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sparksflamesembersashes · 4 years ago

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Random musings on 10.18 Find Me

Other Carylers have spoken about the episode and their interpretations of it and what it means for Caryl and their future and I've been sharing those and don't have that much to add to what’s already been discussed. Others have written well thought out and detailed analyses and interpretations and said it way better than I ever could. Most of them have been writing about Caryl forever and I started less than a year ago. I do want to speak to some technical stuff and a few other things, since I never do know when to shut up. Spoilers for 10.18 below the cut.

Brief talk on techie stuff... Wow, the cinematography in the plus six are really taking it up a notch. 10.18 has some of the most gorgeous images in the history of the show. The colors, the framing, and Caryl; separated by a stretch of water that's a literal stand-in for the divide between them, in an episode stuffed with signs and symbols and parallels. "Find Me" has some of the most visually breathtaking shots in the history of TWD... and do you know why? Because the plus six were filmed on digital cameras, for the first time in the history of a show that has always been shot on 16 millimeter film. Turns out, the digital process not only has fewer "touch points" (thanks for nothing, COVID) but it's also cheaper, faster, and easier on the environment.

TWD almost switched to digital for Season 2, and while AK claims now that they can still give it that classic TWD look, in a 2019 interview posted on comicbook.com, she said they were committed to shooting on film to preserve it's look and feel (confirming that film and digital are noticeably not created equal, an opinion/truth they are apparently backing off of, now). If the new episodes look different, its because they are. I am torn between which style I prefer. The grainy, Kodak-y type images of TWD as shot on film are increasingly rare on any screen, simultaneously nostalgic and beautiful and born of toxicity. The gallons of chemicals used in developing standard film are not environmentally friendly and probably need to go the way of the dinosaur.

Digital is wonderful in its own ways, so minute in its details, and can easily capture images and light conditions otherwise incredibly difficult to duplicate on actual film... But digital doesn't look the same, it doesn't feel the same, in the way that CD's and vinyl records don't sound the same. Purists curl their lip at the new and improved version of the medium, but the truth is,most people don't notice the differences.

TWD has always used the sun and the moon to their best visual advantage and both the celestial backdrops show up in "Find Me." The sun filtering through the trees onto Daryl or in his general direction has made repeat appearances in S10. Is this a metaphor for his finally finding his enlightenment? (Or is it nothing deeper than AMC uses the light to make everything look as cool as possible?)

10.18 shows us more of Daryl's soul (in a single episode) than we've seen before. His character goes through all sorts of colors, screaming in the rainstorm, grimacing as puppy Dog licks his face, meeting and spending time with this strange, lonely, gruff, almost mirror reflection of himself, someone who is grieving and angry and alone. Fighting with Carol! A real fight, but an honest and not altogether unhealthy one. You gotta work through to acceptance and let go of the past before you can look forward to a future, and these two have enough trauma issues between them to fill a psychiatric journal. They’ve a long, arduous road ahead of them, but they WILL reach their destination. Together.

Daryl throwing the fish at Leah's door and Leah throwing the fish at Daryl are my favorite moments in the episode. I laughed out loud. I did not get the impression that they only encountered each other once every several months, I took it that the time jumps measured the progression of their relationship, i.e. that it took that long for them to warm up to each other. When Daryl did go to stay at Leah's, it was literally out of necessity, as he was getting frost bitten in the woods and probably would have lost at least a digit or two had he remained in his camp.

For the first time, I didn't really enjoy the Caryl banter? (Please don't hurt me.) There was a sadness, a tension, and a sense of loss there I just couldn't shake. Carol was trying to run away from the horrors of the Whisperer's aftermath, and Daryl knew it, and he was annoyed by it. Carol's attempts at lightheartedness seemed forced. I feel like Daryl is a man with a whole lot on his mind at this point, and that Carol is a woman who is habitually trying not to think about the real stuff if she can avoid it. She jokes and banters but she's almost too cheerful... or maybe it just seems that way because Daryl's so grim. Not grim as in we're-all-facing-our-end-of-days-doom grim, but not in a laughing mood where Carol's concerned. He thinks she's running again, and seeing Leah's cabin reminds him that Leah probably ran from him, too. He lost both his brothers, Rick and Merle. Daryl has abandonment issues and an overdeveloped sense of responsibility going back as far as we know. He loses people and can't find them again, no matter how much he searches.

Revisiting Leah's cabin, the devastation of Alexandria, and everything that's been building up over, about, and because of Carol has pressurized within Daryl till he finally takes a shot, and who can blame him? But he also shows his development and maturity by trying to express his disappointment with controlled words of frustration (compared to camp- or barn-rage Daryl in S2), telling Carol exactly what it is she does that's widening the chasm between them.

Carol to Daryl early in the episode "I don't want to lose you because you can't figure out when to stop," and Daryl to Carol "That's on you. 'Cause you don't know when to stop.") Daryl doesn't know when to stop searching for his lost brother and blaming himself for things, Carol didn't know when to stop her revenge-fueled pursuit of Alpha. Daryl also tells Carol "That's all that matters. You being right." (after she says she was right to go after and destroy Alpha to avenge her son.) At the end of the ep., Carol says it again: "I was right" (this time about their luck having run out), then she goes to fix the door.

So now Caryl know and have established what gets each other's goat. That could be a good thing, but tptb will undoubtedly attempt to convince us its a bad thing,, ya think? Neither of the characters knowing when to stop and their mutual annoyance over the fact could be something the show runners milk for a while.

Î wanted to know whether Daryl went back to the cabin after leaving his note, to see whether Leah had returned to it, or not. I want to know what Carol did with the note. Did she take it with her, or did she put it back? They never showed us. Daryl seemed anxious and tense about her finding it, and I did not miss the symbolism of Carol being the woman who eventually finds the note Daryl left behind years ago: "I belong with you. Find me." I mean, how perfect is that?

Contrary to spoilery bullshit stinking up the Twittersphere, Carol did not seem exactly “upset” at finding the note, though clearly she was sad. She knew exactly what the note was, so Daryl must’ve told her about it, that he left it. Maybe he didn't tell her exactly what it said or everything about Leah, but my impression was that she realized what it was and where they were, and it was all yesterday's news to her. Seeing the note seemed to make her sad for Daryl because she knows Daryl can't handle losing people, and that he punishes himself for failing to help or save people by pushing everybody away and isolating.

Leah didn't so much choose to be there in the cabin as she ran for her life from a dangerous situation and the cabin was just the place where she and her bitten son ended up.

So many yawning gaps in the Leah storyline. How often did they see each other? Did Daryl move in with her toward the end of their relationship? I felt like he did after the time she found him freezing in the woods, but that he'd leave for days to go look for Rick, or hunt, or who tf knows. Maybe he'd leave to see or meet Carol. Carol knew about Leah, but when? Before, or after it was happening? Why is that important? I just want to know when he told her. Really hoping they didn’t leave things purposely vague so they can fill in the gaps to screw with us later.

Timing is everything. Like, how much time passed between Leah telling Daryl to choose, and the time Carol told Daryl she couldn't keep visiting? Or did he leave Leah's cabin and return to it that same day? Which would imply Leah abandoned Daryl practically the instant he walked out the door following her ultimatum. It seems like Daryl was gone a while, it was dark when Leah told him to choose, and daylight in the scene with Carol at his camp and when he was walking in the woods. It could have been days. That makes a difference. Leah was obviously not Daryl's first choice, no matter that he ran back to her in the end.

The fact that Carol knew about Daryl's relationship with Leah is a crafty move on the show runner's part because we can't really be pissed at Daryl if Carol knew about it the whole time and was cool with it.... but we all know now that Daryl didn't tell her everything.

No one is talking about how Leah obviously abandoned Dog, she left him shut in the damn cabin for who knows how long after she left. And she DID leave. The cabin looked abandoned when Daryl left the note. He obviously went searching for her with Dog, but for how long?

Not to say there was nothing between them, but I never felt for an instant that Leah had Daryl's heart, or that he ever offered it up to her in the first place, but I am also 100% sure that’s because I’m ride-or-die for Caryl and can’t bear to entertain the thought. No matter what else they were, Daryl and Leah are isolated, damaged, traumatized people who wanted someone to hold on to. Someone to try and forget with. It's not like there were a lot of other people around to choose from.

So did Leah just leave Dog behind because the memories associated with him were too painful? (i.e. he was born on the day Leah's son died) Or did she feel that Daryl needed the companionship and gambled that Daryl would drop by soon and take him in? It really bothers me that she just split and left the dog locked in the cabin like that.

Grateful they didn't show us anything extra of Daryl seeming to genuinely give a shit, tbh. (Throwing a fish at someone's door, having sex with them, sleeping in their bed or eating their cooking doesn't necessarily constitute giving a shit in this world, just saying.) That was both refreshing (cuz u know, Caryl is endgame), and kind of tragic. I felt like Daryl was rather emotionally detached the entire time, but that Leah was maybe falling in love with him. Not in a good way, but in a possessive, demanding, all-or-nothing type of way.

How very very clever of AMC to leave us with all these ambiguities. So much room for interpretation, so many gaps to never be filled in. Bastards. On the bright side, all these holes in the story and missing material provide endless new opportunities for fanfic writers like me who can't break free of the bonds of canon. So, yay, I guess?

I am sad to give up the virgin Daryl trope, I was beginning to think that one was ours in canon to keep, but you know, it is what it is. It was a good, long run while it lasted, and I'm grateful we got to write inexperienced Daryl fics while we could still entertain the fantasy that Daryl was actually inexperienced. So, R.I.P. virgin Daryl. I'm not as upset about his getting laid as I thought I'd be (although it was incredibly underhanded, AMC, to pull this shit so very late in the game, there better be a good reason for it).

All the Leah thing means to me right now is that our man has probably picked up some skills during his time with her, and Carol's gonna be the ultimate beneficiary. Plus, Daryl's evolved over the years from throwing a fish at a woman's door to delivering her dinner on a tray with a flower, so...progress was made, even if he didn't start out with the woman we wish he had. (News Flash: The love of his life was unavailable and actually married to another man at the time, so there's that.)

There are a staggering number of Caryllels in this episode. Someone once said here that Kang loves her symbolism and they weren't wrong. No matter what's to come, we can be confident about where this road ends. At this point in TWD, to not eventually give us Caryl canon would be the absolute greatest trolling of a fandom in the history of trolling fandoms, and besides, we're getting a spin-off.

Another thing, the fact that Rick and Leah both basically disappeared on him shines a bright light on Daryl's determination to stick to Carol like glue in 10A and B. He was terrified that she was going to disappear on him, too.

What happened to the Caryl fandom following the spoilers wasn't worth it. How many times have we freaked out over spoilers? You think we'd learn. And you KNOW we are valued because AMC went so very far out of their way to provide the vaguest-ever depiction of a sexual encounter for Daryl. Remember the Eugene spying scene with Abe and Rosita, guys? Shane and Lori screwing on the ground in the woods? They could really have tortured us, and they chose to be kind.

I'm looking forward to "Diverged." Honestly, I could give a shit about most of the other characters, but they'll have to make do for us over the next couple of weeks. Just about the time 10.18's been dissected and interpreted to death, Caryl will reappear on our screens and mess with our hearts and minds some more. I can't wait.

Thank you for coming to my rant, and Caryl on!

#caryl rant #caryl spoilers

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carl-grimxz · 5 years ago

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Confused Feelings

Carl Grimes x Reader

PART 1

Summary: You and Carl are friends but he suddenly starts to act strangely and withdrawn like he is avoiding you. The trouble is you can’t work out why.

Word Count: 2,940

Warnings: None :)

A/N: I’ve never written one of these before... but I love Carl and miss him soooo much so felt like giving it a go. I’ll likely write a few parts to this so please enjoy!

The leaves had fallen and the air was cold. Freezing actually, much worse than it was yesterday by far. Strange that, how quickly winter seems to come. No matter how much Rick drills into us that we need to be prepared for the new conditions this season would bring us, I never do feel ready for it. Then again are we ever really prepared for anything these days? Doesn’t feel like it.

Even though we spend hours huddled round discussing plans. Strategising. We always end up here. On the road with nothing but the desire to live carrying us forward from place to place. At least we are here though. Still breathing. Surviving together. The majority of us at least. That’s the main thing. That’s what I keep thinking to myself anyway. While I’m standing here, attempting to keep my hands somewhat warm in my coat pockets, I look down at my worn boots as they scuff the frosty fallen leaves across the gravelly road. The time has come again. We’re stood around, waiting for Rick to give us our next move. We’ve been heading North for the most part. I can’t exactly remember why. I’m sure the situation is just as bad up there, but I do trust Ricks judgement, so I don’t necessarily need to understand why. I tend to zone out during these conversations. Not on purpose. I just do. Probably because I’m never involved in the decision making part of it.

A harsh gust of wind rushes past us. So bitterly cold that it actually makes me lose my breath for a second. At this point I glance up at Carl to see if he’s finding it as intense as I am. We make eye contact and his lips curl up into the faintest smile. So subtle I feel that if it were anyone else looking at him right now, I’m sure they wouldn’t even notice the smile that admittedly, is pretty microscopic, but is definitely there. His hands move to the outer edges of his oversized jacket and grips it tighter to his body, telling me he’s just as cold as I am. I feel almost relieved. Not that he’s cold but that it isn’t just me overreacting. Everyone in this group is so unfalteringly strong, except maybe Eugene, that sometimes it’s exhausting just trying to tough it out and keep pace with them. It’s moments like this that I’m thankful I have Carl. He seems to get it, I dunno.

I look away and tune into the others conversation. Almost like she’s reading my mind, Maggie speaks up. “Rick we gotta get outta the open and find some shelter. It’s already pretty nippy and it’s gon get even colder the later it gets”. Everyone glances at Rick and he pauses for a moment. He brings the free hand that isn’t holding his daughter up and drags it across his face, scratching at his beard. He has his eyebrows furrowed, deep in thought and glances around at each of us clearly coming to a decision. He sighs, “Yah you’re right. We could all do with finding somewhere to rest up and get warm”.

“There was a place I saw. Bout a couple miles back, a barn I think. Found it when I was hunting earlier. Didn’t think it would be much use to us then, but it’d do for the night. Light a fire, warm up”. Daryl half grunted. Thank god. I’ve almost forgotten what it feels like to be warm.

“Did it look clear?”, Michonne asked.

“More or less. May be a couple walkers, nothin we can’t handle”.

With that we were off walking back the way we came. Along the path, a dense layer of trees either side and what seemed like never ending road straight on, as far as we could see. Rick said it wouldn’t take too long to get there. Less than an hour apparently, even in our weakened state. While we were walking I found myself in one of my daydreams. Just zoning out. Truthfully I was pretty down today, the past few days actually. I can’t put my finger on the exact cause. A mixture of things I suppose. Low on supplies, low on energy. I mean also it may be that Carl and I haven’t spoken much since a couple days ago. Everything was fine, or so I thought but then he went off to speak with Michonne and after that it’s honestly felt like he’s been avoiding me. I don’t know what they spoke about and it could just be me going crazy, but it’s definitely been strange ever since. I dunno, he’s a boy. The other day Rosita told me that boys think girls are crazy but that it’s really the other way round. That was right after she’d had an argument with Abraham cause he’d said something that upset her, can’t remember what. She was not happy though.

I was pulled away from my thoughts when I felt someone nudge my shoulder with there’s. It was Carl. Last I looked he was walking up front with his dad but I guess he dropped back for whatever reason. “Hey” I said, trying to sound like I was in a better mood than I actually was.

“What’re you thinkin about?”

“Oh uh, nothing. Just tired you know?” A look of understanding washed over his face. “Yeah me to”, he sighed “But I guess we can rest soon. Eat those rabbits Daryl hunted earlier. Sit round the fire. Then all our problems will seem smaller”. He half smiled, eyes meeting mine, waiting for a response. I’m just now realising how blue they actually are. Like the ocean. Funny, I’ve never noticed that before. “That’s true”. I felt the corners of my mouth raising upwards slightly as I looked up at him.

He was right. That’s why I liked Carl. He was usually right, but not in an annoying way. You can trust his thought process and judgement is all. I rely on him to make me think more rationally than perhaps I would if left to my own devices. I’m a pessimist to be truthful, but not so much with him around. Carl is my best friend actually. We’re all a family, but there’s something with Carl and I. I don’t know what it is. We just click. Maybe it’s got something to do with the fact that we’re the same age, so it’s like we’re really going through this together. You know, we’ve missed out on the exact same things that kids our age are supposed to experience. So there’s an unspoken link bringing us closer together, and we are close. All we have to do is look at each other and it’s like we’re speaking a thousand words. With one look. He gets it. To be honest, our main form of communication is a simple knowing glance these days. Ever since Terminus and everything that we’ve been through since, spirits have been extremely low within the whole group. In fact, peoples moods have been almost as big a problem as the lack of food. Our energy levels and the general lack of hope amongst us means we don’t really feel like doing much talking at the moment. That’s why I appreciate Carl. He’s just as low as the rest of us but somehow he manages to do a pretty decent job of getting past that and thinking forward. Even if he is acting weird recently.

A while of strangely uncomfortable silent walking later, and just like Daryl said, five minutes through the woods and we approached a barn. Lucky for us no walkers in sight. Although we’ve all come to understand that that doesn’t mean there aren’t any there at all. As we came up close to it I realised that the area surrounding the barn was actually quite pretty. It sat in the middle of a large opening in the woods, enclosed in a field of flowers. I don’t know what kind they were but the colours were mostly indigos and violets and were so beautiful that it was verging on emotional. Probably from lack of sleep more than anything else, but there are so few things of beauty left in this world now. I really needed to see something like this. I’m sure we were all thinking the same thing because every one of us was smiling. Grinning even, and that hasn’t happened in a long time. “So beautiful” Sasha beamed,

“Right?!” Rosita added “I hope it’s clear inside”.

“Let’s find out” Rick responded with his hands firmly on his gun. “Daryl, Abraham, Sasha, Rosita with me”.

The rest of us stayed put outside, on watch for walkers, letting the others do their thing.

As I was scanning the tree line I caught Carl staring at me. That’s happened a lot lately. I’ll just so happen to glance at him and he’ll already be looking my way. He usually just pretends that he’s looking elsewhere and I let him believe that I don’t really notice, but I do. I was about to ask him what his deal was but decided not to bother when Rick and the others wandered back out of the barn.

“All clear. Looks in good shape actually, we’ll be good here for the night”. Relief washed over me. I am actually exhausted. I really don’t think I could cope if we had to spend another night on the side of the road again. A few sighs of relief could be heard from us and in through the heavy wooden doors we all went. The size of this place is actually pretty impressive. Something I had missed initially due to being distracted by the flowers. Somehow I was reminded of the poppy scene in The Wizard of Oz.

As soon as we were inside, everyone got to settling in. Organising the little supplies we had, starting a small fire. That kind of thing. Daryl went straight on watch, looking through the small window on the left of the door. This place isn’t too bad. It’s large enough to fit us all in comfortably and there’s some hay in the far corner that it looks like we’ll be sleeping on. Glenn and Maggie were already setting down blankets and the odd sleeping bag over there. It didn’t take long for me to warm up slightly. Just being under shelter and not out in the wind made a lot better. Such a relief, I really do hate being cold. Rick and Carl attempting to get a fire going in the centre of the barn. I thought for a second. Should I go help? Maybe get to talk to Carl and work out why he’s acting funny. I think I will. I’ll play it cool though.

I started walking over to them and Rick saw me coming almost immediately. We both exchanged smiles but then he nudged Carl to make him see me I guess, then left to go talk to Sasha. That’s weird. Carl looked up ever so quickly and then just carried on organising the fuel for the fire as if he didn’t even see me. “Need some help?” I asked as soon as I reached him to brake the tension that was between us all of a sudden.

“Nah, I’m good”, he mumbled, “But thanks though” he added, smiling as he looked up at me stood above him noticing that I had my eyebrows furrowed in a frown. “Ok…” I said slowly as I took a seat on the ground next to him, legs crossed. Carl said nothing, just stared at the tiny fire that his dad had just managed to start before he left. This is definitely odd now. He’s never been this quiet before. Not around me anyway. What is with him? “That was quick.” I uttered, referring to the fire “What?”, he asked, clearly confused. “The fire”, I explained, pointing to it, “You got it lit really fast. Impressive”.

“Oh, thanks. Well it was dad actually. I didn’t really do anything”. I chuckled, trying to lighten the mood. It didn’t seem to work. He still just sat there staring at the slowly expanding fire. I’d had enough now. I had to know what was going on inside that head of his. “What’s up with you?”. It wasn’t nearly as assertive as I had meant it to come out. My voice was soft. I just wanted him to talk to me. His head flicked up. I had his attention. “What? Nothing” he grumbled at me. A lie. I could tell he was hiding something. “Don’t lie Carl. I know something’s wrong. You’ve been acting weird the past couple days”. He watched me as I spoke. He had a guilty look on his face like he knew what I was talking about. He stayed silent as I carried on, “Except for when we spoke for like two minutes on the walk over here, you’ve been avoiding me”. I looked to him for an explanation but still silence. Whatever. “Ok fine”, I’m getting annoyed now. I got up to leave, “I’ll just leave you alone alright? That’s clearly what you wa-“, “Wait” He murmered. I turned back towards him. He had his hand around my wrist but no sooner than I had noticed it was there, he’d taken it away again, almost shocked he grabbed it in the first place. “I’m sorry, Y/N. I just feel weird. I dunno why. I just feel like stuff has changed”. He looked down again, almost ashamed. What is he talking about? “I don’t understand. What stuff?”. I really wanted to know. I stood there looking down at him.

“Ever since we had that run in with those walkers. You almost got bit. It scared me… and now it’s different” Carl sighed.

“It scared me too”, I admitted. I was trying not to think about that to be honest. It was pretty frightening, I’m not gonna lie. I was millimetres away from having my neck torn open. “Hey Y/N!” Carol called across to me. Perfect timing… not. She likely wanted help preparing the food. I usually help her. I glanced over to her and then back at Carl who was studying me closely, probably hoping for me to say something more than what I had. “Speak later, ok?” I asked him hopefully.

“Yeah sure”. It was almost a whisper.

I did a lot of thinking while Carol and I prepared the food. It was mostly quiet between us. Carol isn’t a massive talker, but I liked it that way sometimes. While I watched the squirrel get yacked apart ready to cook I over-analysed everything Carl had said to me. Replayed my near death experience with the walker over and over in my head. It was actually Carl that saved me. I had dropped my knife stupidly and was trying to hold the terrifying monster at arms length with both hands. Trying and failing. As it was seconds from ripping my neck open with it jaw when Carl sent a bullet straight through it’s skull. The walker dropped to the ground and I stepped away in shock, my eyes wide as I came to terms with what had nearly happened. Carl ran over from where he was, which wasn’t that far away to be fair and before I knew it his arms were around me. Engulfing me so tightly it was as if his life depended on it. I wondered if that was what Carl was talking about, now that I think of it. That’s the only time we’ve ever done that. Hugged. I didn’t think anything of it at the time but when we finally pulled apart after what felt like a lifetime, I looked into his eyes and I had seen something in them that I had never seen before. I can’t describe it. He just looked different. Scared. Really terrified. Not long after that was when we had managed to find somewhere to settle down and set up camp in amongst the trees, and Carl went off for that chat with Michonne. Carol brought my attention back to her with a smile. “Come on Y/N, let’s go serve up some squirrel!”.

We were all sat around the fire. There were a few conversations going on but it was pretty quiet. I was just observing everyone. I found myself watching Sasha who was chatting with Michonne over their bowls of squirrel and canned tomatoes. She must have felt me watching because she looked across at me and smiled, giving me a nod. I’ve always been super close to Sasha. She looks out for me and we get along well cause we have a lot of the same views on everything I think. She’s very straight to the point and thinks with her head. I admire her for that. Sasha has often told me if I ever need to talk to her about anything I can. She might just be able to help me work Carl out. Although I think I may need help working myself out as well. Ever since he brought up that walker encounter I haven’t been able to stop thinking about it. About him. The fear and adrenaline must have caused me to block it out at first but the more I remember it, the more I understand Carl for acting oddly. Something about that hug and the look on his face has changed something. He was right. God damnit he’s always right. As soon as this food is done with, I’m heading straight to Sasha.

#carl grimes #carl grimes imagine #carl grimes fanfiction #carl grimes one shot #chandler riggs #chandler riggs imagine #the walking dead #twd #twd imagine #the walking dead imagine #carl #carl grimes x reader

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stereostevie · 4 years ago

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The Rap Grammy Nominations Are Weird As Hell | Nov 25, 2020 11:12 AM BY TOM BREIHAN

The very first time that the Grammy Awards recognized rap music, it was an utter fiasco — a clear case of an aging pop-music establishment failing to understand this vital new youth music that had sprung up and rewritten the rules. For the 1989 awards show, the Grammys added one rap category, Best Rap Performance. DJ Jazzy Jeff & The Fresh Prince won it for “Parents Just Don’t Understand,” beating out LL Cool J and Salt-N-Pepa and Kool Moe Dee and JJ Fad. The show didn’t deign to recognize Public Enemy, N.W.A, EPMD, Slick Rick, Big Daddy Kane, Eric B. & Rakim, or Ice-T, all of whom had released classic albums within the voting window. The award wasn’t televised, and most of the nominees, Jazzy Jeff and the Fresh Prince included, skipped the show, attending a “Boycott The Grammys” party instead.

Since that night, the history of rap at the Grammys has been a series of baffling, embarrassing decisions. It’s Steely Dan winning Album Of The Year over The Marshall Mathers LP. It’s Gretchen Wilson winning Best New Artist over Kanye West. “It’s weird and it sucks that I robbed you.” It’s also a history of rappers getting angry over the Grammys: “I never let a statue tell me how nice I am,” “You think I give a damn about a Grammy?” In 2019, Drake showed up to accept Best Rap Song. In his acceptance speech, he talked about how the Grammy voters weren’t necessarily the right people to define rap success. The broadcast cut him off mid-speech. Earlier this year, Kanye West, a man who once cared more about Grammy Awards than anyone else not named Neil Portnow, tweeted a video of himself pissing on one of his Grammys. (The Grammys still nominated West this year, for Best Contemporary Christian Music Album.)

Yesterday, the Grammys nominated Freddie Gibbs and the Alchemist’s Alfredo in the Best Rap Album category. That’s great! Freddie Gibbs is a great underground rap success story, a guy who bet on himself and kept doing great work in his own lane even after multiple major-label situations fell apart. Gibbs has never made a hit song in his life, and he’s gotten himself into a position where he doesn’t need to make hit songs — where he can just follow his instincts and keep his own style intact. Alfredo isn’t my favorite rap record of the year. (Even in the field of Alchemist-produced 2020 rap albums, I’d give the slight edge to Boldy James’ The Price Of Tea In China.) But the nomination for Alfredo is still a very cool surprise, the kind of thing that I would’ve never expected to see from the Grammy nominating committee.

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And yet Gibbs’ nomination doesn’t exactly announce a new golden age of Grammy rap consideration, a time when Recording Academy voters are finally figuring out how to approach the genre. Instead, his nomination points toward something else: An institutional recognition of middlebrow, middle-aged, respectable rap music.

All of this year’s Best Rap Album nominees are Black men between the ages of 35 and 47. The oldest nominee is Nas, who is now on his fifth Best Rap Album nomination and who has never won the award. (The Best Rap Album Grammy didn’t exist in 1994, when Nas released Illmatic, but there’s no way in hell that Nas would’ve won it anyway. The Academy would’ve given the award to Coolio’s It Takes A Thief or something.) The youngest nominee is D Smoke, a former high school Spanish teacher who is also the brother of the TDE R&B singer SiR. D Smoke made his way into Grammy contention after winning the first season of Rhythm + Flow, the Netflix rap-competition show. (Two of the three judges from Rhythm + Flow, Cardi B and Chance The Rapper, have won Best Rap Album themselves. T.I., the other judge, has been nominated three times and never won.)

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D Smoke isn’t exactly a revered or popular rapper, and I have’t seen anyone calling his perfectly-OK album Black Habits a masterpiece, though the man has certainly done better than anyone could’ve expected from a rap reality-show winner. But D Smoke raps exactly like a diet version of Kendrick Lamar, so his nomination works as a clear indication that the Grammy voters really, really wish they had a Kendrick album to nominate. D Smoke is also up for Best New Artist, alongside fellow rappers Chika, Megan Thee Stallion, and (I guess) Doja Cat. Presumably, Megan’s Good News would also be nominated if it had come out early enough to be eligible. Meanwhile, Chika hasn’t released an album, and Doja Cat is nominated in the pop categories, not the rap ones.

Instead, then, we’re looking at five guys hovering around the age of 40, all of whom are respected technicians with boom-bap inclinations. Jay Electronica, who’s nominated for A Written Testimony and who should probably be considered the front-runner, is technically a New Orleans native, but nobody thinks of him as a Southern rapper. (Jay-Z is all over A Written Testimony, to the point where anointing Jay Electronica feels a bit like throwing awards love to Jay-Z in a year with no Jay-Z album.) All the albums up for Best Rap Album are, at the very least, solid. A couple of them, Alfredo and A Written Testimony, are very good. But this is still a remarkably stodgy list — one that shows that the whole middle-aged respectability fetish that’s long plagued the Grammys is now embedded in its rap voting wing.

Freddie Gibbs and Nas and Jay Electronica and D Smoke and Royce Da 5’9″ are all gifted rappers who have done great work. Most of them could justifiably be considered legends. But none of them really show the world where rap music is, let alone where it’s going. By recognizing those albums, the Grammys have pointedly elected not to recognize something like Lil Baby’s My Turn, which is probably 2020’s most popular album in any genre and which is also a fine example of the 808-heavy depressive melodic-goo rap music that currently dominates the genre’s mainstream.

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Other hugely popular, artistically important albums are also absent: Lil Uzi Vert’s Eternal Atake, Roddy Rich’s Please Excuse Me For Being Antisocial, Polo G’s The Goat, Gunna’s Wunna, Rod Wave’s Pray 4 Love. Instead, the rap albums getting nominated are the 2020 equivalents of the Steely Dan album that famously beat Eminem. That’s not an indictment of the nominated albums. It’s an indictment of the stuff the Recording Academy values. It’s also a cautionary look of how things might look if the Recording Academy ever gets its way, if rap comes to rely on accepted ossified skill-sets instead of its current state of constant, furious stylistic evolution.

As someone who’s around the same age as this year’s Best Rap Album nominees, I’m not all that amped to see emotionally troubled, pill-gobbling 20-year-olds dominating rap music. But those kids are crucially moving the genre past whatever old men like me might want it to be. Fortunately, there’s at least one Grammy category that has done a pretty good job capturing where things are right now, and that’s Best Rap Song. The list of nominations there — Lil Baby’s “The Bigger Picture,” Roddy Ricch’s “The Box,” Drake’s “Laugh Now, Cry Later,” DaBaby’s “Rockstar,” and Megan Thee Stallion’s “Savage” — isn’t necessarily perfect, but it’s a fairly accurate representation of the kind of rap that moves people right now. I don’t know why the division between the Best Rap Album and Best Rap Song nominees is so stark. Maybe it’s a signal that the album is increasingly irrelevant. Maybe it reflects two different voting bodies. Either way, it’s striking.

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Look, the Grammys are weird. They are always going to be weird. Fiona Apple’s Fetch The Bolt Cutters should’ve been the biggest lay-up in the world, but it isn’t up for Album Of The Year. Instead, the Academy’s voters went for Coldplay and Jacob Collier and a deluxe edition of a Black Pumas album that didn’t even come out in the eligibility period. “Rockstar” and “Savage” are both up for Record Of The Year, but Post Malone’s Hollywood’s Bleeding is the only album that’s even rap-adjacent that’s nominated for Album Of The Year this year. I thought for sure that Lil Baby’s My Turn would be the token rap album that would inevitably lose to Taylor Swift. Instead, we didn’t even get one of those, and My Turn got snubbed even in its own category. Nothing makes sense.

But this year’s Best Rap Albums nominations still show a weird alignment between Grammy Voters and a certain streak of real-hip-hop rap conservatism. Watch out for that. Nothing good, except maybe a Freddie Gibbs Grammy win, will come out of that.

FURIOUS FIVE

1. Roc Marciano – “Downtown 81” It’s not on streaming services yet, but Roc Marciano’s new album Mt. Marci is out in the world now, and it is marvelous. (I can’t tell you whether the digital download is worth the $40 that Marci is charging on his website. Make your own financial decisions.) Right now, the only song out for general consumption is one of the few that Marci didn’t produce himself. (It’s a Jake One beat.) But otherwise, “Downtown 81” is exactly the sort of laid-back, intricately worded deadpan splendor that you can expect to hear on the LP, whenever it goes wide. So maybe that’s worth the price of a full tank of gas.

2. Meek Mill – “GTA” (Feat. 42 Dugg)

Meek Mill released his Quarantine Pack EP on Friday, and the track currently getting the big push is the downbeat Lil Durk collab “Pain Away.” But the real thrill here is in hearing Meek and 42 Dugg getting bracingly urgent over a Detroit-ass bassline.

3. Chief Keef & Mike Will Made-It – “Status” Sosa and Mike Will have evidently chosen to name their new song after this column. Gentlemen, I see this tribute, and I appreciate it. I love you too.

4. Willie The Kid & V Don – “Mother Of Pearls” (Feat. Eto) This is pretty.

5. Statik Selektah – “Play Around” (Feat. Conway The Machine, 2 Chainz, Killer Mike, Allan Kingdom, & Haile Supreme)

Once upon a time, maybe 13 years ago, I was apparently such a recognizable and influential part of the New York rap press that Statik Selektah noticed me at an MOP show, introduced himself, and tried to get me to listen to his mix CD. All these years later, Statik is a globally acknowledged boom-bap specialist with enough juice to put three of the world’s greatest middle-aged rappers on a track together. I’m proud of Statik. I bet he gets nominated for a Grammy someday.

#alchemist #chief keef #d smoke #freddie gibbs #grammys #grammy awards #hip-hop #jay electronica #meek mill #mike will made-it #music #nas #rap #roc marciano #statik selektah #stereogum #willie the kid

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creepingsharia · 5 years ago

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Thanksgiving on the Net: Roast Bull with Cranberry Sauce

Debunking revisionist history about Thanksgiving. Take the time to read it all, print it, and share it with your children no matter what age they are.

EDITORS NOTE: Due to the length of this article it has been presented here in three (3) parts. You may access the other pages by clicking the links at the bottom of this page or from the 'Related Links' section in the right column of the page.

http://www.sail1620.org/discover_feature_thanksgiving_on_the_net_roast_bull_with_cranberry_sauce_part_1.shtml

Thanksgiving on the Net: Roast Bull with Cranberry Sauce Part 1

by Jeremy D. Bangs

Jeremy Bangs (Ph.D., Leiden University), a Fellow of the Pilgrim Society, is Director of the Leiden American Pilgrim Museum, having previously been Visiting Curator of Manuscripts at Pilgrim Hall Museum, Chief Curator at Plimoth Plantation, and Curator of the Leiden Pilgrim Documents Center. Among his books are "Pilgrim Edward Winslow: New England's First International Diplomat" (2004); "Indian Deeds, Land Transactions in Plymouth Colony, 1620-1691" (2002); and "The Seventeenth-Century Town Records of Scituate, Massachusetts" (3 vols, 1997-1999-2001), all published by the New England Historic Genealogical Society. He has written many articles about the Pilgrims and Plymouth Colony, and is currently completing the manuscript of a book about the Pilgrims and Leiden. He was awarded the Distinguished Mayflower Scholarship Award by the Society of Mayflower Descendants in the Commonwealth of PA in 2001. Bangs is among a small, select number of historians of the Pilgrims (those who have no family relation to them whatsoever!). He has also published articles and books on Dutch history and art history of the 16th and 17th centuries.

Setting people straight about Thanksgiving myths has become as much a part of the annual holiday as turkey, cranberry sauce, and pumpkin pie. But should historians bother? Jane Kamensky, a professor of history at Brandeis, thinks not. She asks on the website "Common-Place" (in 2001) whether it's worth while "to plumb the bottom of it all - to determine, for example, [...] whether Plymouth's 'Pilgrims' were indeed the grave-robbing hypocrites that UAINE describes [i.e. United American Indians of New England]. [...] Was the 'first Thanksgiving' merely a pretext for bloodshed, enslavement, and displacement that would follow in later decades? Combing period documents and archaeological evidence, we might peel away some of the myths [...] But to do so would be to miss a fundamental point of these holidays. [...] in this new millenium, these sacred secular rites are once again pressed into service - this time by new nations, with new visions of the present, to be reached through new versions of the past. In place of one origins myth, the inventors of Indigenous Peoples' Day [intended to replace Columbus Day] and the National Day of Mourning [intended to replace Thanksgiving Day] invoke another. One in which all Europeans were villains and all Natives, victims. One in which indigenous peoples knew neither strife nor war until the treachery of Columbus and his cultural heirs taught them to hate and fear. To ask whether this is true is to ask the wrong question. It's true to its purposes. Every bit as true, that is, as the stories some Americans in 1792 and 1863 told about the events of 1492 and 1621. And that's all it needs to be. For these holidays say much less about who we really were in some specific Then, than about who we want to be in an ever changing Now."

"And that's all it needs to be"? I disagree. I think that anyone who wants to approach the question of Thanksgiving Day as a historian in the "ever changing Now" will need to ask "the wrong question" - what of all this is true?

Surveying more than two hundred websites that "correct" our assumptions about Thanksgiving, it's possible to sort them into groups and themes, especially since internet sites often parrot each other. Very few present anything like the myths that most claim to combat. Almost all of the corrections are themselves incorrect or banal, and otherwise not germane to the topic of what happened in 1621. With heavy self-importance they demonstrate quite unsurprisingly that what was once commonly taught in grade school lacked scope, subtlety, and minority insight. The political posturing is pathetic.

Commonly the first point scored is that lots of people gave thanks before the Pilgrims did it in 1621. Local boosters in Virginia, Florida, and Texas promote their own colonists, who (like many people getting off a boat) gave thanks for setting foot again on dry land. Several sites claim that Indians had six thanksgivings every year; at least one says that every day, every act, every thought was carried out with thanksgiving by pre-contact Indians. (My thanksgiving is bigger than your thanksgiving?) Among many examples:

* http://www.new-life.net/thanks01.htm

* http://www.oyate.org/resources/shortthanks.html

The Text

Many sites point out in a rankly naive sort of way that only one brief documentary account records Plymouth Colony's 1621 harvest festivities, the specific descriptive words of Edward Winslow, while additional information can be derived from the seasonal comments of William Bradford, who mentioned that the Pilgrims ate turkey among other things. See, for example, Pilgrim Hall Museum's website, which is consistently informative and of high scholarly quality:

Reporting on the colonists' first year, Winslow wrote that wheat and Indian corn had grown well; the barley crop was "indifferently good"; but pease were "not worth the gathering." Winslow continues: "Our harvest being gotten in, our Governor sent foure men on fowling; so that we might after a more speciall manner rejoyce together, after we had gathered the fruit of our labours. They foure in one day killed as much fowle as, with a little help besid, served the company almost a weeke. At which time amongst other Recreations, we exercised our Armes, many of the Indians coming amongst us, and amongst the rest their greatest King Massasoyt, with some nintie men, whom for three days we entertained and feasted. And they went out and killed five deere, which they brought to the plantation and bestowed on our Governour, and upon the Captaine and others. And although it be not alwayes so plentifull, as it was at this time, with us, yet by goodnesse of God, we are so farre from want, that we often wish you partakers of our plentie."[1]

Governor William Bradford, in Of Plymouth Plantation, reported that fishing had been good all summer, and, in the fall, "begane to come in store of foule, as winter approached [...] And besides water foule, ther was great store of wild Turkies, of which they tooke many, besids venison, etc."[2]

Archaeologist James Deetz made much of the fact that Winslow did not name the turkeys Bradford mentioned.

This startling revelation (that in this case one should ignore Bradford's general comments and suppose that Winslow was providing a complete menu listing) recurs in various websites, such as the 2002 article posted by the Christian Science Monitor.

More frequently repeated is Deetz's emphatic reminder that Winslow did not use the word "thanksgiving" - drawing the conclusion that therefore the 1621 event was not a thanksgiving but some sort of traditional English harvest festival he characterized as "secular."

I've discussed this oversimplification previously in an previous article.

Further, see "Re-bunking the Pilgrims" [subscribers]

On the one hand, whatever their folk customs may have been, harvest festivals in England with which the Pilgrims had been familiar were not "secular." (The Elizabethan and Jacobean-period Anglican Book of Common Prayer included an obligatory harvest thanksgiving prayer among the prayers whose use was increasingly enforced in the early seventeenth century.) On the other, Winslow's description includes biblical phrases referring to texts whose completion includes thanksgiving (particularly John 4:36 and Psalm 33). Winslow's contemporaries, unlike modern archaeologists, caught the meaning of the full texts to which he alluded. They knew their Bible.

But Deetz's assertion that there was no thanksgiving in 1621 is repeated in numerous websites. Often authors explain that what took place was so unlike later Puritan thanksgivings that it couldn't have been a true thanksgiving (usually citing, for the definition of what that would have been, William DeLoss Love, The Fast and Thanksgiving Days of New England (Boston, New York: Houghton and Mifflin, 1895), a book whose title alone seems to have inspired the common web article notion that in New England people fasted as an _expression of thanksgiving). For example, in "Top 10 Myths About Thanksgiving,' Rick Shenkman announces that Thanksgiving was not about religion.

Had it been, he says, "the Pilgrims never would have invited the Indians to join them. Besides, the Pilgrims would never have tolerated festivities at a true religious event. Indeed, what we think of as Thanksgiving was really a harvest festival. Actual 'Thanksgivings' were religious affairs; everybody spent the day praying. Incidentally, these Pilgrim Thanksgivings occurred at different times of the year, not just in November."

Responding to this in reverse order: (1) that Thanksgivings were not limited to November does not mean that the first one held by the colonists in Plymouth (which incidentally was presumably in September or early October) was not a thanksgiving. (2) The modern idea that in a religious thanksgiving "everyone spent the day praying" is inconsistent with the only description of the specific activities of a definitely identified thanksgiving day in early Plymouth Colony - the thanksgiving held in Scituate in 1636 when a religious service was followed by feasting. (See my book The Seventeenth-Century Town Records of Scituate, Massachusetts (Boston: NEHGS, 2001), vol. 3, p. 513.) (3) That "what we think of as Thanksgiving was really a harvest festival" (as if that meant it could not have been a thanksgiving) repeats Deetz's incorrect opinion that an English harvest festival was non-religious or even irreligious. (4) That the Pilgrims "would never have tolerated festivities at a true religious event" presumes a narrow definition of what a true religious event was before arriving through circular argument at a denial that what the Pilgrims did was such an event, because it differed from the axiomatic definition. (Ever been to a midwestern church picnic? Did tossing horseshoes and playing softball make it non-religious?) (5) As is repeatedly demonstrated by the writings of the Pilgrims' minister John Robinson, the Pilgrims attempted to pattern their religious activities according to biblical precedent. The precedent for a harvest festival was the Old Testament Feast of Tabernacles, Sukkoth (Deut. 16: 13-14). This harvest festival (as described in the 1560 Geneva translation of the Bible, used by the Pilgrims) was established to last "seuen daies, when thou hast gathered in thy corne, and thy wine. And thou shalt reioyce in thy feast, thou, and they sonne, and thy daughter, and thy servant, and thy maid, and the Levite and the stranger, and the fatherles, and the widow, that are within thy gates." The biblical injunction to include the "stranger" probably accounts for the Pilgrims' inviting their Native neighbors to rejoice with them, although Winslow does not explicitly say anything about invitation. Besides Sukkoth, the Pilgrims' experience of a Reformed Protestant thanksgiving every year in Leiden probably contributed to what they considered appropriate. Leiden's October 3 festivities commemorated the lifting of the Siege of Leiden in 1574, when half the town had died (an obvious parallel with the experience of the Pilgrims in the winter of 1620-21). Lasting ten days, the first Leiden event was a religious service of thanksgiving and prayer, followed by festivities that included meals, military exercises, games, and a free fair. To summarize, the common assumption that the Pilgrims' 1621 event should be judged against the forms taken by later Puritan thanksgivings - whether or not those are even correctly understood - overlooks the circumstance that the Pilgrims did not have those precedents when they attempted something new, intentionally based not on old English tradition but on biblical and Reformed example.

Shenkman has not invented these views. Attempts to be accurate frequently make the same assumptions. For example, the History Channel states that, "the colonists didn't even call the day Thanksgiving. To them, a thanksgiving was a religious holiday in which they would go to church and thank God for a specific event, such as the winning of a battle. On such a religious day, the types of recreational activities that the pilgrims and Wampanoag Indians participated in during the 1621 harvest feast - dancing, singing secular songs, playing games - wouldn't have been allowed. The feast was a secular celebration, so it never would have been considered a thanksgiving in the pilgrims minds."

The identical text is copied without credit on the webpage of the International Student & Scholar Programs of Emory University:

It's worth pointing out that Winslow says nothing about "dancing, singing secular songs, [or] playing games." Those might be intended among Winslow's general term "recreations," but to specify and cite them as proof that the Pilgrims' day was "a secular celebration" is over-reaching.

Thanking Whom?

Assuming the nature of the festival was non-religious, some sites proclaim that there was a thanksgiving, but that the Pilgrims were not thanking God. Instead they were thanking the Indians for the help that had contributed to the colonists� survival during the first year. For example, "Rumela Web" says, "The Pilgrims of Plymouth Rock held their Thanksgiving in 1621 as a three day 'thank you' celebration to the leaders of the Wampanoag Indian tribe and their families for teaching them the survival skills they needed to make it in the New World."

A site that provides Thanksgiving Day recipes and menus says, "The Pilgrims invited the Native Americans to a feast to thank them for all they had learned."

Another site [member account required] provides a psychological analysis: "Not only was this festival a way to thank the Wampanoag, but it also served to boost the morale of the remaining settlers."

Such redirection of the thanks is consistent with the modern assessment expressed in "The Truth about the First Thanksgiving," by James Loewen, "Settlement proceeded, not with God's help, but with the Indians'."

We think the Pilgrims should have thanked the Indians. Nonetheless, while most modern historians explain events without dependence on providential intervention, it is still inaccurate to bend the evidence to suggest that the Pilgrims' attitude was not predominantly providential, and did not result in thanks to God for help received from the Indians.

Bending evidence, plus inventing details found in no historical source, is not a monopoly of the secular interpretation. For example, Kathryn Capoccia's online Sunday School lesson, "American Thanksgiving Celebrations," displays an incredibly imaginative disregard for historical evidence:

"Two weeks before the celebration was to take place a proclamation was issued stating that a harvest festival was to be held, which would be preceded by a special religious service and would be open to both Separatist church members and nonmembers. Everyone was urged to publicly offer gratitude for God's provision. The invitation was also extended to chief Massasoit." [...] "In response to the invitation Massasoit appeared in camp with three braves. Two days later he was joined by ninety other braves who provided five deer, a flock of geese, fifteen swordfish and small sweet apples for the celebration. The ceremonies began on the last morning of the festival [sic] with a worship service led by Elder Brewster. Then ground sports, such as foot racing and wrestling were held, as well as knife throwing contests. The settlers demonstrated musket drilling and shot a cannon volley. Then the feasting began in mid-afternoon at the fort. Everyone was seated in the open at long tables. At the end of the meal the settlers toasted the Indians as friends. The adults exchanged gifts with each other: Massasoit was given a bolt of cloth by Bradford, the warriors received cooking pots and colored beads in strings. The Indians reciprocated with a beaver cloak for Bradford and several freshly killed deer that could be smoked and stored for winter. The Indians presented the children with lumps of candy made from sugar extracted from wild beet plants. When the ceremonies were completed Elder Brewster quoted the Bible as a benediction, 'I thank my God upon every remembrance of you'". This level of fabrication is rare. It recalls the oratory of a century ago, that inspired the balloon-pricking emotions of countless would-be debunkers.

Colored Clothes, No Buckled Hats! My Goodness!

Similarly disconnected from Winslow's version are the common corrections to misconceptions about Pilgrim costume. Numerous sites let us know that the Pilgrims did not always wear black, and some even assert excitedly that it is important that we know about this discovery.

Timothy Walch, writing for History News Services, says, "Finally, it's important to dispel one last Thanksgiving myth — that the Pilgrims dressed in black and white clothing, wore pointed hats and starched bonnets and favored buckles on their shoes. It's true that they dressed in black on Sundays; but on most days, including the first Thanksgiving, they dressed in white, beige, black, green and brown." Surprisingly, Walch talks about buckles on shoes, instead of the common cartoon iconography of buckles on hats (itself an anachronism derived from a brief fashion in the 1790's). While Walch's point about color in workday clothing is true, I'm not sure it can come as a surprise to very many people. Nowadays most illustrations show Pilgrims in multi-colored clothing, often using photographs of the colorful actors at Plimoth Plantation. Even children now in their thirties will have learned about the Pilgrims from pictures showing varie-colored clothing. It wasn't always that way (cheaper books once were restricted to monochrome illustrations), but none of the websites gives a good explanation of the origin of the stereotype - the error is paraded simply as yet another example of inherited ignorance.

Only one genuine portrait of a Pilgrim exists - that of Edward Winslow (now in Pilgrim Hall Museum). Painted in 1651 in London, where Winslow acted as a diplomat representing the interests of New England colonies before various government committees, it shows him dressed appropriately in the very expensive black formal wear that most Pilgrims could not afford. From his portrait, as well as from other 17th-century portraits (that tended to show rich people) history painters of the early 19th century derived some ideas of costume. But they did not restrict their research to portraits of the rich, they also looked at pictures of common people in Dutch genre paintings. In romantic visions of historical scenes, the 19th-century history painters showed Pilgrim leaders in black, but others in a variety of colors. None of the dozen or so history paintings on Pilgrim themes at Pilgrim Hall Museum (the foremost collection) shows the Pilgrims uniformly in black - most wear scarlet, russet, green, ochre, grey, blue, or brown.

However, 19th century Americans became familiar with the Pilgrims through black and white stereoptype engravings, not paintings. At the same time, black clothing had become cheaper to produce and was expected for Sunday-best attire, not just among the wealthy. It was easy to imagine that the Pilgrim leaders as seen in black-and-white engravings were dressed in a way that was nearly familiar.

And, yes, they did call themselves "Pilgrims."

Almost as frequent as remarks about the color of their clothes are the website assertions that these colonists did not call themselves "Pilgrims." James Loewen, in "The Truth About the First Thanksgiving," writes that "no one even called them 'Pilgrims' until the 1870s."

This sort of belief is derived from a common misconception that because the manuscript of William Bradford's journal "Of Plymouth Plantation" was lost from the late 18th until the mid 19th century, no one was familiar, until the rediscovery, with his famous phrase, "They knew they were Pilgrims." The discovery of that phrase is thought to have appealed strongly to the Victorian imagination and to have led to the term "Pilgrims" as a designation for the Plymouth colonists. Bradford, however, was not the first to apply the name in print to these colonists - that was Robert Cushman in 1622 (in the book now called Mourt's Relation). Bradford's own words were excerpted and published by Nathaniel Morton in New England's Memorial, first printed in 1669 (and reprinted in 1721, 1772, and twice in 1826). The term Pilgrim, never forgotten, was used repeatedly in the later 18th century and throughout the 19th century, at celebrations in Plymouth that attracted attention throughout New England if not farther. If Mr. Loewen thinks the word "Pilgrim" was not applied to these people before the 1870's, one wonders what he thinks the local worthies of Plymouth were doing when in 1820 they founded the Pilgrim Society.

The Plymouth colonists considered themselves and all other earnest Christians to be on an earthly pilgrimage to a heavenly goal. Most of them were serious about their faith and puzzled by the presence among them of a few who demonstratively were not. Referring to themselves in that context they used the New Testament image expressed in print by Robert Cushman in 1622: "But now we are all in all places strangers and pilgrims, travelers and sojourners [...]" The full Bible citation, which these people knew and recognized as a text that gave re-assuring self-identification, was this (Hebrews 11:13-16, Geneva translation, 1560):

"All these dyed in the faith, and receiued not the promises, but sawe them a farre of[f], and beleued them, and receiued them thankefully, and confessed that they were strangers and pilgrimes on the earth. For they that say suche things, declare plainely that they seke a countrey. And if they had bene mindeful of that countrey, from whence they came out, they had leasure to haue returned. But now they desire a better, that is an heauenlie: wherefore God is not ashamed of them to be called their God: for he hathe prepared for them a citie."

The foregoing unifying phrase - strangers and pilgrims on the earth - is misunderstood as a dichotomy in George Willison's book Saints and Strangers (New York: Reynall & Hitchcock, 1945). Willison�s Hegelian analysis of Pilgrim history as a conflict between religious fanatics he calls "saints" and disinterested, economically motivated opponents to them, whom he identifies as "strangers," has become a rarely questioned presumed truth, never doubted on the internet. It is basic to Willison's dismissive interpretation of the Mayflower Compact as an instrument of minority control. For Willison, the dialectical tension was resolved by a happy synthesis that bore similarities to the democratic triumph of the American common man over tyranny at the end of World War II. Willison was speaking to people who saw themselves in his description of the Pilgrims, as people who "were valiantly engaged [...] in a desperate struggle for a better order of things, for a more generous measure of freedom for all men, for a higher and nobler conception of life based upon recognition of the intrinsic worth and dignity of the individual." Stirring words, they introduce Willison�s description of the process of conflict that was for him the meaning of being a Pilgrim.

For the Pilgrims themselves, in specific contexts other identifying terms were useful. In their application to move to Leiden, they said they were members of the Christian Reformed religion - thus indicating that they were the sort of people Leiden wanted as immigrants. Distinguishing themselves from Puritans who stayed in the Church of England, they called themselves Separatists. In New England, for legal purposes connected with rights to distribution of the common property and land, the colonists referred to anyone who had arrived before the 1627 division as "Old Comers" or "First Comers." Their general self-identification, however, was "pilgrims" in the New Testament sense. Their first use of the term in America is seen in the name given the first child born in the colony - Peregrine White. "Peregrine" comes from the Latin peregrinus meaning "pilgrim" or "stranger."

[1]Mourt's Relation, published in cooperation with Plimoth Plantation by Applewood Books, Bedford MA, Edited by Dwight B. Heath from the original text of 1622 and copyright 1963 by Dwight B. Heath, p. 82.

[2]Of Plymouth Plantation 1620-1647 by William Bradford. A new edition by Samuel Eliot Morison; First published Sept. 19, 1952; 21st printing Jan. 2001, p. 90.

Thanksgiving on the Net: Roast Bull with Cranberry Sauce Part 2

The Fake Thanksgiving Proclamation of 1623

The invented secular harvest festival augmented by the redirection of thanks towards the Indians and the assertion that "Pilgrims" was a name not used by the colonists, has become widely accepted. What's to be done? Fake it! Instead of simply pointing out that this version of the past fails to account for the Pilgrims' habitual piety and is thoroughly inconsistent with the documentary evidence, someone has felt it necessary to invent a document that replaces the 1621 purported non-thanksgiving with a celebration that does include all the sentiments and specifications that Winslow's description lacks. Many websites whose authors would like to maintain an emphasis on the Pilgrims' religious attitudes to support their own, quite different convictions now tell a fake story instead.

The cute text, widely circulated on internet sites (or excerpted, for example), is: "William Bradford's Thanksgiving Proclamation (1623)

Inasmuch as the great Father has given us this year an abundant harvest of Indian corn, wheat, peas, beans, squashes, and garden vegetables, and has made the forests to abound with game and the sea with fish and clams, and inasmuch as he has protected us from the ravages of the savages, has spared us from pestilence and disease, has granted us freedom to worship God according to the dictates of our own conscience.

Now I, your magistrate, do proclaim that all ye Pilgrims, with your wives and ye little ones, do gather at ye meeting house, on ye hill, between the hours of 9 and 12 in the day time, on Thursday, November 29th, of the year of our Lord one thousand six hundred and twenty-three and the third year since ye Pilgrims landed on ye Pilgrim Rock, there to listen to ye pastor and render thanksgiving to ye Almighty God for all His blessings.

— William Bradford Ye Governor of Ye Colony"

["Ravages of the savages" indeed! Ye, ye, ye, ye!]

This is demonstrably spurious, as my friend Jim Baker pointed out in 1999. His remarks are repeated by various people - usually without credit to Baker - Dennis Rupert, for example.

The false proclamation does not appear in any 17th-century source - not in Bradford, not in Winslow, not in Morton's New England's Memorial, not anywhere. Internal evidence suggests it is a 20th-century fraud. No mention of Plymouth Rock exists before it was pointed out in the mid-18th century, and the term "great Father" (for God) is a 19th-century romantic quasi-Native term that Bradford never used in his acknowledged writings. There are further anachronisms. For example, in 1623 there was no pastor in Plymouth Colony. Pastor John Robinson was still in Leiden, so services were led by the deacon, Elder William Brewster. William Bradford never referred to himself as "your magistrate" in years when he was governor. Bradford dated documents "in the year of our Lord" - sometimes adding the year of the monarch's reign. He never referred to landing on Plymouth Rock (not even as "Pilgrim Rock") and certainly did not use it as a date-base. The Pilgrims did not imagine themselves as seeking "freedom to worship God according to the dictates of our own conscience." They wanted freedom to worship according to their interpretation of biblical commands, which they thought was exclusively correct - and correct externally to any dictates of their own consciences. Finally, it's amusing that the 29th of November 1623 (Old Style) was not a Thursday but a Saturday (according to the tables in H. Grotefend's Taschenbuch der Zeitrechnung des Deutschen Mittelalters und der Neuzeit (ed. Th. Ulrich, Hannover: Hahnsche Buchhandlung, 1960).

While it is often impossible to locate the ancient origin of such internet myths, this fraud is relatively recent. Samuel Eliot Morison was unaware of it when editing Bradford's Of Plymouth Plantation (New York: Knopf, 1952); Eugene Aubrey Stratton does not mention it in his Plymouth Colony, Its History & People, 1620-1691 (Salt Lake City: Ancestry Publishing, 1986). I have not discovered whether it appears anywhere before it made its way into William J. Federer's America's God and Country: An Encyclopedia of Quotations (Coppel, TX: Fame, 1994) and the source Federer gives - David Barton's The Myth of Separation (Aledo TX: Wallbuilder Press, 1991), p. 86. The text has been dropped from recent editions of Barton's book, but that doesn't put an end to repetition of the nonsense, especially on internet sites. A request to David Barton for information on this remains unanswered. On Barton's historical inventiveness, see:

Rob Boston, "Sects, Lies and Videotape: Who Is David Barton, And Why Is He Saying Such Awful Things About Separation of Church And State?" (Originally published in Church & State, 46, Nr. 4, April 1993, pp. 8-12).

Rob Boston, "David Barton's 'Christian Nation' Myth Factory Admits Its Products Have Been Defective." (Originally published in Church & State, 49, No. 7, July/August 1996, pp. 11-13).

Jim Allison, "An Index to Factual Information About David Barton And His Books".

Nicholas P. Miller, "Wallbuilders or Mythbuilders".

That people stressing the religious attitude of the Pilgrims use this invented 1623 "Thanksgiving Proclamation" is ironic. They might have been satisfied with the truth. The 1621 event did express the Pilgrims' religious attitude of thankfulness for God's providence and therefore should be adequate for their modern purposes. Moreover, in the summer of 1623 the Pilgrims held another special day of thanksgiving to God when they considered that their prayers for rain were answered, a drought ended, and their crops were saved. It wasn't in November and no stirring proclamation is preserved. Yet the "secular" interpretive ignorance that denies that the 1621 event was a thanksgiving had triumphed to the extent that someone from among the fundamentally disgruntled must have thought it clever to fight back. It is another question entirely, what the relation of the Pilgrims' religious attitude bears to modern understanding, that would make it urgent to use faked evidence to prove the Pilgrims were thanking God. Obviously the Pilgrims were religious - but what has this to do with anything other than an honest understanding of the past? Their religiosity scarcely provides support for any particular doctrinal viewpoint now; and no one is likely to become religious because it has been proven that the Pilgrims were.

Bartonis interest is to paint a picture of America as a particular sort of Christian nation since the beginning of its colonization. To make the Pilgrims even more religious than is indicated by their own words is dishonest. Removing the spurious quotation is a commendable step in the right direction. Considering that the Pilgrims interpreted their religion to mean that the Christian community bore responsibility to treat the Indians with respect and legal equality (see my book Indian Deeds, Land Transactions in Plymouth Colony, 1620-1699 (Boston: NEHGS, 2002)); noticing that the Pilgrims' laws proclaim that the community bore responsibility for the care of widows, orphans, the poor, and the infirm; and discovering that the Pilgrims' minister John Robinson argued in favor of cautious religious toleration and asserted that the church had no special authority over the magistrate, which he said was required to deal equitably with non-believers as well as believers, I'd be happy to see such Christian principles applied to modern America. Good luck to Mr. Barton and his colleagues in ensuring this happens!

The Libertarian's First Thanksgiving

Fred E. Foldvary has picked up the false 1623 date eagerly and given it a different twist. "The rains came and the harvest was saved. It is logical to surmise that the Pilgrims saw this as a sign that God blessed their new economic system, because Governor Bradford proclaimed November 29, 1623, as a Day of Thanksgiving." That's the opinion of Foldvary, Editor (1998) of The Progress Report and Lecturer in Economics, Santa Clara University.

So - the Pilgrims weren't thankful to God for a bounteous harvest as such, nor were they expressing gratitude to the Indians for help received. They were congratulating themselves on the discovery of the benefits of individualist capitalism!

The Ludwig von Mises Institute in 1999 published Richard J. Maybury's article "The Great Thanksgiving Hoax" (originally seen in The Free Market, November, 1985). Maybury (self-styled business and economic analyst) wants to correct our idealized view of the Pilgrims: "[T]he harvest of 1621 was not bountiful, nor were the colonists hardworking or tenacious. 1621 was a famine year and many of the colonists were lazy thieves." [...] "they refused to work in the fields. They preferred instead to steal food." [...] "The prevailing condition during those years was not the abundance the official story claims, it was famine and death. The first 'Thanksgiving' was not so much a celebration as it was the last meal of condemned men." Then it all changed: "in 1623 Bradford abolished socialism. He gave each household a parcel of land and told them they could keep what they produced, or trade it away as they saw fit. In other words, he replaced socialism with a free market, and that was the end of famines." [...] "Before these free markets were established, the colonists had nothing for which to be thankful." [...] "Thus the real reason for Thanksgiving, deleted from the official story, is: Socialism does not work; the one and only source of abundance is free markets, and we thank God we live in a country where we can have them." So there you have it - neither God's providence nor helpful Indians, just materialistic private profit.

The theme recurs in numerous imitative articles online. In 2004, Gary M. Galles, professor of economics at Pepperdine University, ended his praise of Pilgrim property with a political admonition: "Though we have incomparably more than they did, we can learn much from their 'way of thanksgiving.' But we should also remember that our material blessings are the fruits of America's system of private-property rights and the liberties they ensure, including the freedom to choose our employment and spend money as we see fit. Those rights are under constant assault today, from limits on people's ability to contract as they wish, especially in labor relationships, to abuses of government's eminent domain." Robert Sheridan, who teaches constitutional law at the San Francisco Law School, quotes the full text (from the San Francisco Chronicle) and expertly dissects Galles' underlying assumptions about modern society, in his own article "Thanksgiving Nonsense and Propaganda".

A slightly abbreviated version of Galles' remarks is published by the Ludwig von Mises Institute.

The Independent Institute's website has a similar article that was published for Thanksgiving in 2004 in the Charlotte Observer and in the San Diego Union-Tribune. "The economic incentives provided by private competitive markets where people are left free to make their own choices make bountiful feasts possible," says Benjamin Powell, professor of economics at San Jose State University. "That's the real lesson of Thanksgiving."

Elaborating on Maybury's view of Thanksgiving, Newsmax columnist Geoff Metcalf becomes even more definite: "[A]n economic system which grants the lazy and the shiftless some 'right' to prosper off the looted fruits of another man's labor, under the guise of enforced 'compassion,' will inevitably descend into envy, theft, squalor, and starvation. Though many would still incrementally impose on us some new variant of the 'noble socialist experiment,' this is still at heart a free country with a bedrock respect for the sanctity of private property - and a land bounteous precisely because it's free. It's for that we give thanks - the corn and beans and turkey serving as mere symbols of that true and underlying blessing - on the fourth Thursday of each November."

True history? Does it make any difference? As Kamensky says, "It's true to its purposes."

For the purposes of historical accuracy, nevertheless, I think it's worth mentioning that the Pilgrims' initial system of working the land by changing field assignments each year had nothing at all to do with socialism - it was the consequence of an early and unrestrained form of capitalism whereby the colony, its products, and the colonists' productive labor were absolutely and entirely mortgaged to the London investors, whose loans had to be paid off before any of the Pilgrim colonists could own free-hold property. The colony as a whole and its colonists were indentured. Their contract is now lost; probably it was among the missing first 338 pages of William Bradford's letter-book. The shift away from rotating field assignments did not result in private property, just a modification of the organization of the indentured labor. Private real property came for these colonists in 1627 when a small group among the colonists - the "Purchasers" - bought the debt and the responsibility to pay it off. A temporary monopoly on the fur trade was reserved to them as compensation for their higher personal responsibility and financial exposure.

A Cornucopia of Grievances

So if Thanksgiving was not about the discovery of private property's profitability, not about help offered to the colonists by the Wampanoag Indians, not about God's providence - what was it?

"The first day of thanksgiving took place in 1637 amidst the war against the Pequots. 700 men, women, and children of the Pequot tribe were gathered for their annual green corn dance on what is now Groton, Connecticut. Dutch and English mercenaries surrounded the camp and proceeded to shoot, stab, butcher and burn alive all 700 people. The next day the Massachusetts Bay Colony held a feast in celebration and the governor declared 'a day of thanksgiving.' In the ensuing madness of the Indian extermination, natives were scalped, burned, mutilated and sold into slavery, and a feast was held in celebration every time a successful massacre took place. The killing frenzy got so bad that even the Churches of Manhattan announced a day of 'thanksgiving' to celebrate victory over the 'heathen savages,' and many celebrated by kicking the severed heads of Pequot people through the streets like soccer balls." So says Tristam Ahtone, at 13Moon.com. There were preliminary events before this celebration of atrocity, according to Ahtone. Although the 1621 harvest festival in Plymouth was not in his opinion a thanksgiving, he informs us that "Two years later the English invited a number of tribes to a feast 'symbolizing eternal friendship.' The English offered food and drink, and two hundred Indians dropped dead from unknown poison." This echoes the words of James Loewen (quoted by Jackie Alan Giuliano in "Give Thanks - Un-Turkey Truths"): "The British offered a toast 'symbolizing eternal friendship,' whereupon the chief, his family, advisors, and two hundred followers dropped dead of poison." Loewen places this event in Virginia.

Ahtone's remarks connecting the "First Thanksgiving" with the Pequot War are frequently copied or excerpted, with slight variations. Sometimes it's not Massachusetts Bay responsible, but the Pilgrims. "The next day, the English governor William Bradford declared 'a day of Thanksgiving', thanking God that they had eliminated the Indians, opening Pequot land for white settlement." That proclamation was repeated each year for the next century." This was posted by "Ecuanduero" on the Discovery Channel.com, in 2003.

William Loren Katz, author of Black Indians, A Hidden Heritage, writes that, "In 1637 Governor Bradford, who saw his colonists locked in mortal combat with dangerous Native Americans, ordered his militia to conduct a night attack on the sleeping men women and children of a Pequot Indian village. To Bradford, a devout Christian, the massacre was imbued with religious meaning."

Clearly we should realize that these people were not nice, but just exactly how bad? "Not even Charles Manson and Jim Jones combined could compare with that murderous Doomsday cult — the Pilgrims," says a website article called "The Pilgrims, Children of the Devil: Puritan Doomsday Cult Plunders Paradise." The site calls itself the Common Sense Almanac, Progressive Pages (and claims to be a project of the Center for Media and Democracy).

The story forms the foundation for stirring generalizations. "It is a serious mistake to practice holidays based on a false history," one site admonishes us. "The young people find out on their own that they are involved in a lie, and it makes them rage with fury and contempt. [...]It should surprise no one that after raising children honoring the memory of the Pilgrim fathers, that they grow up to hate freedom as much as the Forefathers did. It should surprise no one that a society that worships the Pilgrims — who ruthlessly scalped the Indians (teaching them how to do it), who indiscriminately torched Indian villages, and murdered their women, children and elders in the precursors of total war, and holocaust — should produce children who grow up to join street gangs, and who seek the experience of murdering other human beings for kicks."

The story told by Ahtone, Katz, and others is derived from a report that surfaced in the 1980's. "According to William B. Newell, a Penobscot Indian and former chairman of the anthropology department at the University of Connecticut, the first official Thanksgiving Day commemorated the massacre of 700 Indian men, women and children during one of their religious ceremonies. [...]"

This version in First Nations News is from an article by Karen Gullo that first appeared in Vegetarian Times, 1982. Newell's material is quoted over and over. Newell, who is described in one site as having degrees from two universities [wow! Fancy that!], was convinced about the solidity of his research: ""My research is authentic because it is documentary," Newell said. "You can't get anything more accurate than that because it is first hand. It is not hearsay." http://www.s6k.com/real/thankstaking.htm

What's not authentic is the claim that William Newell was head of the anthropology department at the University of Connecticut, whose faculty cannot recall him at all. When the department was founded in 1971, Newell was 79 years old. See the letter by department chair Jocelyn Linnekin. And what is completely untrue is the idea that the Pilgrims of Plymouth Colony participated in the 1637 Pequot massacre. Although asked to send military assistance, the Plymouth court did not respond until two weeks after the slaughter had been carried out by a mixed force of soldiers from Connecticut, Massachusetts Bay, and the Narragansett tribe (no "Dutch and English mercenaries"). As Bradford himself reports, the Pilgrims were told their aid was too little, too late; they could stay home. (See my book,

Pilgrim Edward Winslow: New England's First International Diplomat (Boston: NEHGS, 2004), pp. 164-168.)

Is this important? Or is the lie "true to its purposes"?

Thanksgiving on the Net: Roast Bull with Cranberry Sauce Part 3

The National Day of Mourning

The purposes can best be understood as fitting in with the description of the Pilgrims that animates the so-called National Day of Mourning sponsored by the United American Indians of New England. "The pilgrims (who did not even call themselves pilgrims)" [yes, that again] "did not come here seeking religious freedom; they already had that in Holland. They came here as part of a commercial venture. They introduced sexism, racism, anti-lesbian and gay bigotry, jails, and the class system to these shores. One of the very first things they did when they arrived on Cape Cod — before they even made it to Plymouth — was to rob Wampanoag graves at Corn Hill and steal as much of the Indians' winter provisions of corn and beans as they were able to carry. [...] The first official "Day of Thanksgiving" was proclaimed in 1637 by Governor Winthrop. He did so to celebrate the safe return of men from the Massachusetts Bay Colony, who had gone to Mystic Connecticut to participate in the massacre of over 700 Pequot women, children, and men."

This characterization of the Pilgrims was written in 2003 by UAINE leaders Mahtowin Munro and Mooanum James, whose father Frank James (Wamsutta) made the 1970 protest speech that started the Day of Mourning at Plymouth, Massachusetts. Wamsutta spoke out against decades of inequality in words historically vague and not entirely accurate. He clearly announced the continued presence of Wampanoag Indians to a society that he thought had too often treated them as bygone relics. But his measured anger at real injustice bore little of the demonizing divisiveness championed by UAINE in later years.

From the repetition of Mahtowin Munro's and Mooanum James' remarks in countless websites associated with Native American interests, it would appear that the Wampanoag tribes consider themselves best represented by the UAINE protests. The words of Russell Peters published by Pilgrim Hall Museum contradict this.

Russell Peters, A Wampanoag leader, died in 2002. Who was he? "Mr. Peters [M.A., Harvard] has been involved in Native American issues at a state, local and national level. He [was] the President of the Mashpee Wampanoag Indian Tribal Council, a member of the U.S. Commission on Civil Rights from 1976 to 1984, a member of the Harvard Peabody Museum Native American Repatriation Committee, a member of the White House Conference on Federal Recognition in 1995 and 1996, a board member of the Massachusetts Foundation for the Humanities, a board member of the Pilgrim Society, and the author of Wampanoags of Mashpee (Nimrod Press), Clambake (Lerner Publications), and Regalia (Sundance Press)." Russell Peters expressed regret at the deterioration of the social potential of the Day of Mourning. "While the day of mourning has served to focus attention on past injustice to the Native American cause, it has, in recent years, been orchestrated by a group calling themselves the United American Indians of New England. This group has tenuous ties to any of the local tribes, and is composed primarily of non-Indians. To date, they have refused several invitations to meet with the Wampanoag Indian tribal councils in Mashpee or in Gay Head. Once again, we, as Wampanoags, find our voices and concerns cast aside in the activities surrounding the Thanksgiving holiday in Plymouth, this time, ironically, by a group purporting to represent our interests."

The 1970 event at which Wamsutta spoke was organized by the American Indian Movement, whose leader Russell Means wrote, in his autobiography Where White Men Fear to Tread (with Marvin J. Wolf, New York: St. Martin's Press, 1995), "Americans today believe that Thanksgiving celebrates a bountiful harvest, but that is not so. By 1970, the Wampanoag had turned up a copy of a Thanksgiving proclamation made by the governor to the colony. The text revealed the ugly truth: After a colonial militia had returned from murdering the men, women, and children of an Indian village, the governor proclaimed a holiday and feast to give thanks for the massacre. He also encouraged other colonies to do likewise - in other words, every autumn after the crops are in, go kill Indians and celebrate your murders with a feast. In November 1970, their descendants returned to Plymouth to publicize the true story of Thanksgiving and, along with about two hundred other Indians from around the country, to observe a national day of Indian mourning."

One of the odder results of the "Day of Mourning" is the appearance in a couple of Thanksgiving Day sermons of the unfounded claim that some Pilgrims considered having a day of mourning to commemorate those who had died the previous winter, but that instead they chose to thank God for their continued preservation. This colonization of the protest rhetoric can be seen at Presbyterian Warren [excerpted at] Trinity Sermons.

Genocide

That's a mild contrast to Mitchel Cohen's "Why I Hate Thanksgiving" (2003), now re-duplicated incessantly. "First, the genocide. Then the suppression of all discussion about it. What do Indian people find to be Thankful for in this America? What does anyone have to be Thankful for in the genocide of the Indians, that this 'holyday' commemorates? [...] all the things we have to be thankful for have nothing at all to do with the Pilgrims, nothing at all to do with Amerikan history, and everything to do with the alternative, anarcho-communist lives the Indian peoples led, before they were massacred by the colonists, in the name of privatization of property and the lust for gold and labor. Yes, I am an American. But I am an American in revolt. I am revolted by the holiday known as Thanksgiving. [...] I want to go back in time to when people lived communally, before the colonists' Christian god was brought to these shores to sanctify their terrorism, their slavery, their hatred of children, their oppression of women, their holocausts. But that is impossible. So all I look forward to [is] the utter destruction of the apparatus of death known as Amerika � not the people, not the beautiful land, but the machinery, the State, the capitalism, the Christianity and all that it stands for. I look forward to a future where I will have children with Amerika, and ... they will be the new Indians." See, for some sanity, Guenter Lewy's "Were American Indians the Victims of Genocide?"

Mr. Cohen is co-editor of "Green Politix," the national newspaper of the Greens/Greens Party USA. He's annoyed. (Who wouldn't be - loving nature and living in Brooklyn?) He's also a romantic with an ideal view of Natives living in a pristine environment, rather like the peaceful, ecologically wonderful place imagined by Plimoth Plantation's Anthony Pollard (known as Nanepashemet). "The Wampanoag way of life fostered a harmonious relationship between the People and their natural environment, both physical and spiritual. [...] fighting was just part of the search for harmony when conditions had become intolerable or justice was denied."

Lies My Teacher�s Telling Me Now

The annual clamor of the aggrieved finds significant expression in website materials aimed at providing school teachers with a balanced (meaning non-colonial) view of Thanksgiving. One of the most important and widely copied articles is an introduction to "Teaching About Thanksgiving" written by Chuck Larson of the Tacoma School District.

Originally issued in 1986 by the Superintendent of Public Instruction of the State of Washington, "Teaching About Thanksgiving" is no longer available from that State. It continues to be distributed by the Fourth World Documentation Project and the Center for World Indigenous Studies, among others. I hope it has been withdrawn by the state in response to the withering criticism it received from Caleb Johnson, whose Mayflower topics website presents much documentary material about the Pilgrims.

"The author of the 'Fourth World Documentation Project' lesson plan on Thanksgiving, published all over the internet as well as distributed in printed form, claims to have a strong background in history," writes Johnson. "But nearly every sentence of the entire lesson plan has a significant factual error, or is simply story-telling (making up stories and details to fit within a set framework of given historical facts)." Johnson's detailed, devastating line-by-line corrections attracted the attention of the New York Times. I have seen only one website for teachers that carries the Larson material and that also includes a reference to Johnson's work, and then only as if to provide an alternative to the nonsense they continue to present as the main material. But Johnson definitively destroyed the credibility of the lesson plan - why keep on providing it? Are the lies true to some purpose?

Mentioning that Johnson's work is worth looking at is, nonetheless, at least more generous than the ad hominem attack on Johnson that was mounted by Jamie McKenzie of the Bellingham, Washington, School District.

McKenzie complained in 1996 that Caleb Johnson did not list his own academic credentials that would suggest his website should be considered authoritative. Johnson had, after all, cast doubt on the value of Larson's "strong background in history." McKenzie, on the other hand, did not take the time to compare Johnson's careful quotations of source materials with the slipshod work of his academically qualified colleague down in Tacoma. (Although Johnson's essays are typically not footnoted, having only a source list at the end, Johnson has taken the trouble to re-publish the texts of many of the original documents on his site.) But McKenzie's major complaint in 1996 was that the internet in general did not provide much information about Thanksgiving, and that scholars with credentials were not creating the sites. There's certainly more now, and some of it is provided by professors. If one has doubts about the professor of anthropology William B. Newell, who's been forgotten by the University of Connecticut, there's the University of Colorado's Professor of Ethnic Studies, Ward Churchill, asking us, "what is it we're supposed to be so thankful for? Does anyone really expect us to give thanks for the fact that soon after the Pilgrim Fathers regained their strength, they set out to dispossess and exterminate the very Indians who had fed them that first winter? Are we to express our gratitude for the colonists' 1637 massacre of the Pequots at Mystic, Conn., or their rhetoric justifying the butchery by comparing Indians to 'rats and mice and swarms of lice'"?

And there's the late Professor James Deetz, who thought Thanksgiving only became associated with the Pilgrims around 1900, evidently disregarding the implications of Winslow Homer's famous Thanksgiving Day illustrations in Harper's Weekly, Nov. 27, 1858, Dec. 1, 1860, Nov. 29, 1862, and Dec. 3, 1864, as well as Thomas Nast's "Thanksgiving Day, 1863" (published as a double-page center illustration in Harper's Weekly, Dec. 5, 1863). Nast includes a vignette in the lower right corner labelled "country," whose main praying figure is recognizably derived from the representation of the Pilgrims' minister John Robinson in Robert Weir's painting "The Embarkation of the Pilgrims," completed in 1843 in the rotunda of the Capitol in Washington.

Despite its filiopietistic motivations, the huge desert of misinformation has left Caleb Johnson's work as one of a small number of oases of calm study, equalling the level of the so-called Plymouth Colony Archive Project established by James Deetz, Patricia Scott Deetz, and Christopher Fennell (which, however, despite valuable information about the colony, says nothing significant about Thanksgiving).

McKenzie also objects to Johnson�s "failing to mention some of the information which other sites provide about the Pilgrims taking the Native American corn and digging up and taking things from grave sites." In fact, Johnson publishes all the evidence there is about those issues. Because no evidence supports the inflated claims, McKenzie thinks that the Pilgrims have been "sanitized."

Unsanitized would be the word for Brenda Francis's version. She says that she "read on Binghamton University's website that the Pilgrims were starving and even went so far to dig up some remains of the Wampanoag people and eat them as a means to survival."

This directly contradicts William Bradford, who, after repeating the second-hand rumor that some Spanish colonists had been reduced to eating "dogs, toads, and dead men," proclaims that "From these extremities the Lord in his goodness kept these his people [the Pilgrims], and in their great wants preserved both their lives and healths; let his name have the praise." (Bradford's History "Of Plimoth Plantation" (Boston: Wright & Potter, 1901), p. 165: [subscribers].

The Binghamton site that is Brenda Francis' source has a student newspaper article (Nov. 21, 2003) by Rachel Kalina, who relays that the "Pilgrims were able to survive their first winter partially because of guidance by the natives and because they dug up the deceased Wampanoags to eat the corn offerings in the graves." That's not quite the same as necro-cannibalism.

Quoting from James Loewen's Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong. (New York: Simon & Schuster, 1995), p. 91, the teacher of a course in "Debunking and Dissent" - Colby Glass of Palo Alto College (TX), maintains that "...the Pilgrims continued to rob graves for years."

There are three points of interest here: first, Winslow's description of examining graves (our only source of information) does not support these assertions; second, the corn found by the Pilgrims was not found in graves; third, I'm unaware of any evidence so far found to indicate that corn was included in graves on Cape Cod at all. Let alone that the Pilgrims were cannibals!

In the book now called Mourt's Relation, Edward Winslow wrote that the Pilgrims, exploring, found a path that took them to "certain heaps of sand, one whereof was covered with old mats, and had a wooden thing like a mortar whelmed on the top of it, and an earthen pot laid in a little hole at the end thereof. We, musing what it might be, digged and found a bow, and, as we thought, arrows, but they were rotten. We supposed there were many other things, but because we deemed them graves, we put in the bow again and made it up as it was, and left the rest untouched, because we thought it would be odious unto them to ransack their sepulchres." Passing through several fields recently tended, they came upon a house, from which they removed a European ship's kettle. Next to the house was a heap of sand, which when excavated yielded two baskets filled with Indian corn. One contained thirty six ears, "some yellow, and some red, and others mixed with blue [...] The basket was round, and narrow at the top; it held about three or four bushels." Filling the kettle with loose corn, two of the Pilgrims suspended it on a stick and carried it away. The rest of the corn they re-buried. Two or three days later, they returned for the remaining corn, also finding and taking some beans and more corn, totaling around ten bushels. The following morning they found a much larger mound, covered with boards. It turned out to be the grave of a man with blond hair, whose shroud was a "sailor's canvas cassock" and who was wearing a "pair of cloth breeches." The body was accompanied by a "knife, a packneedle, and two or three iron things." Clearly this was the body of a European. An infant's body was buried together with this man. Reburying the bodies (as was customary in Europe), they continued to look for corn but found nothing else but graves, which, considering their desire not to "ransack their sepulchres," they presumably did not disturb once it was clear the mounds did not contain baskets of corn. Having learned to recognize graves, three days later the Pilgrims avoided disturbing a cemetery. They "found a burying place, one part whereof was encompassed with a large palisade, like a churchyard [...] Within it was full of graves [...] yet we digged none of them up, but only viewed them and went our way." Mourt's Relation (1622) has been republished numerous times. Caleb Johnson has made it available online at Mayflower History.com.

Winslow's words are our only evidence. Nothing impels us to doubt his information that the Pilgrims opened the grave of a European sailor and his child, reburying them after removing from the grave a few items that to a European would not have been considered grave offerings having any symbolic significance. The Pilgrims exhibited memorable sensitivity in refraining from disturbing Indian graves, once they learned to recognize them. They did not dig up graves in order to eat corn buried as grave offerings. There is no indication they removed corn from any graves. The corn was found in baskets whose shape when packed in earth would result in domed pit spaces. There is nothing to support the idea that corn was placed in graves as offerings, although small gifts of corn have been found in graves excavated by archaeologists working hundreds of miles away (the American southwest and Peru, for example).

The amount the Pilgrims found in storage baskets - two or three bushels in the first, and three or four in the second - is a large, bulky quantity. From 1986-1991, I was Chief Curator of Plimoth Plantation. The collections at that time included all the archaeological material from excavations of burial sites in the Plymouth Colony area carried out by Harry Hornblower II and James Deetz, and others with whom they worked. I carried out a detailed examination of the thousands of items in the collections, specifically looking for corn - in hopes of having it studied scientifically so we could replicate the exact type of corn growing in the area in the early 17th century. Although some floral remains had been saved from excavations that included burial sites, there was no corn, not a single kernel. Had it been the practice to bury bushels of corn as grave offerings, surely there would have been some in the materials carefully excavated from these ten Native burials. There was nothing. Neither was any discovery of corn recorded in the careful notebooks kept by Hornblower (there were no Deetz notebooks present, and no published reports). This absence is consistent with the absence of corn among grave goods from several Cape Cod Native burials, recently transferred to Native authorities for reburial, from the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.

Throughout the accounts of these discoveries of storage baskets of Indian corn, Winslow repeats the intention to try to meet the Indian owners and negotiate repayment for the corn that had been taken That was an intention to provide compensation for what the Pilgrims understood would be considered theft if no payment were made. (During the first year, Pilgrims stole corn; Indians stole abandoned tools.) Establishing that neither side would steal from the other was an important part of early negotiation between them. Attempts to locate the specific owner of the corn were ultimately successful and repayment was made (see Pilgrim Edward Winslow, p. 36).

In "Deconstructing the Myths of 'The First Thanksgiving,'" Judy Dow and Beverly Slapin contradict the documentary evidence. They base their comments largely on information provided to them by Margaret Bruchac, an "Abanaki scholar" working in collaboration with Plimoth Plantation's Wampanoag Indian Program. "There is no record that restitution was ever made for the stolen corn, and the Wampanoag did not soon forget the colonists� ransacking of Indian graves, including that of Massasoit's mother."

One may surmise that Bruchac was confused in making the reference to the grave of Massasoit's mother, which is undocumented. Probably what is meant is the removal later of two bearskin rugs from over the grave of the mother of Chickatabut, sachem of the Massachusetts (see my book Indian Deeds, p. 13). It is meretriciously clever, nonetheless, to turn Winslow's statement of respect for the Indians and their graves into a pronouncement about the Wampanoags' long memory of "the colonists' ransacking of Indian graves." The up-to-date construction of "memory" and "oral history" to fit the needs of current political concerns is blatant.

Dow and Slapin end their deconstruction with the remark that "As currently celebrated in this country, "Thanksgiving" is a bitter reminder of 500 years of betrayal returned for friendship."

Alternatively, Russell Peters said, "The time is long overdue for the Pilgrims and the Wampanoags to renew a meaningful dialogue about our past and look towards a more honest future."

Does it matter what of this is true? Was that the wrong question? Who do we want to be in the ever-changing Now? Intrepid demolishers of straw-man myths? Inventors of new myths to serve new political purposes? Historians?

#History #Thanksgiving #Religion #America

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talesofafangirlwithadvr · 5 years ago

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September Picks

I know; it’s October 12th and I am only getting to my September picks now. But better late than never and I wanted to share some of my favorites from last month. (Because there were so many great ones to choose from.)

DOWNTON ABBEY THE MOVIE

It FINALLY happened and you better believe I was there opening weekend in a packed theater of other Downton Abbey fans. (I shouldn’t have been shocked it would have been so hard to get tickets, but maybe I should have planned a head a little better.) Stepping into the theater it felt like it was just yesterday that I saw my “friends” on screen. Sure, there were things I forgot about and should have watched a previously on before going, but as soon as the AMAZING opening/title sequence began, everything came flooding back. AND can we talk about the music. Hearing the Downton Abbey theme in surround sound and a darkened theater was just PERFECT. When I had seen the trailer for the first time I was blown away by hearing the music and it just became even more powerful watching the movie. There was a lot of hype going into this film and I was a little worried how it would go. But it was the perfect ending to the series (although now I’m hearing of a possible sequel??). I loved how they left the characters. They each had a satisfying ending that was just what their characters needed. I would see it again in a heartbeat and you know I am debating about watching the series all over again.

ALADDIN

Currently Disney is in the midst of making Live Action adaptations of their original classics. From The Jungle Book to Beauty and the Beast, I have been a fan of these new takes on my favorite childhood stories. I like the way they create new story-lines and bring something new (and even more contemporary) to these stories. Once Aladdin came out to DVD we instantly bought it thanks to my sister’s rave review. Then it was put to the test and (of course) compared to the original. I have to say I was very impressed and since watching it the first time, I have watched it/parts of it at times, again since. There was a lot of pressure on Will Smith’s Genie, but I have to say that I really like the Genie he created. It honored Robin Williams but was also him. The music was great and Jasmine’s “Speechless” has instantly become one of my favorites. I really loved her added plot-line of wanting to be Sultan herself and not having to choose a husband. I thought this was fantastic because why wouldn’t she question that. The costumes were cool and the sets really brought you to Agrabah. The humor was great. All round, I would highly suggest watching this film if you’re a fan of the original and haven’t gotten a chance to yet.

THE OUTPOST

The CW’s Summer Fantasy Show finished its second season this month and I gotta say I definitely liked the first season more, but this season did end on a high note and I hope they get renewed for a third. The cliffhanger we ended on will be really interesting to explore in a third season. If it got renewed for a second then there’s hope for a third, right? (I know that’s not necessarily true, but I am going to give it hope.) This season the beginning dragged a bit for me (which I know I talked about in earlier posts), but when Garrett was welcomed back into the story-line I feel like more began to happen in all other plot-lines. Then in the middle we entered a few eh episodes, but by the end as Gwynn’s brother returned, Tobin and Gwynn grew closer and Garrett traveled to the capitol with Talon, I felt sucked back in. If only more of the episodes were as good as these. Either way I looked forward to watching it over the summer when a lot of stuff goes into repeats.

PANDORA

Okay, so I have definitely talked about this show a lot this summer, but that’s because I can’t believe how much I enjoyed it. When it started out, I thought I’d give it a go because it seemed right up my ally. While there were times where I felt like I missed an episode (because time passed very fast episode to episode and characters got closer and knew things we didn’t), as the season went on I felt myself longing for the new episode the next week. I haven’t watched too much Sci-Fi and now I feel like I want to. I liked how much we explored this season and all the different adventures the characters went on. The season felt like the start of something bigger because there were standalone events and then as the season progressed a bigger threat came about. There’s a lot of mystery, particularly revolving around Jax, and I like how most of the answers were provided at the end of the season. And then those last few minutes! That reveal! I really want a season 2! Please give it to us CW. We deserve a show like this. There isn’t much like it out there.

BINGE-ING

THE FLASH

That’s right! Finally caught up on last season! And just in time for the current season to start with past Tuesday. (But you guessed it! Haven’t started it yet, but it’s taped so that’s a good sign.) While Nora wasn’t my favorite character, I do love what she brought to this past season. I thought it was really exciting to have Barry and Iris’ daughter come back from the future and see what’s in store for their future. It was a different kind of season, which was refreshing because often it feels like the same kind of events occur (across all CW superhero shows) It might not help because 22 episodes is a lot. I really loved this year’s incarnation of Wells with Sherloque and how he was constantly correcting people on the correct way of saying it. I liked Caitlin/Killer Frost’s story this season. I just thought it was random when they brought her dad in the second time. Felt like filler. Super upset with Cisco. HOW CAN HE JUST GIVE UP HIS POWERS?? THEY ARE THE BEST AND WE NEED THEM! It will be very interesting to see what happens with this in the current season. Loved Baby Giraffe. Great seeing Iris FINALLY reporting again! Seeing both her and Barry in the field doing their day jobs was great. It felt like old times. I hope they keep that up this season. Overall, season 5 is one of my favorites (especially compared to the last 2 seasons).

THE WALKING DEAD

My journey with Rick Grimes continued from season 5 to 6 and now 7. It’s hard thinking back where I started this month because so much has happened and I breezed through a lot of these seasons. They are so addicting and before you know it you have watched 6 episodes. Currently Alexandria is teaming up with Hill-top and possibly the Kingdom in their plans to take down the Saviors and Neegan. A lot of loss has happened and I’m starting to know less spoilers because I am getting closer to the current episodes. Can’t wait to continue on!

GOOD LUCK CHARLIE

At the start of another school semester I always love re-watching a sitcom. I can’t really explain why. Maybe it’s the short episodes, needing a laugh, or just watching something familiar. This fall I was drawn back to Good Luck Charlie. Arguably one of the best Disney Channel Shows of all time. (That’s right I said it.) I was very excited to see the complete series on demand and am worried I won’t get past the first season before 10/30 when it says will be its last day up. Watching these old episodes are bringing up some great memories. The episodes still hold up really well and makes me wish I knew the Duncan’s personally. Wish me luck that I get to watch my favorites before the end of October!

RE-WATCH STEPHANIE’S FAVORITES

THAT THING YOU DO!

I’m ending with a segment I’m calling Stephanie’s All-time favorites. (Debating about making this a post all in itself). In the middle of September my sisters and I watched one of my all time favorite movies, That Thing You Do! (1996). This film directed and written by Tom Hanks follows The Wonders, a one-hit wonder band (get the title) as they make it in show business. We all know the story and have seen it before, but there’s something about Hanks’ movie that makes it stand out and one of my favorites. Great cast of characters, amazing music (I can seriously never get sick of the signature song based on the movie title) and so much humor and heart. I can quote A LOT of phrases from this movie. After watching it this time I found a special feature about how the cast went to Asia and performed as the Wonders. They truly were like a rock band. It was so cool to watch. If you have heard of That Thing You Do! and have never seen it now is the time. If you have and haven’t watched it in a while, then watch it! For anyone who has never heard of it I would STRONGLY suggest you check it out. You won’t be sorry.

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bunysliper · 6 years ago

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Prompt: Beckett finds Castle fencing [or doing any other activity of your choice that surprises her] to be incredibly hot. Thanks again for Fluffy Fridays!

Hi Anon! I hope you like this!

Hidden Talents

A Season 4 AU

For probably the fifteenth time since they’d started themovie, Castle huffs beside her, muttering something under his breath.

“Okay, what?” she asks, turning to face him.“What’s all this about?”

Her partner’s eyes widen. “What?”

She snorts, lifting her eyebrows. “Castle, you pickedthe movie and you’re over here grumbling to yourself about god only knows what.Do you not like it? Because we can turn it off. It would still count as yourturn, but we can turn it off.”

He gasps, looking horrified. “It would not.”

“Umm, I think it would. You picked, we watched it. Evenif we stop it, that’s your turn. It’s not my fault you may have chosenpoorly.”

“I did not,” he insists. “It is a good movie.The story’s compelling, the dialogue is nice, not too clunky. It’s just…”

She grins, leaning in and dragging a fingertip over his arm.“Just what?” she asks as he stumbles. He’s cute like this, relaxedand comfortable and real.

“The fight scenes are terrible,” Castle blurts out. “It’s like they let anamateur choreograph everything – and not just any amateur, an amateur who’snever picked up more than a bubble sword.”

Beckett laughs. “That’s an oddly specific description,Castle.”

He waves a hand toward the TV. “Well, look at it.Nobody fights like that.”

She tilts her head, giving him a long, curious look. “Nobody,huh?”

“Unless you’re six and playing pirate.”

“How would you know?”

“Well I do fence,” he says, so off-hand andcavalier, she’s left staring at him in astonishment.

He fences? “Since when?” she scoffs, leaning backon the couch.

“Since…” he stops to think. “Well, Alexisstarted taking lessons when she was ten or eleven, and I started a little afterthat. So… six years? Give or take a few months.”

She gawks but narrows her eyes a moment later as sheattempts to gauge his truthfulness. He’s fed her bullshit before: the story ofwhy he writes mysteries, half of the things he’s told her about his“process” for writing his books. There’s no way he’s an expert onsword fighting techniques.

“I wouldn’t say ‘expert’ exactly,” he says,letting her know he either read her mind or she said that part out loud.“But I can hold my own, and I can spot bad technique from good technique.And whoever trained these actors has terrible technique.”

Beckett grins, pulling her legs onto the couch with her.“I hope you know you’re going to have to put your money where your mouthis.” Her foot nudges his thigh.

His lips twitch. “Beckett, are you asking if you canwatch me fence?”

“I’m asking you to provide me with proof of yourclaims,” she says poking him again. “It’s what I do as a detective. Doyou compete?”

His fingers close around her foot. She hums, pressing hertoes into his palm. “No. Mostly Alexis and I spar so she can practice forher school team. But you can admit it, you want to see my sabre.”

She rolls her eyes. “Believe me, Rick, if I were justout to see your épée, I would’ve already.”

He grins. “You are so sexy.”

Heat stains her cheeks. He makes no secret of the fact thathe’s attracted to her, never has, but lately he’s made sure to be plain aboutit once again. Gone are the subtext-laced looks and occasional comments fromlast year. And frankly, she likes that. It makes her brave, his boldness. Itgives her the opportunity to respond with her own frankness.

“And you’re ridiculous.”

“Yet you’re still here,” he points out.

“Shut up and watch the movie. The movie you invited me over to watch.”

He sticks his tongue out at her, giving her foot anothersqueeze.

“Well, just for the record, Alexis and I spar on theweekends sometimes. I could text you next time we do, let you satisfy yourcuriosity.”

“How selfless of you, Castle,” she drawls.“That said, I think I’ll live without seeing you show off.”

Castle shrugs, lips curled upward. “Suityourself.”

She rolls her eyes, leaning backto watch the rest of the movie. Her feet stay pressed against his leg, warmedby the embrace of his hand.

It’s by pure coincidence that she winds up on his doorstep ona day when he and Alexis are sparring. Martha is the one to let her in, givingher a wink and a nudge as she sweeps past Kate to head out to places andadventures unknown.

“Make yourself comfortable, Kiddo. They’ll be a while.Just… maybe sit in the chair by the bookshelves. They sometimes use the couchfor higher ground.”

“Ah, thanks,” Beckett says, giving Castle’s mothera wave just before the door closes behind the older woman. Moving toward theaforementioned chair, she looks around the loft, following Rick and Alexis withkeen eyes.

Alexis is light on her feet, which Kate had expected her partner’sdaughter to be, but Castle surprises her. He can be a klutz sometimes, buttoday he moves with impressive agility. He holds himself with grace, wieldingthe sabre in his hand like an extension of his arm – much the way his pen canbe at times. He deflects Alexis’s attacks, taking quick steps to catch heroff-guard so he can counter. He doesn’t even look a little bit winded.

Throughout the whole thing, they’re trash talking oneanother, trying to verbally trip each other up, a fact which makes her chuckleto herself. She’s even more impressed with Castle when he doesn’t rise to thetaunts, doesn’t let Alexis bait him, and comes away victorious with the finalpoint of the match.

“You put up a good fight, daughter, but I prevail onceagain,” he crows at his good fortune.

Kate rolls her eyes, but grins anyway. He’s ridiculous, butdamn it, it’s so endearing somehow.

“You’ll get him next time, Alexis,” she says,stepping out of the shadows and alerting them to her presence. Not that theylook surprised to see her when they remove their face guards, if anything,Castle looks downright smug.

“Hi, Detective Beckett,” Alexis greets. “Whatuh, what are you doing here? Not that – it’s good to see you, but–”

“I actually came to ask your dad something. It’s for acase we were working the other day. Martha let me in,” she adds, on theoff chance that that was in question.

Castle grins, handing Alexis his sabre and his face shield,thanking his daughter quietly as the girl moves to put them away. “Ididn’t know you were on duty today.”

Beckett shakes her head, shifting her weight. “I’m not.I just… had an idea I wanted to run by you before I forgot.”

They both know it’s not the whole truth. She could’ve calledor written her question down and waited until Monday to ask him, but she hadwanted to see him. Badly enough to show up on his doorstep on a Saturdayafternoon. Judging by the bright sparkle in his eyes, he knows that, too.

“In that case, what can I do for you, Detective?”He gestures for her to step into his office.

“Your publisher,” she starts, clearing her throat.“How often do they hold executive board meetings?”

His head tilts in thought. “I’m not actually sure, but I’llfind out. Just let me take a quick shower and change, then I’ll call Gina.”

She nods. “Sure. I’ll just… wait in here.”

Castle nods, offering her an easy smile. “Make yourselfcomfortable. Turn on the TV and put on a movie, grab a book. I won’t be long,but… feel free to help yourself to the good scotch if you’d like.”

Kate laughs, shaking her head. “I don’t think that’llbe necessary, Castle. But thanks.”

“Suit yourself,” he says, running a hand throughhis hair.

She drags her teeth over her lip, looking him over, allowingher eyes to linger at his backside when he turns toward his bedroom. She’llgive him credit, he’s not only an impressive swordsman, he also looks damn gooddoing it.

“Kate,” he calls, stopping just shy of enteringhis room.

She blinks, looking up, surprised to see that most of thecockiness has faded from his gaze, replaced with something vulnerable,something yearning. Something they’ve both been working toward and waiting for.

“If you think the case can wait a little longer, you’remore than welcome to join me.”

Her heart thumps hard against her ribs, but instead ofholding her back, she lets the beat propel her forward, stopping when she’s toeto toe with him in the doorway.

“Lead the way,” she says, surprised at thesteadiness in her voice, surprised at how easy it feels to lift onto her toesand touch her mouth to his. His chest brushes hers, his inhale sharp and short,but he pulls her closer, opens to her, welcomes the teasing brush of her tonguealong his lower lip.

“And later,” she adds once they part, breathlesseven to her own ears, “it’s my turn to pick the movie. I want to see whatother hidden talents of yours I can uncover.”

Castle grins, taking a step back, tugging her into hisbedroom. “Oh, you don’t need a movie to accomplish that, Kate.”

Her fingers slip into his hair, dragging his lips down tohers once more. “Prove it, Rick. Prove it.”

He does, many times over.

Thank you for reading! You can also find this ficlet on ffnet.

#Castle Fanfiction #Castle Fanfic #Caskett Fanfic #Caskett #Season 4 Fic #Castle AU Fic #my fanfic #Prompt Responses #Anonymous #answers

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storyteller0311 · 6 years ago

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Decoding Arrow 7x15, AKA *OMG, Guys, OMG*

Hi.

Everyone OK?

So, today’s my birthday and tonight’s episode, while anxiety inducing, was awesome. AND THAT PROMO! (In the words of Cristina Yang: “Somebody sedate me!”)

Anyway...

Wow. Wow, wow, wow.

Last week, when the promo for 7x15 aired I was kind of ambivalent about the episode since it (as we now know) was almost a complete misdirect of what the episode actually ended up being. And, oh boy, did it end up being something else.

I don’t even know where to begin, so I’m just going to go for it. Sorry if this is confusing.

The Road to the End and How Last Week’s Announcement Effects the Future Storyline

Due to last week’s announcement that Arrow is officially coming to an end with a shortened 8th season, I think it is necessary to reevaluate where this train is headed. I could be completely wrong, but I’m not convinced that anything up until the announcement of Arrow’s fate was written in stone. I believe that the Flash Forwards were introduced primarily as a launching point for a post-Stephen Amell version of Arrow, where the action would be firmly entrenched in 2040, allowing for a version of the series starring Ben, Kat, the actors that play Zoe and Connor, Juliana, Rick, Colton, and maybe David as regulars.

Now that Arrow is ending, I’m not as convinced that the fate of the story will remain the same as it would have if Arrow would have remained on the air. While the speculation of Oliver’s possible death being reversed would still have been very possible if Arrow continued past 8x10, I don’t know that it would make as much sense in terms of the seeds being sewn this season for a possible continuation in the future storyline.

On a side note, I can’t tell you how happy I am that Arrow will end with Stephen’s departure. Even though I’ll miss it, I think it’s for the best.

The State of Star City and Vigilantes in 2040

One of the big mysteries that the Flash Forwards have created this season revolves around Star City’s grim fate and the criminality and hatred of vigilantes in 2040. Until tonight, the solution to that mystery seemed pretty straight forward. In fact, I was speculating that the discord between the SCPD and Team Arrow tonight (with Dinah siding with the SCPD) was the beginning of the end for the redemption of vigilantes in the eyes of Star City (and the SCPD/Mayor Pollard) and the beginning of the end of Dinah and Rene’s relationship.

But, just as quickly as I thought that, Diggle came through with words of wisdom and moderation and reminded our parents-to-be that going to the other extreme of defying everything they’d worked for wasn’t the way to go. So, by the end of the episode, a truce has been reached between the SCPD and Team Arrow and Mayor Pollard is ready to repeal the anti-vigilante law. This does not match up to the future we’re seeing in 2040.

So, what gives? What happens next that causes such a reversal?

I don’t know for sure, but all signs are pointing towards wherever the storyline with Dante/Emiko is going.

The item that I’m battling with right now, particularly after the information we’ve been given last week, tonight, and in the promo for next week have made me wonder whether we’re putting way too much stock in Crisis on Infinite Earths providing all the answers to out questions. (And that goes beyond the mystery of Oliver’s fate.)

The reason for this is that, assuming there won’t be an unexpected time jump and that the 2019 Crossover will happen in November/December, the timelines at this moment don’t match up for Crisis to be the all-consuming answer.

Plus, Arrow (and the rest of the Arrowverse) generally try to ground their series in their own independent storylines without relying too much on crossover since not everyone watches every show. Again, not saying Crisis is not going to play a major role, that but as we learn more information, we’re possibly ignoring what’s going on NOW in favor of putting all our eggs in the Crisis basket.

Felicity’s pregnancy is in an early stage, so probably pre-12 weeks if we’re going by traditional rubrics. She manages to keep it a secret while in Star City and then finds a way to legitimately leave Star City and have the baby with no one but Oliver and Diggle knowing.

It’s reasonable to assume that Star City’s condition continues to deteriorate or reaches a turning point as Season 7 comes to a close. Whether that’s all due to Dante or also something happens with the SCPD truce remains to be seen. But, something drastic has to happen to cause Oliver and Felicity to believe that their only option is to hide Mia away.

I’m also assuming that it is around the same time that Olicity decide that it is better to let William think they abandoned him in order to keep him safe.

Unless there’s a time jump, Mia will not be born before the end of the season. So, something major has to be coming and soon. What that is though, I don’t know.

Who Is the Real Big Bad? (And Is Diaz Really Dead?)

Last week’s episode left Emiko’s loyalties ambiguous, even though they placed heavy doubt on them. Tonight, however, I think there is more evidence in the camp that Emiko is indeed one of this season’s villains. (Though that doesn’t mean she can’t/won’t be redeemed by season’s end.)

My speculation is that Diaz is really dead and that Emiko was sent by Dante to Slabside to tie up that loose end. While of course the comics-based speculation that Diaz could be reborn through some kind of ritual within the Ninth Circle, I think Dante sees him as a liability that needed to be snuffed out. (Much like how Dante simply shot everyone else in that meeting where Diaz went rogue.)

There’s no doubt that Dante, the Ninth Circle, and Emiko to a certain extent are the Season 7 Big Bad.

What remains to be seen, however, is how exactly they relate to the future we’re seeing in 2040.

Emiko vs. Black Siren

Based on tonight’s episode, the title of a future episode, and a post made by Katie Cassidy, I am speculating that Black Siren dies within the next few episodes. I could be totally wrong, or only wrong that Black Siren dies and doesn’t just leave a redeemed person. But, the title “Lost Canary” combined with Katie Cassidy cutting her hair pretty short, and the newly established animosity between Emiko and Black Siren is interesting...

It could also be a reason why vigilantes are once again in the crosshairs, since Black Siren is technically the DA.

Olicity and Baby Mia

I covered most of this above, but OMG THAT PROMO!!!!

I think next week is going to be doozy. I can’t even begin to verbalize what I think we’ll be talking about at this time next Monday.

So...what do you all think? Where are we headed from here?

#arrow #arrow spoilers #arrow 7x15 #arrow 7x15 spoilers #arrow 7x16 #arrow 7x16 spoilers #arrow speculation #arrow spec

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janephillipsblog · 6 years ago

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The Further Education of a Rogue

The past six weeks have been a busy but fantastic leg on my journey as an actor. As well as volunteering for the One Yellow Rabbit High Performance Rodeo for most of January, I ushered for several other shows which also got me in to see them. “The Robber Bridegroom” with Jupiter Theatre - somehow there is something even more gruesome about the dismemberment and murder of a puppet on stage than the realistic killing and maiming found in horror movies. Very well done and a play that made you think about social attitudes to domestic violence. Then there was the very brilliant “Deathtrap” by Ira Levin with Vertigo Theatre that would make one scream with laughter one minute and scream with horror the next. Next was “Shakespeare in Love” with Morpheus Theatre which was wonderfully done and then there was “Boom X” written, directed and performed by the super talented Rick Miller for Theatre Calgary, which took us through the years of Generation X which is, of course, my generation. I also ushered for Neil Simon’s “Plaza Suite” for Simply Theatre, a classic play that I have never seen before. Again, very well done. I feel that watching as much live theatre as possible is incredibly valuable for anyone wanting to create within that medium. It inspires me for my acting and even for my future writing and directing.

Ushering for Boom X, Theatre: Calgary.

On the big screen I saw “The Upside” with Kevin Hart, Bryan Cranston and Nicole Kidman, which was good, and on the small screen, I am still working my way through “Orange is the New Black” as well as “The Office” (US version). I also saw “Three Billboards Outside Ebbing, Missouri” starring Frances McDormand and Woody Harrelson, both favourite actors of mine. So good! I listened to several interviews with McDormand after watching that film as I wanted to learn more about her as an actor.

At the beginning of January, I started a six-week Essentials of Film and TV course with Company of Rogues Actors’ Studio (corogues.com), taught by Joe-Norman Shaw. In 2004, after about a year in Alberta, I took Scene Study I and II with Rogues. It was around that time that I had started to think of acting as more than a hobby, and a passion that could be developed. Both courses, one of which was taught by Stacie Harrison, who still teaches at the studio and whom I spent a day on set with on “Jann” back in September, were a really good experience for me. In both these courses, the students were paired up and given scenes to work on over the duration of the course, which allowed us to delve more deeply into a scene than would normally be the case for a community theatre production. The first session was with an instructor called Natasha who no longer works at the studio, but I will never forget how she told my partner and I that watching our scene (from Caryl Churchill’s “Top Girls”) was like watching “Coronation Street” which was to me, a big compliment. It was one of my favourite shows at the time and I’ve just started watching it again after a hiatus of many years. During Stacie’s class, I brought in long stem wine glasses for use in our scene from “Women of Manhattan” by John Patrick Shanley. Another group asked to borrow them and both ended up breaking during that scene (which was a couple fighting). Note to self: never use favourite items as props – I broke a tray that a friend had brought to a play to use as a prop last year. It was her mother’s and I am pretty sure that that incident has not endeared me or community theatre in general to her mother!

Essentials of Film and TV was different in that it focused on the audition aspect in the film and television world, however we also did discuss working in the industry as well as acting in general. For the most part, each week we were given sides of a scene from a movie to work on with a partner for the next week and then would have a bit of time in class to work on the scene together before it was presented in front of the rest of the class and videoed with each partner acting as the reader for the other one. For one class we had to do cold reads and were given about 20 minutes to prepare and for the last class, it was set up like a real audition with sides provided just a couple of days ahead of time and audition times given. We could not prepare with a partner and none of us got to watch others audition. It certainly felt like a real audition to me despite knowing that it was the last class of a six-week course! I felt that I really improved my audition techniques over the course, even learning to use a chair or water bottle appropriately in the audition room (as that is all that there often is to help set the scene). We had been provided a handout for Uta Hagen’s Six Steps with questions to be answered for the character and the scene. I have started to use this for every character I get to portray in an audition including ones for my theatre monologues. It works. I had the opportunity to practice with two film auditions in January (one being a self-tape) and felt a lot more confident in how I presented myself in an audition. The best take-aways from the class (other than the experience and practice) were to enjoy the journey and to not worry about the outcome of auditions too much as at the end of the day it is about whether an actor’s essence fits the part – apparent when we watched several people do the same scene. All in all, the Rogues’ Essentials of Film and TV, as with any of the courses offered by the studio in general, is a safe place for an actor to develop skills and to practice their craft.

I had my first professional theatre audition with Vertigo Theatre at the end of January. I had submitted my résumé and headshot, but it was still quite a surprise to get an invite to their general auditions in my junk mail one afternoon! I had to prepare two contrasting monologues. The day of auditions, I had already taken the day off work to attend a volunteer orientation session with AARCS as a cat caregiver and chose to go riding prior to that in the morning. I recited my monologues as I drove in the car including reciting them backwards. I am glad I wasn’t at the office as at least riding and AARCS took my mind off what felt like impending doom. By the time I was getting ready to go I was turning into a bit of basket-case - I suddenly couldn’t stand my own company. I was afraid that I would dawdle and be late. I dropped my keys as I was heading out the door, fumbling to pick them up as I juggled my purse and water bottle. (Incidentally, it was the same the morning of the mock auditions for the Rogues class, adding to it, the fact that I dropped my change for parking when getting out of the car on that day!) I took the train downtown and headed to the audition venue, second-guessing myself on its exact location. I headed inside the building and up the elevator and then down the longest corridor ever or so it seemed. I was early and I noticed that the two people that had signed in ahead of me had been in “Spamalot” with me in the fall – a lot of people I know got auditions with Vertigo and Theatre Calgary this year. Soon enough it was my turn. After a brief chat with the panel of two it was time to do my monologues. The first one was Katherine’s speech from Shakespeare’s “Henry VIII”. I honestly don’t know what came out of my mouth for the first couple of lines. I told myself to get a grip and continue and I think I recovered ok. Hopefully it looked better than it felt! The second monologue was Rivka’s opening monologue from “In the Cards” by Caroline Russell-King. It went as well as it ever has. I was sat in a chair and crossed my legs for the most part, however when I uncrossed them, my right leg just shook and vibrated (why couldn’t it have done that when needed in last year’s “Wake in the West”?). After, I sat down for another chat with the audition panel who explained that once the season for next year was announced there would be auditions for specific shows and I could let them know if I was interested in auditioning for any of the roles and that they would let me know if they wanted to see me for anything as well. So it wasn’t so bad after all!

This past week, I took a three-day Stunt Combat Workshop with Adrian Young of AY Action Services. It was an intensive, but fun and rewarding three days. When I joined ACTRA last summer I was asked to fill out a form if I was interested in doing stunts, something I hadn’t really thought about before. This wouldn’t get me stunt work but it would add me to the list of people interested in pursuing the work – it is a hard segment of the industry to get into. The workshop sounded useful, appealing and boundary pushing and so I signed up. It did not disappoint. The first day was mostly unarmed fight choreography and I was able to utilize techniques I learnt many years ago during Tae Kwon Do and the workouts at Canuckles MMA (RIP Max Marin), though I have to get used to “cheating” my hits for camera rather than just almost making contact. I also learnt how to do sit falls as well as forward tumbles. It was an intensive day and I was exhausted by the time I got home, at which time I had a hot bath right away. The next day we added fake handguns to the mix and learnt disarming techniques. We started to put together some fight choreography which we would include in an action sequence for our demo reel to be shot the next day where would we would each get to be the hero. That day finished with wire pulls where the stunt person would be pulled back on a wire into a fall as they were “kicked” or “punched” back. I didn’t feel ready to try this technique myself and so I just watched (as a few of us did). The final day was super fun as we shot our action sequence. I felt that it was a good simulation of a day on set for an action film and I did truly feel like I was either in a video game or an action star. It was a fantastic workshop and once again a safe environment as each participant was able to just participate in the activities they were comfortable with, though there were plenty of opportunities to push personal physical boundaries.

Striking a pose at the Stunt Combat workshop with AY Action Services

We started rehearsals for Gilbert & Sullivan’s “Princess Ida” with Morpheus Theatre at the end of January and it is coming along, though still in its early stages. The show goes up in April. I also auditioned for “The Wedding Singer” this weekend with Front Row Centre. If I get into that show, it will be a very busy Spring for me that’s for sure!

#actorslife #theatre #stuntwoman

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hoogiehowser · 6 years ago

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MEDIA DIARY JANUARY

:::::::::: MOVIES ::::::::::

Spider-Man: Into the Spider-Verse (2018) I liked this so much I ended up seeing it twice. The animation is on a whole different level from everything else in theaters I just can’t believe it. Nothing has immediately endeared me to a character more that when Miles gets to the place where he’s going to put up graffiti and yells “BROOKLYN!” to get the echo. Absolutely perfect.

Happy Death Day (2017) The trailer looked good but the trailer for the sequel looked even better. Good time repeating movie. Way better than Blood Punch. I’m excited to see more of this.

Alien: Covenant (2017) Had no clue what to expect going in but I actually dug it. It’s just Alien again like every Alien movie but what they do with David from Prometheus makes it really interesting. There’s also some straight up slasher movie sleaze that definitely appeals to me.

MacGruber (2010) It’s just a bunch of dick jokes while a bad action movie happens. There’s no clever spin to it.

Better Luck Tomorrow (2002) Wanted to watch this due to the Fast & Furious connection. It’s a great movie about overachievers and getting away with shit. I think Justin Lin is a great director and his unique voice benefits every movie he does.

Collateral (2004) I didn’t realize until the credits that this was a Michael Mann movie but it was so obvious in hindsight. The premise is simple, Tom Cruise and Jamie Foxx are great, and everything comes together in a genuinely cool film.

Wilson (2017) Based on a comic I don’t particularly like from Dan Clowes’ grumpy old man phase. The cool thing about the comic is that each page works on its own and has a different art style. The movie can’t do that. But it’s still faithful to the book which means it feels like a series of one page gags strung together until it finishes. Woody and Laura Dern are great though and it is pretty funny at times.

Blumhouse’s Truth or Dare (2018) There was another truth or dare based horror movie a year before that was a Syfy original. The Syfy one is better. The problem with them both is the supernatural contrivances that make people play truth or dare against their will. It’s such a strained premise.

King Arthur: Legend of the Sword (2017) Guy Ritchie made a King Arthur movie and it feels exactly like you’d expect.

Thoroughbreds (2017) Girl who can’t feel emotions befriends girl who is very politely hiding her extreme emotions. Things get bad when they start to think about murder. Anton Yelchin plays a druggie scumbag loser. It’s such a good movie. 100% my kind of thing.

:::::::::: TV ::::::::::

The Great British Baking Show (Beginnings, Collections 1-4) Got addicted to this one. I love cooking competitions shows and pleasant ones are usually the best. I like seeing competitors that like each other. I like Paul Hollywood and Mary Berry not trying to tear people down. I love Mel and Sue. It’s just a nice show for the nice people.

Toei Spider-Man (Episodes 1-5) I’m not a big toku guy but Spider-Verse got me curious about various Spider-Men. Takuya Yamashiro wasn’t bitten by a radioactive spider, he was injected with blood from the last survivor of Planet Spider and carries out a mission against Professor Monster’s Iron Cross Army to avenge Planet Spider and his own father. Next to nothing present from the classic Lee/Ditko Spider-Man and that’s totally alright. I’m going to try to watch more because the episode where Spider-Man has to donate his blood to hurt child has some serious heart.

The Prisoner (Episodes 7-17) I started watching this a while ago but only now got around to finishing. Mostly super clever plots and the atmosphere is always great. Patrick McGoohan sells it every single time. Some of the later episodes go really off the rails though. There’s an entire wild west episode. Nothing in this stretch tops my favorite episode, The Schizoid Man, where Number Two brainwashes Number Six to act differently and then forces Number Six to pretend to be Number Six while a different man is already pretending to be Number Six. The ending is solid though and carries a really good tv series to a confusing, surreal end.

Cutthroat Kitchen (Season 7, Episodes 1-7) Polar opposite of The Great British Baking Show. It’s the Mario Kart of cooking competition shows. Everyone tries to fuck each other over and Alton laughs at them the entire time. It’s brilliant.

:::::::::: PROFESSIONAL WRESTLING ::::::::::

TJPW Tokyo Joshi Pro ‘19 (January 4) I don’t follow TJPW and don’t know any of their wrestlers besides Meiko Satomura but I watched this because it was on before Wrestle Kingdom. Meiko vs Reika Saiki definitely made the show worth watching and the rest was pretty alright. Lots of fun, new personalities that I like.

NJPW Wrestle Kingdom 13 (January 4) Probably the most I’ve looked forward to a show and it absolutely delivered. For the past few years I’d watch WK and recommended matches but in in July I started following everything NJPW. That added investment made this WK special. Ibushi/Ospreay tore it up and I really hope Ibushi recovers soon. Jay White/Okada shocked me. Naito/Jericho was fucking brutal. And Kenny Omega vs Hiroshi Tanahashi was a match I was so invested in that I thought I was going to cry. If you haven’t checked out New Japan yet this show would make an excellent start. GO ACE!

Impact Homecoming (January 6) Impact has gotten pretty good. I’ve only seen a few of their most recent ppvs but it’s obvious that they have a wealth of talent and they’re willing to tell the kind of dumb stories that I really like. Since Homecoming was in Nashville I went and it was one of the best shows I’ve been to. The energy was insane all night and LAX vs Lucha Bros has to be the best match I’ve seen live. Now that they air on Twitch I’ve been following the weekly show and enjoying it quite a bit.

WWE Royal Rumble (January 27) I always love the rumble but the rumble was weird. Both rumble matches were okay but filled with dumb stuff and way too many recovery spots that were immediately deflated by the person getting eliminated. I like the winners. AJ/Daniel didn’t deliver like I wanted. Sasha and Ronda had a good match. I loved how Finn Balor worked Brock Lesnar’s diverticulitis. Fun show.

NXT UK Takeover Blackpool (January 12) NXT UK doesn’t really grip me aside from the women’s division. I liked this well enough but nothing really changed my mind. Finn Balor made a surprise appearance and he looked like such a star compared to everyone else. Excited to see what WALTER can do here though.

GCW 400 Degreez (January 12) GCW’s brand of hardcore indie nonsense is my absolute favorite. 400 Degreez isn’t the best they’ve done but it was full of disgusting beautiful deathmatch bullshit. Markus Crane vs Nate Webb especially.

NXT Takeover Phoenix (January 26) Takeover always delivers. Johnny Gargano vs Ricochet was definitely the match of the night. I don’t dig the War Raiders schtick but their match was great. Bianca Belair and Shayna Baszler also killed it.

:::::::::: COMICS ::::::::::

One Piece by Eiichiro Oda (Volumes 1-10) I wanted something long to start reading so why not One Piece? Enjoying it so far. I like getting the crew together and Usopp’s story in particular is great. Oda is a master cartoonist. I love every time we get reaction faces.

Spider-Man: Fever by Brendan McCarthy Spider-Man fever got me wanting to revisit Spider-Man: Fever because I remember liking it. I still like it. Doctor Strange accidentally opens a doorway into a spider dimension and Spider-Man gets caught in Doctor Strange’s bathtub and the alternate dimension spiders take him. All this and McCarthy’s art make Fever pretty far out.

Spider-Man 2099 by Peter David, Kelley Jones, and Rick Leonardi (1-15) Miguel O’Hara wasn’t bitten by a radioactive spider, he had Peter Parker’s DNA put into him by weird future DNA machine and he wages war against the gigantic corporations that control everything. I like Spider-Man 2099. Miguel is so different from the Peter Parker archetype and he’s got claws and fangs. He’s brutal. It’s got a neat post-hero future kind of like Batman Beyond. I stopped reading because the next part is a crossover with Punisher 2099, Ravage 2099, Doom 2099, and X-Men 2099. I’ll hopefully pick it back up because I want to know what happens with the hologram that’s in love with Miguel.

Spider-Man by Kazumasa Hirai & Ryoichi Ikegami Yu Komori was bitten by a radioactive spider and he definitely wishes he wasn’t. It starts off a lot like our usual Spider-Man but the villains are so much more tragic and Yu deals with some heavy shit. Ikegami’s art evolves from cartoony to serious as the tone of the book changes. He’s a really incredible artist who is consistently pulling neat tricks and trying new things. I really liked this and it may top my favorite Spider-Man comics. It’s just so bleak and unforgiving to poor Yu. By the way, the final plotline is exactly the same as the Sonny Chiba movie Wolf Guy. Turns out the comic that movie was based on was written by the same guy that write Spider-Man. An odd find.

:::::::::: VIDEOGAMES ::::::::::

Axiom Verge Had my eye on this for a long time and finally picked it up on sale on my Switch. It’s okay. There are a lot of clever ideas here that I don’t think work for me. But I do like the decorrupter and the teleport. Some of the movement feels great but some stuff like the grappling hook feels awful. I hate the story. Completely incoherent sci-fi nonsense. But it’s a fun game and I enjoyed my time with it.

Hollow Knight I’ve spent about 30 hours on this game and I feel like I’m close to the end of the story. I absolutely love it. The movement, the combat, and the exploration all feel excellent. I’ve played over ten metroidvanias in the past year (I really like them) and this might be the best. My favorite part about them is how you’re almost never wasting time because there are new secrets to discover all across the map and Hollow Knight does such a good job with that.

#media diary

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dorkandstormy · 6 years ago

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Where to begin...

Well, I said that I was going to actively blog, but that didn’t happen. Too many emotions with too many thoughts cause an urge to not write. Too much to say and didn’t know where to begin. I still don’t have the urge to write but I need to.

I quit that job that made me so miserable. It was so freeing to actually say, “unfortunately I cannot work here past Friday.” Typically. I give a months notice because, in my opinion, jobs need that time to find someone truly worthy. The turnover rates for these minimum wage jobs are horrible. Half of these training classes don’t even work a first real day. I’ve seen it and done it. I worked st McDonald’s once for two weeks. Just to get a check to get me to my next seasonal job. Did not feel sorry about it either. I’ve also had people abruptly quit and make my own job much harder. Anyways, I left that job, with no prospects no nothing. Just the money I saved in my pocket and my bus tickets bought to get me home to Cali. $300 in shipping almost killed me 😩 I spent my last few days on the East Coast with my bestfriend sister cousin and said my goodbyes to a place I will not go back to.

I had so much to say about that job that I took the emails of the owners to give them my own personal “Exit Interview.” They needed to know what was going on in their establishment and I was going to tell them! Here it is a whole five months later and I still haven’t written it. Fuck them! If they want to know what’s going on so bad they need to go in their and see it for their fuckin’ selves. How tf do you run a business and are never there?!?! 😑

I digress, back to the point. It’s August and my niece will be four months in a little over a day. She smiles all the time and she loves trap music. The toddler is satan, but I love her so much. Her smile is creepy AF but somehow the most beautiful thing ever. My nephew is just growing and getting smarter. He’s so shy but so nosey lol.

I did fail the three classes I was taking, but I’m not sad about it. I would rather live life, than stress myself over something trivial like classes.

I adopted a chihuahua mix and named him Sir Goldberg Waffles Rick Flair Drip Go Woo On A Bitch Bonilla.

He has the best personality on him. He has so much energy and he really loves all of ys. He does suffer from seperation anxiety but he was three months old and a stray when I adopted him. He’s had a “ruff” start in this life. We work with him and show him so much love. He was the best decision I made on this healing journey. He absolutely helps with my anxiety. His breath smells bad but his kisses are the best.

I got to spend my brother’s birthday with him for the first time in our adult lives. That was so exciting and all we did was drink responsibly. Definitely a couple blunts rolled, but that’s a regular day for us.

My sister in law cooked some bomb ass food and she made him a boobie cake

It was a chocolate mousse filled marble cake. Amazing!

Six days later was my birthday and I spent the day at the DMV.

I got my license back!!! It’s been seven years since I’ve had it. A mistake was made and I have been paying for it in many ways. To have my license back to me is a freedom I once told myself was impossible to have. How could I afford to pay restitution if I couldn’t even afford to feed myself? Or keep a roof over my own head? Seven years later though, and I did it! Believe me when I say it’s been a long road. I’ve done so much to get ahead and got knocked back even further. Lost people. Gained people. Depressed and oppressed myself on this journey. It all seems so worth it now.

I do feel a little discouraged at times because now that I have a license, I need a car. That process is horrible when you’re poor and jobless. Private sellers are liars and still trying to get lot prices for beat up cars. Lots want you to have a job and out here you need a car to get a job. It’s a vicious cycle.

I will not let it bring me down though! I’ve come very far on this healing path and I refuse to relapse.

I mentioned my classes earlier and I would like to elaborate by saying that I am retaking those classes. I start on the 23rd of this month. Not super excited about it, but I know I can do better.

On the whole, life is good. I’m just taking it minute by minute. Whatever happens, happens. No more stress on me. Every day I wake up is a blessed day.

I’m not going to end this by saying I’ll be back with an update or “I’m really going to actively blog this time,” because I just can’t make that promise. I don’t know where I’m going. I stopped planning it stresses me out and makes me so anxious. Fuck all that. Happy is the way to be!

I hope that anyone who reads this is having a blessed and joyous day. If you aren’t, please hear me when I tell you, it’s not worth it. Let go and let your deity deal with it. Don’t breed negativity, produce positivity. Be the change you want to see. You have the power in your words. You got this! Keep going! And in case no one told you today I love you 💚 you’re so special and worth it 💜

#feelings #growth #healing #mental health #positivevibes #mental illness #thoughts #knowledge #life #honesty hour #self love

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twdmusicboxmystery · 4 years ago

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TWD Flagship Series Ending and How It Might Affect Beth/TD

I’m sorry I didn’t get my thoughts out sooner. I woke up to like three fires I had to put out (figurative, of course) so it too me longer than usual to get these written up. But, here we go:

Okay, so I know everyone is freaking out about yesterday’s news. I feel ya. I’m obviously very sad that the flagship series will be ending.

But having said that, it doesn’t entirely surprise me. And it doesn’t really bother me, at least not in the way everyone seems to think it will.

I have lots of thoughts about this, so bear with me. I’ll try to keep them succinct and organized.

I Still Think Beth is Returning

This is probably the most important thing for everyone to know. This announcement doesn’t affect my beliefs about Beth’s return. You’ll understand why as we go along and I explain more. It also doesn’t negate all the clues Emily and other actors have been dropping over previous months. Just keep that in mind.

It Doesn’t Surprise Me That The Show Might End Not Long After Her Return

Now, I’m gonna say that I realize now my original thinking about this was a little flawed, but I’m gonna say it anyway just to throw it out there.

As it’s taken longer and longer for Beth to return, I’ve come to realize that there would be a lot less of the show to go after her return than there was before it. If she’d have returned in S6 or S7, we would have had many seasons to go. But that hasn’t been the case, right?

I firmly believe that Beth represents Daryl’s happily ending. But that does imply it will be an ending of sorts.

And don’t get me wrong. I wouldn’t have predicted the show would end in S11. You all know I’ve harped on the 15-season thing quite a bit, and I have more to say on that, which I’ll get to in a minute. I’m just saying that after Beth returns, I never thought we’d get another 10 seasons of TWD. A few, sure, but not double the amount or anything.

Okay, so let me make some broad statements here.

1) Gimple said he had until S15 planned, and I believe him.

2) I still think he has plenty of material so that they could have gone on through season 15.

3) I don’t think any of that content is being scrapped, curtailed, or cut short in any way.

So how can all of those things work together? Well, this is my biggest belief about this whole thing:

I don’t think they’re changing any of their original plan. I think they’re just shuffling and restructuring the way they’re going to give it to us.

A lot of things have changed over the past few years: technology, the fact that people stream-watch much more often than live-watch, CoVid, etc. So basically, I still think they’ll continue to tell the story through what would have been season 15, but they’ll be doing it through alternate series, spinoffs, movies, etc., rather than keeping it all to the main series.

Now, some of the skeptics out there are bound to think my beliefs about this are awfully convenient, and I’m just holding out hope that Beth will still return.

But I’m not JUST talking about Beth story lines. There are other things to consider here that we can prove. And I’ll get to them.

But the next question is:

Why Would They Continue the Story in Other Spinoffs, Rather Than Just Keeping to the Main Series?

I wasn’t sure about this at first, either. The only thing I could come up with on my own is that there are certain business/monetary/logistical concerns behind the scenes that make this a better model for AMC to make use of, rather than continuing the flagship series. And really, we’re never going to totally understand all of that because for legal/privacy reasons they’re never going to give us the details.

But then, the always-insightful @wdway said some things that really helped light bulbs go on in my head.

We were discussing this and she said something about how, since Daryl isn’t a character in the comic books, and Carol died very early on in the story (at the farm, I think?), with this spinoff that will focus on Daryl and Carol, they’re heading into territory that has absolutely no comic book source material.

And that really made sense to me. So, here’s my underlying belief about WHY they’re ending the flagship series after S11, even though they still have more story they’re planning to tell.

I Believe They’re Ending the Story after the Commonwealth Arc, Specifically Because the Comic Books Ended.

Because here’s the thing. Even with the extended S11, I still don’t think that will be enough time to cover the two major story lines they’ve been hinting at and slowly uncovering over recent seasons: the Commonwealth and the Helicopter People.

The only way to cover BOTH of those so quickly is to REALLY short change one or the other of them, and I think we have ample evidence and foreshadowing that that won’t be the case.

So, here’s the jist of it. Back when Gimple took over and planned his 15-season arc, they couldn’t have predicted a lot of what’s happened since. They couldn’t have predicted technology, COVID…or that Kirkman would suddenly, without any warning, decide to end the comics. So, even though they’ve always put their own spin on things, and have definitely done things that weren’t in the comics at all (i.e. Beth and Daryl), they’ve still always stuck to the major arcs from the comic books. (The Farm, The Prison, Alexandria, AOW, Whisper War, and now The Commonwealth.)

I think they decided to pivot and change formats as soon as Kirkman ended the CBs. They just haven’t announced it until now. So, I think season 11 will focus completely on the Commonwealth, but they’ll end it and switch to something entirely new to continue telling the story of the Helicopter Group. And even though they’re advertising it as focusing on Daryl and Carol, keep in mind that Rick and Michonne are also still out there. We’ll have them to look forward to in the Rick Grimes Films as well. And of course they still have FTWD, TWB, and these other spinoffs they’re talking about.

Do you see what I mean? I don’t think they’re changing or curtailing the story they’ve always planned on telling. They’re just changing formats. So the main series will end with the source material from RK’s comic books. The rest will be a new series that is 100% AMC’s own.

I hope that makes sense. This is why it doesn’t really worry me and I don’t think it negatively impacts Beth’s story or return at all.

Okay, let’s switch gears and talk about the spinoff.

When I read the press release, the first thought I had was, “Well, that’s vague.” The press release really doesn’t tell us much. It’s hard to draw many conclusions from it. And it doesn’t say other characters (like Ezekiel, for example) won’t be in it. Just that it will focus on Daryl and Carol.

And I get that, again, that may sound convenient, but that’s why I explained everything above first. Knowing that this is probably just switching formats to continue the same story, it doesn’t sound quite as convenient anymore, does it?

The second thing I thought when I heard this (and my fellow theorists said they had the exact same thought, which kind of validates it in my head) is that this whole Carol/Daryl thing is probably tied to the New Mexico symbolism.

If you remember, starting in 10x01, they started randomly referencing New Mexico a lot, in conjunction with the idea of the two of them taking off on Daryl’s bike and just leaving. I know that idea isn’t our fandom’s favorite, but it was obvious to me that this was a foreshadowing and that it will happen at some point. So I’m relatively sure that this spinoff about Daryl and Carol will be them going to New Mexico together.

Here are some posts where I talked about the NM symbolism: X, X, X,

The thing is, guys, I’ve also always believed that it will be a Beth thing. That it will mirror them taking off together to search for Beth in 5a. So either way, I think Beth will be involved in that spinoff series.

@wdway told me she’s believed for a while that S11 will be another “Daryl searches for Beth” season. TD has believed for a LONG time that there will need to be another search on Daryl’s part. That there may even be something of a replay of events in Coda, but that it will end differently. In a good way, rather than in the disaster that was Coda.

So, either Beth and Daryl will get a reunion sometime in S11, but then something will happen and she’ll be taken again. Probably by the helicopter people. And Daryl will need to go look for her.

Or.

Maybe they won’t get a reunion at all in S11. That would definitely suck more, but maybe, while the audience, and various characters in the show *coughs Eugene* know about Beth, maybe Daryl really doesn’t find out until the end of the season, and he’ll just be busy dealing with the Commonwealth situation. But then, at the end, he finds out she’s alive and jumps on his bike to go find her. And, as in 5x02, Carol goes with him.

I also think Ezekiel will probably figure heavily in this. I’ve harped on and on about his death fake out, right? I do think it will happen some time in S11. And I think it’s possible that the season (and series) will end with Carol still not knowing that he’s really alive. Or maybe she’ll find out he’s with Beth and that will be part of the reason she goes with Daryl too.

Now, obviously this is all conjecture with a liberal splash of head canon. But given the symbolism and foreshadowing we’ve identified, especially these past two seasons, and how often TD has been right about this sort of thing, I really think there is a VERY good possibility that this, or something close to it, is what’s really happening here.

So yeah. I think I’ll shut up, now. The short of it is, I think they’ll continue the story line after S11, just in different story vehicles. I think Beth will still return and be a big part of the story moving forward. And I think S11 (and the series) will end with a lot of unresolved story lines that will move to other parts of the franchise. Therefore, aside from being sad to say goodbye to the flagship series in principle, this really doesn’t worry me all that much.

At the very least, we know we’ll be getting more Daryl after the series officially ends. Which is a good thing.

Thoughts?

#beth greene #beth greene lives #beth is alive #beth is coming #td theory #td theories #team delusional #team defiance #beth is almost here #bethyl

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pessimisticpleasure · 7 years ago

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The Walking Dead - A Few Thoughts On Rick Grimes

I’d like to start this opinion piece by stressing the word OPINION, giving you a spoiler warning for episodes up to and including ‘Still Gotta Mean Something’, and asking you to bear in mind that I love the character of Rick and that I’m writing this out of genuine confusion and sadness about the direction of his character recently.

Contrary to most fans, I’ve quite enjoyed the latest season of the Walking Dead, or parts of it at least (I mean, compared to last season we can’t really complain). There’s been some stand-out episodes and action but the one thing that is bothering me at the moment is some of the character choices that the writers are making. This includes the total sidelining and lack of development for Daryl, killing off Carl right when his character was finally flourishing and, the basis for this post, the hugely questionable actions of Rick which are never addressed in the show.

The first time I felt genuinely uncomfortable with the actions of the main group was back in season six when they killed the Saviours while they slept. At the time I questioned the actions of the so called ‘good’ group because that seemed like a very not good thing to do because, well, it isn’t, but I reminded myself that within the confines of the world they live in which is to be fair, ruthless and cutthroat that maybe it could be reasoned away.

And just as I tried to mentally justify that I have tried to condone Rick’s actions because up until recently I adored his character but towards the end of last season and this whole season I’ve been really uncomfortable with the ‘good guy’ killing people who really don’t need to be killed. As Rick said himself ‘only one person has to die’ (and then, you know, killed like four people in the next scene). I have so little faith in him now that when he found the baby at the saviour base I was honestly surprised that he didn’t kill it. I think the expectation in any media is that the ‘good’ side kills as few people as possible outside of a designated ‘battle scene’, and perhaps if it was more cleverly written I might commend the show for turning that expectation on its head but the issue is that it isn’t and with Rick especially it seemed without much cause that this was his policy one minute and then suddenly, it wasn’t.

When Carl died I really thought that would be Rick’s turning point for him to think ‘yes, I have been a bit trigger happy of late, let’s maybe only kill people if we have to’. Instead they had Rick lie to Carl as he was dying and carry on the way he was and maybe you could argue grief if he hadn’t been doing that way before Carl died. Weirdly, instead of using his death to re-humanise Rick the writers seem to have put Negan on that path and while I’m enjoying seeing his human side (because he was starting to wear really thin on me) it feels so backwards.

Please don’t misunderstand me - I understand that Negan is bad, I am well aware he is extremely flawed. However viewing it objectively, he is actually better than Rick AT THE MOMENT (because Negan has definitely been evil forever whereas Rick’s fundamental character was not always like this). It really bothers me that I’m meant to root against a character who actively attempts to kill as few people as possible while supporting Rick and his never ending murder spree of anyone who’s ever seen Negan. One key difference I will admit is that Negan seems to enjoy killing people whereas for Rick it is a genuine means to an end but for me that’s not enough of a distinction to condemn one while supporting the other, the intention is irrelevant when the action and the consequence are the same.

The thing is, I’m never sure if we’re supposed to question this sketchy element of Rick’s character because so few fans actually do. To have him allied with Morgan in his actions last night feels significant because Morgan is a character who is going crazy and having a crisis of conscience, so surely having Rick on the same killing spree is meant to force fans to second guess him? The latest episode is also called ‘Still Gotta Mean Something’ which to me implies that morality and honesty still have their place in the world despite Rick’s actions to the contrary. It also seemed significant that Rick’s most questionable action to date occurred in an episode with Negan at his most vulnerable and human. And yet many fans don’t even blink at what Rick does and I think a large part of that is that the writers are scared to call Rick out on committing horrible acts even when we see them play out on screen in case of fan backlash because, while people usually have other favourites, Rick has always been likeable and a good, sturdy protagonist and flipping this is a risk. They don’t even go so far as to have other characters question him on screen, not even Carl while he was there as the moral compass truly did. They’ve also kind of backed themselves into a corner because without a big event having him flip back seems nonsensical, really using Carl's death would have been perfect.

I see all the time arguments between Rick and Negan fans where the Rick fans defend him by saying ‘well, he’s good’. But I can’t buy that for a lot longer, no he’s not as bad as Negan but that doesn’t make him good, and without starting to back up that claim with evidence the writers are going to have an uphill battle because while some diehards will defend any of his actions to the death, I imagine that more people will begin to question where we draw the line between good and bad because it’s becoming more and more like the only difference is we haven’t spent the last 8 years watching the Saviours and we care about the characters we know rather than the good and bad being separated by different actions, goals, and values like they should be.

I understand that for a lot of people the primary draw of The Walking Dead is the action and having a protagonist who fuels this is what drives the show but from early on, this show set itself apart with the fantastic and rich characters who were a part of this action but also principled and well-developed. Rick was always someone who partook only in what violence had to occur, defending the prison, fighting his way out of Terminus, biting a guys neck out to save his son (I still sometimes fondly remember how badass that scene was) while also seeming to have a moral element - he fought Shane in season two when he displayed the same tendencies towards uninhibited violence that Rick has far surpassed now, kicked Carol out when she murdered their people even though she felt she was justified, and importantly believed in people enough to take them into the group even when they might be a danger, distinguishing himself from past villains he was pitted against.

I’m sad to say that the Rick I loved might be gone - either the writers have really lost their way or this long, confusing path is leading somewhere I don’t want to go. A one-eighty turn seems unlikely at this point but I’ve still got my fingers crossed - c’mon Rick, your son begged you on his deathbed to be how you used to! When they say ‘we’re taking the show back to season 4/5′ they better mean that literally, like everything that happened since was a dream and all the characters get a reset because my heart cannot take this any more.

#The Walking Dead #the walking dead spoilers #rick grimes #rick grimes opinion #opinion #carl grimes #the walking dead season 8 #i love rick but this show is killing me #please stop forcing me to question his morality #i don't have the energy #negan #michonne #is this on purpose #who knows with this show #i hate that i'm still invested and watching it #the walking dead rick

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teddy-bear-surprise · 4 years ago

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Chapter 4: Filling in The Blanks

|| Chapter 1 || Chapter 2 || Chapter 3 || Chapter 4 || Chapter 5 || Chapter 6 || Chapter 7 Part 1 || Chapter 7 Part 2 || Chapter 8 || Almost The End || Chapter 9 ||

WARNING: Mentions of violence, blood, police, alcohol, stalking, car crash (not the main character), and bondage (non-sexual).

Author’s Note: This is an alternate universe situation set around the time of seasons 13 and 14 but I kept Hotch and Prentiss because they're some of my favorite characters. This fic does not follow cannon occurrences so please keep this in mind.

Ophelia sat on her couch moping over Cat's disappearance. It had been two days since Cat left. She wouldn't pick up her phone, which Ophelia did not know was broken, and Ophelia thought she was ignoring her. In reality, however, Cat was trying to reach Ophelia by payphone but could not remember her number. Barely ten minutes had passed since ten in the morning, and Ophelia was already nursing her third beer of the day. Her motivation to do anything, to be anything, had completely disappeared.

She lazily clicked through the channels before settling on the news. Now, Ophelia was not one to regularly check the news, but this station had a particularly handsome reporter that she loved to watch. In her mind, he was the only viable man left in Los Angeles. Her aptitude for stalking and predating did not end with her victims and was a driving force in all aspects of her life. According to her standards, he checked out: a clean digital history, a clean social presence, good financials, no unhappy exes, and most importantly he was single.

Today, however, Ophelia was less than pleased with what he had to say. "The FBI has landed here, in Los Angeles, this morning to investigate the mysterious murders of five young and famous men. They are working in conjunction with the LAPD and are searching for answers. More on this after the break–"

She rolled her eyes and crossed him off of her mental list of "viable LA men" which now held a whopping zero names. Her hand reached for the remote and clicked off onto another channel, hoping for something a bit more light-hearted.

On The Jet Earlier That Day

The BAU's luxurious, white jet had taken off only moments earlier and was flying quickly from Quantico to Los Angeles. Hotch looked at his team, all eagerly waiting for his instruction, before addressing them, "We're dealing with a very experienced killer here and they might even have a partner based on the amount of physical strength that it would take to restrain men of this size. The M.O. has been consistent since the very first case and there were no trials and no errors, meaning that we found no similar attacks in the Los Angeles area that occurred before these. They started attacking right off the bat and we need to find out why. Garcia will fill you in on the details."

The screen above Hotch's head was now occupied by a perky blonde, "Garcia here! Ready to rock and roll? Yeah? No? Okay, tough crowd. So, first up we have Rick Garza, twenty-eight years old and living in Glendale. He's not the most famous actor, but he is definitely on Hollywood's radar... should I say 'was'? Not important... Last year Mr. Garza started working in sideline films like Danika's Delight–a great movie by the way–and worked his way up to major ones like Begum's Trial which was supposed to finish filming next month. He doesn't have many enemies in the industry, a pretty well-liked guy, for the most part. He did have some disputes with the financial department on set, but that happens all the time so I don't think it was a contributing factor. Uhhhh... his wife, Maci Garza, said she was out shopping with friends but when she came home and went to her room to put her new, shiny things away, she found Rick like this–"

A photo of Rick flashed onto everyone's screens. He was hogtied with his legs and hands tied together behind his back, an apple occupying his mouth, and big bloody letters covering his back that read 'suck on this, you bastard'. Rick's body was laid on its stomach, so his hands and feet were in the air, and based on the images, he had been positioned to face the door, almost like he was waiting for someone to walk in.

"Yeesh, if I were to die like that, I don't think I would want to have been born at all," Rossi tried to lighten the mood with his snarky comment and his jokester reputation never disappointed.

Garcia rolled her eyes at Rossi and continued, "Agreed, not the best way to go out. Moving on to vic number two, we have Simon Boyd, thirty-two, and also living in Glendale. He was a very, very popular chef, you all might know his restaurant, 'Boyd & Boyd'. It opened up ten years ago and has gotten an impressive three Micheline stars. According to co-workers, he's a 'nice guy with the worst anger-issues in all of LA', that is a direct quote, by the way. Kind of contradictory, kind of confusing, didn't help me that much."

"So, I did a little deep-dive into his online presence, he seems pretty clean, but looking into his wife's life is where it gets weird. Back in the day, Daniela had a massive online presence, like massive. There was not a day where she did not post about her friends or life updates. But about three years ago she was living in a pretty bad part of town and then she met Simon. After that, she stopped working, stopped going out, stopped posting, all that jazz. She essentially disappeared from the face of the earth and only went out when there were events for Simon's restaurant. Kind of sketchy if you ask me. Also, they got married like two months after meeting and he immediately put all of her assets in his name. Basically, he owned her."

Garcia took a moment to find the rest of her notes, "Daniela was actually on their house property when Simon was killed. She was in their backyard, swimming, and when she went back inside he was dead. So as Hotch said, very experienced killers. Simon also left almost nothing to Daniela so take that as you will. As for the M.O., it looks pretty standard, the same as with Garza."

Garcia pressed a few buttons and some photos of Boyd's crime scene appeared on their tablets. This time, it was Emily who spoke up, "Garcia, you said that Daniela didn't get a lot from Simon in his will, so who got everything?"

"I am so glad you asked, Emily!" Garcia bore a wide smile, "All of Simon's assets went to an Eric Matteo Bowes, but the problem is, there is no Eric Matteo Bowes. He doesn't exist. And the only one that does, lives in Puerto Rico and has never been in the same state as Simon. So basically he left his entire life to a mystery man."

"Why would he do that? Is it possible that it's some kind of pseudonym? Maybe it means something else?" Replied Emily with a confused expression.

"Already there, my love. I called Boyd's lawyer and he said that while he could not give specific details, he did confirm that Bowes does not exist. Yet another mystery to solve, we just have to see if this is related to Boyd's death or not."

They went on like this for the next hour, bouncing around ideas and debating if certain occurrences had any significance in the cases. Once all of the cases had been discussed, Reid raised his hand to speak, still resembling the quiet kid that Ophelia knew, "Guys, I think the unsub is female. Look at the amount of rage," he pointed to the photos of the men's' slit throats, "this is a very up-close kill and it indicates that there may be a personal motive too. That's something we see a lot in female serial killers, it tends to stem from trauma that they feel they cannot let go of. And it's definitely a duo, two of the victims were athletes, indicating that at least two unsubs would be needed to restrain them, especially to get them on top of the bed after. But not more than two, bigger killing teams are more prone to mistakes and disorganization, I'm not seeing any of that here. My guess, is that these two bonded over their hatred of men, as indicated by the message written on the victims' backs, and somewhere along the line they decided to put their message out there through violence. Garcia, we need to start looking into females living in the greater LA area who have filed reports for domestic abuse against males within the past five years, cross-reference that with females whose mothers were either missing, dead, or not involved."

"Give me one second, pretty boy." Garcia's painted nails clacked loudly on her keyboard and they all watched as she typed at an alarming speed with her pen still in her hand.

"Anndddd done! We have seventeen lovely ladies here, one of them passed away a week ago and three have recently moved to other California cities. So we're down to thirteen now. Up first we have Miss Daniella Olson, twenty-three, and worked as a sales clerk for Knight's Knives up until two months ago... hmmm. Possible unsub? Oh wait, she stopped working at Knight's because she sustained debilitating injuries from a car crash. That's unfortunate. Up next is Kiya Driscoll, thirty years old and living in eastern LA. Geographically she doesn't look like a match, but let me see what comes up when I dig a little deeper."

After less than a minute, Garcia had managed to take a deep look into Kiya's life and left no stone unturned. "She's squeaky clean, moving on. Belle Jones, twenty-five and also in the hospital. Hmmm... change of plans, my lovelies, I will get back to you when I have a list of possible unsubs."

They discussed the case while Garcia looked into each of the girls' backgrounds.

Hotch's deep voice suddenly boomed through the jet, "These unsubs are experienced, they have likely experimented in other states, which would explain how their kills were so clean right off the bat. The only problem is that when I looked into it, there were no similar cases except for one case in Las Vegas from nineteen-ninety-nine. There was only one suspect, Darla Sutton, but there was never enough evidence to convict her. Our current case also profiled that we would be dealing with a team of young killers, Darla is already in her late sixties. We could be dealing with copycats or even an apprentice of some kind. Garcia, can you change the search to include anyone who has ever been affiliated with Darla Sutton?"

"Yes, Sir, already ahead of you!" Chirped Garcia. "Allow me to introduce you to Miss Ophelia Sutton, Darla's daughter. Thirty-seven years old and she has not worked in four years, but lemme tell you, this girl is rich. Like, buy a house on the moon rich. She graduated from MIT when she was seventeen and went straight into huge engineering companies like Z-Tech and Cormac & Robles, she was able to reach the top by the time she was twenty-one and she's made enough money to sustain several families for at least fifty yea–"

Spencer's eyes widened in shock and he completely zoned out as Garcia droned on. How was it possible that the girl he knew so well as a child was now their prime suspect? She had been his best friend, stuck with him through thick and thin, yet here he was staring at a photo of her and not recognizing her in the slightest. He could see the evil in her eyes, but it had not been there when they were friends. Back then, he saw everything good in the world swimming in her smile, that was all gone now. He blamed himself for this, he did not fight hard enough for Ophelia's friendship, if he had, they might not be in this position.

Of course, it was not Ophelia's fault that Garcia had now found her, but rather Cat's. Cat had gotten a bit lazy while designing their M.O. and copied Darla's almost to the tee because she thought it made the most sense. This was, however, a detail that Cat never disclosed to Ophelia. It was the reason why she had insisted so adamantly that Ophelia had to leave, why she had been so worried that Spencer would catch them both. If anything happened to Ophelia, it would all be because of her mistake. While Cat did modify a few things, it clearly was not enough to keep the BAU from noticing the connection. Maybe prison really had damaged Cat's once perfect abilities, but it was too late to do anything about it now.

Spencer drew his eyes away from the screen and tried to hide his feelings of disappointment, but JJ always seemed to notice. She whispered into Spencer's ear, "Hey, Spence, what's wrong?"

He jumped, frightened by the nickname she used. She was the only one besides Ophelia that ever called him Spence, "Oh, it's nothing JJ, I just got worried for a moment, I thought I had forgotten to call the institution where my mom is staying to ask if I could visit her after the case. Nothing serious."

"Whatever you say, Spence, I'm always here to talk." JJ looked at Spencer worriedly and tried to take his explanation at face value, but she could tell that he was still hiding something, especially since he never forgets anything.

They wrapped up their briefing and Spencer remained quiet, worried about what to do. He was not close with Ophelia anymore, they had not spoken in over two decades, but a part of him wondered if he should excuse himself from the case. Eventually, he decided to stay on the case and not say anything to Hotch because it was just an old friendship. Ophelia did not have an eidetic memory like him and probably would not even remember him. Spencer found solace in this thought, essentially ignoring that he would have to arrest his only childhood friend.

When they landed in Los Angeles, Spencer thought of how ironic his situation was. He hoped that Ophelia's name coming up was just a false alarm, that they had pinned the case on the wrong unsub. But so far, all of the signs were pointing to her and they would definitely need her to cooperate to find her partner.

On their way to LAPD's headquarters, Spencer fidgeted with his hands, still debating telling Hotch about his relationship with Ophelia. He figured that it could go one of two ways: Hotch would kick him off of the case and berate him for not speaking up sooner, or he would be used as bait to extract an emotional response from Ophelia, that is if she remembered him at all. When they got to the station though, Spencer was immediately cut off by the Chief who insisted that he needed to give them a thirty-minute guided tour of the station.

He walked at an excruciatingly slow pace, slowed even further by his co-workers stopping them every few steps to ask about the case. They were shown the kitchen, the bathrooms, his office, the garage, and literally every room except for the one where they were supposed to set up. By the time that the tour was over, there was not even enough time for Reid to have a quick talk with Hotch. They were now twenty minutes behind schedule and had to grab everything from the cars and rush to set up their space. Prentiss and Reid worked together to set up the computers, connecting them to Garcia, while Rossi worked on printing and pinning physical copies of the crime scene reports and photos. Hotch and JJ were running between the cars and the conference room trying to get everyone's belongings inside as quickly as possible since it was beginning to rain and they would be unable to get their stuff out later without wetting it.

As soon as everyone was settled in, they jumped straight into working on their game plan, plotting how they would approach Ophelia. They figured that their best bet was to send one team to search the apartment, and another to search the house. Rossi, JJ, and Reid were being sent to the house, whereas Hotch and Prentiss were going to check the apartment. It was a solid plan and only took a few calls to execute. They had just arrived in LA and they were already on the verge of a breakthrough. It all seemed to be moving so quickly, too easily, and Spencer felt that they were being drawn into a trap of some kind. But since they were employing the help of a S.W.A.T. team, he figured that there was not much to worry about and carried along with the plan. In two hours Ophelia Sutton would no longer be a free woman, and she was not going to go down easily.

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