#verdict spoilers

[slymanner]

Thanks death battle for reminding me how much i fucking love metal sonic

[muzsmocsing]

Peerless Confusion: the ending of svsss book 3

One second we're in a collapsing cave trying to remove Xin Mo's influence in the most painful way one could think of, causing everyone involved severe emotional AND physical damage. Then I turn the page and boom, it's sunshine and rainbows on Cang Qiong Mountain. Everyone is alive and well the world is restored and the suddenly happy couple rides off into the sunset. Genuinely, from the bottom of my heart, what the fuck happened??

[goat-boy-sounds]

look. I'm not a tomgreg warrior, but it is FASCINATING to me how I'm seeing people on this site backtrack over the past couple of episodes and say that tomgreg was never supported by the text and nothing's going to happen...................................... I understand that n*c br*un is awful, which is rightfully coloring people's views on greg, but the cognitive dissonance I see occurring is truly something. you're really going to pretend that nero/sporus never happened. that shiv didn't just trip down the stairs. alright. alright. this isn't about shipping culture. it's about basic building blocks of storytelling called "plantings" and "pay-offs." if tomgreg does not get a pay-off (it does not necessarily have to be romantic) after three seasons of set ups and plantings (like the season three finale), I could reasonably claim that is bad writing. the fact that greg only currently exists to be annoying is bad writing. tomgreg warriors were not pulling their material from thin air. their relationship was a weight-bearing pillar of the show's storyline for three seasons. they have always been a part of the "real" plot. get off tumblr and learn media literacy.

[mari-lair]

Honestly? Since Tsukasa and Nene are currently my least favorites in the manga, I did not care for most of the chapter but I do have a handful of thoughts about the clock keepers!

Idk how to start, so I'll just ramble.

The owl's eyes are like the clock keeper's masks, the only ones that don't seem to have mechanical glassy eyes are the baby owls.

And Mirai, the kid of the keepers, is the one I have never seen wear a mask. I doubt there is any deep meaning but it does make me wonder if she even has a mask she can wear.

EDIT: Mirai does wear the mask!

The lack of tubes attached to the baby owls is cool to, it makes me headcanon that they feed on visitors' time to grow up and only after maturing does the time they steal go somewhere else.

Mirai stole the show though so let's talk about her! The clock on her neck ticks in the boundary, it tics very loudly, but it stays silent outside the boundary.

The only time she made clock sounds before this arc was when using her power to age things up. (and even then, the sound of her neck clock is implied to be faaar louder than her 'what i touch grows old' ticking)

So far I can only think of two reasons why:

1-) Her clock only tic inside the boundary.

2-) She is using a special power she doesn't normally use to judge Tsukasa, which is the option I am more inclined to believe. Since her behavior and speech changed.

If this power uses time in any way to be activated (be it her time, or something else), I do not know, but I adore her judge hammer. Is really cool. Destroy him girl.

There is also a hierarchy of power.

Akane is the weakest, Natsuhiko called him 'the grunt' for a reason, he is bascally an intern of the clock keepers. So now that Mirai is revealed to be in the middle, my suspicion that Kako is the big boss has been given a thumbs up.

I am excited to see more of her. Just look how cute she is, with her little bow and dramatic entrance!

And I do wonder what happens when someone is marked as 'guilty'

But what made me insane in this chapter is the way they connect the clock keepers with the idea of judgment. And how that made Akane being chosen as a clockkeeper finally click.

I always adored how opinionated and judgemental Akane is, and how strong his sense of justice is, but I didn't connect the dots that he is the perfect pick for the role until Elise mentioned it, reminding me that Akane is the one that gives others characters the most call outs in the manga, he is an amazing voice of reason. He has been passing his judgment on others since his introduction as a clock keeper.

Hell, the reason he hates the clock keepers so much in the first place is because he considers their actions (tricking him/almost killing Aoi) unforgivable.

I want Akane to have a hammer of judgment so bad, because it fits him so much. He needs to throw hammers at people, I think he deserves to throw hammers at people.

tldr: this chapter makes me want to give Akane a hammer so bad it makes me look stupid. If I didn't have an art block I would have drawn it myself.

[refinedstorage]

Random Wukong screenshots 2/∞

[megyulmi]

➠ Shared worship of Bodhisattvas associated with Megumi and Yuuji’s domains:

Since we know that Megumi’s domain hand symbol is associated with Bodhisattva Kannon (Japanese manifestation of Bodhisattva Avalokiteshvara) and Yuuji’s domain hand symbol is associated with Bodhisattva Jizō (Japanese manifestation of Bodhisattva Kṣitigarbha), I wanted to mention a few connections in their worship from the Japanese Buddhist tradition.

To note, Kannon and Jizō are two of the most venerated Bodhisattvas in Japanese Buddhism, who have distinct roles and attributes, yet a notable connection (similarity) between them, reflecting the intertwined nature of the compassionate qualities they embody.

Generally, both Kannon and Jizō are revered for their compassion. Kannon is known as the Bodhisattva of Infinite Compassion, who hears the cries of beings in distress and offers aid. Jizō, similarly, is the protector of children, travellers, and souls in the afterlife, often depicted as a compassionate figure who aids those in suffering. Additionally, they are both seen as saviours and protectors. Kannon offers salvation and relief from suffering, often invoked in times of need. Jizō is believed to help souls in the six realms of existence, particularly in the realms of hell, where he provides comfort and aid to suffering beings.

Now, let’s delve deeper into the intertwined nature of their worship. In this post, I mentioned that the veneration day of Jizō is celebrated on the 18th and 24th days of every month. Traditionally, the 18th day of the month was assigned to Kannon. However, the veneration of Jizō on that day is mentioned in a Japanese version of the Jizō and Ten Kings sutra, the Bussetsu Jizō Bosatsu Hosshin In’nen Jūōkyō (仏説地蔵菩薩発心因縁十王経), a product of the late Heian period said to be based on the Chinese version, the Yü-hsiu-shih-wang-sheng-ch’i-ching (預修十王生七經). According to more contemporary writings, commoners, merchants and townsfolk often held meetings together in honour of them throughout the Muromachi and Edo periods on the same date. In addition to this point, Reigenki (地蔵菩薩霊験記, stories of Jizō compiled by Jitsuei of Mii-dera in the mid-Heian period) and Konjaku (今昔物語集, ‘Anthology of Tales Old and New’) describe many Jizō devotees in the Japanese tales as Lotus Sutra reciters; a further examination of which shows that Jizō is expected to function rather like Kannon, who is a Bodhisattva most closely related to the Lotus Sutra, through the merits and virtue of it. When one thinks of Lotus Sutra, one usually thinks of Kannon, but old recordings show that their worship was shared not only in the manner of date but in the text as well.

The main reason is that the Lotus Sutra itself declares that the sutra will be of special value in the degenerate age and people were seeking benefits in their present lives as well as deliverance in the future. In satisfying such needs, Kannon, closely related to the Lotus Sutra, was an ideal Bodhisattva who would appear in this life, grant the mundane wishes of devotees, and even deliver them into Amida’s Pure Land (a concept of a celestial realm of a buddha or bodhisattva in Mahayana Buddhism where Buddhists aspire to be reborn). As repeatedly described in the above-mentioned Jizō stories of Reigenki and Konjaku, Jizō would also appear in this present life and help ignorant sentient beings in the age of degeneration. He would guide his devotees so that they would not fall into hell, and he would even save those who had already fallen into the pit. These characteristics of Jizō as a saviour parallel those of Kannon. The merit of the Lotus Sutra and the ultimate goal of these two Bodhisattvas were to assist their devotees’ rebirth in Amida’s Pure Land. Thus it is not difficult to understand why the Jizō cult was so closely related to the Lotus Sutra, why it was so widely accepted by the Japanese, and why statues of Jizō and Kannon often flank Amida Buddha. That Jizō would protect reciters of the Lotus Sutra and function similarly to Kannon is an idea continually appearing in later setsuwa (説話, a Japanese literary genre, consisting of myths, legends, folktales, and anecdotes) collections, particularly from the Kamakura period.

Another detail that ties the two Bodhisattva together is found in the Shijū Hyaku Innenshū (私聚百因縁集) that specifically mentions a sutra called the Renge Sanmaikyō (蓮華三眛経) which states that Kannon had entrusted all sentient beings in the Six Realms to Jizō and that this Bodhisattva consequently had six different names, one for each of the Six Realms where he appears, remains, and saves sentient beings. It shows their cooperation to aid all sentient beings.

The same cooperation can be found in Mizuko rites (水子供養, a Japanese Buddhist ceremony for those who have had a miscarriage, stillbirth, or abortion). While Bodhisattva Jizō, a saviour figure devoted to children, has been the dominant figure in these rites, Kannon has also been given a prominent place in a number of temples devoted to this practice, given the long history of identification of Kannon with the needs of mothers and children-both to care for spirits in the ‘other world’ and to comfort those in the world of the living who oftentimes are struggling with personal remorse, regret, and guilt.

Whether Akutami Gege had such shared attributes of compassion, salvation and protection of the two Bodhisattva in mind when creating the hand symbols for Megumi and Yuuji’s domains, we cannot know, but it is still significant to find that characters as closely intertwined as Yuuji and Megumi throughout the storyline have elements drawn from the figures who could be considered as closely intertwined despite their distinct individual roles.

[roseofcards90]

The fact that people were so willing to completely dismiss what happened in After Pain and Harrow after they saw It's Not My Fault and Deep Cover paint Mu and Kotoko in a worse light really shows that some people don't have literary comprehension 😭

[triple-pupil]

GUESS WHO JUST FINISHED WATCHING THE FNAF MOVIEEEEEEEEEEEEEE

[honorthysalad]

me too yoshiki... me too

[angst-is-love-angst-is-life]

Alright.

Today is the day.

Will Lokius become canon?

[nikkiissleepy]

DRAGON???

[shannonallaround]

Knuckles Show Thoughts

This is just an overview but here we go. Spoilers ahead.

Parts were a fun experience. I cringed so much during this show though

Really liked all the ex-GUN bad guys 😈

Genuinely enjoyed the first two episodes for the most part—particularly the evil humans trying to get Knuckles, and Knuckles' interactions with the other Wachowskis.

We didn't get enough of the Wachowskis 🥲🥲🥲

Pachacamac—WHAT THE HECK. I mean it was funny in principle, but also so weird??? I didn't know how to feel about that. I'm just gonna say that Knuckles was meditating and that's what he experienced, and Wade's vision was a fever dream. Wades bowling alley vision was so cringe.

I loved Wade's mission-impossible vision of himself that was hilarious and awesome 😂 Honestly that whole episode was just fun and cool.

KNUCKLES GLIDING WAS COOL

The writing quality REALLY dropped in the third and fourth episodes. They felt like filler and much more amateur in terms of acting direction and pacing. It felt like the human actors were asked to improv, but they were given way too little direction within which to improv, and then their stuff wasn't cut or edited through enough afterwards. The pacing was very off as a result, especially in the third one.

Genuinely hated Wade's sister for the entirety of the 3rd episode. However, I think a lot of her character's despicableness was again a symptom of too much improv and not enough thinking through her character's behavior in advance by the writers.

I totally thought Wade's sister was gonna end up having lied about her position in the FBI, or was gonna end up being a janitor there or something, because she wanted to impress her family and suffers from the same self-doubt Wade does. I think that actually would have been way cooler for her character growth.

The one part I truly loved in the 3rd episode was the Jewish folk music during the epic fight around the candles! :D That was by far the best part of the episode.

Wade's mom really grew on me by the end. I like her a lot.

Overall I enjoyed the last two episodes. THE BAD GUY LORE WAS SO INTERESTING. It was really cool worldbuilding! I wish we could have gotten more of that. The bad guys talking to each other about their motivations relating to GUN was one of the neatest parts of the series and it lasted for about 5 minutes.

I really liked hating Wade's dad (as I was supposed to). I was very suspicious of him from the beginning and honestly did not want him to have a redemption arc, and I was not disappointed. Westley my beloved he was fantastic.

LOVED how Knuckles secretly knew about the bad guys' plan to have Wade betray him through using Wade having him use his earpods that was so genius and made me happy

The rings becoming an endless loop void thing was cool.

Knuckles' fire abilities were not nearly as cool to me as they probably were supposed to be. I get they were a reference, but it changes things a lot in this universe lore-wise and I'm not sure I like that.

The ending was kinda cool, but it felt very rushed. Wish we could have seen that cool battle mec for longer, and that guy could have been a direct opponent for longer. And Knuckles passing out was angsty and dramatic! But it felt like that moment deserved a lot more time.

KNUCKLES' ARC WAS NOT FINISHED. Whyyyyyy did we not get a scene at the end where Maddie, Sonic, and Tails are frantically looking for Knuckles and they're super worried about him?? Knuckles should have come back to them all freaking out that they can't find him anywhere and it's been like THREE DAYS, and he goes up to Maddie and humbly explains to her where he's been (helping Wade) and that he's sorry he's left, but that he realized that he had somewhere to return to. That he has a home. That the Wachowskis are his new home. And he is sorry; he will go back to being grounded. And there should have been a sweet sibling moment and momma moment between them all where they hug or something ahhhh. Again, WHY did we not get this??? I must write a scene to fix it.

More about the previous point because I'm not done. In the first Sonic film, the climax of Sonic's arc was when Tom said "he was my friend", but the actual completion of that arc was when Tom and Maddie invited him to live with them and be their kid. With Knuckles, we only got the climax of his arc (Wade saying he had a home) and not the conclusion (returning to his family and home). We were cheated!

WHAT THE HECK HAPPENED TO THE GUY KICKED ONTO THE MUSHROOM PLANET IN EP. 1?

[mostlyihyperfixate]

This trial has turned into a Scooby-Doo mystery and honestly I have no idea what's going on anymore

[ettadunham]

tfw your sister can't stop outing herself and her since dead ex

[kayoticrissa]

#when the verdict is not guilty

[mizs-fandom-lair]

One thing I've noticed just now is how she puts Es in the eleventh position. Es is always been referred with 00 as far as I remember, and there is also an empty cage with 00 on it iirc? (I watched the intro mv something like ten months ago).

Is she putting herself above Es?