#visual statement

[sirpamononen]

déjà vu

déjà vu 1. mixed media: bio resin, inks, acrylics and neodym magnets on ferromagnetic steel/wooden frame (40x40x5cm). a déjà vu is a very enigmatic, crazy adventure indeed. a phenomenon that seems inaccessible, abnormal and really weird to those who have never experienced it. how does that come out? there are so many theories, but we are still a long way from really understanding the origin of…

[stitchposts]

This is so obvious it's almost petty to talk about, but it keeps happening so I am increasingly faced with needing to decide to bring it up. Can everyone who advocates for not reposting art and for crediting artists start bringing that same energy to photographs of traditional art? Especially fiber arts and sewing related things, due to very prolific scraping accounts that repost things from elsewhere on the internet here to tumblr and a few years ago stopped crediting the artists at all. They never asked permission, but credit has just dried up entirely and it's galling to see.

I know non fiber artists don't really have the experience to see this, but just like visual arts, fiber artists develop pretty clear styles. So if a blog is posting elaborate pieces of infamously time consuming arts that cover a wide range of styles, once or twice a day, with no credits or discussion of themselves as an artist - that shit's stolen as fuck.

It feels like I'm going insane sometimes because thousands of people who otherwise yell all day about how artists need to be credited, just think that sewing related photographs pop into existence without needing to be linked to the person that made them.

[curiosity-killed]

flower in one hand, sword in the other

[ALT ID: A digital illustration of Hua Cheng and Xie Lian from TGCF from the waist up. They are back to back, with their arms loosely intertwined and raised on a diagonal that cuts through the middle of the canvas. Each of them holds a sword in one hand and a flower in the other. On the top half of the canvas is the Heavenly Capital, partially covered by eight strings of gold beads as from an emperor's crown; on the bottom half of the canvas is Paradise Manor, partially covered by a swarm of wraith butterflies.]

[torchickentacos]

i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.

[tothepointofinsanity]

Sayaka is such a weirdo. To be honest.

[everythingsinred]

natsume's love language being physical touch: a masterpost

ive always wanted to make this post so. here

this is a boy who never says how he feels. he just pinches and hugs instead. (mostly featuring ruka and mikan)

exhibit A: indirect touches that are teasing but still sincere and comforting (ie pulling/tugging/bonking with an object)

exhibit B: this noogie/bonking thing he does whenever he wants to reassure someone

exhibit C: holding hands (there's more instances of this obviously but i dont want this post to be ten feet long)

exhibit D: hugs

exhibit E: nose pinch!!!! (not fun but its how he says "i love you")

exhibit F: hair touching (? whatever this is..... i just know it counts)

exhibit G: catching!

exhibit H: kissing (obviously)

exhibit I: licking i guess!

thanks for coming to my ted talk! if u disagree youre wrong. anyway

[jils-things]

I CAN'T LIEEEEE THIS IS SO HYPE 😭😭😭😭😭😭😭 (pardon me. my "normal id.v fan" self is coming out)

[isbergillustration]

Illustrating scenes from books and fundamentally getting every visual wrong is my strong suit

[regicidal-defenestration]

Whilst the return of Doctor Who in 2005 brought lots of good things, including, for sure, the return of Doctor Who, I think it did untold damage to Big Finish audio stories

[thewriter2016]

Now we're standing in the ring

Breaking everything that we've been building up so long

And I don't wanna do this, break it up

But you're not who I thought you were

And this is looking more like a war

Looks like we're going to war

Let's go (Battle) by Taylor Swift

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[palettepainter]

To anyone that's seen Moana 2, without going into spoilers, is it a good sequel??

I loved Moana and the animation for the sequel looks amazing! Moana's sister also looks adorable and doesn't feel like the type of character who - based off the trailers - would grow tiring. But I have this overall gut feeling that it's just a ''meh'' movie story wise and that it won't offer as much as the first did

[thedreadvampy]

Having this weird realisation that I've spent my whole life beating myself up for not having a body type I don't even find appealing????

Like this isn't to say I don't find some thin or skinny bodies attractive, but the extreme waifish-but-feminine body type that celebrities are pushed into - flat stomach thin waist bony face smooth hips - just hits my brain wrong. It reads as unnatural on an adult woman - it's the shape of a (certain type of) teenage girl. Like I look at Lady Gaga or Scarlet Johansson at this point and I don't think 'wow beautiful' I think 'jeez what's going on there?' Especially in the face and waist - idk to what degree it's things like Ozempic and buccal fat removal and to what degree it's just the body types we uphold but everything in my brain is shouting THAT DOESN'T SEEM RIGHT FOR YOUR BONE STRUCTURE.

and like this isn't a political or moral statement, attraction is a terrible metric for Moral Goodness. but it's still maddening to realise that I'm constantly comparing myself to a way of looking that I honestly find offputting. like no I don't want to look like 2024 Ariana Grande, she looks Unwell. I don't actually want my face to be as bony and drawn as half the celebrities denying their use of weight loss drugs and facial surgery.

This isn't a moral stance but at risk of body shaming I just think that super skinny Looks Bad to me unless your body is built for it. And I don't want to look that way. But also I'm a woman living in the world so of course I also do and I look at my waist and go 'god when I was 17 I had such an hourglass figure' but a) when I was 17 with a UK size 6 waist I also thought I was fat (didn't do anything about it because I had other fish to fry and also I love food, but I did beat myself up about it) and b) honestly in that case even though it was my natural figure at the time I still look pretty drawn and uncomfortably thin in some photos from them, and c) if I met someone whose body looked like mine did then I would immediately clock them as a teenager, and I don't find that attractive in a 31 year old.

End of the day I kind of think that the obsession with a specific type of thinness - again, the flat stomach, nipped waist, smooth unlumpy hips, high breasts, narrow shoulders - is about fetishizing adolescence. Cause a lot of girls under 20 look like that - not most by any means, but it's not an unusual body type - but for most women (not all), adulthood means developing more muscle, a thicker waist and broader shoulders and hips, more definition in the hips, a bit more soft tissue over the uterus, etc. And trying to turn back the clock on that by force involves working against what your body is trying to be, which to me (personal aesthetic taste) often ends up looking odd and disjointed, like you have soft features but no fat in your face, or all the protective layers over muscle are stripped off so you're weirdly wiry.

I think what I'm drawn to aesthetically in the human body is the infinite different ways that people have a coherence between their different features, and their bodies come together as a unit, and I think it's possible to maintain that through surgical intervention and major body changes but I think the body types that are almost mandatory for women in the public eye rarely have that coherence, because they're not concerned with what looks best on a singular body but with checking boxes. and so it jangles my brain I don't like it.

[unorcadox]

i love making text-heavy stuff tbh. i think i've realistically "outgrown" weirdcore at least with regard to the more heavily edited stuff, but i still deeply love the idea of making my writing pieces look like they're fucked up pieces of old web lost media, so i think i've found a way to keep going despite that

[dxc-95]

Doflamingo: (after asking two subordinates if they have families [during Pica's voice reveal]) Do you have a family, my dear? Tenshi:... I have a brother who's dead to me... But other than that, no... Doflamingo:... I understand.

[shiuefha]

Wow, so now we have four poster visuals of the movie (aside from the collaboration version with mission impossible of course), and I can't wait to watch this movie in the cinema someday...

By the way, there was a talk event which was held by the local publisher of the manga several days ago, which they streamed live on the local publisher's IG account. The event was held at the pop up cafe in a famous shopping mall in Jakarta, and when they talked about this movie, one of them (the pop up cafe's staff) pointed out that it would be released in March (in my country). I don't know if this is valid or not, but that person said it confidently, so it's probably true. Not to mention that there's no new information about the movie's release date for now...

Well, let's see if that statement is true, or probably they'll release the movie before March (I still hope that I can watch it on my birthday though... which is in January and not March). I've heard from somewhere else that the movie would be released in Singapore in February, so probably it will be soon after that.

[sophaeros]

“The mirror can be a source of vanity,” he says softly. “But it can also be a point of self-reflection, you kind of see yourself outside yourself, one of many perhaps. [Pause.] And being able to see yourself and the relationship you have with the artwork kind of sanctifies that moment — I’m hoping.”

the strokes for shortlist magazine, march 2011 // fabrizio moretti inside his installation sculpture kube, 2021 // fabrizio moretti for los angeles times, dec 2021