#to the exclusion of including other characters even

[ilexdiapason]

the period of dream smp narrative progression commonly understood as "season 1" took place between the agreement of w/lbur s//t and tommyinnit's characters cwilbur and ctommy to create a potion selling business together, and the infamous november 16th detonation of l'manberg by the former's hand. w/lbur was known to write treatments for narratively significant livestreams (hereafter known as "lore streams"), documents which outlined the salient events of the evening and gave the participants an idea of what should be accomplished during the events of the day. after the death of cwilbur, in the wake of the aforementioned november 16th explosion, w/lbur s//t declared that he would take a step back from being so hands-on and directorial with the narrative of the dream smp, and left the planning of "season 2" (which at the time had barely begun) up to his coworkers, including dr//mwastaken and technoblade.

however, w/lbur s//t introduced the character of ghostbur in the latter half of november 2020, giving himself an excuse to continue logging on to the dream smp and roleplaying with his friends despite having killed his character off days before. he set this era of roleplay apart from the cwilbur he'd played previously by never actually streaming his own perspective of events. ghostbur was exclusively seen through the eyes of others, which thematically aided the idea that nobody knew the real cwilbur, only the many masks he'd presented to many different people during his lifetime. ghostbur tried and failed to assert himself as a different person to "alivebur", and part of what made that such an unsuccessful endeavour was that we couldn't see ghostbur's pov, so we didn't know if his thought patterns were truly different to cwilbur's.

however, this consistent fact about ghostbur - the fact that we did not see his pov - was negated in january 2021, when we got the first and only ghostbur lore stream. it began shortly after the events of doomsday: ctechno, cphil, and cdream had ravaged l'manberg down to rubble, far far worse than the november 16th explosion, using more withers and tnt duping technology.

w/lbur s//t went live for about half an hour that evening, fully in character as ghostbur. he spoke to cphil and ctommy about the events of the day, angrily chastising cphil for likely allowing friend the sheep to die even though he knew how much it meant to ghostbur, and expressing to ctommy that he no longer wanted to exist in the state he was in, and would rather "alivebur" was revived. it was an outburst of negative emotion that was rarely seen from ghostbur, who characterised himself by his consistent optimism, trust, and insistence on forgetting all of the terrible things his living counterpart had done.

w/lbur s//t would not stream again on the dream smp until the day of the revival lore stream in may, four months later. this means that, in six months of consistent roleplaying as ghostbur on the dream smp, we only saw it live from his perspective once.

in this essay, i argue that w/lbur s//t planned to never stream ghostbur's perspective, but that the concept and execution of the doomsday lore stream left him so angry at the direction that his colleagues were taking with their story-writing that he was spurred to log in specifically so he could yell at philza for writing the character of cphil this way, and i will not be taking criticism on this position,

[zahri-melitor]

Is Zdarksy’s Batman run actually bad, or is it just messy?

I actually like Zdarsky's current Batman run and don't think 'bad' or 'messy' are actually the right words to characterise it at all.

There's a tendency when a writer gets handed one of the Big Name Titles (Batman, Detective Comics, Superman, Action Comics, Tom King's currently attempting it over in Wonder Woman) to want to produce a Genre Defining, Intellectual Run on the the title. I don't entirely blame it on Jeph Loeb and Hush, but it's undoubtedly become a lot more common since Hush sold approximately one squillion copies and has never been out of print since 2003.

Writers want to make their mark on the title and so they get caught up in interrogating Bruce's psyche rather than focusing on writing entertaining stories based in Gotham characters.

(This is also why I suggest if you want a fun Scott Snyder Batman run you read Gates of Gotham or All Star Batman rather than his Batman run, because he's trying less hard to write his Great Batman Graphic Novels and more focused on telling a good story).

At the moment we have both Chip Zdarsky and Ram V focused on writing Great Defining Batman Runs, rather than what is more common to happen, which is one of the writers on Tec or Batman is trying this and the other is focused on writing entertaining Gotham stories. Ram V's is, from all accounts, probably the one of the two that is going to end up entering The Canon.

However I certainly see more people talking about Zdarsky's run, probably because it's the more accessible of the two to pick up casually for for a run.

What ALSO doesn't help is that Ram V. is currently writing a Barbatos-based run and Zdarsky is writing a Zur-En-Arrh-based run (extremely generalised), as they're two overlapping Basic Batman Plots about forces controlling Bruce.

Why I think people are currently complaining about Zdarsky's run:-

It's based around an interrogation of Zur-En-Arrh Batman. ZEA is probably one of the least liked 'Bruce has crossed the line and is trying to be All Batman, All the Time' plots around here, because it revolves around a concept essentially invented by Grant Morrison, and people on tumblr don't like Grant Morrison's Batman.

Zdarsky is writing about Joker. People on tumblr don't like Joker and think he's overused.

Zdarsky's run has leaned quite heavily into multiversal concepts so far, but what he's looking at is different depictions of Batman The Character across different media adaptions, particularly older adaptions, and what they have to say about the central truth of Batman The Character. He's picking blokey and reddit-popular sort of titles to reference, not tumblr-popular ones.

The primary character in the run is Bruce. The secondary character in the run is Tim. Every other Bat character who passes through the run is brought in to serve a purpose to the narrative, using an aspect of their personality, and if you're a fan of another character, the fact that they're appearing as a side character or an obstacle in the story can be annoying, as the story isn't focused on the thing you cherish most about your blorbo.

I think everyone is busy blaming every aspect of the plot of Gotham War they don't like on Zdarsky, despite the fact it was written by a trio: I don't see Tini Howard or Matthew Rosenberg catching nearly as much flack for Gotham War, even as aspects of the event were pretty clearly steered by them (The Selina parts of the plot were obviously Howard. The Jason parts of the plot including the conditioning look pretty clearly to be a Rosenberg requested part of the story, given he had been consistently writing most of the published Jason content for the last 3 years).

Really, I think at its base it's that Zdarsky is digging into an aspect of the Batman mythos that tumblr doesn't particularly like, and that Zdarsky's main focus in terms of characters are Bruce and Tim. It's fashionable to complain that Tim's getting love and support by a writer for a whole lot of fanon rather than canon related reasons, PLUS Zdarsky is using the wider Gotham cast sparingly and only when he specifically wants them to work within the narrative he's telling.

Plus, it's pretty clear to my eye that Zdarsky's favourite Batman eras are about 1995-2009, and that's shaping some of his choices of characterisation using long term aspects of characters. He's a Brubaker-Rucka and a Morrison-Nicieza fan, people. He likes O'Neil era events and Batfamily writing from Gotham Knights and Bruce Wayne: Murderer/Fugitive.

[serpentface]

WARDI TERMS OF ENDEARMENT

emense [ɛmɛnse] (eh-mehn-say)

Has meaning close to 'beloved' or 'darling'. "Ya emense" (meaning 'my beloved'/'my darling') is often contracted "y'mense".

bubuch [bubuk] (boo-bookh)

Somewhat of a nonsense word, basically ‘big-big’. Tends to either be used for small children or flirtatiously between adults (kind in between 'baby' and 'big boy' in functionality, though without gendered implications of the latter). Sometimes instead used as a form of intense condescension.

ya mache mes [ja mɑke mes] (yah mah-kay mace)

Functionally means "my other face", using the figurative word for face describing a concept of fundamental nature rather than anatomy. Very intense term of endearment, expresses the recipient as a core part of one's identity. Kind of equivalent to 'my other half' but not exclusively romantic.

ya tsitsima [ja ͡tsi͡tsimə] (yah tsee-tsee-muh)

Means "my blood". This term is used more broadly to denote familial relations, and is more of a term of endearment when used outside of actual biological relationship (calling your sister 'my blood' is just an intense way of saying 'my [relative]', calling a non-relative 'my blood' is VERY pointedly affectionate).

ya ungande [ja ungɑnde] (yah oon-gahn-day)

Often contracted to y'ungande, dead literally means "my liver" as in the organ. Ungande alone is also used as a food-based term of endearment, similar to 'honey' except instead with delicious organ meat.

anuje [ɑnudʒe] (ah-noo-jay)

Food based term of endearment, referring to a tree sap that is the most commonly used form of sweetener. Functionally identical to 'honey' in usage.

anu tlansekoma [ɑnu tlɑnsekoʊmə] (ah-noo tlahn-say-koh-muh)

This one actually means 'honey' (dead literally 'bee sweet'). Less common than 'anuje' as a term of endearment due to general cultural preference for anuje as a sweetener and the relative rarity of beekeeping.

inyagit [injəgit] (een-yah-geet)

Diminutive form of 'sun'. 'Ya inya' (my sun) occurs as well, but is less common.

y'mit agai [j'mit ɑgaɪ] (yuh-meet ah-gai)

Contraction of 'ya amit agai', 'my blue moon'. This specification is more common than a general 'my moon(s)' and is fairly loaded, given this particular moon is the site of the afterlife for the most honored dead. The phrase both suggests a sort of celestial beauty and a sense of being honored and finding rest in the recipient. This is a VERY intense and almost exclusively romantic term of endearment.

coutomara [koʊtoʊmɑrə] (koh-to-mahr-uh)

Means 'handsome' or 'beautiful', implies masculine attractiveness. (Dead literally closer to 'strong face'/'strong featured').

jaimara [dʒaɪmɑrə] (jaim-mahr-uh)

Means 'pretty' or 'beautiful', implies feminine attractiveness (dead literally close to 'beautiful face'/'beautifully featured').

katsuy [kɑtsui] [kaht-soo'ee]

Sexually charged description of physical attractiveness, basically calling someone 'sexy'.

ya katsuymen [ja kɑtsuimɛn] (yah koht-soo'ee-mehn)

Related and also sexually charged, close in meaning to 'my desire'.

at akmatse yachouy [ɑt ɑkmɑtse jɑtʃɔɪ] (aht ahk-mat-say yah-choi )

Sexually explicit term of endearment. The dead literal translation is "one who makes me flower". The word "flower" here is not as euphemistic in context and is rather the nicest sounding possible way to say "makes me cum (HARD)". Not considered vulgar, rather cloyingly romantic if anything.

gan(ne) ama [gɑn(e) ɑmə] (gah(-nay) ahm-uh)

Means 'bull'. When used affectionately, implies masculine strength. Usually used in conjunction with an adjective (ie 'handsome bull') or more teasingly gannit ama (little/baby bull))

jaimeti [dʒaɪmɛti] (jai-meh-tee)

Means 'gazelle' (the name for the animal itself is close in meaning to 'beautiful horn'), heavily associated with grace and beauty. Also tends to be used with adjectives ('lovely gazelle' 'handsome gazelle' etc) or with a diminutive.

ansiba [ɑnsibɑ] (ahn-see-bah) or ansibit [ɑnsibit] (ahn-see-beet)

Means 'duck' and 'duckling' respectively, specifically refers to the animal and implies cuteness. Ansibit is a very common term of endearment for children.

"Wannaukoma such datse anmo" [wɑnaʊkoʊmə suk dɑtse ɑnmoʊ] (wahn-now-koh-muh sookh daht-say ahn-moh)

Means 'an ant could swallow you', implies cuteness (ie the recipient is so small and tiny an Ant could devour them whole). Usually used on children, occasionally used on adult women (in a way that feels intensely patronizing to many). 'Datse' (you) may be replaced by the recipients surname or honorific in the rare case that someone would dare calling someone this without being on first name basis with them.

wannaukomit [wɑnaʊkoʊmit] (wahn-now-koh-meet)

Means 'little ant', a term of endearment that borders on insulting even to babies.

OTHER:

-it [it] (eet)

This is a diminutive modifier, which can be added to a name or other word/term of endearment to denote affection (can also be condescending). It lacks internal meaning in everyday use and is closer to the English -y or -ie (billy johnny rosie susie puppy kitty ducky etc).

hippe [hipɛ] (heep-peh) (some dialects drop the h sound entirely)

Means 'small' or 'little', can be spoken with other words/names as an affectionate diminutive.

Other epithets-

Various epithets used in the language are not exclusively used as terms of endearment, but can be contextually. Most commonly, this will be the -machen epithet of the recipients zodiac birthsign (particularly those considered auspicious). Someone with the lion birthsign could be respectfully and/or affectionately called 'odomachen', or VERY affectionately called 'ya odo' ('my lion'). There's also a good variety of poetic epithets that have worked their way into common language as affectionate compliments/descriptors- ie ganatoche (dead literally 'cow-eye', more prettily 'ox-eyed') is a complimentary descriptor for brown eyes, anaemaitsa (dead literally 'river-haired', more prettily 'flowing-haired') compliments wavy hair.

Given name basis-

In Wardi culture, full names are spoken with the family name preceding the given name. When respectfully speaking to a stranger, peer, or authority figure, you refer to them by their family name, title, and/or an honorific. Being on an accepted given name basis with someone is generally indicative of closeness and affection.

datse [dɑtse] (dah-tsay)

This is the word for "you". Similarly to the use of a given name, actually referring to someone as 'you' (rather than a surname, title, or honorific in place of the pronoun) expresses familiarity and intimacy.

[katerinaaqu]

I believe I do understand what you are trying to say and there IS a difference in legal terms of assault in the past than modern day but the main aspect of it remained the same in antiquity ironically even if the legal implications were different

No it wasn't common to assault unmarried women actually. In fact I am researching on it for another ask and assault especially of unmarried or Virgin women in fact that was the definition of assault in ancient greek. But it was common for men to have affairs even if it doesn't seem to be preferable (see for example how Hera allegoeically as goddess of marriage doesn't like her husband's affairs so it feels more like it is tolerated rather than preferred) also in later years affairs were considered worse than rape because rape was a crime of passion but affair was premeditated and planned. So it WOULD be considered adultery even for ancient greek standards depending on how the thing was presented on context but as I said I agree because as I said I considered the whole thing with Circe a necessity he had no choice on so I disagree with the concept of cheating.

However the affairs were still recognized as affairs thus children born from them had no real legal right to their father's fortune. In the homeric poems and the sequels for example Helen is being bad mouthed for letting go of her husband and go to another man and marry him the same way as Paris is being bad mouthed for doing the same. But people like Agamemnon have mistresses but the mistresses are slaves aka people that have no right. There seems to be different with war prizes compared women of status or other. Also Aegisthus have an affair with Clytemnestra is not praised either. In fact his death both as an adulterer and murderer seems to be celebrated even by other characters in Greek tragedies.

Actually, no, they do not have a common that woman=bad in my opinion. I think that is a misconception. Was woman equal to man? Absolutely not. Did they consider her inheritently bad? No. In fact many women in antiquity had some lenient treatment (especially beautiful ones, look at the example of Phryne. The etaira even if she was accused with the same accusations Socrates was, she was saved when her defendant stripped her naked to the court and said "a woman like her there is no way of her being evil". And she was saved as opposed to Socrates that was executed). Of course there were people who spoke badly on women the same way they spoke badly about other men. Also, if you take comedies as source comedies, make fun of everyone. Their point was satire. I know modern people love to sag "oh if Clytemnestra was a man, she would be a hero," but is it true now? Is it? Because we have examples like Tandalus who killed his children and was punished for all eternity, Heracles who was punished with his 12 labors even if he killed his children under the madness of Hera we have Orestes who was tormented for a long time not because he killed Aegisthus but because he killed his mother. Odysseus had to cleanse himself from the murder of the suitors, Oedipus was punished by fate for killing his father even if he had no knowledge of the fact etc. So murder was never considered okay. In fact even Achilles has to be cleansed for the murder of Thersites when the latter mocked him on his mourning over Penthesilia.

So were women equal? Absolutely not and we have we myths that need to remind us of that? Absolutely. We're women depicted inheritently bad? No. Absolutely not. In fact even in Oresteia Clytemnestra had the warmest of support from the Furies speaking on her issues and her reasoning. In Trojan Women we have exclusively the viewpoint of women by Euripedes. If anything it is the men that are depicted as inheritently evil. We have so many powerful women even in Homer including Circe or Helen or Penelope. If anything Penelope stands alone in a sea of men who are presented as evil with some exceptions so no I disagree that greek mythology depicts women as evil. He depicts women as complicated as any other character. Do we have certain myths that involve monsters with female names? Sure. Do we have a lack of female figures as heroes? Yes. But nope I do not think that it is right to say that women are depicted as source of evil as far as humans are concerned. But I absolutely see why you say that and many people have said that as well. We can agree to disagree for sure as well.

I know which is why I also talk on the context by speaking on what Homer wrote not what modern writers wrote. Homer himself made it clear that none of them was okay and yet he portrayed the complication of gis own time with Odysseus not only remain with them for a long time but in case of Calypso even share her bed one last time and let it to his viewers to decide. But I definitely see your point and I agree which is why I think it is even more important that Homer felt the need to say to us how unwilling Odysseus was; in a world where affairs were generally excused so in theory as you said many would say "oh Odysseus had some fun big deal who didn't?" At his time and yet Homer felt the need to tell us that "hold on a minute. He had his chance but did he really take it? Or not?" Just some food for thought

In one way it was. Which is also perhaps why it is also important how his men eventually request to leave or how Odysseus gives in his thirst for knowledge and hears the sirens but he does so tied up etc. It is indeed highly possible

Not at all I thank you for bringing it up and that you speak up against fandoms taking over discussion of the classics! It is very important.

i’m so sick of the “odysseus cheated” debate… because it’s always “odysseus was loyal, circe and calypso assaulted him” vs “odysseus cheated because he slept with circe and calypso”. YOU CAN’T APPLY MODERN MORALS TO A STORY WRITTEN THOUSANDS OF YEARS AGO…. what odysseus did with circe and calypso wasn’t considered assault OR cheating….he was loyal to penelope either way…..tell me you understand that

[mayordea]

snippet of a miitopia poster i made depicting my team + my evil great sage. in the center is cirno, my protagonist. idk if i will post the poster now, the crossover might be too much. but i do like this portion of the poster the best. maybe i will do it and post it alongside a post of all the job designs i made for them.

[blimbo-buddy]

So was I supposed to just find out these things exist through one of my siblings getting this for me as a birthday gift

[tskva-happens]

seems like so far the #1 enemy of the bg3 modding community has been... *checks note* age. just like... any signs of age whatsoever.

[driftershunt]

^ excerpt is in relation to tags

Not to start yapping randomly but I think there is something to be said on how certain fandom characterization of Maverick ignores the depth in his character and boils him down to a reckless, chaotic man who is very infantilized despite of him being A Grown Man. And this is largely because people buy Maverick's facade. There was a very good passage in 'Tom Cruise: Anatomy of an Actor' by Amy Nicholson where she talks about how Cruise in 1986 was portraying a man (Maverick) who himself is playing the part of a cocky man. He does not have an abundance of reckless confidence, it's an act, one that unravels when you look at his moments of vulnerability (ex. the nighttime scene with Goose). This facade is also much mellower in Top Gun: Maverick as Mav has aged, so it's actually really interesting how some people tend to lean back on TG86!Maverick's mask when characterizing him. Some things to think about

[jenlog]

recently beat EA Skate, and now I'm playing Skate 2. this one lets you use a female character model, which results in some noteworthy stuff:

the game starts with you getting out of a male prison, and the character model in the pre-rendered cinematic is very clearly a (white) guy

when you finish character creation soon after this, the game gives you the Gender Bender achievement

everyone's dialogue remains exactly the same, including calling you "dude," "homie," "man," and using he/him pronouns

there's one point early on where a guy says something like "dude, you look so different now." it's not clear if this line is exclusive to choosing the female character model.

my current theory is that Skate 2 takes place in a world where social transition doesn't exist, but physical body modification is cheap, quick, and readily available for even recently released ex-convicts. further study is necessary to see what other strange differences exist in this world vis a vis gender

[morhido]

Sighs. Okay yeah i have thoughts about cgi toothless.

First of all, why does he look so... slimy? He feels too smooth. Like they just stretched some scaly skin over a skeleton and let it walk around. Immediately offputting.

His body language is. Fine? Am i being nitpicky or does it seem just the tiniest bit less expressive? I'm guessing this is either the scene right after hiccup cuts him free, in which case he should be way more intimidating, or the fish-sharing scene, in which case he should feel a little friendlier and more curious around hiccup. It's a quick shot so i won't put a ton of expectations onto it, but i think it's worth noting.

Okay this is a legitimately cool detail though. He has a secondary eyelid!! You can see it slipping away when he opens his eyes. That's a detail exclusive to the books so i like that they included something as small as that.

Sighs again. And this is the shot that prompted me to make this post.

Look at the original, and then look at the cgi version. I could write an essay about how inferior the cgi version is in comparison.

First off, they flattened his face. I swear every iteration of night furies after the first movie has just been compressing their snouts until they're sufficiently 'cute' enough for the audience to forget they're supposed to be sleek and aerodynamic.

Second, his eyes. Absolutely radioactive. I understand using a brighter colour for his eyes, especially in a relatively darker environment to make him stand out and seem more fantastical. But. They're just so bright. It's mildly unsettling how saturated they are compared to everything else.

Third, his eyes. Again.

Toothless is supposed to be terrified but still threatening in this scene, and the original shot conveys that perfectly. If it's a threat, then by all means hiccup should kill it or at least run, but instead he draws a connection between both of them being scared of the other and decides to cut him loose instead. And that's the core of their relationship. Toothless is staring him down with a slitted pupil that could just as easily be interpreted as "fuck around and find out" but hiccup just acknowledges that there's a frightened, injured animal in front of him that needs help, and he helps.

Is any of that conveyed in the cgi version? No!! It's trying so hard to be cute that it's gone full circle back to just being scary. The wide-eyed stare, the dilated pupil, he's basically just saying "🥺🥺 uwu pwease i'm so cute and innocent don't kill me aha 👉👈". Which is a lot less of a compelling reason for hiccup to free him!! Plus the fact that toothless turns up to look at him instead of lying and accepting his fate like in the original, which only makes it seem even more like he's trying to show off how apparently adorable he is.

Idk. Just the difference between the in-your-face sanitised cuteness of "teehe you wouldn't kill little old me would you? 🥺" and the expert subtlety of his "please don't hurt me" of the original doesn't give me high hopes for a toothless that stays true to his character from the first movie. Even from something as small as this. He's gonna get woobified. I can feel it.

[comicaurora]

You mentioned in a previous ask about Arcane that wanting to do something better can be a great motivator, but recently I've seen a lot of discussion about fanworks created out of "spite" like Spiderman Lotus or that Transformers fan film. Do you think these come from different feelings, leading to their end result, or that the motivation just needs to be handled carefully?

Ah, I see the confusion. When you have ideas for what a story could do, and then the story goes in a different direction and bypasses what you thought it would do, that can be an incredibly useful motivator for using that unused inspiration for telling your own story. Taking someone else's completed artwork and saying "move over, idiot, I'll show you how it's done" is a recipe for hubristic self-immolation.

Setting out to "fix" someone's work has to be approached very carefully. Artistic criticism is a complicated skill, but it isn't treated that way. Especially in the age of the internet, several wildly different things have been conflated under "criticism", and I think that's why spite-motivated "fixes" almost always end up tripping on their shoelaces and falling flat.

Art critique - "fixing" someone's work - is about figuring out how to make the art the most effective version of itself. Determine what it's going for, and make suggestions for how the artist could improve the execution of that goal. Clarify a confusing moment, change the score a little to be more emotionally impactful, break up the pacing with moments to breathe, tighten up the pacing to maintain the frantic vibes.

However, the broad perception of what art critique is has been bundled together with several other forms of criticism, including snarky reviews (a judgment of quality rendered after a work is completed and aimed at prospective audiences so they don't end up wasting their money), general knee-jerk mockery (it is easy and fun to score points off of other people's sincerity via a little casual bullying), critical analysis (taking apart how a story works to learn from it, a useful approach for other artists trying to improve their own skills) and, of course, fanfiction.

Ahh, fanfiction! If you don't like a story, you can just take the characters, setting, premise, worlbuilding, and the general shape of the plot - ignoring the fact that at this point you've borrowed about 80% of the work that went into building the original story already - and then you can just make the characters do what you wanted instead. If you think Spider-Man would be better if everyone was miserable and grieving a dead buddy the whole time, you can do that! Two hours of misery for everyone!

This approach is ostensibly trying to accomplish what art critique does - to make a better version of the story. But in practice, it's almost never interested in interrogating what the story was actually going for. In fact, it's actively scornful of what the story was going for. It doesn't take it apart to see what did work, it just says "I didn't like that and I could do better" and produces something trying not to be like the original it disliked.

I kind of think of it like this. If you ate a meal and you were like "there's not enough salt in this," you would not produce a better meal by focusing exclusively on loading it down with all the salt you could find, even if you were starting with all the same ingredients. Do you understand how they were put together to begin with? How the meat was brined, how the vegetables were cooked, what seasonings went where? Do you think all it needed to make it work was salt?

So you get fanworks that do indeed focus on the part that the fanartist thought was missing. You get Spider-Man Is A Sad Jerk For Two Hours. It accomplished what the fanartist wanted, but it fails in its true goal of being Like The Original But Better, because it never actually made the effort to understand what made the original tick. Why do people like Spider-Man in his other movies? Well, there's lots of reasons that work for different audiences - he's funny, he's good-hearted, he's graceful and well-choreographed, his fight scenes are fluid and exciting, his dynamic with the people of New York is lively and comedic, he's hapless and hurting but he always tries his best, he gets knocked down but he always gets back up-- there are many reasons to like these stories. But if all you can focus on is what you wanted them to add, you'll have a lot of trouble parsing out what functional elements you'll need to carry over into your fanfiction to not lose the core of what made it actually mostly work.

If all you focus on is accentuating the bits you wanted them to do without recognizing the parts that were working fine, you end up with a heaping plate of salt.

✨ as the ask states, this post is very specifically about spite-motivated "I can do it better than the writers" fanworks and not fanfiction in general ✨

[making-you-in-spore]

pinned post

TRANS RIGHTS!! TERFS GET THE FUCK OFF MY BLOG!!!!!!!

who are you?

i'm just a guy who likes spore [2008]

why do this?

i just really like spore and making creatures in spore. it helps me practice my creature creation abilities.

can you make my oc in spore?

as of right now i do not take requests. i generally find characters and creatures i want to make by them appearing on my dashboard. refer to the Request Beast.

what is in your icon?

captain thunderhide, my main spore space stage captain.

what is peeling?

peeling is when i remove all detail parts from a creature and show the bare sculpt underneath - anything that is not eyes, mouth, hands, feet, or limbs will be removed. it is a tradition around these parts

what are "original spores"?

original spores are spore creations that aren't based on existing media - ocs, copyrighted characters, or otherwise. usually, they're just making things to make them in spore, or are based on simple prompts such as "a plate of spaghetti" or "a penis".

do you use mods?

i exclusively play this game with mods.

can i download the creatures you make?

only if the original creator of the design is okay with it and requests a png. please note that in order to successfully download the creatures, you will need to download every mod used to create them.

i will not always be able to say what mods i use to make something, so it's a gamble if you don't have all of the ones i use.

how do i mod spore/do advanced creature creation like you?

darkedgetv's FAQ is a very good resource to begin. i started there, and it's where i recommend you to start if you're interested in spore modding. it also contains many other mods i have not listed under the cut.

as much as i disagree with the process of using a discord server to contain vital information and resources, the davoonline spore modding community discord is also a good source of resources and mods that even i do not use.

what editor mods do you use?

a lot, so they'll be under the cut.

not mods, but highly recommended for enhanced playing experience

4GB patch - Tutorial - patches spore [and other 32bit programs] to be able to use 4gb of RAM. recommended if playing a highly modded copy, and makes the game more stable.

Reshade & ReSpore - post-processing injector & shader that alters the appearance of spore, giving it more detailed shading and vibrant colors. i use this for gameplay and screenshots. runs on GPU power, so excellent if you have a strong graphics card

HD graphics fix - this doesn't actually seem to work for my copy, but it alters the textures of base spore to be more high-quality.

mods that are absolute must-haves

these mods are ones that i use in almost every creation, and add a lot of QoL to the editors. if i forget a mod in a creature png i post, it will be one of these.

Dark injection - THE spore mod. it's likely a lot of other mods you'll download will mesh well with dark injection. you can turn off whatever you don't want to use through the installer.

Universal Property Enhancer - a library mod that many other mods require

The Smoother - a useful tool for building muscles and smoothing out your creatures' bodies

Enhanced Color Picker - a requirement for super detailed creations, enables hexcode color picking and color wheel selection beyond normal limits of spore

[UPE] Infinite Part Scaling - allows scaling of parts near-infinitely, beyond the limits of the original game

Project Skyncraft - adds new creature skinpaints

Unshackled - adds nodes and limbs for creating custom wings, heads, hands, etc. a little bit unstable, i mostly use this for wings.

Spore Stacker - allows stacking of any part

Subtle Rotations - reduces part rotation snapping

Advanced CE - adds building editor manipulators to the creature editor

Every Part Costs Nothing - self explanatory

Rotate Anything - lets you rotate anything, including feet and hands

Advanced Creature Paint - allows for individual coloring of parts on a creature, like in the building and vehicle editors

Ambient Occlusion Disabler - removes baked-on shadows for creatures

Delta Paints - adds new skinpaints

Valla's Skinpaint Switcheroo - adds duplicates of all vanilla, C&C, and GA creature coat and detail skinpaints into their opposite category

test drive related mods

these mods are not required to download the creatures i post, but are recommended for the test drive.

No More Creature Editor Animations - turns off the animations that play when you add eyes, mouth, feet/hands, etc

Sevan's TF2 editor animations - adds multiple animations from tf2 into the creature test drive.

Mx3's Dance Animations - adds a multitude of dance animations into the creature test drive.

Tenebris's Creature Test Drive Animations - adds many animations from within the game to the creature test drive.

EditorBG - adds extra editor backgrounds

Ramone Kemono's MMD Drag Ball - high-effort dance mod complete with special effects and a reverse engineered camera system

part mods

these mods add parts to the editors.

DroneParts 2017 - adds many mechanical and polygonal parts useful for machine creatures, i like to use it for building clothes and markings.

New Drone Parts - a sequel to droneparts 2017, compatible with the old version. install both at the same time if you want to be able to use creatures from the old droneparts mod.

Himeric Engine - adds horror-themed parts to the creature editor.

Spore Resurrection Next Steps - adds a few parts to the creature editor and several new textures to the building and vehicle editors.

Dinosaur Parts - adds parts based on dinosaurs and other animals. mostly heads.

Strange And Beautiful - a now-discontinued, reuploaded mod that adds unusual and unique parts to the creature editor

Bionicle parts - adds a few bionicle pieces to the creature editor

Little Box Of Horrors - adds many parts with an overall horror theme. some are animated.

Pandora's Toolbox [1.0] - adds a multitude of basic shapes and polygons to build with

Replicant - adds non-textured animating parts and non-animating parts in a separate tab. good for if you want to use hands, limbs, etc without them animating or adding stats

Armoured And Dangerous - adds a few high detail mechanical looking parts.

Delimbiter - increases the amount you can scale limb parts, and allows for more crazy movements of certain limb parts

Valla's Vanilla Style Parts - adds several parts which mimic the vanilla style

Wordsmith 2.1 - adds letters to the creature, building, and vehicle editors

Kaiju parts - adds several parts based on popular kaiju

Organic Help - adds many membrane pieces to the creature editor, for creating wing webbing among other things

Project: Mad Mannequins - adds many human body based parts. and a horse for some reason

A Mouth For All Seasons - adds alternate versions of all vanilla mouths [and all unused cell mouths] with alternate diets

Valla's Captain Badges - adds all space badge models into the captain outfitter and creature editor

Rock On! - adds rock props from spore into the building and creature editors

[pomefioredove]

Ngl I want a sequel to bad ending 'yuu gets sold' series

Cause imagine the boys go to NBC just to find out that yuu is actuality doing great, better than great, even better than the time they were doing in NRC

I like to think that Rollo is legitimate a nice person when you remove the hatred over magic type of stuff

He deffo makes sure that yuu is well fed and clean (let's be honest, not something that yuu always has in NRC) plus treat yuu greatly

rollo fans who are starving since everyone stopped talking about him after november I'm here for you. I see you. take my hand

parts 1 | 2 | 3 | kalim | 'bad' ending

summary: yuu transfers to NBC type of post: fic characters: rollo my beloved additional info: yuu is gender neutral, implied romantic ^_^

It had been a long six months for everyone at Night Raven College.

The departure- and subsequent absence- of their beloved Ramshackle prefect was very much felt.

Days were longer, nights were darker, the first year class itself felt empty.

"At least they're not dead," was the consensus.

Of course, you continued to communicate with your friends- it wasn't like you completely dropped off the map, although Noble Bell College had a stricter policy about phone usage.

You even sent some letters back and forth, yours filled with updates and mementos, theirs with pictures of all you'd left behind.

Did you miss NRC?

Well...

You missed your friends.

But Crowley? The overblots? Being everyone's personal therapist?

...Yeah. You could live without that.

Noble Bell College may have been more exclusive, and more strict in their code of conduct, but it was more peaceful, too. Smaller, less students, and much less reliance on magic, so that you and Grim could be whole students independent of one another.

The curriculum was much different than NRC's. Less of an emphasis on a personal connection to magic, and more on tradition, ritual, and history. There were few times when you'd have to sit out a class, or watch your friends have fun from the sidelines.

If anything, Rollo made a point of including you.

A part of it may have been personal pride- after all, he just couldn't resist showing you how much better he is.

But he also had a vague idea about how stressful your life at NRC really was, and how isolated you felt, despite being surrounded by people. It was his duty, in a sense, to rectify that.

Even if it meant you had to sit through his lectures and recitations of the traditional magic laws.

...Though, even with his intense adherence to tradition and structure, he made quite a show of being kind to you.

Despite his best efforts to claim fairness and righteousness, it was no secret to anyone that he favored you. You quickly became the only person he spent his free time with (not that he was particularly social in the first place...)

And... it was nice. Is nice.

He holds himself to high standards, and expects that of others; he's cold, harsh when he feels it necessary, and repressed in all ways imaginable.

And yet... well, there's no sabotage, no swindling, no scamming, no manipulation to make petty ends meet.

Rollo, as a person, is both confusingly complex and reassuringly simple. You know as much. He sticks to routine, to rules, to tradition. He's diligent in every sense of the word, and highly respected because of it.

And when the eyes of the other students are turned away, he treats you with a sort of gentleness that you'd become wholly unfamiliar with at NRC. Like a porcelain doll, like something precious he desires to wrap in cotton and silk and store somewhere safe.

You wonder if his behavior towards you is at all connected to the very reason he risked his status bringing you here in the first place... but you don't dwell too long. He's as mysterious as anything.

When your former classmates come to visit over break, it's like they're meeting an entirely different person.

"Happy to see us, eh? You're like, glowing," Ace smirks.

Deuce elbows him in the ribs for that comment. "What he meant is that you look great. I mean, really! You've been sleeping more?"

You nod. "Lots, yeah,"

"Weird, I woulda guessed they'd been working you to the bone. This place is all "no funny business", right?" Ace shakes his head.

You laugh, walking alongside your former fellow first years in the streets of Fleur City, the very ones you'd become so accustomed to in recent months.

"I've actually been doing well with my studies. I think I've finally decided what I want to do after graduation,"

"Oh, that's great!" Deuce says. A lengthy pause follows, much to your confusion- it's as if everyone has something they want to say, but won't be the first to say it.

Epel clears his throat. "You been 'doin alright?"

"Um... yeah. I have,"

"Cause... you know, if anyone was giving you trouble, we'd give 'em what for!"

You chuckle. "I'm fine, really. People here are pretty nice..."

Again, that same silence follows. Epel, Deuce, and Ace look between each other, as if daring the other to say the next thing.

This time, you take the initiative.

"Listen. If this is about Rollo, he's fine. I'm fine. He's been nothing but helpful,"

The tense silence breaks and Ace sighs, shaking his head. "You can't blame us for being worried,"

"I mean, this whole situation has been really shady. Everyone at NRC has been worried sick..." Deuce says. "We just wanted to make sure..."

You smile. "I appreciate it, but you really don't have to send in a rescue party. I've been... I've been really good. Happy. And I miss you guys to pieces, but I've felt closer to home here than anywhere else. Does that sound strange?"

A short pause follows. Deuce is the first to speak, his voice sounding strained. "Not at all. We just want you to be happy,"

You can tell he's trying really hard to sound positive. Epel, on the other hand, doesn't sugarcoat anything.

"You really won't come back with us?"

You smile again, though this one is wholly apologetic. "No, I don't think so,"

The three are quiet for another moment, and then seem to drop the subject. The rest of their stay goes by smoothly, even with all the strained moments where you can tell they have something to ask. You assume they've already figured out the answer.

The day trip is over by sundown and you return to campus just before curfew, taking a seat in one of the cozy (though currently empty) lounges by a familiar face.

"They're gone?" Rollo asks, not bothering to look up from the textbook he's perusing.

You watch him carefully, and think it's best not to mention you friend's attempt to bring you back with them.

"Yes, they're gone. We had fun, nothing happened,"

"Good," he says. A brief silence follows before he speaks again. "I do trust you. But-"

"You don't trust them. I understand. If I were you, I suppose I wouldn't, either. But I'm fine,"

"When are they coming back?"

"Two months. They're taking the weekend. Might bring some other people,"

Rollo hums a note of acknowledgment, fingers rolling around the pen in his right hand. The book is still open, though he's looking ahead now. His face is flushed.

You know he's unhappy with it, but he won't say anything. You're grateful he likes you enough to let you rub elbows with people he despises. Especially after all that's happened...

He stands, closing the book. "Very well. Let me know what day so that I may adequately prepare myself. Good night. Be safe,"

And with that, he takes his leave.

Ever distant. Ever polite. One might mistake the way he speaks for coldness or resentment if you weren't so familiar with his mannerisms by now.

You turn to look into the lounge fireplace behind you, watching the flames flicker and die until all that remains are soft, glowing embers, the same shade of red that burns on his cheeks when you look at him.

[dicipher]

SPOILERS for homicipher lore

the hand is not Chopped's hands. He specifies MEETING it. Therefor it's a seperate entity. Ypu'l also notice that it moves independently from Chopped, touching the hand does not stimulate Chopped, he doesn't feel it, confirming this.

Silvair was the one to chop of Chopped's body. This is said. If we also go off the fact he chops Adami if we attack him too easily, we can safely assume Chopped was a human that was transformed into a resident as well. Which would be a confirmed 'ex human' character

On that note, Adami notes her hair graying after staying in the world too long. Other characters with gray hair includes the hairdresser and Silvair. Does that relate to anything? Maybe not. But if hair becoming lighter is a result of humans exposure to the other world, that could include us, silvair, hairdresser, hugeface, chopped (even if his hair is not gray, black could lighten into grey, and brown could lighten into pale orange in his case), while characters with dark hair (gap, crawling, scarlet) could be native to the other world..... it's very possible this is just unique to us though considering everything else that's special about Adami.

Gap lacks a body, heart, etc, but he does have hands. Gap also is able to 'teleport' trough these places, like wormholes, since he's able to drag us trough places that should never connect. He's also able to fit in any space so long as it is: dark enough.

Silvair purely 'likes' us as a science experiment. Yes he is polite, yes he is kind, but that should not be mistaken with empathy. He specifies, if you ask him if he likes you, that he does not. He finds you entertaining. And he specifies he does not understand 'like' (in japanese like and love are pretty much the same word, so this essentially translates to saying "i don't understand love"). (Though because we just asked, it could be him saying "i don't understand why you're thinking i love you") either way, Silvair does not think of us romantically.

Our ability to regenerate our body entirely seems special. Silvair points out he finds it interesting, and Silvair is able to do it too (saying he will regenerate after we kill him) whereas any other creature we are able to kill doesn't display that ability.

It's not ENTIRELY clear what kind of power names hold to their kind. Scarletella getting our name is obviously: not good™️, but us giving him a name seems to make him our servant in some way. If you say Silvair's name in his route, he looks confused, and is quiet for a bit. Perhaps because in a way, you named him in that moment. Names deeply correlate to a person's identity, and it seems residents either do not have names (are not born with them) or lose them following their transformation in some way. Unclear on that. But NAMES. NAMES RELEVANT.

Considering Human's presence (in the original, he speaks english, while everyone else (other human characters) speaks japanese), either the world has different ways of entering (stuff 'falling' into the world seems to confirm that the elevator is not the only way in/out, it's just the ghost apartments way in/out), or he's a foreigner who happened to go by....

Residents exclusively feed on flesh and blood. Interestingly, though. When first meeting Stitch, he seems surprised to see a human (pointing and exclaiming "human!", asks crawling a bunch of questions, and finally asks crawling permission to eat us, specifying "they could be tasty!", which could indicate that either humans are rare in some way, or that stitch has never personally seen one, or he could see them plenty and just be curious about all of them like he was for us. Considering some don't seem to even recognize us as human (Chopped introduces us as a resident to Silvair even though Silvair recognizes us as human right away. This is early story too, so we aren't residents yet.), i think i'm leaning towards the fact most resident don't know what a human even really looks like. Thus, what are they eating? Probably each other. The food on the painting's plate, the meat on Silvair's table, and the mush Silvair turns into if you kill him all look very simmilar. This is also 100% confirmed, since Crawling specifies the ears he found are a resident's, before eating them at the end of the interaction. So residents most definitely engage in cannibalism, and eating humans is probably not necessarily their primary diet. (Except for Scarletella who we were unknowingly giving tons of human meat to by bringing the bodies to the ghost apartments for disposal. That's like some stranger delivering tons of rare expensive food to your porch. I'd fall in love too buddy.

[otakusheep15]

Flufftober Day 31: Proposal - Diasomnia

Characters included: Malleus Draconia, Lilia Vanrouge, Silver (Vanrouge), Sebek Zigvolt

Word count: 3047

Malleus

Who proposed: Malleus

Malleus always had a complicated relationship with the idea of marriage growing up. He was pretty much exclusively raised by Lilia, a single father. He grew up hearing stories about how important love and marriage is, especially in fae culture, and especially especially because he’s the next in line for the throne. He needs to produce an heir once he’s on the throne, so it’s important that he finds someone he loves to create that heir with. 

Considering how isolated he always was growing up, Malleus doubted he’d ever find true love like he read about in fairytales. Then he met you, and suddenly everything was different. 

You taught him how to love in a way he never thought he could. Of course, he loves Lilia and Silver and Sebek, but that’s not the same. The way he loves you is different from anyone else he’s ever met. You practically saved him. You treated him like he was normal, like he wasn’t an all-powerful borderline god. You taught him a new kind of love he didn’t think he would ever truly experience. 

The love Malleus has for you is so pure, so soft. It’s completely different from the brooding, intimidating character everyone sees him as. He treats you like you’re the royal one rather than the other way around. 

When the thought of proposing first pops into Malleus’s mind, he gets so excited. The idea of growing even closer to you than he already is sounds perfect to him. It also helps that both Lilia and his grandmother are urging him to marry you soon so that he can produce an heir. That’s not the only reason he wants to marry you, of course, but the idea does urge him on for sure. 

Malleus begins planning the perfect proposal. First, he starts with the ring. He goes to every craftsman in Briar Valley, searching for the one who can make him the best ring. You deserve only the highest of quality, after all, and there’s no limit to how much he’ll pay. Once he finds the ideal craftsman, he has them make the ring to perfectly suit your tastes. After it suits his own standards, he pays and takes the ring. 

After that, he plans an outing for you and him. He decides to take you to dinner, having heard that this is a common date for humans, especially for proposals. He wants to make you as comfortable as possible, so he figures this is the best course of action. Naturally, he rents out the entire restaurant he chooses, meaning it’ll be just the two of you. 

When the two of you show up to the restaurant, Malleus looks very proud of himself. The restaurant is completely empty save for the staff, and he has a table reserved exactly in the middle of the room. He tells you to order whatever you’d like, as he’ll be paying for everything. 

As you dine, it becomes increasingly obvious what Malleus is up to. It’s not like you didn’t already know, as he’s never been the most subtle, but tonight it’s extra obvious. In a way, it’s honestly adorable. He’s clearly excited for what he has planned, and you’re just here for the ride. 

Once the meal is done, Malleus escorts you out of the restaurant, leading you on a nice stroll through Briar Valley. It lasts well into the night, and you can feel the tension rising the longer he draws this out. But, when you return to the castle without a ring, you start to think that maybe you were mistaken. Maybe he really did just want to take you out to a nice dinner and walk. 

You return to your room and begin preparing for bed. You head into the bathroom to take a quick shower. Then, you get into your comfy pajamas and head back to your bedroom, only to be immediately stopped in your tracks. 

Malleus is in the middle of your bedroom, surrounded by candles, on one knee with a ring. He stays there, waiting for your answer to his silent question. 

You run to him, and if he weren’t the Malleus Draconia, you would’ve tackled him straight to the floor. Unfortunately for you, he is very strong, so instead of a tackle, he merely catches you in his arms. Taking your almost-tackle as a yes, he pulls back just enough to take your hand, slipping the ring onto your finger. He then kisses your hand so tenderly, and you melt right then and there. 

Your wedding is actually so incredible. It’s extravagant and over-the-top, and everyone who should be invited is invited. Allies of Briar Valley, important nobles and high-ranking officials, and, of course, all of your friends. It’s the biggest celebration in centuries, and it’s absolutely going all out. 

Lilia

Who proposes: Lilia

Lilia gave up on romance long ago. Once he was put in charge of caring for Malleus, all of his own wants and needs were immediately put on the backburner. Honestly, he can’t even blame his lack of a love life on Malleus. He’s always been too busy for love, long before Malleus was in his care.

 Even when he meets you, he still hesitates, not sure if he wants to pursue anything. He liked you a lot, that much was certain. If he had to make a guess, he could also assume you liked him at the time too. But he just couldn’t bring himself to say anything about it for the longest time. 

Ironically, it’s because of Mallues, as well as Silver and Sebek, that he decided to confess to you. They’re the ones who encouraged him when he had a rare moment of self-consciousness. 

When he did confess, it actually went very well. You had accepted, and the two of you were officially dating from that point on. It’s the best decision he’s made in years, and he’s so glad his boys encouraged him to confess to you.

Now, he’s having a similar dilemma. You’ve been dating for a while now, and he really wants to propose to you. But, same as when he was scared to confess, he is now scared to propose. He’s never done something like this, and human courting rituals are so different from fae. He doesn’t want to mess something up and ruin your relationship. 

Once again, it comes down to his sons to hype him up. They give him all of the love and support he needs, and after a long while of trying to prove to him that he won’t ruin your relationship, he finally decides to suck it up and propose. Deep down, he knows you won’t reject him, and he wouldn’t be that surprised if you’ve been waiting for him. 

Normally, this is something he would meticulously plan out, taking his time to detail every little thing. However, even with the confidence boost, Lilia is still somewhat frazzled, so he decides to just do it as soon as possible so that he doesn’t have to sit with his nerves any longer. 

He buys a nice, hand-crafted ring that he’s sure you will love. He also buys a bouquet of flowers on impulse, deciding last minute that you’d like them as well. When he arrives back home, he notices you relaxing, and that somehow manages to calm him down. You look so nice, just hanging out around your house. You look up to greet him, immediately noticing the flowers. They make you smile, and you get up to meet him by the door. 

Lilia hands you the flowers before telling you he has a small surprise. Despite the nerves, he’s still the ever-cheeky Lilia, and he’s absolutely going to tease you, even if just a bit. 

He shows you the ring box, opening it up to reveal the ring he picked out for you. You stare in awe, and you smile at him as he places the ring on your finger. You’ve been waiting for him to be ready, and it looks like today is the day. 

The two of you walk hand in hand to grab a vase for your flowers, and you can’t stop smiling for the rest of the night. 

Your wedding is small. Initially, it was going to be bigger, but Lilia eventually decided that he wanted it to be more chill than originally planned. It ends up just being you, Lilia, Malleus, Silver, Sebek, and a few other close friends and family. Lilia doesn’t care much about the ceremony itself. He just really wants to be married to you. What he is excited for is the honeymoon. He loves traveling so much, and this is the best possible excuse to travel. Somehow, he almost convinced you to have a travel wedding, but you talked him down from doing that since you’re already having an extended honeymoon. 

Silver

Who proposes: you

Silver never really cared about relationships. He’s always been more focused on training to be a knight anyhow. It’s not like he’s against the whole concept of a relationship, and he never minded the thought of being in one when he’s older, but he just assumed a relationship would be years and years away, well after he’s finished his training.

What he did not expect at all was you to appear in his life. Suddenly, all of his plans of finishing his training before even considering romance just fly out the window, and he knows the second he sees you that he has to pursue you. With the encouragement of Lilia, he slowly begins courtship. 

Your initial romance is soft and slow, very much a fluffy slowburn. He’s so caring and sweet all throughout, always making sure you’re comfortable as he continues to court you. Even the littlest of gestures makes your heart melt, barely able to handle just how adorable he is. Everything about him is just perfect, and he can and absolutely will say the same about you. 

Everyone is hyping up your relationship so hard. Malleus and Lilia are your number one fans, and even Sebek is being supportive in his own unique way. The two of you are literally just a mountain of sugar and everyone around you is just completely obsessed. 

As you both grow older and your relationship develops, you only get more domestic, if that’s even possible. You’re truly living the cottagecore dream life out in the forests of Briar Valley where you spend your days hanging out with the animals and watching Silver continue to train. 

Much like your courting and early relationship, proposing is a slow process, but this time, you’re the one taking control. You’ve been wanting to propose for so long now, and now that you and Silver are stable and secure, you figure now is a good time to pop the question. With some support and advice from Lilia, you begin the process of planning your proposal. 

You manage to get a gorgeous ring, one that suits Silver’s ethereal vibe. You plan on proposing in the forest, surrounded by his animal friends. They’ve been a huge part of your life for so many years now, so it makes sense to have them around. 

On the day of the proposal, you planned out a nice picnic for the two of you. You spend the morning preparing sandwiches and fresh fruit as Silver watches you lovingly. It takes all your restraint to not just propose right now. He’s looking at you like you literally hung the moon and stars, and it makes you want to kiss every inch of his face until he can barely breathe. 

Still, you manage to hold yourself back, and you finish up the picnic preparations. With everything done, you and Silver head out, walking to your favorite clearing where you regularly have picnics. His animal friends join you as usual, and they snack on the fruits you packed while you and Silver enjoy your sandwiches. 

Once finished eating, you pull out the ring box, and Silver smiles at you when he realizes what you're holding. You’ve discussed marriage and proposing before, so this wasn’t exactly a surprise. He saw it coming, but you didn’t mind. If anything, the knowledge of your proposal only made the day better for Silver. 

Naturally, he says yes, and the kiss you share after is easily the sweetest thing at this picnic. The animals all seem very happy for you, and that only makes you feel even happier yourself. The two of you stay in the clearing for a bit longer, just basking in the beautiful scenery and each other’s company. 

Your wedding is nice and simple. A few friends and family are invited, and obviously all of Silver’s animal friends. It’s held in the forest, as it’s a very special place for the both of you. The clearing is minimally decorated, and everyone gets to enjoy the scenery. The ceremony itself is beautiful, and the reception is quite fun. The best part is that this is held right next to your house, meaning that if Silver gets tired, the two of you can just sneak away for a nap. 

Sebek

Who proposes: you

The day Sebek acknowledges that romance is a real thing that happens to people is the day the world ends. He represses his own emotions so hard, especially when it comes to stuff like this. It’s mostly because of his parents, and his dad more specifically. He has such a complex view on their relationship, and that’s made his own views on love a bit warped as well. 

When he begins feeling things for you, his immediate response is to repress and forget. However, that’s the absolute worst thing he can do, as that only makes him think about you more and more. Soon enough, all he can think about is how much he doesn’t want to be thinking about you, and he’s basically stuck in an endless loop at this point. 

It would almost be funny if it wasn’t sad. Lilia definitely tries to give Sebek advice, but most of his attempts just end with Sebek shutting down and getting grumpy. Even Malleus can’t seem to get through to him, and that’s when you know it’s bad. 

You, meanwhile, are just kind of vibing. You’re aware of what’s going on with Sebek to a certain extent. As far as you know, Sebek is in a funk because of something, and you're worried about him, but you don’t quite know what’s going on. No one will tell you why Sebek is so upset, and while you really want to help him, you also know to respect his privacy. 

Eventually, after a lot of yelling and lowkey threats, Sebek finally listens and admits his feelings for you, but he’s still not ready to confess immediately. Everyone has had enough of him, but they can only push him so far. 

What no one expects is for you to confess to him instead. Sebek is especially caught off guard, and he practically short circuits as you explain your feelings towards him. 

That seems to be the thing to finally work on him, and he (not-so) begrudgingly agrees to go out with you. You’re happy, Lilia and Malleus are happy, and Silver is just glad Sebek isn’t moping anymore. 

Your relationship progresses shockingly well from there. He learns to ease up a bit, and you help him out a lot during that process. Even if it’s hard for him to admit, he is genuinely grateful for you, and even more grateful you confessed to him when he didn’t have the courage. 

Little does he know you’re about to do it again. 

You’ve been together for a while now, and you really want to get married. If Sebek couldn’t even confess to you in high school, you know for a fact he would never be able to confess to you, even after all of his character development. Just because he’s less angry does not take away the fact that he’s still a bit of an anxious mess. 

That’s why you take on the role of doing the proposing instead. You’ve had it all planned out for a while now, and you think you’re finally ready to put your plan to action. 

You decide that the best place to propose would be at home. That way he’s comfortable and out of the public eye, just in case he does get a bit freaked out. You’re sure he wants to marry you, and you doubt he’d say no, but he might panic a bit if he’s caught off guard. 

Currently, he’s busy being a knight, so you’re home alone as you wait for him. When he returns home, you greet him with a homemade dinner, and you can tell that makes him incredibly happy. Sebek is a sucker for domesticality and you’re actively using that in your favor. 

Dinner is amazing, and Sebek is in a very good mood, and you decide this is the best time to ask him. You pull out your ring, presenting it to Sebek. He looks at you in shock, as if he doesn’t believe this is actually happening right now. You give him a tiny speech about how much you love him and how proud you are of him for how far he’s come, and that you’d really like to marry him. 

He continues to stare, and you see him swallow in nervousness. Then, he steps towards you, enveloping you in his arms, and you know that means yes. Sebek doesn’t even try to act all tsundere, instead choosing to be sincere as he gives you his official yes. You give him the ring, and he continues to hug you. You can tell you’ve made him very happy. 

Your wedding is a rather normal wedding. There’s a decent guest list, if only because he knows a lot of people from being a knight. The ceremony and reception are both quite simple, as Sebek has never been one for flashy presentation. He does get teased a lot by several of the guests for how nervous he was back when you first confessed to him, but it’s obvious that everyone is happy for him, and you as well.

[lxmelle]

Those letters for his students was like Gojo’s way of showing consideration for them.

That’s what Geto Suguru, the “Gojo translator”, would say to them, if he was there.

I mean, there was a reason they were best friends - Geto understood him the best. He helped him learn how to (and the importance of) connecting to others - how to not be lonely.

It was the same in the scene with Kuroi. Right before he shouted for Gojo over the time, he just instinctively knew how to connect with Gojo and helped others with sympathising with Gojo.

I didn’t play the JJK game but I think the undercurrent dynamics is similar. Their bond. The exclusivity. Love. The whole breakup was about their friendship. The change the new generation got was also due to the path forged by them. As it stands, Gojo is shown to be largely misunderstood and nobody aside from Yuta has shown much affection for Gojo. Maybe Yuji ... to some degree. But I digress.

Maybe it’s an unpopular opinion, but considering how Geto-centred Gojo’s GIGA Character book was, he was likely influenced by Geto’s strong protective love for his “family”.

It makes sense to me that Gojo thought it would be important to put the students’ minds at ease with any thoughts/questions about their family. Hence the letters to help tie up loose ends.

Megumi was shown to be thinking about his father, whin he assumed was out there somewhere. Even if he didn’t want to know, there is a subconscious level of unfinished business from thinking this. And to know that Gojo killed him, may have helped him realise that his sensei had his back all this while. He was worth protecting all this while. That chapter of his life can truly close.

And just how bloody typical of his sensei, who has no “delicate-ness” about him!

As a sensei, and as a person, Gojo always protected others from his own personal concerns. He and Geto both stubbornly lived & fought “alone” because this was just their belief as the burden of the strongest = to protect others. The line was drawn and Gojo only ever wanted Geto to understand him, hence his conversation in 236. Only ever needed Geto by his side: hence his only complex was Geto leaving him behind.

We see this in how Shoko felt distant from them both. Stating in her inner monologue how she could never love either of them, but she was there - insinuating what they had between them was not something she could give (love) but her friendship was there if only Gojo let her in. And we see it in how, when she tried to connect with Gojo post-unsealing, by including Geto’s body as someone to be retrieved, he was a bit taken aback, starting his sentence with a long pause “……...” and keeping it simple / not elaborating (だな - it’s like the equivalent of a “yeah” but implies agreement).

Also, the fact the students and others can joke and call him an idiot, etc. means he really hid it well. Gojo protected them all. (As a teacher and adult should, I guess.)

I’m reminded of this scene.

Geto helped Gojo empathise & “not bully the weak”, but to also consider what else may be important... even if they may not think so themselves.

Until they receive what they thought they didn’t want, only to realise it was what they needed after all.

Cuz… y’kow: people (especially children) don’t always know what they want or need.

Sometimes what you want isn’t what you need. What you need isn’t necessarily what you want.

Gojo & Geto lived through that too... didn’t they? On so many levels… wanting, needing, denying, losing, yearning. Carrying their burdens they had nobody to share with. Making decisions on their own. Giving to the other a piece of their heart. Sacrificing themselves. Accepting each others loneliness as their own. Thinking they were better off loving the other by being apart.

The painful lessons that shaped the way for the new world. Children given the protection from The Strongest Sorcerer of the Modern Era. Granted a world with fewer curses for 10 years due to the Strongest Curse User.

Children who had adults to guide, protect, and care for them.

Children who do not have to be killed for the mistakes of others, who were forced to commit sins, or for being born a certain way.

I think every single sorcerer who were adults helped the kids in some way. The layers and layers of this story is just... overwhelmingly beautiful.

Much remains to be seen now. I’m worried that Yuta will have to live in Gojo’s body and that Kenjaku’s eerie words of Yuta being “the next Gojo Satoru” will extend beyond that battle.

People on X seem to be speculating whether a world without curses will exist (going back to jjk 0 and Geto’s ideals). What of the barriers without tengen? Some question reality as we are being shown - is it an elaborate dream? Hm.

I hope for the plant/flower trio at least... Megumi and Yuji can use their shared tragedy as vessels who committed sins to bond and support one another. Nobara is a great buffer and heroine in her own right. Their dynamics are really amazing. Independent, yet so bonded.

I’d love to see Gojo & Geto at peace. I guess whatever happens, chapter 236 is a bit like salvation. And doesn’t Megumi’s smiling pic (above) look similar? If these two smiled as if they had no regrets , we can assume Megumi smiled sincerely upon receiving the letter, too.

As long as Gege doesn’t do anything to change it.

Please please don’t. They deserve a reward for their hard work and sacrifice!