#ugh that episode

[wolfstrong]

When Buffy’s dead beat dad couldn’t take her to the ice skating show for her birthday so she tried to Lowkey hint to Giles that she wanted him to take her instead :,)

[heilos]

I don't want you to feel like you're nothing

[hansoeii]

you'll make it back.

[unluckyprime]

got the new case zoomies‼️💛

[laurrelise]

unfortunately it has been decided that this is one of the funniest scenes in the show, sorry i don’t make the rules

diego’s hand slowly bringing the knife into frame? peak comedy

luther’s “what the- put the knife away” literally never fails to make me laugh

don’t even get me started on klaus’ damn condoms

[homeforclones]

The difference between Season 1 and Season 3 of the Bad Batch

Season 1: Omega: Crosshair, can I have a hug? Crosshair: The audacity??? Of this Child??? Nothing would revolt me more than to show any kind of weakness to sate your neediness. Season 3: Omega: Crosshair, you're getting a hug. Crosshair: The charity??? Of my Sister??? Nothing would give me more joy than to be hugged by the Literal Angel that you are, though I am a lowly worm.

[noodles-and-tea]

I haD TO

[figscigfigs]

emily offering fig’s cursed bardics whenever she can is truly peak comedy for me

[cipher26]

I have so many thoughts on Arcane which I'll get to eventually, but before that I just have to say...

ANYONE who is complaining about how short and rushed this season was, or how little time we got with certain characters/plots... don't blame the creators or the writers.

Blame the streamers. Those studios, Netflix in particular, are the ones who are responsible for destroying TV and cutting seasons in half, and then limiting most shows to 2 seasons. Television has suffered so much because of their greed. Those studios aren't run by artists, they're run by moneymen. They don't care about your shows, they don't care about the stories or the characters or the fans, they just want money. And they mismanage their money so much it's fucking sickening.

And yes, it is a choice. It doesn't have to be this way, and there can be exceptions. The finale of the last season of Stranger Things was 2 and a half hours long. It was it's own movie.

So blame the streamers. Blame them every single day until we get greedy asshole's hands off of our art so that we have the space to present our stories in the way they deserve.

EDIT: To be clear when I say streamers, I'm talking about the studios, particularly the ones like Netflix/Disney/Hulu that can only be watched on the internet via streaming apps. Broadcast television used to be, and still is in some cases (Blue Bloods, Grey's Anatomy season 87...), 20-23 episode seasons. With story and nuance and side quests and growth.

[rosalie-starfall]

The Not Ready For Prime Time Players

Saturday Night / Saturday Night Live October 11th 1975

[qui-gg]

And the dark awaits us all around the corner

But here in our place, we have for the day

Can we stay a while and listen for heaven?

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[critter-of-habit]

okay focusing on NATASHA when Peggy and Steve were reuniting was really a choice wasn't it

[gunsatthaphan]

"I'm very happy tonight."

[lesserafimz]

TWINKLING WATERMELON (2023) | Ep. 8

[vampirecorleone]

"Do you think you're the strongest because you're Satoru Gojo? Or are you Satoru Gojo because you're the strongest?" Jujutsu Kaisen - One Gifset Per Episode - [29] - Premature Death