#was having some feels today

[lena-in-a-red-dress]

The Quiet In Between (post Crisis Guardiancorp)

James would expect to see Lena at Noonan’s. He would expect to see her in a five star restaurant, or a trendy new bar with low, smooth music. He doesn’t expect to find her in National City’s greasiest diner. 

It’s also grungy, and dingy and the farthest cry from anything befitting a Luthor. Especially in this reality. He frowns. It still unsettles him, that there was once a world that was, one vastly different from the world that is. But in this world, where the Luthors had never fallen and Lena had no reason to mingle with the smallfolk like she did after meeting Kara, Lena seems even more out of place in the cracked and peeling pleather booth.

If Lena is surprised to see him when he approaches her table, it doesn’t show. She has nothing but a coffee in front of her, but at 2am the place is sparse and not wanting for open tables. 

“Hey Lena,” he says, settling onto the bench opposite her. “Been a while.”

Her eyebrows shrug in affirmation. “Yeah.”

He waits a few beats, but her demeanor remains distant.

“How are you?” James asks in a gentle voice.

Lena doesn’t meet his gaze. She stares out through the window at the night beyond, eyes fixed on nothing in particular. “Lex is alive,” she says flatly. “In a world of his own making. Where nothing is the same except that my friends aren’t my friends. So. You know.” Her shoulders lift. “Fine.”

He regards her solemnly. He knows Lena Luthor. He knows her moods and her faces and her tones. He’s never seen her like this. Never so… detached. Defeated.

“It’s not ideal,” he agrees carefully. “But I’ve never known you to sit back and take it.”

He expects a glare, or at least a sharp glance. He gets neither. Only a finger slowly tracing the rim of her coffee cup.

“What if I’m tired, James?” Her voice, low with melancholy, is deep in her chest, betraying its honesty. “I’m tired of having to claw and fight for every good thing in my life.”

James hesitates. The thought bubbling up in his throat is a risk. He knows that. He chooses to take it. “You didn’t fight for us,” he says softly. “And I thought we had a pretty good thing going.”

Finally, Lena’s attention breaks from the window, drifting to the mug between her hands. “Now you know why I didn’t.”

He nods. “I do.”

Looking at her now, after the weeks of confusion and months of hurt, he feels nothing but affection, and want. The desire to be the one thing she doesn’t have to fight for. 

“That’s why I’m here,” he reminds her. “Because I know you still care. And because I still care about you.”

Her gaze lifts to his at long last, deep with heartache and a wary hope that even now can’t be totally dampened. 

“You and I don’t have to fight. But if we do… if you want to, you won’t have to fight alone.”

James sees her hesitation in the twist of her lips, doubt in the glint of her eyes. “The way I treated you…”

“You can let it go,” he says. “I have.”

It’s true. It’s taken a while to get here, but he has. He has, to the point that his remaining sympathy is for Lena– for her decision to be alone rather than risk him. 

“You said you were tired,” he continues. “Maybe it’s time for you to rest, and let yourself lean on someone you don’t need to fight for.”

He reaches across the table, gently clasping her wrist. “What do you say?”

She doesn’t speak, but the palm that turns to slide into his is answer enough.

[bethanydelleman]

I was talking about a historical male author I dislike because I found his works misogynistic and the person said, "Oh, well I suppose you don't read Shakespeare either." and I was like, "Shakespeare? SHAKESPEARE?!?! Of course I read Shakespeare, that man loved women."

Shakespeare wrote a wide variety of fleshed out female characters. He wrote Damsels in Distress, Cross-dressing Girlbosses, and Complex Female Villains. He wrote a woman who refused to sell her virtue to save her family and then shamed her brother for suggesting it. He wrote Taming of the Shrew and it's opposite, All's Well that Ends Well, in which the wife hunts down and tames the husband. He wrote men who are good because they listen to, trust, and defend women. He wrote women of all kinds. He wrote women who drive the plot and women doomed by the narrative. He wrote women in love and women who pathetically follow a man who doesn't like them and women in hatred. He wrote sensible women and silly women and everything in between of all ages.

I wish modern authors could write women as well as he did.

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[hinamie]

色彩 [Shikisai]

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[peach-sea]

Cringetober Day 1. Screenshot Redraw

inspired by this early eah scene where raven "lets her bad side out" playing guitar and my cousin and I go "apple's probably losing it" and then they cut to her and she's making this face ↓

[aduckwithears]

I cannot overstate the net positive impact these two have had on my emotional and mental health.

[starlitmeadows]

Reunion

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[catmask]

it is insane how normal i am medicated like. you mean this was an option the whole time. what

[macbethz]

“Is doctor who a good or bad person” theyre the kind of person to fly in a little blue box and go weeeeee

[hellenhighwater]

That's wizard dinner babey

[obsob]

autism 2 autism communication

[starry-bi-sky]

mmmmm danny with sensory issues both in and out of his ghost forms, but on the opposite ends of the spectrum. Ghosts can't experience sensations the same way humans can when they're in the mortal realm. They're naturally intangible, and it takes energy to be physical. When they're physical, all touch feels the same barring the texture. They feel no heat, no chill. Sunlight passes through them, and so does wind and rain.

You know when your foot falls asleep/goes completely numb, and you go to touch it with your hand and it causes a strange jumble of sensations? You can feel the skin there, your palm is pressing against an object and there's resistance, pressure, but you can't feel the heat? It's kinda something like that. Like he's feeling everything through a set of gloves.

As a ghost, when it rains, he can feel the raindrops hitting him, and he can feel his hair getting wet, but he can't feel the chill of the water and he can't feel the wetness. His suit is soaked but there's no weight like there should be. During the winter snowflakes don't melt when they land on him, and he can't feel the chill of the snow when he gets buried under it.

Sunlight passes through him, a nice breeze ruffles his hair but there's no relief in the sensation. All pressure, no sensation. It's like a strange form of sensory deprivation. And of course, the internal things. It's even worse when he's intangible, when he's not putting energy into being physical. He doesn't feel real.

As human, things become too much. Especially when he's been a ghost for hours. He can feel the weight of his ribs pressing against his ribs, he becomes hyperaware of the expanding of his lungs when he breathes, the feeling of his heart pulsing in his chest.

He curls his fingers in and out slowly and becomes fascinated by the feeling of the joints moving. He turns and grabs Tucker's hand, and soaks in the warmth of his body heat -- he can't feel it as a ghost. He runs his fingers through his hair, and he can feel the individual strands.

There's a weight when he walks. A small drag when he bends his knee and lifts his leg and takes a step, and when he's been a ghost for too long he stumbles over himself, drags his feet along the floor and stomps when he doesn't mean to because he forgot to weigh his steps. Sometimes when it rains he goes out and sits on the front steps of the house just so he can come back in shivering and soaked through to the bone. Runs his fingers obsessively over the goosebumps up along his arms and legs because he can't get them as a ghost even if he's cold.

Because there are certain things, even when he's in the ghost zone, that are exclusive to the living. The little internal things you don't notice and take for granted. Things like breathing and goosebumps and exhaustion exclusive to running that makes your heart pound against your ribcage and your chest hurt with the need for air. Sore muscles from working out and sweating. Thirst and dry mouths, chapped lips and hands, blinking and dry eye, the feeling of the sun soaking into your skin on a nice summer's day.

As a ghost, Danny faces sensory issues in the form of not enough. When he can't feel the hair behind his ears or the weight in his limbs where there should be muscle, tissue, and bone. He can't feel the sun or the wind, everything is in a permeable state of 'just fine', and its maddening. He can breathe if he wants, but there's no point to it. He has no lungs, he can't feel them expand, and there's no relief behind it. He's going through the motions without any of the reward.

On those days, the idea of going ghost again makes him feel ill. Paranoid. He can't stand the thought. He needs to feel. He needs to feel the soft texture of the rug beneath his feet and the grooves in his knuckles, he needs to feel dirt crumble beneath his fingers and get stuck under his nails, he needs to feel the heat of his sister's hand and the feeling of body warmth passing from her to him. He lays on the carpet room and stretches out, and focuses on the feeling of his heart beating and the weight of his bones and muscles and tissue pinning him to the floor.

As a human, Danny faces sensory issues of too much. When all the things he's starving for suddenly make him sick. He feels trapped in his own skin. His ribs become a cage and breathing becomes a dumbbell that he can't put down. He can feel the hair along his arms and it rashes him. He's too cold, he's too hot. He feels like a ghost puppeteering its own corpse and he needs out.

On those days, Danny dips away when he can and goes ghost, and Sam and Tucker don't see him for the rest of the day. He's gone invisible, intangible, and he does nothing but exist.

Just, him experiencing sensory issues as both ghost and human, but in opposite directions from each other. And the idea that ghosts experience the mortal realm differently, and that there are certain things that are just exclusive sensations for the living that Danny doesn't realize until he's a halfa.

[froginmygarden]

Got a little brain worm on the way home and have a need to write it down. Just a drabble because I'm not good at writing.

DC x DP Just a (clone) couple

Joung Adult!Team Phantom for some reason end up in the DC universe. For reasons, there aren't any equivalents of them here. Danny and Sam are together and Danny and Dani have a familiar relationship. Whatever the reasons they stay in this universe.

So Sam, Danny and Dani start making a life together as a family, Tucker goes on to make a "small business" involving VPN's and tech in general (finds an anthropomorphic girlfriend on the way or something), Jazz goes to uni (JL members city of choice, although I advise against Gotham or Metropolis, because that would make this too short).

For some MORE reasons unknown, although they might be by the making of our favourite clock-man, the DP people's DNA has by default markings of being clones in DC (I don't know if this is canon or fanon but Connor had something like that ╮⁠(⁠＾⁠▽⁠＾⁠)⁠╭). The thing is here Jack = Bruce, Maddy = Alexander and Jeremy = Clark, Pamela = Lois! Do you see my vision here??

So *JL member from the perspective city* meets the Fenton/Manson/Nightingale?? family accidentally when they are visiting Jazz, and has a sweet deja vu moment. Some time passes and the off handedly mention it to someone in the JL.

Batman being the paranoid bastard that he is goes on to check this thing out, because he can smell the fish from a mile away. Thinks the couple are clones, gets very paranoid again and starts making plans, plans get found by his kids, kids tell the JL and friends. So starts the collective discussions of what should they do, some say that they should get rid of the clones, some others that they don't have proof for anything nefarious and shouldn't do anything at all, someone points out that they have literally showed up out of nowhere and that it is reasonable to be suspicious. And Connor is also there.

Meanwhile Team Phantom is going about their lives like normal, but with a "I know that you know" mindset, and don't really bother with hiding themselves.

In my opinion the part that has to be the most glaringly noticeable about them should be that Danny (Batman's clone apparently) should wear a lot of flannel and have a "Midwestern Nice" personality" (the stuff of legends I have only heard about in passing) and over all should resemble Clark in fashion sense. For Sam (Superman's clone apparently) the exact opposite - she can put the GOTH in Gotham.

And all JL angst/drama/confusion happens in the background as we follow Connor Kent's/Superboy's POV and him dealing with having two half siblings and the half siblings being together and them having a child and this is too much for him oooooooooo noooooooo nononoonononoonononononno what in the sweeet home Alabama whhhhhyyyyyyyy!??!

So it's like a metronome tick's between the POVs of fluffy new life/potential threat to the JL I mean the child of Bruce/Lex and child Clark/Luis having potential super-smart, super-powered (potentially evil??) children. But overall it's crack.

Maybe I'll plan it out and actually try to write it, but meanwhile you can enjoy my half-ill/fever induced brain worms and play in the brown dirt puddle I call my creative thinking.

To who ever finished reading this

Good night! ;P

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay