#very love of his live

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[thestuffedalligator]

So usually when an imaginary friend is a real thing in a story, it’s either a demon or a ghost or some supernatural boogeyman that probably wants to eat the kid they’ve befriended (Mama, a couple of the Paranormal Activity movies), or “imaginary friends” are just treated as a real thing in the setting, and if a child just thinks hard enough they can manifest a friend into existence (Foster’s Home for Imaginary Friends, Happy).

And somewhere in the middle is an area where the imaginary friend in question is real and they are supernatural, but they aren’t malevolent, and they aren’t entirely honest about what they are. Like maybe they’re a fairy or a god or some kind of boggle from mythology, but they just got caught by a six year old and they don’t have time to get into it, so they just go “…Yes. I’m your imaginary friend. We haven’t met. How do you do.” And then they stick around because they do love this kid, and if you’re a boggle from mythology in the modern day good food is really hard to come by.

And at some level. That’s what I think Hobbes is.

[symphonyofsilence]

Let the poor man rest.

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[autumn-may]

Mostly spoiler free summary of my viewing experience

[luluxa]

yes Bojan. your bandmates are in love with each other and you're in love with yourself 😌

Bojan is so funny I can't with him. "Stephanie is the love of my love. My missing part. My other half. Also she is me in a dress and a wig 🤭 Anyway- my soulmate. The most beautiful woman in the world..."

[wangxianbaybee]

"Your flowers."

"You're welcome, I gave them to you."

[poorly-drawn-mdzs]

Making and Remaking Memories

[First] Prev <–-> Next

[iwoulddieforienzo]

Personally I think percabeth is at its best when Grover is in it. I don’t necessarily mean in a polycule way I just think it’s great when he’s around

[gunsatthaphan]

#ready to be shaking & quaking.

[girldriveroscar]

silent communication comp :,)

[carnivalcarriondiscarded]

i have a Scene - a Plot if you will - that backs this as context. y'all are gonna have to trust me on this one <3 or read the tags...

[flwrkid14]

When Obsession Meets Devotion, Tim and Danny learn to exist only for each other

Tim and Danny have days where they simply can't be apart for longer than 30 minutes, as if the physical distance between them burns. Sometimes, holding each other close isn’t enough—they crave something more visceral, like the overwhelming need to open each other’s ribcages, to crawl inside and be surrounded by the warmth of their partner’s heart—where they can truly find comfort, heart against heart, soul entwined. It's not just about closeness; it's about being inseparable in every possible way.

On certain days, there are times when Danny's Obsession screams at him. If he goes too long without seeing Tim, the need to care for, protect, and keep his beloved safe becomes impossible to ignore. His Obsession surges, pulling him toward Tim, begging to feel his pulse, his breath, to know that Tim is right there with him. It’s not just a want—it’s a primal need to make sure Tim is okay, that he hasn’t slipped through his fingers like everything else in his life. The distance feels unnatural, as if something fundamental is missing, and when he finally finds Tim, the world rights itself again.

For Tim, there are days where he feels a gnawing pit of anxiety in his chest, a voice reminding him of everyone who’s ever left. Those days, he seeks out Danny, fingers trembling until they brush against his skin, a silent question, needing reassurance that Danny isn’t going anywhere. The touch grounds him, reminds him that here, in this moment, Danny is staying. He’s not going to leave, he’s not going to disappear like so many before. On those days, Danny’s presence is more than just comforting; it’s survival.

There are days when words fail them both, and all that’s left is the quiet. In that silence, they hold each other, Tim’s head tucked under Danny’s chin, Danny’s arms wrapped protectively around him, and for a while, they let the world disappear. They don’t need anything else—just the steady thrum of each other’s heartbeat, reminding them they’re not alone. They’re together, and that’s all that matters.

For Danny, his need to care for Tim runs deep, more than just an Obsession—it’s a compulsion. And for Tim, his fear of being left alone draws him ever closer to Danny, making their bond something unbreakable. There are days where they can’t help but exist only for each other, as if the rest of the world fades away, and nothing matters but them.

It’s a reminder that even with the ghosts and the danger and the past trauma, sometimes all they need is each other. And that’s enough.

[ashleyeveerson]

Haven't been able to think about anything other than the victorian/edwardian/WW1 twink and his 80's punk almost-boyfriend for a week, send help

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[basil--and--sage]

Uncle Thorin headcanons nobody can dissuade me from, part 2: young uncle Thorin

(part 1), (Dwalin)

during Dís' pregnancies he acts like a rock for her and her nervous husband, while he is secretly terrified when she goes into labour

he weeps the first time he gets to hold his nephews (and the 10 times afterwards)

he handles Fíli like a bomb in the beginning, because he is scared of accidently dropping or hurting him

after Fíli is weaned and Kíli is born, Dís and her husband have a hard time, since Kíli is a very restless baby. To give them some more breathing room, little Fíli spends the next few years in a sling tied around Thorin's chest and accompanies him everywhere. Thorin is more than a little sad, when this time ends, but fortunately soon Kíli is weaned and then Thorin gets to carry him around everywhere

he gives them cute nicknames. Fíli is his jewel and Kíli his gem.

he goes into crisis mode whenever one of the lads coughs more than once (fortunately Óin is very patient)

when Fíli and Kíli are small, they often climb into his bed at night, for example when they are cold or scared. It usually ends with Thorin waking up with at least one of Kíli's feet in his face or an elbow in his gut

he cuddles the two all the time and after little Gimli is born, he gets the same treatment

whenever all of them get together, Thorin usually ends up with three Dwarflings on his lap. (he found a way to stack them. Dís doesn't know what to think about that)

the only reason Fíli and Kíli don't call him adad is the fact, that Thorin would never claim that title out of respect for his late brother-in-law

when they are all of a sudden grown-ups, he sorely misses the time when they were small enough to sit on his knee or come running for a hug

he has a box hidden under his bed with his nephews' old things. He gets a little misty-eyed whenever he looks at their tiny baby boots. (one time he shows them to Dwalin, which ends with both of them sobbing. They don't speak of this afternoon)

he is in general a lot more affectionate and caring with them than on the quest, which is one of the reasons Fíli and Kíli are disturbed by his behaviour starting in mirkwood