#wanted to try out a different shading technique for this one :)

[tittletattles]

unwithering flower

[redwinewhiteroses]

The answer to the question on your mind

What will the Oracle say?

I was inspired by @capellla 🤍 who made a similar reading and I LOVED IT SO MUCH! You should definitely check out her reading.

I'm using the Wisdom of the Oracle cards in this reading and not tarot cards. You can pick a shade to receive an answer to whatever question you have in mind. The question can be anything but I won't give a yes/no but rather a general forecast on whatever it is that you are asking about. So it is going to be in the format of a combination of messages, keywords or a simple description.

Also a reminder, this is a very general reading because everyone's going to have different questions. So take the essence of the message and leave out what doesn't resonate.

Total Angel

You know the answer deep down. If you tune in and read between the lines, you will know what you should know. Your intuition is powerful, use it wisely to receive answers. Even if you think it's not easy sometimes to find the right answer, the message here is to ask and you will receive. And nine out of ten times the answer is already known to you as an intuitive nudge. You just know, don't you?

For some of you there's a message to trust your intuition for it is right when it comes to this question you are asking about.

And for very few of you, the answer is to listen intently, be sensitive and have empathy, maybe for yourself or to someone else.

Manifest It

There is some chaos and conflict here. It seems to me like there's a clash of opinions or an internal conflict of some kind. Whatever it is you are asking about might not be going smoothly as you wish. Thoughts or opinions are in a muddle. There's friction here and a hesitancy to cooperate on something. It's important to choose your battles wisely and as much as you desire to be understood, you should also try to understand where others are coming from.

For some of you, this conflict is happening purely because of a misunderstanding and a lack of insight.

For others it's because of your stubbornness and your rigid nature of not wanting to compromise and being inflexible is prolonging this state of chaos. Also you don't need to be right all the time and it's fine even if you are not.

Good thoughts

Good fortune is knocking on your door. I see a lot of positive thinking in this group and I wouldn't be surprised if you are into manifestation techniques. You are attracting abundance using your manifestation skills and law of attraction.

Success is all yours. If you've been working hard on something, know that your rewards are on the way.

There's also a message that you will be discovering even more things to be grateful about. It's all in your mindset, the more positive your thoughts are, greater treasures you will find. Abundance and fulfillment are major themes here.

Don't forget to share your prosperity and happiness with others you care about about.

Balanced

Take things slow. There's no need to rush. It's important to live one day at a time.

Whatever it is you are asking about, the answer lies in the present moment. You have to focus your energy on the things that truly matter to you, that has a bigger say in shaping your future for better or for worse.

I'm getting the message that it's important to write a good story for yourself right now. You have everything you need right now.

Stay present and create your dream now. A lot can happen right here, right now, there's so much potential that you don't even see. The past nor the future holds that power, only the present moment can give what you need.

Protection

Right when I started this, I felt like this is about a relationship. Loyalty, devotion and commitment are major themes in this group, whether it is about a relationship or otherwise.

There is undying loyalty and commitment from this person and they truly value your commitment. There's nothing to worry about for they have a loyal heart and they show it to you every day. Right now if you look around, you can see and feel that devotion they have for you.

For some of you, there's the message that you should remain faithful to your plans and work towards achieving them. Put in the work now with great commitment if you want to achieve desired results in the future. Your commitment and loyalty is being tested right now.

This message is for a very few of you, and that is if you've been yearning for something more passionate or exciting in your relationship and you have this desire to pursue someone else in search of that, the message here is that you already have loyalty and commitment from the person who loves you. Are you as loyal in return?

Major Change

Closing out a cycle and making amends is the main theme here. I sense some hurt and lack of closure that is here from the past. There is some unresolved hurt and unfinished business and you never really got around to seeing things through.

There could've been an argument, but you walked away without really gaining closure. So even if you want to move on, you are still bothered about the what ifs, the unsaid and the unexpressed thoughts and feelings.

It is important to heal, but it starts with letting go. Make peace, forgive and set yourself free.

In order to really move forward, you need to address the issues and fix what's broken. Clear out what's no longer serving you, gain clarity and learn the lesson. Unless you close out this cycle, you are going to be burdened without an end.

Finish what you started in order to move forward. If you've been taking more and more of something but not really completing what you should have already, you are only accumulating unwanted burden. It is very important to make amends for your highest good.

For some of you, there's a clear message that something needs to end. Nothing is ever lost or wasted so endings are nothing to be scared of.

Reflect

There is uncertainty and a sense of loneliness here. It's as if you feel like you don't belong or fit in. There's this lack of connection and feeling like you are on your own.

It's important to delve deeper and be closer to your core values and truth. This sense of belonging that you think you need must come from within in a way that is so personal to you. It is not in the outside world for you to find.

Even if you feel misunderstood by others and you feel left out, as long as you have yourself and you believe in your own truth, you are never alone.

Be completely yourself and be unapologetic about it, the people who see you for who you truly are will always find you and support you.

Never dim your light or think that you are not enough. Never think you have to be someone else to be accepted. You are amazing just the way you are.

Explore your preferences, likes and dislikes and get to know yourself fully, and try finding people or communities that resonate with you. You'll be surprised by how many like-minded individuals are there who really get you.

Lucky Babe

Finally you have approached the light at the end of the tunnel. I wouldn't be surprised if you went through a dark night of the soul recently. There's two very contrasting energies here and you are at this switch where you are moving from the bad to the great times ahead.

There's recovery, renewal and joy. It's as if you lost/broke something but now you are patching up all the pieces together to create someone new altogether.

For some of you, I see you coming out of a period of isolation and putting yourself out there more experiencing the warmth the world has to offer. Being lively and feeling full of life.

Finally seeing bright colors again, feeling alive and enjoying life comes to mind. You could meet someone or find something that helps you overcome the shadows of your past. It's as if it/they heal you and make you forget unpleasant things. A much needed change is here to welcome you to a new phase in your life.

And for others, I see new relationships, new friends and opportunities coming in. There's new beginnings and growth for existing relationships. Those who've been single for a long time, I see a lot of good fortune for you.

Something exciting could happen.

Perfect Harmony

Be honest and truthful to yourself and to others. See the truth for what it is. Don't try to alter it the way you want it to be. You are only deceiving yourself. This is the core message I'm getting.

For some of you, the message is to openly communicate with your partner, family or friend etc. Clear and honest communication is very much needed. It is important to speak your truth and to listen to others speak their truth.

For some of you, it might be necessary to put some effort to seek the truth of something yourself. Discover what lies at the core of something and don't just accept the face value of it.

Transparency, true wisdom, unveiling something and dropping the mask is also a message here. Clarity is being provided to you and you should be open to embrace that truth.

Right Path

You are finally finding the strength to complete something. It's as if you've been putting something off for many weeks, months or even years but now you are going to persevere and see it through.

Learning something, mastering a skill and being dedicated to a task is coming through as well. It's important to make amends and learn so you can have better opportunities in the long haul.

Go the extra mile comes to mind. Take a leap of faith and endure through this so you can finally complete this cycle.

Finally accomplishing something that was long overdue and willingness to be resilient is seen here.

Do not procrastinate or give in to instant gratification but instead look into the future, think of the long-term and engage in continued action.

Make sure you finish what was left unfinished.

Empowered

Take action, make a move, start something, by all means begin whatever it is you are asking about.

You have the power to make things happen so go ahead and put that creative powers into good use.

This is the sign you've been looking for, now is the perfect time to act. Don't hesitate a single bit for now the destiny is in your hands.

Take the lead, assume the position of a leader, take matters into your own hands and be confident in your ability to move forward towards victory.

For some of you, the message is to embody masculine energies and to be more assertive and bold.

You can expect to be busier than usual. A lot of action is happening.

Divine

Breaking cycles, escaping toxic habits that kept you stuck in a never ending cycle is the main message here.

You can feel as if the past is repeating itself or you have been here before, and it is only because there is something that you have to learn and integrate into your life. I see some personal growth and self-improvement happening for your highest good.

It is important to revisit this pattern from a new perspective. Learn the lessons and apply that knowledge to break free from what no longer serves you. Only repeat what works, NOT what doesn't.

Chaos and conflict will only happen if you run in circles without really addressing the root cause of the problem. I see some unnecessary drama as well that has occurred due to repeating the same mistakes.

For some of you, being attracted to familiar partners and repeating an old story might be true. It is as if you get to do things differently this time with the wisdom you didn't have the last time. It is important to not get stuck in a loop though.

I think some of you are clearing out some sort of karma from your lives and it is making you realise important things about yourself and the way of life. As difficult as it might be, you will eventually get out of it and mark the end.

This reading should not be used as a substitute for professional advice. Please use your discernment before making any important decision. This is for entertainment purposes only.

Dividers by : @anitalenia @strangergraphics @aquazero

Photo taken from Pinterest. Credit goes to the rightful owner.

[yakutarts]

It’s them again, your honor.

Please take a look at this post for context and reference!

When I decided to color these sketches with watercolor I was expecting it to not look good and then I would erase it and repaint with other brushes.

But then boom! It was actually starting to look even professional-like the more I kept coloring. I was surprised because my every attempt at watercolor looked like a 7 year old trying with the school’s shitty art supply.

I found out later it ended up looking great on accident, because before I started coloring, I thought the canvas looked to bland, the sketches didn’t pop out, so I used a technique I learned by watching YouTube Shorts on how to use Procreate to give the canvas a paper-like texture.

Basically I used several texture brushes on a different layer, painting with light desaturated warm colors and occasionally a pinch of strong yellows, browns and oranges. Then duplicated it, set one above the sketch on overlay and one below on really low opacity.

Turns out that does wonders when painting with watercolor, really looks like actual ink on paper with the way it melts and creates extra shades of color.

Also little silly thing I noticed after a while, with the way I colored and textured Dream’s body, it makes him look like a underbaked oily bagel 🥯

I really want to take a bite of him, I’m hungry.

If you really liked this and want one, I have my commissions open!

Dream & Nightmare belong to @/Jokublog

[yourstru1y4ever]

Day 13 - Playful Kiss

Pairing: Satoru Gojo x Reader Word Count: 636 Content: Fluff, Gojo being Gojo, some more of Gojo and reader at Jujutsu High together Tuna-Tober 2024 Masterlist <- check out the other fics posted this month!

A/N: I had a completely different idea for playful kiss, but that was only after I had finished writing this one. It still plays out the same, but it's a different situation. . . I might post it separately from the Tuna-Tober prompts 👀. Be sure to like, reblog and comment if you wanna read more like this!

You always had a set of rules when it came to sparring with Satoru Gojo.

He couldn’t use his infinity.

You had to stay within school grounds.

You couldn’t use your technique against him.

Fairly simple rules and you both stuck to it pretty well. You wanted to improve on your hand to hand combat and Gojo needed to be less reliant on his infinity to keep him safe. You keep reminding him of that but he always shrugs your concern off; he’s the strongest after all, he doesn’t need to improve.

You only needed those three rules. . . until the incident.

Gojo has you pinned down flat on the training grounds, a teasing smile on his face.

“And here I thought you wanted to improve,” He looks down at you, “But now I get to look at you pinned underneath me.” You flush and look away from him. He’s been flirting with you for a few months now but he never once acts on it. Embarrassment washes over you as you think about how easily his words have an affect on you even after all this time.

“One more round?” You mutter, still not looking towards him.

He stands up and reaches a hand down to you, “Only if you can handle losing to this pretty face again,” You smack his hand away and get up on your own.

“Yeah we’ll see about that,” You wipe the dirt off your face as you start to prepare yourself. 

He tilts his head to the side, standing in a casual position, not even bothering to put a single ounce into this fight. You run up towards him and he immediately dodges your attack, ducking down and moving to his left. 

“Come on pretty, I know you’re better than that,” He brings his arm up to block your leg from kicking into his face.

He tries to grab onto your ankle but you run past him before he has the chance. The only thoughts running through your brain are different strategies on how to catch him off guard.

Run up behind him? No, his six eyes tell him everything he needs to know about where you are. 

Maybe a black flash? You definitely don’t have enough cursed energy built up to do that yet.

You could always. . . kiss him. . .  

The thought enters your brain and you still for a moment. You turn around and Satoru is ready to pin you back down to the ground but before he can, your hands grab onto his collar and you kiss him.

His eyes widen before they close and he starts kissing you back, his hands wrapping around you. Before he can hold onto you, you push your arms against his, pull away from him and pin him to the ground.

Your face is a bright shade of crimson as he looks at you with shock.

“See I told you I-I’d win this time, I just-” you catch your breath, “I-I needed to-” 

He pulls you down to him and he kisses you again, more urgently this time. You stiffen, but as you keep kissing your body relaxes into his.

“You didn’t win that by the way,” Satoru says in between kisses. You pull away from him, his hands resting on your hips.

“I did win, thank you.”

“You cheated,” He says matter of factly, trying to lean you back down to his lips but you straighten up.

You bring your hands down on his chest, “I didn’t!”

“You kissed me, it doesn’t count!”

You argue about if you won or not and in the end Gojo decides to be nice and let you have the win. Now there’s a fourth rule between you two during sparring, no kissing each other.

You've both broken that rule more times than you can count.

[miirohs]

braid my hair while i hold your heart [m.d.l]

pairing: OPLA!Monkey D. Luffy x Fem!Reader wc: 0.4k cw: n/a an: another one for yall thirsties, i feel oddly inspired. getting hair in ur eyes is a very real issue btw- have i mentioned how much i want to see how fluffy luffys hair could get?

You leaned against the railing of the crows nest, breeze blowing strands of hair from your face.

The sky was a pale blue and orange as the sun seem to fall closer to the horizon, glare skipping across the gentle waters. The boat was drifting, oddly quiet for once.

"Y/n!"

The sound of elastic snapping turned you around, Luffy standing on the rail. In his hands was a bouquet, flowers shining and vibrant in the setting sun. You had no time to ask what they were, as he dropped them, rushing to you.

"Luffy-" Before you could finish, he rushed into your open arms, sweeping you into a bone crushing hug. Spinning around, you both collapsed to the floor, pinned down on your sides.

"Hey- Hey! What's all that for?! You're suffocating me!" You laughed, trying to wiggle out of his grip. You rolled over him and pinned him down, blowing raspberries.

He didn't seem the least bit surprised though. The rough-housing wasn't uncommon, his way of initiating contact between the both of you.

His hands were wrangled up in your hair, a delighted look on his face as he clutched at small strands, curling them around his finger. The sun seemed to reflect in his eyes, lighting up with joy.

He always seem to find a way to brush his finger through your hair, untangling the knots with a gentleness you could only describe as familiar.

"You really like playing with my hair, don't you?" you asked, a playful grin on your face.

He nodded, pushing you off him so that he could sit up.

"Do you want me to do your hair? your hair gets so tangled from the wind, i wonder how you manage to work with it blowing crazy." He exclaimed as you got pushed yourself back up, shaking your head.

"Sure thing. One question though, do you know how to do braids?" You asked, picking at your nails as he shuffled behind you.

"Mmm, nope. I'm sure i could figure it out though."

"I'll leave you to it then," You said, legs dangling out the gaps of the crows nest as you looked down.

You could hear him mumbling to himself as he tried different techniques, and the occasional tug of your hair making you yelp a little, always ending with a hushed apology from him.

If it weren't for those little tugs, you might have fallen asleep, drifting in between sleep and staying awake. Eventually, you leaned against the wooden planks, drifting off for good.

It wasn't until a little while later that you were gently roused from your peaceful half-slumber.

The sun had set for good, and the sky was a pale shade of blue and orange, streaked with clouds.

Luffy now sitting beside you, looking out at the horizon. His hat was pulled low over his eyes, and he seemed lost in thought.

"Hi Luffy."

He turned his head to look at you, a soft smile playing on his lips. "Hey, Y/n, you were sleeping pretty soundly there. Feel better now?"

"Mmm. Did you finish yet?" You stifled a yawn, stretching wide.

"Yeah! “Hey- hey turn around for me, let me see you!" He exclaimed, clapping his hands. You obliged, turned your head as you gave a bashful smile.

"See, you look perfect.”

"Perfect, huh?" you chuckled, your cheeks tinged with a faint blush.

"Yeah! The flowers were definitely a good touch. You look like a sea princess now! Wait, maybe you could be my sea queen when i become king of the seas!" He rambled as you reached over for what was left of the flowers.

"Where'd you get these? These are beautiful," You whispered, holding one in your hand to get a better whiff of its scent.

Luffy snapped his fingers, excitedly waving his hands. "Nami saw them on the island, and I thought they looked like they'd make you smile."

"Thank you Luffy, so much," You whispered shyly.

"You're welcome, Y/n! I'm glad you like them. And if you want more flowers, just let me know. I'll get you a whole garden!" He exclaimed.

His eyes seemed illuminated by the stars, shining and glazed over as he watched your expression closely.

"Oh no, are you going to cry? Did i do something wrong?" He fretted.

"Nope, i'm just feeling a little overwhelmed. We should probably go to bed."

"Lets just sleep here then!" He patted the spot next to him, and you crouched down, grinning.

"Alright, but you better not mess up my hair."

"I won't, promise!"

[maniwannadiezz]

Thank you. You make me feel sane for hating on vivs art😭 (she did influence my art in middle school, but now I see all the issues with it)

no problem! I think her art had a lot of bad influence on newer artists simply because at first glance it’s appealing and people like you (and me) thought why can’t we just copy it and go from there? Welllll problem is that just copying an artist will lead to you consuming and producing the mistakes they make or not fully grasp why they exaggerated something the way they did. Unfortunately those anime hating art teachers held some truth in their words, just copying right off of another artist without fully understanding the rules of art will lead to getting stuck.

I’ve gotten “stuck” before, my art deformed contorted to the style and gave me a mess where the heads were too big and the proportions too wonky when I could have spent my time understanding anatomy and proper colouring techniques. Of course there’s nothing wrong with just wanting pretty looking art and nothing more but if you want to expand and not hit a ceiling it’s better to learn the rules before you break them. You’ll probably learn things you never knew you never knew! Find things about your style you never dreamed you could have drawn before and expand into your OWN person and your OWN artist, instead of being the vivziepop drawalike.

DECONSTRUCTING VIVZIEPOP ARTISTIC ISSUES WE MAY HAVE CONSUMED AS CHILDREN (if her art has improved I haven’t seen but I will give her the benefit of the doubt! So let’s just isolate this to the past for US ex hazbin artists to understand where our problems truly began)

Anatomy: Vivziepop has a habit of not properly following even the anatomy of her own drawings let alone anatomy rules at all. I had to bend and meld what I thought a limb may look like from its transition from in front to behind a limb (like the legs) since the lines didn’t properly match up. Arms change size, legs have no knees, one thigh thicker than the other and hands that have fingers which melt into the palms.

you could say it’s stylistic, but considering she’s ONLY ever drawing stylistically whether she liked to or not this bad anatomy has become a crutch and down fall. If she wished to draw more realistically I will assume she can’t or can’t anymore…

Here’s a draw over. You can keep the stylistic effects while keeping your anatomy at least somewhat readable, especially the hands 💀

Shading: shading plays a huge role in not only give us context to the image like where the light source is coming from but also the shapes of the body. the body is comprised of different shapes (cylinders for arms and legs, circles and ovals for head, different planes for the face) with shading like vivziepop’s we don’t know where the light is coming from but also the shading blends into the drawing as visual noise, or worse makes things look flat and lifeless. Her legs especially are shaded as if they are two pieces of paper sticking out from under her dress.

Colours: we all know her main appeal in art is her colours, but designing your piece by just how pretty you can make all the colours also is ignoring fundamentals in what makes your art from good to BEST. With too much of one shade your whole piece blends together in the eyes of the viewer. With not enough contrast in the right areas you will have a focal point that bounces around (like us her chest the focal point? It’s the darkest spot on the piece! Or is it all those eyes that clutter up the whole drawing with the random stripes in the back…. Ouch! I can’t tell what’s what!)

conclusion: I leave you and others with this quest, you wanna get better at art? Take a moment to critique even your own favourite artists. You can have inspiration of course but question their decisions before blindly hoping on the hype train. Or you could be consuming their own mistakes and end up STUCK, like I was, like many have become.

Give critiquing these pieces a try, deconstruct them, trace them (don’t post) see where the lines match up- do the limbs look as if they existed behind the limb or do they go to a void and come up the other side a completely different size? You tell me…

[wttcsms]

and so a touch that was my birth right became foreign, satoru gojo

with hands blessed with the technique that enables you to feel the most likely future for the person you're touching, it's easy to see why you don't want to touch satoru when he comes back. even if he doesn't know his own ending, all he knows is that he would like to feel your touch even if it's for the last time. so you let him. (wc 1k) content contains satoru gojo x reader, slight angst, allusions to jjk 261 leak, some fluff, possible hurt/(no) comfort (depending on how you look at it), humanizing gojo

“You’re worried about me,” he rolls over in bed, bluer-than-blue eyes staring into yours. “It’s written all over your face.”

“No, I’m not. This is my ‘you’re hogging all the blankets’ face.” You retort, yanking the bedsheets closer to you. You try to make yourself more comfortable, but it’s no use — you only sleep well when you’re snuggled up by Satoru’s side, but the idea of touching him, the effects of what will happen when you do, serves as a good enough deterrent. 

“No. It’s your ‘I suck at keeping a secret’ face.” 

“Well, that face and my ‘worried about you’ face are two entirely different expressions. So, even if you’re right, you’re still wrong.” 

Usually, he would laugh at your logic. Nowadays, there’s not much laughter to spare. Just intense gazes that cut you to the bone, deep enough to leave a mark on your soul, yet soft enough for you to momentarily forget the pain that comes with it. You like to make comments about his eyes; not his Six Eyes, but his. The ones that are uniquely and wholly his own. You want to drown into his eyes, the prettiest, rarest shade of blue that only he could pull off. You know he knows that you think this, which is precisely why you have no issue with telling him he needs to get brown contacts for bedtime because his irises practically glow in the dark. 

Our bodies are built by memories. It’s why your fingers twitch, confused as to why Satoru is so close to you, close enough to touch, and yet, there’s still a distance between you two. Your hands know him well — know him the best of all. Your fingers, the ones that have ran through his hair so many times before, may share the same color as many other members of his clan but the stubbornness of his hair is all his own. You would tease him; tell him that his hair is just like him: annoying, with its own mind, its own will. His hair is coarser than it looks, and sometimes, you can still feel remnants of hardened hair gel when he gets too tired to wash it all off properly. (On those nights, you’ll wash it off for him.)

The sharpness of his cheekbones have been traced by the tips of your fingers. Gaunt when he’s so laser focused on work, but full when he’s shoveling food into his mouth. You like the sight of Satoru gorging himself on daifuku; so rarely does he give into greed, and there’s a boyish glow to him when he’s unable to speak because of the sheer amount of mochi he has in his mouth, looking annoyingly cute with his chipmunk cheeks. 

“You don’t want to touch me because you’re scared.” Of course, Satoru doesn’t shy away from confrontation. You suppose it’s for the best. The fact that he let you go this long without him calling you out on your behavior isn’t surprising, though. He always puts the feelings of others before his own. 

“Is it that obvious?” 

Satoru doesn’t need the Six Eyes to see through you. He just needs to use his own. 

“Did you really think it wasn’t?” is what he says.

“I just— Knowing the future is worse than the not-knowing.” Your voice cracks during the explanation, but he doesn’t comment yet. He waits patiently for you to continue, even though you already had this breakdown in front of him before, a lifetime ago. When the two of you were just students and he sneakily pulled off your gloves and placed his hand around yours. Back then, his touch had been brimming with life. It had shocked your system, your soul. Every touch exchanged from him since then had felt the same, more or less.

You’re worried that you won’t get that familiar feeling this time around. 

“Because not-knowing leaves space for hoping.” He finishes for you. You blink, and suddenly he’s closer, and you want to cry. You want him to be this close to you forever, and you know that that is one future path that not even the strings of fate will entertain. 

“I’m worried about you.” You whisper out this confession, and Satoru’s lips part. He looks like he’s about to joke around, to say “aha! I knew it!”, but he doesn’t. There’s a defeated sort of air to him when he tells you,

“You don’t have to worry about me. I’m Satoru Gojo, after all.” The smile he gives you is a good imitation of his genuine one, but you can see through him just as easily as he does you. 

“I can’t worry about Satoru Gojo?” 

“You would waste time and precious tears over the strongest?”

It’s true that his strength is a big part of him, but it’s not his entire being. People chase after the reason for their existence all the time, while Satoru’s been told his entire life that being blessed with his strength is the sole cause for his existence. Satoru knows what his designated purpose is; no one’s ever given him any room for doubt or an opportunity to pursue another path. He could argue that the not-knowing your purpose in life is a whole lot more fun than actually knowing. 

“Who’s going to keep that daifuku shop in Osaka open if you’re gone?” And it’s such an unserious statement to make, a statement that has reduced you to a wet puddle of tears, but it’s genuine. 

You don’t care about the strongest dying.

You care about him dying.

With the same disregard for your personal space he had back in high school, Satoru takes your hand and laces his fingers through yours. You’re crying, and you can register the warmth of his physical body, but there’s a foreignness in his touch that you don’t recognize, a touch that your hand engraved with memories of him can’t quite seem to remember. It scares you, because you’ve never felt this before. You’re gripping his hand even tighter, as if trying to force his familiar presence to steady you, but there’s no use.

When you touch Satoru, you cannot feel his future. You can’t feel him.

[brainrotbabe24]

Ooh what about Thorins company when reader has dyed hair?? Like makes their hair dye out of plants/flowers or something and every week or so has a new hair colour and like one where you can TELL that its dyed like pink, red, purple, etc

Hi! I'm sorry for not getting back to you sooner! But I had so much fun writing this....It got me out of a writing funk hehe! 🤩💖

Balin: It will always make him chuckle. Balin would regularly compliment you, admiring the bold style. He loves the wild colors and the free spirit you have. 

Dwalin: Dwalin finds it helpful when he looks for you in a crowd. It makes him feel safe and secure when he knows where you are.

Óin: Oin is Impressed with your skills. "It takes talent and determination to achieve those gorgeous colors!' He would remake. He would often ask about your technique and what materials you used. 

Glóin: Unlike Oin, Gloin is not impressed. He doesn't approve of it. He is more traditional and thinks you're ruining your natural hair and natural beauty. What a party pooper, lol!

Bifur: Bifur adore the colors! He would insist on braiding your hair, wanting to see the colors blend together. He would also add some decorations to add extra pizzazz to it!! 

Bofur: Bofur is so sweet! He would want to have matching hair colors! "Come on, let's have pink hair; it would be perfect!" he would say with an infectious smile. He's always full of ideas for new colors, and you find it hard to say no to his charm.

Bombur: Bombur is fascinated at how quickly you can transform. He loves how you can change your style and look so different. He swears it's some kind of magic! 

Ori: Ori is your go-to for color advice! He knows exactly how to make the colors pop. He has tips and tricks to make sure the color stays and would also go out of his way to find rare plants that would make some crazy cool colors for you!

Dori: He finds it to be a little improper. He cares deeply about appearance, so the colorful hair almost gives him a heart attack. But after a while, he would slowly come around to liking it and would want to match his outfit to the color of your hair. 

Nori: Oh, Nori would tease you relentlessly. A mischievous smirk would creep onto his face each time he saw you. "If I didn't know any better, I would say you're trying to catch my eye with all this blue hair." he would say. He honestly loves the bold colors…even if he doesn't say it outright.

Thorin: Thorin wouldn't openly tell you his thoughts on your hair, but his lingering gazes tell you everything. He tries to make his stares not obvious, but you catch him a few times and can tell he is captivated. 

Fíli: Fili loves your colorful hair! He can't stop touching and playing with it! "It's like I'm touching a rainbow," he would murmur. He would be so excited to see which color you would have next.

Kíli: Kili is your biggest supporter! He's always on the lookout for new ingredients so you can get new shades. He is determined to get you to every color in the rainbow. "Here, let me help you with that," he would say, holding the bowl as he mixed the ingredients and gently applied them to your hair. What a good helper, hehe! 

Bilbo: Whatever color you have, he will try to find a food that matches. So, if you have blue/purple hair, he'll bake a blueberry pie. If you have red hair, Bilbo will bring home strawberries. If you have yellow hair, he will make honey cake. It's a fun little game you guys play! 

[otaku553]

do you have any tips for thin (anime-style) lineart? I always tend to end up with much thicker lines unintentionally X-x

It depends a lot on what exactly you’d like to achieve, but my biggest recommendation would be to change brushes if your lines are naturally coming out too thick. Not just because of brush size, but because the kind of brush you use will change how you line things, technique-wise.

As an example I’ve tried lining a sketch using two different brushes here:

Though they’re both from the same sketch, in the first I used a thin brush with high stablization and almost no pressure sensitivity. As a result, I’m forced to line slightly slower, and it looks slightly stiff but achieves the sort of clean anime look you usually expect to see— almost no line breaks! This is the standard for anime I think because you have to have clean and closed line boundaries so that coloring and shading can go quickly.

On the other hand, on the right, I’ve used one I’m a bit more accustomed to, a round textured brush with a lot of pressure sensitivity. It’s also got lower stabilization, meaning I work quicker, my strokes are a lot more spontaneous, and you see a lot more natural variation in line width. That’s what I mean also by it depends on what you want to achieve— though this is also an anime style you wouldn’t find it as a screenshot anywhere because that line width variance would probably look really inconsistent in animation.

I als only switched to this round brush relatively recently, about half a year ago now??? Previously most of my lineart was done with a rectangular brush which also tended to yield thicker lineart than expected.

I would suggest playing around with different brush shapes and settings, especially in stabilization and pressure sensitivity, since I think those are often what affects my drawing style the most! You can do a similar exercise to this and try lining the same sketch multiple times with different brushes to test which feels best for you. Hope this helps!

[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf

[theenbyroiderer]

In the lull between fiber projects I'll just post another tutorial. Though this one is less a tutorial and more vague guidelines. There are parts that I can't really tell you how to do and I'm sure there are details that I don't have photos of... but I'll try to describe the process as best I can, and just hope that my words can fill in the gaps. Just ask if you have any questions and I'll try to answer them.

Materials: Cotton fabric, durable, not too thin. Pipe cleaners. Off white cotton thead. Off white wool yarn, a couple different thicknesses is preferable. One shorter and one longer needle, both sharp. (I used sashiko needles, one ~4cm and one ~6 cm.) Felting needles, for the top of the skull. Various green shades of wool yarn, perle, and other threads, for the foliage.

Step by step instructions:

1. Make a skull out of pipe cleaner. Just do it, I can't tell you how.

2. Find something to fill your skull with. I filled mine with a bundle of orts (thread scaps), so in my mind this skull will forever be known as Ort-For-Brains. I stitched around and through the bundle of orts a bit so that it was less a random tangle and more of a solid round shape. Then I tucked the orts into the skull and stitched the skull to the fabric with just a few stitches (using a durable cotton thread) around the edge. Make sure you fill the space inside the skull completely. Underneath the face of the skull the brains poked out a bit, so I did some stitches with the cotton thread there to hold the orts down. Another filler may be easier to work with, but I just couldn't resist the though of using colorful orts as brains...

3. Stitch over the pipe cleaner scaffold using wool yarn. I can't tell you exactly how to do this either, and depending on the shape of your scaffold you might encounter different challenges. Just be methodic, and don't overthink it. Use a thicker yarn, or more strands, on the top of the skull, and thinner/fewer strands when you are doing the face. When doing the face I'd say start with the eye sockets because they dominate the face. Stitch outwards from them, as if the sockets are suns and the thread sunbeams, if you get what I mean.

4. When you have stitched to your heart's content you may want to felt parts of the skull to make it smoother. I did anyway. I took bits of wool yarn and carded them a bit to make them less yarn-shaped and more like little sheets of wool, then I used felting needles to poke them into place on the top of the skull. If you have actual rowing wool, use that, it's probably better.

5.When you are satisfied with the skull you can do whatever you want with it of course. I added foliage. Techniques I used for that include: turkey stitch, drizzle stitch, woven picot stitch, bullion stitch and french knots.

[novlr]

I know lots of people say writers block doesn't exist but I still get it (don't come at me, ok?)

Do you have any tips on how to get over it? Like I've tried all the usual things but I'm still stuck.

There are so many reasons why someone might be unable to write, so no shade here. Inspiration doesn't always come when we need it to, and that's ok.

If you've tried all the usual techniques, then here are some more things that have worked for me in the past:

Switch genre.

I know that sounds drastic, but imagining your story from a brand new perspective is a crazy but effective way to shake loose ideas. You might even realise that the block is because your story fits another genre better. It's definitely worked for me in the past.

2. Switch format.

Just because you imagine your project a certain way, doesn't always mean it's the best way to tell your story. Had an idea for a novel but you're struggling to extend it? Maybe it works better as a short story. Were you working on an epistolary novel with a narrow view but you can't bring the story together? Maybe it should be long-form prose instead!

3. Word association.

Play some writing games to do with word association. Mindmap or list anything that comes to mind when you think of a certain word you associate with your project and see if it sparks any ideas.

4. Change the ages of your characters.

If you're struggling with your characters behaving in a way that doesn't seem to suit the story you want to tell, try changing their ages. How does the story work if your characters are more mature? How would a child behave in a certain scenario? Maybe the block is that the characters simply aren't the right age for you to tell your story.

5. Write in a different language.

Now, this one won't be a possibility for everyone, but if it is, then it can be a good way to come up with new ideas. Different languages engage different ways of thinking and communication. Sometimes just working in a different language for a chapter you're struggling with can give you some new ideas.

6. Change the PoV.

For me, the biggest cause of writer's block is if I'm stuck in a PoV but need to either reveal or obscure something the PoV doesn't allow for. You can spend hours trying to solve the problem, when really, trying for a different PoV is usually the easy fix. Don't tell a story with a first person narrow PoV if you need an omniscient narrator, and vice versa.

7. Go on a microadventure.

Get out of the house and do something else. Keep a notebook with you, and just get outside and try and experience something new. Keep your project in the back of your mind, and actually take in the experience you're having and try and use it for inspiration. Or don't. Sometimes doing something completely unrelated is enough to get over the hump.

Want more detail on any of the above? Click the link to the full post in the Reading Room below!

[luxuki-1]

Like I said I would, I'm going to go through the details I hid in my recent FNAF painting. Not because anyone asked, but because I want to and I'm proud of everything put in

1. Michael's design is my own! I've pretty much had the same concept for the design since SB came out. I just really liked the idea of having part of his jaw missing for no particular reason other than it looks cool. But, I have since moved the jaw gap to the other side, as well as defining scars and wrinkles.

2. I've already posted Golden Freddy but here he is again. I redrew the original poster since I really didn't feel like I just should just slap the original on there. Since I had that freedom now, I decided to make references in the design to later games since it is appearing as a hallucination(?) to Michael. Obviously there are blood stains around the mouth to reference The Bite of '83 and I also added tear stains to reference Evan/CC, said victim of the bite.

3. The classic "Celebrate!" poster. The same thing with Golden Freddy, I didn't feel like I should copy and paste the original so I drew it myself, but this time I only drew the bottom half of the crew since you'd only see that part anyway. Maybe one day I'll fully recreate the poster but for now, this is it lol (You may also notice that I gave each of them different leg shapes, to make them more distinguished from each other other than just colour)

4. And again, didn't want to just copy and paste, so I re-typed all of the newspaper clippings myself in Canva. They say pretty much the same thing as the originals, but I'll still put them here anyway in case anyone wants to take a look:

5. I also recreated the children's drawings myself. Fun fact: I actually used my NON-dominant hand to draw most the basic shapes. I figured that if I drew with my dominant hand, the lines might look too clean, showing my obvious years experience. It's silly but I really wanted it to look and feel like a child drew it

6. It ends up being pretty much invisible in the final painting, but on the floor you can see old confetti and blood stains on the tiles

7. If it wasn't obvious; cup from the Security office is here too

8. Now it should it obvious by now that I chose to not draw the security office. Why you ask? I'm still new to drawing more detailed backgrounds, and I really didn't feel like drawing the office in the moment lol so I opted for the hallway, and I think it still looks pretty good with what I was going for

9. As a bonus, here's the original sketch I planned out. As you can see, I was originally planning to have more posters, some featuring the missing children. But in the end, I decided to scrap it and leave room for the wall to be more detailed since I thought it looked bare. Also, if you look closely, you can see a faint plan for a shadow over Mike. I was originally planning to put a shadow of Freddy there, but when I really started finishing up the shading, I realised that the extra shadow would be too much for an already dimly lit scene

And that's pretty much everything! I had so much fun doing all the little details and references, even though it did end up being more time consuming lol. I also tried out a bunch of different rendering techniques and I think they really helped pulled everything together. I'm definitely going to try my hand and making more paintings like this in the future ^^

If interested in seeing the full process, here's a link to the speed-paint:

[thewritetofreespeech]

Could I request Vanitas with an s/o who inherited her father's family's ability to transform into a bird? Everyone transforms into a different bird; S/O is a crow, her father is a peacock, her uncle's a robin, and so on.

He was trying to get some sleep when he heard the peaking at the window. Vanitas rolled over, then glared, before he got up & opened the window. If it had been any other bird, he would have thrown his shoe at it (glass be damned) and gone back to sleep. But he knew those eyes, and that purple shade on its breast meant that it was no ordinary bird. “Couldn’t you just come to the front door like everyone else?”

The crow let out a ‘kaw’ then flew in to land on the floor. A dark shadow enveloping it before fading away to reveal a beautiful woman. “Come in through the front door? In this traffic?”

Vanitas scoffed and shuffled off to his bed again. “What do you want?”

“Nothing. I just hadn’t seen you in a while.” She told him.

“Whose fault is that?”

It might have been a little mean, but he wasn’t the one who was constantly called away.

Being of an old, noble vampire family, [Y/N] already had their commitments to society. Coupled with their strength and inherited technique from their family, Oiseaux d'une Plume, they rose in rank and became a valuable member of the vampire court. That’s how they met. On one of the more hospitable meetings with Lord Ruthven and his much more abiding nephew.

“I can’t exactly say no when asked to do a job, Vanitas. We would see each other even less if I was in prison for treason.”

“I know. I know.” Vanitas replied. His hand coming up to his face. “It’s just frustrating sometimes that you’re on their beck and call.”

“Or rather beak and call.” She snickered at her own joke and Vanitas had to smile a little at that. “I’m here now though. Do you really want to fight?”

“No. I guess not.” He agreed and got ready for bed again, with [Y/N] by his side. “Tell me a story.”

“What are you, 6?” [Y/N] asked, glancing up at him from her position on his chest, but still smiled as she tucked herself back in. “Have I ever told you about my second cousin Antwane?” Vanitas shook his head. “Well, he was a nice young man. Got the short end of the stick on the family ability though. His bird was a chicken. They’re actually really smart birds, but no one knows that because they spend some much time eating them. One time, while he was transformed, someone mistook him for a plain old farmer’s chicken and tried to catch him to put him in a stew. Poor Antwane refused to transform for months after that because he was terrified someone would catch him and turn him into Coq Au Vin or something. Anyway….”

Vanitas listened to the story as he drifted off to sleep. He dreamt about what bird he would want to be if he had that ability. How it would be to fly. What it would be like to be truly free for a change.

When he woke up [Y/N] was gone. Literally flown the coop with a note of ‘urgent business. I will see you soon’. But maybe birds weren’t all that free either.

[karanseraph]

Since I found out that Transformers One is on Paramount+ in my region, and since I still have access to this service, I've been watching it every day and then watching some other Transformers content I have access to. Back-to-back like.

It's only been a few days.

The first day I watched Transformers One and then about 6-ish episodes of EarthSpark 'Season 3 '. Transformers One IMO, is the superior work. I don't hate EarthSpark (the obvious shift between seasons 1 and 2 does frustrate me). It generally does a lot of things I like. One of them is that it has an interesting animation style in which the 'Transformers Bots' come out looking very toy-like and the special effects 2D in style and it makes me feel like the whole thing is someone playing with toys, but in a good way (except one of the kids I'm playing with wants to go in a direction I don't like). Anyway, Transformers One is just a more epic thing all around. It's from the same era but made with different style and design. Less like toys (weirdly, considering Director, eh?) and more like an animated Science Fiction/Adventure in general. Also, arguably deeper resonance in the characters and their arcs.

The next day I watched Transformers One and then Rise of the Beasts, which only came out a little more than a year before. So, similar era of media, again. Animation vs 'live action' (but we know those bots are all animated just in a 'realism' style). The characters look pretty good to me in both. And the plots and characters and their arcs are different, but both are interesting and have resonance. I mean it's like the 'brothers' that turn into enemies with one, but then in the other it's largely about these two (three but Primal is so ahead of the others) guys from different planets trying to do their best for their own families and coming together to fight a destructive force. So, both movie are pretty epic. I kinda want others to watch these back-to-back to see what they feel, because one movie is like the one splitting apart and the other is about separate people joining as one.

Now, today I'm watching The Transformers: The Movie (I believe I own this one) and Transformers One back-to-back double feature. I'm still in the midst of this. But I think TF:tM holds up. It's 80s as Hell, right? 1986 up against 2024. But if I think about it in terms of "was this good or typical of its time" then both movies looked good in their era. Both animated, though different in technique and style. Both make use of Quintessons while the main foe is someone else. Both pretty epic plots. Both have that sort of cultural resonance where Transformers One does have those sort of Prince of Egypt vibes (I see what you did TFWiki) or like shades of Set and Osiris or vaguely The Lion King where there's a pair of close characters who split apart dramatically with betrayal. And Transformers: the Movie is very Hero's Journey itself borrowing heavily from Star Wars. Both these movies made use of some amount of celebrity casting and it worked. Transformers One several more girl or woman type characters than Transformers: The Movie, but that's also likely reflective of the eras in which they were made. Transformers One still mainly has the one main pink heroic girl and dark bad girl characters which is a thing with this whole genre of the action toyline adaptation, but yes, many other different types of bots in the background.

I think maybe Bumblebee tomorrow?

[werewolfoffeverswamp]

tbh i dont know if i’ve ever made a single piece of art i actually like in an academic setting. they’re always haphazardly done last minute and the subject matter is always so. hm. it’s a little boring. the only times i think i’ve come close to making something i was proud of in school is when i was pushed to my mental breaking point and i just started fucking doing whatever i wanted. so today i’m rating them

in my sophomore year i was in sculpture class and had to make a smooth plaster sculpture. the amount of manual labor required to sand down a sculpture that had to be at least 3 feet in some direction is not something i wanted to deal with. as you can see my sculpture is not smooth. the design i was happy with— the sculpture itself i was not.

it was titled “Mistakes” or something along those lines. my classmates stood up for me in critique when my professor said it was lazy and unfinished. not one of my peers said a bad thing about it. we smashed the sculptures apart behind the building when critique was over. i still want to cry when i think about it, it was an extremely special experience for me.

10/10 i actually wish i still had it and i have been meaning to make a tiny version out of clay. such a special piece to me, very formative

this piece was made at the end of my college career when i first started testosterone. i wanted to make some sort of tribute to it for my final piece— i’m of an extremely divided mind when i think about it. there are parts that look clunky and not developed properly… thrown together, as i believe my professor Jason said. i am, however, happy with certain technical aspects of the piece! the formation and shading of the hand and the syringe is something i really like, and did a lot of layering to achieve. i used a paper cutout to make the repeated syringes on the bottom left, another new technique i tried and was happy with the results of.

the text WAS thrown on last minute in an effort to spice up the piece but it’s a reference to the song Crosseyed and Painless by Talking Heads. it’s a song i’ve always identified with in a gender way, with the first few lines being “Lost my shape, trying to act casual./Can’t stop, I might end up in the hospital.” i felt on the verge of collapse constantly in the early days of my transition. it was like i had lost my shape and was destined to end up hurt in some way. i wish the text was more well thought out, it could have been done in a more uniform way and i think it would have looked a little better.

the wasp head is also a reference to an old oc of mine, who was a man with a wasp head named Gene. i wish i would have used different colors, the black and yellow i used should have been warmer. mars black instead of ivory. whatever again it’s technical stuff.

6.5/10 i could technically go back and fix this one bc i still have it, but i have better things to do rn.

the hand dino came into the world in a fiery manner. for the final project we had to make a piece with the dimensions of minimum like 4ft by 4ft, and by this point i was burnt out and the most exhausted with art i’d ever been (besides maybe sophomore year ig 🤔) and i told my professor i couldn’t do a project that big. he made the mistake of telling me to do what i could manage, which ended up being a roughly 12in by 12in piece of oil painting paper.

in many ways i like the concept of this piece. the idea of it. it’s fun! it’s combining realistic elements with cartoonish ones in a way i enjoy.

however. looking back, i genuinely think it would have been a cooler concept on a bigger scale 😭 which is so frustrating.

7.5/10 i wish i’d had it in me to do it better.

and how could we forget dear body horror babe? made in my first semester of sophomore year and done with ink and charcoal and conte crayons, it was an assignment one of my more eccentric teachers wanted us to do where we randomly splattered ink on a paper using ink-covered coins and tried to come up with a drawing just from the happenstance of where the ink coins landed.

i chose a more abstract route and basically turned every ink splat into an eye and tried to come up with somewhat distorted body imagery to evenly fill all the space on the paper. you can find a lot of stuff going on in this piece.

11/10 but also not done at my lowest point, just during the steady decline.

ok can i be frank for a second. i fucking hate this piece. so what you’re seeing is an 8ft by 4ft thin block of particle board, carved by hand in low relief to ink and print on old bedsheets.

my professor for this relief class was strict about the theme of the class, which was political art. she insisted we make art relating to a political topic and our beliefs on it. and this isn’t to say political art is bad in any way, but it’s truly not something i want to FOCUS on creating necessarily. the fact that it was MANDATORY is the issue here. one of my classmates refused to make purposely political art and instead chose to make a beautiful piece of the sun and moon as lovers. i wish i had just done the same and refused to make strictly political art. if i’m honest i just wanted to make an epic wood carving scene of a dark and eerie night outside draculas castle. instead, as you can see, i chose (somewhat arbitrarily in an effort to make the project into something i could enjoy carving) environmentalism.

technically i don’t mind this piece. the composition is fine and the detail in some areas i’m very proud of. other areas not as much. my teacher also forced me to do what i think is over-carve some areas to fill the piece with texture. i do not like it and i wish i had kept some areas fully un-carved, even if it didnt print right. i don’t care.

also what’s worse about the whole experience of this piece is that it was part of an event called Blocktoberfest and my school partnered with a local state college to make and print these huge blocks on their campus. the reason this is bad is bc the state college students did whatever the hell they wanted for their designs and we saw some really cool subject matters, from aliens to occult symbolism. and their school’s art department had a couch in it and ours didn’t. :/

also blocktoberfest was an insane amount of physical work bc rolling those big ass rollers in ink and then a giant block and then ink and then the block and ink and block was a lot of effort. i was sore after it. and it lowkey felt like me and my classmates were doing all the work and like maybe 5 people from the other school were helping. whatever. whatever anyways

1/10 genuinely pisses me off to look at. wish i would have just done draculas castle

^i also think it’s worth mentioning about this professor: no one really liked her. she made it very clear that she thought there was a right and wrong way to create art. and she fully believed she was right about everything bc she was old and wise. and she was also gay so maybe she had some credit. but her art to me always felt a little uppity and she was also really rich. she let us visit her studio and we did our final critique there of a piece i made that i absolutely hated everything about. i dont even have a picture of it bc it pissed me off so bad. she also was lowkey racist towards a few of my classmates so i really don’t like her.

anyways that’s all the pieces i want to review currently. let me know what you guys think about em if you want. i hereby ask for you to critique my art.

the difference between making art for a deadline vs making art purely bc you enjoy the process and outcome is so crazy. it actually makes me sick with sadness. i don’t have the resources to create freely yet. anyways art under the constraint of academia is so frustrating for me specifically. like whatever. whatever