The Crafting Mystery
(yes, this is a parody — and yes this is the second time I make a parody of the same scene that is printed in my brain at this point)
819 notes
·
View notes
'ekko's hair accessory' this, 'timebomb painting on each others clothes that', why has nobody noticed that the lyrics in paint the town blue - "crush got a crush" - are basically ekko's voice lines from the game.
don't tell me those lyrics aren't a reference to "i had a crush, until you started talking to the gun".
anyways i'm placing good money on paint the town blue being the timebomb collab's theme song.
133 notes
·
View notes
In theory i like the idea that rick is growing and developing as a person. In practice it ends up falling short though, because no one balances him out. rick is getting better while no one else is getting worse, and it causes the whole thing to end up feeling a bit stale. The biggest draw, at least for me, has always been rick and morty's shitty dynamic, but it barely exists anymore because rick has been so watered down.
The ideal solution is literally just to make morty into a bigger asshole. Essentially flipping the main characters' personalities would offer a wide variety of conflict into the show, and would also help keep it "fresh".
Instead it feels the writers are pretending that they can't possibly do anything with morty's character, that they have to keep him the same anxious idiot he was in season one. I've said this before, but it's incredibly frustrating to watch the show have no problem with expanding rick's character while struggling with keeping morty's heavily stagnated characterization consistent. Where rick has space to develop between multiple seasons, morty is constantly forced into one of two boxes (smart/stupid) depending on the episode.
172 notes
·
View notes
Quick s7 premiere thoughts
Loved the new episode, I sure wasn't ready for Afomura becoming a thing so soon, like that scene is still... that
But otherwise wow
also a quick thank you for this scene having THIS track (a bit off from the original version) and voices of both AFO and Tomura mixing in places there
to other things
little dangerous hand man
I'm in love with the ending... "Believe" and "Sketch" and now this one are like a Holy Trinity of Villain connected endings and this one FEELS like it belongs to MVA or something like that WAY MORE than the ED version of Believe did, even if the song was directly connected to Tomura and Izuku via text
that's just my "I want THIS SPECIFIC WAY" of wishing an ED was and I got what I wanted in a way with everyone from the LoV having their moment to shine (from the current arc aside from Compress) - so Spinner, Toga, Dabi and Tomura all have that. IN BOTH ED and OP
and then OP is like
this
so yeah, happy s7 day
122 notes
·
View notes
i will literally never understand darkling stans because he's so SO cringe idk what yall are on about. "you and i are going to change the world" gave me SO much second hand embarrassment. if i saw him in the street i would laugh at him and bully him then report his account on pinterest for terrorism. he's so unlikable. literally just thinking about him makes me angry wtf do you mean by "anti-hero" ? 😭 he's just an asshole.
360 notes
·
View notes
NO u do not UNDERSTAND it's about the fact that Mobius M. Mobius aka Don just casually threw out there to an attractive man that he puts the single in single father and did he mention he's single when the mcu is all about the flashing neon no-homo WHAT THE HECK
56 notes
·
View notes
Zuko is gruff and imperfect in his attempts to show kindness, and yet fighting comes as easy as breathing. I love fics that tackle that awkwardness, that stumbling kindness, but don’t portray it in that way that makes Zuko just seem hopeless, and actually explore it. He wants to be kind. He wants to care, but he’s lived a life where that is few and far between.
We’ve seen zuko fight in all different ways, with bending, with swords, with knives, hell, even hand to hand. And yet, he stumbles over his words when Jin flirts with him, offers Li only a knife - a tool of violence - to show he’s thankful, pushes Jet away the second he reaches out when they meet on the boat. He steels that man’s swords from him out of revenge and selfishness and steals Song’s ostrich horse rather than face her and the truth. He robs the rich man on the highway, and lures a secret police officer into an ally to frighten him into spilling information.
Yet, he blanched at Song’s easy compassion and at Li’s parents offer to let him stay. It’s the easiest thing in the world to leave Jin behind, to leave Li behind, to fight Jet in the streats in Ba Sing Se. It’s easier to steal and fight and scream. It’s easier to fight for survival than ask for someone’s kindness. After all, he wouldn’t know what to do with that.
15 notes
·
View notes