#plagiarism

[oceangirl24]

Fandom drama finally over (next chapter on the way).

Well, this month has been surreal.

For those of you who have been following me for a while you know I have dealt with plagiarism and harassment by a fandom writer since October of 2022- exactly twenty years after I posted the first chapter of AiP on FFN.

Totally gone.

Everything has been deleted everywhere.

The name has been scrubbed, even on pages that tagged her. Only a few gift fics on FFN and a few stories on WhoFic.com remain.

Gone like she never existed.

I've held off saying anything in case it was a just a dream, but it's real.

She is gone!

It's over.

Finally!

I cannot tell you what a massive relief this is.

I have never named her publicly through all of this, although I know some of you figured out who it was.

MrsFizzle. Kaylie Night.

I never shared the extent of what went on for several reasons, but mostly because I knew my socials were being watched and I didn't want to give her the satisfaction of knowing that what she was doing was so badly affecting my physical and mental health.

I was already dealing with a severe bout of depression and anxiety when she contacted me on FFN in October 2022. At that time, I did not have any socials linked to my FF accounts other than my art account on FFN. I was just getting back into fandom and hadn't decided how I wanted to engage yet. We had been talking in comments on AO3, and instead of asking me if I wanted to talk privately, she just appeared in my dms saying she wanted to talk so she "found" me. This was disturbing, especially since she indicated she was aware I likely did not want to hear from her, but I brushed it off as anxiety talking. I had said I wanted fandom friends after all. And I had no reason not to talk to her.

I should have listened to my instinct.

She straight up told me what she was going to do and how she was going to do it- take my work and Audrey to chop up and use as she pleased. She immediately began to gaslight me by saying she had all of this already written and was giving me a heads up so I wouldn't think she copied. Later, she insisted she would not change anything about Ashley, which made her previous offer to change her name not sincere.

I felt I couldn't say anything about this, not even saying yes, please change the name. What right did I have anyway? It's fanfiction. Mine is the only story like it in the fandom and recognizable, so she'll credit me, and I'll get over it.

I hated it, though. I hated what I thought she was trying to do, and I hated myself for thinking that of someone new to and excited about the fandom. I've been in BMW fanfiction since 2002 and have always had a great experience with it and the people in it. I convinced myself that I was reading into things, and that depression and anxiety were skewing my perception.

Over a year later, while putting the report together, I saw her own words in comments with the dates on them telling me she read AiP and Flashbacks before writing her story, I just didn't catch it. I also saw all the lies she told her readers about the situation. I saw the little comments picking at my characters and story line, the ones she said she loved so much to make herself look better. I can't imagine what she was telling people privately with how bold as she was publicly.

She lied to me about everything from why Ashley's name was so similar to Audrey's to the plot she had planned for her "little family". Told me our OCs had to be the same because they were written for the same character. They had to be younger than Jon, had to have a traumatic backstory, and had to be good with teens, very pretty, etc. There were differences: her character wasn't as young as mine and "had more of an edge to her".

Also she said she couldn't tag Ashley as an OC because she wasn't. Not really. To say she was original would be "presumptuous". She existed in GMW.

Somehow Audrey did not nor did any other OC love interest for Jon even though they too were nurses like in canon. Unbelievably, she even told a reader Ashley was a canon character.

We talked for one week.

It was a miserable seven days. I set my discord status to invisible to get rid of the pressure to respond right away when she messaged. She didn't like this and wanted to know why she couldn't tell when I was online.

No one else ever shows up like that she said, why do you?

I made something up and said a bunch of things to appease her, but I was worried about why this was such an issue, especially since many of my friends were also permanently invisible. The fear she was watching my online movement just had to be my anxiety driving paranoia, right? She couldn't be. Who has time for that?

A fandom friend I had been talking to about the conversations as they happened advised me to get out. She said I shouldn't be afraid and anxious when talking to someone about fandom things.

I finally got the courage to end it. She didn't like being cut off. I tried to be nice about it and took all the blame on myself for this fandom friendship not working out, but that wasn't enough. I finally had to be forceful (or honest I suppose) and tell her I felt like I was being lied to because what she told me was different than what she was telling other people.

She denied it of course and was very offended.

"May God deal with me as He sees fit if I have intentionally decieved you."

This closed out one of her last FFN messages and always bothered me. Was it purposely worded like that or a Freudian slip? In hindsight, now that she's deleted everything, maybe He did just that.

I found out later that the "repetitive stress injury paired with hypermobility" in her wrists that left her unable to type for a year was not her story. See I have hypermobility in my lower body, really bad in my hips. In talking to her, a lot of what she said didn't make sense and she often wouldn't give direct answers. Later on Reddit she announced that her wrists were suddenly healed, all better now. I had no clue you could be cured of hypermobility (you can't).

When compiling the plagiarism report, I came across the AN on a story written by a close friend of hers (I was blocking all close associates). What was it about? A repetitive stress wrist injury paired with hypermobility. It looked like it went up during the time we were talking.

She told me one thing about why she left her job in the AO3 comments. Then she used my own AN about why I left teaching (internal school politics) to come up with a different reason for leaving education on FFN that honestly made no sense to me but I didn't question her. She then told Reddit something different.

There were other instances where she took someone else's story and claimed it as her own real-life tale. Some of this was public, too. Either she thought no one would pick up on it, or she thought she could say anything she wanted and not be held accountable. I don't know.

Then there was the drive to push me out of the fandom using what weaknesses she knew I had to do it. Looking back, she was very good at it. Too good for it to be the first time she'd done this to someone. She claimed I was the first person since high school she'd had drama with and the first ever online. I highly doubt that now.

I had Cameos from Tony Quinn and had spoken to him in dms. I mentioned these to her, and she insisted on seeing them. I didn't want to share them. They were special to me with a lot of personal things said. But I was selfish by not sharing, right? So, I gave in, edited out the personal stuff, and sent them to her.

Immediately I regretted it.

As soon as she indicated she's seen them, I deleted them. Then she said she hadn't seen part of one and none of the others, could I send again? I ended up making an excuse as to why I couldn't - too much personal info. Truthfully, I had the inexplicable fear she was going to take the videos and claim them as her own.

You see, she didn't care anything about Tony whom I've been a big fan of since 1994 when we first started talking. He was just some old guy to her. Until she found out how much I liked him. Then suddenly she was his biggest fan and just had to meet him because he was so wonderful. They lived in the same state after all. Oh, but don't worry I would get to meet him too someday for sure, she told me... on the other side of heaven. 🙄

When I told my friend about this one, she said to cut contact.

(Ironically, by the time we started talking, Tony had already moved back to my home state, where he and his wife are from. Learned that from his Pod Meets World interview that came out a month after we stopped talking. I cried-laughed the first time I listened to the interview.)

She liked to point out how old I was. I never told her, she did the math and figured it out she said. She was wrong, but it didn't matter. She was aware of personal insecurities and liked to push this one. I told her things I should not have but I was desperate for another friend and I convinced myself that all the warning sirens I was hearing in my head was just anxiety.

Towards the end of our time talking on Discord, she had started the subtle dismantling of my confidence in AiP. I was very aware that my work was outside of the norm for the fandom at the time and was often insecure about it. With little feedback at the time, I didn't know what to do.

It's a trilogy, split it into three parts maybe, so the word count isn't so intimidating?

She told me the story was too long, and even splitting it into three parts wouldn't help- no one reads sequels or will go back to read the first parts. On the other hand, no one would be interested in giving it a chance because of the length. Also, the story wasn't healing- and that is why people read, you know. Her attitude toward Audrey grew chilly and very, "she's an OC, people don't like OC main characters." This was a drastic departure from her comments on AiP.

Then she started bragging about how well her story was doing and all the comments she got. Fans were just begging her for more.

After I cut contact, she blocked me on Reddit and purposely took over the Jon and Jon and Shawn threads so I couldn't participate. This continued until I blocked her. She didn't like having her participation limited.

Blocks on both sides were lifted for awhile. I wish I hadn't lifted mine. But I had been so looking forward to season 2 of PMW and wanted to talk to others about it and Mr. Turner. I thought I could handle dealing with her more out there takes.

During this time, I noticed a sharp drop in interaction on my stories.

Readers not from Reddit or FFN disappeared. I always wondered about the timing. Readers gushed over her, though, and several indicated they were talking to her on Discord, too.

She knew how much fandom connection meant to me and took every opportunity to flaunt hers, whether in her comments or on Reddit. She had a thing for following me around and posting where I did, including on other people stories.

I mentioned this feeling of being left out and wondering if there was a Discord server for BMW I didn't know about. She said there was none she knew of and told me no one wanted to talk about BMW in a discord server anyway. All the people she talked to were uncomfortable with that. They only wanted to talk to her privately.

Turns out that was another lie.

Not only did I find that people wanted a discord server, in a comment thread with her and another reader about wanting to discuss head canon offsite, one of those readers "uncomfortable with discord servers" created one of their own and dropped a link inviting them to it some months before that conversation.

It wasn't the existence of a private server that bothered me so much. If there was, there was. It was the way she told me: everyone wanted her, nobody wanted me.

Had it not been for readers alerting me to the stolen work, I would never have known any of this. I'd still be wondering why the fanfiction side of the fandom wanted little to do with me when I sincerely tried to give back as much as I got and tried to welcome/encourage writers, especially new Jon & Shawn writers.

Then she contacted me on Christmas Eve 2022 on Reddit. After I made it clear I wanted nothing to do with her. As always, I was too nice. I still blamed myself and the anxiety for everything that happened. She offered friendship and apologies and then abruptly ripped the offer away when I expressed having reservations. When I didn't do what she wanted, she got mean.

Admittedly, her hurtful words about having "tons" of fandom friends to talk to when I didn't upset me. Since she liked to talk about God and being a Christian, I shot her some Bible verses about words and told her how cruel she was.

That didn't go over well.

Later I felt bad about it. Maybe I was too harsh, too judgemental, too sensitive. Blaming my anxiety for my reaction, I stupidly reached out on Valentine's Day 2023 to try to make peace with her.

She was even meaner and now saying she was afraid of me. She said I had hurt her so much she couldn't trust me. She admitted that she'd hurt me too but wouldn't say how, just that we kept hurting each other, so she was too scared to talk to me.

What?

I was talking about her, she claimed. And that was too much. She couldn't take the pain and stress of being talked about online. Oh, and her depression was worse and she struggled more, so what I was going through didn't matter.

Did I talk about her online?

In the aftermath of the Discord chats, I was angry she wouldn't leave me alone when asked. I resented her trying to push me out of a fandom I've been in since I was a little kid. I vented my frustration by making a wildest opinion that fans had heard over the years post on Reddit. Mine was that Jon was a coward for letting Shawn go back to Chet. I never named her or how I'd heard this opinion. I didn't think she was even still around the subreddit.

She outed herself.

I think the biggest problem with the post was that no one agreed with her take. I deleted the post not long after it was made and apologized to her for it later, but it wasn't good enough.

The next thing wasn't even about her. I told her that when she contacted me on Reddit. Someone had posted about having to block someone online and why. I responded sympathetically, referencing something that had happened before I met her. She refused to accept that my comment wasn't about her. Of course, I was talking about her, how could I not be?

Everything was about her no matter what the topic was.

But these were the terrible things I did to her that made her afraid of me. She couldn't come up with anything else. Turns out what she was really afraid of was that I would find out what she was doing and what she was telling others.

For 16 months I was so stressed and depressed that I started having panic attacks again. @lizettevanessa and later @mrsmungus virtually held my hand and talked me through these. They spent hours trying to help me calm down and get me to think rationally over that time.

I have type 1 diabetes and stress is a killer for me. Throughout this ordeal, my blood sugar was stuck at over 300 for hours on end and it seemed that no matter how much insulin I used it wasn't enough. And then the bottom would fall out and my blood sugar crashed. It was a never-ending cycle of trying to bring down highs and bring up lows. This led to stomach problems, constant migraines, and eventually hair loss. I had so many nights where I couldn't sleep. I was so depressed I couldn't work out and I couldn't cope with online or rl situations that shouldn't have been a big deal.

It also triggered the ED.

I hadn't had a relapse in years.

Online I was always looking over my shoulder wondering if the people in fandom were being honest with me or if they were pretending to be my friend while reporting back to her. I know for a fact one person in the BMW server was doing this. I know at least a couple of readers/friends were involved and that she created alts impersonating others.

Trying to run an inclusive, welcoming fandom server while trying to protect myself was a nightmare.

I honestly can't put into words how much damage she did. It was only because of my chaos family and sis @mrsmungus that I didn't quit everything. No exaggeration. I came very close several times to deleting over 20 years of work and history because of her.

What I've just told you is a just a part of what I've dealt with since late 2022.

The worst part is I think she'd be pleased to know how effective her tactics were. I don't know what was going on in her life that drove her to do this. I don't know if she is just that jealous, entitled, and petty a person or if she was lashing out because of something done to her and this was the only way she could get revenge- by going after an easy target and inflicting the same hurt she'd suffered.

What did she gain by doing all of this? If if I had left the fandom, what was the end goal? There were/are a lot of Jon and Shawn adoption writers out there. Would she drive them out to so she could be the BNF of BMW?

I've been in online fandom for over 20 years and I've learned that fandom is cyclical. Favorite tropes, characters, etc. change over time, falling out of favor and then becoming popular again. It would be a full-time job plus overtime trying to stay on top.

As for me, all she had to do is admit where her inspiration came, just once, just a note. Instead, she chose to lie, manipulate, and harass me just so she didn't have to admit it.

It's incredibly stupid if you stop to think about it.

But she is gone now and all of that is gone with her.

I don't know what happened that made her nuke everything and I do not care. It doesn't matter.

I used to want that story rewritten or gone. But in all honesty, I am ecstatic to see she's gone.

Good riddance.

Looking back, I get the feeling she is a very privileged person who has been sheltered from having to deal with the consequences of her actions for a long time and not just online.

Going back over all the private correspondences with her, the ones she had a with a mutual reader that were sent to me, and her response to AO3 that was removed by staff, in them is a trend in claiming something awful happened to her making it impossible for anything to be her fault when confronted with something negative. Flu, injury, baby, computer theft, ID theft, etc. There was always an excuse. She was always the victim.

She got away with it until she didn't.

I really do hope she deals with whatever caused her to act this way. It's terrible for those who cross her path who aren't her constant cheerleader, but it's worse for her in the end.

You can't be like that and be happy.

You know what is sad?

She's actually a talented writer. She could have taken that story and really done something special with it. The foundation was there. She could have taken Ashley and made her into a fully developed, living, breathing character who could have shaped her family unit in a way that didn't look anything like mine even if the same basic elements were there. It would have been so easy for her to do. Instead, she picked what she wanted from mine, minced it up, and harassed me over what she was doing.

AO3's verdict on my report, which was still out a year later, no longer matters since she deleted everything.

If by chance Kaylie is reading this or does read this someday, let me be very clear: Do not think I feel sorry for you in any way. Do NOT contact me for any reason, not even to apologize. Do not come at me with new accounts anywhere. I do not care if it's ten years from now. I want nothing to do with you.

Yet out of all this mess, there were some incredible things that came of it. Because of her behavior, it drove me to get involved with fanfiction outside of the fandom and find my online family. If I had the chance to go back in time and avoid her, but it meant not finding my family, I'd decline. Her nonsense was worth finding them.

Because of her, I did become afraid to get involved with fandom people and very nearly missed meeting someone who is very dear to me. @justanotherpersonwhowrites posted her story on FFN and I completely panicked when I saw the description of her OC. Thankfully she posted on Tumblr and AO3 later on as I was finding my family. I reread her story and fell in love with her OC. I got up the courage to reach out and I am so glad I did. She is an amazing person, a talented writer, and an incredible friend.

Also the BMW discord server happened because of Kaylie. I didn't want others to be isolated from the fandom like I was and Reddit is good for some things but not others. Not only is it an archive for the show but a place for fans to find each other. It is also a safe place for fanfiction writers to get together.

So what happens now?

Autumn in Philadelphia will go on, without a doubt. And I will be picking up my other stories that were more lighthearted and fun. I have a series of Jondrey one shots that I really want to do too. A lot fun stuff and art. I'll be more active on here and in the BMW server.

The AN that's on every story will be changed to link to this post.

As for blocks, they will remain for now.

The reason is I've been through too many bouts of silence only for her to resurface. Although she can't return in the same way, I don't know that she doesn't still have former readers acting as her eyes and ears. Eventually all blocks will be lifted except on those I know to be her friends because she named them as such.

I still have the report, the screencaps (soooo many screencaps), all her messages, and a copy of that story. I took screenshots of all the places she used to exist but doesn't anymore because it still doesn't seem real. I thought about purging everything, but they are now a part of AiP's history. Someday I'll get around to building that neocities site as a tribute to the era this all began in and I will include everything: the fantastic, the strange, and the nightmarish.

I want to extend my eternal gratitude to one of my dearest friends, @lizettevanessa, to my sis @mrsmungus, to little sis @justanotherpersonwhowrites, to @lena-hills @kayedium-writes @hylianjo @sliebman10 @axolotlsupremacyowo @udaberriwrites @fattybattysblog @narcissasdaffodil @danceswithdarkspawn and the rest of my Chaos family for your love and support during the past two years. I owe you everything.

And to my readers, who've been with me whether from the beginning or just joined, THANK YOU. I love and appreciate you more than you know.

❤️❤️❤️❤️

-Aria

[ekingston]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!

[sheafrotherdon]

I'm reading an article in The New Yorker about potential plagiarism in romantasy land and they talked to a number of authors to provide context. Including . . . . Cassandra Clare.

I just . . . you talked to CC in a story about alleged plagiarism in fiction? I have passed away from a terminal case of irony.

[one-time-i-dreamt]

I was forced to read a Donald Trump autobiography for one of my college courses. It was just the plot of Boss Baby. He thought nobody would notice. 

[robinsversion]

How I sleep knowing I always cite my sources:

(First image from the film Drip Dippy Donald (1948); second image from season 4, episode 3 of the Simpsons, “Homer the Heretic” (1992).)

[coffinwoodx]

like witnessing the french revolution beheadings firsthand in the 1800s

[gayshitanddadjokes]

Hbomberguy literally has me writing this assignment thinking "hey did I add any actual information to this topic or am I just rephrasing this article?" and now this fucking 12 slide PowerPoint has used eight sources that I'm using to draw from to get a varied sense of what actually happened and being able to make my own claims based off of multiple sources of information. This assignment would have taken three less hours if I'd done it five days ago. This is an improvement.

[oliveroctavius]

In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.

It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.

In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.

The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.

Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.

[thetreetopinn]

Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)

I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.

This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.

- - - - -

Harry's list of mentioned youtubers:

Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie

Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.

Please give them your support.

- - - - -

Midlands Zone Magazine - Column by Steven Spinks

After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17

It will not allow you to download it, but you can read it exactly as it appeared in print form.

- - - - -

My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers

Tinker Bells and Evil Queens By Sean Griffin

The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added

Camp and the Gay Sensibility By Jack Babuscio

The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts

Why Rebel Without a Cause was a milestone for gay rights By Peter Howell

Why "The Craft" is still the best Halloween coming out movie By Andrew Park

Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever

Women and Queerness in Horror: Jennifer's Body By Zoe Fortier

[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez

Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason

Queering James Cameron's Aliens (1986) By Bart Bishop

Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven

Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)

Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit

How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique

When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London

Why Queer People Love Witchcraft By Amanda Kohr

'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto

(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube

5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent

The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard

Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey

The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)

Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson

- - - - -

The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.

Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy

- - - - -

Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix

- - - - -

I refrained from including certain sources.

First off only focusing on Somerton's work.

Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).

Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.

If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.

- - - - -

Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.

[sealpup9]

I'm not certain as to how many people checked the description of the new hbomberguy video but he linked a playlist to queer creators on youtube!

Your New Favorite YouTubers - Queer YouTubers you should check out, meticulously compiled by Kat.

It's worth a look! Please don't forget to support your fellow queer creators on YouTube whilst spreading memes and jokes about James Somerton and discussing the hbomberguy video!!

EDIT: @cursedgamerchild pointed out THIS REDDIT THREAD made by Kat

Which is a thread to share more discoveries of plagiarism and also to share more queer creators who could use some love! There's also a link to a google form if you don't have reddit and want to share said information.

[tofupixel]

plagiarism in writing: bad, unforgivable, 3 hour youtube callouts

plagiarism in art: nothing is original anyway : ) theres no such thing as artstyle theft : ) this 1 thing is a bit different so its not plagiarism : )

[rex101111]

I think Todd's video is actually the more impactful of the two for me. Like with Hbomber, that's like, his thing. He does extensive research about a specific topic and goes into great detail about it. He's in the same general "circle" as Somerton so he makes sense as someone who would like stand up and be like "hey something is WRONG here" and then just spend a very long while detailing exactly what is wrong.

Todd? Todd reviews music, albums and songs. That's his thing. Most of his videos are, at most, maybe half an hour long. His skill set and area of expertise are completely unrelated to Somerton's bullshit and yet even he can just stand up and go "something smells like bullshit" and just tear into Somerton's lies and nonsense for nearly two hours.

And most of Todd's research in that video is, by his own admission, fairly minimal. He googled, he looked up public documents, searched on forums, but nothing the average person doesn't have the time to do if something is bothering them and they want info on it. It's just testament that just about anybody can just...fact check. Look things up. It shows that there's no reason to just take things people say to you at face value if you think something is off. You can suss out bullshit by yourself.

And I just think that's a good thing to keep in mind.

Also of course when Somerton does start lying about something that Todd does have plenty of knowledge in, music, he actually gets mad and really lets the bastard have it. That's good too.

[prideprejudce]

youtube drama is very downplayed when it comes to its impact on tumblr (discussion of it usually ends as rapidly as it begins) so the fact that hbomberguy has been the top trending tag for several days now shows how much of an impact his video essay has made on the writing and video community as a whole. his video has spread so much awareness over the rampant plagiarism issue that has been festering under people’s radar for years now while dozens of youtube “creators” make six figure salaries off other peoples words and research. he effectively took off so many people’s rose tinted glasses and made us all blatantly aware of what an absolute shitshow this problem is now in modern media and how manipulated content has become

[ohnoitstbskyen]

re: Somerton

Not for nothing, but I think we should remember that James Somerton's fans and subscribers are normal people, just like you. They are people who received his output in good faith, and extended to him a normal amount of grace and benefit of the doubt, which he took advantage of.

I don't think it's helpful to respond to the exposé on Somerton with sentiments along the lines of "wow, how could anyone ever think THIS GUY'S videos were any good, ha ha ha, how did he ever get subscribers?" because 1) you have the substantial benefit of hindsight and a disengaged outsider perspective, and 2) it's a rhetoric that creates a divide between you (refined, savvy, smart, sophisticated) and Somerton's audience (gullible, unrefined, easily taken advantage of, terrible taste), which is a false divide, with a false sense of security.

Somerton's success happened because he stole good writing. He found interesting, insightful, in-depth work done by other people, applied the one skill he actually has which is marketing, and re-packaged it as his own. He targeted a market which is starving for the exact kind of writing he was stealing, and pushed his audience to disengage from sources that conflicted with him.

Hbomberguy makes this point in his exposé video: good queer writing is hard to find and incredibly easy to lose. The writers Somerton stole from were often poor or precarious, writing freelance work for small circles under shitty conditions, without the means or the reach or the privileges necessary to find bigger markets. And, as Hbomb demonstrated, when people did discover Somerton's plagiarism, he used his substantial audience to hound them away and dissuade anyone else from trying to hold him accountable.

He stole queer writing by marginalized people, about experiences and perspectives that people are desperate to hear more about, and even if his delivery and aesthetics were naff, his words resonated with people because the original writers who actually wrote them poured their goddamn hearts and souls into it.

Somerton also maintained a consistent narrative of persecution and marginalization about himself. He took the plain truth, which is that queer people and perspectives are discriminated against, and worked that into a story about himself as a lone, brave truth-teller, daring to voice an authentic queer perspective, constantly beset by bigots and adversaries who sought to tear him down. As @aranock, who works with some of the people he targeted, writes in this post, Somerton weaponized whatever casual bias and bigotry he could find in his audience to reinforce his me vs them narrative (usually misogyny and various forms of transphobia), which is what grifters do. They find a vulnerable thread in a community and pull on it. And while you may not have the particular vulnerability that he exploited, you do have vulnerabilities, and they can be exploited too.

People felt compelled to support him, even if his work was sometimes shoddy, because he presented himself as a vulnerable, marginalized person in need of help, he pulled on that vulnerable thread.

Again, he has a degree in marketing, and just like propaganda, nobody is immune to marketing.

YouTube as a system is set up to push for more, constantly more. More content, more videos, more output, more more more more, and part of Somerton and Illuminaughty's success was their ability to push out large amounts of content to the hungry algorithm, even if it was of inferior quality. The algorithm rewarded their volume of output with more eyeballs and attention, and therefore more opportunities to find people who were vulnerable to their grift.

It is a system which quite literally rewards the exact kind of plagiarism that they do, because watch-time and engagement are easily measurable metrics for a corporation, and academic rigor is not. There is pressure to deliver, and a lot of rewards to gain from cutting corners to do it.

Somerton and Illuminaughty and Internet Historian are extreme and very obvious cases, so blatant that you can make a four hour video essay exposing what they've done, but the vast majority of this kind of plagiarism isn't going to be obvious - sometimes it might not even be obvious to the people who are doing it. Casual plagiarism is endemic to the modern internet, and most people don't get educated on what the exact boundaries are between proper sourcing and quoting vs plagiarizing. We had an entire course module at my university aimed at teaching students the exact differences and definitions, and people still made good faith mistakes in their essays and papers that they had to learn to correct during their education.

All of this to say: it is extremely easy in hindsight to call Somerton's work shitty and shoddy, his aesthetics flat and uninspired, and to imagine that as a sophisticated person with good taste and critical faculties, you would never be taken in by this kind of grifter. It is extremely easy to distance yourself from the people he preyed on, and imagine that you will never have to worry about your fave doing your dirty like that.

But part of the point of Hbomberguy's video is that plagiarism is extremely easy to get away with, and often difficult for the average person to spot and call out, and with the rise of AI tools blurring the lines even further, it is not going to get any easier.

So I think we should resist the temptation to think of Somerton's audience as people with bad taste and poor faculties. We should resist the temptation to distance ourselves from the perfectly normal people he preyed on. Many times in your life, a modestly clever man with a marketing degree has fooled you too.

On a personal note, by the same token, I am resisting the temptation to assume that I am too good to be vulnerable to the systemic pressures that produced Somerton and Illuminaughty. No, I've never made a video by word-for-word reciting someone else's work, but I know for a fact that I could do a better job of double-checking my work and citing my sources. I feel the exact same pressure to get a video out as fast as possible, I have the exact same rewards dangled in front of me by YouTube as a platform, and I can't pretend it doesn't affect my work. To me, Hbomb's video felt like a wake-up call to do better.

[micer2012]

a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand. 

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with, 

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!). 

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading! 

Sincerely, a tumblr user.