#way more than we actually bitch about the things

[ragnell]

The war has affected things, they're a Ukrainian dev, but they got a remake of The Awakened out last year. I think Chapter One is 2021 or 2020, it's a reboot with a young, sexy Sherlock and a bunch of older fans still bitch about that but Devil's Daughter Sherlock was hot as all hell. This version is just younger. Watson also gets to be hot.

I did get thrown for a bit when Mycroft shows up in Chapter One, because MYCROFT is hot too.

There's complaints it takes too much from BBC Sherlock, but I think it integrates some of the ideas in a way that fits better with canon. It seems to me more like the ideas evolved from Devil's Daughter than being lifted from BBC. The adversarial brotherly relationship is understandable, both Mycroft and Sherlock are sympathetic and I think this is set up to be resolved in the future, which is actually more optimistic than how Mycroft and Sherlock interacted in Devil's Daughter. They were on bad terms then, but here we have it very clear that Mycroft is big brothering and acting out of concern for Sherlock, not Big Brothering and acting to control everything. (though yes, his literal job is Big Brother in the Empire.) Sherlock can be rude and arrogant but never comes off as a jerk. The friendship between Watson and Sherlock is true to the canon, unlike with BBC where some bitterness seeps into Watson's side.

The last two are easily some of my favorite games.

The best part about the Sherlock Holmes fandom is that, at the end of the day, we all agree that Holmes and Watson are soulmates. Whether you read them as romantic, platonic, or otherwise we can all agree that they were MEANT to find each other in every timeline and they will.

[sandyca5tle]

Was having a semi-serious conversation with some friends, and accidentally found myself quoting RWBY in a way that actually helped the discussion at hand, which got me thinking, there's a good few lines in RWBY that are just generally good things for life, so i decided to write a post about it 'cause fuck it. Some'll have commentary some are self explanitary enough. "I'm not any one thing, I'm somewhat of a lot of things" - this was the one that actually sparked this, was talking about identity with a friend, and found this quote very applicable - you don't always have to neatly fit in a box, you can be somewhat several things at once, if that's what fits for you. "Well that embaressment, that desire to go back and tell yourself not to be so stupid, that just proves you're not the same person you used to be. And you're not done growing yet" "You don't have to look cool all the time"

"Of course you are [a real girl]. You think just because you've got nuts and bots instead of squishy guts makes you any less real than me?" - This is less a general life lesson, but more of a 'just because someone is different to you, doesn't make them/their experiences any less real'. And obviously there's the trans angle on this, not being a 'real girl' is an anxiety many trans girls have struggled with, or is something people throw at us to put us down. But just 'cause we're built a little different than cis girls, doesn't make us any less girls "Pyrrha thought that, if there was even the smallest chance of helping someone, that it was a chance worth taking" "I'd be lying if I said that it didn't hurt, that I didn't think about them everyday since I lost them. That I didn't wish I had spent more time with them. If it had been me instead, I know they would have kept fighting too, no matter how dangerous it was, so that's what I choose to do. To keep moving forwards." - Mostly putting this here 'cause it's always nice to have a talk like this regarding grief/loss, and yeah, i just think this is nice and fairly honestly reflection of how a lotta people feel when they lose someone, coupled with the adivce to keep moving forwards. "I'm not asking you to stop. Just please, get some rest, not just for you, but for the people you care about," - I like this one 'cause a) self care is important bitches! Burning yourself out isn't gonna help whatever you're trying to do and b) hurting yourself like that is also gonna hurt those who care for you, 'cause no one wants to see those they care for suffer. So remember to take a break from time to time. "You think you're being selfless, but you're not. Yeah that chameleon friend of yours got me pretty good, but I'd do it all again if it meant protecting you... and I promise Yang would say the same. You can make your own choices sure, but you don't get to make ours. When your friends fight for you, it's because we want to, so stop pushing us out. That hurts more than anything the bad guys could ever do to us," - Obviously the parts about fighting can be taken a little more metaphorically for everyday life, but I like this quote 'cause yeah, the people who are there for you *want* to be there for you, so deciding that you're a burden on them and hiding away/pushing them away is gonna hurt them because they *want to be there for you* - don't decide something for other people. "My losses, my failures, those, more than anything, are what have shaped me into who I am; showed me how I need to grow. If there's something I'm missing it's not because I've lost it, it's 'cause I haven't found it yet" - I just think this is a beautiful line. We've all wished at moments to undo the mistakes we've made, however those mistakes made us the people we are now. And yeah, I love the idea that something you're missing is not because you lost it, it's because you haven't found it yet. "One small kindness, in one small moment, lead to such a marvelous transformation, just like one act of dishonesty caused an unfortunate change" - Reminder that even small actions can mean a lot to others "What happens if I chose me?" "Then maybe, that girl is enough,"

But yeah, all of this to say I love RWBY, it has so many amazing and emotional moments and yeah, if you haven't given it a watch I would highly reccommend (and if you've heard bad things, i'd maybe give it a watch yourself first, a lotta people like to hate on the show in bad faith). But yeah, love RWBY and love all the wonderful moments and messages within it

[werewolfcave]

I think generally one of the biggest overall faults of ORV is how much the women are so frequently defined by the men around them.

Jung Heewon is Kim Dokja's sword and a matching pair with Lee Hyunsung. She was sexually assaulted and left to die and only survived because a man saved her. Her connection with Uriel is the most major one she has with another woman, which I cannot understate but it is something we only see glimpses of. The Paradise Arc is one of the few places where we really get to see Jung Heewon's own feelings, outside of just the definition or framework of the men in her life.

Uriel's most notable defining traits that make her more than just WoS Uriel are (in the 1864th turn) her love of Kim Dokja and Yoo Joonghyuk and (in the 999th turn) being in love with Yoo Joonghyuk. [This is a bit of an oversimplified and pessimistic view of the way Uriel is presented but I think you guys get what I'm trying to say]

Lee Jihye is mostly defined by Yoo Joonghyuk (the guy who taught her to fight), Kim Dokja (the guy who convinced her live), and Kim Namwoon (the guy who has feelings for her that she doesn't return). She is close with Jung Heewon but we never actually get elaboration on this fact! Na Bori and the kids are like the only things we get outside of the men in her life and even then she is usually just the babysitter!!

Lee Seolhwa is literally only spared because Kim Dokja thought that Yoo Joonghyuk would fall apart if she didn't live! Not because of her extreme medical prowess, not because she is a person, but simply because her boyfriend would be sad. Hell! We barely know anything about her outside of Yoo Joonghyuk!!!

Yoo Mia is also entirely defined by Yoo Joonghyuk! We don't know anything about her besides her connections to her brother!!

Anna Croft is pretty much exclusively defined by Yoo Joonghyuk and Kim Dokja! Neither of which have good opinions on her! So she's just kind of framed as a bitch with little elaboration otherwise. There are implications she is more but goddamn if we barely get to see them!

Don't get me wrong, ORV has its really awesome moments. But fuck do a lot of the women not really exist outside of the men for a large portion of the story.

I know this has likely been talked about to death for most of the characters but Jung Heewon was one that particularly stuck out to me as Jung Heewon in the sequel is not only saved by a man but saved by a man who is specifically a fanboy of hers (not sure how it's handled past that tho).

[notashadowbutawave]

finally talked my wife into watching 8x06 "confessions" with me and WOW there's quite a lot going on in this breakup scene in buck's apartment (and the infamous glee scene for that matter) that I haven't seen discussed much on this website (though maybe I'm just not finding it?) like this show is always yelling the themes in your face but...

first of all I think it's somewhat intentional that Buck is being written as kind of regressing. So far in the show, he's gotten his confidence in romantic relationships by fulfilling the role with the person that he thinks he should fulfill. with Abby, Buck had just learned about serious adult romantic relationships and how they work and was trying to Be A Partner in a complete speed run. But he learned that no amount of devotion is a substitute for functionality. with Taylor, he was trying to Be A Functional Partner - and he learned that being a partner Has To involve trust, and that trust comes from somewhere else other than just our actions - it has to come from our hearts.

Tommy is the first person he's ever dated where he doesn't know what the next steps are and that's because this isn't something he has a blueprint for - being a Partner and a Functional Partner for somebody who sees right through him and sees exactly what he's trying to do, to make Tommy never leave. Abby was completely clueless (sorry I really dislike Abby) and Taylor didn't realize that an adult man could behave so badly without utter malice in his heart. Both of them kind of make the mistake of being vulnerable to Buck's charms.

Tommy is of course vulnerable to Buck's charms but Buck is more transparently himself with Tommy as well - and what Tommy sees, then, is a person who is deeply insecure and may be trending in the right direction but ultimately still thinks there's a lever he can pull to make Tommy stay and never leave him. He doesn't know that he's not done cooking yet because every new thing he learns about the world or others makes him feel brand fucking new.

So yes, the glee scene:

Josh was absolutely gagged that Tommy was Abby's ex fiance

Buck's first instinct is to see the situation from Abby's side and go into protective mode which is adorably loyal to be fair but also like ; get a grip

I actually love Josh's framing of "you care about this person and if you want a future in a queer relationship you need to learn that we don't all come to this the same way"

Did they need a cultural reference? No. Were they going to self referentially congratulate Ryan Murphy for inflicting it on the world? Yes.

And regarding the breakup itself:

What is wrong with this fandom's sense of humor that I haven't seen a gif of "I'm the himbo" ??? Like yes babe u sure are come here

Buck is really working so hard in this scene to make sure Tommy knows that he's serious. He's like... this freaked me out but I've decided I'm cool with it. She changed my life but not like you !!!

Like bless his heart, Buck thought he was really doing the right thing by telling Tommy about Abby BEFORE ASKING HIM TO MOVE IN WITH HIM. like MY CARDS ARE ON THE TABLE??? SEE??? LOVE ME FOREVER !! it's adorable and it's also cringe as fuck.

I think the real sin of the writing here is making Buck so completely clueless that this is the wrong move. Like he's kind of an idiot (Eddie Diaz's words not mine) but moving in with someone after dating them for six months in your 30s is WILD behavior and I don't think even Evan Buckley would fail to realize that this is a bit much in this moment.

But idk being in love makes one do stupid things? I did all of my messy bitch relationship shit before I turned 30 but I guess it is buck we are talking about

I completely understand why Tommy reacts the way he does in this scene and bless Lou Ferrigno Jr for acting it with such nuance, much more depth than the scene frankly deserves. What a heartbreaker. Like you see him tense up at Buck's request

"I'm not saying let's get married or engaged, even though we would have the right, thanks to the brave people who came before, including you." such an insane thing to say to your boyfriend. Whoever approved this script was trying to take me out like with a gun.

You then see the absolute grief in Tommy's eyes like oh god this kid is killing me. He's so sweet. He's so cute. He doesn't get it. I love him. He doesn't get it.

As an aside, Eddie being stalked in the juice bar by the hot priest was absolutely incredible.

I didn't hate this episode but wow the writing does suck shit, however I fully believe it makes sense for them to break up here and get back together in the future ??? because Buck DOES have some shit to figure out. Like moving in with someone is a lot of fucking intimacy REALLY fast and baby boy sometimes you NEED to pump the brakes a little ESPECIALLY when you think someone might be THE ONE and you just figured out you like guys six months ago.

I get it and yeah the writing is tragic and the inclusion of Abby in general is just unhinged and unnecessary but like I don't hate the broad strokes here. how else does the blorbo learn if not by ritual torture by the writers. Lou is too good to not have back though. My god what a treasure.

end bucktommy endgame truther transmission

[kiera-raelyn]

Yessssss! THIS. PART!

Katara may have mellowed as she aged, but I've found that tolerance for stupidity and bullshit only goes down as I get older, not up. Older women just do not give. a. single. fuck. about society's bullshit anymore. Like, if you don't think Elder!Katara wouldn't subtlely ice over the ground someone was walking on to make them fall on their ass while they were spouting sexist shit to teach them a lesson and make them look a fool, you're wrong.

And no way in hell is she leaving the fighting to a younger generation. That doesn't even match the watered-down healer persona they tried to give her in LoK! What tf good does a medic do half a world away?!

I stg these man-children just could not stand to put Katara and Zuko in the same scene together in LoK for fear of giving Zutarans more canon material to work with. They would rather spite a sizeable portion of their fan base and butcher their own character than acknowledge that Zuko was in any way important to Katara, even platonically. Honestly, it's amazing they didn't have her die of heartbreak after Aang was gone just to preclude the possibility that she ever thought about any other man.

And none of that's even getting into @sokkastyles point about Toph, which I feel is also really important*. Toph is a badass bitch, but she too ends up bitter and alone in a fucking swamp of all places. Desirable enough to have sex with, apparently (see her two kids), but not to have a fulfilling longterm relationship, romantic or otherwise. Not to do that whole compulsory marriage thing. She didn't need no man. But why was she not with her family? Her friends? And we don't hear a damn thing about Suki. It's like... Bryke paid lip service to the whole Girl Power movement, but you can tell it's lip service because none of these girls/women ended up old and happy. The narrative punishes all of them for not being the epitome of the giving, feminine woman. Even Katara, who arguably got closest to that ideal by subsuming literally everything that made her who she was, ended up alone. I just. Gosh, it's like Bryke has a misogyny problem or something.

*I really feel like I did not actually delve into this point enough, honestly. Kind of touched on it then swerved around. But I feel like you could do a deep dive type of post comparing and contrasting how the other female characters are portrayed as desirable but Toph is not. And it's not that she's portrayed without desires/crushes, either. She blushes (which in this show is used to indicate romantic feelings) at least twice because of Sokka. He's stuck on Suki, so we get it, but no one ever shows any romantic interest in Toph, arguably the least feminine girl in the show. Which wouldn't have been a problem (again, romance is not a requirement to be happy), were it not for her portrayal in LoK. Anyway, maybe a post for a different time.

People defend Katara being reduced to only a healer in LoK by saying that fighting was too traumatic for her but Katara's most traumatic moments often involved healing, like having to bring her friends back from the brink of death more than once, or discovering she could heal through experiencing intense pain and being hurt by someone she loved, or being told that healing was all she was good for. Meanwhile she looked like she was having the time of her life beating some dude's ass.

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[here-there-were-dragons]

i'm seeing three times as many people bitching in the tag about the very idea that someone might not like this breed than i see people actually expressing unambiguous dislike for this breed

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.

[passthroughtime]

yagami, WHY do you have to be such a bitch around kuwana. i'm going to strangle you.

(P.S.: he didn't tell kuwana that tesso said not to feel bad about it. obviously.)

[a-hollow-forest]

fear cannot be a morally neutral emotion so long as you allow it to define who is deserving of violence or suffering

[snekdood]

ppl who larp about the Revolution™ almost seem to expect someone *else* to take the leading role in it all so they can sit inside on their asses and do jack shit, they know they have no meaningful skills to offer and would only slow people down, but expect to *somehow* magically radicalize most americans into doing all the work for them because awww dey're just such a weak wittle babu that needs to be pwotected and defwended awlways uwu

like. come on. get a grip. if everything went your way and someone actually stronger than you came along to take the lead, you're likely not being invited, and you'll likely be left behind... which means left to the alt right, who will no doubt come to your house to see if you're perpetuating anything "woke", and you gotta know they wont just ask, they'll barge in and look through everything even your computer.

though, you should really focus on your plan. your first step: get along with people enough to even actually convince them its a good idea, and we all know you'll never dare to try that shit. you cant even be on here w/o blocking someone like me for even suggesting you are approaching this like a child playing war and you have NO FUCKING IDEA WHAT YOU'RE DOING.

you think you want a second holocaust (which is essentially letting trump win, i mean hitler got the majority vote in germany. thats how he rose to power. didn't just materialize out of thin air), but you dont seem to grasp the gravity of what that entails, or even that you'd be thrown in the camps with everyone else, all to stick it to jewish ppl and "the libs", even if it means you and all the ones you love die along with them. you are a net negative to humanity and quite frankly should be on a fucking watch list.

[selfinflictedgunshotwound]

how do terfs grapple with the fact that they're white supremacist losers who think that women are weak essentially like adult babies but that they also bear the apparent brunt of all human pain... liiike ok which narrative are we going with

[suffarustuffaru]

✨

Give you and your writing a compliment. Go on now. You know you deserve it. 😉

AA this is the last fic writer ask question fr :o again it took me a while to get to all of them pfft but i appreciate them a lot!! this question especially is really sweet wkdndn but yes!! and hope anyone reading my answers to these questions found it interesting at least pfft

hmm…. compliment….. im a MAJOR stickler for detail :O i literally cant turn my brain off i have to get EVERY detail i can right whenever possible wjdnd. not that im always right bc im very much not but i try very hard to be!! and i absolutely adore trying to put a lot of detail and nuance into things in my work esp since i focus on characters mental thought process so much hah. i try very hard to do a lot (or at least i consider it a lot widjdj) of research :o for example i wanted to write astrea fic so i devoured every heinkel and reinhard related side story possible and now they give me intense brainrot. cries. since i write a lot of character study i HAVE to look at everything possible before i finish a fic or ill cry inside if i miss one (1) detail i couldve taken into account hah. so i do think im a hard working writer :o !! analyzing things for fun especially when i admire a work of fiction runs in my blood wjdnd it just Happens. i try my best!!

as for um. that one crack treated seriously gluttony if fic i did once (selfcest…). is it accurate to who gluttonybaru is as a character? no in the sense that hes written purposefully in that fic to be like. pushed to his Most Extreme. but also i did try to at least be kind of accurate bc. i combed through SO MUCH of arc 6 and the gluttony if to write him fr 😭😭 there was TOO MUCH analysis in that fic thats why its got a novel length wordcount HAH. hes always had a hate love relationship with “natsuki subaru”….

uhhh uhhh oh yeah something else vaguely related to this that just came to mind—for example my multichap pride otto fic has me like really wracking my brain bc pride otto has screentime for exactly 0.2 seconds (im totally good at math) so its like. i wanted to like analyze how he most likely thinks and what sort of behaviors he has and how hed even react in All the new shenanigans im putting him in. but im also working off of 0.2 seconds of screentime so i had to also go and look at how main otto thinks and try to make Many Educated Guesses on how otto goes from point a (main otto pre-meeting subaru) to point b (the otto we see in pride if). which is something i do every time i focus on an if character in general anyway HAH bc i think it gets easier to understand if versions of characters, no matter how different they seem from their main route selves, once you examine who their base character is and THEN you look at the if events and how its warped them away from their base character. if that makes sense. i think its really fun hah.

i also recognize though that it wouldve been maybe Easier to make pride otto in my fic a little more. dead inside. empty. bc i know that ive been writing a lot of his anger and irritation hah. and it wouldve made sense for him to be a little more tired kind of dead inside in his internal dialogue!!! but i figured that i might as well go a little differently with it to yes maybe subvert expectations a little bit (and bc. ok after arc 8 Confirming Many Things About Otto, no way pride otto wasnt angry at some point. fr.) but also bc. you know when a person whos been in a traumatic situation they couldnt escape for so long is forced to change themselves to survive? if that person manages to finally escape its like. now they gotta try and unlearn any trauma related lessons theyve learned now that the danger is over bc what helped them survive is now maladaptive bc the danger is Over. thats kind of how i approached the fic fr T^T but also i try so hard to write pride otto as the jaded ass he definitely is. theres so much jades in him for sure. (this sentence totally makes sense.)

oh!!! uh uh one small detail with pride otto—when characters have titles, he will almost Always call them by their title in both internal and external dialogue. reinhard is sword saint and julius is the greatest/finest knight and felix is blue, etc etc. otto is well. 1. emotionally constipated 2. distant from others 3. Going Out of His Way to distance himself from others 4. hes very fixated on power and hierarchy and 5. he is Very aware of the role hes played in crushing each knight in the knight trio. main otto Absolutely feels guilt even as hes being ruthless. i figured pride otto likely at least Used to feel guilty. if hes not still guilty deep down.

[syn0vial]

the whole “treat others how you want to be treated” line sounds so easy, but i am finding things immensely complicated by the fact that, in truth, there are many people who do NOT want to be treated the way i want to be treated and will take offense if i try

[timeisacephalopod]

I saw a post the other day that kinda pushed back on the way all coming of age movies are about sexuality and all high school stories basically center around who wants to fuck who and how that's like. Not really all coming of age and high school stories should offer since you know. Youth isn't about who you have a crush on and probably coming of age stories in particular should be far more diverse in subject matter than they are.

Honestly as someone who, when I was 'coming of age' age, hated coming of age stories and still do for the exact reason listed above (see the weird scene in It where we all sexualize a 13 year old girl because boys have crushes and surely there's no other way to portray this than feeling a child up with a camera to demonstrate boys have ~feelings~ Bev gets no equivalent scene because she's the object of affection rather than the subject feeling desire) I also wish there was diversity in those stories. And coming of age stories about adults- we don't stop going through huge life moments that change everything forever, but back to kids. When I was a kid I could have desperately used a coming of age story where the character has a sick and dying parent who does die by the end of the story and what happens after that. Granted I did just fine without it, but even without being asexual it's always irked me that coming of age stories don't seem to appreciate that kids have way larger problems and way better stories to tell then first crushes and first kisses for shit sake give kids who went through what I did as a kid some kind of story about what happens when your parent gets cancer and how complicated that is and stop assuming the biggest thing that happens around puberty is discovering sexuality that, if you were queer, you probably already noticed what you felt wasn't in a coming of age story anyway.

[moe-broey]

Oh. Huh.