#we could hear the words.

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[idolomantises]

Sometimes I get messages about certain dialogue in my comics about how a character is being passive aggressive when I'm just writing them as straight forward and blunt.

idk, as an autistic person who's dealt with genuine harassment several times (including a few months ago) because his straight forward and blunt demeanor was misinterpreted as being "rude", "ungrateful" and "bitchy", its just kind of interesting seeing people interpret dialogue in a more hostile way.

it's not a complaint, i prefer those fictional interpretations over terminally online twitter users who need to be coddled over everything but it is kind of fascinating seeing how people interpret certain dialogue.

[used-2b-mad-love]

do older fans have vault songs that are in their top favorites of the albums that have been re-recorded thus far? because I think I’ve seen newer fans include vault songs when listing their favorite songs on those four re-recorded albums and I wonder if there’s something there about older fans having lived with the albums for so many years and not really having a place for vault songs in their top 3 or 5 for those albums—even if there are vault songs they’re really enjoy and love

[cloudwisp]

“They say a gentle touch is an alluring trap that can lead to your fall from grace. In any case, I’ll take the leap if this means we will never be separated.”

[dollypopup]

"Colin should have grovelled more!" "Penelope folded too easily"

I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.

Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.

I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.

And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.

Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.

Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.

Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.

And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.

And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?

Absolutely no one.

Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.

And he apologizes. Because he listens. Really, truly listens. And really truly cares.

I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.

Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.

Because he saw her when she was invisible.

Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?

Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.

He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.

And he does.

[loki-zen]

Can somebody explain to me what actual concrete implications arise from the question of "are trans women More Oppressed than other trans people?" (/gen)

Because we're sure spending a lot of energy on it and I'm not sure what the purpose of this is when it's obvious that a) all kinds of trans people are pretty damn oppressed and b) transphobia definitely manifests in different ways towards different groups (as well as, at the same time, manifesting in similar ways towards different groups), and it's clearly useful to be able to talk about that, and therefore unhelpful for the vocabulary people might use for it to be rendered unusable by becoming a shibboleth for talking about Who Has It Worse

[dreaminginsteadofsleeping42]

You can tell Taylor's put out 31 new songs at once because no one is talking about how she said "whore" in one of them.

[nerdrooikat]

drabbles about the deer imagery in The Secret History (specifically in relation 2 Camilla) because her becoming a deer/believing that she did stuck in my mind (although this post will mostly take Camilla and the other's recollection of events to be as they recount it – if i examine it in it's effect as an incorrect account, that would be in a separate post)

Obviously there's, on a meta level, an irony to it – Camilla and Charles are named to make fun of the Princess Diana scandal that was happening at the time, and so ironically Camilla transforms into an animal sacred to Diana.

There's also a parallel that I think could be interesting to make between Camilla and Taygete, who for anyone unfamiliar, was turned into a deer by Artemis to protect her from Zeus' sexual advances. Although I think that what happened in the Bacchae was concensual sexually, I think it could possible be indicative in Camilla's narrative role as the "wanted"/"desired" one within the greek class – by Charles, Henry, Richard (although he wasnt there) and even Francis, although he wants to be her more so than actually wanting her.

Additionally, outside of how it actually functions within the story, her transformation into a creature associated so closely with innocence, especially in relation to Diana/Artemis' virginity, might perhaps be tied to Richards view of her as this "pure" and "virginal" person – obviously we know this is far from the truth, and he himself learns this later, but I think it definitely ties into this flawed angelic idea of her he so covets.

I think this interpretation ties into the myth of Actaeon (in terms of "deer transformation myths") although its very interesting to me that they different at key points – Camilla, the "virginual" character, is the one transformed, rather than the sexual transgressor (Charles) or the one who introduces miasma (Henry). But, like Actaeon, she is pursued and hunted – which, another key point – Actaeon is pursued and killed by his own hunting dogs, and Charles returns from the ritual with a bite mark, perhaps tying him into the myth thurther?

[inclined--plane]

it's kind of like insanely isolating that literally every aspec or "ace & aro" space I've found has been in actuality, solely for aces. perhaps arospec aces or aroaces who entirely prioritize their asexuality could also find company there, but even as an aromantic person who is also asexual, they're really not intended for me. so I can only imagine how isolating it must be if you're aromantic and allosexual

[cent-scratchnsniff]

Day 50

[lunarharp]

being attached to that moment qifrey held a baby one time and my ideas for the future :)

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits

[caterpillarinacave]

💚 (NATM!)

”💚: What does everyone else get wrong about your favorite character?”

Technically not my favorite character but soooo many people down play how deeply dramatic Octavius is and it’s the bane of my existence. 

Frequently Jedediah is all silly Octavius is just isn’t. But in reality they are both like, equally silly. Equally sincere. Equally melodramatic. And we should let them be that

[witchinatree]

making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it

(i'm starting this after episode 4 but it will be a WHILE before i post it)

episode 1: "bones are a lie peddled by Big Milk" - alice

i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)

episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement

this one was just fucking powerful and caught me so off guard like 😶

episode 3: "What would I do without her?" - statement

the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them

episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement

augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin

episode 5: "Voyeur needs to be seen to be believed." - statement

i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!

episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles

i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy

episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia

STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you

episode 8: "Pleasure to meet you both. I’m Gerry!"

RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry

episode 9: "And honestly, it’s kind of compelling by this point." - sam

they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material

episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice

does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.

episode 11: "...Thank you, Alice" - gwen

dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard

episode 12: "You know it's rude to have absolutely no game?" - alice

she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her

episode 13: "Is it my fault?" - gwen

each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(

episode 14: "Christ, they’re in the walls…" - statement

theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh

episode 15: "Babies are cool!" - alice this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway

episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers

episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen

episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1

episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive

episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(

episode 21: [Tape Recorder Bites Ink5oul] - audio description i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.

episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.

episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full

episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3

episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over

episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY

episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO

episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude

episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭

episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.

[angel-archivist]

It's so interesting and so exceedingly frustrating how agab is being utilized now within the queer community as a way to isolate and sort nonbinary and genderqueer folks into binary boxes that determine their moral purity levels, and their authority to do and write and exist.

The way nonbinary writers are being put under accusation of fetishizing gay men while their AGAB is continually brought up in a way that feels like queer-space-approved misgendering.

The way feminist circles that are supposedly trans-inclusive will use the word AFAB in a way that implicitly but intentionally isolates nonbinary people who aren't AFAB from joining. It's for women*.

The way the language is already flawed and leaves out intersex folks from the conversations while focusing on a binary of sex that isn't truthful.

The constant obsessing over whether someone is AFAB or AMAB and whether or not that gives them the privilege to join, do, write, or be present in certain spaces really really concerns me. How are we supposed to dismantle a binary system of gender if we can't even move past forcibly assigning and focusing on people's genders assigned at birth?

[laurrelise]

me when i meet someone for the first time and i want to say:

“have you ever watched the umbrella academy? it’s a great show, you really should. it’s about a dysfunctional family of childhood superheroes who underwent serious trauma from their emotionally absent father and grow up to be insanely dynamic and interesting individuals who have to save the world but just keep failing over and over. my favorite character is five, a 58 year-old man in the body of his 13 year-old self who can teleport and time travel but got it wrong the first time and had to survive for over 40 years as the last living human in an apocalyptic wasteland before being recruited by an organization that exists outside of time that keeps the space-time continuum in harmony with itself to become the most lethal assassin known to man for not only his learned talents but also his superhuman abilities. he cares about his family more than anything and sacrificed just about everything he’s ever had to save them time and time again to go under-appreciated by everyone around him. he has a witty charm to him, but just about zero social skills due to several decades which he spent alone but is so extremely smart that at times it’s even difficult to conceptualize just what spending time inside his brain would entail. i find his character so complex and interesting that i’m sure if motivated, i could write several essays on each of his arcs, virtues, and traits. the show is also very loved, especially by myself, due to its beautifully selected soundtrack with some of my favorite songs and such beautiful vocals from artists all throughout time including some of the cast members from the show itself. i especially love ‘stormy weather’ covered and recorded by emmy raver-lampman, featured in season one episode eight, as her character, allison hargreeves, drives through a rainstorm to help save her sister while she thinks about how her entire life has been a lie due to the curse that her abilities inevitably cast upon her. the song gives me chills every time i hear it, from its beautiful vintage-string sound to emmy’s phenomenal vocals, it’s truly an underrated classic that i believe should be talked about so much more. i also love ‘stay with me’, covered and recorded by mary j. blige, also featured in season one episode eight, as her character cha-cha, a ruthless time-traveling hitwoman, seeks unfair revenge on her work partner who chose humanity to go live out his last days with the love of his life. both of these songs push the limits of the musical talent and power these women hold. i could truly go on about the show for hours, but i absolutely can’t recommend it enough. the first two seasons are some of my favorite pieces of film i’ve ever had the pleasure of enjoying, as even though the show isn’t artistically-shot or critically acclaimed, it’s so well-written, produced, and acted that it creates a spark of excitement deep within me that my words simply can’t describe.”

… but i have to say “hi, i’m lauren. nice to meet you.”