#very dangerous to be posting anything movie related

[smilenetwork]

Shadow after he runs over sonic for the 20th time

[writeouswriter]

People need to start understanding the difference between actually harmful or "bad rep" vs just rough around the edges but still complex and nuanced rep that doesn't quite line up with your own personal experiences or the over-sanitized ideal of what you think "good rep" should be

[phoward89]

Professor!Coriolanus x Innocent!Reader

Masterlist

WARNING ⚠️ Coriolanus Snow is a warning in and of itself. Dark!Coryo, Obsessed!Coryo, Innocent!Reader, Sweet!Reader, Naive!Reader, manipulation, obsession, professor/student relationship, power imbalance, age difference, cussing, drugging, dacryphilia, smut, dub con, non con?

Based on a request a while back where your professor's obsessed with you and manipulates you to be with him.

Part 1

Coriolanus Snow flourished in his studies at the University: a double major in Political Science and Military Strategy. He also impressed Dr. Gaul while interning with her as a gamemaker. But, although his ideas were implemented and well liked by the mad scientist, Dr. Gaul didn't feel like Mr. Snow had the raw, insane, sadistic gumption that it took to be an official Gamemaker.

The mad scientist also didn't like Coriolanus’ presidential aspirations. Truthfully, she feared the young Snow because, in her opinion, he was too ambitious. Ambition is a very dangerous thing when given the absolute freedom to bloom into real, tangible, outcomes and goals. Dr. Gaul knew if Coriolanus became an Assistant Gamemaker that he'd stop at nothing to attain her job; use that position to further his goal of politics.

Coriolanus Snow dreamed of becoming the youngest President Panem has ever had. And Dr. Gaul knows that in order to do that, well, her little pupil has to win people over; kill a lot of them too in order to clear the way for his stepping stones to the Presidential Palace.

Coriolanus Snow as the president is the last thing Dr. Gaul wants on God's green earth. Her former student is very cunning, but uncontrollable. He likes to be in control; doesn't want to be told what to do. Has a godlike complex too. And the mad scientist can't have that because, in reality, the President of Panem is just a figurehead- a puppet that Dr. Gaul pulls all the strings of.

And after mentoring Mr. Snow for his 4 years of University, well, Dr. Gaul has come to the conclusion that he's a failed experiment. To a certain degree he passed some of her tests, but not the one where ambition and falling in line were concerned. Plus, the woman has a suspicion that Coriolanus poisoned Highbottom a few years back; no way in hell is she letting an arsenic happy little sociopath work close to her.

She's not crazy enough to trust Coriolanus Snow not to poison her. Give Dr. Gaul some credit, she didn't become the Head Gamemaker and the Head of the War Department for nothing. She's very bright, just a bit insane and morally evil.

But, since Dr. Gaul, his personal mentor during his entire University career, claimed that he just wasn't the best of the best or the brightest star out of the University students under her tutelage, Coriolanus wasn't offered any positions that could be of power or use to him in his dreams of politics. He was blackballed from the Citadel and from anything Gamemaker related, per Dr. Gaul's request.

But he was offered a position as a professor in the Political Science department of the Capitol's prestigious University. But the class he was assigned to teach just happened to be an elective class.

Political Policies In Utopia/Dystopia Pre-Panem Literature/Media

It was basically a class that broke down what was right and wrong with the politics of various pre-Panem books and movies that were usually apocalyptic or post-apocalyptic (sometimes even sci-fi in nature). Coriolanus felt that the class was idiotic, but he was stuck teaching it. Apparently the class was designed as something fun for the Political Science students, as something light amongst their heavy coursework. But still something that'd keep their minds on the strengths and weaknesses of politics; the importance of them.

The first couple of years teaching the course, Coriolanus would cringe at some of the books and movies he was forced to make the class read, watch, and disect. But as the years went on, well, he got immune to some of the source material he was teaching. Sad to say, but after a while the shocking things in his lessons didn't phase him.

So, as his old classmates and acquaintances made their mark in the world in either politics, banking, or business, Coriolanus was a University Professor. He was trapped in a mundane life, year and year.

And one day he woke up, a man nearing 28 and going nowhere. He was frustrated with his life: bitter over his dead dreams. But, when you walked into his class on the first day of the Fall semester looking like a fresh faced innocent school girl that had recently graduated from the Academy during early July, well, he knew that his luck had changed.

Yes, he might be stuck being a professor of a useless elective class forever, but at least now he had a sweet angel- you- to lust after and corrupt. And the darkness looming inside of Coriolanus’ soul demands that he corrupts you; takes you as his life partner to smother and never let you.

He swore to never fall in love again and he intended to keep that vow, but that didn't mean that he had to keep fucking useless, faceless, nameless whores. No. It was time for him to get a good girl and unfortunately for you, well, your youth and innocent aura attracted Professor Snow to you like a moth to a flame.

Except he's not the one that's getting burnt in this scenario, but you are.

You're one of the only girls enrolled in Professor Snow's class, but that's because it's a Political Science course. Actually, it's an elective class for Political Science majors of all year levels. But still…it's a political class.

Your parents weren't too thrilled when you enrolled at the University as a Political Science major. Your father, Colonel Javanis Halvir, felt that you should've joined the Nursing Core or should've settled on becoming a socialite and looking for a husband like other pretty Capitolite girls did.

But much to your father's disappointment you did neither and decided to study politics instead. You're older brother, Rein, who was an Officer in the Peacekeepers thought it was hilarious that you defied your father. He backed up your decision to major in Political Science. Your mother could care less; she even told your father to ignore your University major and course load; that you’d either get tired and quit because it was too hard or you’d find a future politician to marry.

So far neither of your mother's assumptions have come to pass. You're still enrolled in all of your classes and you're still single.

Your last class of the day was Professor Snow's and you found the class to be very interesting. Very intriguing in fact. Oh, how you found the class to be unlike any you've ever taken before.

Political Policies In Utopia/Dystopia Pre-Panem Literature/Media.

Oh, the class made you think about how things could be worse in different realities or universes. Yes, you're only on the first assigned book for the semester’s reading, but so far The Handmaid's Tale seems like hell on steroids. Fuck, that book makes you shudder and you're only halfway thru it. You honestly can't wait til it's over and Professor Snow lets you move onto the next one.

When you walk into the classroom, Professor Snow's sitting behind his mahogany desk. He's got reading glasses on and he's nose deep in a book. It's not one of the class assigned reads, so you quickly figured out that it's a personal book.

As you take your usual seat, you can't help but think that your professor (who’s a good decade older than you) looks handsome in reading glasses. That the dark frames make his icy blue eyes pop and contrasts against his slicked back platinum hair. Shaking your head to clear any and all wandering thoughts of Professor Snow, you open your bag and take out your supplies for the class.

Coriolanus discreetly looks over the top of his book to check you out. Oh fuck, how he thinks you look so goddamn perfect and sexy today in your sweater, blouse, skirt, stockings, kitten heels, and your pearls.

Fuck, a simple strand of pearls around the neck and simple pearl earrings in the ears always makes his cock twitch. Oh, how he wants to do some pearl play with the strand and your pussy.

Oh, yes, with how young you are and how innocently pretty you look, he's sure that your cunt's tighter then a Nun's chuff. Oh, how he'd love to take your strand of pearls and slide them up and down your wet slit; tease your clit with them until it's swollen and you're begging to cum. He wonders if you’d suck your juices clean from the pearls too.

But then Coriolanus remembers where the hell he's at, his classroom in the damn University, and suddenly he's thinking of his ex, Livia Cardew, to make his dick soft. Ugh, that shrew can kill a wet dream.

And when he sees all of his students are sitting in their respective seats, he eyes the clock on the wall to check the time. When he sees that it's about time to start class, he closes his book and places it on his desk before standing up and standing in front of the large blackboard. He writes on it in his impeccable handwriting.

The Handmaiden's Tale Chapters 26-28 Review

You listen as Professor Snow goes over the material you read over the last couple of days, literally giving a cut and dry summary that barely touched the topic of the latest chapters. But then, when he's done, he starts asking the class questions. Questions about the book that makes the class think and ponder.

“In chapter 28 Offred muses about the fall of the United States and the creation of Gilread. Now, we find out that women's rights are slowly striped and all bank accounts women have are given to the husband or male in the family, amongst some other revelations about the occupation Gilread slowly does to the government. Now, my question is, do you think the flashback Offered provided about the fall of the United States and the subtle, but sure, takeover of Gilread could happen today in Panem?”

A young man with beige hued hair raised his hand, only for Professor Snow to nod and acknowledge him with a simple, “Mr. Arnoult, you share your answer with the class.”

Eros Arnoult, in your opinion, was a pain in the ass; know it all. Or at least he thought he was a know it all. And he just had to answer Professor Snow's philosophical question with the idiotic and incorrect answer of, “What happened to the United States in the book would never happen here in Panem. Panem has Peacekeepers.”

And you knew Eros’ answer was wrong by how Professor Snow’s cerulean blue eyes narrowed and turning into a pair of cold icicles; how his lips frowned in a thin line.

Before thinking better of it, you turned around in your seat to look at Eros and told him, “You’re such an idiot, Eros. You're wrong, because what happened to the United States could happen to Panem.”

“Miss Y/N, please elaborate.” Professor Snow insisted with a spry smirk on his face.

You turn around to face your professor before telling him and the entire class, “What happened to the United States in the book A Handmaiden's Tale could happen to Panem if, gods forbid, the Districts rise up again like they did during the war; the Dark Days.”

“The Districts would never dream about rising up again. Not with the Hunger Games keeping them in line.” Eros told you before Professor Snow could even make a remark about your thoughts.

Turning around to face your classmate, again, you counter his remark with one of, “The Hunger Games can only do so much to keep them in line. People, if pushed too hard or if they feel too hopeless will try to rebel or will follow the pied piper into something worse than what they have and everyone else will be stunned when it happens because they never thought it could.”

Coriolanus was very impressed with your political insight. For being in your first semester of your first year at the University. At first your beauty and innocence caught his eye, but he has to admit that the more time you spend in his class the more he discovers he appreciates your wit as well.

So much so that he tells you, “Very good answer, Miss Y/N.”, before explaining in length what the United States did wrong in the book to fall and become Gilread and, of course, explaining how those lessons can be implemented and used in politics today.

One day after class you're walking with your neighbor in the courtyard whenever Professor Snow comes marching up to you, seething. You didn't understand what was wrong; why he seemed so upset.

“You need to leave my student alone.” Professor Snow ordered your neighbor, Odysseus, in a firm baritone while using his hand to separate you and your bronze haired neighbor.

“It's fine, Professor Snow. Really, he's my neighbor.” You assure your tall and imposing teacher as he places a protective arm around your shoulder; pulling you into his side while acting as a large buffer between you and Odysseus.

Odysseus’ lips curled up into a deriding smile that dug into his dimples cheeks. Cocking his head slightly at the pristine platinum haired professor, he remarked in a mawkish tone, “Yea, Professor Snow, I live across the hall from her so we'll be seeing plenty of each other.”

Keeping you under his protective wing, Coriolanus craned his neck forward as he towers over the peacock of a bronze haired boy, while coldly stating, “I know exactly what boys like you, Mr. Odair, want from girls like Miss Y/N and I’m not going to let you taint her reputation. Neighbor or not.” Waving him off with a dismissive flick of the wrist, the professor ordered your neighbor to, “Stay away from Miss Y/N or else you might find yourself on an academic probation.”

Odysseus shook his head in disgust and disbelief before stalking off. Honestly, he couldn't believe that you just let your cold, overbearing, astute professor take control over the situation that was your neighborly friendship and turn it into some knight in shining toilfoil coming to an unneeded rescue moment. The sea-green eyed man couldn't help, but have an uneasy feeling about Professor Snow swooping in on you under the guise as your protector.

You're a freshman at the University, you don't need some distinguished professor that's all washed up (everyone in Capitol City knows how Coriolanus Snow aimed high and fell short in his ambitions) ‘protecting’ you from a young man your age.

Coriolanus couldn't help, but to let a smug, triumphant smirk paint his lips as he watched Odysseus Odair slump his shoulder and scurry off in defeat. Yes, once again Snow lands on top.

And Snow’s going to be the only man landing on top of you too. That he'll make sure of.

Coriolanus’ face contorted from a smugly victorious to stricken with concern before he turns to you. His baritone is deep with care as he tells you, “Although Mr. Odair's your neighbor, you need to stay away from him, darling. He's a skirt chaser with a nasty reputation on campus; boys like that'll just use you and leave you.” Patting your cheek, he adds in, “I'd hate to see my best and brightest pupil get hurt.”

Unable to believe your ears, you ask in awe, “I’m your best pupil?”

“Yes, Miss Y/N, you truly are.” Professor Snow nods. Clutching the strap of his leather satchel, he informs you with a thin lipped smile, “In fact, I find your insight on the course material we're currently working on to be very refreshing and mentally stimulating.”

Did you just hear him right? He can't mean that, can he? “Really?” You blurt out in a surprised tone.

“Really.” Your platinum blonde professor nods. “Do you have a class I could escort you to before I leave, just to make sure you're safe from Mr. Odair's nefarious intentions?” He asks, sounding like a concerned angelic man with a heart of gold.

But little do you know that he's as angelic as Lucifer himself; his heart of gold is pitch black and full of selfish desires.

“Oh, I don't have any more classes. Yours was my last one.” You innocently inform Professor Snow, causing the cunning and calculating man to do a mental happy dance hidden behind a neutral mask.

Coriolanus knows that what he's going to do is unethical, but he doesn't care. As long as he gets what he wants, which is you in his bed, he'll break every rule. All of his other dreams are unobtainable, but not you.

No.

His dream of being with you is right in reach and he's going to snatch it up greedily in his large hands.

Coriolanus gives you a smile that's more manic then friendly, as he suggests, “Why don't you join me for a bite to eat? We can always discuss your thoughts on politics or anything related to my class, if you'd like.”

Professor Snow thinks you're his best student and wants to grab something to eat with you to discuss politics and his class with you. Oh wow! You can't believe it. You didn't think you were that great of a student, surely one of the boys must have a higher aptitude for politics. It is, after all, usually a man's world and subject.

“Okay.” You simply reply with a small, flattered smile.

“I know the perfect place.” Coriolanus told you, guiding you into the direction of the parking lot and in extension his black luxury sedan was parked. “I'm positive you'll enjoy the food there.” A slightly sinister smirk crossed over his face as he lightly remarked, “And the wine’s to die for.”

“I'm not old enough to drink wine, Professor Snow.” You remind your professor, who has to be close to thirty.

“Well, you just let me order for us and nobody’ll know how young you really are.” Professor Snow tells you, his tone sounding mirthful and secretive, as he sips his face a bit too close towards yours.

His disposition changes as he holds his head up high and points his car out on the approaching lot. “That's my car right over there, darling. Nice, isn't it?”

“Yes, it's very nice.” You agree with a nod. In fact, his car seems nicer than the one your family has. You even tell him that too, earning you a chuckle from him.

The place Professor Snow took you to was a quaint, but upscale restaurant close to the Corso. The food was very delicious and the wine, as he said, was to die for. True to his word, your professor ordered for both of you and nobody was none the wiser that perhaps you shouldn't be drinking the wine.

But right before desert was going to be served you excused yourself to go to the bathroom. And that's when Coriolanus decided to enact the most vital part of his plan. Something that you knew nothing about; would never believe if told either.

As you wash your hands in the powder room, you look in the mirror and wonder if it's odd that you feel a bit giddy from eating with Professor Snow. You'd be lying if you said that you didn't have a tiny crush on the handsome, distinguished man. Because, you really do have a teeny tiny crush on him. But a girl would have to be blonde not to simp over the man with the perfectly styled platinum curls, striking baby blue eyes, prominent nose with a set of perfect pearly whites.

Deciding that you needed to stop being silly, you splashes some water on your face and took a deep breath before exiting the ladies room.

“Our deserts just arrived, darling.” Professor Snow smiles,gesturing towards the rich dark chocolate cheesecakes set in front of your place settings.

“Oh, you didn't have to wait for me, Professor Snow.” You tell him, feeling a bit embarrassed that he's been sitting and looking at his cheesecake instead of eating because he was waiting on you.

“Nonsense, Y/N.” The platinum blonde picked up his fork. “My Grandma'am taught me that a gentleman always waits for a lady arrive to start a course.” Professor Snow scoops a piece of his cheesecake with his fork while you reach for your own fork. Bringing his bite of the chocolate desert to his lush lips, he smirks, “That includes desert.”

You're using your fork to dig into your own desert whenever your professor pulls the fork from his lips and tells you, “Please, call me Coriolanus.” Digging back into his cheesecake, he adds, “Or Coryo, if you'd like.”

In between eating your desert, you ask, “Is that allowed? I'm your student.”

“I can't see why we can't be friends outside of class. We're two adults that can manage a friendship, aren't we?”

“Yes, but you're like 30.”

Coriolanus narrowed his icy eyes; his mouth sourly puckered as he tarly told you, “Oh, darling, don't age me. I'm a Scorpio; I’m only turning 28 this All Hallows Eve.”

“Oh, you're the same age as my older brother.” You blurt out, causing Coriolanus to just let out a silent huff.

Honestly, he already knew that. He knows that your older brother's Rein Halvir. He remembers the idiot from their days in the Academy. And, frankly, he's glad he hasn't run into him since being back in the Capitol.

“Yes, I believe I attended the Academy with him.” Coriolanus said, pretending to take his brain for your sake. “Is he faring well?” He asked, his eyes lighting up with a slight sparkle as you reached for your win glass.

You think it's nice that Coriolanus asked about your brother. So, of course, you answer his inquiry with, “Rein’s an officer in the peacekeepers. He's stationed in District 12; has a girlfriend and two kids.”

“Capitolite or?...” The cerulean man asks, his deeply smooth tone falling of a cliff of a silent question. A question of District.

“Ashlie's from District 12- the Seam to be exact. Their kids were born on PK Base-D12 so they're registered as Capitol citizens.”

“Aha.” Coriolanus lifts his nose up, in both superiority and disgust.

Coriolanus once spent the summer of his 18th year of life in District 12 as a peacekeeper grunt while foolishly fancying himself in love with the songbird victor of the 10th Hunger Games. Unfortunately, it didn't end well. Sometimes he'd wonder if things could've been different, but then he remembers that him and the songbird were too different to ever work. And that if she truly loved him she wouldn't have betrayed him; try to poison him with a snake and leave him to die.

No, he's much better off without that Covey frontrunner whore in his life. Her love was toxic, made him feel like a fool. And if things had worked out with her then we would've never met you.

Coriolanus is without a doubt certain that you're the girl for him. Innocent, beautiful, young, and intelligent. Oh yes, he's surely met histch in you. And he's certain that you'll never betray his love.

No, not with how kind and gentle your smile is.

“My family's proud that my brother followed our father's military footsteps, but they're not too fond of his girlfriend or their kids.” Your father's still pissed that his grandchildren are half-District. “Believe it or not, I'm the family disappointment.” You admit to your professor, even tho a part of you knows you shouldn't, before taking a large sip of your wine.

Your admission took the platinum haired professor a back. He was quite befuddled by it. How could you, a smart and innocent angel of a girl be the family disappointment? It doesn't make any sense.

Scratching his chin in a pondering way, Coriolanus asked, “Why would you be a disappointment?” Resting his elbow on the table and curling his hand into a fist, which he rests his jaw against, he remarks in a stunned baritone, “You're my best student and I'm sure you're excelling in your other classes as well.”

Yes, Professor Snow just couldn't fathom why you're not good enough for your family. In his eyes, you're absolutely perfect. But yet again he does have an obsession with you that's just crossed over a dark line; maybe even a sick one too.

“I'm studying Political Science instead of enlisting in the Nursing Core or taking my place in society as a socialite.” You wanted to go back to eating your desert, but you were suddenly feeling a bit odd. You felt as you were getting a bit hazy. Maybe it was too hot in the restaurant? “My mother told my father to just let me study politics as a way to find myself an aspiring politician to marry.” You add, concluding your explanation of why you're a disappointment to the Halvir family name.

“I once had political aspirations, but alas it wasn't meant to be and I'm a political professor for the great University in all of Panem instead.” Coriolanus said with a bit of veiled excitement in his smooth timbre.

Oh, Coriolanus was internally giddy. His plan was perfect. Just a few more minutes and he'll have you right where he wants you.

“Are you alright, darling? You seem a bit flushed.” Coriolanus asked, fake concern in his baby blues, as he placed his fork down on his plate.

“I'm not sure, Coriolanus. I feel a bit hazy.” You honestly tell him. Oh no, are you tipsy? You can't be, it was only a glass of wine. “Maybe the wine was too strong?” You offer as you begin to feel as if the room's going to start spinning.

Coriolanus’ brows knit as he gives you a worried look. “I think we should get the check and leave, Y/N. You really don't look well and I'm a bit concerned.” Your professor suggests, making you believe that he truly was concerned about your well being.

“Okay.” You nod, feeling dizzy and drowsy.

You must've passed out because the last thing you remember is feeling dizzy and drowsy while getting ready to leave the restaurant and then the next moment you're waking up in a strange bed. You automatically start panicking as you sit up. But before you can scream or scramble off the bed, a voice next to you sounds out with, “Oh, you're awake. Are you feeling better now, darling?”, and kills your fight or flight reactions.

You're with Professor Snow- uh Coriolanus. And he's not in his three piece suit anymore, instead he's in lounge pants and a casual shirt. What the?...

You look over at him, only to discover that he's laying on the bed, legs crossed at the ankle with his back leaning against the headboard. A pair of black frame glasses are perched on the bridge of his prominent nose as he reads a book. A book that’s cover looks well worn and battered.

“What happened? Why am I in bed with you?” You ask, feeling a bit confused.

“You don't remember walking out of the restaurant and falling out in the parking lot near my car?” He asked, closing his book and setting it on his nightstand before taking off his reading glasses and placing them on top of the book.

‘No.” You shake your head. “I don't.”

“Well, my darling,” Coriolanus gave you a sympathetic, but pointed look with his icy eyes, “Since you blacked out before I could get your address I brought you to my Corso penthouse.” Placing a large hand on your knee, he gave you a closed lip smile. “I don't want to startle you, but I took the liberties of changing you into a shirt of mine, for comfort.” Raising his hand up, to stop you from even thinking about opening your mouth, he said in a gentlemanly tone, “Don't worry, I didn't cross any lines; your underwear is still on.”

You should be creeped out, but instead you find it endearing that he was worried about your comfort and changed you into one of his shirts while you were passed out. Oh, no. Now you feel so embarrassed and stupid blacking out after a glass of wine. What's wrong with you? The wine couldn't have been that strong, could it?

“Thank you.” You murmur, casting your eyes down to stare at the hand that's on your thigh- Coriolanus' large hand. “I guess the wine was too strong for me.”

“Yes, I suppose it was.” The platinum blonde man next to you nodded. “I was worried about you; kept vigil by your tipsy side.”

Pushing his hand off your thigh, you tell him, “Thank you, but I should probably dress and catch a cab home.”

“Darling, you don't have to leave. You can stay here til you regain your senses; you'll be safe with me.”

“I'm fine.” You assure him, tone a bit snappier than you meant for it to be, as you sat on the edge of the bed.

Knowing you’d be dizzy and at risk for another blackout, Coriolanus leaned over and took your arm in his hand; stopping you from getting up. When you turned around to look at him from over your shoulder, his icy eyes had a hint of something guileful in them.

“Don't go, darling. Please.”

“Profes- Coriolanus, I can't stay here. You're my professor; it'd look bad and you could get into trouble.”

“Why would I get into trouble? I'm just letting you rest after getting tipsy off of some very strong wine.” The imposing man, who's more dangerous than sinai poisoning, pointed out while quickly taking a seat right next to you. Taking his hand off of arm and placing it on your chin, tilting it in a way so you'd be able to look him in the eye, he huskily asks, “Or are you afraid to stay with me because you want to get fucked by your cold, stoic, and oh so serious Professor Snow?” His face inches closer to yours as he asks, “I know I'm quite a handsome man, Y/N. So, I must ask, do you get all hot and bothered for your teacher?”

“You shouldn't be asking me this.”

“No, I shouldn't.” Coriolanus agrees with you, his lips ghosting over yours.

Your brain's in a fog and you're beginning to feel a bit woozy again whenever Coriolanus’ lips press against yours in a kiss that's a bit hard and hungry. A kiss that makes you feel lightheaded. And when you attempt to pull away from him, to break off the kiss, he places his hands on your cheeks and pulls your face into his.

His hands, so large and strong, hold your face still as his lips press against yours over and over again with messy enthusiasm. You gasp for air, parting your lips slightly, but it's all Coriolanus needs to deepen the kiss. His tongue slips effortlessly into your mouth, exploring it, as feelings of both dizziness and pleasure wash over you.

Honestly, you don't know how to feel. Your brain's like scrambled eggs right now. You can barely think, can barely tell what's up and what's down right now.

All you know is that your head’s spinning and your body feels like it's on fire; that your professor’s making out with you on his bed as if you've been lovers for years instead of barely knowing each other then inside of his classroom.

“Coryo-” You say when he ends your kiss, allowing you both to catch your breath, but you don't say anything else since that feeling of falling into a dark abyss threatens to take over you once more.

Your eyes grow spotty causing you to blink them in an attempt at clearer vision. All the while, Coriolanus is tenderly stroking your cheeks with a strange look on his face. “I know you're a bit tipsy still and as the older one amongst us I should do the honorable thing and let you rest, but after that kiss we shared I'm afraid I can't be a gentleman with you anymore.”

Coriolanus knows that you're about to lose control of your senses, from the spiked wine you drank, but he needs to have you agree to what he wants to do. He has to get you to say ‘yes’ so that he can remind you later on when you're fully functional that you want him; that you agreed to spend the night with him in his bed- fucking.

Yes, he might be a manipulative bastard that's a tad bit possessive and obsessive, but he's not a monster. Coriolanus does want you to trust him, despite that trust coming from his own tongue weaving a silver tale for you to believe and feel comfortable with.

“You want me, don't you, darling?” Coriolanus asked, softly running his thumbs over the apples of your cheeks while cradling your face in his large hands. Gazing into your eyes with his icy orbs, he demanded, “Tell me you want me to fuck you.”

Your a bit light headed and Coriolanus' words float around your head. It's as if you're underwater and his voice is just a garbled echo. Your ears seem to be ringing and you feel dazed.

All you can manage to do is give Coriolanus a lost look. You're feeling a bit wonky, can barely even make out what he's saying.

Coriolanus’ chest heaves and he internally chastises himself for being a bit heavy handed with drugging your wine. Yes, he wanted you pliable and to his will, but he doesn't want you blacked out the entire time he has his way with you.

Deciding that he needs to do something to sober you up, Coriolanus slaps you across the face. “Snap out of it, Y/N!” He orders in a deep, loud shout.

That seemed to stir something inside of you. Yes, you still felt a bit hazy, but the slap across your face paired with Coriolanus' loud shout seemed to cause your focus to return to you for a moment.

“I'm sorry, did I space out?” You ask your professor, whose baby blues are burning like hot coals with desire.

“Yes, baby, you did.” Coryo told you, soothingly stroking the cheek that he had just slapped. “I asked if you wanted to be with me; wanted to fuck me, but you just stared at me with glazed over eyes.”

“Coryo…” You sigh, feeling an unbearable heat cross over your cheeks. “We shouldn't do anything.”

“You haven't done anything before, have you?” The platinum blonde professor asked knowingly while subtly guiding you to the middle of his king sized bed.

“No.” You shake your head. Wringing your hands in your (his) shirt, you avert eye contact with him and add in, “Not really.”

“You're very special to me, Y/N. I've never met anyone as beautiful, bright, and innocent as you.” Coriolanus reveals in an eloquent speech that has your heart beating fast against your ribcage.

Truthfully, your heart's probably beating fast due to the drugged wine in your system, but since you're unaware of your state you just assume it's a romantic effect from his words. His carefully woven words.

“There's nothing wrong with us taking pleasure from each other, my darling.” He tells you like the master manipulator he is. He's working his magic on you, making your resolve start to crumble under his smooth and amorous words. Pressing his forehead against yours, he promises, “I’ll stay with you and I'll protect you, baby. I won't hurt you like those pervy boys your age would.”

Coriolanus pulled his forehead away from yours, only to press a kiss to your lips. A kiss that was soft and sensual. A kiss that he meant to be persuasive.

Time was ticking and Coriolanus knew that you'd be going back into lala land soon. Either he got you to say yes or he'd just tell you that you said yes once you came to later. But either way he's fucking your tight cunt.

“You want me to fuck you, right, baby.” The platinum blonde with a regal air around him told you, not asked.

You felt yourself begin to grow hazier by the minute. Your limbs even feel a bit heavier. Your tongue began to feel dry and heavy in your mouth and all you could manage to do was nod your head.

You felt as if your head was plunged back underwater. You felt everything around you feel muddled, but you did see Coriolanus give you a Cheshire grin before eagerly shedding his shirt and kissing you. A kiss that you barely felt due to the feeling of falling into an abyss.

You blink your eyes and seem to come back to your senses once again as Coriolanus, your handsome professor, is naked above you, thrusting his cock in and out of your pussy.

You couldn't help, but wonder how drunk you got to agree to this. Yes, you find him attractive, but Professor Snow's your teacher at University. This violates so many cod of conduct ethics.

“Oh my God!” You blurt out, causing Coryo to smirk at you.

“My big cock feels good in your tight cunt, huh, baby?” Coriolanus asked as he snapped his hips in a certain way that had his cock pressing deep against that special spongy spot deep inside of you. “Fuck, your cunt feels so good. So fucking good ‘round by cock, darling.”

Your cunt’s dripping wet and every movement Coriolanus makes causes you to shudder. It does feel very good. Hell, it feels better then all of the times you've ever been fingered.

“It feels good, Coryo.” You admit in a wispy moan.

You try to move your arms, but they feel a bit heavy. As if they're asleep. Coriolanus notices you trying to move your arms and just takes his hands off of your wrists and laces his hands in yours, all while telling you the saccharine lie of, “You're still a bit drunk, baby. Just let me hold your hands while we fuck; you can hold my back or something later."

He brings his face close to yours. His breath fans against your lips as he tells you, “You’re my good babygirl with such a sweet, tight cunt.”

“Coryo…” You whined as you felt pleasure begin to wash over you.

“That's it, baby. Cum for me. Cum right now like my good girl.” Coryo ordered in a husky tone as he pounded your pussy with such force that your body was moving up and down the bed.

His hard and fast thrusts had you cumming harder then you've ever cummed in your entire life. His name's spilling from your lips; your legs shake and spasm from your orgasm as you soak the sheets.

“Oh, I knew you were perfect.” Coryo groans at the sight of you squirting. Watching your juices gush out of you, only to roll down your crimson coated thighs has him in overdrive. His cock’s even harder and his balls are twitching; begging to empty their cum deep inside of your cunt.

Coriolanus wants to grab your legs and bend you like a pretzel so he can fuck you into his mattress, but he's afraid that you might try to lift your arms again. The less you move (without his help) the better. He can't have you realizing what he did to your wine, now can he? So, he settles for just using your laced hands to brace himself as he digs his knees into the mattress and fucks into your cunt as fast as he can.

Your limbs feel tingly as Coryo pistons into your cunt mercilessly. You feel a bit overwhelmed, perhaps even a bit oversensitive. “Coryo, it's too much.”

“You're getting oversensitive, baby. Just be a good girl and take what I give you for a few more minutes, yea?”

“Coryo, please.” Feeling a bit overwhelmed from everything, you cry. “Please.”

As sick and twisted as it sounds, seeing salty tears leak from your eyes and roll down your cheeks has Coryo shooting thick ropes of his hot cum deep into your puffy cunt while moaning out your name.

Coriolanus lets your hands go, only to slowly pull his cock out of your cunt. His icy eyes roll back into the back of his head at the sight of his white cum dripping out of your abused hole alone with a trickle of crimson- the proof that he took your virginity.

You're all his now...

He lays down next to you and pulls you into his side. “Don't worry, Y/N. You're my girl now and I'll take very good care of you.” He assures you while covering you both with his duvet.

“I'm your girl now?” You ask with an arched brow.

“We'll talk more about it in the morning when you're a bit more sober.” Coriolanus kisses you, making you think that when you were in the thick of your tipsiness you must've agreed to get involved with him.

Oh hell, how strong was that wine to make you so tipsy that you became Professor Snow’s girlfriend?

“Just rest, baby. You're safe here with me.” The platinum blonde, whose arms are protectively wrapped around you, coos in his deep baritone; lulling you back to dreamland.

A place that you've been in and out of all night.

And as you doze off Coriolanus looks at you with obsession shining in his cerulean eyes and a manic grin spread across his face. The darkness in his soul's quelled with the thought that you're his forever now.

Oh, yes. Now that he's got you in his penthouse he's never letting you go. But before he can truly begin to be the doting and devoted boyfriend to you, he needs to get rid of Festus Creed- the old Academy friend that gave him the drug he spiked your wine with. Well, Coriolanus supposes that if he poisons him at a teahouse and drinks the poison as well, but in a smaller dose, he'll be able to kill two birds with one stone.

He'll get rid of Festus before he can talk and he'll get you moving into his penthouse to take care of him after a near death experience.

Snow lands on top. And who knows, maybe one day with your father's backing Coriolanus might be able to wiggle his way into politics. And if not, well he has you.

And that's all that truly matters, isn't it? It should, considering what dark deeds he did to get you into his bed.

Tags: @kuroosbby001 @purriteen @poppyflower-22 @meetmeatyourworst @whipwhoops @bxtchopolis @readingthingsonhere @savagenctzen @ryswritingrecord @erikasurfer @tulips2715 @universal-s1ut @thesmutconnoisseur @squidscottjeans @sudek4l @wearemadeofstardust0 @mashiromochi @gracieroxzy @belcalis9503 @shari-berri @aoi-targaryen @whiteoakoak @spear-bearing-bi-witch @gisellesprettylies @loverandqueenofdragons @qoopeeya @mfnqueen1 @permanentlyexhaustedpigeon88 @v-love @swiftieblyth @joyfulyouthlover @harvey-malfoy @chxrrybomb22 @marvel-hiddles-stark @xjinnix @devils-blackrose @zombicupcake3 @jacesvelaryons @tempt-ress

[astrophileblogs07]

ASTRO OBSERVATIONS PT.20

⚫ Opposite to the stereotype of Leo being a narcissist, its the Aquarians who are more narcissist than ANY other zodiac. Esp its the Dhanishta naks out of the Aqua naks who are so.

⚫ I have seen 3 Aquarian moons (of Dhanishta nak) who had a poverty stricken first half of life (childhood, teenage years) but then they become well off like rlly very well off in their second half (esp after marriage). They marry rich 🤑 too. What i am saying here is the dramatic transformation of their financial life.

⚫ Pisces men are physically abusive. That's it. Esp the March Pisces. They literally are a bully. (Dont be fooled by the beautiful doe eyes lol)

⚫ "WOW What voluminous and luscious hair he's got!" -my ♌ rising and moon mom commenting on a side character with insignificant role in a movie 🤣. I wasn't noticing that at all...but she seemed to be stuck on that feature 😂.

⚫ Martian influence on a chart can actually have a liking to dangerous weapons and ammunitions. (Like idk I weirdly love them 😂😂)

⚫ Females with Ketu ruled naks are the first group of people whom male perceive as "threat". (Second is mars btw). Like if the other person is a typical male (egoistic, chauvinist) they will literally hate you to the core coz they know you equal them in all ways (except you know what LMAO 🤣). So they'll try to pin you down or belittle you etc. (sad, but since I have experienced I wanted it to share w you guys)

⚫ Also I love the way Ketu Nak women get along becoz mostly they have so much in common. And by that I mean how the society (male dom) treats them. I am not saying they're an "outcast" but the reaction they face just coz the male species get intimidated by us which has an cascading effect on our mental peace is beyond tolerance.

⚫Ketu naks are sexyyyyyy 🖤👁️🫦👁️❤️‍🔥❤️‍🔥

(I always imagine a smokin hot biker girl 👩🏻‍🎤with leather jacket and smoky eyeshadow whenever I hear "Ashwini, Magha and Mula")

⚫ I have seen a Chart which was totally "Mars" chart and I'll tell you, that person has Aries asc, Moon, Mars and (Mercury ig is in Scorpio?idr) along with Scorpio sun. And that person is like personified version of the planet itself. So cunning and so shrewd, potentially be a mastermind. Statergic. Secretive af. (Might be their middle name to exaggerate). Close to their mom. Loves friends (friends over anything). Also they have a "reddish" tint to their skin (no health probs, but yeah that planet does that). Knows how to tackle any embarrassing moment in public and deal with it. (I am jealous of him coz i wanted to be like him in every way 😂)

⚫Lilith and Pluto aspects in natal chart can actually survive 8H synastry. Almost same energy and themes. 💀

⚫Why are Maghas the "scapegoat" of the family? Like they be framed in a situation with which they have no relation with. Its annoying to see. Its like you're locked in your room chilling and as soon as you step out, everyone in the family is blaming you for something or the other. Now you're the "bad guy". (Yo wtf 🤡). Added to the generosity of Leos, people target you often. 😕

⚫Libra men CANNOT stand loneliness and being ostracized at all in any way. I have seen this in every Libra I came across. For eg: if you're the "black sheep" they won't talk to you and will go with what the crowd says. And if people have outcasted them just becoz they're with you/involved with you, they'll drop you like hot potato. People say and stereotype Capricorns for being the one who cares about reputation and all, but her 'Venus-ruled-Saturn-exalted' sister also is same. 💀

(no wonder they're besties lol)

P.S: I read a post here which said "Eye contact with 8H synastry hits different" ( i am not copying, i don't remember the username) and boy is that true 💀💀💀. Like I was -->😯😳🫣. Coz I have experienced that 🤣🤣. It does, than any other eye contact I have seen. Lmao 🤣🤣.{Edit: its @zeldasnotes 🖤😁}

Hope you liked it 😁😊. Until next time! 👋🏻

Love you y'all ❤️❤️❤️

[random-dragon-exe]

Okay, MAJOR SALT COMING! Also a long post!

So I have the Disney Villains tarot deck but before I go into the salt part of the post, let's go into the positives.

The cards have stunning art and each card is appropriately themed to the villain generally speaking about 98% of the time. (IMO).

Another positive is the roster of villains included. Seeing even a few minor/underrated villains is pretty cool and impressive.

Some examples of these villains include Bowler Hat Guy, Madame Mim, Madame Medusa, and possibly Yzma.

Now onto the salt.

As impressive as the span of villains is, two villains are absent who (IMO) deserved a card.

King Candy

Frollo

First, there are other villains absent, but I'm sticking to these two since I've seen these movies. Now going in order, it is an absolute SHAME (IMO) that King Candy doesn't have a card, but I have an idea of which card suits him best.

The King of Swords. Although this card is given to Scar, and I do love how it looks, I believe that King Candy deserved it.

Plus, Scar appears on like three other cards, so I think it's okay for him to appear three times (sorry Scar, I do love you too).

Anyway, I'm going to go into some detail as to why I believe King Candy/Turbo deserves the card by going into the meaning of it and how it relates to him.

I'll admit, I have a lot of points and can talk about this for days, but I'm going to condense them to 3-ish. I'll do the same for Frollo too in a part 2 post.

Going for a two in one here: The card is about being an authority who uses reason and their intelligence for good. while the reverse of this is being cunning to deceive people.

After Turbo hijacked Sugar Rush, he was very methodical about his approach to make it sound like he's their rightful ruler. He locked up their memories, then he fabricated the lie that she was a danger to their game. Turbo did his best to make sure nothing went unchecked and made sure to make the lie sound convincing to protect them (but mostly him). He's very strategic, and was able to come up with a plan to manipulate Ralph with 16 manipulation tactics in one go. He was even able to feign being concerned to play on Ralph's attachment to Vanellope.

I think the best line that best captures this aspect of the card is "Doing what's right, no matter what." AKA: He recognizes that it may sound harsh, but he makes his lies sound reasonable to protect his subjects and game.

The card also represents enjoying structure when upright. But it's controlling and oppressive in a need for order when reversed.

Turbo needs everything to be to be going his way, as he's a control freak.

Inserting the test animation here, he even says "You are a threat to my game, to the order I have maintained. And if there's one thing I can't abide, it's anything out of order!"

Also, the split-second something isn't in his control, he starts to fumble and break into either rage or nervously laughing. He's capable of coming off as cool and composed, but he's scared of being caught and it can cause him to lash out in anger (another aspect of the card).

Just as mentioned in the previous point, he made sure nothing went unchecked and made an entire world literally revolve around him. He can and WILL happily use all of his resources of excessive force he has like the cops, the Sugar Rush equivalent of S.W.A.T., and the fungeon to detain someone who stands in his way.

As a minor note, there's a line in the tarot guidebook that states the reverse of the card can represent "someone who needs to win at any cost." Which describes Turbo to a T. He not only wants attention but he's also extremely competitive. It's part of his programming, and it ties to his love for racing. To always come out on top and be #1. No matter who or what stands in his way.

That core drive (pun intended) was the cause of his villainy in the first place and earned him his infamous status in the arcade.

Okay, I don't want to sound too salty, but you can imagine my disappointment when King Candy didn't get a card.

Oh well, Its fine, I still love and use this deck.

So I guess we can call this the thrilling conclusion to the 3 part saga of including King Candy in Disney Villain merchandise.

Also as a sidenote: hypothetically if he did get this card, what would the imagery be?

I feel the card has the potential to get creative with the glitch effects. For example make it so that he's glitching between the Turbo appearance and the King Candy appearance. If we want to be a little cheeky, we could have it set in his castle, and out the window, we see a the cybug Ralph initially sent to SR flying outside a castle window. (similar to Hook's card as the crocodile is seen outside)

So basically, my interpretation would be a mix of these images and Captain Hook's card:

But, if anyone else has really cool ideas, I'd love to hear them! If you want, you could also draw it out to illustrate your point (pun intended) Honestly please do, I'd love to see other people's interpretations of this card for him. The possibilities are endless!

Join me in my antics next time when I analyze Frollo and and the card I think he should've gotten.

[laughingwith-bluelips]

I finally got why I love so much the "dragons are gone" ending in the books while I hate it in the movies:

The books set the dragons free.

The movies simply sent them away.

That's basically the idea but I had a vision yesterday at 3am so I will be getting into detail below the cut.

The books have a very strong message about slavery. Some would say that it is a concept that is only important within the context of the last five or four books, but the ones that have been paying attention to the saga as a whole knows that there are things happening in the background. You know, stuff like

People eating dragons

People stealing dragons from their families so

The dragons can serve the vikings

And they're expected to obey because

People threaten to turn them into bags.

That's mostly the first book.

Dragons are constantly showed as unsatisfied with the status quo trough out the books, some more annoyed with the vikings than others. We have complete monologues from different dragons before the war is even a possibility. Sincerely, when it happens, it feels natural.

The idea of freeing the dragons is not one that comes up in the last book, not even close. The first time it is considered an option is in book 9 (I think), and, by the time being, we've already stablish lots of concepts as slavery within human beings, the dangers of a war, how this could lead to the end of all and freeing the dragons is the only option.

It is fatalist to say the least, but it's not going out of nowhere. There is a lot of worldbuilding (more on that later), but it is also the right thing to do. By the time Hiccup is presenting the option, Cowell has made us root for the dragons to be free and wild and do whatever they want, even if what they want is to hide under sea for thousands of years. Or if they don't want, or if the want to but just not in that moment, they can do it.

Oh, yes, because they leave GRADUALLY.

It is a sad ending, but still manages to get as satisfactory because, yet again, we know this happens and the books remind us this will happen eventually every time they can. “There were dragons when I was a boy” is literally the first phrase in the saga.

And then we got the movies.

The movies never followed the books. Like, not very much. The writers decided that they wanted to tell a story of a broken relationship between a father and a son while using dragons, the heroic and prophetic aspects of the books were getting on the way of that and they scrapped the idea. So, no, you can't tell me the movies actually follow the books.

However, if you're very technical, you know the Hiccup we see in the movies resembles Hiccup I, the one that stopped the war between vikings and dragons in the books, stablishing an equal relation between the two races. And this idea of the movies being a prequel can work for the second and specially the first movie, disregarding the fact that there are no prophetic or magical elements at all.

But THW exist and... Exist.

Suddenly the writers and producers decide that they want to follow the books and want to get rid of the dragons, something that is completely against the message of the other two movies.

(I am just talking about the movies, the shows-books relationship is very different and I will someday make a post ranting about it)

The movies do NOT talk about the dangers of dragons being with vikings or how the vikings mistreat the dragons or how bad is slavery or anything like that. The second movie does, yes, but the second movie also sends a message about how people benefit of being with dragons. They have their dragons and they're strong because of that friendship. Being at war with one another only brings loss and suffering for both bands while being together promises an actual future. A bright future that no one imagined before the first movie and that now they cling to.

Dragons and vikings are friends and together cand do basically anything.

That's a very strong message, you know?

And you know what? The third movie decided that such a strong and important message about friendship should leave the franchise completely.

“Free the dragons” it's a concept that doesn't fit with the movies. They're not slaved, they're not away from wildness and, most importantly, they CHOOSE to be with the vikings in the first place. They are already equals, they can do what they want and, you know, they are with the vikings because they want to.

But no, let's do a movie about letting friends go as if it could actually fit in the saga.

(I know it could actually fit but the execution was terrible).

As I said before, the movies resembles Hiccup I befriending dragons and we know how it ends. And someone who has never read the books will go and say "well, it was bound to end that way, why are you mad?” I tell you the difference right now: there's 1000 years of difference between the befriending and the parting in the book, 1000 years in wich we witness the deterioration of said friendship (from being friends and equals to being slaves). That's no what happens in the movies. The films give us 6 years and the only deterioration is within Toothless' character and how they made him a horny dog.

The dragons shouldn't have leave. This was a whim from the writers that thought that ending both stories the same way would be cool. It isn't. At all.

Long story short, it doesn't fit thematically. The movies and the books have different themes with different concepts and different characterizations of the dragons. While the books got story building and present the theme's since the beginning, the movies get it out of no where ignoring the themes in previous works.

Anyways, go read the books they're jewels and the ending isn't as shitty as thw make it look

[synergysilhouette]

Everyone keeps talking about "traditional villains," but in retrospect, I wish Disney had gone in a different direction for the Revival Era. Hear me out...

King Magnifico's failed characterization and poor writing in "Wish" really bummed me out. I was looking forward to a complex villain who was kinda right. I was hoping it could usher in a new age of Disney villains who were more grey than black and white, who made the characer grow as a person because they challenged their perspective. But then I realized that the opportunity existed in earlier revival-era villains:

Dr. Facilier is a villain first and foremost, though thinking back on it, I do think he is kinda proto-Magnifico, granting people's wishes, only for them to find that what they wanted isn't what they expected. I do wish he tied a bit of truth in with his scams, mentioning (similar to Magnifico) how people's dreams are very difficult to achieve--especially in the post-WWI American South, particularly POC. Naveen is generally assumed to be a POC himself, so he could juxtapose this viewpoint as someone who's never really had to experience such hardships. Dr. Facilier could still be 100% villainous, but further emphasis on dreams, wishes, and hard work would be part of his character. However, this is the reverse of "Wish"; Tiana has already worked hard, but she's lost a lot of her innocence and light-heartedness trying to achieve it, thus causing her to reevaluate how important love is and how she may not have realized it, being more practical about her dreams. It all starts with a wish.

Mother Gothel was already right; the world can be dark and cruel, and will destroy any light it finds. However, similar to Magnifico, since she's completely evil, the protagonist she goes against doesn't really change to understand what she's saying. Rapunzel doesn't see the world as dark or dangerous anymore; it's the opposite, thanks to her experiences. Because of this, I do wish Rapunzel did have a bit more negative experiences independent of Gothel to prove Gothel's point rather than it being "hey, she's just saying that because she's the villain." Maybe Rapunzel tries healing someone and people start lusting after her hair.

Hans is DEFINITELY a missed opportunity. He was the anti-Anna; isolated and alone, and he became bitter and cruel because of it. It's mentioned that the deleted song "More than Just the Spare" was removed because it made Anna too much like Hans. I don't think that, and if anything, it furthers my point: Hans gave up on his brothers, who he felt overlooked by and pestered by (he doesn't even mention his parents). Maybe give Hans less brothers and feature them a little in the movie so we can see how they interact with Hans and how it's a "what could be" for Anna and Elsa. His evil character is exactly what Anna is trying to avoid, but she understands how he became this way rather than it simply being for shock value.

Yokai was a great villain to me, but the reveal happened too late. I'd have loved seeing a more thorough exploration of his character and parallels to Hiro (which were done great in the film; I just wish it was expanded on). Highlight how people quickly forget about the dead and don't always learn from history, how there's this cycle of loss and hatred that you have to break.

Bellweather was on a power trip, but I do wish she had a storyline similar to Judy and Nick, since--in an interesting twist--they come off as more interesting and complex than the villain. She doesn't really say what made her act like this, and comments that "fear always works." I wish we got more of that, especially to play the two sides card; Zootopia is mainly predator-phobic, and challenges to this, ie predators playing down predator-related crimes in order to get people to look past their identity (and the fact that many predators are in positions of power) may have caused Bellweather's abuse by predators to be overlooked, causing her to want them all gone.

Te Ka is interesting. Despite "Moana" being a great film, I do feel like Te Ka and Maui's storyline was underutilized. It's revealed Maui stole Te Ka's heart for humans, but from what we see, Moana lives in this ideal community where their heritage, culture, and nature is loved and respected. Maybe embrace the fact that Tala is the only one who tells the story of the ancestors and how being they became "comfortable" since they were no longer voyagers, being used to the hierarchy and their stagnant society. Highlighting some humans' selfish natures would've been nice rather than Maui just telling us about it, with Te Ka being a metaphor for the destruction and disregard for nature and love.

Namaari is such a missed opportunity. Despite caring about her community, she comes off as more villainous than an antihero since she doesn't show any sympathy or care for Raya--in fact, she seems rather smug about hurting her. By making her a villain burdened by expectations and love for Fang while slowly being redeemed would've been better to me, shifting her POV slowly, making Raya angry with Namaari but understanding her motives. Having some regret about her choices--even if she believed they were the right ones--would've gone a long way for Namaari's characterization.

Magnifico...well, you already know he could've been one of Disney's most complex villains. Horrifying backstory and powers that are the result of hardwork left him with a jaded view on wish granting. He wants to help others, but has MANY reservations about it.

This is just my POV, of course; some of you may disagree (or feel like the aforementioned villains already achieved what I ask for), but I do hope future Disney villains have that "they're kinda right, even if they're wrong" characterization. It'd be a nice new era as the successor to traditional villains and twist villains--though just like twist villains, this trope requires VERY good writing.

[disappointingcabbage]

TMAGP 23 thoughts, spoilers under the cut!!

lmao I love how Sam’s reasoning for bothering with the response department paperwork is to A) assume it’s Alice doing a bit and B) seeing how long Alice can keep up said bit. I would do the same thing tbh

Lena cautioning him against it raises some red flags about what it might actually be though. That said, if doing the paperwork really is dangerous, she isn’t exactly trying all that hard to convince him to stop so who knows?

Chester statement time!! It’s an internet one this week hell yeah I’m ready for some red canary (or weird movie) esque shit

“Creating a better me”???? this sounds… very Strange

what do you mean by “finding your piece”? It sounds at first like affirmations but then the statement writer directly refutes the idea of it being a psychological/ “inner peace” thing

The second post makes it seem like this piece thing is an object taken from a significant location in your life. That’s less cursed that what I thought it was gonna be (a body part)

the implication that this person did something at least mildly illegal to get their piece is somewhat troubling. it was probably just theft though. Also they never specified what the piece is

“I’m sure it’s totally safe and not at all dangerous to sleep with the piece in my bed” famous last words

Also why do you need to keep it warm??? Is it alive????? And you have to “bond with it” which I guess is in line with making a “better you”. I guess it has to know what you’re like to emulate you or smth idk but this doesn’t sound like it’ll end well

ok it’s coral. Why are you worried about keeping it warm? If it’s not in water it’s definitely not alive.

MAAM WHY DO YOU HAVE SURGICAL EQUIPMENT AND WHY IS THIS POST CALLED “FIRST CUT”

you fucking watered your coral with your own blood to grow a better copy of yourself? The fuck? What is the point??? Do you WANT to get replaced????

Wait no she transplanted the coral into her body to grow it. What the fuck maam are you trying to reproduce through some cursed version of asexual budding???

okay yeah that’s exactly what’s happening this thing burst out of her

I mean at least she planned this out and took off work so she doesn’t lose her source of income I guess??? And she made sure she had proper supplies and a paralysis computer.

Oh damn this lady is just straight up willingly getting replaced. This is reading more and more like the original Alesis Newman is more akin to a shed skin than anything related to asexual reproduction

Oooh it went wrong. Not sure how but it definitely did

Oh shit this world’s Jon and Martin have been dead for 20 years and have no connection to the Magnus Institute

YOOO CELIA’S LOOKING INTO BASIRA AND HELEN

wait how would she know about Helen? Did the tunnels cult ever meet her? I don’t remember

OH WAIT I REMEMBER SHE TRIED TO EAT CELIA (at least, according to Melanie and Georgie) lol girlie why would you want to find her ageidjdief

Oh poor Gwen is not doing great.

Oh my god she’s actually talking to Alice instead of being snappy

And Alice seems to be. Actually listening !!!! Here’s how Dyhard can still win-

Alice fully believes Gwen

LMAO THE IMMEDIATE GLITCH AFTER GWEN SAID “I’ve not been arsey”

we’ve got confirmation that [Error] has a shitload of eyes let’s gooooo archivist moment

Alice immediately recognizing the tape recorder from her own experience and putting the pieces together that the whole oiar is being targeted is peak girlboss energy hell yeah Alice

And Gwen is obviously taking Alice’s experience seriously too hell yeah

Alice and Gwen are in danger? I think they should kiss about it

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 伪装者/The Disguiser.

The Disguiser is a 2015 spy drama set in Shanghai, 1940. It follows the adventures of four wealthy siblings, all of whom are to some degree engaging in coordinated espionage, subterfuge, and other general acts of sabotage against the brutal occupying Japanese force.

I need to mention the Nirvana in Fire connection up front, because yeah, if you've seen that, you've probably noticed some familiar faces already. And the comparison isn't unwarranted! The stories are completely different, but they're both character-driven, complex, subtly cheeky adventures that manage to keep that tense intrigue going throughout the narrative. Like Nirvana in Fire, the Disguiser's on the heftier side -- 48 episodes -- but they go by at an incredible clip, so that it never feels long.

I have done a rec post for this before, and I stand by everything I said there. However, I figured it deserved its own for-real rec post, so here we go with five specific reasons I think you should give it a try.

1. We're all comrades in horny jail

This is an intensely horny show, starting from -- but absolutely not stopping with -- the main quartet.

These are the four Ming siblings. Only the elder pair of them, Ming Jing and Ming Lou (both on the passenger side of the car), are blood-related to one another. Ming Tai (also in the back seat) got adopted into the family when he was young enough that Ming Jing's relationship to him is very maternal.

Meanwhile, Ah Cheng (driving) was somewhat less thoroughly adopted when he was around ten, meaning that he's always weirdly marginal when it comes to who actually counts as part of the Ming family. He's a brother, but also he's a servant. Sometimes he's in the family photos, and sometimes he's left out of them. His name is legally "Ming Cheng," but basically no one ever calls him that.

What this means is that you've got four incredibly attractive people who are all legally but mostly not genetically related to one another, keeping secrets both with and from one another, yelling at one another, running headlong into danger for one another, sleeping in one another's beds, and occasionally demanding some members of the family spank the others. Is it hot in here, or is it just them?

And it's not just that these are pretty people up in each other's business. Nearly every interpersonal interaction among all the main characters is at least background levels of horny, because of how high the stakes are. The tension running throughout the show is intense -- and of course it is, because these are spies in life-or-death situations, trying to keep their cool so they don't get killed. So many of the relationships are built on lies meant to charm and seduce their targets, which is of course going to be sexy. But when they're built on honesty, they're all the more intimate for that disclosure, because being open with someone about your real identity and allegiances is putting your entire life into their hands.

To be clear: When I say the show is horny, I don't mean that it's erotic or salacious, or that you're going to get a peep of anyone's naughty little comrade, or anything like that. This is the horniness of lingering glances and shouting matches and power imbalances and guns pointed at chests. It's a combo platter of smouldering Victorian yearning mixed with action-movie adrenaline. It's the delicious, redirected horniness you get when sex isn't on the (canonical) table, so all that fraught energy has to go somewhere.

Get to the part in Episode 6 where Ming Jing gets out the short whip. You'll be glad you did.

2. Bad, bad bitches

Some of the baddest bad guys in the show are ladies. In fact, I can't even tell you about all of them here because of spoiler reasons. There are two, however, who deserve special mention.

The first and most prominent is Wang Manchun, member of the Japanese-controlled government's intelligence service, who is one of the best antagonists I've seen in anything. Perfectly coiffed and devastatingly intelligent, she's a member of a powerful Chinese family who has chosen to work for the Japanese-controlled intelligence bureau. She can be genuinely warm and sweet, almost girlish even, when she's around someone she likes. She can also torture a dude to death without smudging her eyeliner.

Her fatal flaw is that she's so in love with Ming Lou -- and so mistakenly convinced that Ming Lou is in love with her -- that it makes her make some extremely bad decisions. When was the last time you saw the handsome gentleman be a honeypot?

I feel okay spoiling you about the fact that these two do not end up together. Ming Lou does not see the error of his ways and start returning her feelings -- which is what I was damn near certain was going to happen for almost two-thirds of the show. I was braced for the show to come in singing the praises of the redeeming power of heteronormativity! NOPE. She's crazy and she needs to go down.

(I do have some issues with how she goes down, but ... well, you'll understand when you get there.)

The other baddie, Nantian/Minamida, is a stark contrast to Wang Manchun. There is nothing delicate or femme about her. She gets given the worst hairstyle and the most unflattering outfits. The actor's features are already strong, and the way the show makes her up doesn't allow a single inch of softness to slip out. There is one point where she gets to dance with Ah Cheng, and she's painfully wooden. It'd be funny if she weren't so dangerous.

As the section chief of the Japanese forces in Shanghai, Minamida is a formidable foe. She's smart. She's mean. She's incredibly suspicious of all these smiling Chinese people who surround her, because she doesn't know which ones are legitimately sucking up to her and which are just waiting to drive a knife into her back. Just plain killing her would be easy. Killing her and getting away with it? That's what's going to need a plan.

The actor is also Japanese! In fact, they've gotten a fair number of Japanese actors to play the Japanese characters, but she's the only one who also speaks Mandarin competently and doesn't need to be overdubbed by a native speaker. She's scary and intense and kinda makes your skin crawl. It's great. She's great.

And while we're talking about bad girls, I'm also going to shout out Yu Manli in here, because while she's not a villain, she's absolutely a morally grey character -- and I love her to itty bitty bits. She's about three inches high and weighs about five pounds soaking wet, and she will murder the heck out of you. Baby girl.

3. It's queer in here

The original novel is not danmei. No boy-kissing has been censored, because there wasn't any in the first place. The author/screenwriter is a lady, but not one who dabbles in BL. This does not merit the "Censored Adaptation of a Same-Sex Work" tag on MyDramaList. Censorship didn't do anything to this one. It was never gay.

That said, the show is massively queer, in that it lauds textually the normative experience of getting married relatively young and having lots of children -- and then gives you so many characters, both heroes and villains, who don't do that.

I mean, we've got:

Adult unmarried siblings living together

A grown woman who has intentionally remained unmarried in order to manage her business and family interests

Two adult brothers, both bachelors, who basically live in one another's back pockets

In fact, plenty of people who seem to have forsaken marriage and children in favor of their various active patriotisms

"Life and death partners" who have to fake-date their way through a couple spy missions

A teenage girl sold into sex work who offers to marry the man who saves her and is politely turned down for her own good

The same teenage girl pulling a black-widow routine and using multiple other marriages as a pretense to murder dudes

A couple whose marriage is forbidden by their families, except they do not end up together

A guy who has to break up with his real girlfriend so he can pretend to be with the spy colleague he lives with

A single woman who adopts a child

Two orphaned young adult siblings who adopt two children not that much younger than they are

A heterosexual relationship between people who are functionally equals in their various underground organizations (which don't want their members having romantic relationships with anyone)

A note on that last one: There is a cishet normie love story that runs the length of the show. A lot of people dislike it; I think it's cute and fine! But no matter what you think of it, you have to note the sharp contrast between this prescriptive tale of young love and everything else that's going on around them. There's a lot of lip service paid to how their marriage and the children they will presumably have someday are the ideal, but it's certainly not the only way people live, or even live well. In fact, everybody else treats their romance a little bit like oh, thank goodness he's doing this so we don't have to.

Other aspects of heterosexuality are similarly praised in concept, but not really shown in the best light. There is a lot of filial devotion involved here, but overwhelmingly toward parents who are dead. Living parents, by and large, either are absentee or just plain fucking suck. The show even has very few married characters anywhere in its principal cast, and most marriages that even get so much as mentioned either are portrayed as scummy (because the husband sucks ass) or ended because one of the partners died. Even the very idea of marriage, while praised in theory, doesn't thrill most of the characters. At one point, when Ming Jing brings up the idea of Ah Cheng's getting married, Ah Cheng cannot extract himself from that conversation fast enough.

What this really does mean is, when it comes to heteronormative ideals, the show frequently says one thing and does another.

Do I think the show is queering things on purpose? Absolutely not. This is instead one of those situations where there's such an underlying assumption that heterosexual desire and family unit construction are universal constants ... that the show barely actually gets around to portraying those things as good.

What you get instead, then, are a lot of powerful interpersonal ties that cannot be satisfied by marriage. The most intense loyalties in the show are between people for whom heterosexual pair bonding is not a social or narrative option. Therefore, those intimacies form along different pathways, many of which fall way outside the socially acceptable parameters of marital respectability and reproductive obligation. People love one another fiercely in sometimes unconventional ways. It doesn't get much queerer than that.

I'm also going to put the phrase "the inherent eroticism of letting someone who loves you shoot you with a sniper rifle" right here and walk away. Perhaps it will intrigue you. Perhaps it will intrigue you extra to know this happens more than once.

4. Jin Dong in menswear

That's it, that's the selling point.

Okay, wait, I do have something to add: In a sea of strong performances, his is arguably the best. He absolutely nails this tone of quiet, competent exhaustion the whole way through, making his Ming Lou this perfect gentleman on the verge of collapse.

You learn (somewhat confusingly) in the very first episode that Ming Lou is an important minister for the economy under the new (Japanese-controlled) government in Shanghai -- except, no! He's actually secretly the captain (codename Viper) of the local KMT division, working to undermine the occupying Japanese forces -- except, no again! He's actually -- and this is the real one this time -- head of intel (codename Cobra) for the Shanghai CCP underground.

(I bring up the codenames because my first time through, I didn't fully realize that they were attached to his different identities, and I just thought the occasionally spotty translation couldn't agree on which English word to use for the same snake.)

Living this three-identities-deep life is taking its toll on Ming Lou, but you know what? He's also a damn professional. He comports himself in exactly the manner he's supposed to behave at all times. And Jin Dong sells it beautifully, this carefully restrained exterior that houses a passionate heart.

This to me is the reason his relationship with Ah Cheng is so precious: Ah Cheng is the only one who understands, because Ah Cheng is living the same life of nesting-doll secrets. It's easier on Ah Cheng, though, because he doesn't have to be the face of it all; he just gets to smile and do whatever his da ge tells him to. They are each tasked with taking care of the other in ways great and small. I'm not going to spoil its context, but one of the most powerful moments in the show is when Ah Cheng says matter-of-factly that he knows his life is worth less to Ming Lou than other people's are, and Ming Lou, to put it mildly, pointedly disagrees.

So yeah, this is The Ship.

If you consider their relationship entirely fraternal, theirs is an incredible dynamic of trust, dependence, vulnerability, and sacrifice. If you consider it fraternal and spicy, well, it's still all that, but also enjoy picturing them tenderly removing each other's really nice suits piece by expensive piece.

5. You gotta spy hard!

Imagine the spy media spectrum where at one end you've got James Bond and Mission: Impossible movies (sexy, glamorous, high-tech), and at the other end you've got the Rebel and John LeCarre novels (grueling, well-reserched, realistic). The Disguiser is well toward the latter end of that continuum. It's got a bit of a Hollywood gloss on the whole mechanics of spywork, but man, not much of one.

Despite what the title suggests, most of the spies in this show are exactly who they say they are. Ming Tai is the only one of the siblings who assumes temporary false identities as part of his spycraft, and even he really can't do that anymore once he's back in his native Shanghai, where he's the recognizable youngest son of a prominent family. They all have to be spies in plain sight, which is equal parts a hindrance and an asset. You've got to see Ming Jing do-you-know-who-I-am her way out of some shit. It's great.

There are some legitimately tense scenes and escapes, and I like that most of the threats are overcome by quick thinking and very good acting. The schemes that our heroes pull off work because our heroes understand what makes certain people tick, and other people can't pull that shit on our heroes because our heroes have one another. It's smart spywork that stops short of being grandiose. Even the big plans that involve several steps rely less on supernatural feats of timing, and more on just trusting human nature.

The show is definitely spinning a propaganda yarn about how the noble Communists saved the day during the '40s, and in doing so it takes some pretty entertaining liberties with history. Even so, the particulars of the political philosophies are absolutely secondary to the conflict. You're never going to get a scene where two guys excitedly detail just how much Mao rules. At best there's some blah-blah about freedom and love of country that could be transposed onto any nationalist ideology without a lot of work. If you asked me, based only on information provided by this show, to explain the difference between the KMT and the CCP, my main answer would be, one group uses a code name that's one kind of snake, while the other uses a code name that's a different kind of snake.

And honestly, it's kind of nice. All you really need to know is that the Communists are cool, the KMT are okay but definitely less cool, and the Japanese and anyone who works with them fucking suck. I can do that! I grew up in a sports-watching family. I'm used to being sat down in front of the television and told, we want the guys in the blue uniforms to beat the guys in the white uniforms. No sweat.

The plot does fall down more than a little bit in the final act, due to a combination of intentional obfuscation on the drama's part, a couple things that probably should have happened onscreen instead of off, and a sudden rash of stupid-ass decisions made by one character in particular. But by that point, you're invested enough that you might as well see it through to the end, right? The dismount's a bit shaky but ultimately satisfying, as the genre goes.

I'm going to say the same thing here I said in the Nirvana in Fire rec post: This show is not for everybody, but if this is the kind of thing you like, it is a fantastic example of that thing.

bonus: And speaking of Nirvana in Fire...

Here's the full set.

Basically, if you watched Nirvana in Fire, you owe it to yourself to see the Disguiser. It’s another smart, character-driven drama, and you get to see a lot of your favorite actors in radically different roles, costumes, and relationships. (And speaking of costumes, both shows apparently have the same costume designer? That's range.)

Going to give this one a shot?

It's unfortunately a little hard to find. In my region (i.e., the US), KissAsian and YouTube are as good as it gets, both of which have their drawbacks. Some others among you may be lucky enough to be in a region where Viki will show it to you (which is where the KissAsian subs come from in the first place). There's a horrible set of machine translations running around out there, so beware of those; you'll know immediately you've tripped over those when they don't translate any of the onscreen text crawl at the start.

And speaking of the subtitles: Both extant sets, to put it politely, leave something to be desired. You can generally tell what's going on, but there are times you'll have to work for it. This is definitely more annoying when you're trying to follow a smart spy drama than it is when you're breezing through a low-intensity fuzzy xianxia mess. You actually have to pay attention to this one.

As a bonus, pretty much the whole thing was filmed in Shanghai Film Park, so if you're missing Dragon City, well, here it is! This was in fact the first Republican-era show I saw after watching Guardian, and I spent a lot of time going, hey, I know that street! ...like a nerd.

You can feel the brotherly love.

[pikatrainer99]

Branch from Trolls has PTSD, paranoia, depression, and anxiety and you can't change my mind! (Part 1: Trolls) (SPOILERS FOR A MOVIE THAT CAME OUT 8 YEARS AGO BUT JUST IN CASE 😅)

(This entire three-part analysis was SUPPOSED to be completed in its entirety by the end of May since it's for mental health awareness month, buuuut...I couldn't finish it in time (had to take a break and take care of myself because my PTSD has relapsed lately...AGAIN... I've been getting triggered really easily by just about anything and I hate it so much 😑), but at least the FIRST part is ready in time...so here we go!

Branch is my favorite character in DreamWorks' Trolls franchise, and for many reasons. One of them being that he is very relatable. As someone with PTSD, paranoia, depression, and anxiety myself, I find it easy to put myself in Branch's tiny Troll feet and feel how he feels. (I also headcanon him as autistic, which I also am, but that's a post for another day). With this series of posts I will be analyzing his character journey and how his mental struggles affect him and his life. I will only be going over the three theatrical films in the franchise in these analysis posts, because, while his mental struggles are ABSOLUTELY present in the TV shows, I haven't seen every episode of the TV shows and I have a lot to discuss with just the three movies because I love Branch and relate to him so much.

So, to start this analysis, let's take a look at the first Trolls film. When Branch is first introduced, he is a grumpy, depressed, pessimistic gray Troll, and the only Troll in the village who doesn't sing, dance, hug, or party.

He instead chooses to spend all his time working on gathering supplies and rations for his, as he says "highly camouflaged, heavily fortified, Bergen-proof survival bunker." He lives in the bunker and has enough provisions to last him ten years…eleven if he's willing to store and drink his own sweat…which he is (gross).

Branch always feels the need to be crazy over-prepared for everything (so do I), no matter how crazy it drives the others (same here). The other Trolls all say that he ruins everything by interrupting their fun and panicking that "The Bergens are coming!" when in reality there's no Bergen in sight and there hasn't been for 20 years by that point and he's just paranoid. To them, he's basically like the boy who cried wolf…or in this case, the Troll who cried Bergen.

When Poppy invites Branch to her party, Branch immediately declines, saying that he "wouldn't be caught dead at her party" before adding that all the others "will be caught and dead" because of how big, loud, and crazy it's going to be. Branch frustratedly declares that Poppy's party is just gonna lead the Bergens right to the Trolls, and they all just brush his warning off because they haven't had to worry about Bergens in 20 years. That night, during the party, Branch is out collecting more provisions and he looks at the party from afar, scoffing at the others and their carefree attitudes before retreating back to his bunker. Before he knows it though, Poppy is banging on his door because a Bergen attacked the party and took all her friends. Branch, in his paranoia and anxiety, drags Poppy inside the bunker with him and sets up all his traps as they sit and wait in silence before Poppy tells him the Bergen is gone.

Branch, still paranoid, doesn't believe her and says that it could still be out there "watching…waiting…listening…" He clearly feels like he can never let his guard down, always on hyper-alert, checking for any danger. This is a common symptom of PTSD - hyper-vigilance (I have this symptom myself), and it can contribute to paranoia, making it even worse (it definitely does for me, and it looks like it's the same for Branch).

When Poppy asks him to go to Bergen Town with her to save everyone, Branch, with no hesitation, says no, that they're not his friends, they're Poppy's friends, and that he's staying in his bunker because his bunker is safe. He takes her down to the lower levels of the bunker, and this is where we see some obvious evidence of his mental state. There is frantic fear writing ALL OVER THE WALLS, and it says things like, "Run", "Danger", "Bergens eat us", "Teeth in the night", among many other things that are hastily scribbled and illegible (though Branch has bad writing in general, so it's already hard to read, but my point stands). He's even got multiple papers with horrifying drawings of the Bergens hung up on that wall as well. I have never really seen anyone else in this fandom talk about the writing all over Branch's walls, so I'm gonna talk about it myself. It makes it look like the poor guy spiraled, lost control, and had a manic episode…or eleven.

(Seriously, just LOOK at all this!!! This man is NOT okay!!!)

He's clearly TERRIFIED of Bergens, and wants to do everything in his power to avoid ever encountering one (which, fair, they do wanna EAT the Trolls, so that's a valid fear). Branch's fear of Bergens though, is not a normal fear, it seems to be a phobia, which would explain the paranoia. Obviously there's something going on inside his head involving Bergens that will definitely be revealed later. (foreshadowing)

Poppy completely disrespects Branch's needs, wishes, and privacy by letting all the other Trolls into the bunker while she goes to save her friends that got taken. This kinda made me upset because Branch clearly didn't give her permission to invade his personal space like that and make his own home suddenly feel unsafe with everyone there going through his stuff all at once. He freaks out when it's "Hug Time" because he doesn't want to be touched, especially not by all these Trolls he doesn't trust, so he packs a backpack and goes after Poppy, saving her from some spiders.

(This is honestly really upsetting to watch, she totally disrespects and ignores his boundaries here and it hurts to see him freak out over Hug Time because I also hate being touched, which means I also dislike hugs as a result of that...I only willingly hug my grandparents, that's it, no one else, not even my own parents.)

The whole way to Bergen Town, Branch is gloomy, brooding, and irritable. He tells Poppy that the world isn't all "cupcakes and rainbows" when she asks what happened to him to make him the way he is.

Poppy and her constant singing get on his nerves, the worst instance of this being when she starts singing at night when he's trying to sleep, making him angry enough to throw her ukulele into the campfire, burning it.

(This scene always gets a laugh out of me, the way it's animated is just perfect comedy XD)

Singing is clearly triggering for him, which we find out why later on when he adamantly refuses to sing with the others when they're trying to help Bridget get a date with King Gristle by giving her a makeover. Poppy asks him why he won't sing and he responds with (probably) the most iconic line in the entire film (and not one that people seem to be able to take seriously…but I take it as seriously as can be): "BECAUSE SINGING KILLED MY GRANDMA, OKAY?!"

(His facial expressions here as he tells the story of what happened to his grandma are just...DreamWorks nailed it, and also the knee hugging pose...he's just like me for real 🥺)

We then see a flashback of a young Branch, happy and colorful, singing his heart out, but the Chef Bergen comes for him and he's so lost in song he doesn't notice, or hear his grandma warning him.

This causes his grandma to push him out of the way, and get taken instead.

Branch is so distraught by his grandma's sacrifice, that he loses all his happiness and becomes depressed, turning gray in the process, and vowing to never sing again.

(This poor child had to witness his grandma meet her untimely demise...and he blames himself for it...that's really depressing in my opinion, I seriously don't understand why people find this scene funny, it triggered my own PTSD really BAD the first time I watched it...I'm used to it now so I don't have my PTSD triggered by it anymore but it still hurts to watch.)

Now the bigger picture is clear. He's got PTSD and paranoia involving the Bergens because of what happened with his grandma as a child. His grandma's sacrifice also started his severe depressive state, as evidenced by him turning gray immediately after she got taken. When the flashback ends, Branch is staring silently and sadly out the window, looking like he's trying not to cry, his depression getting a hold of him once again.

(Again, DreamWorks really nailed the facial expressions here...he looks so broken 🥺)

I understand how he's feeling in that scene, my grandma is my LIFELINE, the person I feel the safest with…seriously I confide in her and tell her more things than I tell my own mom because I trust my grandma more…I even stayed at her house for a while a few years back during my worst mental crisis ever just so I could have the feeling of constant safety and less nightmares…so if something ever happened to her I wouldn't be able to live with myself. Singing is a trigger for him, and so are Bergens in general…which makes me upset at the others, AGAIN, when they sing the song that Branch was singing during that time…my thoughts were like, "Come ON guys, that song is probably the most triggering song for him…" As you can probably tell, I get upset with the others quite a few times whenever I watch this film, because of how they treat Branch. Eventually the entirety of Troll Village is thrown in a pot, ready to be served for Trollstice, and it's here where Branch's character development really becomes apparent. Poppy turns gray, quickly followed by all the other Trolls, and Branch looks around at everyone turning gray, like him, and, desperate to do something about it and help the girl he's now grown to love, he finally breaks his 20-year-long "no singing" vow as he begins to sing "True Colors" in what is probably the most beautiful scene in the entire film (I know it's my personal favorite scene).

(There they all go...turning gray...and Branch is just looking around at everyone, clearly upset by this.)

(His expressions here...you can tell he's thinking, "I've gotta do something!" And he does, and it's beautiful 🥺)

Thanks to Branch, Poppy and the other Trolls are able to regain their colors, and thanks to Poppy, Branch FINALLY regains his colors after 20 years!

(He's getting his colors back! I always feel so happy when I watch the True Colors scene, it's just so beautiful and satisfying 😌👍)

(They're so cute, look at them dance together 🥺! Broppy is best Trolls ship and no one can convince me otherwise, these two are PERFECT for each other 😌)

He thanks Poppy for showing him how to be happy, stating that "happiness is inside of all of us, sometimes you just need someone to help you find it", quoting one of Poppy's lines from earlier in the film. Branch now feels comfortable singing and dancing with Poppy and the other Trolls as they teach the Bergens that same lesson by singing "Can't Stop The Feeling", which helps the Trolls finally make peace with the Bergens after many many years of fearing being eaten by them.

Poppy is crowned queen, Branch finally asks for (and gets) a hug from her even though it's not Hug Time, and the movie ends.

(They are so adorable I can't take it!)

This is not the end of Branch's journey though, there's still two more movies to cover! I'll be covering the second movie hopefully soon, so I hope you look forward to that, and I hope you enjoyed this character analysis on Branch in the first movie! If I missed anything please feel free to let me know in the comments! I sometimes miss things especially with relatable characters because sometimes there are aspects that trigger me so I try to forget about those aspects, and sometimes the character as a whole just hits too close to home and writing analyses on them is too overwhelming because of that (Branch is one of those characters, so it took me ages to write this and gather all the GIFs and images...and also this entire analysis was written ENTIRELY from my memory of the events in the first movie, so there's that part too). Also please excuse the potato quality images and GIFs...I tried my best to find good ones but most of them I found are just REALLY bad quality so...sorry about that 😅

Okay, that's about it for this post! I'll see you guys next time for another Branch analysis, this time for Trolls World Tour! Catch ya later! 👋

[lachiennearoo]

It feels sometimes like I'm living in a crazy world. It's so frustrating to me, to feel so much that I am right yet most people I encounter act like I'm insane;

I'll give you guys some context;

As we all know, I'm a huge Deadpool fan. And that means I follow a lot of stuff related to the media.

And recently I made a comment on Threads complimenting the stunt work in the new movie, saying "I'm a pacifist, but the way the action scenes in Deadpool are shot makes violence look sexy as fuck". Y'know just a funny little joke, what have you.

And then... Some person (probably a lady by the way they talked) replied to me and said basically that she watched the movies with her 11 year old kid.

And well y'know, I was concerned. Because all the Deadpool movies are rated R. So they're adult-oriented, made for adult audiences, with nudity and sex and gore and violence and swearing...

And I told her that. And the lady just started getting mad like "oh you don't know me or my family" and "he's very grown up for his age" and "it's just a movie it's not a big deal".

Like... Fuck, man. I've been in the adult industry for years now. I've encountered minors who have been raised on unadulterated violence and sex and all that shit. Kids whose parents didn't think it was a big deal and vehiculated that idea to their children.

And yeah sure, sometimes it doesn't do anything to the kid. But sometimes it does, and then we, the adult content creators, are the ones having to deal with that shit.

Of minors posting comments under our posts, talking about our work, hell I even had some try to get free art or flirt with me, knowing I was an adult and they weren't.

Or minors making their own adult art and sharing it online, and then of course getting mad when told it was dangerous and saying "it's not a big deal" and whatnot.

This is how it starts. Being surrounded by people who enable that behavior. Yes, even if it's "just a movie" and "there are worst things out there".

The risk is real.

I actually made a comparison in the argument with that lady with seatbelts, because with cars, plenty of people will never experience a crash and be fine their own lives, and yet seatbelts are still heavily pushed because they are a safe method in case something happens. And people who scoff at seatbelts and say they're useless are usually looked down upon because they're actively ignoring risks associated to piloting a car without any safety measures.

And that's the same thing here

Oh wait, and it's not over yet

Because THEN, during the argument, the lady brought up an article about how Ryan Reynolds showed his 9yo daughter his new movie (Deadpool 3). And I just... Feel so disappointed.

I assume the lady showed me the article to "prove her point" but instead all it did was just make me feel even worse because not even the fucking lead actor of an adult movie cares about this shit

And it sucks

I'm just... So tired. Of everything...

[xxsycamore]

👻🕸️🦇 IKEVAMP SUITORS IN A HORROR-MOVIE SETTING ! 🦇🕸️👻 (headcanons)

Happy Halloween! Yes, this includes all 17 suitors. I'm no expert on the genre but I thought this might be fun! Some of them die. I'm sorry. Warnings: everything that can appear in a horror movie really, including mentions of death, mass murder, blood, gore, torture, cults.

If you feel like reading something more goofy where everyone lives, try Pumpkin Carving Competition At Saint Germain’s Mansion or maybe even “Welcome to Saint Germain’s mansion, please have a fang-tastic night.” 

𝐍𝐀𝐏𝐎𝐋𝐄𝐎𝐍

The "okay guys, we need a plan" guy and welp, he has a sword, he is willing to walk in front, why not trust him? 👍🏻✨He's totally the one to hide being infected because come on, how are they gonna get out of there alive if the leader is down? Has a dramatic scene where he's fighting off the transformation in secret. Ends up being saved by someone and survives.

𝐋𝐄𝐎𝐍𝐀𝐑𝐃𝐎

Leonardo is the one you find along the journey, mistaking for an enemy at first as you get into his trap... when it actually turns out he's been there long before you, surviving all alone in this post-apocalyptic setting, adapted to it, prepared for every danger out there with gadgets he made himself! He might not stay alive until the end but plays a key role in the plot.

𝐌𝐎𝐙𝐀𝐑𝐓

He tried to warn them not to do anything stupid... He's now stuck suffering from the group's bad decision-making. He doesn't even know how he ended up there. Mozart is that one character that you're supposed to hate for being an asshole. At one point he falls in danger that specifically relates to a fear of his, and when everyone expects him to sacrifice another person to save himself, he does the opposite. He seemingly dies right there, breaking everyone's hearts, only to be revealed at the very end that he managed to survive!

𝐈𝐒𝐀𝐀𝐂 (credits for the idea goes to @scummy-writes guys she can write a whole fic of those I swear,, it's been such a pleasure listening to her)

Isaac needs to be saved five minutes into the movie... which writes him off as the weaker one from the get-go. This is going to be bad if the situation comes to "we gotta leave someone behind or we all die here!" - but hey, DON'T LEAVE ISAAC BEHIND IF YOU WANT TO SURVIVE! Because the next thing you know everyone falls into this deadly trap that only HE can figure the way out of, using his big brain skills. His worth has been proved! Everyone loves him now! And all he wants is to go back home and never go on a trip with these guys ever again!

𝐀𝐑𝐓𝐇𝐔𝐑

I'm sorry, Arthur dies first. The others are trying to warn him about the cases of victims who've been sucked to a dry husk and he's like "later virgins, i have a date tonight". Yeah his date totally killed him. Bonus points if we're dealing with vampires here, because irony. It's fine though, he's still important to the plot after he dies, because we find his writing diary and he left important cues there while trying to escape from his killer. Maybe he even came close to the truth! He knows his mystery genre stuff after all...

𝐓𝐇𝐄𝐎𝐃𝐎𝐑𝐔𝐒

Theo just does NOT believe paranormal exists, not even after witnessing it with his own two eyes. Worst part, he tries to convince the others too. "My broer IS NOT POSSESSED!" Uhuh! Okay Theo! You just saw cryptic images appear on his canvas without him even moving the brush but I guess he was just trying a new painting technique!! And he levitates too and his eyes are tar black but what do we know... Once Theo realizes the situation, he's out there swinging a bat (sexy), ready to beat the shit out of whatever caused this, and he's good at it. Don't worry about him dying.

𝐕𝐈𝐍𝐂𝐄𝐍𝐓

Poor baby Vincent is every sinister ghost/demon's number-one target. Vincent listens to the voices. He sympathizes with them! He makes friends with them! Maybe he doesn't even need to be possessed at this rate... Same story with joining a cult, honestly. When their bad intentions begin to come to light, Vincent puts up a fight and is suddenly not as easy to control as they thought.

𝐉𝐄𝐀𝐍

Jean might take some bullets from our main cast while someone shouts "IT WON'T DIE!" but it's fine he's used to it... he's been dead for quite some time and not just inside. Jean is probably the result of some sick experiment about making an immortal army of warriors and. It's sad. But it's fine because he joins the protagonists now! He's friend! I hope they apologize for calling him a monster. No, he doesn't die by the end of the movie, but at what cost?

𝐃𝐀𝐙𝐀𝐈

"Oh, it was just Dazai." Of course it was, someone has to be that one idiot that scares the shit out of everyone until he becomes the boy who cried wolf. Which usually ends with death! I'm sorry Dazai. At least they can take him seriously now and pay some more attention to the strange things he kept on saying.

𝐒𝐇𝐀𝐊𝐄𝐒𝐏𝐄𝐀𝐑𝐄

A very old-school villain! Bonus points if the setting is modern yet he still has a villain's lair and all that. There's something beautiful and tragic about him and he probably dramatically lets himself be defeated even if he had a chance to escape. Everyone will remember him. Mostly for the mental and physical torture, but still.

𝐂𝐎𝐌𝐓𝐄

"But we have one hour left until the curse kills us all, how are we gonna get there on time?!" *sounds of safari jeep pulling over* "Someone ordered a ride?" - yeah. Comte is here to save the day with the power of money friendship. And not just that! Who is the one who suddenly remembers a family heirloom that is as old as time and suspiciously shaped exactly like the key they're searching for? I also want him to lose an eye or a limb for some reason... just for a little touch of gore maybe?

𝐒𝐄𝐁𝐀𝐒𝐓𝐈𝐀𝐍

Gods, Sebastian is the only prepared one, bless him for that. He's read all about that urban legend while everyone's been busy denying its existence. He is not scared at all, too... you might wonder if he's just geeking out during all of this bloody mess or something. He's so important, please don't let him die please don't let him die... he died.

𝐂𝐇𝐀𝐑𝐋𝐄𝐒

The villain's aide that infiltrates the protagonists' group. By the time his betrayal scene happens and he nearly kills three members of the group with a chainsaw, we get a glimpse of his trauma and that's the key to sucessfully talking him out of doing it, eventually disarming him and catching him. He manages to escape and maybe later returns as an ally! Yay!

𝐅𝐀𝐔𝐒𝐓

Gods he's scary. I'm not watching this. Of course he's the killer, what did you expect? Has a tragic backstory of being used by an even more fucked-up killer in the past to do the dirty work for - and kept doing it even after getting rid of them himself, because that's the only thing he knows how to do. You can't fix him.

𝐕𝐋𝐀𝐃

IT'S HIMMM he's the scary little boy from the photos and the same scary little boy that always shows up in the rose garden and his soul just won't rest in peace!! Shows up in his adult form plenty too, just expect his expression to twist into something horrible every second. He needs to be sealed forever somewhere and it would take three sequels to get to know what would actually defeat him once and for all.

𝐃𝐑𝐀𝐊𝐄

... I'm sorry but there definitely is a lighthouse in this movie. And you can totally trust Drake! The poor guy's body just washed up for you to discover, tragically drowned-oh, wait no, he's breathing. He's totally not the same sailor who died around here many, many years ago. He's gonna keep you good company in the lighthouse alone for miles.

𝐆𝐀𝐋𝐈𝐋𝐄𝐎

Galileo is the one who saw the Thing™ with his own eyes, while he was watching the stars one night ages ago. He dedicated not only his massive research but also his life to this, yet noone believes him. If he somehow manages to find that one missing piece that connects everything together, he will die a horrifying death before he can even share it with the main cast. Rip...

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[thiswaycomessomethingwicked]

Okay here I am again because the Grima brainrot is particularly intense rn and I just saw a post talking about.

Grima but as a woman. Like genderbend. Nothing changes, same looks, same personality, same behaviour, same ambiguous feelings for Eowyn. (I’d smash.)

I think it’s actually interesting considering that Grima’s flaws in the movies/books are hinted also to be rooted from his “unmanliness” (as Tolkien presents a lot of characters with honour and values considered “male”.)

But I think that even if he were to be a woman, there is a great deal of traits Grima wouldn’t possess to be considered conventionally “feminine” by Tolkien’s and many’s standards. (Such as beauty for example).

So yeah, it just occurred to me and now I’ve been thinking about this since 3am. This is the reason why I’m pansexual. We don’t care about gender. We care about silly evil pookies okay.

As always have a great day/night ! ^^

Yesssss!

Grima & Gender is a super interesting thing that I think about all the time. I love thinking about him and manliness, femininity, secret third and fourth options etc.

I know I reblogged the ask/reply that I had about Grima on Gender and Magic, so you have the gist of most of my thoughts as it relates to Grima performing gender (or not, as the case may be) within the context of masculinity.

But Grima straight up as a woman would be very interesting. Particularly because Rohan is quite gendered when it comes to the wielding of power - and quite binary in who wields what power.

(E.g., when Theoden departs Edoras to fight Saruman, he despairs over leaving the city leaderless because Eomer won't stay behind. It doesn't occur to him that Eowyn is even an option until Hama suggests it.)

Therefore, Grima being in a position of power that is traditionally masculine would be very interesting. Indeed, her entire performance of gender would likely be impacted by the uniqueness of her position. Queens, historically, were more passive in Rohan than in other countries so it's not like she would have someone to model herself on. Nor would there be a model for other people on how to receive and perceive Grima.

(Morwen, maaaaaybe, but honestly her epithet of Steelsheen is more about her appearance than anything else. Though perhaps her personality could be inferred from it... But truly, we only know her in the context of being wife and mother.)

Given the absence of models, would Grima into the more masculine aspects of how people would be reading her? Would she do the whole performance of "I may have the body of a woman but I've the head and heart of a man"? Or would she hyper-perform the femininity song and dance as a way to balance it out/make her more palatable to some?

Aside from the occupying a masculine position of power within the context of Rohan's society, Grima's other personality and physical traits would absolutely count against her being seen as appropriately feminine.

Good qualities for a Rohirrim woman to have is height, slenderness, fairness of face, and youthfulness. Grima's tall...and that's all she's got going for her.

Grima is also neither high-hearted nor noble in bearing let alone in birth (because nobility of birth is very important to one's perceived Goodness and Worth in Tolkien's world).

Grima is a sneak, a liar, a thief, and power hungry. Grima would be, fundamentally, a Woman Who Wants Something. And what she wants are things women shouldn't want.

Wanting Things in general, for both men and women, is a dangerous game to play in Middle Earth and the texts punish many of the people who do any major "unacceptable" desiring (or creating) of things outside their purview.

Grima's obvious foil, Eowyn, is a prime example. Eowyn wants to be a warrior, she wants to be queen, she wants to be part of the Gondor noble family (and assume the power and privilege that comes with that), she wants to be seen and heard and to have an impact on the fate of the world.

Some of her wanting was out of a selfless desire to save her home and her people, but a lot was also just her having dreams and desires.

Eowyn may have been named as Shieldmaiden of Rohan but it is evident that this was meant as an honorific that wasn't meant to be actually acted upon. Save, of course, in the gravest/most dire circumstances when all is lost and only women remain to defend the land because the men are dead. This is, indeed, the gist of the conversation she has with Aragorn and you can see her resentment and anger about what her expected role is to be compared to that of her brother and the other men in her life.

I think the fact that Eowyn reflects, in many ways, the ideal of womanhood is what saves her from being punished too hard. Eowyn is tall, fair, slender, young, high-hearted, daughter of kings, and has selfless and noble motives (alongside the more human ones).

She is allowed her transgression. She gets her great moment of battle against the witch-king. She gets to make her mark, to save people, to change history.

But, she also receives a bit of a personality transplant as a result of it. She gets to be a wife - but not a queen. She gets to be a mother who heals people. She gets to be a Proper Noble Woman and live, once again, in a gilded cage. The very thing she was so furious about initially.

I know there is the idea that she is healed and she has overcome her anger and has changed - but it still feels like the text punished her and robbed her. Of course, a huge part of the problem is that Eowyn is the only women we spend any real time with - if we had more women with diverse journeys and endings, it would be different.

It's subconscious to a certain degree, I think, also heavily informed by Tolkien's Catholicism alongside the culture of the time. The importance of the Marian archetype of womanhood etc. And we know Tolkien loved Eowyn's character and thought about her a lot, wanted to write a good story for her, but some of that stuff sneaks in regardless.

But all of this to say - if that is Eowyn's ending...what would happen to Grima? One who would be committing greater transgressions against gender performance let alone the whole Light Soupçon of Treason.

Because aside from wanting material wealth and power, we know that Grima potentially desires Eowyn. In the movie it's explicit but the books are more ambiguous. We are told, via Gandalf, that Eomer was concerned about Grima ogling his sister and threatened to kill him over it. Crucially, we never hear from Grima about this specific item and we certainly never hear from Eowyn.

Indeed, Gandalf's line to Eomer about how his sister is "safe now" says far more about Eomer's fears and concerns than it does about the reality of the situation. We know in ROTK that Eomer didn't know his sister's heart or mind - he didn't know she was unhappy with her position in the household and broader society, he didn't know she wa so angry and resentful, he didn't know she was in emotional pain, he didn't know what she wanted, he didn't know jack. Therefore can we think him reliable when it comes to being a fountain of knowledge about his sister's desires?

I mean...considering no one was paying much attention to her, and when they did they were reading their own things onto her (coughEomercough), perhaps Eowyn liked having Grima pay attention to her? Like, who knows. Someone who may have seen her and may have known what her fears and desires were might have been novel/nice (before she realized he's selling everyone out for a corn chip). Heck, Gandalf implies that Grima had a pretty good handle on Eowyn's innermost dreams and wishes, so take that as you will.

(I now have this image in my head of Eowyn and Grima getting wine drunk out back of Meduseld and bitching about people.)

All pure idle speculation for the sake of pot-stirring. Anyway, I keep getting distracted.

Grima as a woman feeling lust, though - that would be another strike against her. Honourable love and the implied desire that might exist because of it is fine. But in the text overt desire of a clearly sexual nature is presented in a mostly negative light. Let alone, in this speculation, Grima is lusting after another woman! That's even more unnatural and contrary! What a freak /sarcasm.

Then there's the cowardice - which is shown as a negative no matter who is displaying it. Though, I think of all the aspects of Grima, this is the one that would get more of a pass as a woman than as a man.

So yeah - given that Grima's entire personality is one that is contrary to what is modeled as Good Femininity it would be very interesting to see how it played out over the course of the text.

Everything from the banishment, which was predicated on Grima being expected to do battle alongside Theoden in order to prove that he is still loyal - what test of loyalty would Grima as a woman be expected to perform and then fail because she's too chickenshit?

The relationship with Saruman would be construed in a different way, also the hold Grima had over Theoden - that would take on different implications. And those implications would also change how Theoden is perceived, too, which is interesting.

That Theoden is leaning on a woman for support in ruling would make him seem even weaker and more foolish. It would be so interesting to see it unfold!

Then there's the rivalry with Gandalf - the positioning of them as two sides of the Odinnic coin.

Also the being tortured and tormented by Saruman after Helm's Deep. Not to mention the Scouring of the Shire and Grima's ultimate end. If Grima is a woman, in this, I think Tolkien would have had her ending be different.

----

Alright, I've banged on for way, way too long about this and went no where in particular, and all has been said before in different ways so I'm not landing on anything new or insightful.

Just wittering...I love wittering about Grima so thank you for giving me the opportunity to lol

<3 <3

[nickyroethemarinebiologist]

Hello this is my presentation on what animals Les Mis characters would be except I'm only 500ish pages into the book so it's very short list at the moment

I decided almost IMMEDIATELY that Valjean would be some sort of owl, despite what I believe is the most popular interpretation being him as a lion. I was thinking of that one chapter in the book where he's referred to as an owl (the one called 'a nest for owl and wren' I think??) and decided yes absolutely that is 100% it. So then my first thought was a snowy owl, since they're pretty fucking big and also white (I'm not too bothered for hair colours and what have you in the rest of these but for Valjean it seemed pretty important) but the snowy owl look just wasn't doing it for me!! (something about their look was a little too intense, I guess??) And then! I remembered the barn owl (which is, by the way, probably my favourite owl). And yeah I might be a little biased towards them but they have a sort of gentle look while still being, y'know, owls (notoriously pretty dangerous predators). And of course, owls are nocturnal.

Also, just look at them!! The vibe is perfect, I'm certain of it.

(And!! While most barn owls have that light brown colouring, there have been white ones!! So the hair colour problem is all good)

Javert was a LOT more trouble (which I wasn't anticipating, after the easy pick for Valjean). He HAD to be some sort of wolf/dog-adjacent animal, that was the one and only condition (though I did briefly consider a horse. Just because he has a horse in both the 2018 BBC series and the 2012 movie??). A hyena was my first immediate pick (yeenvert <3) but it wasn't QUITE there and I was struggling desperately for some other idea. AND THEN! I decided, if no horse, why not a vaguely horse-shaped dog? Which led to a short list of hounds (scottish deerhound, irish wolfhound, ibizan hound) which I sort of juggled in my mind for a bit before finally deciding I kind of liked the scruffy deerhound vibe. They're very sweet dogs, as far as I know, so in that respect maybe not so accurate, but they definitely have the capacity to be foreboding in the same way most hounds have. They're also pretty tall!

(And yes I KNOW I said I wasn't fussed for colours but the grey on these guys is actually perfect for my mental image of Javert so! It's a happy accident!)

I knew pretty immediately that the bishop would be some sort of rooster. I have absolutely no reason for this other than the vibe was too perfect to ignore (though I think I might have been inspired by some gif of the bishop an old Les Mis movie where there were chickens in the background). So then I went on Wikipedia and ran through a list of roosters until I found this magnificent little beast, a faverolles rooster. I found on my not-so-extensive research journey that these guys are super gentle and apparently very hilarious, which, yeah, that's absolutely him <3

The bishop's sister (Mademoiselle Baptistine?) also gets a chicken. Because yeah they're related but also I just think it really fits her. Or maybe I'm biased, idk, I do really love chickens. I don't really have much to say about her which I am so so sorry for because I do really like her!! But she's a swedish flower hen

And Madame Magloire was going to be a chicken (before I gave that to the bishop's sister instead) but I later landed on some sort of donkey. Again, I haven't got much reason for this but the vibe is there!! I promise you!! I switched between a bunch of different donkey breeds (all of which I had never heard of before but I absolutely love, by the way. Go check out a provence donkey) and then i found the bourbonnais donkey, which is just perfect to me. If I have ever been certain of anything it's this.

(There's a disappointing amount of donkey photos on the internet. Where are they all!!)

I was going to save Fauchelevent for a different post but i really like him so he's here too. I was pretty sold on him as a sheep at first, and I very nearly left it at that but then!! I learned of a cashmere goat, which was not only a lot closer to how I imagine him but also they look cool as hell!! So I thought, okay, that was easy, but something still wasn't sitting quite right. The goat idea was absolutely perfect, but the cashmere goat was too far in the direction away from the sheep idea (which I'm still very attached to). So instead I went for an angora goat! Which apparently do something pretty close to gardening for a goat (eating/destroying nuisance plants and improving pastures) so it was almost too perfect to pass up. Also their horns are pretty awesome

(It's very funny to me personally that Valjean is an owl while Fauchelevent is a goat. Yes, we are brothers, the bird and the goat. Makes perfect sense)

I was going to give Cosette one in this post too but I'm not 100% sure of hers yet!! So she'll have to wait. I apologise deeply.

[batmanfruitloops]

Joker's references are here!!!

Info time!

John's scars are all from during the events, so I won't be explaining them, ha ha

John's tattoo also happens during the events, but just barely. Let's just say he's very fond of a certain man prowling the streets

Joker's Main Inspirations

The 1966 live TV show of Batman will always have a special place in my heart. Seeing the characters come to life and the actors make me smile. Caesar Romero did such an amazing job with the Joker and I wanted his giddy and fun nature to come off. His portrayal is also the reason that my version has such lime green hair and a maroon suit instead of a true green and purple.

As I said with Batman, Batman: The Enemy Within is one of the main reasons I wanted to make Joker a good guy and delve into what kind of person he is when he isn't playing a role for others. John's intro in Season 1, to his overhaul in Season 2 gave me so much love for the Telltale team (Although they already had my adoration)

Lego Joker had to be on here, I mean, look at him. He's so cute and feral, and once again, not particularly evil.

The Mask might seem like a random choice, but I love that movie. Stanley is so loveable and animated, and we have none other than Jim Carey to thank for giving the character from the comic so much life. His powers being so cartoony while still dangerous is another aspect that went into my Joker.

Batwheels Joker isn't a huge inspiration because I could barely find anything to watch from it, but I like that again, he's more just goofy than violent. Also I took the blue eyeliner from him because I like the pop of color a lot.

Extra Info

Given that John's identity needs to remain a secret in this au, (he's not JUST the Joker), I had to think of how to combat John being recognized in public. This also plays into some autism related behaviors, so now's a good time to clarify them.

John is fine in private settings not wearing gloves, but put him in a public, especially social setting, and he'd much prefer to wear gloves than directly touch people and things. Plus they look make you look nice and fancy

For the same sensory reason, John will button up his shirt. It also covers his bat tattoo as that would be a dead give-away. His hair is still green, he can only hide so much

John wears sunglasses because it's so bright out, and that's just not another sensory thing worth dealing with if he doesn't have to. The lighting in Arkham is also poor; after being there for years, even shaded sunlight can seem a bit too bright

John will also sometimes wear noise cancelling ear-buds, it just depends

Backstory post

-Sarsee

[nephilimeq]

Teen Wolf and Lack of Character Development - Scott McCall

Incoming Rant: Re-watching the first season of TW I have realised why I never felt that Scott was The Hero of the story even if the writers did not stop hammering the idea that he was pure and perfect and always right. He never sacrifices himself. This is a classic of fiction, the hero will always be the one who makes the greatest sacrifices for the common good and for those they love, renouncing happiness, normality and even their own life. 

But Scott never does that. Even in the first season this is very clear. The first few episodes emphasise that playing lacrosse and dating Allison are things he wants, but are dangerous to himself and those around him. The narratively logical thing would be that, after a period of selfish refusal, he would realise that the right thing to do is to give up what he loves until he has better control of himself and his new powers, sacrificing his temporary happiness for the good of others.

Instead, the narrative rewards Scott with control gained through Deux Ex Machina and not hard work, he gets to date Allison and becomes a Lacrosse star without sacrifices and therefore doesn't grow or evolve at all. This keeps up for all 6 seasons. Meanwhile, everyone else around him is constantly sacrificing their safety, sanity and even life for the common good.  And ten years later in the movie nothing has changed. Scott’s still not the one performing the sacrifice, he's still not the hero yet. He gives nothing, but the narrative rewards him with true love. Meanwhile Derek gives his own life to save those he loves he is The Hero.

So. Yes. To all of this.

I have made a countless number of posts about Scott’s development. Specifically, his lack of development. The writers had every opportunity to make him a decent character -- and Posey could have performed it and done everything at least moderately well -- but instead, they caved into Jeff Davis’ whims.

There were other writers in the room who should have held Jeff accountable and written Scott as a proper hero: a hero who sacrifices his own selfish wants for the greater good.

They do not have the right to tell us not to like characters such as Stiles or Derek more because they were the ones who wrote those characters using the hero’s journey narrative that they very easily could have written for Scott...but they didn’t. When the creator of Teen Wolf speaks up against those fans, he has no one to blame but himself and the other writers, and to say anything to the contrary just makes him look like a hypocrite.

You cannot expect your audience to believe your main character is a hero when you do not give them faults to overcome and make them a better person.

They wrote Scott as never taking consequences for his own actions -- instead, they had everyone else suffer the consequences of his actions and had them clean up his mess and deal with the repercussions. (not going into detail here because I have already done so on many other posts)

But when you show characters such as Stiles and Derek dealing with complex emotional and physical traumas and then doing things to try and improve themselves, while also dealing with their own mistakes and growing from them...but then don’t hold your main character to the same standard, how can you be surprised when no one relates to them? The accountability for Scott’s lack of accountability can be traced right back to the writers’ room.

I genuinely could have liked Scott. In fact, when he was being sweet and helping his mom, I loved him! He had the potential to be a fantastic main character...but the writer’s neglected their responsibility as writers.

To put it simply: the writers suck.

The only reason the show lasted was because they had good cinematography, and they brought on some experienced older actors into the cast, and they had two natural talents on screen: Dylan O’Brien and Tyler Hoechlin.

That’s it.