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Ok so, I just remembered how people in the comments of a tiktok video were being assholes, and I want to rant now :3

The video showed two wheelchair users at a train(?), who had just arrived to their stop to find nobody was there with a ramp so they could leave the train. One of them blocked the door so it wouldn't close, and this lasted for 15 minutes. The train was stopped for said 15 minutes. There was a button by the door, that said that it'd contact the driver when pressed. It didn't. People offered to go find the driver, and they came back with the news that there were no people in the platform to put the ramp. In the end, passengers had to go out, and place the ramp themselves, before the train could carry on. The wheelchair users had warned they were coming, and asked to have the ramp put there so they could get down. The platform turned out to have workers, they all just ran away because they'd never encountered the situation in which they needed to do this simple task.

Because of the workers' negligence, the train was forced to stop for 15 minutes.

Everyone's comments?

"Why did they block the doors and stop the train? So selfish" Selfish were workers who refused to do their job.

"What if someone had needed to get to their stop urgently? They shouldn't have stopped the train" It wasn't the disabled people's fault, it was the workers who were negligent.

"Why didn't they just wheel themselves down those steps?" They shouldn't have to risk their (expensive) chairs just because people didn't do what they were paid to do.

"If I had been in that train I would've been pissed, how dare you stop it" And you probably wouldn't have even thought about fixing the problem yourself, would you?

"Entitled assholes" Ok I'll leave you stranded in a train with everyone who could help you get down outright refusing to. Let's see who's an entitled asshole now.

If someone fights for accessibility, as much as it might be a bother for you, you do not have the right to be mad at them. If someone fights for accessibility, it is exclusively the fault of a world catered exclusively for able-bodied people.

So next time you think, "hey the consequences of these disabled people fighting for their rights bother me", instead of blaming them for this, help them solve the issue. This way, next time they will not have to fight at all.

Able bodied people, go out and fight for a fucking accessible world if you're not an asshole.

[ Able-bodied people are encouraged to reblog this post, but try not to derail ]

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no idea why steven universe is everyone's go to example of toothless conflict adverse queer media when it's like the most earnestly dysphoric and uncomfortable a family show has ever been about it

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what if this historical teenage boy was a middle aged woman

the gender imbalance of power means there's a lot more "what if this historical middle aged man was a teenage anime girl" than the reverse, so I suppose it makes sense to take full advantage of the limited opportunities available by casting Jerry Seinfeld to play Joan of Arc

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I hate that thing some people do where it's like. "I left my wallet on the table to see if you'd say anything" or "I wanted to see if you'd wash the car if I stopped doing it"

Cause like

I dont know about anyone else

But I am perpetually hovering three inches above the strong subconscious belief that everyone knows what they're doing at all times except me, so if you change your normal patterns and I notice, then I will assume it is an intentional choice with a thought-out plan behind it and I will avoid interfering

And if I don't notice, because I won't, because why would I, because not much bothers me and if you don't say anything to indicate you are bothered then how would I KNOW

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Yeah no I didn’t “always know I was trans” but I WAS incredibly defensive of a girl’s ability and personal desire to do absolutely anything a boy could do, repeatedly throwing down against parents and teachers who insisted that girls and boys were just naturally predisposed to distinct binary interests and abilities, often telling them that short hair and masculine interests didn’t make me less of a girl because physical traits and hobbies don’t retroactively determine your gender or sexual identity. Yeah I’m actually still onboard with that belief by the way, not sure how some of yall lost the plot

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the appalachian murder ballad <3 one of the most interesting elements of americana and american folk, imo!

my wife recently gave me A Look when i had one playing in the car and she was like, "why do all of these old folk songs talk about killing people lmao" and i realized i wanted to Talk About It at length.

nerd shit under the cut, and it's long. y'all been warned

so, as y'all probably know, a lot of appalachian folk music grew its roots in scottish folk (and then was heavily influenced by Black folks once it arrived here, but that's a post for another time).

they existed, as most folk music does, to deliver a narrative--to pass on a story orally, especially in communities where literacy was not widespread. their whole purpose was to get the news out there about current events, and everyone loves a good murder mystery!

as an aside, i saw someone liken the murder ballad to a ye olde true crime podcast and tbh, yeah lol.

the "original" murder ballads started back across the pond as news stories printed on broadsheets and penned in such a way that it was easy to put to melody.

they were meant to be passed on and keep the people informed about the goings-on in town. i imagine that because these songs were left up to their original orators to get them going, this would be why we have sooo many variations of old folk songs.

naturally then, almost always, they were based on real events, either sung from an outside perspective, from the killer's perspective and in some cases, from the victim's. of course, like most things from days of yore, they reek of social dogshit. the particular flavor of dogshit of the OG murder ballad was misogyny.

so, the murder ballad came over when the english and scots-irish settlers did. in fact, a lot of the current murder ballads are still telling stories from centuries ago, and, as is the way of folk, getting rewritten and given new names and melodies and evolving into the modern recordings we hear today.

305 such scottish and english ballads were noted and collected into what is famously known as the Child Ballads collected by a professor named francis james child in the 19th century. they have been reshaped and covered and recorded a million and one times, as is the folk way.

while newer ones continued to largely fit the formula of retelling real events and murder trials (such as one of my favorite ones, little sadie, about a murderer getting chased through the carolinas to have justice handed down), they also evolved into sometimes fictional, (often unfortunately misogynistic) cautionary tales.

perhaps the most famous examples of these are omie wise and pretty polly where the woman's death almost feels justified as if it's her fault (big shocker).

but i digress. in this way, the evolution of the murder ballad came to serve a similar purpose as the spooky legends of appalachia did/do now.

(why do we have those urban legends and oral traditions warning yall out of the woods? to keep babies from gettin lost n dying in them. i know it's a fun tiktok trend rn to tell tale of spooky scary woods like there's really more haints out here than there are anywhere else, but that's a rant for another time too ain't it)

so, the aforementioned little sadie (also known as "bad lee brown" in some cases) was first recorded in the 1920s. i'm also plugging my favorite female-vocaist cover of it there because it's superior when a woman does it, sorry.

it is a pretty straightforward murder ballad in its content--in the original version, the guy kills a woman, a stranger or his girlfriend sometimes depending on who is covering it.

but instead of it being a cautionary 'be careful and don't get pregnant or it's your fault' tale like omie wise and pretty polly, the guy doesn't get away with it, and he's not portrayed as sympathetic like the murderer is in so many ballads.

a few decades after, women started saying fuck you and writing their own murder ballads.

in the 40s, the femme fatale trope was in full swing with women flipping the script and killing their male lovers for slights against them instead.

men began to enter the "find out" phase in these songs and paid up for being abusive partners. women regained their agency and humanity by actually giving themselves an active voice instead of just being essentially 'fridged in the ballads of old.

her majesty dolly parton even covered plenty of old ballads herself but then went on to write the bridge, telling the pregnant-woman-in-the-murder-ballad's side of things for once. love her.

as a listener, i realized that i personally prefer these modern covers of appalachian murder ballads sung by women-led acts like dolly and gillian welch and even the super-recent crooked still especially, because there is a sense of reclamation, subverting its roots by giving it a woman's voice instead.

meaning that, like a lot else from the problematic past, the appalachian murder ballad is something to be enjoyed with critical ears. violence against women is an evergreen issue, of course, and you're going to encounter a lot of that in this branch of historical music.

but with folk songs, and especially the murder ballad, being such a foundational element of appalachian history and culture and fitting squarely into the appalachian gothic, i still find them important and so, so interesting

i do feel it's worth mentioning that there are "tamer" ones. with traditional and modern murder ballads alike, some of them are just for "fun," like a murder mystery novel is enjoyable to read; not all have a message or retell a historical trial.

(for instance, i'd even argue ultra-modern, popular americana songs like hell's comin' with me is a contemporary americana murder ballad--being sung by a male vocalist and having evolved from being at the expense of a woman to instead being directed at a harmful and corrupt church. that kind of thing)

in short: it continues to evolve, and i continue to eat that shit up.

anyway, to leave off, lemme share with yall my personal favorite murder ballad which fits squarely into murder mystery/horror novel territory imo.

it's the 10th child ballad and was originally known as "the twa sisters." it's been covered to hell n back and named and renamed.

but! if you listen to any flavor of americana, chances are high you already know it; popular names are "the dreadful wind and rain" and sometimes just "wind and rain."

in it, a jealous older sister pushes her other sister into a river (or stream, or sea, depending on who's covering it) over a dumbass man. the little sister's body floats away and a fiddle maker come upon her and took parts of her body to make a fiddle of his own. the only song the new fiddle plays is the tale about how it came to be, and it is the same song you have been listening to until then.

how's that for genuinely spooky-scary appalachia, y'all?

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civic duty

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That's what I'm asking for yeah

A thing to consider: when you're writing male characters, do you think of it as writing people, or as writing men?

When you're writing female characters, do you think of it as writing people, or as writing women?

In a lot of stories, men are written as people, but women are written as women. Men are written neutrally, with little to no explicit attention paid to their gender, while women are written with a lot of explicit attention paid to their gender. Women's gender becomes part of the story, while the fact that men are men is rarely lingered upon.

So if you're ever struggling to write female characters, or you're wondering why it feels harder, or if they seem less interesting or more annoying than your male characters, consider this: is it because you're focused on writing them as women, while you're used to just writing men as people?

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disco memes best hits

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when people pop off with some ass take like "why should I have to put my pronouns in my profile or signature or whatever, my name is Tom and I have short hair and am wearing an oxford shirt in my profile pic, figure it out" I always think

so do you just not talk to people from other countries for your job, ever?

like, some people don't, and you can follow the flowchart to a different part of the argument about why pushing back about pronouns is stupid, but I e-mail people in Singapore and Dubai and Japan and India every day. A lot of those people have names that are probably their local equivalent of "Tom," but I have never seen them before and I have no idea if that's a girl's name or a boy's name. They usually have profile pics too. I don't know how common short hair is for women or long hair is for men in their country. I don't know if that style of shirt is more common for men or more common for women. I'm not writing this from some homogenous whitebread oasis, either, I live in New York City, it's just simply not possible for me to know the common names in every language of every country where the people I need to work with, live.

just put your stupid pronouns in your signature, some exasperated project manager in Mumbai will one day appreciate it

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see when people try and nitpick me because i call my dog "my dog" when it's technically "the family dog".......well first of all i still call my brother "my brother" and not "the family boy". although maybe that should change. second of all sorry i'm still thinking about the family boy. btw i fell asleep while making this post last night and i think you can tell

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"Candy Hearts" by Tommy Siegel