#washing fastness
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amithgarment · 11 months ago
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The Significance of Washing Fastness Testers in Textile Industry
Washing fastness tester are specialized instruments designed to simulate the rigorous conditions that textiles may face during washing. These machines are equipped with various features to mimic the mechanical action, temperature, and chemical exposure that fabrics endure in a washing machine. By subjecting samples to controlled washing cycles, manufacturers can assess the performance of dyes and finishes, ensuring that the final product meets or exceeds industry standards. https://www.amithgarmentservices.com/
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hellenhighwater · 8 months ago
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look guys I'm gonna be honest--i love dogs but the tactile experience of petting a cat is better 99% of the time. Cat fur is so much softer and less greasy and just generally better than most dog fur. IDK if there's some ideal chinchilla dog out there that I have yet to lay hands on but man, dog fur textures are whack. Cats, at least when they're healthy, are so reliably smooth and silky.
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wantyoumore · 8 months ago
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lunawolf444 · 2 months ago
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Quickie while getting the car washed 😈
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sircantus · 4 days ago
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Bad news the sadness got to me today and the bed was my friend today good news i remembered that drawing on myself with my body markers is a fantastic way of just passing time
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ilovemesomevincentprice · 6 days ago
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Vincent Price - The Bat (1959)
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tunastime · 7 months ago
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Restful Dreaming, Mr. Freelancer
hi everyone :3 so um. I may have gotten very much into rvb smiles. and you know what happens when I really love something! and when I really love some guys from a something! yeap. here we go again. I just think caboose could be friends with everyone. I'm a caboose enjoyer what can I say. I love him.
Washington follows the Blue Team back to Valhalla, where he tries to get some much needed rest. Emphasis on tries. (3828 words)
When Tucker and Caboose find the unused, fourth room in the base, it’s Tucker that sweeps his arm out and gestures grandly to the room around them. It’s not very large—bed, closet, table, desk, bathroom. Enough space to walk around in—enough blue-white light to make sure nobody goes insane in somewhere so dark. Caboose goes on about how they’re almost neighbors, listing off what they could do being so close, gossip and sleepovers and the like, and Tucker goes on about how that’s nice, Caboose, and sure thing, buddy, and both speak to a Wash that’s not listening. He’s looking over the room, filtering in through a fine layer of yellow, just enough to change the hue from cool to warm, and something settles in the slope of his shoulders. He turns after a beat, folding his arms.
“You’re certain I can stay here?” he asks. Tucker shrugs.
“Yeah, I mean…” he starts, in the way that Tucker always seemed to do when he was on the edge of a decision that ultimately made him uncomfortable. “Just repaying the favor. Plus you’re the only one who really knows how to get Church outta that thing.”
“Epsilon,” Wash corrects. “And it’s a memory unit, not a thing.”
“Sure,” Tucker shrugs. “Whatever.”
“We still don’t know where that thing is,” Wash says, but it’s without any of the usual bored sting he might’ve normally laid on. He can feel the worry in the room like water around the ankles, like it invaded his boots. He steps side to side for a moment, trying to shake the feeling.
“We’ll find it!” Caboose pipes up, nodding several times. “We’ll find Church. I know we will.”
Wash sighs. 
“Yeah,” he says. “I hope so.”
There’s a beat of silence. Wash feels his lungs work against the tight feeling in his shoulders all the way up until the point where Caboose breaks the silence.
“I’m going to go make lunch,” he says. “I’m starving.”
“Good point, Caboose,” Tucker agrees. He turns to Wash as he adds: “You, uh, let us know if you need anything. You’ve got the tour, now, so…”
Wash nods.
“Right,” he manages. “Thanks.”
“Sure thing.”
The silence leftover is mostly full of the sound of air circulating through the room and pulling into his helmet. Washington stands in the room in that long moment, finding his head spinning just enough to rock his balance. He’s not so sure he should even be standing, but Tucker had handed him enough med-kits to keep him running, and his bones felt mostly in place, despite some nasty bruising up his shoulder and back, all the way down his right hip and thigh and knee. He pulls himself from his stuck spot, finally gathering the strength to unlatch his helmet. Both thumbs hook under his chin until it clicks, and he sets it in the armor stand. 
The thing about the armor is that they’re not necessarily supposed to take it off. It does come off, huge chunks of titanium alloy perfectly compressed to fit each wearer, to sit comfortably against layers of computer arrays and magnetic fasteners, bolts and straps and sealers. As soon as he starts pulling, chest pieces and arm braces come loose, and he sheds the exosuit slowly. Underneath is the cool-black bodysuit. That’s the part that really shouldn’t come off. It did, every once in a while, when there was enough time to spend recalibrating, readjusting, resyncing. The suit and all its layers, down to the skin, down to the channel of his spine, from tailbone to nape of neck, aligned with sensors and biocomponents along a fine, white scar to a thick, but equally healed one at the base of his skull, took time to adjust to. That time was precious.
But it didn’t matter with this suit. There was no connection. The suit would simply communicate without having to know, would respond to forces it knew best, and rely on what he had without a physical, grounding connection. He was free of it. The scar and its components would fade from his body. They’d be nothing but a memory.
Carefully, Wash dissects the titanium bodysuit—kevlar—coming apart at the seam, carefully fastened, skin-tight. It’s uncomfortable at first, adjusting to the air of the base, without the suit’s micro-adjustments for temperature and humidity, but he eventually shirks free and places everything in the armor compartment. 
He feels light. He also feels exposed and a little small. He searches for any sort of replacement, sleeping clothes, uniforms, anything plastered with UNSC across the arm or chest or back. When he does find it, he’s quick to pull it on and over his head. The shirt falls crooked across him, pants similarly too large, and he has to wonder what sort of Spartan these were made for, knowing how he certainly wasn’t the smallest soldier he’d met. It’s something, though, and he doubts he’ll be wearing it for very long. In fact, he finds himself tugging it off as soon as he figures out the shower, and douses himself in hot water long enough to get the plastic smell off his skin. 
Without the shadow of the day, his reflection in the mirror takes on a sunken quality. His eyes are dark and tired, lines stretching out underneath them, and the already-pale, now-bony quality of his face does little to hide it. He’s turned all sharp angles all too quickly. But if he’s got anyone to bitch to it would be himself. Well, maybe Caboose and Tucker would listen. But they probably wouldn’t understand. Epsilon might’ve ratted out his bad sleeping habits to Caboose, were he still around to actually see them. But he very well was half the reason they existed, so, touche. 
Besides, now Wash was looking out on a bed that was impossibly too big for him. He pulls back far too many layers of blankets and pushes aside pillows and makes himself a space between it all.
The lights are dim, casting long, fine shadows in the cool light. They dim further to a blackness as he settles, lying back in the few pillows and pulling still-starchy sheets around him. His tired body all but sinks into the mattress, body aching at every joint from overuse, begging to stay and to be comforted. It's there he lies for a moment, adjusting to weight and pressure, air and texture around him. He sighs. It’s the longest exhale in what feels like a very long time. The back of his throat, up through his nose, starts to burn. 
He squeezes his eyes shut. He takes a sharp breath in.
Washington’s hands come up on instinct, pressing the heels of his hands to his eyes as he fights back a sound from deep in his chest. It’s hard—it feels so stupid to call this hard, because he could just crack, just for a second. Just for a moment of relief, and—he does, shutting his eyes tight still and willing in a breath through his nose as he turns his face into pillows that he hopes were nobody else's and probably never were and never would be again. Nobody knows he’s alive. Not Command, not Project Freelancer, not the Meta—Maine. Not even Epsilon. For now. The weight off his shoulders was so instant it nearly winded him, on a bed seemingly too large. It was simply him, unshackled, and the blue-white armor in its case, and Caboose, and Tucker. And the base around him was quiet. 
Washington lets his body relax. Sleep comes like a heavy blanket.
His second week’s worth of sleep doesn’t go as well. Tonight, Wash is still awake. It’s not of his own choice—if it were he’d already be asleep, curled into the plush pillows and firm mattress. He stares up at the ceiling. His eyes are dry, and it’s not all that comfortable to blink, actually. He’d prefer to focus on sinking into this nice bed, but he’s having a bit of a hard time. What he means by nice bed is that he’s gotten so used to sleeping on the ground or in the back seat of a moving Warthog or the jet or his cot so folded and unfolded that it stopped being comfortable, or the bunk that was just the right size but not nearly deep enough to fit him without moving, that having actual room to move around is really good. It’s really good, actually, and he’s not sure when the last time he had such a nice sleep was. 
He’s not even sure when he woke up that first day, aside from the fact that it was Caboose waking him up and it was still dark out—or had just gotten that way. Maybe he’d slept that whole day. But he wandered around the Valhalla base instead, swallowing down the ache low in his spine. He mapped the rooms in his head, twisting around the circular hallways. Kitchen, armory, five rooms, garage, a small central living quarters that remained barren and empty, aside from bits of broken computers, radios, and robot parts. The floor still smelled like cleaner, remnant from the UNSC’s thorough cleaning.
Anyway—he’s still awake in his own room. His eyes hurt. He’s looking into the dark grey ceiling and wondering if sleep might crawl its way back to him when there’s a knock on the door. There’s a brief pause before it happens again. He frowns, scrubbing at his eyes as his brain fights the fog settling over it.
“Agent Washington,” a voice says, feigning a whisper through the sliding door. 
“Caboose?” he whispers back, furrowing his eyebrows. Isn’t it late? He looks over to the bedside table, reading the dull red numbers on the clock—yeah. Late. “What are you still doing up?”
He hears Caboose sigh. If he thinks hard enough he can imagine him leaning against the metal frame, cheek pressed against the door, looking about as pathetic as he sounds.
“I can’t sleep,” he says, part tired and almost part sad. 
“Why’s that?”
“I—” Caboose lowers his voice even further. “I had a nightmare.”
Wash blinks slowly, sitting up, eyebrows still furrowed as he frowns. He counts himself lucky that his head isn’t spinning from lying down too much. Sighing, he presses his fingers to his eyes, rubbing the sleep from them, trying to make the blurry room come back into focus.
“You—” he tsks as he words jumble in his brain, hazy with sleep. “Why did you come here?”
“Can I come sleep with you?” Caboose asks, completely ignoring the previous question. Heels of the hands to his eye sockets. Alright. Fine. He waves uselessly at the door, knowing full well Caboose can’t see him. Then it clicks in his brain: response. Right.
When Wash goes to give him an answer, it’s replaced by the sound of his bedroom door sliding open and shut and Caboose wandering in. The muddled dark obscures his silhouette more than usual and the normally wide slope of his shoulders was much more drawn in than Wash was expecting. He’s partially shrouded by his own blanket, wrapped around him as he steps in. 
Wash feels something rolling around in his chest as he watches Caboose shuffle over, like his brain isn’t absorbing the situation properly. He mostly just feels lost. He’s still sitting up, slouched forward, mouth a fine line. His arms pool in his lap, head tilted just so as he observes Caboose in front of him. This is weird, right? Not in a bad way. It’s just weird. 
Caboose stands there, frowning just a little bit, enough to almost be a pout, mostly looking at the bedside and not at Washington.
“I—” Wash starts, trying to protest. Caboose looks up at him for a moment with wide, brown eyes, and Wash feels his chest tighten. He shuts his eyes, sighing out of his nose. Then he pulls the covers back, gesturing vaguely to the space next to him as he lies back down. If there was one thing he’d learned from Caboose, it was that there was no arguing a point once he’d made his mind up. He was as stubborn as he was strong, and the man wasn’t slight. 
There’s a beat of silence as Washington gets comfortable again against the mattress again, feeling Caboose move to his left. He worms around a bit, knee bumping the outside of Wash’s leg, elbows knocking together as Caboose makes more of Wash’s bed his own space. With Caboose’s arm now pinning his own, he clears his throat.
“Caboose,” he says firmly.
“Washington,” Caboose says, like his name holds the same weight as it did so long ago. At least someone’s impressed.
He sighs. Caboose is a heavy, warm weight against his side, and although he clings to his left arm like his life might depend on it, Washington couldn’t necessarily call it bad. 
“You can either get comfortable,” he says slowly. “Or I’m going to ask you to leave.”
“Okay,” Caboose says quickly, wriggling further over. As his head lolls, it falls against the bone of the high of Wash’s shoulder. He ends up curled up in the space Wash’s side leaves open, head on his shoulder and arm over his ribcage. He’s heavy, holding himself and Wash to the mattress as he relaxes. Wash’s arm ends up pinned under him, bendable at the elbow, enough to shift around and find a comfortable spot to rest it. Caboose manages to pull the blankets over them both haphazardly, lying part on him and part over Washington’s torso. He squeezes his eyes shut. Caboose cannot be serious. This can’t be his solution, right? He takes a long breath in. Caboose finally says:
“Thank you, Washington,” in a soft and sleepy voice mostly muffled by his shoulder.
Washington sighs.
“Sure, Caboose,” he says, resigned. “Glad I could help.”
Caboose hums, sounding comfortable. In the time it takes for Caboose to finally knock out, how short of a time that was, Wash finally relaxes. He lets the weight around him settle him on the mattress, tired and heavy, and lets his eyes close. He can’t catch the edge of sleep just yet, but he can lay here, quiet and still, so that Caboose can sleep. He matches the slow rise and fall of Caboose’s shoulders, feeling his muscles slacken as he drifts off. Maybe it’s nice, actually. The weight against his side, pressure to the muscles that ache, warmth and heavy comfort. He can’t remember the last time someone shared the same bed space as him—those bunks were too small to really fall asleep next to somebody in, and sleeping in shifts wasn’t the same as someone sleeping against you. 
He can faintly feel where Caboose’s cheek is crushed against his shoulder, where his arm rests over his chest, hand tucked against his other side. When he looks over, Caboose’s eyes have shut, face relaxed in sleep. There, he leans, pressing his cheek to the top of Caboose’s head, squeezing his eyes shut. Maybe it is nice. Maybe being needed for something so innocent as comfort could be nice. His chest twists, something as painful as it is warm weaseling up next to his lungs. 
It reminds him of Invention. Nobody really wanted to leave York alone after the accident on the training room floor. He could fall or trip, he could miscalculate and hit into something harder than expected. They spent time crammed into the bunk spaces, shoulders to shoulders, to hips, to legs over knees, trying to catch sleep in between missions, how little time that was. Washington found himself in these moments more often than not, and now more than ever it seemed that touch was a thing not often disseminated. But he had it now, and he let himself have it. He let Caboose snore into the hollow of his shoulder and tuned it out as he tried to rest.
In the morning he’ll ask him what bothered him so much that he couldn’t sleep, or why he thought Wash could help. It wasn’t important now. 
For now, he just tries to sleep.
Wash feels heavy. 
He blinks his eyes open, the world coming to in barely-there light and soft blankets. There’s a weight over him, warm and solid. Caboose still sleeps soundly even as Wash shifts to stretch pins and needles from his left arm. The world stays still, held in a quiet balance. In it, Caboose breathes slowly and evenly against his shoulder, torso still haphazardly thrown across Wash’s chest. He’s curled his hand in a loose fist, snagging part of Wash’s shirt. 
Washington sighs. There lingers a heavy, groggy feeling over his mind that he thinks he’ll have a hard time shaking, remnants of running too hard, too fast without stopping. He fought so hard only to again come up empty handed, aside from the now-bitter taste of his freedom. But for now he focuses on this moment. He rests his cheek against the top of Caboose’s head. 
As he does, Caboose hums, waking enough to tense and relax again.
“Good morning, Caboose,” Wash manages tiredly, lying still. Caboose doesn’t move either, except to shift his cheek to a more comfortable position.
“Hello, Washington,” Caboose says, slow and sleep-thick but cheery. “You let me stay!”
Wash huffs out something, maybe a laugh and maybe a sigh.
“You’re surprised?” Wash asks, staring at the ceiling. It takes a minute for Caboose to answer, and in that time, Wash’s eyes shut, too heavy to hold open. Caboose draws his arm back from his chest.
“Tucker’s not very cuddly,” he says, only partially answering the question. “I can’t really judge if people will like it.”
“I take it not many do?” He asks. Caboose shrugs, somewhat stilted, speaking in that long, sighing way that he does.
“It varies.”
Wash hums.
“Right.”
In a beat of silence, Caboose unravels himself. He sits up, swaying a bit, shuffling around. It leaves a cold hollow where he used to lie, and Wash pulls his arm back from where it used to curl around him. He folds his hands over his sternum as Caboose sits up and shifts back.
“How did you sleep!” He asks, leaning forward, arms resting on his knees. Wash nods, finally blinking his eyes open.
“It was fine,” he says slowly. “How did you sleep?”
Caboose shrugs again.
“I slept okay—” he says. “You scared off all my bad dreams I think.”
Wash snorts, furrowing his eyebrows. Caboose blinks down at him with wide eyes. It’s almost catlike, the way he watches over him, like he’s waiting for Wash to reach out and force him to move out of his space. He’s still slightly blurry, courtesy of the sleep in Wash’s eyes.
“I did?” Wash asks. Caboose nods, looking sincere
“Yep.”
Wash looks away, huffing out. Something turns in his chest, warmly at that.
“Well that’s good,” he says. Caboose nods again. He’s just far enough away that in the dim lighting Washington can’t really read his face, but it seems soft and comfortable and Wash tries to remember if that’s a good thing. There’s only so many times you see someone’s face while being out in the field that you sort of just learn reactions based on tone and less on body language. After a beat, Wash says, haltingly, brain trying to find the words:
“Caboose, what… what is it that you had a nightmare about? What—why did you come to me?”
Caboose shrugs, waving his hands back and forth. He’s not looking at him.
“Oh, you know, just about Church and Epsilon, and Tex, and you, and everyone dying and exploding and dying again,” he sighs, shoulders falling, looking distinctly less bothered than Wash expects him to be. It puts something cold-to-cool in the pit of his stomach. “But it’s okay, you’re still here! And nightmares are afraid of you.”
Wash swallows.
“Oh,” he says lamely. It doesn’t feel right, all of a sudden, to just be sitting here. Caboose tilts his head at him.
“Did you have a nightmare, Agent Washington?” he asks, leaning forward a bit. He squints at him. Wash stares back, eyes wide. “You look kinda pale.”
“Um, no,” he says plainly. “No I don’t… normally dream.”
“Oh,” Caboose says. His face drops. “That sounds sad.”
Wash shakes his head.
“It’s fine.”
Caboose hums, tapping his hands on his knees.
“You can tell me if you ever have a nightmare,” he says, smiling, a pleased look crossing his face. “I can come and scare it away.”
Wash snorts, a smile creeping onto his face. He folds his hands together, tracing out the edge of his thumb with his other thumb. He furrows his eyebrows as he looks up at Caboose.
“Are you looking for an excuse to sleep next to someone?” He asks, a curious lilt to his voice. Caboose blinks, eyes falling to his hands. He shrugs.
“No…” he says. Then, “Maybe.”
“Well it…” Wash sighs, shutting his eyes again. “It was nice. Thank you, Caboose.”
“Mhm,” Caboose says sleepily.
There’s a moment of silence. Wash moves to get more comfortable, shifting back to rest his head properly on the pillows. He can feel his body sag as he does, that tired tug pulling on his shoulders and hips and eyes. He drums his fingers against his sternum, watching Caboose. Caboose’s eyes slip shut for a moment as he leans hand against his hand. 
“I’m uh…going to try to get some more sleep,” he finally manages, clearing his throat. Caboose stays still, as if he’s fallen asleep again, shoulders weakly rising and falling as he breathes. “Caboose?”
There’s no answer. Caboose leans sideways as Wash goes to reach for him, folding like he’d lost all his core stability. As he crumples, he falls forward, half onto Wash in front of him, half into the bed itself.
“Caboose,” Wash tries again. Caboose doesn’t move, sinking further into his side.
Wash sighs. Caboose stays, solid and heavy and thrown over his chest. He feels like a little kid again, sharing a room with his sisters, or he feels like it’s some time back in training, both cats making their home on his chest. Caboose was kind of like a cat. If a cat were a dog, were late to the punch, were the same level as unable to catch the joke as he was. It was kind of sweet. Wash shifts him ever so slightly, until he’s leaning into his side again, head against his shoulder.
Caboose yawns, sighing out against his shoulder, shuffling to get comfortable. Wash curls his arm over his back, hand cupping around his shoulder, smoothing his thumb over the seam of his shirt. Caboose makes a little noise, a little sigh, and falls quiet. The world, too, is warm and quiet. Somewhere in that warmth, a soothing feeling washes over him.
Just a little more sleep, he thinks. Then he’ll get up.
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coridallasmultipass · 3 months ago
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HAPPY BIRTHDAY TO MY BESTEST WIDDLE SNAKEY WAKEY.
I can't believe my son is 18!! I estimated a birth date for him to be about a month before I got him in fall of 2006, since he was such a widdle month-old baby sneky. I always try to get a good birthday pic of him - especially after he eats and gets the good yawns in.
Pretty soon, he'll be off to snake college, for snakes. Dunno how we're gonna afford those ssssnudent loans.
Image description below the cut:
First photo is an albino corn snake (species name: Pantherophis guttatus) peeking out from behind a fake flower on a rocky hide (a house inside the tank where reptiles can feel secure and hidden). The snake is flicking his tongue out. Only his head is visible in the photo. Caption on the photo reads: Demo's 18th birthday. August 9, 2024.
Next photo is the same snake, but in a clear, close-up, detail photo. Each scale is clearly defined. He has red eyes and pink cheeks, and pale white patterns on an off-white body. The scales on his head are shaped to follow the different planes of his face. The scales on his neck (and body, not shown) are uniform and scallop-shaped.
The next three photos are sequential. The same snake appears with his mouth barely open. Then, his mouth is wide open in a yawn. His cheeks look so smooshy. His head is shaped the way a snap hairclip opens, curved upwards, and it's funny and cute. His mouth has ridges inside, but no teeth or fangs are visible (because his teeth are too tiny to be photographed politely, and he does not have any fangs). The last photo in the sequence has the snake with his mouth still open, but the top of his head is a normal shape again as he begins to end the yawn.
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cheruib · 8 months ago
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bought my favorite cinnamon roll for dessert after i break my fast🤭
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leonardalphachurch · 1 month ago
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haloheads can you tell me: how does space travel work in halo lore? like, are we doing faster than light travel? wormholes? i know there’s some stuff about cryosleep that spartans get put in i think? how do they go from one planet to the other basically
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sprolden · 3 months ago
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I love cleaning my room, currently playing the flute with yellow extensions in my hair whilst surrounded by boxes and shit
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amithgarment · 1 year ago
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Ensuring Colorful Permanence with Washing Fastness Testers
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It is crucial to preserve colorfastness in the textile industry. Consumers anticipate that after washing, their clothing will still be vivid and dazzling. It is the responsibility of fabric designers and producers to meet this expectation. Washing Fastness Testers are useful in this situation.
Specialized equipment called a Washing Fastness Tester is made to mimic the washing conditions that textiles experience on a daily basis. These testers assist producers in determining the colorfastness and durability of their goods by simulating the effects of repeated washings. These tests are essential to guarantee textiles can resist the harsh conditions of real-world use, where color retention can be greatly affected by exposure to water, detergents, and mechanical agitation.
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Important Elements of a Sample Holding Device for a Washing Fastness Tester
Washing Speed Test specimens are safely held in place by a sample holding mechanism in testers while they are being cleaned. Typically, clips or straps are used to secure the samples, simulating how clothes are normally laundered.
Washing Chamber: The real testing takes place in the washing chamber, which is the machine's central component. Water, soaps, and motorized stirrers that simulate washing are all present in this chamber.
Dye Solutions: During testing, colored textile samples are frequently exposed to dye solutions in order to evaluate colorfastness. Manufacturers may assess how the textile responds to temperature fluctuations, water, and detergent impacts by using these solutions.
Temperature Control: Since temperature control mimics actual washing conditions, it is crucial. Manufacturers can guarantee colorfastness over a variety of temperatures by immersing their items in both hot and cold water.
Agitators: Mechanical agitators simulate the motion of washing machines, giving an accurate picture of the strains that fabrics experience when being laundered.
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The Method of Testing
The textile sample is put inside the washing chamber as part of the testing process. After that, water and detergents are poured into the chamber, and the agitators begin operating. The machine replicates a certain number of wash cycles, which may vary based on the test's specifications and standards from a few to many. After testing is finished, the samples are taken out and their colorfastness evaluated. To assess a textile's washing fastness, color, staining, and damage changes are noted and examined.
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The Importance of Testing for Washing Fastness
Washing Fastness Testers are used by manufacturers to verify that their goods fulfill quality requirements. As a result, you gain the trust of consumers who want their fabrics to keep their color after washing.
Regulatory Compliance: Strict rules apply to many companies, particularly those that produce textiles and apparel for children. Testing for washability assists producers in meeting these criteria and legal obligations.
Research and Development: In the textile business, these testers are vital instruments for research and development. The test findings may be utilized by manufacturers to enhance fabric quality, choose better dyes, and optimize dyeing procedures.
Customer satisfaction is critical in the highly competitive textile industry. Manufacturers may guarantee that their products stay colorful and appealing, satisfying their clients, by employing Washing Fastness Tester.
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dadvans · 1 year ago
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every day that i log into this website and no one is talking about this man stabbing another man in the throat and licking the blood off the knife and his fingernail polish changing with his murder outfits and his murder outfits being rotating unbuttoned silk shirts, wide linen pants, and crocodile shoes, and flirty fun hairstyles and too many accessories, and he color coordinates his soft gothcore color palettes with the pimp cars that he drives, and he only has a boner for (1) murder and (2) a six-something hyper masc baby boy on a cliff he blows kisses to when baby boy shoots his enemy off a giant dam with a rocket launcher, like???
i'm being tested by god
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pansyfemme · 3 months ago
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i cant get my nails done for sensory and ‘multi-media visual artist’ reasons but i should paint my nails more.. feels a little nicer
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stitchposts · 6 months ago
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Dunno if anyone's asked this yet but how do you transfer / create patterns for your embroidery pieces? :O
Has not been asked yet! :>
I prefer to print my design onto paper and then trace over it with Pilot Frixion products onto a piece of water-soluble stabilizer. Pilot Frixion products are pens and markers that disappear when heat is applied. My preferred stabilizer is Pellon 541. I buy it by the bolt because it is a tried and true favorite of mine and I know how to get the most out of it.
Tracing by hand is another step vs using products that allow you to print a water soluble design but Pilot Frixion pens don't stain my preferred fabrics I work on. And I can just use a glue stick on the Pellon 541 (which I cut into the shape I need) so that it sticks to the fabric without shifting, so I can use less for each piece. I keep many colors of the Frixion fineliners on hand so that when I transfer embroidery I plan out then, not later, where I want each color to go, and have a guide to follow when I'm in the weeds stitching. This is a choice I make for my workflow, not something that I see commonly done. If I don't do this, I'll forget how I intended to do some sections.
Pilot does not endorse crafters using the Frixion products this way since they're not tested or rated for that use, btw - they are normal pens and markers meant for paper. Very experienced high art crafters also do not endorse Frixion products because of the very valid reality that the PH could degrade fabric over time, or the marks can reappear if exposed to cold. I do not especially care about making heirlooms for people that are intended to last decades - my projects get a LOT of hard use and wear. The embroidery process will not be what causes the fibers to wear out on my clothes or accessories.
I have used the stick-on printable washable stabilizers. I used it on the dragon vest I made, and I regret it deeply. It turns out that some printer inks do NOT wash out when the piece is rinsed and the dyes/pigments settle on the fabric and just stain the everloving fuck out of your fabric. I had to use every ounce of my laundry knowledge from years of working with fibers to save my vest, so I had color catchers on hand and had to immediately run to buy two liters of vodka for soaking instead of risking it drying overnight.
I still have my printable interfacing sheets and I'll probably see if friend-printers have ink that works better than mine did, which is in the fine print of the product, that it might stain and to test it. Or I can just use them up as tracing papers without printing. It feels like a waste to do that without trying other printers since it's so expensive for a pack of sheets and I am currently unemployed. I'll do whatever suits my needs on a project by project basis with it.
Anyway. Don't be me with using new methods of transfers on the big important projects. Test your new transfer method with your fabric in an inconspicuous spot. Honestly, test older transfer methods with any fabric if it is a gift or something Special and Important. I almost destroyed 130 hours of work and I am experienced enough that I had the skill to just barely salvage my hard work.
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balkanradfem · 10 months ago
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