#tom hanks

[k-i-l-l-e-r-b-e-e-6-9]

me

[pencil-on-the-moon]

Wisconsin's capital city has been named that since 1836 but I think this is funnier so I'm gonna accept this actually

I’m watching Splash (1984) which is a romcom about a guy who falls in love with a mermaid, and when she chooses a human name she chooses Madison and guy says “that’s not a real name, but alright” which seems to imply that Madison was not a name until at least the 80’s and all girls named Madison are actually named after the mermaid. thought you should know

[mikedawwwson]

"The Good War on Terror" written by Christopher Hayes.

I will be producing a print 'zine of this in the coming months. Join my Monthly 'Zine Club to get the first copies automatically sent your way!

[tvandfilm]

Catch Me If You Can dir. Steven Spielberg | 2002

[likeafantasy]

25 DAYS OF CHRISTMAS — (04/25) ↳ The Polar Express (2004)

[gethighdropacidneverdie]

Man, 2004 was wild for this

[soundsofmyuniverse]

I hear nothing. Not even a sound on the streets of New York, just the beating of my own heart. I have mail. From you.

You've Got Mail (1998) dir. Nora Ephron

[wardengrill]

You've Got Mail (1998)

[in-love-with-movies]

Toy Story (1995)

[aliciax3]

From Rick Gomez's personal collection

[thanosgf]

band of brothers • behind the scenes

[rogerdeakinsdp]

Academy Award Winners for Best Cinematography: 2003 — Conrad L. Hall, ASC Road to Perdition (2002) Directed by Sam Mendes Aspect Ratio: 2.35 : 1

Given Sullivan's moral ambiguity, Sam Mendes was keen to keep the audience at a distance from Tom Hanks' character for the first part of the film. He and Hall achieved this through lighting and composition. "Tom is an actor audiences feel they know very well, and I wanted them to have to lean forward to try to penetrate the inner world of the characters, especially his," Mendes says. "So in scene after scene, Tom is either partially obscured or seen through doorways, and he disappears into shadow and then reappears. We always used wide lenses and stayed a distance from him." The paintings of Edward Hopper were a primary reference for the filmmakers. According to Scott Sakamoto [camera operator], "We did a lot of tableau shots, wide shots that let the actors move within the frame, and we didn't move the camera much. Sam lets his actors tell the story within the frame." — American Cinematographer, August 2002

[saywhat-politics]

It’s delicious seeing MAGAs meltdown out here about Tom Hanks making fun of them for being racists on #SNL50

[lupoteodoro]

In case you haven't watched 'Band of Brothers' Hollywood Premiere

[cinematicjourney]

You’ve Got Mail (1998) | dir. Nora Ephron

[sarroora]

This is a really interesting analogy video on Gaza by Egyptian media figure Joe Hussen. It’s about 8 minutes long but I really recommend it.

I’ve mentioned before that the west only sees what’s going on in Palestine through a small window, because of bias, manipulation, and the simple fact that much of the news isn’t translated into English.

I hope this video gives you something to think about.