thought--

Anyway, Steve has a girlfriend.

---

They're at the winter classic, when it happens.

Eddie is doing good. Like. Really good. Like his routines, they're not flawless, but he's hitting the big skills and sticking landings, and stays in 2nd throughout the majority of the rotations.

It's not a huge shock when he finishes his final rotation, vault, and winds up finishing in 2nd. What is a shock, though, is that, when the scores go up, Steve is wrapping his arms around Eddie's waist, hoisting him into the sky. And, even after he's back on solid ground, Harrington doesn't loosen his hold.

And it's, like. Nothing, right? It's nothing because he has a girlfriend and, sure, maybe he's bi, but that doesn't stop Nancy from existing.

He's not going to think about it, is the thing. He knows it doesn't mean anything, so he isn't going to dwell. It's definitely not all he thinks about during the podium ceremony, or after when he talks to media, or even later walking into the empty locker room.

Or. He thought it was empty. But Steve is there, smiling, saying "you were amazing out there."

They hug again, and Eddie tries not to enjoy the warmth of Harrington's body, the comforting strength of his toned biceps. Eddie pulls back and Steve is--he's so close, gazing at Eddie's lips and--

Steve's mouth is hot and sweet, like he's wearing cherry chapstick, and Eddie can't--he thinks of Nancy; she's nice, doesn't deserve this, they should stop--

But he's sucking on Steve's tongue and Steve is making the sweetest sounds, hard against Eddie's thigh, and nothing else matters.

---

It goes on for months.

Eddie knows he needs to end it, vows to as soon as they're apart.

It all goes out the window as soon as they're together again. He can't get enough. It's Steve. How is he supposed to resist?

(He needs to. It's horrifying, what they're doing to Nancy)

---

The children who follow Steve around invite him to dinner after the first day of the USA gymnastics championships.

Nancy is there.

It's the worst three hours of his life. He can't look at Steve, can barely speak to him.

Nancy is beautiful and smart and kind and strong. She doesn't deserve any of this.

And when Steve drops by his hotel room hours later, Eddie greets him by saying, "I can't do this anymore."

Steve's shoulders drop, eyes squeezing shut. "Right. Yeah, I--Yeah."

"I like you, Steve. A lot. But I can't--you have a girlfriend. And I can't keep being whatever this is for you."

Steve nods, won't meet his eyes. "You're right. It's not fair to either of you. I--My parents expect--And I--I'm sorry," he whispers the last part.

Eddie smiles, heart aching. "Sweetheart. I get it. But. Figure out your shit, yeah? Maybe then we can talk?"

The smile Steve flashes him is a broken thing. "Maybe. Sure."

And that's it.

Eddie cries himself to sleep that night.

The next day, he wins first in the all-around.

---

He and Steve stop speaking.

Somewhere around, ohh, the very first time they hooked up, he caught feelings. So sue him if it kills him, seeing Steve at every competition.

They don't speak again until the Olympic trials. And isn't that ridiculous? Eddie at the Olympic trials. It's such an insane pipe dream, being an Olympian, that he doesn't actually have any expectations whatsoever.

So knock him over with a feather when he fucking makes it on the team.

And so does Steve.

The announcement rings out, and Steve is there, out of nowhere, pulling Eddie into his arms. And Eddie's so hyped, so excited, that he just shouts and hugs Steve right back.

He pretends the proximity, the musk of Steve's cologne, the tangy saltiness of his sweat, doesn't bother him, doesn't transport him immediately back to Steve's bed.

They're teammates now; he can keep it casual.

Right before they leave for the games, news breaks that Steve and Nancy have broken up.

---

The Team competition at the fucking Olympics is going well. They've had good routines, with no huge errors, stay consistently within the top 5 scores. But then they're on the last rotation, parallel bars, and he's the very last competitor to go. They'll win bronze if he can score above 14.933.

But

He's inconsistent on parallel bars, always has been, something deep and psychological he can't quite let go of, and now their medal chances are all on him.

He salutes the judges, jumps into his starting position--and his mind goes quiet. Muscle memory, skill, years of training take over--he's flawless.

Eddie sticks his dismount, and the place erupts. He doesn't have a score yet, doesn't know if he's done it, but the rest of the team screams like he has.

They pull him into their arms, but Steve is closest, his grip the tightest. Their eyes keep catching, holding, and Eddie can't really breathe but he doesn't think it's the anxiety or the excitement.

The score goes up.

Not only is it high enough for bronze, it puts them in silver.

Eddie has barely a second to process before he's being hoisted into the air, Steve's arms bracing him up. The crowd's going crazy, his teammates screaming and hugging him, each other, but all he sees is Steve beaming up at him.

He's slowly lowered to the ground, Steve's arms still around him. "You were perfect, baby," Steve whispers. "Never seen anyone like you."

He wishes he could stay right there, Steve beaming at him, but they won the silver--they won the silver at the goddamn Olympics--and they have to get medals, do interviews.

They don't have a chance to be alone together until they're back at the Village, where Steve is just waiting in Eddie's room when he gets back.

"Is this okay?" Steve asks. "I wanted to talk to you and Jason let me in, but I can--I'll leave."

"Please don't." Eddie swallows. "Stay."

Steve smiles, a little. "I needed to tell you that I'm sorry for what I did to you and Nancy. It was unfair to both of you. I love her, you know? But she's not who--I'm not in love with her."

"No?"

"No. I thought it would make my parents happy, settling down with a nice girl. But it turned out it didn't actually make a difference to them, who I dated. And she isn't who I wanted to be with."

"I'm proud of you for figuring out what you really wanted. It's brave."

"I wish I could've been brave earlier." He gives a little laugh. "Before I hurt you."

Eddie doesn't know what to say to that. He wishes the same thing.

"Um, which is also why I'm here." Steve plucks at the waistband of his Team USA Nike joggers. "I wanted to see if maybe we could try again? Officially this time?"

Eddie can't keep his smile from taking over his entire face. "Sweetheart, I would love to."

"Yeah?"

And Eddie just--after all this time, he just--pulls Steve into his arms and kisses him. The silver medals, still around both of their necks, clink together with the force, but neither of them really care.

Steve sighs, nuzzles his nose to Eddie's. "Missed you so bad," he whispers. "I'm so sorry."

"Me too," Eddie smiles. "But kiss me a while."

Eventually, they fall back onto Eddie's bed, which makes a horrible noise as their combined weight topples onto it, and they break apart to laugh. Steve smooths back his hair, wrapping a few fingers through his curls to keep Eddie close, even though he's not about to go anywhere.

"Can't believe we made it all the way here." Steve's looking at him like he hung the moon

"Cause we're taking medals home?"

"Honey," he laughs. "Because I'm taking you home."

[heartfullofleeches]

Yan Cheater + Cheater Reader

Yan Cheaters are funny lemme try-

Yan Cheater who sees their darling dearest out on the town alone. You should be with them, but they'll fix that shortly. You're the person of their dreams and after so many failed relationships they're happy to find the right one. On their way over, their entire world crumbles as you're seen hugging and chatting up some random with a closeness you've never showed them. The unfamiliar face slings an arm around your shoulder as you walk off together - laughing as if you were without guilt.

You heartless bitch. How could you? After they'd give you their heart - their everything. Fine, fuck you - they could do the same thing. After crying through the night and crying their eyes they hit up a past fling to forget all about you; aggravated that all they can think of as the look at their partner is features that remind them of you. They ignore your calls, block you on everything, and have the time of their life with whoever's available... And looks like you.

The first time you saw them with someone else you turned tail and ran, saving your tears for a better time and person. Good - run off. You know what you did. They won't chase you - no matter how red their heart bleeds after seeing you after so long. You meet again at a party a mutual friend left in the dark was throwing. You, for closure - them, looking for a new body to take home. They couldn't even hide their disgust as you stomped up to them, two lockets in hand.

"What the hell did I do to you...."

They scoff. Trying to play innocent? "You know what you did."

"No! No I don't! You ghost me for weeks and never seem to be home when I try to talk to you, but the second I see you, you have your arm around somebody else. As far I remember, we were happy together. What did I do to you to deserve this?!"

"Hm... I think it was roughly a month ago. You and that little whore you met outside that coffee shop that just opened."

"Coffee shop?... Wha-" Your eyes widen. Unable to control your anger, you slap them across the face so hard the blow rattles in their teeth. They clutch their jaw. You little-

"That was my cousin, asshole!"

You toss the necklaces to the ground, two sets of initials engraved on their fronts.

"You didn't even bother to ask me about it before you ran off. If you really loved me, you wouldn't say something instead of jumping to conclusions. I knew dating you was a mistake. You spineless coward."

Their tongue feels heavy, likely cut on their teeth from your blow - bleeding; just like the heart they thought they lost. In a way - they truly had.

"Couldn't get a refund since they were custom" You spit on the fallen jewelry as you turn your back to them. "Happy Anniversary."

They fall to their knees, crawling after you as you fall into the crowd - grabbing your ankle. "No, baby. Please, baby - I fucked up bad, I know, but I can make this up to you. Sweetheart please - I'll delete everyone in my phone right now, even my parents. You'll be the only one. You're all I need. Baby, see? I'm doing it - look. Look at me - I'm sorry. Angel? Honey? D- don't leave me... DON'T LEAVE ME."

You have to change your phone number the very next day from all the calls you receive from the burner phones they purchased that same night to speak their part. Jobs too - as they stand outside and harass customers since your boss refused to let them in by your own wishes - accusing everyone of trying to take you away from them. You return home one day to find your front door unlocked and before you can realize the danger you step inside - your ex waiting with a carbon copy of every gift you threw out and wearing everything you ever gave them.

"Darling... I'm wearing that shirt you bought me last Christmas. I honestly thought it was hideous - but...it came from you. I'm wearing that hoodie you thought you lost too. I lied because I wanted to have something that smells like you to keep. It doesn't smell much like you anymore. Only my tears. I'm sorry - I won't ever lie to you again. You're perfect. My sweet angel. Please...give me a second chance. I don't know what I'll do if you don't."

[sanctus-ingenium]

we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

[azfell-ajcrowley]

Something we didn't notice (part 2)

part 1

Overall, the meta is based on close observation of Aziraphale (for the most part) and Crowley. Without speculation or trying to guess what we haven't been shown (well, almost).

The Metatron makes it clear that he is watching Aziraphale delivering the "good news". Aziraphale looks back at him.

The first thing I'd like to explain. The Metatron is talking to Muriel, and then he stares at the window of the bookshop duplicating that gaze toward Crowley. The frame changes and we see Aziraphale looking out the same window, just for a second, but he will do it repeatedly.

As Crowley starts his monologue, Aziraphale tries to stop him by gesturing for him not to say too much, while looking out the window himself. Aziraphale continues to turn to the window with every meaningful attempt to speak.

Let's also note that Aziraphale doesn't usually behave in a similar way in conversations with Crowley. Yes, Aziraphale is characterised by active gesticulation, but the constant pauses, averting his eyes from the interlocutor, nervous and jerky movements - these are messengers that angel is holding something back, hiding or simply doesn't want to tell. Most often we see this Aziraphale in conversations with the leadership - God and Archangels.

https://commonmexicanname.tumblr.com/post/734305363759890432/good-omens-thoughts

Here's a prime example, comparing his interaction with Archangels when he's caught off guard and frantically trying to figure out how to get out of the situation.

I don't think Aziraphale is just lying to Crowley here, no. He just has an audience beyond Crowley. He tries to tell everything, knowing he has more than one viewer.

When Aziraphale mentions the Metatron, he is not just hinting, he points his index fingers - one at the window, another at Heaven, and then in a distinctly active quick motion once more at the WINDOW.

And again - turns his face to the window at the words about Gabriel failing, and then tilts his head towards the transparent panes of the bookshop.

The conversation with the Metatron is important, among other things, to assess Aziraphale's behaviour when Crowley is mentioned by his superiors. At the words about their partnership Aziraphale looks frightened: his facial muscles are tense, his forehead and eyebrows are furrowed, and there is a terror in his eyes.

When the God's spokesman concludes his really suspicious speech, Aziraphale swallows nervously and averts his eyes. He certainly doesn't look like someone who's been offered the fulfilment of his cherished dream. And not like someone who believes it.

Aziraphale looks like someone who has just found out what an enormous amount of incriminating information is in his opponent's possession.

"Tell me you said no. Tell me you said NO." Crowley is definitely shocked and horrified, he thinks the best of his angel. He can't believe what's going on (and he isn't supposed to).

Aziraphale turns his head towards the window again as an answer.

He actually said:

And

We see him right before he walks into the bookshop, he never says yes to the Metatron.

Aziraphale utters his most delusional words while looking out the window. Of course, they're not meant for Crowley. Aziraphale hasn't believed it for a long time, Crowley even more so.

And then Crowley says "Oh, God", without correcting himself afterwards, because this demon can only hope in God here.

For a second Aziraphale has a look of hope on his face that Crowley has realised what he's getting at. Then Aziraphale realises that Crowley is trying to confess. He's waited for so long not to realise. He was about to confess too.

Aziraphale already knows everything Crowley is about to tell him, but more importantly, literally everyone already knows it. It's impossible to stay and start pretending again that there's nothing between them.

Aziraphale has a completely blank stare past Crowley, and then he looks out the window. Again.

And then the most interesting thing happens. Crowley starts his line "And I would like to spend…" But he turns his head and finally looks out the window, where Aziraphale has been pointing so hard since the beginning of their conversation.

Maybe that's the reason Crowley doesn't complete the sentence. And he begins to pick up different words. Maybe not, maybe the sun from the outside is preventing him from seeing the Metatron.

In the final part of their conversation, when they move closer to the bookshop's door, Aziraphale looks towards the window again.

After "no nightingales" line he turns away to hide his feelings and pain.

The cherry on the cake is the kiss, Aziraphale is falling into the abyss. He averts his eyes trying to figure out if the Metatron could have seen what just happened.

When Crowley leaves, Aziraphale thinks he's lost him. But then, even when the Metatron walks in and says devaluing words about Crowley, Aziraphale can't tear himself away from the window, because now he can see Crowley there. Maybe not everything is lost.

Aziraphale retreats back to the clock - to the very spot where Crowley was standing a few minutes ago. He looks out the window at Crowley, as if to say, "I stand where you stood, you stand where the Metatron stood."

[milksnake-tea]

hey all !! normally i wouldn't engage in something like this on my blog, but considering that it's happening to a friend of mine, i felt i had an obligation to speak out. sorry for clogging up the tags/interrupting your scrolling 😭

tldr: @/hxveneru has stolen the works of my good friend @lowkeyren not once, but twice and is deleting any comments calling them out.

edit: they've changed their user to @/yneri; if you've blocked them already, this doesn't really matter bc they're still blocked :) reminder to not engage with them, they're just looking for attention. block and ignore!

i know. fun stuff. proof is under the cut.

please note that i'm doing this of my own accord, and the only involvement ren has had in this post is me asking for permission to post it since, well, it's an issue mainly affecting her.

also i should say beforehand but. don't ??? send them death threats please 😭 we are better than that. i'm mainly making this to spread awareness about the issue :)

reblogs are appreciated to spread awareness.

first stolen work is ren's oneshot "drunk words, sober thoughts!" for aventurine here.

as you can see, it was posted on June 15th, a little over two months before hxveneru posted their own oneshot.

for reference. hxveneru is a new blog and all of their posts are in the month of september, proven here via their archive.

and here's the two oneshots side by side, with ren's on the left and the stolen one on the right.

notice how the oneshots are exactly word-for-word except for the title and synopsis? even the author's note is exactly the same. obviously i can't fit the whole thing here, but this should be enough.

honestly it's. i have to laugh at the audacity to just copy and paste like hello???

and here's the second work that was copied, with hxveneru's "diff scenarios w hsr men" taking from drabbles from two of ren's works.

these are the two fics that were stolen from, with their dates attached. both are posted far before september. links are here and here if you want to double check..

now let's look at the drabbles that were - once again, copy and pasted. first is blade's, again with ren on the left and the stolen one on the right (ren's is circled bc they didn't take the hcs part).

and here is the sunday drabble that was stolen.

so far, those are the only works posted on their blog. i was also informed that they had apparently stolen from @/exuvianen's post here but deleted it, but since said post is deleted, we don't have evidence for that so take it with a grain of salt.

but yeah! just wanted to let yall know out there, especially since the plagiarized works have already gained some traction and have 100+ notes on them. i've talked about them vaguely on my blog before, so if this sounds familiar, yeah this is them.

plagiarism is shitty, i shouldn't have to say that. it is not that hard to just write your own stuff. i know validation and publicity make you feel good, but stealing someone else's hard work is not the way to go. writers already have enough to deal with. just don't do it. what's the point of getting validation if it's not even your work?

again, don't send death threats, please. that's a bit far, and they likely won't even do anything since the plagiarizer has already been called out before and this was their response.

not a single ounce of remorse or shame. people have gotten way too comfortable on here.

also "who the hell is ren anyway" bestie you blocked her 😭😭 and ignored her ask to you. that's why ren can't dm her to sort it out privately btw, in case you were wondering.

anyways! that's all i have to say, thanks for sticking around this long and have a great rest of your day. hxveneru if you see this. hi ig ?? id say smth to you but i doubt you'd take it seriously so i won't <3

[beggars-opera]

Hey, so we don't talk enough about A Christmas Carol as being at least a little bit about not continuing a cycle of abuse and neglect, both against others and yourself.

In the book little Scrooge is left languishing over the holidays in a boarding school for some never-explained reason, but it is made very clear that this is miserable and unfair, and that his father is doing this on purpose. His sister specifically comes to tell him that "father is so much kinder now than he used to be, that home's like heaven." This also reflects a bit of Dickens's own childhood when his father went into debtor's prison and little Charlie was forced to support his family working full time in a shoe-blacking factory at the age of 12 (which is also why so many of his books seem to have a moral of "hey, kids are people too and maybe we shouldn't make them work in the mines.")

Whatever family reunion happened after didn't work out, because Scrooge continues believing that no one is coming to save him and pulling himself up by his bootstraps at the detriment of all other social relationships is the only way forward. And the more he lives by that philosophy, the more miserable he gets, because obviously he pushes away anyone who has that hope that he lost. They threaten to break down the walls he's built and teach him that a big pile of money doesn't have to be the only thing that he can rely on, if he'd just let himself be vulnerable and have a relationship with people who care about him, because they're out there even if he's ignoring them.

There is a certain type of person still very much out there who thinks this way. "I've never been happy in my life, so no one else has a right to be either. I was abused in my childhood so it's only fair that everyone else suffer as well." We see this in parents who still try to use corporal punishment, and in wealthy people who ignore the social factors keeping others down and scream that everyone else is just entitled, that only those who suffer and scrape deserve happiness. And they especially hate the people like Fred who represent the past that could have been, who have maintained hope for the future, and seem to be rubbing their optimism in your face, when in reality they're just maintaining hope because it's the only way you can survive.

It's so important for Scrooge to actually see the impact this thinking has on both himself and multiple generations. Rich people have this weird hangup about this story because they think Scrooge is bad because he's rich. He's not, he's bad because he's a horrible person and a miser - he doesn't use his money to better anything, including himself. Salting the earth, everyone suffers here, including him. And he learns that he's going to die old and alone without ever having spent or enjoyed his money, and that his family feels sorry for him, and that the nameless masses of poor people out there that he decries so much are in fact living, breathing people, including tiny disabled kids who don't deserve to suffer just because you decided life isn't fair.

In the end he takes responsibility for actually uplifting the people in the next generation who are trying to make the world a better place and no longer punching down, because it doesn't have to be this way. So many people out there just give up hope because things are hard and they think trying to improve things is a pointless exercise that makes them look dumb. How dare you grow a year older and not an hour richer! How dare you marry for love! That's the only thing more ridiculous than a Merry Christmas! When in reality, there are plenty of people who would love to see them happy if they just had a chance.

It's really sad that, while the language used to describe it has changed, these problems still persist. That people feel so wronged and isolated that they spend their days ensuring everyone else will be as well. That they fail to see their fellow humans as fellow humans who are just as deserving of love and kindness and a roof over their heads. I don't care what time of year it is, we should all be lifting each other up rather than tearing each other down.

[queenofthearchipelago]

Long Rant about the Watcher Thing

The thing about what's happening with Watcher is that I'm a musician. I understand deeply the difficulties that come with an artist making their art and needing money and the relationship with the people that art is for. So I understand that Watcher needs money to pay their employees and maintain their business.

That said, they revealed that they have 25 employees (half of which are nepotism hires and friends from BuzzFeed) and that one episode of Ghost Files costs "hundreds of thousands of dollars." (Ghost Files being their most expensive show by bar, not their average spending habits per Watcher episode)

I understand from a few people I've seen who are in their Patreon that they make at least 100k per month from the patreon. And then there's the money they get from youtube itself from the views. And then there's the money they get from the ads.

Now I understand that Ryan said this decision came down to primarily 2 things: the ad companies were making them feel stifled with what they could do (which they don't explain how), and they want more money to be able to keep up a higher production quality.

I'm going to skip past the thing about the ads. They never specified how the ad companies were making them change their content in a way that made them feel unsatisfied. I can't speak or provide any opinions on why they want so badly to escape needing ad deals.

But I can talk about the higher production quality they speak of and that's specifically because Ryan said that they wanted to pay for a higher production quality FOR US. "For you guys."

We... we didn't ask for higher production. This is NOT a decision they need to make on our account. I understand and respect if they aren't creating on they level they want. But it's odd that they're speaking towards not being able to afford their current spending habits, as if this is something we asked them to do.

I've read a lot of comments about this and I agree with a lot of you that it's odd that this decision to switch to streaming coincides with the return of Worth It, a show that when produced by Steven, seems like it could easily cost just as much as Ghost Files to produce.

I understand why it feels like this is all Steven's fault. His vibes in the video today, compared to Ryan and Shane, made it seem like he was the most excited about it. It's Steven that has been highlighted multiple times as the business man, the one who makes the financial decisions. It's Steven's shows on Watcher that get canceled after one or two seasons, meanwhile Ryan and Shane's shows just keep going to 5 seasons and beyond.

Shane even said it explicitly, that there are "shows that didn't do as well on youtube, that might do better on a streaming service."

But most of the fans DO watch Watcher for Ryan and Shane, they always have. Steven's shows don't do as well. When Watcher brings in a new host and makes a new show for them, those shows do even worse.

I know this upsets Ryan, he's been very vocal about wanting Watcher to expand beyond himself and Shane. He wants his company to be successful regardless of whether he's in front of the camera or not.

But I feel like this step is trying to force it. Right now, this is still Ryan and Shane's channel. This is why we're here. The people haven't latched onto Steven as much, and the attempts to bring in new hosts have been unsuccessful.

There are lots of comments floating around about why Watcher didn't do what Rhett and Link did and open up youtube membership. Or why didn't they host more live events. Or why didn't they do more livestreams. These all could have been fantastic ideas that wouldn't betray the fans.

Because I do think they forgot that their fanbase is largely women in their 20s. People are right in bringing up the cost of living crisis, in bringing up how many subscription services we're already subscribed to. And my heart goes out to the international viewers who can't access the website at all in their country and the ones who can't afford it because Watcher forgot to consider the currency difference.

I feel that they have betrayed their fanbase. I remember when Watcher started and Ryan admitted he was scared no one would watch. And then we showed up for them because we loved them and what they did.

But now most of the fans can't or won't follow them where they're going. And I think Ryan might know this too from the way he said If this is goodbye, it's been fun.

I wish they would have tried other things before hard launching a streaming service. I wish they would have had a long game plan to get to the place they wanted to be as a company and as creatives.

I feel betrayed but I also don't want this company going bankrupt. If they go bankrupt, then we truly have lost them forever. I hope they take a look at the overwhelming backlash, at their falling subscriber numbers, and I hope they reconsider doing this.

[l-in-the-light]

Luffy's and Law's similarities

Because people always talk only about their differences, time to do the uno reverse! You might be surprised how many there are, actually.

Snapping at exactly same thing.

Snapping at same stuff again, because sometimes they share exactly the same brain cell. Even their face expressions are exactly the same in both examples lol.

Whenever Law actually loosens his guard, he reacts in exact same ways as Luffy does.

They both have a very similar experience with their mentors sacrificing themselves for them and same selfblaming reaction. This serves mostly as a prologue because we will compare how child Law and child Luffy behaved.

Both were reckless brats with very wrong self-harming ideas to get what they want.

They hate "dirty tricks" and being lied to. And easily lash out.

Their initial reaction to making fun of someone tripping/being pushed on the floor or making fun of anyone. Also standing there in exact same pose with their fists clenched.

"I will go find a real role model", same vibes here honestly.

"You will pay for this" mentality. They were also both literally thrown which endagered their lives and they both can't believe it's actually happening, that anyone would do something like that. Also bonus points for swearing child Luffy haha.

Both consider some people to be just total scums that deserve punching. Bad guys should be taught a lesson. Law at least managed to land a stab, so 1:0 for him.

This is intriguing. This is the last time Law asks someone for help. And last time Luffy asks someone to help him. Both seem to be convinced "asking for help" caused their loved ones to get hurt, so you will never hear them do it again. The only difference here is Law is asking to help Corazon, while Luffy is the one who needs the help.

Later on Luffy is taught to ask for help by Vivi in Drum Kingdom, but he isn't asking for himself, but to help Nami. Meanwhile Law never again uses the polite words. The most he is capable of is to ask Cavendish "tanomu" which is more like "I'm counting on you".

Both sit in same pose whenever Law isn't trying to impersonate Corazon's style (yes, Law mimicks Cora a lot, also in the way he walks). At least once he slipped and sat in the way he found naturally comfortable instead and it was exactly same way as Luffy's preferred sitting position. What a curious coincidence.

Another funny thing about them is that they both like to wear exactly same type of shoes they used to wear as a child, Luffy the sandals, and Law his dark boots. It's not really that common thing in the manga, for example, Nami and Zoro didn't stick to same type of shoes they used to wear when they were kids.

They also sleep in exactly same position, the infamous T-pose. For comparison, the rest of the Strawhats all have their own different sleeping positions (first from the right is Usopp ofc lol).

They also match each other's pace pretty well. "Let's go, Torao!" and "Ike!" as Law's answer which literally means just "Go!", because Traffy is ready too, no need to stall back.

And finally my favourite:

If Law wasn't under Corazon's "calm" spell, would his laugh sound familiar? Perhaps would it be "shishishi" we know so well? Of course that's the last time Law laughs like that, so we can't compare him laughing when he's an adult. Families in One Piece often share similar laughs, it seems. Unless you're a devil fruit user, that also changes your laughter apparently hm.

There's probably even more similarities between their behaviour, thinking patterns and expressions than I managed to find. I find it suspicious considering those two did not grow up together, so why are they so similar when they're both children?

I dunno if whole D. clan is an actual family, but I think Law and Luffy definitely had a shared ancestor and probably not that far in the past. Very curious since they're from East Blue and North Blue, the two seas mentioned to be the hardest to travel from one another.

Many people speculated Dragon isn't related to Garp or Luffy because they don't really look that much alike, but if you compare Monkey, Trafalgar and Gol family members together you can start to see some pattern emerging: they all have naturally black ruffled hair Potter-family style (you're welcome for that comparison you never wanted to notice and now you can't unsee haha). I wonder if Joyboy will also be revealed of sporting similar style of hair.

[ginevrapng]

you write fwb!james letters. you don't see each other in most classes and thanks to james don't pass each other in the hallways either because of that you slip him letters other ways. when you are in the same class you go past his desk and slip a note under his unopened textbook. you'll transfigure your notes into different things, over time james has gotten use to having things turn up in his bag that he swears he doesn't own before he realises it's you transfiguring different things and he swears every time you make it your mission to transfigure it into weirder and weirder things, he won't know how to explain it if someone ever saw a muggle garden gnome in his bag.

every time he reads your notes he has to make sure he's alone and no one will come in and interrupt him, not just because they're notes from you but also because said notes make his trousers tighten and his cheeks red, thinking about all the things you wrote to him and imagining what he'd do if you were there with him.

"i saw you in charms today and you looked pretty, i wanted to drag you out of the classroom and kiss you until our lips looked swollen and we have to separate to breathe." james thought you looked pretty that day too.

"i went to see your quidditch game. you're actually pretty good. your hair was even more messy than normal though." when james read that he flung himself on his bed, holding the back of his hand to his forehead, grinning. you don't like quidditch. you came anyway.

"when do you think we'll see each other next?" soon, he hopes.

"i think i'm starting my period, my breasts are tender :( you're always good with your hands." the implications makes his head fuzzy. he'd absolutely look after you, he'd touch you gently and make you feel better. he'd hug you softly if you'd let him and do anything that'll help you feel a bit better.

"can you touch me in history of magic again?"

"some information that you might want to know: i'm on birth control."

"next time i see you i want to give you a blowjob. you didn't take your shirt off last time but you have to next time, it's not fair."

james mumbles, "you're killing me" under his breath.

he can't bring himself to ever throw the letters away, they're from you. he sometimes reread the letters late at night while jerking off and thinking of you and the things he'll do the next time he'll see you. he doesn't regret keeping the letters... he doesn't... that is until sirius found them at least.

opening up one james' drawers next to his bedside table he finds your letters to him, curiously sirius glances at the first note and a cocky smirk appears on his face. sirius picks up the whole pile of letters and waves it in the air. "prongs," he says in a singsong voice, "what's this?"

james looks up and sees his friend holding up the notes you've sent to him. he panics but he hides it well, looking away back at the marauders map where he was previously spying on filch.

"i've been fucking with snivellus. i've been sending him love letters." he keeps his tone as even as he can, sirius can't know they're from you.

"this isn't your handwriting james," he replies still smirking.

"anybody can change their handwriting sirius." james says still looking down but he hasn't been paying attention to the map as soon as sirius found the letters.

he doesn't say anything for a second until, "fair enough." sirius plops down on the bed next to james looking over his shoulder at the map. "why didn't you tell the rest of us though?" sirius questions suddenly as he just thought about it.

"didn't think it was that important." james doesn't know if sirius will believe him so before sirius can think it through james starts talking about their quidditch game coming up.

sirius has no reason to doubt james in the end and even gives him ideas in the following weeks to write to snape. he'll have to be more careful next time with hiding your notes, he still won't throw them away though.

[cutebat]

Yandere Batfam x Neglected, but Defiant Reader

What's Next?

Warning(s): Yandere themes, past neglect, a lot of swearing, stealing, violence, mentions of bribery

(This is where now you can pick your own choices in this series, so this isn't technically a chapter)

~~~~~

Two weeks went by quickly, thank God.

You arrived at school as how you could have if it wasn't for Bruce ruining your fucking break by making you spend time with the rest of the family.

You were forced to watch movies that made no sense due to its plot or whatever and went shopping, only for them to buy you things that you didn't like that all. Like, who still buys and wears things that could cause a whole closet clutter.

The worst part of all this is that Damian has to walk you everywhere around the school, except for using the restroom. Even worse is that Bruce changed your entire schedule to you having teachers who love to fuck you over. Because of this, you can't skip anymore!

Anyway, the day quickly went by, and now it was break time. As you two walked into the cafeteria, you spot your two basically only normal and only friends, Noelle and Sasha.

"(name)! There you are...-"

Noelle calls out to you before her smile slowly flattered when she spots Damian beside you.

"What is he doing here?"

She whispers to you that made you roll your eyes.

This made Damian narrow his eyes down at the two of them.

"Do you have a problem with me being here?"

He asks with a snarl that made your friends cringe a bit.

"(name)..."

Sasha mutters out to you that made you sigh.

"No, no... Damian, they're cool, don't worry."

You reassure him that luckily made him calm down.

"Oh, alright then. Come now, sister. We need to find a table."

Damian tells you which made you feel annoyed.

"Oh, uh, actually. I need to get my water bottle. I left it in my locker, so..."

You try to make an excuse to get out of here.

"No worries, I can go get it for you."

Damian said as he turns around.

"Wait, you don't know my combination!"

You call out of realization.

"I'll figure it out."

He calls back as he leaves the cafeteria.

You and your friends stayed where you were in silence.

"Isn't this great?"

You speak up out of sarcastically as you sit down with them.

"(name), what are you doing with that guy?"

Sasha asks as she takes a bite of her pudding.

"Being stuck by his side for the whole day and the entire Christmas break?"

"No, why are you hanging out with him?"

"Oh, god, don't be a bitch over this. I know he's such a pain in the ass, but I can tolerate him, okay?"

"No, we're not jealous or anything, he's actually fucking insane, (name)!"

Noelle tells you

"Insane like how?"

You ask as you cross your arms.

"Sent many guys to the infirmary, punched a guy in the throat earlier, nearly set a teacher's car on fire."

Noelle said as she started to list down all the things that Damian did.

"Wait, so all of this happened in one day?"

You ask with your eyes wide a little.

"Yeah."

"How do you know all of this?"

"I have two classes and a passing period with him."

At that moment, a guy with a neck cast walked up to your table.

"Were you guys just talking to Damian?"

He asks the three of you.

"Yeah."

Sasha mutters out.

"I hate him. He literally punched me in the throat during gym and didn't even apologize to me or get expelled. I'm pretty sure he paid off the headmaster or something."

He said with his eyes furrowed that meant he was pissed.

"See?"

Noelle mutters to you.

"Hold on, why did he exactly punch you for?"

You ask out of curiosity.

"Cause I said that you were pretty hot and told him that he was a wimp about it or something."

He said as he rubs his cast.

"Still sound normal to you?"

Noelle asks you.

"Oh, come on. That's like one of the things that's like the less worse things."

You tell her.

"'Less worse'?! I was passed out for like half an hour!"

The guy said in a defensive tone.

"Dude, that sounds like a you problem."

You tell him with a bored expression.

"Oh... Shit hurts."

Sasha said with a chuckle.

"Fuck you, guys... Stupid bitches..."

The guy mutters out as he walks away from you and your friends.

"Anyway, what can I do about all of this?"

You ask as you place your chin on the palm of your hand.

"Honestly, I don't know. You're pretty much on your own, (name)."

Noelle said as she takes a sip of her honey milk.

"What? You guys aren't going to help me?"

"We want to, but we don't know how."

"Please? Like actually, please. I have no idea what to do and I don't even know how to get away from all this."

You tell your friends in a slight pleading tone.

Noelle and Sasha gave each other a glance before they stare back at you.

"Okay, fine. As much as we don't know either, we'll try whatever we can, okay?"

Sasha said as she sets her pudding cup down.

"What are you exactly going to do now, (name)?"

Noelle asks in a soft tone with a soft gaze on her face

~~~~~

Go to your next class (Coming soon)

Skip until the end of the day with your friends (Coming soon)

Go home with your friends

•

•

•

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(If you want to be in the taglist, let me know!)

[toon-tales]

Here it is! Part three! Omg, I'm so excited for this!

Let's begin!

Ok, so, I know a lot of people say that Poppy hasn't changed a lot in the third movie but let me stop you right there!

Here's our girl, our happy-go-lucky queen cutely dressed and if I may, waiting for her boyfriend to compliment her looks like he always does

But then she notices something is wrong

You can see in the third pic, she was thinking how to approach the matter, because this, after all, is her boyfriend's old home, where he used to live with his grandmother. And in the fourth pic, her brows are even more furrowed

And here, oh my gosh this scene:

Can we look at Poppy, PLEASE?!

She's paying her full attention to Branch. She wants him to talk, to open up to her. HER EYES ARE FILLED WITH HOPE SHE'S ENCOURAGING HIM TO TALK TO HER

Skip, skip, skip, skiiiiiip, annnndddd here:

"I'm not hearing no!"

Branch doesn't look sad, he doesn't look mad, he doesn't look scared, he doesn't look uncomfortable, and most importantly, he doesn't look forced

True, Poppy was all "We are so in!", but unlike in Twt, she actually listened to Branch when he wanted to talk to her, and Branch actually talked when something he didn't like was going on. Do you even see how much they've grown?

Now, Poppy knows how hard life is without a sibling, and she doesn't want her boyfriend to just take his family for granted. Her heart was in the right place, people

And Branch didn't say no! He didn't refuse! They talked, different opinions and different thoughts and different mindsets, yet they worked things out

And yeah, I know Branch was probably thinking 'what have I gotten myself into' in this scene

But the entire movie was just Branch having issues and dealing with them. And Poppy was trying to help him. Also, in case you haven't noticed, things do not work out the way Poppy has imagined, just like in Twt, but the difference? Later, she didn't leave Branch alone to go save Floyd, she went with him. Now, I hear you saying: she went because Branch didn't say anything to her, while they fought in Twt, that's why she left him

Wrong!

Let me remind you that Branch lied to her, kept things from her, kept his feelings from her, didn't open up, and literally was being sarcastic and you can see she was hurt in this scene

And they're in a new relationship which Branch is already beginning with hiding stuff, yet she put all that behind because -I'm not gonna say boyfriend - the man she loved, needed her. So, yeah. She's changed

Takes a deep breath

Now, let's move on, shall we?

I just wanted to point out how Poppy was looking at Branch when he was trying to yet again hide his feelings. She knows what's up

Moving on to this scene:

The way she's telling them to include Branch? The pure happiness and excitement on her face for him! PLEASE?! May I remind you that SHE WASN'T SINGING WITH THEM BUT WAS THIS HAPPY FOR BRANCH?!

Now, I've already talked about the scenes I'm going to talk about now in the analysis posts, but I'm gonna copy-paste them here because I don't want you people going to those posts, then return to this one and lose your focus and vibe

You have Branch, whose brothers' return has reopened scars he's been trying to close for so long, and has just found out his brother is being held captive, and is now in a rescue mission to save him and sing the perfect family harmony, the same thing that they failed miserably at the last time so they walked out and never talked to each other again, comforting his girlfriend. Poppy needed time, needed him, and he was ready to give her all the time she needed and stay with her. Proof? He didn't move until she has left first, ensuring she was ready to leave

Then we have Poppy, who has just found out her boyfriend has been hiding secrets from her, and watched as he reluctantly agreed to reunite with his brothers, and discovered she had a sister that she knew n o t h i n g about, and that this sister was so afraid to leave her safe place and go with her, deciding to go help Branch save his brother. She took one last glance at the walls separating her from Viva, then walked towards Rhonda, silently signaling she was ready to leave.

They were both dealing with stuff, needed time to open up/stay, yet each one thought of the other

Then this scene was SOMETHING ELSE-

"Where are you going?"

"To save Floyd, alone. I didn't need them growing up and I don't need them now." He didn't even look back when he said, "What are you doing?"

And the look of disbelief on her face. "What do you mean? I'm coming with you!"

He literally gave her a blind eye, didn't look at her. He didn't want to get weak. "Why bother? Aren't you gonna leave me eventually anyway?" He was certain. He didn't wait for any reassurances because he didn't want to hear any and live a lie again. "Everyone else does."

But despite that, Poppy did NOT give up on him

"I have been by your side from the moment we've met, and you've been by mine. Let's give each other some credit here."

'and you've been by mine' this wasn't about her, but about THEM. This line has so much depth and meaning for their relationship

"You're right, I'm sorry. Thank you."

He started with the apology because he knew what he just said was WRONG. He knew she wasn't leaving, they've always been there for each other. And I don't think he thanked her for coming, maybe for reminding him? I mean, that's Branch we're talking about, he would surely have thoughts and insecurities about people leaving him

But Poppy's always there to remind him that she's always there

His mission is her mission. She was willingly going for an insane rescue mission, and face people BRANCH HIMSELF didn't know anything about, all the while trying to deal with the separation between her and Viva. But she was going with him. Because that's just them

All they wanted was for the other to be happy

And in the end? It worked out just fine

So, to sum up this post, and the previous two: no, Branch isn't perfect like we claim, nor Poppy is, too. Hiding things? Sure, that happens. Lying? Happens as well. Disagreements? Oh, yeah, lots of those. But in the end of the day? They work things out

Branch is perfect for Poppy, and Poppy is perfect for Branch

That's just love, and it doesn't have to be perfect all the time

Sooooo, that's it? Omg that was fuuuun!

Anyway, as usual, feel free to add or comment on anything!

Part one

Part two

[sparkbeast20]

Can't guess

Part 1

Lucifer: What do you mean, you can't tell who's the father!

Solomon: Normally, we can do a Paternity test to know who's the father.

Solomon: So I took MC to the human world-

Diavolo: Without my permission I may add.

Solomon: 😊

Solomon: So we got to the clinic and... Let's just say this pregnancy is too dangerous for the human's mind.

Satan: So that counts you out, since this baby is supernatural-

Solomon: Oh? I'm as powerful then any of you. Just because the child cause the doctors and nurses to go insane that does mean I'm out of the count of the potental father of this child.

Belphie: Of course, being here you're causing us to go insane.

Simeon: Wait, are the humans alright?

Solomon: They're fine. *He was lying*

Diavolo: ...

Solomon: Now back to the pregnancy.

Solomon: We can only make a guess on who's the father by MC's change of behavior.

Solomon: In the past, the mother display aggressive behavior when they were carrying a demon spawn.

Solomon: From what I gathered, they didn't know who was the father of those spawns, so we don't know if the mothers would display the behavior of the demon father or its a common symptom of Aggression.

Lucifer: How long would the pregnancy take?

Solomon: ... About 12 months.

Mammon: What!!!

Solomon: Or 6 months. Again there isn't actually a solid pattern of these demon to human pregnancy.

Simeon: What about an Angel Pregnancy?

Solomon: Don't know, no one gets to record them since "Someone" Keep interfering.

Simeon: What's the suppose to mean, friend?

Solomon: You know exactly what I mean, Simeon.

Simeon and Solomon glare at each other.

Barbatos: Oh my.

Lucifer: can you two stop being petty- What's with the grin Diavolo?

Diavolo: Oh? It's nothing.

Barbatos: I sense something bad about this.

Diavolo: Well. if you two must know, I think I have a higher chance of being the father.

Lucifer, Barbatos, Satan, and Belphie: ...

Diavolo: My blood is the strongest-

Belphie: I call bullshit on that!

Diavolo: Oh? *Turn to Lucifer and Barbatos, waiting for them to interject*

Lucifer: What? I agree with Belphie.

Diavolo Oh!

Barbatos: Smugness doesn't suit you, Milord.

Meanwhile in the other room

MC: I can I have some Beel

Beel: *Feels conflicted* Sure

MC: Yeah!!

Mammon: *Enters the room and growled when he saw Beel feeding you* Oi!!

Mammon: *He rushes over and pull you close to him* Who said that you can feed her?

Beel: *Deep down, he feels challenge by Mammon* She was hungry, and ask if she wants some.

Mammon: Oh? What! you think that the kid is yours?

Beel: *Stood up and looms over Mammon* Yes.

Mammon: *Gently push you to the side and got up at Beel's face and growled*

Asmo: Oh? the tension is real!

Asmo: Anywho, I'm taking MC to my room-

Asmo: *Stopped when a tail wrapped round his arm* Let go, Levi

Levi: No.

MC: *Senses trouble you slowly back away and quietly leave the room*

MC: Damn, these fuckers are going to kill each other before the baby is born-

Luke: Baby?

MC: Gah! Luke! When did you get here?

Luke: Simeon and Solomon took me along but said I should stay at the kitchen because they are having "Adult talk" with the brothers

MC: I see.

Luke: You're having a baby!!

MC: Yeah, it seems like it.

Luke: Who's the dad?

MC: ...

MC: We... Don't know exactly.

Luke: Huh? I thought you'll know the dad the moment you found it.

MC: "How am I going to say that I was whoring around with all the guys"

MC: It's a mystery.

Luke: ... *Looks down*

MC: What's wrong?

Luke: No-Nothing.

MC: Come on, Luke. You can talk to me.

Luke: ...

Luke: Would you still love me, even if the baby comes.

MC: Oh! Luke *You pull him into a hug* You'll always have my love. I can't never ignore you.

Luke: *Smiles and hugs you back*

MC: *Pulls back* Now, lets get out of here. Stay here is stressing me out.

Luke: Yeah! Stress is bad for the baby.

You nod and the two of you head out. As you two got far you both hear a loud crash from the HOL.

Luke: What was that!!

MC: Ignore it. When hasn't a day when something in that house broke.

Luke: Hm... Good point.

[mickandmusings]

vi. 'tis the damn season

part of the 'hangman & honey' series!

summary: for the past six months, jake has spent every spare moment attempting to mend communication between he and honey. for months, he uses his phone calls to phone her, leave long voicemails, and writes her multiple letters a week. his efforts come with no avail, she never calls or writes him back. with christmas around the corner, jake makes his way back home to texas, but not before making an important stop along the way.

word count: 6.1k

warnings: 18+ mdni!! (dirty talk, but no explicit descriptions); definite military inaccuracies; definite college inaccuracies; general angst; christmas story in august?

-

'Dear Honey,

I know this is the third or fourth letter this week, and I'm not even sure if you're receiving these, but I can't just not write to you. I left you another voicemail, and I'm not sure if you're listening to those either, but I have talked to you nearly everyday since we were nine, and, well, that's not a habit you break easily. I called you on your birthday last week and left a message, and I sent you a card, I hope you got them both.

Honey, I'm sorry. I'll say it in every voicemail and every letter until you believe me. I shouldn't have taken so long to tell you the truth. I regret it. If I could take it all back, you know I would. I didn't do it to hurt you, I never want to hurt you. But I know I did, and no words I could say or write will change that. I'm sorry. I'll say it over and over again until you understand how much I mean that.

I know you likely don't want to hear about my time here, but I've always told you everything. If you don't want to hear me talk about it, I thought you might read about it. I can't ever remember a time you weren't reading.

Life here is different. Not bad, just...hard. The weather is certainly cooler than the winters back home. We even got snow, true snow, not the shitty kind we get in Haven. It sticks to the ground, and you can actually play in it, not just bust your ass on ice and sleet. Things are always very routine and strict, but, considering it's a week til Christmas break, things are looking up. Honestly, I've never been more ready to go back home to Texas. Granny said she spoke to you about coming home for Christmas, since you missed Thanksgiving? I really hope you'll come around. I miss you, Honey. I haven't heard your voice since that voicemail you sent me in October. Look, you can stay at the other house, I'll set it up for you before you even get here. Or, I'll stay there, and you can have our my room. You don't even have to talk to me, just please come. Just seeing you would be enough.

My bunkmate, Javy, the one I've mentioned to you for the past few months, he's from New Orleans. He's coming home for Christmas, and he's going to drop me off at the airport there. I'll fly back to Austin from there, and Pawpaw will be there to pick me up. Sometimes, at night or when we have spare time, Javy tells me about his life back home in Louisiana. More often than not, it makes me think of you. They make me think of the birthday beignets you make for Pawpaw, and how you'd make us gumbo in the winter. Frankly, everything makes me think of you. Honey, I see you everywhere. There are these bushes outside Bancroft Hall, and they're full of these little white and red flowers. I'm not sure what they're called, but they're pretty, and I know you'd love them. There's a kid in one of my morning classes, and he's got your accent too. It's nice to hear, I haven't heard your voice in so long. I hope the Magnolia State is treating you well. I imagine you're much happier with your favorite flower all around you.

I don't have much else to tell you about. I'd like to tell you my other stories when we're face to face again. I just wanted to let you know I miss you, and I love you, always. Call me back or write to me whenever you get the chance, if you're feeling up to it.

All my love,

Jake'

Honey holds the paper tightly in her hands, letting it crinkle under the pressure of her grasp. If he'd sent this letter when they'd first split, she'd have balled it up or ripped it to pieces with her blinding, white-hot rage. She had been so angry when she'd first moved away, ignoring his incessant phone calls and numerous voicemails. She had let his letters pile up on her desk, unopened and unread. In the chance that he'd sent this letter just a few months later, she would have stained the ink of his letters with her tears. After her anger came a fierce sadness, one that seeped into her bones and left her incapacitated, ridden with the agony that threatened to pull her under like a rogue wave. But now, as she stares down at Jake's scratchy handwriting across the lined paper, she simply feels numb. His letter does not spark an onslaught of tears or suffocating sobs that leave her chest heaving. She simply folds the letter back up and slides it back into its envelope, placing it gently on her desktop, deciding to deal with it later, much like the emotions it evoked.

She knows she shouldn't, but she grabs the familiar orange sweatshirt that lives on her bed and throws it over her head. It comes to her knees and the sleeves are far too long, but it provides her with a comfort she almost wishes it didn't. In her tiny dorm room in Starkville, her small college town (although bigger than Haven,) she feels isolated. Her entire life for the past six months had simply been going-through-the-motions of life: wake up, go to class, come home, study, finish assignments, work a shift at her on-campus job, shower, repeat. Life had become monotonous, something that her life with Jake never was.

She knows she shouldn't wallow. She should try and get out, make more friends-more than just the lady at the circulation desk in the library-and try to enjoy her life at nineteen. But, once again, that gnawing, creeping feeling infiltrates her chest, Honey wasn't like her classmates. She wouldn't enjoy sitting in a bar or attending a frat party. She'd sit in the corner alone, nursing a drink she likely wouldn't finish, and leave with an Irish goodbye. Now, all she had was a sweatshirt that smelled faintly of the boy she once slept next to each night, and it was her only source of comfort.

Honey knows she should get up and call Mrs. Janet, to let her know that she's okay, and that she was settled. The last time she'd spoken to her or Mr. Jacob had been nearly two weeks ago. She should call Haley and Sarah Grace back, both of her hometown friends had been calling since they'd met up for the last time in October. She knows she should stop shutting those who loved her out-Jake included-but that was a different situation entirely.

Instead of doing any of the aforementioned, she simply sinks into her comforter and puts her headphones on, effectively shutting out the rest of the world. She was glad her roommate had left for her own home state, leaving her alone in the dorm room for the next two weeks. Deep down, Honey knew she was lying to herself. She yearned for the feeling of home, her true home, on a farm in Texas. She craved Mrs. Janet's cowboy cookies that she made at least two dozen too many of, and Mr. Jacob's Christmas ham that took hours to get just right, but was so worth it when it practically melted in her mouth. She missed sitting around a room full of the Seresin family, watching the children open new toys and heaps of candy. She'd laugh as they opened new clothes with sour faces, quickly ditching them for the next box in shiny wrapping. Their childlike joy made her own flare, leaving her chest warm as she giggled quietly in Jake's arms. She missed Jake sneaking them eggnog from the kitchen, and the babbling laughter they erupted into when they realized no matter how much older they got, it was always just as disgusting as the first time he'd snuck it when they were thirteen. Mostly, she missed the warm, peaceful feeling she felt when she was in a room full of people she loved most. In a bout of honesty, she admits that maybe, just maybe, she just missed Jake.

Through her headphones, she can hear the rain patter against her window, and she sighs, the weather only adding to her melancholy mood. Honey knew if she chose to rot in bed, her emotions would only grow heavier, so with a deep sigh, she rolls out of bed and slides on her worn sneakers. She takes off Jake's Longhorns hoodie and swaps it for her own, tosses the hood over her head, and grabs the keys to Jake's truck. She grabs her finished library books to return, and her wallet, deciding to wallow in the secluded section of the library instead. She walks out of her dorm room, locks the door, and takes the stairs down to the lobby. She pushes the door open and heads out into the rain.

Honey would never make it to the library that day.

-

Two weeks prior...

"You scribblin' away for that girl again, Seresin?"

Javy's voice fills Jake's ears, and Jake doesn't bother looking up as he shoots his roommate a middle finger salute. Javy laughs at the action before climbing into his top bunk, leaning his head against his pillow. There's silence between the two before Javy's voice cuts through again.

"So when are you gonna tell me about her?"

From the second that Javy had met Jake, it seemed like something was weighing his bunkmate down. It wasn't until a week or so later, when they both were calling home, that Javy learned it wasn't something, it was someone. Jake kept information about his girl on lock, so Javy knew little information: her name was Honey, which Javy found odd, but brushed it off. She was studying English at a college in Mississippi, and Jake had, somehow, royally fucked things up with her before he'd come to the Academy.

Jake sighs, stopping his writing as he looks up at his friend on the top bunk.

"If I tell you, will you shut up for ten minutes so I can write?"

Javy nods, his brown eyes sparkling with a stream of questions he'd been burning to ask.

"Fine, what'dya want to know?"

Javy is quiet for a moment, looking up at the ceiling, as if pondering something.

"What's she like? Wait! No, let me guess! She was a cheerleader, pretty little thing, prom queen, the whole nine-yards to your little All-American thing."

Jake lets out a laugh, thinking of Honey as he shakes his head.

"You couldn't be more wrong. Except the pretty part, she-she's gorgeous."

"Really?" Javy sits up and leans over the metal railing of the bunk. "What? Is she like some metal chick with the eyeliner?"

Javy motions around his eye to emphasize his point.

Jake's eyes widened, continuing to shake his head.

"Definitely not."

"Then what's she like? C'mon man, you gotta give me something! You're always callin' her and writin' her, and I never see you get a response. She got you under Love Potion Number Nine or something? She do the whole magic thing? Can't trust that man."

"No, no, she's not like that. She's-," Jake pauses, trying to find the most accurate words to describe Honey. "She's quiet, shy, she's practically the opposite of me. She likes to read, a lot. I don't think there's ever been a time in our lives when she didn't have a book in her hand. She's kind, never lacking patience when it comes to all of my bullshit. And smart, ridiculously so, she's the smartest person I know. Honey is...witty, and funny, she's got this sarcastic sense of humor that you'd never expect from her. W-We've been friends since we were kids. We started datin' in high school, and we had this fight before I came here, and, obviously, she's still mad about it, so...yeah."

Javy notes the glimmer in Jake's eyes as he talks about his girlfriend, a small smile forming across his lips. Javy hadn't known Jake for more than six months, but this was probably the happiest he'd seen his bunkmate. Javy shrugs, giving his friend another incredulous look.

"So what are you gonna do about it, Seresin?"

Jake's jade eyes look up at him, his letter finished but suddenly forgotten.

"What do you mean? She obviously doesn't want to speak to me. The only time she's spoken to me in six months is when she left me a drunk voicemail on Halloween, saying how I made her cry. What am I supposed to do with that? If she saw me, she'd probably knock my lights out."

Javy shrugs. "But do you love her?"

Jake looks down at his well-kept shoes.

"More than she'll ever know."

"You said she's studying in Starkville? You think she's going back to Texas for Christmas?"

"It's unlikely," Jake responds, his voice somber at the admission. "Why?"

"Well," Javy props back onto his pillow, his hands tucked under his head. "I'm driving back home for Christmas, passin' right through Mississippi. It sounds like if you messed this up, you need to be the one to fix it. Show her you haven't given up, and you want her back. If you surprise her, maybe she'll give you a chance to explain yourself."

Jake's heart hammers in his chest, his friend's plan wasn't entirely bad. Jake looks up at his bunkmate, his face set in a knowing look.

"Honey hates surprises."

"And you hate living without her, which one will be worse: her temporary anger, or never speakin' to her again?"

Jake sighs, he hates that Javy was right. Maybe it was a stupid idea, cancelling his flight back home from Austin, tagging along on a road trip with Javy to get the love of his life back. But, a week later, Jake's duffel was slung into the backseat of Javy's car haphazardly as he rode shotgun, giving his friend directions toward a small Mississippi town.

-

Now, Honey makes her way across the rainy parking lot. Through her blurry eyesight, she quickly finds Jake's truck in the nearly empty parking lot. She fishes the key from the bundle of keys in her hand, sliding it into the key slot on the door and unlocking the door. Before she could remove the key and pop open the door, Honey hears a voice call out her name. She pauses, and for a split second, she thinks she hears Jake's voice. She shakes her head, pulling at the driver's side door. It was often shut too hard, and she had to pull with a good portion of her strength to get it to open. As she tugs on the handle, she hears it again, her name in Jake's voice. She tugs harder, thinking she was finally losing her mind.

"Honey, wait!"

The footsteps behind her alert her that the voice she had been hearing likely wasn't just a hallucination. She turns abruptly, and her heart stops in her chest. There, standing before her in a rain-soaked Navy sweatshirt and jeans, his significantly shorter blonde locks plastered against his forehead, was one Jake Seresin. Honey's eyes widened in shock, the breath in her chest growing short and ragged. She pulls her books closer to her chest, an action of both shock and keeping them as dry as possible. Her eyes dart back and forth between his own. She's quiet for a moment, rendered completely speechless.

"Jake?!" Her eyebrows furrowed. "What the hell are you doing here?! You-You're supposed to be on a plane to Austin right now!"

Jake stands in front of her, motionless, as his eyes take her in completely. It had been so long since he'd seen her, and he simply wanted to peer at her forever. She hadn't changed much, she was still shorter than him in stature, still an avid reader by the small pile of books she'd finally tossed onto the truck seat, but her eyes didn't quite shine like they once had. Jake's heart hammered in his chest, staring at the girl he loved standing in front of him in the pouring rain, arms crossed over her chest, shivering in the cold.

"Jake, hey?!" She waves her hand in front of his face, attempting to gain his attention. "What are you doing here?!"

Honey's voice is loud enough to hear over the rain pelting around them both. Her eyes are wide as he looks down at her, his hands itch to touch her, but he keeps them at his side. He takes another look into her eyes, and he simply loses every ounce of control he has. He takes a step forward towards her, his hands come to rest on either side of her face. Honey wants to knock his hands away, she wants to let her anger simmer forever, but the warmth of his calloused touch provides her with a comfort she hadn't felt in so long. If it had not been raining so fiercely, both halves of the pair would realize the tears running down one another's face. He's silent for a long moment, simply taking in her face for the first time in months.

"Honey, I-I fucked up," Jake starts, his voice trembling with a flurry of emotions. "Honey, I fucked up so, so bad."

He pauses, allowing the rain to soak through both their clothes, his thumb brushing carefully against her cheek. His bottom lip trembles, his hands beginning to shake against her face. Honey says nothing, only braving a look into his green eyes darkening with tears.

"I-I've apologized a thousand times over the past six months and it's not enough. It'll never be enough, because knowin' I hurt you?" He pauses and shakes his head with his lips pressed into a fine line, effectively keeping him from bursting into sobs. "Honey, that shit has ripped me to shreds everyday since you left. I-I never meant to hurt you, ever. I'll spend the rest of my life apologizin' to you if that's what you want." His eyes bore into her own, his breaths shaky.

"I'll spend the rest of my life on hands and knees, grovelin' if that's what you want. A-And if you tell me to fuck off and never speak to you again, I-I'll do it. Just-just know that all of me-body, heart, soul, everything I am-it belongs to you. If you've decided that you're movin' on, and you want to do everythin' we planned with someone else, I won't try to stop it. But, you have to know somethin', and I need you to understand that it doesn't matter if you move to Canada, o-or you stay here, or you move back to Haven, my heart forever sits in your hands. It's yours, forever, whether I have yours or not. That house on my grandparent's farm? I fixed it for you, it's yours. This truck? It's yours, take it. Honey, you can have whatever you want, I'll buy you whatever you want, I'll make it if I can't buy it. Tell me what you want, and I'll make it happen. Whatever it is, baby, it's yours."

His chest moves quickly with his rapid breaths, his hands shaking from his contained emotions. Honey simply looks at him, still a bit shocked that he's standing in front of her. If she wasn't overwhelmed by the landslide of apologies he'd just spouted, she'd have given him her own back. Instead, she stands a bit still, her chest just as heavy as his. He mistakes her silence as rejection, and his face falls as he gives a subtle nod of his head. His hands move from her face, and, in that split second, Honey is shocked into action. She wouldn't lose him again, she couldn't lose him again. In one quick swoop, she grabs the wrists of his sweatshirt, pulling his attention back to her. She speaks a tad louder than her normal tone, ensuring he would hear her over the pelting rain.

"You, all I want is you. That-That's all I've ever wanted, Jake!"

He catches a glimpse of her face, her cheeks pink as she shivers, but her eyes, they were the same love-filled gaze he'd remembered. He wanted to begin another string of apologies, to assure her that he meant everything he said, but he never got the chance. In an action almost completely out of nature for the shy girl he knew, her arms were around his neck, pulling his lips towards hers in a heated passion. He wasted no time in indulging in the action, his hands coming to her hips, lifting her a bit higher to deepen the kiss. The sweet kiss quickly turns to a clash of teeth and heated movements, and Jake quickly hoists her up, her legs wrapping around his waist as if it were muscle memory.

From his car across the lot, Javy shakes his head and smiles as the two embrace one another. He cranks his car back up, backs out of the parking spot and turns back onto the main road. He shakes his head as he thinks of his friend, mumbling to himself as he drives:

"Tis the damn season, Seresin, you lucky dog."

Back at the school, it only takes a split second for the couple's kiss to grow a bit too intense for the parking lot setting, and, without thinking, Jake pulls her through the lobby's double doors and into the elevator, where the two finally break apart for a split second.

"J-Jake, I-I never should've left like that, I-,"

She doesn't get to finish, Jake's lips are back on hers, this time with more fervor than before. Honey shudders, with both the cold from her wet clothes and the heat building in her torso. They break apart as the elevator dings, and Honey is pulling Jake by the hand back to her dorm. She all but shoves him inside, locking the door behind her. Jake wastes no time in crossing back to her, slowly pulling off the hood of her hoodie, his eyes widening when he glances at her mostly dry hair.

"Y-Your hair, it's...shorter."

She chuckles. "Yeah, I just needed a change...you're one to talk, J, I've never seen your hair that short."

He pulls her in closer by her hips, lifting the soaked hoodie over her head as he speaks.

"Yeah, well, plebe summer wasn't my best look, you're just lucky you missed me bald, baby."

Even in the dim light of the dorm room, Jake notes the darkening look of her gaze, her lids growing heavier with desire. Honey's hand comes to the short hair growing on the nape of his neck, her head cocking to the side as she threads her fingers through the new growth, a look on her face he can't quite place. He pulls her flush against him, attempting to read her look.

"Hm, yeah," she starts. "I'm real glad I missed that part. Y'know, why?"

The girl below him moves to kiss the underside of his jaw, making his hands tighten on the grip he has on her hips.

"Why's that, baby?"

Honey's lips move to his neck, his hands slipping past her hips and to the round of her bottom. Above all else, Jake Seresin had been raised to be a Southern gentleman, but his resolve was slipping.

"Because," Honey starts, her accent slipping through, causing the heat in Jake's lower half to grow unbearable as her lips continue their course down his skin. "I like havin' somethin' to hold onto when you're between my thighs."

Long gone was Honey's shy demeanor, and long gone was Jake's gentlemanly resolution. Without a word, he's tossing his own damp sweatshirt over his head and throwing it to the floor with her own. Honey has ditched her drenched shirt and sweatpants, now standing nearly bare between Jake's arms. Without a second of hesitation, Jake pulls her onto the ridiculously small bed, but he pays it no mind, more focused on the grinning girl beneath him. He kisses her lips passionately, his hands resting on her bare thighs. His own heart hammers, and, as he kisses down Honey's neck, he can feel her own beating just as loudly. He pulls away, tossing off his damp jeans to the floor. He looks down at her almost bare frame, his emerald eys heavy with lust, but his voice is cased in affection.

"If this is what you want, that's certainly fine with me, but I need to hear you say it, baby."

Honey looks up at Jake's kind but intense gaze, her heart slowing a bit.

"After that whole The Notebook-esque apology you pulled, yes, I want this."

She nods in confirmation, and Jake wastes no time in attaching his lips back to hers. Honey's hands fly back to his hair, her fingers digging into his locks. Jake's hands come to her torso, carefully sliding off the clothing constricting her chest and tossing it onto the floor. He pauses for a brief moment, staring down as he hovers over her. Honey looks up at him, her head cocking to the side.

"Jake? Hey, what's the matter?"

Jake's mind is in overdrive, and he simply feels the urge to stop and stare at her. She's bare before him, cheeks flushed, eyes blazing with affection. Jake swallows thickly as he pushes hair out of her face.

"Honey, you-you're beautiful. I am the luckiest man on fuckin' Earth, baby."

Honey blushes at his compliment, pulling him back in with a heated kiss.

"You're such a smooth talker, Seresin...but right now, I need you to use that mouth of yours for somethin' other than talkin'."

Jake grins from ear to ear, the usual smirk she's used to seeing painted across his face. His thumb brushes against the fabric adorning her hip, gently pushing it down. He tosses them to the floor along with the other clothes they'd shed, and nudges his way in between her legs. Heat fills the space between them completely as he speaks:

"Yes ma'am."

-

Hours later, in the late hours of the night, Honey is woken by the vibrating of something nearby. Jake-who has her pressed into his chest with the strength of a bear-doesn't budge. Honey, ever the light sleeper, groans, lightly tapping Jake's shoulders. His body moves, but he simply curls back into their shared pillow. She shoves him again, a little harder this time as she speaks.

"Jake," Her words receive no response, so she speaks again. "Jake!"

It's Jake's turn to groan, his arms pulling her closer to his bare chest.

"Hm? What is it, baby?"

Honey's lack-of-sleep induced annoyance fades at the nickname she so adores.

"Your phone is ringing."

Jake groans again, slipping out from under the blush pink sheets and searching for his phone that he assumed was still lodged into his jean pocket. Honey opts to glance at his newly toned arms and strong, broad shoulders, his time training in Maryland obviously having physical gain. He hits the button on the screen, not bothering to look at the caller ID, and speaks:

"Hello?"

"Jacob Thomas! Where the hell are you?!" His grandfather's voice fills his ears, and Jake pales. Shit. He had completely forgotten to tell his grandparents about his detour. "I've been sitting at the airport for three hours, son!"

"Pawpaw, I-I'm sorry, Javy just decided to take me all the way back to-" He's cut off abruptly.

"Look, that's fine, but you could've called. Your grandmother's callin' and she's pissed, son. Just get home, alright? Preferably sometime before Christmas Eve? She's already distraught about Honey not comin' around, so, the sooner the better. Heard?"

"Loud and clear."

"Alright, well, I love you, kid. Be careful."

"Love you too."

Jake hangs up the phone, crawling back into Honey's sheets and pulling her back into his arms. Honey's nose burrows into the crook of his neck, Jake's warm skin against her own far warmer than any blanket she owned. Jake's hand ghosted against her side, the other threading through her hair. His voice is low and soft as he speaks:

"How do you feel about Christmas in Texas?"

Honey's eyes open, looking up at her boyfriend with a shy smile, completely retreating back into her usual quiet self, a stark difference from the heated confidence that had run through her only hours before. Her eyes glimmered in the moonlight, a wide grin on her face as she buries herself back into his neck, his toned arms pulling her in tightly.

"I don't know if they'd even want me there, I should've called Mrs. Janet back, haven't responded in like two weeks."

Jake scoffs, pushing back a hair from her face.

"Don't even think like that. They're gonna be more excited to see you than me."

"Guess we'll find out." Honey pushes up from her spot next to Jake, sliding out of bed and slipping on new clothes before packing a small bag for the road. Jake watches from the bed, a smile across his face. He rests his hands behind his head, his blonde locks tossed about from their rendezvous. Honey turns to him once she's dressed.

"Are you gonna show up like that? Not that I mind this look, but your grandmother might have some issues with it." She laughs lightly, tossing him his now dry shirt. "You might want to get dressed, babe."

Honey stills and grows red when the nickname falls from her lips without any thought. She turns to Jake, his eyebrow furrowed humorously at the nickname, his right pointer finger beckons her closer. She stands next to him beside the bed, his hand pulling her in by the waist.

"Where did that come from?"

"I-I don't know," she admits bashfully. "B-But if you don't like it-"

"Baby, I more than liked it."

He pulls her closer, plopping her back into the sheets with him. She practically rests completely atop him. His hands move to pull up her shirt, his hands resting on her now bare waist. She makes note of his gaze darkening as he looks down at her, his arousal evident against her leg.

"Jake," her voice is a whisper. "We should really get on the road."

Jake smirks, his lips now kissing the sweet spot behind her ear.

"I'll get up as soon as you do."

Unable to resist one another, they were nearly another two hours before they got back on the road. After those hours and a ridiculously long drive back home to Haven, Honey now rested comfortably in the passenger side of Jake's her truck, Jake's thumb rubbing against her thigh. Both of them were incredibly tired from the prolonged trip, and more than ready to collapse into his childhood bed they'd shared for years. As Jake turned onto Seresin Farm Road, Honey felt her nerves kick in. Despite her excitement to return to the home that had nurtured her, she worried that she was going to be a burden for Janet and Jacob. She hadn't told either of them that she'd be coming home, and Jake hadn't either. She slid closer in the seat to Jake, her head resting on his arm. He looks down at her as they pass one of the many fields on the property.

"You alright, baby? You're lookin' a little out of it."

"M'fine, just nervous."

Jake's eyes cut down at her. "Nervous?"

"It's stupid, I know. I just, didn't tell anyone I was coming, and I don't want to be a burden to your grandparents."

"Honey, you're family. You don't have to let us know you're comin'."

Honey smiles, her nerves fading as the house comes into view. Jake parks the truck, the backwards baseball cap over his head covering his short, blonde locks completely. He cuts her a sly grin, a look of mischief drawn across his face.

"Want to really surprise them?"

Honey cocks her head, puzzled. Jake simply kisses her cheek and hops out of the truck, moving to open the door on her side. He comes to the front door, opening it and promptly hiding Honey behind his taller frame. He comes to the entrance of the kitchen, raising his finger to his lips as he leaves her only a few feet away in the foyer. She can hear his boots against the hardwood as he walks.

"Hey," he speaks simply, both Janet and Jacob Sr.'s eyes cutting to their grandson standing in their doorway.

"Jacob! You scared the devil outta me! Get over here!" Janet shuffles the towering young man into a hug after lightly chastising him.

"Sorry I'm late," Jake's voice is muffled against his grandmother's neck. "Had to make a detour and pick up a little surprise for you."

His grandmother pulls away, her eyebrows furrowed as she gives the blonde a questioning look. "Surprise?"

Jake sends her a blinding smile. He pokes his head around the corner, beckoning Honey forward with his pointer finger. Honey shakes her head as she approaches, and Jake slings his arm around her shoulder.

"Hi," Honey speaks quietly. Janet and Jacob Sr. both turn, smiles painting across their faces.

"Honey! Oh my, sweet girl, you did surprise us!" Janet's voice is bubbly as she shuffles over to her grandson's girlfriend, pulling her into a tight hug. "Oh! And look at that hair, it's just darlin' on you!"

Honey feels her heart hammer, and she has to swallow down her tears as the older woman embraces her. Jake's grandfather follows suit, and Honey can no longer stop the tears rolling down her face. Janet wipes them away with the back of her hand.

"You alright there, Hon?" Jacob Sr. fills her ears. Honey nods through her tears, crossing the kitchen back to Jake's arms. He pulls her close, kissing the crown of her head as her tears stain his shirt. Janet's eyes gleam as she sees the two being affectionate again. She had been so worried about them both being apart for so long.

"I'm fine, promise." Honey's voice wobbles slightly. "I'm just really, really happy to be home. I didn't want to be a burden, but, I-I've really missed you guys."

"Oh nonsense! I promise we're happy to have you home, sweetheart." Janet's own face wobbles with emotion. "Now, c'mon, I'm glad I waited to make desserts, now I've got double the help."

She shuffles her bowls of ingredients around on the counter and Honey pulls away from Jake, more than happy to lend a hand with making sweets. Jake slips out of the kitchen to allow them to share their moment, and finds himself lounging next to his grandfather in the living room.

The graying man peers up at him over his glasses, giving him a satisfied look.

"Smart move there, son."

Jake directs his eyes from the black and white film on the TV to his grandfather.

"What do you mean?"

"Bringin' Honey home, makin' things right with her. Me and your Granny learned real quick this place doesn't feel the same when you two aren't around."

Jake smiles, shocked by the amount of emotion behind his usually stoic grandfather's words. The older man only gives him a hint of a smile before focusing on his western movie again. Jake listens as he hears Honey's laughter from the kitchen, and for the first time in six months, he feels content. Exhausted from hours of driving and he and Honey's activities in her dorm, he falls asleep on the couch.

Later, after Honey and Janet have finished their baking for the night, Honey spots Jake sprawled across the sofa, his boots and hat abandoned at the end. She covers him up with the blanket that rests behind him, placing a kiss on his forehead. She hadn't intended to wake him, but his eyes popped open. He's not fully awake, still a little bleary eyed as his hands fumble for her torso.

"C'mon, J, you're tired. Let's go to bed."

"Hm, lead the way, baby."

That night, Jake sleeps with Honey under his chin, tucked comfortably into his hold as tightly as possible. He dreams of Honey vividly-although mundane and simple, his dreams are a comfort: them sitting placidly with one another as she reads and he looks on as her voice fills his ears. For the first time in nearly six months, both of them slept peacefully and deeply, in a way they never could without sleeping next to one another. Tomorrow, when the Texas sun blares through Jake's thin curtains, they'll both be thrown headfirst into holiday preparations. But tonight, under the same roof where their story had ended, it begins again: Honey, in Jake's arms, sleeping content and comfortable in the bedroom up the stairs.

-

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I've seen (typically older) therians talking about how they feel that their subculture as animal-people and nonhumans is slowly disappearing. This is a point that, in all honesty, I'm inclined to agree with-- although I think I'd perhaps frame it less as "disappearing" and more as just "changing."

Because let's be honest with ourselves here: is the subculture actually vanishing, or is it just evolving into radical new dimensions as excited newbies join and find different focal points for their nonhumanity? As they express themselves in whole new dimensions and ways, as they explore a digital landscape that didn't exist ten, twenty years ago? As the older members lose touch with the newer members, and no one bridges that gap between the two?

I think I'm also extra frustrated because when I see these discussions go down, a lot of the time they're either 1) self-pitying, or 2) finger-pointing.

It's not bad or wrong to look around and realize that the community you found comfort in has changed in ways you could have never predicted and which leave you feeling off-kilter. But approaching these changes with a complete lack of curiosity, with an absolute woe-is-me sort of perspective, where you drag your feet and glare bitter daggers at everyone else, isn't the way to do anything.

And going around trying to pin blame on whoever happens to be at hand is an even worse way to approach it. "It's the furry fandom's faults!" "It's the alterhumans' faults!" "It's the humans' faults!" Who does this approach realistically help? What does this do, beyond ostracize people and make whoever is saying it feel temporarily vindicated in their solitude, in a vicious cycle where they never step out of their ivory tower and always use how alone they are as "proof" that they're right?

I think having discussions about the ways the subculture has changed is extremely worthwhile. But I think that they're at their best when enthusiasm over sharing takes a main, central point. When you see people excitedly telling others about Werecards for the first time, or when you get to introduce someone to the concept of personal websites and webrings, or when you link someone who's only just starting to learn that there's others like them to old and new groups and forums alike. These are the ways you keep those traditions alive, these are they ways you get people both informed of and really excited about them.

And like, maybe I'm just cheesy and optimistic, but building bridges is way more fun than building walls! And more than that, I also think it's fundamentally something that's significantly more helpful and productive. I'm always so hype when I see community projects taking off that involve connecting many different people, especially if they're centered on a specific group or identity, but I also think that those sorts of things are how we keep a community healthy and moving, how we avoid things getting stagnant and rotting away.

I've said it before in past essays I've published and I'll say it again: alterhuman communities survive through their internal momentum. We're still around and kicking because we're a bunch of opinionated, passionate animals and objects and entities and people and concepts and and and-- this is what we are! This is how we all, both together and individually as separate groups, continue to be around. We write. We argue. We dance. We leave tracks. And then others see all those things, months or years down the line, and they know they're not alone. They know that it's okay to join in around the campfire, and they end up leaving their own tracks, and the cycle repeats.

So I guess what I'm saying here is that I'm not just beseeching people to create, but I'm asking you to create with others. To extend that paw towards the people around you in your immediate community spaces and wider, and to realize that yeah, the digital grains of sand and time might erode and change the landscapes we're all in, but we can still have a damn good time exploring the new nooks and crannies around us and showing others our old hidey-holes and favorite spots to watch the sun set.