#truly I think the fandom hates the female characters more because any time any of them show anything interesting
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"Toji-fication of Maki..." Ah! Stopping that right there.
Let's be honest, Toji was just a hint of what Maki could do and that's it. But she was always established to not just be a strong character, but also a strong capable character even without cursed energy.
Story wise, Maki came first. Her story came first. She was a part of the main cast since JUJUTSU KAISEN 0.
Her reaching her full power isn't "Toji-fying her" or ruined her character. If anything she was an example of what Toji should have done.
Maki may have had a strained relationship with her twin, but she still cared for and loved her. She left the Zenin clan and didn't fall under their nonsense unlike Toji who sold his son to the family who hated him. She had her reason to leave, but it was a hard choice for her and she even apologized to Mai about it.
Her sister died (thanks to the Zenin clan) and it was over. She took revenge for herself and her sister, Mai. As she should!
#toji-fication my ass#one of them fought one of the strongest sorcerers and SURVIVED#toji was just a show of what maki was able to do later#truly I think the fandom hates the female characters more because any time any of them show anything interesting#the fandom pulls some bullshit#just kiya's thoughts#jjk#jujutsu kaisen#jjk spoilers#jjk manga spoilers#zenin maki#maki zenin
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Elizabeth midford
Shitty 2AM rant on the Misogyny that Lizzy has faced since the very start but it's the perspective of someone who has witnessed the horrors of Misogyny in Spanish speaking fandom
I should mention that English is not my first language and I'm not very good with it either, so most of this was done with Google Translate and I tried to correct what I could, I hope it's at least readable
I've never seen enough people point out the fact that Elizabeth midford character also defies the "Girlboss" archetype, she is definitely physically strong and can protect herself, but she is A 15 YEAR OLD GIRL, who manages her emotions like someone her age would and also exhibits many neurodivergent traits. I have always been bothered by the way physical strength is misunderstood as a "girlboss" trait, the simplest example I can think of is Ran Mao, she possesses brutal and superhuman strength. but it doesn't make her a girlboss, in case anyone forgets Ran is a girl who barely reaches 18 years old and is exploited by an opium trader who also seems to be involved in human trafficking (implied in the manga). Is she really a girlboss? girlboss when her physical strength is more of a requirement to SURVIVE while working as an assassin and sometimes seductress (which u can tell she doesn't enjoy much)? Obviously Ranmao's social reality is very different as she is a woman of color from the underworld, unlike Elizabeth, who is a white woman from the nobility. However, her physical strength has always been a double-edged sword for herself. Lizzy longs to get married, like any other girl her age, she longs to be protected but says goodbye to it the moment Ociel returns.
I may seem a bit exaggerated, but the way your sociocultural background affects the way you perceive and treat a character has me slightly traumatized, I wish I could give proof of the horrible and degrading treatment that Lizzy has received from the Spanish-speaking fandom.
I am a trans boy of color who grew up watching my female relatives being encouraged to rip their hearts out of their chest from the moment they turned 8yo for the simple goal of caring for and protecting my cis male relatives. household chores, cooking for them, washing their clothes, taking accountability for their actions. Their freedom and childhood as little girls were taken away from them. but none of that was ever valued, I never saw anyone recognize it as sacrifice.
Elizabeth is not a woman of color, nor does she have those demands as a woman of nobility, but she SACRIFICED stuff to try to protect Ciel on her own way, I have seen many people underestimate her backstory in book of Atlantic because "High heeled shoes aren't reason to cry." Everything Lizzy has done for Ciel is devalued, all her suffering has been minimized. losing so many family members in such a short time, losing the boy you were raised to marry your entire life. People truly forget that lizzy is still just a child, that she has the right to mourn everything she lost that day. She had to mourn publicly as a noble girl,she probably heard that she would never be able to get married or would never achieve happiness, I've never seen any adult to stop and think about how heartbreaking and soul shattering that must have been as a 11yo
I have seen how EVERY thing Lizzy does is judged. how her behavior, personality and temperament are criticized. but other characters like Soma just get a pass while doing the same stuff, but this does not just stop at gender, but also at age. people HATE girls and afabs who act like children when they are literally CHILDREN.
How is it possible that Lizzy has faced such harsh judgment from the fandom when there are other characters like Maam red, Lau, Grell, Undertaker who are universally ADORED or atleast respected in the fandom.
I love u Elizabeth midford but ur character makes me violently ill omfg
#MY DAUGHTER... (I'm one year older than her)#This is going to flop so badly#black butler#kuroshitsuji#grell sutcliff#elizabeth midford#angelina dalles#ciel phantomhive#Character analysis#maybe?#rant#Lizzy#lizzy midford#elizabeth midford the great character u are#lau#ran mao#undertaker#sebastian michaelis#ronald knox#mey rin#meyrin
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hopping up on my special interest soap box to say: i think we as a fandom should discuss the satire in danganronpa V3 more.
idk if it is just me but i have always viewed this game as a satire, if only just because of the ending. it exagerrates the formula set up by the previous games to criticize the current state of media and media consumption. i know a lot of people in the fandom don't like V3, and i think that is by design. it is ridiculous, it is over the top, the ending is a punch to the face, but it's all on purpose. you're supposed to be uncomfortable because it is a satire. (of course you don't have to like the game, i just think it is intentionally like that)
the whole theme of fiction vs reality is put in there intentionally to make fun of the fandomization of danganronpa, as well as to poke at game studios and companies that put out media in general. tsumugi, in my interpretation, is representative of danganronpa fans (hence why she's the ultimate cosplayer). she is the mastermind. you aren't supposed to like her. her insistence on the idea that "fiction doesn't affect reality" is a direct criticism of that exact idea in real life fandom. the idea that this is the "53rd" danganronpa is directly making fun of other pieces of media "jumping the shark" because fans insist upon it. this is not to say you can't like tsumugi, i think you absolutely can, i just think her character represents some key ideas relating to the satire of the game.
this is why everything in the game is SO over the top. kirumi being the prime minister, korekiyo both having DID AND being a serial killer in a reference to the first game, EVERYONE'S over the top backstories (gonta and keebo come to mind), it's all acting as an exaggeration of common tropes (albeit highly problematic in several areas, not trying to excuse those aspects by any means).
and then there's kaede. they set her up as a strong female protagonist, only to kill her chapter 1 to be replaced by a male protag. on paper this is very misogynistic, but in the context of satire it is an exaggeration of the danganronpa formula. of course we couldn't have a female protag in a main line game, of course it would have to be a man. shuichi having a secret ahoge only adds to this; it's making fun of the trope. the best part is that i truly do love both of these characters, and their role in the satire doesn't diminish the excellent writing that went into them and the story.
this entirely shapes how i view this game. it manages to tell an incredibly compelling story with very complex characters while making fun of itself at the same time (as a good satire should). i know a lot of people have said they feel like the writers of v3 must have hated danganronpa, and while i see exactly what they mean i don't think that's necessarily true. i think it was an intentional choice as a work of satire.
i can see an intense love behind the writing of this game. the characters are rich and the story is compelling. the ending just serves to send home the point they wanted to make. i think it adds a really beautiful perspective to the danganronpa series as a whole.
#hope this rant makes sense. i am so crazy about this game.#drv3#danganronpa v3#danganronpa v3 killing harmony#danganronpa#xe speaks!#look i really don't know if this is a common interpretation#and i'm not saying it's the only way to interpret it#but this is my current special interest and i must speak my truth#i would like to add that i am from the US and my perspective on this subject is likely unintentionally very western#and i'm sure i am missing cultural context#but i am trying to come at this from a literary analysis perspective#heart emoji <3#i could also talk about the treatment of queer characters but i fear i would need a lot more textual evidence so i will hold out#scared to post this y'all better be nice to me or i'll cry
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Ramblings on Fandom: Peggy Carter, Steve Rogers, Delusional Shippers, and Alleged Misogyny
So with the release of Season 2 of What If…? emotions are once again running high, the outrage is outraging, and people are up in arms about the whole Captain Carter situation. While I do think that some reactions are a little overblown, even needlessly aggressive in tone to the unfortunate detriment of their otherwise convincing arguments, I share the confusion and frustration about the sudden centering of a long-dead & never excessively popular character, the sidelining of the Steve-Bucky friendship, and the as-inexplicable-as-it-is-total exclusion of Sam Wilson as Captain America. However, I’m not here to talk about the show because (1) I haven’t watched this season and have no plans to (why waste time torturing myself with something I know I’ll hate?) and (2) other people have already written dozens of metas about it, so what could I possibly add at this point.
What I do want need to talk about (lest I explode) is something that has irritated me for a long time and that is now happening again: Every time someone even mildly criticizes Peggy Carter, expresses doubts about her suitability as a heroine, or even just questions her disproportionate importance to the franchise post-EG, inevitably a certain section of fans will come out of the woodwork to immediately throw around accusations of misogyny and yell about how we’re all just a bunch of delusional Stuckies who are mad that she got "in the way" of our ship. Sigh.
This is gonna be a long one, so I’ll put it under a cut. Rant incoming. You've been warned. If you don't want to read, simply keep scrolling.
First of all, let me state very clearly that I’m not debating the existence of misogyny and sexism in fandom spaces—or in the media from which these fandoms originate. At all. It exists, it’s a thing, I’m not denying that. Which is exactly why it frustrates me endlessly to see these accusations thrown around as a gotcha! argument to shut down any and all critical debate around a female character. All it does in the end is escalate rhetoric and radicalize attitudes.
In the case of Peggy Carter, specifically her treatment by Stucky shippers, I’ve always found 'misogyny as a motive' to be a largely unsubstantiated accusation.¹ Now, I neither presume nor do I want to speak for the entirety of Stuckynation, so I will not claim that there aren't corners of the fandom where people discuss her in ways that I find off-putting and deeply unserious, but I will say this: If you genuinely believe that disliking one (1) fictional female character equals “hating all women” and wanting to suppress and marginalize their presence in fiction and real life alike—then I think we need to take that word away from you until you’ve learned its true meaning.
You might also want to ask yourself how exactly reducing a female character to a mute trophy wife or a heroine who has to act out her love interest’s recycled storylines helps your feminist fight.
As for the “getting in the way of your ship” part of the argument. Very simply put: No character can get in the way of something if there never ever was “a way” to that something to begin with. “Being mad” implies that there was a reasonable expectation that wasn’t met, a substantive hope that was crushed. Now, I’ve said this before and I’ll gladly say it again a million more times: No Stucky shipper in their right mind ever truly thought that there was even the slightest chance that Marvel Studios owned by the Walt Disney Company would allow Steve “Captain America” Rogers and Bucky “Winter Soldier” Barnes to be canonized as an explicitly romantic pairing in their billion dollar franchise. Be serious. That was never in the cards. I wish we all lived in a world where it was, but we don’t, and it wasn’t. The best we could ever hope for was for Steve and Bucky to get a good, satisfying, in-character ending. And if, in Steve’s case, that would’ve included hints (or more) about a possible rekindling of his, uh, aborted romance with Sharon—then so be it. But we never got any of that. The characters never got any of that. Instead they sent Steve into 1950s suburban hell, literally trapped him behind a white picket fence, and condemned him to a life of passivity and lies, all so he could be married to a woman he barely knew a long time ago in a completely different world; who built and ran a top-to-bottom Hydra-infested organization, but apparently never noticed that there was anything wrong with her life's work. For decades. Great. As for Bucky—well, we’ve all seen the devastatingly grim-faced, utterly lonely, and deeply sad version of him that was presented to us in TFATWS. Happy endings all around, I guess.
So. Am I mad that Steve didn’t get to ride into the rainbow-colored sunset with Bucky at the end of EG? No. Because that was never going to happen anyway. Would I have been mad had he ended up with Sharon or another female character in the 21st century? Also no. Granted, I wouldn’t have been ecstatic about it, but mad? No. But am I mad that Steve ended up with this specific female character under these specific circumstances as presented in canon? Fuck yeah, I am.
The thing is: I personally believe Steve and Peggy to be fundamentally incompatible when it comes to the way they view the world and their respective places in it; their morals and values; their capacity for compassion and empathy; their ability and willingness to compartmentalize, compromise, and collaborate with people and institutions whose ethics and/or politics do not align with their own. I have a real hard time believing that a relationship between these two (or worse, a hasty marriage) could be either happy or long-lasting.
I don’t believe Peggy to be inherently evil, I don’t hate her, I simply think she operates within a different moral framework than Steve (and even genuinely believes it to be a righteous one).² Your mileage may vary, but I personally happen to find that framework reprehensible, even indecent, and ultimately dangerous. After all, over the course of the 20th century, we have seen exactly where that kind of “the ends justify the means” brand of pragmatism leads—over and over again. Not to mention that the people who use this line of argument to defend characters like Peggy (or real-life politicians for that matter) never seem to want to look too closely at who gets to define what "the ends" are in the first place and who decides when they've finally been met.
(Never. The answer is never.)
And to be clear, there is absolutely nothing wrong with depicting, and even centering a narrative around a morally (dark)gray character—oftentimes it’s actually the more interesting option—but you cannot at the same time claim that they are purely good and should be only admired as such when their actions literally tell an entirely different story.
So, no. I will not accept Peggy Carter as the shining aspirational heroine that the MCU so badly wants to sell her to me as—while simultaneously continuing to reveal things that paint an increasingly darker picture of her character. And I will certainly not celebrate seeing one of my favorite characters of all time—whose defining trait was that he couldn't ignore "a situation pointed south"; who used to fight for the little guy and against the establishment; who once said about the very organization that Peggy Carter helped build that it was so corrupt, it all needed to go—rendered morally inert for some hollow happy ending that may as well be a conservative’s wet dream full of false nostalgia for an America that never really existed. I cannot find it in me to be anything less but mad about that.
But that does not make me a misogynist. It does not make me a delusional shipper. It makes me someone who looks at what the MCU has been telling me about Peggy Carter for years now—over and over again—and takes it at its own word.
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¹ If you’ve actually read a a fair number of Stucky(!) fanfics you will have noticed that the reverence afforded to and "page time" devoted to her character and her relationship with Steve is somewhat disproportionate to anything that's backed up by canon—well, up until EG, where she was suddenly reanimated as The Great Love of Steve’s Life—and in my experience, it's highly unusual for any fandom to put so much (mostly) positive attention on another character, let alone a potential love interest that is not part of the endgame ship.
² I also want to emphasize that if you love Peggy and she's your fave: good for you! I genuinely have no beef with you. People can agree to disagree. All I ask for is that we maybe stop willfully ignoring the less savory aspects of her character. You don't need to pretend she's perfect to justify your affection for her. I LOVE Steve, and yet I have no problem conceding that he is FAR from perfect.
#*drops post & runs away* i may regret this but it's my blog and i rant if i want to#i know some people will roll their eyes & i debated posting this at all but i simply had to get it off my chest once and for all.#so there. now i can be free. or something.#also i have no idea what to tag this & i personally find 'anti' tags silly bc why is critical discussion automatically labeled as 'anti'?#but whatever i'll play nice. so i guess:#anti peggy carter#anti steggy#anti endgame#hope that covers it#wading into the dIsCoUrsE
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If he wasn't cold hearted and had some thoughtfulness he would have remembered or talked about Farlan and Isabel in flashbacks even after their deaths. But he acts as if they never existed, let alone died. The idea of opening an orphanage and taking children from the underground was Historia's idea, not Levi's. Levi just approved and supported it. The fact that he cares more about the tasks/orders than you, erasing your importance to him, does not mean that he will only throw you to option 2, it means that he will be willing to throw you into the mouth of a titan without even thinking about you. Regardless of your opinion or consent. That's treason and considering his order follower, he'd even keep secrets from you. If that's not betrayal, what is? All this means that he is not very loyal and you cannot have a healthy relationship with him. He is also very prejudiced and high-minded. For example, he dislikes weak people and generalizes every rich person as a greedy asshole. This is not the perspective of a thoughtful and caring human being. If Levi had a romantic relationship trope, it would be toxic relationship. I think any real man or fictional man would be more considerate and loyal than Levi. This must be one of the reasons why Isayama finds it strange to even ask "women?" about Levi and women. It is pure speculation to think that he would have a healthy and loyal relationship with him. To realize that be a better person than Levi, you either have to touch the grass and meet real people, or you have to stop being stuck in a fandom and look at other series/fandoms and discover the characters there, and get to know people and characters who look stoic like Levi, but who have more realistic potential to be more thoughtful, selfless, loyal, who will value you as a priority than Levi.
I'm feeling so lazy to write a huge answer so I'll keep it short.
Isabel and Furlan were shown in the OVAs and just like how the stories of other OVAs weren't mentioned in the main anime or manga, the topic of "no regrets" OVA was neglected too. That's a commercial thing in my opinion. But the one time when Eren, Mikasa and Armin were talking about the sea and Levi was listening to them quietly with a sad mood, that represents Levi remembering them.
About the orphanage, you yourself said that Levi supported it XD, so you admit he helped Historia too even when Levi got no benefits from it.
About the next fact, I truly disagree. That's a thing Levi would never do. He saved Mikasa twice and in the female titan arc, he even twisted his ankle. He will never play with people's life, he even hated Erwin because he used to do that. He has always hated "unnecessary" deaths. He would never throw a person into the titans mouth unless the person agrees and wants to die willingly for the betterment. Imagine Erwin is planning you to die in a process and he has no intention of telling this to you (though I don't think so he would do something like this) and Levi knows about this. Do you think he'll support it? If you still think so I would suggest you to re-read the manga and rewatch the anime, you haven't understood Levi's actual character yet.
In the battle of Shiganshina, he told Erwin that he'll charge towards the beast titan, ALONE (he didn't even care about his life, he was thinking about the life of his comrades) just so the others will be able to escape easily and later he supported Erwin's plan because since that was a situation were everyone was about to die. He thought by this he'll at least be able to save someone. Saving some life is better than everyone dying. He even tried to stop Hange (silently) when they sacrificed themselves. He saved Connie and jean in the final battles and lost his leg due to the process... You would still say that he would throw you in a titan's mouth?
Also you say that hiding classified plans and information is a betrayal? That's hilarious, dear. He would do it for your safety. What if someone kidnaps you just because you know about the plans? The less you know, the better. Just because you are the girlfriend of Levi Ackerman doesn't mean you can know about all the plans and classified information. Fix your morals.
Also dear anon, did you just say he hates weak people? When he fought during his whole life just to save them, the weak humanity from the titans????? Also I support Levi calling rich people "greedy assholes" because most of the rich people in AOT were actually described as "greedy assholes".
About the last topic we both know Levi is a "Famous as hell between women" character. That's why Isamaya never mentioned anything about Levi's sexualities and romantic interests. Also dear Isamaya likes to tease us so what you mentioned isn't something important.
At last I would like to say that Levi avoids being close with people. But once someone becomes dear to them, he'll do his best to save them. Sure he won't be lovey-dovey or sweet as sugar boyfriend, but he'll definitely support you and silently will show his love for you. We all know he's bad with his words so he'll show his love through work. He's a mature person after all!
That's it anon, have a nice day!
#anon asks#levi ackerman#levi#levi aot#captain levi#levi snk#levi attack on titan#shingeki no kyoujin levi#erwin smith#levi heichou#snk erwin#attack on titan erwin
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I've seen so much discourse about Bucktommy and especially Tommy and it is so wild. I just want to write down some of my thoughts over all of it because that tends to help me to stop thinking about it.
"Oh, how can anyone just abandon Buddie for Bucktommy?"
Has anyone really abandoned Buddie, though? Or are they just for the moment very excited about a new and so very carefully portrait queer story line? Just because some people talk more (or for the moment only) about Bucktommy, doesn't mean they don't like Buddie anymore. They just have something shiny and most importantly canon to fawn over for the moment.
Also, I'd like to give that question back: Why aren't you all excited for a carefully and softly portrait new queer storyline about a character a huge part of the fandom—including the actor himself—hoped for years would get a queer story line?
And it's a pretty unique queer story. Of course, we had Michael figuring out his sexualtiy and growing comfortable in it right at the beginning of the series. But there are some huge differences between Michael's story and Buck's story.
For one, we ended up in the middle of that story. Michael had already done a huge part of the work of getting to know himself. He was ready to live as a gay man. And second, nothing of what we saw until season 3 was from Michael's point of view. It was all from Athena's point of view.
So it was a "coming-out late in life" story line, sure. But it was a queer storyline from a straight perspective. And in some instances, from a very hurt perspective about it all (which are, of course, very valid emotions for Athena, May, and Harry, but it still gave the queer side of the story line a certain taint). And they did that beautifully, too, no doubt. I especially liked that the family didn't break over it, that they grew with that experience, and that Michael and Athena became great friends over the years.
But now we also have a "coming-out late in life" story line from the queer perspective! 9-1-1 is pretty much the only series I'm following right now, so I have no idea if we had something similar recently. But from all the talk I've seen, it's pretty damn unique, especially for a male bi character. So, of course a lot of people are super excited about it. Because it's honest and good representation that the writers and the actors are handling with a lot of care.
"Oh, if it were a female love interest, you'd all hate her again!"
First of all, go back read that paragraph about many people being excited about getting a queer story line again! I think that's about 40% of the answer for everyone wondering about it.
And then, of course, Tommy has now already more depth and character and background than we ever saw about Ali or Natalia. And despite some people claiming he didn't have any kind of redemption arc, he truly had a lot more of a redemption arc than Taylor ever got even if only glimpses of it were ever shown on screen. (Maybe I'll get into my thoughts about that in another post.) Not gonna talk about Abby, because I think most of the dislike for her came long after that relationship was over after she ghosted Buck (and after Eddie had shown up).
One huge difference between every love interest of Buck or Eddie we have seen in the past to Tommy is also, that Tommy gets along really well with Eddie. We've already seen a friendship develop there. That never happened with any of the women either Eddie or Buck dated before. We saw that one dinner Buck and Taylor had with Eddie and Chris, but it was very clear it was the first time, and that was over half a year into Buck and Taylor dating, probably more like nine months.
If you wear slash googles around Buck and Eddie or not, their deep friendship is undeniable. It's very much canon that they both have a hand in raising Chris. Any love interest coming in has to deal with that, and has to somehow fit into that friendship. Tommy is the very first love interest in canon we have ever been shown to have that potential at all.
I'm personally part of the fandom that thinks that Buck and Eddie have great potential in a romantic way, BUT that they are first and foremost soulmates, no matter if platonic or romantic. And at least the Bucktommy fics I've read so far have all acknowledge the friendship of buck and Eddie and Chris' role in Buck's life. With Tommy being very accepting and supportive of it. (Though, I admit I’m very careful in my selection process.)
"Oh, Bucktommy is only a steppingstone for Buddie anyway! Don't get so invested in it!"
Who are you tell anyone what they should get invested in? I also think, with the excitement right now, even if Bucktommy break up, the ship itself will live on in fandom.
And also, didn't any of you learn out of the cheating story line they settled Hen and Karen with?
There is barely any content for Henren*. And I've been looking! Most stories they are tagged in don't really focus on their relationship. And those who do focus on their relationship get barely any attention. And you know why that is? Because a lot of people can't or don't want to deal with the cheating. (I deal with it by trying to ignore it or seeking out content where it's fixed!) Do you all really want to have a second queer story line that centers around cheating?
And even if none of you care for Henren (which... I know many don't *shrugs sadly*), have you all already forgotten the real pain over Buck kissing Lucy and then not fessing up to Taylor about it right away? (Once again, I deal by either ignoring it or seeking out content that fixes that bullshit.)
I'm honestly pretty disgusted by all the speculation about 7x06 that has anything to do with Buck and Eddie cheating on Tommy and Marisol during the bachelor party. And even more so about all the fics one can find about that, or that use Tommy as a device for Buck and Eddie realizing they are in love. (Honestly, even filtering out the other relationship tag while looking for stories in one relationship tag doesn't prevent one from stumbling over those stories right now, no matter if one is currently looking for Buck/Tommy or Buck/Eddie stories. It's so fucking annoying. I've turned to only reading old Buddie fics for the moment.)
Aside from the whole cheating of it all, why do any of you think the next episode will focus on anyone else but Maddie and Chim?
"Bucktommy is so racist! But really, no surprise in this fandom!"
What's no surprise is that "racist" is once more used as a buzzword in this fandom. To the point that BiPOC fans of Bucktommy are being told they are racist for the ship they like. (Nothing new about that in this fandom either.) Honestly, half the arguments about why the ship is oh so racist either make my head hurt while I try to follow the many, many, many mental loops people are making to get there, or they just make me laugh outright.
Do some of you really believe it when you say "Buck got together with a White man instead of his Latino best friend, so of course that's racist!"??? I'm just... Are you okay? Do you maybe need something warm to drink, a snack, and a nice place somewhere in the sun far away from the internet to just enjoy nature for a little while?
As I said, I'll probably make another post about Tommy's redemption arc over the whole "He is an unrepentant racist and misogynist". That redemption arc exists and has been baked in since season 2 (even if some of people clearly lack the media literacy to see it). Though, other people already put together great meta posts about this. But maybe if there are enough of it, some people will for once acutally read and start to think instead of continuing to spew their hate.
*PS: If anyone has good Henren contant, especially fanfiction, feel free to drop me a DM. I'm always looking!
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NATLA Episode 1 Debrief (by yours truly)
Hello my lovlies! There are so many opinions swirling around right now in the fandom and I wanted to give my own opinions a quick (this is not going to be quick but whatever) post of their own. I'm probably going to do this with all of the episodes, just an fyi
First of all, Sozin can fuck all the way off. I don't think I really have to explain that one but goddammit they really made me hate him (and I love to hate the villain)
I LOVE the detail of seeing the flames reflected in his eyes whenever he kills someone, as a symbol of fire's natural brutality consuming him from within. Kudos to whoever added that detail because it is absolutely perfect. I look forward to seeing more of this monster in future flashbacks.
The firebending itself was absolutely brutal. Watching the cartoon, you don't really think about how painful and horrific being burned alive is, and the live action explored that element in a way the previous show could not.
I know this is controversial, but actually really like how they devoted a good ten minutes to establishing some background with the Air Nomads before we dove in. In my opinion, it gave more depth to the Air Nomads besides just what we see through Aang's eyes, which I think helps the viewer connect with him more and sympathize in ways the cartoon didn't. One detail from this part that was absolutely heartbreaking was the Comet Festival.
Something about the way a time of joy was turned into a time of pain and misery was absolutely awful (this was the first time I cried [I cried three times]). The fact that all of the Air Nomads were in one place kind of filled in why there was no evidence of the FN ever having been to the Western Air Temple in s3 of the cartoon. It also adds another layer of awfulness to the whole thing. I can't really put into words why I feel that way, it's just a sort of vibe.
I also liked the way they established Aang's character flaws right off the bat:
The episode was named after him, so it only makes sense to show all aspects of his character almost immediately. This also gives me hope that they might address these flaws later a little more than the cartoon did.
Super glad they included a female Airbender on the counsel (or whatever that was). She was also fighting later and she looked super badass.
Now, onto the Water Tribe.
I can't express how glad I am that they included both boys and girls in Sokka's little warrior pack. People have talked about this before, but the gender roles in the SWT didn't make a lot of sense. Perfect little detail to fill a plot hole.
I am also over the moon that they decided to expand on the differences between the Water Tribe sibling's outlooks on the world. Katara was raised as both a beacon of hope and a liability, whereas Sokka was raised as a warrior and a protector. It gives insight into their characters and also symbolizes the way the war shaped them. The pressure within a society to adapt to the times even as traditional values are abandoned and culture is devastated is something that the original show laid the groundwork for, so I really hope we see the live action build on it further. There's also this:
Gives the perfect insight into the ways their parents leaving affected them both differently and expands on their different mindsets. 10/10 for the sibling dynamic.
I'm not sure if I liked the changes to this scene. Katara was characterized pretty well, in my opinion, and it does make sense with the "toning down" of Sokka's sexism that she didn't explode on him, but it's still an iconic moment I would have liked to see translated to the live action. I also found the fact that Appa wasn't included at all just plain weird. He should have been there, and even if he was established differently later, again, I'm not sure I liked the way Aang was introduced to the siblings. (At least they didn't include any romantic Kat@ang moments. Platonic besties for the win)
Zuko's introduction was just kind of... there, in my opinion, but I did love the detail of the icons on the shelf glowing. There were several homages made to Zuko's search for the avatar that I really appreciated, from the early establishment of his antagonism towards Lieutenant Jee to his pages of research, which I really appreciated. There were also several moments that implied that Zuko had a more spiritual journey throughout his banishment to find the avatar, which was partially a little bit of worldbuilding and partially a play into the idea that he will legitimately try everything possible to find the avatar that was another nice detail. Sadly, Dallas didn't really make a huge impression on me. This might be because of lack of screentime or the fact that this is THE Zuko, but I was kind of expecting more. Still, I don't think it was an irredeemable portrayal by any means, and I look forward to seeing more.
This is sort of random, but I just need to say that I'm glad they included more evidence of Katara's PTSD. It was already pretty established in the cartoon that she did have PTSD, but the live action allows exploration of that in a more mature way, which I appreciate. It made the kat@ang conversation hit that much harder, and gives more depth to Katara's character.
The fight at the gates was also just perfect. Zuko acting on impulse out of a need to prove himself:
Katara's speech and Sokka's change of heart:
And this line:
Sokka kind of fell flat to me a bit in this episode, and I feel like Katara was the MVP in all of their interactions, but I loved this line. I just have a feeling he really needed to hear this.
There's also this moment that I thought was really significant where it looked like Zuko was actually going to kill Sokka:
My heart legit stopped at this part. Like, I knew it made no logical sense for it to happen, but I still got scared for a moment. I know it was just another one of those moments to show how Zuko's anger gets the best of him, ect, ect. but this was overkill. I don't think they took it too far by any means, but it was still just so unexpected.
I also noticed they removed the zukka parallel of the two of them getting ready for battle at the same time, which I really disliked. It plays more into the warrior mindset for the both of them, and even though we had that established in other ways, I would have still liked to see it.
Aang's sacrifice is the same, but I appreciated his little conversation with Iroh. When Iroh showed up, I half expected him to just let Aang go, but I guess that wouldn't really be in character for season 1 Iroh. Either way, that was some good stuff.
The framing also sort of reminds me of the season 3 conversation between Zuko and Iroh when Iroh is in prison back in the FN. Both shots give the impression that it is not actually the one behind bars who is in prison. This makes me think that they might give Iroh more of an arc in season 1, which I would kind of like to see, but at the same time, I'm not sure about. I think it was important in the cartoon that Iroh had already completed his journey and was doing his best to guide Zuko through a similar one.
I am disappointed that they removed the fight scene between Zuko and Aang inside the ship, but there was another huge moment this allowed for that I REALLY LOVED:
I LOVE that they let Katara have her hero moment I LOVE that they let her discover her bending a bit more in this episode I LOVE that Aang helped her I LOVE IT ALL. Katara gaining more confidence in her abilities is the season 1 Katara arc I want to see and they legit made me fangirl over this moment so much I squealed. There's also something about her blocking a fire blast from Zuko after being powerless to stop him from killing/seriously hurting her brother in the earlier fight that's just... chefs kiss. (also maybe establishing that ZK yin and yang concept early... I'm reading way too much into this but the way Katara's arms are positioned kind of looks like the yin symbol a little bit...)
And finally, we have the air temple scene. The whole thing was so incredibly sad, and I actually didn't mind that it was part of the first episode. It makes everything go full circle, in my opinion.
I also thought that Gyatso's voice instead of Katara's being the one to calm Aang down was a really good choice. Aang coming to terms with his death should be about his memories with his past mentor, not about Katara comforting him. I loved the hug though. Perfectly devastating:
Also, the last parallel at the end was just SO perfect:
Something about how tradgedies in their lives forced them both to become dedicated and adapt to a new world beyond their control. Aang and Zuko parallels always wonderful.
Overall, I really enjoyed it! I would give this episode an 8.5/10. Not perfect, but definitely not bad. It surpassed my expectations and I'm so excited to see more!
#thank you for sticking with me to the end#I know this was long but I wanted to put all my thoughts in one place#natla#atla#avatar the last airbender#atla live action#aang#zuko#katara#sokka#iroh#just a pinch of zutara and some platonic KA#meta#ish#atla meta#natla debrief#emmie babbles
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Ahsoka's place in SW can be a complicated thing, because I feel both things about her--I too am often frustrated by how Filoni writes her, but I too am also grateful that her character exists and isn't the "default" straight white cis dude character. (Though, I do wish she were played by someone other than RD because of All That.)
Ahsoka got so much flak when she first appeared, people hated her just for existing, for daring to take up any space in the Star Wars story, and then she swung around to being nearly put on a pedestal by a large chunk of the fandom, she was lionized pretty heavily in some corners, and I think we're now going through the further growing pains of backlash against the hype, especially because Ahsoka is in the position of often being used as a bludgeon against the Jedi.
To be honest, I don't see nearly as much criticism of Ahsoka's character as I do for other popular characters, I see far more of Obi-Wan and Anakin and Yoda, but maybe that's just the sphere of experience I have, but I see that criticism balanced out with a ton of fic, art, and positive commentary about her. And it makes me wonder if she's in that awkward spot of not quite as central to the story as the movie characters, but more important than almost any other SW character (in the sense of any one character ever being able to be more "important" than another, you know what I mean) where we haven't quite settled into a stable balance of how to approach her character.
So, she's high level enough now that she can take some people being critical of her character or even just flat-out not being kind to her, because she has so much support from the story itself and from all across the fandom, even as honestly I haven't seen much that's been notably mean to her character. Sure, I see a few posts talking about how Ahsoka is Filoni's Blorbo, but are they truly more common than the posts that are celebrating her character? Genuinely wondering, because that hasn't been my experience. (Honestly, I would say Qui-Gon fans have it worse, given that he's another of Filoni's Blorbos, just without the added bonus of actually having anything fun to counter balance it, where even the people who say he was a True Jedi don't really care about Qui-Gon, you know? There's no skits, no commentary, etc. Just a handful of fic authors who are quietly doing their own thing and being the good in the world they want to see.)
At the same time, I get what you're feeling, that it feels uncomfortable to be critical of a female character, especially one who is played by a WOC, especially in a fandom that is pretty fucking vicious towards female characters having anything to actually do in the story. That the criticism of Ahsoka's character/status as Filoni's Blorbo isn't always fair or considerate, because people are frustrated and SW fandom wears all our nerves down to the last.
I'm not really sure where I land with all of this, because I get both sides, the frustration and the affection both, and I think there needs to be space for both in fandom just because we can't police other people's reactions to stuff. It's hard to continue liking her when she's being pitted against your faves, it's hard to be kind to Jedi fans when they're frustrated because she's being used as a bludgeon against their faves, it's hard to just walk away from people ignoring that Ahsoka is really meaningful to a lot of people because she's a non-romance-focused female character coded as/played by a woman of color, it's hard not to feel like Ahsoka's such a popular character that she can take a few people on tumblr not liking her.
My best advice is to just keep loving Ahsoka in the way that you think will attract the other friends you want to have around you--like, for me, when I talk about Anakin, I often try to do so in a way that's affectionate towards him and the Jedi, how much they loved him and how much I think he loved them in returned, because that's who I want to gravitate towards in fandom, those who like both. I try to do the same with Qui-Gon now and again, when I start getting frustrated by how he's used to bludgeon the Jedi, I start going HEY GUESS WHAT I'M EMOTIONS ABOUT HOW MUCH QUI-GON LOVED HIS JEDI FAMILY and it makes me feel better! I would love to see more people do the same with Ahsoka! Prop her up by appealing to how much she loves other characters, too! Like, every time I get frustrated at the way some of fandom treats her, I remember SHE WANTED TO GO BACK TO THE JEDI, SHE LOVED THEM, and I'm like THAT IS MY GIRL I LOVE HER SO MUCH SHE IS SO BRAVE TO STRUGGLE THROUGH ALL THIS AND STILL FIND THE LOVE IN HER HEART.
Or sometimes, like with Bo-Katan, I like to lean into them being a hot mess because yessssssss I love a hot mess of a lady because I am a hot mess of a lady and Felt That. I hope Ahsoka gets to be all kinds of deliciously fucked up in her series and making mistakes and learning and being interesting and working her way back to the surface from her own depths because she is SUCH a strong character and deserves to be crunchy as hell/have bite as a character, like HOW MANY YEARS did she stew in her guilt about Anakin, refusing to let it go? How long did she hold onto that fear, so much that even the Force had to smack her in the face to try to make her let it go on Lothal? GIRL, I AM CRYING FOR YOU, YOU HAVE BEEN THROUGH SO MUCH, LET ME GET YOU SOME SOUP AND I HOPE THE FORCE-GHOSTS ALL COME BOTHER YOU TO MAKE SURE YOU'RE EATING ENOUGH, because I love a character that has bite.
This kind of got away from me, but that's usually where I end up when trying to wrap my head around the frustration of a character's place in fandom. I get why people are frustrated with the way Filoni writes her, but also the frustration of feeling like the important representation of her character sometimes gets lost in the shuffle, that both sides have validity, and my best way out of this is to double down on loving everyone in this bar.
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1, 5, 7, 15 for the dbda ask game :)
Thank you so much for submitting these questions!
1. My favourite character
It's Charles. Yeah it's very obvious from my profile picture, I'm a Charles fan all the way.
The moment I met him in the show/ trailer I got possessed. I knew he was going to be my favourite character and I was right. Also I'm in love(/nsrs. Well, okay, maybe a bit, but mostly not!) with Jayden Revri. God the eyes of this boy. And his face. And his everything.
Yeah Charles is very much my favourite.
After him probably Edwin Crystal and Jenny, with no particular order. I can't decide.
I'm extremely obsessed with Edwin as well, although he is vastly different from my usual type of characters, because a fencer (in my heart, George also confirmed! And I relate to him on that) + he's not afraid to be bitchy and he's so iconic and so many others stuff that surprised me about him. I love him.
Also Crystal. My love. My girl. Complex female characters my beloved.
And Jenny is an icon. What else can I say?
5. Character I relate to the most.
Well, it's Charles. Sorry the answer is clear cut lol.
His situation with his parents reminds me of my own a lot (unfortunately). I relate to him on so many deep and emotional levels. Some of the episodes hit me strong. I thought 3 was going to be the peak where we get to see his trauma although it's not a lot, and then episode 4 hit me like a train. Episode 5 (especially the end) has my heart.
I relate to Charles on so many levels.
I also relate to Crystal a lot, her journey is relatable. I feel her.
She's just as messy and complicated as anyone else in there, I get her.
7. Favourite headcanon from the fandom
Demiromantic Charles! I talked about it before and also tagged the post I saw it in that explains it really well. I love this. I wish I saw more fanfics exploring this.
Also I wish I saw more gender queer Charles Rowland.
But mostly demi Charles. I can't think of any other hc I saw I really like yet.
15. My favourite line
There are many, many, hilarious lines I dearly love. But I am going to go with an angsty pick, I think the line that broke me the most was a line Charles said in episode 1 I didn't see anyone talking about I think holds a major part of his character- "you are the smart one, and I'm the one that does shit like this." It deeply hurt me.
Let's talk about it for a moment, shall we?
Because Charles is smart. Many times he finds the solutions to their cases, Edwin often praises him for his brilliant mind and George himself said in a cameo only people he thinks truly deserves it- a compliment from Edwin is the highest compliment ever.
Charles is smart.
But he sees himself as this reckless, foolish, charicaristic. This sentence comes from so much self hatred. When things get complicated we see him turn again into the aggressive image he has of himself. He sees himself as waste. He holds Edwin at the highest place ever in his eyes "you are the smart one, you are better than this, you are better than me, don't step to my level I'm trash you are so much more I will do it for you" and it just hurts me how much he throws himself away in the process.
Seeing this line again in a rewatch and realise it definitely was a stab to the chest, now that it's known how much he hates himself.
I wish we talked about episode 1 more, it's a great episode that sets out so many important stuff for the rest of the show. We just skip over it because so much happened so quickly but there are so much stuff we need to unpack there.
#dbda asks#dead boy detectives#charles rowland#edwin payne#crystal palace von hoverkraft#crystal palace surname von hoverkraft#edwin and charles#charles dead boy detectives#dead boy detectives agency
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What are your ships in ddlc? I noticed you do all the ships- If you ship all then what’s your favorite ship?
Now, whoever you are how did you that i was thinking of talking about my ship opinions soon?? mind wizard
SO, here’s the thing : when it comes to ships in genera it takes a lot for me to actually have OTPs and stuff and this is especially true in ddlc for me. For me shipping is more of a “sure, i could get behind this” sort of thing, except if once in a blue moon i find that one ship that alters my brain chemistry but believe it or not that has not really happened to me with any of the ddlc ships. It has happened with the game as a whole, but not really with the ships. The only one that has come close i’d say is sayonika but that’s more bc they happen to be the characters that i think about the most
That being said, i’d say i ship every ship in the game, simply because i could honestly see all of them working out in one way or another. Sure, they’re are some i like more than others but generally all of them work. And yes, this includes the Mc ships even though i like them less bc the side stories blew it out of the park with the chemistry between the girls
Speaking of the side stories, they are the sole reason i got into the shipping side of the fandom lol. The base game, as influential as it was for me, never really ignited any shipping sparks ig. I actually could not care less for the shipping before the side stories, bc most of it felt kind of trope-y ironically enough. Like, Natsuri was the big one, which was only popular bc of the whole opposite’s attract thing (not that there’s anything wrong with that ofc, it just never really resonated with me). Sayonika was a victim of what i like to call the “leftovers syndrome” where two characters are shipped bc they are the only ones left to be shipped with.
And Mc.. well let’s talk about that actually. Mc x Yuri is well… how do i put this. They have absolutely nothing in common. I don’t necessarily hate this ship however, if i see it done right i can like it. Mc x Natsuki was alright, the banter was fun, they actually have things they can talk about, it’s overall a nice ship. I will say i prefer them as close friends, but if i was to see media (fan art, fics, mods etc) where it’s done right, i can appreciate it. Mc x Sayori is also a ship i can enjoy from time to time, probably the most out of any Mc ship. Again, i do prefer talking about their friendship more though but now that i’m writing this down i realise i’m just a slut for male/female friendships. Mc x Monika truly depends on what context the characters are given. Are we talking about non-sentient Monika x Mc? Bc that can be pretty fun. If we are talking about sentient Monika x Mc, i see a very interesting dynamic (not a particularly good one) where Monika is basically using Mc as a vessel for the player in her desperation. Can Mc feel this dynamic? Does he understand in some way that he’s the second choice, even if he doesn’t know the truth about their world? How does it affect him? Its fun to ponder about this ig, but it doesn’t really make for a healthy relationship
Then the side stories came out, where the characters evolved from their one-dimensional tropes into actual personalities with enticing dynamics between them and i was immediately sold. That being said, i still don’t really have an OTP per say, bc as stated before all of them could work out. Which is definitely bc of how we get to see each of them interact individually in each side story. In every side story, we see each character interact with the other and learn how to grow as individuals because of it. I could see each pairing happening individually, i could see them being a poly couple, maybe even a qpr, or just a very close friend group too! There is a lot of love between the characters, whether that is romantic, platonic or something in between im not 100% certain on, but the love is definitely there.
Anyway, you also asked what my favourite ship would be, and i’ll probably say Sayonika since most of the media I consume tends to be with them
WOW this was a long post. Hope i didn’t bore you too much. Thank you for the ask!!
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https://olderthannetfic.tumblr.com/post/739335177994747904/httpswwwtumblrcomolderthannetfic739061849135#notes
I'm the anon on this post. I fully get the point here in this person's reblog and your addition, and I can see how my ask came across as gatekeeping, but I think what I meant more was in response to the previous anon (that Il inked) seeming to think that a LOT of hetero men needed to enter fandom for F/F to become more popular. As I said, there is some good F/F content written by men; I encountered that even in the brony fandom. (That said, that was a fandom where I very strongly was NOT interested in smut, which is not the case with most of my other F/F fandoms, so that's probably part of what influenced my preferences there.) Like, there was a lot of garbage, but there was so much content that there happened to be a decent amount of good stuff as well even following Sturgeon's Law.
I think what I meant more was disagreeing with the idea that the "solution" to lack of F/F is to have fanfiction become a *much* dudier space. I was trying to give my experience of having been in a fandom like that to suggest that it's a very fundamentally different experience than the generally less-dudey places that fanfiction fandom is in most fandoms, and I don't know that that's necessarily better just because we get more F/F, because in effect it still ends up marginalizing lesbian and bi women F/F fans because so much of the content is not only not for us, but often even hostile to us. (In a very different way from the arguments that are made about women writing M/M, where a lot of it is just stuff that isn't what gay/bi men are looking for. I'm sure any lesbian or bi woman who has had to deal with the kind of men who have lesbian fetishes irl, on dating sites, etc. can relate, but I really hate when people compare those things because it is truly apples and oranges.)
I hope I'm being clear, but I just think there's a distinction to be made between "I do not want F/F fanfiction fandom to become a *primarily* male space, and I think there are some big downsides that people who've never been in a fandom like that haven't seen" vs. "We need to gatekeep F/F so it's exclusively queer women writing it." I'm fine with some guys doing it, of course, but I don't think the fact that fanfiction is a primarily female and queer and nonbinary space is a "problem" to be "fixed" even if it means less F/F. I think that's a big part of the draw, in fact. That's what I was trying to say, but maybe not very well.
--
I think the point of the other comment isn't so much that anyone wants fic fandom to become dude-y... It's that for f/f numbers to look like m/m numbers, you'd have to have the reverse situation.
Whether that's desirable is another question, but it puts the endless focus on stats and numbers into perspective.
I don't think we really disagree all that much. They were just putting it provocatively to get people to think about why they waste their time yelling about AO3's overall stats "looking bad" and what the so-called solution to that would be.
It's pretty much bait is what I'm saying.
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Obviously, as a woman, I only rarely encounter women who are mega annoying about gay men and reasonably often encounter those pestilential men in bars who think "bisexual" means "porn star who wants a threesome". I certainly think they're more of an actual problem IRL... but I'm still not convinced it is entirely apples to oranges when we're discussing online fanfic spaces or... like... stories with plots more complex than "I'm here to fix your plumbing".
Ranma fandom was full of dudes writing f/f that was a little anatomically suspect but reasonably in-character and that sounded like other fanfic with the usual "I like this blorbo and want more content about them" motivations. I haven't seen many fandoms like this, but I run across one now and then. (I agree MLP is fairly distinctive even out of these.)
--
I think the basic thing here is that a lot of (hostile, loud) people do see the absolute f/f numbers as the problem to be fixed.
And you are right and they are wrong.
There is no real fix if people keep looking at it from this "Winning at AO3 numbers" perspective. The cure would be worse than the disease for many of the people complaining.
Better to focus on the usual "How do I get my specific blorbo to have more content by encouraging authors and writing it myself?" strategies and let someone else worry about the global AO3 numbers.
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I honest to God have never understood why Plec changed Stefan's and Damon's turning. In the books, both are eager and willingly accept that Katherine is a vampire. They both drink her blood willingly. The reason why Katherine fakes her death in the books is because they start fighting over her. She decides that their brotherhood/family is more important than her feelings for them, so she fakes her death in an attempt to save it.
I guess Plec just wanted an out and out evil female character, which honestly should have been Esther or something.
The amount of retconning JP did when she fell in love with Ian/Damon is ridiculous. Every time they did a flashback, I swear it was just her way of trying to justify her obsession with Damon.
I haven't read the books, but I love that story so much better. I couldn't stand Katherine in the show mainly because of what she did to Stefan, but also because of the games she would play with people's lives. It really weakens the idea that "Katherine only does what it takes to survive." How is toying with brothers and destroying their relationship needed to survive? If anything it made her less safe.
Katherine is set up to be a perfect redeemable villain. She has such a tragic backstory: having her child stolen from her, almost losing her life in a sacrifice, having to take her own life, her family being murdered because she survived. All of these are such compelling events that would allow us to overlook a lot of the terrible things she does to survive because she never chose to put herself in any of those positions. She was nearly the perfect victim.
I do hate that women tend to need to be the perfect victim to be redeemable, but in Katherine's case, the writers just had her doing too much unnecessary, terrible things and then never show her feeling any remorse for it. There were so many moments that Katherine could have turned her life around throughout TVD, but she never showed remorse. She constantly reminded Damon and Stefan what she did to them and even tried to continue to gaslight Stefan that she didn't rape him.
You're right, JP and the writers never wanted to give Katherine a chance which I find strange considering how many chances they gave Damon. I love a woman who is an unapologetic villain (i.e. Dahlia or Sybil), but they went to far with Katherine right from the start. I do think the writers, or maybe its the fandom, tends to view the women as "evil" whereas the men are "broken." I would only call a couple of the characters truly evil. To me, no one is one or the other.
Thanks for the ask!
#katherine pierce#tvdu#the originals#the vampire diaries#tvd#fandom answers#tvd anon ask#tvd ask#fandom asks#anon ask#anonymous#tvdu metas#metas#andrea831 metas#andrea831 metas katherine
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Y’know what? Fuck it. I’m going to say this
I don’t think any non-gc or tra lib gives a fuck about what im about to say, even considering that im going to tag the cr fandom.
I’m only adding one radfem tag because this post is centered around another topic.
i feel like ever since the trans population has tripled, it hasn’t been the same. Before any of you cucks think im talking about the idea of being trans, im also talking about the community behind it. Their ideas within the concept of it.
the concept of being ‘transgender’ was built on the foundation of sexist stereotypes; although the origins had a different purpose in ancient societies (varying ofcourse), it was ultimately used as a weapon to oppress women in the modern times, the goal was to make a person ‘feel’ like a male or female and now trillions of micro labels and gender identities are used to describe people who feel slightly above the normal and they’re treated as if they’re some kind of clothes that you put on instead of an identity.
Because of this, most people don’t even know what a woman or a lesbian is. They try to replace the definition of something that was exclusive to one sex to cater to the whims of men.
Ever since last year, most my friends that weren’t into that shit now identify as trans and I saw a dramatic shift in their personality. Most if not all of them were autistic women that did not conform of societal standards of what a ‘woman’ is. Some people may argue it’s because of how lightly a transgender identity is perceived. But on my end, I think it also has to do with the lack of representation of quirky female characters in media.
likely I would’ve fit into one of those micro labels or some shit like that but I was lucky enough to discover characters and things that I aligned with so I didn’t have to deal with shitty gender dysphoria (alongside with my very obvious mental issues and me being neurodivergent myself)
When I look at the older cookie run art (2016-2021), or even from eastern countries (eastern countries aren’t really politically correct) I could truly see the characters in the scene. There is passion behind it. The artists are either older or they know what they’re doing. And it doesn’t seem like an overload
when I see newer cookie run ‘fanart’ esp when there’s a lot of people within the western community, I don’t see a lot of what the characters truly are. All I see is their interpretation of what their character would look like if it was an unoriginal copy of a 14 year old gendie’s oc. Alongside with that, they add a thousand headcanons and sexualities, making the character unrecognizable. And if that wasn’t the cherry on top, they’re so obsessed with lgbtq and race stuff (no im not a bigot, don’t even try to fucking label me as one im a bisexual woc ) that’s all what they talk about besides stupid discourse topics. Oh, and also changing a dough color is ‘racist’ (they’re fucking COOKIES. Their dough color was based off of their ingredients and complimentary colors, even the devs had to explain and yet the western community still bitches about it like whiny 5 year olds. They come in all colors, not just fucking skintones.)
I think the characters and ships of the community would be much more likable for me if it wasn’t infiltrated by the discourse gang.
I think instead of giving drugs and cosmetic surgery to children, we should get deeper into the psychology of why there’s a lot of trans people on the rise. Don’t you think it’s weird that it has to be an ‘urgency’ to get surgery or children will kts? Maybe instead of thinking it as a life or death situation, think of how most of these people are mentally ill compared to the other lgbtq demographics.
I probably sound like a fucking dick here and im going to get a lot of hateful notes and messages, but honestly.. idgaf
Before you water this down to ‘trans people bad’ im just highlighting the problems of their community and its immense effect on teens my age (13-15 age range im not telling you) before dickriding the movement, I think *again* we should get deeper into the psychology of these people, thank you for reading.
maybe one or two people know who i am because of the image i will show below, who cares lol
i will block if I receive any threats :)))
#radblr#gc#gender critical#transgender#mogai#mogai community#lgbtq#lgbt#lgbtqia#lgbtq community#transfem#transmasc#transmasculine#cookie run#cookie run discourse#gender discourse#gender dysphoria#gender dysmorphia#trans kids#mental illness#autism#neurodivergent#actually autistic#actually adhd#gendie brainrot receipts#gender abolition#febfem#gender is bullshit#gender is a social construct#gender crit
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Time to realize that if ~ wonderful Rhys ~ ain’t vibing with something, it’s either bad or just not happening. She’s not gonna let that man be wrong for 0.2 seconds, he’s not turning into a villain (semi-villain?) for E/riel lmao
Obligatory “ship whatever you want” and all that, but I don’t get how someone can read Lucien’s POV in ACOWAR and Az’s bonus chapter and think E/riel is endgame
Right?
It doesn't matter if someone in the fandom hates Rhys or thinks he's just as guilty as character (fill in the blanks) because that's not how the author sees him.
He's not going to become the bad guy in the next book in order to push an E/riel endgame.
As angry as Rhys was at Nesta, regardless of how much he struggled to forgive her for the sisters time in the cabin, he STILL began planning for Cassian's happiness with Nesta, he still started thinking about which threads could be pulled.
If Rhys was truly petty, he would have done whatever he could to keep Nesta and Cassian apart yet he pushed them together (because it was clearly the right thing for them).
Outside of the Feyre pregnancy plotline (which involved his life, Feyre's life and their child's life), everything he does is for the safety of his court, their world and the happiness of his friends (like when he sacrificed himself and protecting them from exposure while UTM). His court does come first at times as we saw in the case with Kier visiting Velaris but his intentions are usually for the right reasons.
You can dislike his methods but SJM is not going to punish him for worrying about something bigger than two people sneaking around in the dark trying to hook up.
Is Rhys truly trying to keep two hopelessly in love characters apart? Or is Rhys protecting the tentative peace of their lands (peace that's already on shaky grounds after the war) by calling out his friend who couldn't convince him he had any real feelings for Elain? That's all that scene was. There's no forbidden love. There's Rhys reminding Az that if he truly wanted to be with Elain, what happened on Solstice is not the way to go about it. And what did Az did with that discussion? Acknowledged that his defiance to Rhys was only because he was full of rage and not him thinking clearly. Confirmed that if he returned to the River House, it would be a mistake.
Rhys's "pep" talk, where he got Az to pull his head out of his ass could have been a chance for Az take a step back and do things "by the book" with Elain as Rhys once did with Feyre.
What we got instead was Az pretty quickly shifting his fixation on Elain and becoming more intrigued, amused, and admiring of Gwyn. He's not in love with Gwyn by the end of SF but what is clear is that he was no longer bothered by the events of Solstice evening by the time Rhys nearly lost his life at the end of the book.
People like to claim he wasn't losing it when Gwyn went into the Rite but his speaking urgently to Rhys after they were taken then later his siphons deepening at the thought of what could be happening to them is more emotion than he had shown for any female in the months since Solstice.
The day after Solstice he lost the snowball fight.
Days two and three after Solstice it's confirmed he was moodier than normal.
And that is the last mention of anything Elain related.
Az was over his frustration by the time January rolled around and the Rite happened in March. The only female love interest that he has possible romantic coding with in that time is Gwyn.
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Whenever I see people on the hate train against Jonathan -- it doesn't seem as common nowadays, but they're apparently still alive and roaring in their circles jiogep -- it's soooo funny how they use Mina as a scapegoat for their anti-Jonathan rhetoric but can't think of a solution to Mina being "overshadowed" other than... erasing Jonathan from the narrative and/or replacing him with a new guy. They don't share this attitude toward Van Helsing though, which I find curious. I mean, perhaps they have some bitterness towards the guy, but never have I seen them speak on that... nope, it's just vitriol for Jonathan.
This is a rant.
A lot of people like Jonathan. Sure, sue us. And there is generally a problem with female characters being less prioritized in fandoms than their male counterparts. But the cultural impact of a few tumblr users calling Jonathan Harker their blorbo will never stand a chance against the wider interpretation of Van Helsing.
All of Mina's accomplishments and ideas are attributed to VH in many adaptations and readings, and she gets pushed to the side and downgraded into a screaming damsel who, in the worst cases, is depicted as encouraging Dracula's sexual crimes. Mina isn't the only victim of this flanderization, all the protagonists in Dracula are often dumped for the sake of raising up Sexy Tortured Hunky Helsing, but it's especially offensive to see this highly intelligent and resourceful female character have all her intellectualism stripped and given to an older male character. In fact, the very older male character who endangered her life because he doubted her mind and infantilized her!! The irony hurts!!
Now, I am pissed that the vast majority of people will always see VH as the ultimate champion against Dracula and view Mina as nothing more than a wayward virgin in the devil's clutches, but I don't direct that anger toward Van Helsing and get pissy any time I see him. But people who are still furious that love for Jonathan Harker exists do precisely that to Jonathan. And when I try to figure out why VH is not attacked with such venom but Jonathan is... it doesn't look good, chief.
In general, an older, accomplished man with a lot of say in group decisions against a younger, inexperienced man with little say in group decisions. An enforcer of gender roles against a challenger of gender roles. A man who said to Mina's face that he doubted her intelligence against a man who eagerly kissed her when she displayed her skills in deduction... Who is the evil gigachad? Truly neither of them, but I hope this illustrates my point. VH's authority and sexist beliefs are already a bit of an obstacle for Mina (one she thankfully overcomes) and yet her supportive husband is seen as the problem. Not because he's not supportive enough, but he's just too charismatic.
You don't need to write Jonathan out of the story to put more focus on Mina. Bram didn't feel the need to do that when he summarized his entire novel as being about Mina's gallant bravery, so why would you? Unless maybe... it isn't wanting more focus on Mina as a female character but rather a call for less focus on Jonathan as a male survivor of assault.
It's incredibly telling when they go beyond erasing Jonathan and actually replace Jonathan with a new man that their problem isn't that Mina's supposedly being overshadowed by her male love interest, it's that Mina's male love interest is not an overbearing hypermasculine figure. Mina, who had an equal partnership from the beginning, is told "nonono, you have to get with an awful man... and transform him into an okay husband". I don't know about you, but that does not sound like putting Mina at the forefront whether that new man is an OC, a character from another novel, or Dracula himself. That sounds more like twisting her into being the catalyst for an awful man's character growth. WHICH WE ALREADY HAVE ENOUGH OF IN FICTION.
And hey, lissen, you can read and write as many reimaginings of Beauty and the Beast AU Dracula as you want, but stop lying and claiming it's for Mina's sake, like fuck dude, your taste in men is not Mina's, she much prefers her gothic heroine of a husband over your saviour complex nonsense.
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Once again a very incoherent, not spell checked, all over the place ramble that might not make any sense (lmk if I need to clarify something)
But I think this one is kinda important? At least, it is to me. Before you decide how you feel about this, do me a favour and at least try to actually read/digest it first!
Something I think desperately needs to happen within multiple fandoms is working through your internalized misogyny…because people on this app are a little too comfortable stereotyping, belittling, sexualizing, devaluing, and just generally disrespecting women or fem presenting people. It’s usually pretty subtle, but the micro aggressions are definitely there.
I see fics where the only time female characters are mentioned is if they pipe in to say something snarky or when male characters are talking about their appearance/desire to sleep with them.
The example of misogyny that I see the most often is in mlm ship writing where one of the characters tagged as fem!x and that character is very often portrayed/described as:
- “Emotional, dramatic, whiny, clingy, soft, delicate, fragile”
- They’re dependent, usually being provided for by someone else
- They’re the subordinate/“beta” in a relationship
- They’re “helpless” and need protecting
- They’re interested shallow things (appearance, money, class, etc.)
- They have an “attitude”
- Their hobbies consist of baking, shopping, decorating
- They’re looked at like a trophy, something pretty to win and own
- There’s a strong emphasis of their appearance (slender, rosy cheeks, sharp features) and sexuality especially
I’m sure many of you have read at least one fic tagged as fem!*insert male chatacter name here* and this is the character description you were shown, no?
Before you yell at me, there is nothing inherently wrong about that characterization! It’s completely fine to live your life that way, it’s okay to be into superficial things, it’s okay to want to be protected, it’s okay to have someone provide for you, etc. Slay however you want!
My problem is that this characterization is NOT A TRUE REFLECTION OF WHAT FEMININITY IS. The issue isn’t in these traits themselves, I have some of those traits myself, the problem is using these traits to prove that a character is more feminine. It’s so stereotypical, surface level, and old-fashioned, and reduces the beauty of being feminine to a caricature. Whether you like it or not, whether you mean it or not, this is misogyny. Feminine people/characters can be strong, brave, intelligent, hardworking, independent. Being feminine is something that I’m very proud of, and I hate seeing it be reduced to something it isn’t. This is deeper than just not personally liking the way a character is written. This is misogyny.
Not to mention the super masc x super fem characterization is super heteronormative and also a stereotype in itself but I digress.
I’m not telling anyone they need to drop these kinds of characterizations, I’m just saying you should probably take a good minute to reflect on your motives and how you really feel think about femininity deep down. Is it something you truly views as inferior? Why? Do you want to change that? What are some ways can you?
Don’t even get me started on the literal abuse of fem characters in fics and novels. Yes, there are pieces of fiction where masc characters are victims, which is horrifying, I just see it the most often against fem characters. It’s absolutely disgusting that people are romanticizing and glorifying abuse of anyone, but that’s a topic for another time.
I typically subscribe to “don’t like don’t read” unless we’re talking about stuff the is genuinely offensive or harmful to an entire group of people. If I see an au, ship, plot, or general writing style I don’t particularly like, I will simply swipe passed and move on with my day (you should to). But when fics are written with any kind of internal bias (misogyny, homophobia *including heteronormativity*, transphobia, racism, etc.) behind them or have elements of glorified abuse, there is a genuine issue and I’m not just gonna scroll and pretend that it isn’t super fucked up, because it is. It’s fucked up! Touch grass and breath fresh air PLEASE.
Sure, I can’t stop anyone from writing or reading what they want, they’re free to do so, but that means they are also free to deal with criticisms of it.
If this upset anyone, I genuinely am very sorry, it wasn’t be intention to offend you. Unpacking things like internalized bias can be really difficult, but I think it’s important to have conversations like this so we can learn and grow from each other. Feel free to share you thoughts, try to be respectful if you can:)
*Tags are not a direct call out to any ship or fandom. I have seen this in multiple different fandoms with multiple different ships. This is just a primarily HP blog, hence why tags are HP*
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