#tony he needed you too!!!!!!
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lonesome-dreamsss · 1 year ago
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i'm SO UPSET that tony never got to see steve's angst beard!!!!!! like let's be so real, steve was in shambles bc he missed his bf and said bf didn't even get to see it!!!!! that's a CRIME!!!!!
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heybiji · 5 months ago
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"Do me a favor and put your arms around me."
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sciderman · 21 days ago
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Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.
agree 👏
#sci speaks#sci. release the script doctor you did where it actually was miles in the mcu and peter parker is a grown ass man.#it was funny. peter was a really bad intern at stark industries#who stole stark tech on the sly.#and of course. tony catches wind of this because he has cameras everywhere and. those cameras happened to also catch.#him sneaking out of work as spider-man.#and tony ropes him into civil war or whatever because otherwise he could Literally press charges.#and peter's :((((((((#begrudgingly joins tony's side.#in the post credit we see that he's been gathering stark tech to build miles morales some very neato webshooters.#and voil.a. miles is the star of homecoming and. peter is the mentor figure that encourages miles to start small.#miles: but YOU teamed up with the avengers a#peter: do as i SAY not as i DO.#sighs. so little would have to change.#but no more child soldiers and no more over exposure of tony stark. fantastic. superb.#also showing a slightly sneakier peter parker who isn't exactly entirely morally upstanding.#steals from billionares while they're not looking to serve the people who need it.#robin hood figure !! sexy. would falll to my knees for a peter parker like that. would be my favourite on screen peter ever.#and it puts him more in an interesting spot with the villains in the movies too.#if we still go with the route of all the villains being affiliated with stark tech and stealing / using stark tech#then peter is like. in a more complex role in the story. he stole stark tech too. is he better than the criminals?#he uses it for good. he thinks. but that's his judgement.#just i think it would be neat. all the “you're just like me” rhetoric falls so flat in those movies.#but what if it hit different.#but that would be if marvel had the courage to make a complex spider-man movie#where peter parker is allowed to make morally complex decisions asides for “uhh. stupid kid makes stupid mistakes”#sci talks movies
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potatopassenger · 25 days ago
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Usopp continues to ask the real questions
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tin-can-iron-man · 2 years ago
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I'm just gonna say it again real quick:
Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.
Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.
The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.
He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.
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fafayayarhen · 3 months ago
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cw: suggestive themes of violence + mild gore & it's dark cause of theme at play here okay so heed that thx
that concludes the doodle dump series of yandere!spain concept
tune in for more!!! having ideas for a more spaus centric ideas for this concept ngl
also please note the characters included in the speech bubbles that's like a 'hit list' is really just a gag on the whole insanity that is the yandere trope of "killing off" the rivals or whoever was close to their person of interest, i don't mind any of those ships!! i fucken love pruaus and swissaus (even if one sided lmFAOOO) so don't anyone come at me HSDJKFHS
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imavikingo · 2 months ago
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I was thinking on when Steve lost Bucky for the 3rd time (1st when he was drafted, 2nd when he was told he was MIA, 3rd when he fell) he tried to get drunk to forget, right? If he did that then...
What did he do when he lost him for the 6th time? (4th when he escaped, 5th when Bucky was in cryo, 6th the snap)
I mean technically Bucky died twice, but Steve lost him six times already.
And of he tried to get blind drunk once of those times- did he self-harm in other ways too?
To dull the pain? He can't get drunk, he heals quickly, he can't die easily either, so what did he do?
He wouldn't want to die when he knows for a fact that Bucky is alive ofc, but I can't see him acting normally or without a little bit of reckless energy.
To dull the pain and disappoinment (he can't feel like that, that's Bucky's choice -Cryo-. But how it hurts him tho).
(unrelated to this line of thought but it is relevant to the idea regardless)
That's why I can't fathom the idea of Steve abandoning Bucky in endgame.
He lost him 6 six (6) times already and he just... Went away? To a woman he only kissed once? After all he did for him, the pain and loss?
Even if you don't ship them, you have to think that to be really ooc on Steve's part. Everything in his character arc in the MCU is related to Bucky (and loss). Yes he liked Peggy, but he didn't suffer nor mourn her the same way he mourned Bucky (She was alive, but had dementia and was also very old, and had her own life).
His feelings for Peggy were more a "what if" and lost possibilities than anything.
She was an idea, a fantasy (that's why Wanda used that when fighting with him, right?). Not something real.
He wanted to be with her, but he didn't really knew her or love her (at least I don't think so).
She was the first woman that saw him for him after all. Before everything. But that's it.
He liked her for that (and her strong personality too) but did he love her? He didn't try to get on dates after he was defrosted because he knew people would only see Captain America, not Steve Rogers. He needed to represent an ideal and knew no one would understand (the pain, loss) and have the patience to be with him. That’s why he also highlighted the shared life experience thing.
So she was comforting, reassuring in a toxic and unhealthy kind of way (memories and fantasy aren't healthy when used like that). But still a what if and lost opportunity. He had to let her go at one point. And he did(!) But they had to fuck it up…
I mean... it's the same thing when you're still hung up on an ex. You want to think of the possibilities, the what ifs, the "what could have been" But when you go back to them nothing is like you remembered, nothing is like you wanted and you are dissatisfied and disappointed.
(Because all of that was in your head, it wasn't real).
And besides, he knew she had a life of her own (a fulfilling one at that) so what, he was selfish enough to fuck that up too? Without helping HIM? Without saving HIM? Abandoning HIM? After just being brought to life? After grieving him for another five years? Bucky was his best friend, his companion, his best pal…
He wouldn't do that to him. He would die before hurting Bucky (as they already stablished for most of the fucking movies) He even was like “You don’t understand” when Peggy talked to him in the bars ruins.
I think in canon (not ooc/EG)Steve would entertain the idea, but would decide to just keep it as that: An idea, a fantasy. And move on like he already did before.
Also the idea that it was a Peggy from an alternative universe is flawed because he abandoned HIS Bucky, even if in the other universe he helped or whatever.
In HIS UNIVERSE he abandoned his best friend? Not believable. And the logic of “oh it didn’t change their timeline because it was another one” is also stupid.
They already fucked up with Steve fighting 2012!Steve and also telling him about Bucky (creating another universe more than likely). And they were supposed to be undetected. Not create new universes. Thats also why I’m so keen on the idea of Steve being in a prison or something. He already fucked up once, twice if you think he went to the past to stay.
How can he be free while fucking up the timelines? Yeah, nah.
Also… they implied Steve can’t age in a movie if I remember correctly…. How did he become old?
And the idea that he went to Peggy because “Tony told him to have a life outside of captain america” is fucked up. So what? He relates his Bucky’s existence with work? FUCK OFF. Endgame Steve is fucked up and the worst character assassination I’ve ever seen.
They were just too annoyed with the fans because we ship Stucky (even tho they used that to promote the movies in panels and stuff, hypocrites -​I remember clearly the producers? of the movie talk about gay characters and the actors talk about Stucky in those panels for then…be one of the russos in like 1 second and have that shit ass, fuck ass ending for Steve and Bucky. That shit was vile-).
im also annoyed with some people that now shit on Steve when umh… did you see the movies? The other movies? Not only Endgame? (Btw the only one that got a “good ending” was Tony because he died as a hero in front of everyone -even tho he didn’t want to help at first because he had a good life, the ONLY ONE OF THEM might I add-, everyone else got worse, is dead or they’re neglected and treated as haha funny character or haha funny moment)
Im all for ships and ideas and headcanons (even when I hate them with passion, you do you) but don’t try and use this character assassination as an excuse to shit on Steve. If you NEED to shit on a character for your ship to work, then you’re not doing a good job at it or your ship sucks. Idk what to tell you.
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puhpandas · 1 year ago
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Rabbit Burrow
(3,785 words) Part 1 (part 2 found here)
Tony Becker, one year after surviving the attack from GGY, tracks down Gregory post-SB. But he has to get through Vanessa before he can get to Gregory.
Tony likes to think his detective skills are pretty good. So when he swings a leg over the seat of his bike and wheels it near the entrance, he hopes it's the right place.
He'd tracked down Gregory to this apartment complex somewhere in Gale county. It's still in Hurricane, and Tony had been able to reach it with just a bus ride. The apartment is somewhat run-down, but clean enough to where you can tell it's well kept, just old. The air conditioning units he passes on the way to the front door are brand new.
He'd taken the closest bus to Gale county right after school let out. He'd been restless all day up until finally acting on his findings. Tony has been searching for Gregory for a year. Finally finding something and having to wait for his middle school day to end was agonizing. He just hopes his Mom and Grandma wont be too mad at him.
He'd wrestled his bike he'd ridden to school that day discreetly onto the bus and wedged it in-between his legs and the seat in front of him. The air had been humid and thick all day with the signs of a storm, and Tony had seen the dark clouds and heard the thunder peeking over the treeline outside the bus window on the way here. He ducks inside the front door and beats the rain by seconds.
"Can I help you?" The receptionist asks him, giving him a weird look when he steps inside. Shes a lady with long, styled black hair and covered in jewelry. Tony tries not to look too suspicious as he sends her a polite smile, heading to the elevator on the wall to the left. He would also be wary if someone he'd never seen walked into a resident building.
"Just seeing an old friend." He tells her. He presses the button to the third floor and tries to break her gaze by stepping behind the closing doors. The elevator shakes a bit before moving up.
He tries to take a deep breath. Theres some kind of excitement floating around in his chest at the fact that he's done it, but he pushes it down, lowering his expectations.
Despite his theories, he really has no clue what to expect. Theres some sort of worry mixing with the excitement, and all he decides is that if he escaped once, he can do it again.
It both took too long and not fast enough when he finally reaches the third floor. He double checks his crumpled sheet of notebook paper in his hand once, then a second time, something nervous but anticipating thrumming in his veins.
He steps onto the beige carpet of the long hallway, fresh vacuum marks in it, and follows the number plates by each door before coming to a stop near the middle of the hall.
3-05 The plate reads back to him. He quadruple checks his paper again. Its right.
He sighs out deeply, not even realizing he was holding his breath. Despite himself, his brows crease ever so slightly.
He shakes it away, pushing past it. Maybe digging too deep is what got him into trouble before, but its different now. Tony... Tony's learned things during his search for Gregorys location. If there was any point during his investigation that he would call digging too deep, it would have been months earlier from now.
Besides. Tony has always been bad at staving off his curiosity.
He thunks his knuckles on the white wood of the door quickly after that, three times in succession. He kind of bluescreens for a second when he realizes what he just did, then shakes it off. Waiting with wide eyes at the door, watching for a rattling of a doorknob or listening for incoming footsteps.
Nothing. He waits a few more minutes before knocking again, this time a little louder and harder.
Tony perks up when footsteps finally near the door, and his lips part prematurely when the doorknob rattles, not even put-together words yet on his tongue. They fall away immediately when a woman with blonde hair pulled back in a ponytail opens the door, one of those chain locks keeping it open maximum of three inches. "Hello?"
He stutters for a moment, words lost on his tongue, before he clears his throat, putting on a polite smile. "Hi, there." He says. "Um. Who are you?"
"I should be asking you that, kid." The woman raises a brow at him, never opening the door more than the chain lock allows it. She peers at him through the gap, and Tony tries as discreetly as possible to look past her head and shoulder into the apartment itself. "What are you doing here?"
When he looks back, shes still looking at him in a way Tony can only describe as cautious. The light in the hallway on the ceiling is flickering, and it casts split second shadows on the womans face that makes the bags under her eyes that much more prominent and her face that much more intimidating. "Well?"
Tony realizes he hasnt answered, and coughs slighty. "Oh. Sorry." He says, reluctant to continue. "I'm... I'm looking for Gregory."
Tony watches intensely to see if the name rings a bell or catches her attention. Just as he expects, her face twists ever so slightly in recognition. Tony catches something adjacent to panic or fear in her eyes until it's gone not half a second later.
"Who's asking?" She asks eventually, voice carefully even after a what appeared to Tony to be a mini conundrum in her head.
"His friend." He answers honestly. He ducks his head when the woman scrutinizes him, looking almost angry, but restrained enough to not show it. "I mean it," He says earnestly. "he and I... we were best friends. Last year. I came here to look for him."
Her eyes widen ever so slightly at that, and she studies him, eyes flicking back and forth over his face and his clothes and his hair. Tony doesnt miss the way her eyes linger for a millisecond on his scars. Its silent in the hall save for the two looking at eachother, and the buzzing of the flickering light on the ceiling is enough to save him from hearing his own heartbeat.
"Okay." She says eventually, and Tony subconsciously feels himself sag a bit at the relief that he won't turned away right as he was this close. She shuts the door without a word, and all Tony can do is stare at the peeling landlord white paint on the door as the sounds of the woman unlatching the multiple locks on the other side reach his ears. He waits patiently, until she cracks the door open not much wider than it had been with the lock, but just enough to fit his body in. "Come in. But no word to anyone. Got it?"
About what? Tony's about to ask, but then he steps through the door and the words die on his tongue.
"Oh." He says outwardly when Glamrock Freddy Fazbear sits on the couch. His body is adjacent to the patchwork quilt Tony has on his bed that his Grandma made him, and any of the makeup he had been painted with has long since scratched off.
His eyes are shut, and theres two jump cables attached to his ears that are plugged into a portable something. He doesn't so much as twitch when Tony enters the room.
The woman gives him a look after she re-locks only the deadbolt behind him and passes him into the apartment. "Oh." He repeats. "Not a word."
She nods at him, and it's only now that Tony can see the rest of her that isnt just her face. Shes in her twenties, if he had to guess, and she has a white tank top on with some sort of stain near the collar along with Hello Kitty fleece pajama pants. Her socks are mismatched and her nails are painted a purple color that could rival the deep bags under her eyes.
She collapses into an armchair (which hes pretty sure has a mismatched leg attached to it half-hazardously) and only looks at him silently as he steps further into the house, not so discreetly angling his body to get a peek past walls and open doors across the house.
Shes about to speak when Tony does first, "Wheres Greg?" He asks straight up. "Can I see him?"
Her lips twitch, and she just leans further back into the chair. The TV is playing some sort of Spring baking show, and the droning of the host mixes with the pattering of the rain on the window on the wall by the TV.
Anticipation and impatient-ness buzzes under his skin at being right here, and this woman undoubtedly knowing Gregory certainly doesnt help.
She only hesitates for a moment, but Tony can see the influx of thoughts that undoubtedly ran through her mind. She opens her mouth, taking a slow breath, before, "At school."
"He goes to school?" Tony gasps slightly, eyes widening. He moves to the couch, toeing past Freddy Fazbear as to not touch him even with just a brush of his jeans before sitting down, facing her. "What school?"
"He goes to Raindrop." The woman tells him, seemingly not hesitating this time.
It doesn't ring a bell, but it must be a middle school in Gale county. "...I go to Hailstorm." Tony says. "We both did. Or used to."
She stares at him after that, fingers drumming on the arm of her chair. She says nothing, just scrutinizing him, before, "You sure have a lot of cryptic ways of telling me how you used to know Gregory."
He wants to apologize, because it seems like what to do in response to that statement, but for some reason, that feeling in his gut he's learned to trust as his Detective sense tells him that he shouldn't.
Shes still looking at him intensely, and the rain outside pattering on the window somehow feels louder. There's some thunder outside that rumbles the floor, and the lighting casts a shadow on the living room. A few white lines across the coffee table caused by the blinds covering the window.
Her face doesnt so much as twitch, he notices, and she doesn't blink when she looks at him. Her green eyes bore into him, almost glowing in the shadow cast beneath her bangs. It reminds him of how he'd done to her not minutes ago. What he does to people he wants to analyze. To see how they react to something.
That's what shes waiting for, he realizes. He has a feeling that if he doesnt match her cryptic bluntness and instead apologizes and caves that easily, that it will somehow result in her turning him away.
Theres a glint in her eye when he becomes aware of reality again enough to look, and he thinks she somehow just came to the conclusion that Tony figured it out.
Then, he tries to sit up a bit straighter, and muster up that same glint mirroring back at him. "You sure have a cryptic way of letting me know you dont trust me."
Her mouth twitches slightly, but its all Tony needs to know he'd guessed correctly.
Its silent for a moment, and the woman grabs the remote on the next arm over and pauses the baking show she'd been watching. She shifts in the red velvet seat, as if getting comfortable, before, "Tell me how you know Gregory, and I'll tell you how I know him."
He has a feeling he isnt getting to Gregory unless he gets through this woman first, so he clears his throat, leaning his forearms on his knees.
"Me and Gregory met early last year at the beginning of the school year." He begins. "Right after summer ended in August. He was the new kid, and he sat at our table at lunch since it was mostly empty. Me and my friend arent the most popular, so there was room to spare."
She waves a hand, signaling him to stop. "Your friend?" She asks. He nods. "How many of there were you?"
"...Just me and E-- my friend." He says. "There were two of us, and when Greg sat at our table, we remembered how he looked a little lost earlier in class and we introduced ourselves. Then we just... clicked, I guess. He would partner with us in creative writing."
"Writing, huh?" She smiles slightly.
"Yeah." He replies. "Then, it was just business as usual for the months afterwards." He pauses, fidgeting with the hem of his jacket he loves so much that reminds him of the trenchcoats big city investigators wear. "Then... I had gotten wrapped up in this mystery."
She shifts, crossing a leg over the over and holding her hands together. "A mystery?"
Tony nods, remembering it like it was yesterday. He thumbs the part of arm where a scar is on his arm that his jacket covers. "The three of us would always go to the arcade in the Pizzaplex." He tells her. "And one day, I noticed high scores that seemed impossible to reach, and I became obsessed with solving who it was who had gotten there."
Tony thinks hes very good at reading people. So he doesn't think it's just his imagination when the woman in front of him goes a little rigid in her seat.
Theres some sort of creases under her eyes, Tony notices, that weren't there before.
"What did you do?" She asks.
Tony has a feeling that she somehow knows already. So he doesnt beat around the bush.
"I solved the mystery, eventually." Tony says. "Because GGY had been Gregory, and he'd invited me to the Pizzaplex and tried to kill me."
She sags a bit, looking somehow infinitely more tired, but no surprise detected. "But you survived."
"Not..." He shakes his head, picking at the skin by his fingernails. "I wouldn't have. If not for Greg saving me."
"Huh?"
"He--" Tony searches for the words, looking at the carpet between his knees and remembering that afternoon in every vivid detail he'd looked over countless times before. "He'd tried to kill me, yeah, but... he was almost fighting himself as he did it. He was like having a fistfight with himself."
He doesn't look up at her, he just keeps remembering how Gregory had gone rigid right before plunging the knife into Tony's gut a second time and stopped himself. How it had looked like somebody yanked Gregory backwards, but it had been his own self throwing his body. Just so he didnt hurt Tony again.
"He looked like he was a malfunctioning robot." He recalls. "He was like, hitting himself, and was making noises like he was fighting something. I was too frozen to move at the time, but then he threw me a really high security pass for the Pizzaplex and told me to run."
Then he had collapsed in front of him, like he was holding himself down. He doesn't tell the woman, though.
He looks back up to see her staring, eyes wide in suprise. She looks deep in thought for all but a few moments before shaking herself out of it. "So what did you do?"
"I ran." Tony says. "He had got me already. He stabbed me in the back, the first time. That was how I knew he was attacking me in the first place. But I ran away with the pass, and I went to a room with a ton of monitors and erased the security footage."
Her eyes blow wide as saucers, that time. "You got stabbed," she begins. "and instead of getting help, you erase the security footage?"
"Yeah." Tony nods. "Greg would have gotten in trouble if I didnt."
She's silent, after that. Tony just keeps picking at the skin on his fingers. "I somehow knew that Gregory didnt deserve to be. He just..." Tony trails off. "He didnt seem..."
"Seem like himself?" She suddenly cuts in, and Tony's eyes widen.
He nods, a small tilt of his head, and the woman sighs. "That's what being mind controlled will do to you."
A year ago, probably longer by now, Tony would have never believed that. He would have never thought something so outlandish that is only ever shown in fiction could be a possibility.
Not that he was wrong, to. Really, anyone in their right mind wouldnt think so. But things have changed since then.
And Tony has seen a lot of things during his search that probably nobody else has. Plus, This woman has been so cryptic up to this point. If she told him this straight up, and it's clear that she knows Gregory...
Suddenly, everything that day seems to make perfect sense. And everything he'd found that he'd filed away into his little mental Gregory crazy wall.
(He'd used to call it evidence wall, like normal people do. But, well, at some point, maybe Tony had thought the things he'd been finding were a bit too crazy to deem as normal.)
Theres been a stretch of silence while Tony had been taking that in, and he only breaks it to say, "Is mind control a topic you're familiar with in this house?"
Her eye twitches, a bit. And now that Tony is looking for it, he notices that same strange sheen on her eyes that Gregory had during their friendship. That weird red tinted film that makes their eyes turn a completely different color when the light hits them right.
Tony doesnt yet understand how the mind control Gregory had been under works, but all he can hope is that there are some side effects.
She stares at him, eyes narrow, and theres another roar of thunder outside the window.
"Who are you?"
"Tony." He answers. "Tony Becker. Ring a bell?"
She hums, and she looks at him in a way where he feels like he's being dissected.
"He didnt remember anything for a while." She says eventually. "But hes been having dreams, lately. Sometimes he talks about two kids he used to be friends with."
"Me and Ellis." Tony's eyes widen. It doesn't even occur to him that he shouldn't share Ellis's name.
"He worries about you." She says. "I've heard him say he hopes you're okay. You and that other kid. You must have been close if he remembers being that good of friends with the two of you."
"We were." Tony replies. Memories of him, Ellis, and Greg going to the Pizzaplex and trying to get the most dunks in the basketball hoops flash in his mind. He thinks about when Gregory would come over to Tony's little run down house that he shares with his Grandma, and they write graphic novels together for the fun of it.
Gregory liked to call them comics before he'd suddenly decided that stuff wasnt cool anymore and stopped coming over. It had been like everything Tony saw him enjoy that wasnt painfully average for a child suddenly didn't mean anything to him anymore.
And then Gregory tried to kill him in a dusty back room.
Everything hed given up seems to make more sense now. It wasnt willingly at all.
"He doesn't remember your names." She speaks up suddenly, ripping Tony out of his thoughts. "But he remembers more and more every time he has a dream. Something reminded him of you one day, I guess. That must have been when it started."
Tony opens his mouth, but the beeping of a digital clock interrupts him. He follows the womans arm as it reaches across the seat to turn it off.
The time reads 5:00pm.
He watches as she looks over at him, and nods to the door. "After school activity." She informs him, getting up out of the seat. His eyes follow her as she moves towards the front door. "I'm his ride."
Tony's eyes widen at the implications. "So I just--"
"Stay here." She tells him. She grabs a flannel off of the small coat rack by the front door and slips it on, sliding some Adidas sandals on top of her socks and reaching in the pocket of the coat to grab car keys. She pulls them out, and Tony notices that theres a keychain of a white rabbit dangling from the key ring.
The breath is suddenly stolen from his lungs, and he bolts off of the couch, a buzzing under his skin. "You're bringing him?"
She nods to Freddy Fazbear. "If you can wait." She smiles at him, and it's the first time Tony has seen her smile, instead of the carefully kept nonchalant-ness. "He'll wake up pretty soon once he's done charging. So you won't be completely alone."
Tony doesnt know what to say to that. Thousands of words spawned from the thousands of thoughts hes had about finding and tracking down Gregory are on the tip of his tongue, but he only gets any out when the woman begins to leave the house.
"Wait!" Tony reaches out a hand. She turns around, a brow raised. The door is still slightly ajar, and the sound of heavy rain reaches his ears. "What's your name?"
She smiles a bit at the question. "Vanessa."
"Vanessa," He asks, oddly desperate. "Dont tell him I'm here." He swallows. "I want to see him remember me."
Vanessa tilts her head, but nods after a moment. "Sure, kid."
She smiles one last time on her way out, and says, "Tony Becker."
The sound of the rain outside disperses when the door shuts and locks, and Tony doesnt move for a long while. He just stares at the landlord white door, electricity under his skin and something floaty in his stomach.
Greg. He thinks in his mind when he finally rips himself away and looks around some more, seeing a door propped slightly open down the hall with a bed and a desk with pencils and paper strewn all about. He doesn't dare go in, but stares at what he can see. Its been a while.
The silence is numbing, when he can only hear the faint whirring of Freddy Fazbear on the couch next to him and the rain on the window, he plants himself on the couch cushion next to the animatronic, grabbing the remote and resuming the baking show Vanessa had been watching.
He doesn't listen to a word. He just trembles with anticipation and bobs his leg up and down as he stares at a random corner of the screen.
ao3 link
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idk-bruh-20 · 2 years ago
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Irondad fic ideas #124
Peter uses reverse psychology to trick Tony into taking care of himself and developing self-esteem.
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Tony, after saying/doing something self-destructive: I know you don't like it when I do this, kid, I'm sorry. It's just too ingrained.
Peter: So what you're saying is, the challenge of unlearning self-hate and developing healthy coping mechanisms is just too big? You, Tony Stark, have finally met your match?
Tony:
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worstloki · 8 months ago
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Loki sits in Thor’s lap because that’s normal brotherly behaviour and all the avengers are averting their eyes thinking that the bros are just really bad at keeping an illicit relationship a ‘secret’ and they don’t want to address it out of respect for their privacy
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spacecluster · 3 months ago
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I just love how in age of ultron
Marvel established
that they have these pods
that can heal people of serious injuries
And are capable of building an entire body out of nothing pretty much aside from like a sentient Rock
and that this pod
which is destroyed at some point in this movie
is a lower level version of something that Dr Helen Cho has in her facility in wherever she said it was cause it's been a while since I've watched this movie
and then they
to my knowledge
Never mentioned again
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sunnysideprincess · 1 year ago
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He lost Tony on Vormir.
He lost Tony on Vormir because the soul stone demanded life in exchange.
He lost Tony because ", if it comes to a fight, Steve- no, shush I'm talking, it always comes to a fight, you have to be the one to lead them. Lead them to one final victory. I promise you, you can rest after, okay?"
"What about Morgan? What about Pepper? What about the kid? What about-"
He had woken up alone, with a heartache that terrified him more than the ice. He had woken up and pulled the stone close to his chest and yelled and screamed and grieved. "What about me?"
Angry, so angry at time, at Tony, at the world and at the universe, he threw himself into the battle wearing the gauntlet Tony had used to trick him into staying alive, using the shield as a weapon of destruction. It felt good. It felt like finality when Steve used the nanites to swap the stones from right under the Titan's goading nose.
It felt like finality when he used the stones, when he heard their chorus, their power.
It felt like finality when his skin seared clean from his bones.
It felt like the end when he woke up young, freshly defrosted and saw Tony waiting for him, younger than he ever remembered him to be, watching an eternal sunset.
It felt like the end when they embraced.
It felt like the end—and then he opened his eyes to Natasha's face, solemn and a little too knowing.
It felt like the end right there when he tried to feel the missing limb, tried to see beyond the blurry input from his right eye, tried to bear the eternal memory of pain from the stones.
It felt like the end when he woke up in the middle of the night, Tony's name on his lips and tears streaming down his face.
It felt like the end when he realised—there is no end for him.
Not in this lifetime.
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chrrywvea · 11 months ago
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!!! mild what if spoilers, maybe, idk? !!!
LOKI DOING THE 💅 SAVED MY WHOLE GODDAMN DAY
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ask-ursa-tonypeter · 8 months ago
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[fic: double-blind] Ok i dunno if this is too much of a hypothetical/meta question or not, but if it's ok, i would like to ask sim!Tony from the previous ask (kidnapping AU, i think?):
Say, somehow, through magic or time travel or whatever, your Peter, your actual son makes his way back to you, alive. And the first thing he does is he asks you to take a serum that reverses the effects of extremis. Would you do it?
I... yes. Yes. I would do anything for him.
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hudbannonarchive · 9 months ago
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as i’ve been watching the sopranos i’ve been thinking a lot about how someone could watch this show and find tony to be an aspirational character and obviously the answer is in the way he’s framed. i think when you compare him to the rest of the big three peak tv antiheroes (don draper and walter white) he’s technically the most evil and i also think he’s the one who’s painted in the most sympathetic light, clearly evident in the way everyone around him is either a total baffoon or made to look one by the narrative. to me this is a classic case of the people writing a show misplacing its themes and ideas. in contrast, don is technically the least evil (i’ve said before those other two kill people don just cheats) but i think he’s framed the most critically. ofc you do feel sympathy for him, but i think he’s largely an aspirational figure to audiences because of the lie he’s constructed that is his life. audiences want to be him because he’s handsome rich brilliant and charming but don’t realize or care that all sits on top of his empty soul like oil on water. so that one is definitely on them.
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transmandayoung · 1 year ago
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brb writing an epilogue in which Danny grows up talking to dick sometimes in his head
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