Hi, you can call me Storm! I'm 30 and the mom of a loud and demanding cat ❤️
I’m a multiple paragraphs/novella style writer. I love to write detailed descriptions and delve into a character’s head/emotions as well as surroundings. I compare it to writing a novel together. Not every reply has to be novella length, however. If there are action or dialogue heavy scenes, I tend to do a shorter back and forth to keep the momentum going.
I only do MxF (with me writing the female role). I don’t double, but I’m more than happy to write side characters of either gender to help move the story along. I only want female authors writing male characters as I’m uncomfortable with male authors. (Nonbinary pals are an exception).
I'm really hoping to find a friendship, someone who can add to our story, and most importantly, someone who wants a long-term connection. It's difficult for me to write with someone if I don't feel that genuine bond. It's also important to me to have a high level of activity, with at least one reply a day.
If you suddenly stop replying ic and ooc, I'll drop the story after 2 attempts of gauging interest spaced a week apart. But feel free to message me if you want to pick the story back up again, even months later.
Searching For:
20+ partners only
An excellent grasp of grammar, punctuation, spelling, and capitalization. (Literate to advanced writers only, please. I'm not looking for newbies)
Plot before smut. While mature themes will be in my writing, there needs to be chemistry between our characters. I normally do a 60/40 plot to smut ratio and my characters tend to be subs/switches depending on the circumstances
An older male character (early forties to mid-late fifties). I love the gruff and tough men with dark pasts who secretly have a soft heart. I also love grumpy, hypermasculine men being intimidated by sweet but fiery women. My characters are mid-late twenties to early-mid thirties so the age gap is legal.
I'm not looking for age play. It's a romance between two consenting adults who each act exactly their age, and they just happen to be different ages.
Enthusiasm to chat about our character and ship, how to crush them and then gushing over fluffy moments. I love crying over characters and what the heck they’re doing. I want my heart ripped from my chest from angst, then feeling like it’s going to burst from overwhelming cuteness. I want us to love these characters and the world we create. I want to make pinterest boards, spotify playlists, graphics, and toss headcanons back and forth until late at night.
Have an idea for a scene? Found a picture that inspired you? Send it to me! Be invested when it comes to plotting/worldbuilding. There’s nothing worse than receiving one sentence in reply to two paragraphs of ideas, or having a doormat partner who says “sure” to whatever I ask. Building ideas one on top of the other, watching them snowball into amazing plot threads brings me joy. But having to pull plot ideas like I’m pulling teeth makes me think you’re not interested, and I will lose interest in return.
Interests:
Modern fantasy, monsters, sci-fi, omegaverse, southern gothic/midwest gothic (i’m a sucker for that southern/texas drawl), horror, height/size difference, cheating/affair, enemies to lovers, slow burn romance, spooky small towns, post apocalyptic/dystopia, crime/mysteries, emotionally charged/dark and gritty, bodyguard x assignment, forced proximity, opposites attract, fated mates, anti heroes/morally gray characters, traumatic pasts, grumpy x sunshine, one bed, men who simp over their women, touch her / him and die, and more.
I have lots of original plot ideas in mind as well!
Fandoms (OCs ONLY)
Star Wars, Stranger Things, Mercy Thompson Series, True Blood, The Last of Us, Hunger Games, Fallout (TV Show)
I write only on discord using servers with organized channels. Like this post or add me on discord (magicofrain) if you’re interested. The most effective way to grab my genuine interest is by messaging me as if we've been friends for years. Please let me know which interests you liked from my ad.
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like let's all be really serious for a minute the only 2 rpfs ship that have even close to the same amount of impact are mclennon and dan and phil. and even dan and phil are insular enough that you're not hearing about them on the streets. you will hear literal normal people on the street calling duos the next lennon-mccartney. people get called the YOKO for splitting a couple up. your rpf ship might be insane but they will NEVER be mclennon insane
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Shawn : "Gus is in danger ! Someone give me a gun."
Lassiter & Juliet : "NO!"
Shawn : "Then drive faster, that's my best friend in there !"
(from s2 ep11)
Shawn loves Gus so much i'm gonna cryyyyyyyyyy i love them so bad please my bestest friends in the universe !!! I love how Shawn never demands to have a gun unless someone he loves dearly is in danger 🤒
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things TeSTAR has canonically done that drives me nuts (spoilers!!)
Kim Raebin was accused of plagiarizing... himself.
Park Moondae arranged a concert with someone who kidnapped and attempted to murder him. UNPROMPTED.
Cha Eugene ran away from his hotel room in the middle of a massive problem that he caused with only a single note. He also didn't bring his cell phone OR wallet.
Seon Ahyeon tried to put Moondae in a psychiatric hospital (DESERVE)
Keun Sejin believed Moondae when he said he was a transmigrator with basically zero proof. Hello???
Ryu Chungwoo got into a serious car accident that destroyed his whole life and career and immediately was like. Haha what if I join this idol survival show. AND DEBUTED AS LEADER.
Park Moondae caused an entire company to dissolve
Bae Sejin: [started IdolCo with 0 basic skill] "I think the most important part of being an idol is basic skill"
Keun Sejin was the first person to surpass the System's potential limitation (!!!)
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Shin and Midori's friendship was for sure unhealthy but it's also much more complicated than "Midori is pure evil and exists only to cause Shin misery" and there's so much to analyze about it. I use both "Midori" and "Hiyori" for Seaweed-head and Shin is just Shin. There's a little bit of Kai analysis too for comparison. Be warned because there are a LOT of words beneath the cut as I ramble about these characters in a somewhat organized fashion!!
Yes, the Shin AI called Hiyori scary, and he recognized that his friend liked to see him anxious. Shin panicked when Sara accidentally imitated Midori, and he felt that his friend had some kind of darkness inside of him that he didn't want any part of. Their dynamic is absolutely concerning considering that when Shin took on the name Sou Hiyori, he adopted a cruel and manipulative personality—something he learned from experience. Shin freely admitted he feared Hiyori, and Sara said that Shin knew “how scary Midori can be" far before the Death Game occurred. Those feelings absolutely matter, but they are not the whole story.
What also matters is that alongside the bad parts, there were good parts, too. Shin is smiling in the lost memory and the photographs we see of him. He's comfortable enough to "playfully say good morning" and call Hiyori selfish and laugh with him. He's comfortable enough to tell him that he's like a big brother to him. He's distraught reading the test data because he learned that Midori got close to him just to hurt him. Because they were close!! Close enough for Shin to idolize his intelligence, to think of him as an anti-hero, to call him family, and to grieve his absence. The relationship was bad enough that Shin confessed he would've been relieved to learn that Hiyori died, but there was enough good there that Shin was desperate to see him again and did "all kinds of things" in an attempt to make that happen. Those feelings can coexist, and the war between them is a critical part of his character.
And Midori is a difficult character to figure out, but I think in his own messed up way, he genuinely did care about Shin. Midori, however, thinks that breaking people means loving them. He thinks killing Shin with his own hands is affection that no one else can understand. And it's horrible, but it's definitely a product of how he was raised. Kai's mini episode heavily implies this without mentioning Midori at all.
Also!! It's fascinating to compare and contrast Kai and Midori as children of Asunaro. Kai's computer files lovingly record everything Sara likes, which is similar in sentiment to Midori's book of test data on Shin filled with diary-like entries and poems. They both have an unusual dedication to a specific participant.
In Kai's mini story, when Sei asks Kai to kill him because he’s already dying, he can't follow through with it. Kai knew the pitiful love of a father, even if that love came to him in scraps wrapped up in so many layers of suffering. He knew the love of a brother unrelated by blood, even if that connection was fleeting. He later experienced the peace of cooking and cleaning and living a mundane life for the people he cared about, and he admitted he didn’t know what true affection was until then—that it was changing him, that it scared him. To him, even though he was raised as an assassin, killing someone was not loving or merciful. He got the chance to experience the world outside of the darkness he grew up in, and he slowly learned what it meant to take care of someone and be cared for in return (even if, in the end, he's betrayed by the same hand which gave him that peace).
What was different for Midori, similarly a child of Asunaro, that made him believe killing is a loving act? Or that hatred allows him to satisfy others? How can he say that he loves humans, but also call them toys, as though people are just possessions created for his own entertainment? The few lines we get from the woman who's likely his mother don't paint a great picture.
From the vague details we get in the lost memory scene, it seems like Shin lived in Midori's house for a while. Or, at the very least, he had access to it on a regular basis. Half the shelves contain Shin's items. He has a heater that he can only use at full blast when Midori isn't there, meaning that he stayed in his house even when the man was gone. The exact reason for why Midori was so disproportionately obsessed with Shin isn't defined, but I wonder if, similar to Kai, he was intrigued by what "normal" life felt like. The Shin AI says that you could find people like himself anywhere. Midori is destructively curious about people and their emotions, so I think that if he's given something he's never experienced before—like living a comparatively mundane life alongside Shin, who genuinely looked up to and admired him—then he's going to pick it apart until he understands. And he's going to love doing it, even if in the pursuit of that desire, the people around him suffer.
In spending so much time with him, Midori might have grown to care about Shin on a deeper level than most, like how Kai slowly grew to care about Sara. It's just that while Kai wanted to keep Sara out of the darkness, Midori seemed thrilled to drag Shin into it. Unlike Kai, who distances himself in fear of tainting other people's innocence and happiness, Midori "loves" people until they can't handle it anymore. He exhausts them, and they break down or die.
It seems like he was constantly in Shin's space or crossing acceptable boundaries. He had his hand on Shin's shoulder in the flashback, he always stared and shot glances at him, he excessively took photos and put them on display. While Kai's love is quiet, distant, and secretive, Midori's love is loud, obsessive, and intrusive. It's a fascinating contrast.
Shin was right to fear him. Even if Midori did actually care for him in his own distorted way, Shin didn't owe it to him to reciprocate something that hurt him—something that was always going to get him killed in the end. But Shin did care about him to some degree. He was lonely in Hiyori's absence, with nothing to remember him by but the confused emotions the man left in his wake and the memories of the abnormal adolescence he experienced alongside him.
Midori may have cared, but his affection definitely messed Shin up. That's what makes their interactions in the game so fascinating and painful. They're on completely different wavelengths, from completely different worlds. Shin grew up without the sibling he should have known, and he might have latched onto Midori as a substitute. However, Midori's twisted concept of love could never have done anything but hurt him in the end.
People can genuinely care for you and still hurt you so much, and YTTD depicts that concept so well.
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