#to make it clear again this is him during the new canon of the show

[angelcake10023]

Older Tang Reference Sheet for the Expedition AU ❤️

Since I’ve been teasing it in other drawings I thought I’d finish up and post his ref for you all lol

This is him 15 years after the events of the Curious MK plot, bringing us to about 41 years old and the start of the main series

For those who have been asking about the “cracks” on his face, they aren’t cracks per se but lightning-like scars he’s gained from occasionally overusing his powers. Just a fun little headcanon I threw in there as well as a few others : 3

[amnestria-the-elf]

So we're all just supposed to be fucking grateful that Larian gave us "new Wyll content" (evil ending for a man who is canonically incorruptible, what the fuck) and simultaneously broke him again (giving low approval greetings to a romanced PC, what the fuck).

I... I just... the simultaneous feelings of rage and utter hopelessness are overwhelming.

Listen, if you've read any of my posts you know I have a pretty clear "Don't yuck anyone's yum" policy. If you think an evil Wyll ending is interesting, fine. But here's why it falls flat for me.

First, like I said above, Wyll is canonically incorruptible. It's literally the entire basis of his character. He is a man who was coerced into making an infernal contract to save a city and had to pay a horrible price for doing so, then spent seven fucking years alone in the wilderness doing his damned best to protect the people of the Sword Coast, while all along telling his horrible, abusive patron to just fuck off already.

Now, could you argue that during the events of the game, Wyll develops a taste for evil? Sure. There are plenty of opportunities for his villain origin story to unfold. But they never do. His moral compass never wavers. Turned into a devil? He feels shame, because it's an outward sign that he was doing things for Mizora that were morally wrong, and he didn't see it before. His approval rating for the PC shoots through the roof if you save Karlach, a sure indicator of his true moral compass. His father kidnapped? Fuck that noise, we're gonna save him. Rescue Zariel's "asset"? Ugh, fine, but don't get distracted from the real reason we're here. His father gets tadpoled? Oh hells no, we're gonna take down these assholes and save the godsdamned world. His father accuses him of being an agent of a devil and is super pissy about it? "Everything I did, I did for the people of the Sword Coast."

For fuck's sake, he will leave the party if the PC gets too evil, even knowing it means he'll probably turn into a mindflayer immediately. Even if he's romancing the PC. Unwavering moral compass. So giving him an evil ending without also going back and changing everything about his character just feels like lazy writing to me.

Which brings me to the second reason all of this rubs the wrong way. Wyll deserves so much more content. More romanced greetings, more reactions to other characters' choices, a final boss battle that is actually about him, a default ending that actually makes fucking sense (I have another post cooking about the Avernus ending, so I will leave it for now.)

And please, spare me your "But Wyll was rewritten after early access" bullshit. That's Larian's problem. They chose to listen to feedback and do a late-stage rewrite. They then chose to implement it poorly and never fucking fix it. Other characters, who already have far more content than Wyll, have had even more added over the course of the seven released patches. Wyll, on the other hand, has been sitting around completely ignored until now when we get this evil ending.

Many have rightfully pointed out the inherent racism steeped in all of this. I want Larian to be better. But as Maya Angelou said, "When someone shows you who they are, believe them." I already didn't have much hope about Patch 7 for Wyll, but this... honestly, this is worse than him just being ignored again.

The thing that kills me the most is that this is just going to be more fodder for the fandom to completely mischaracterize Wyll, for those who already haven't bothered to think critically about his character at all to just be like, oh, cool, Wyll is evil now. Nope. You've completely missed the point.

I'm just... so tired. I've worked very hard to put this little bubble of Wyll enthusiasts around me (hi friends I love you all!) so that I can hold on to some shred of sanity in this fandom. The world needs heroes of color. Just let Wyll be the hero in peace.

[stanpinesdykewife]

How do you feel about breeding kink ? Kinda a request for Stan/reader haha

HELLO thanks for sending this in! so i've never been a big breeder (breeding kink enjoyer) but you and several others are really into it so i finally gave it a shot!!! enjoy! and check out my friend's breeding kink fic at the bottom if you're into this :) under the cut:

knock knock stan/reader (fem!reader) (unless you're me and can ignore the gender implications of "mommy") pre/during/post-canon/unspecified smut, 1954 words (bonus: fic rec at the bottom)

It starts out like the normal, mostly-vanilla sex you usually have with Stan.

You two go out, get tipsy, come home, and make it through approximately half an episode of your joint show before slipping into a sloppy makeout. It's not exactly routine, but it's expected, and it's a hit for a reason. Sex with Stan is good, full stop. Which is why you’re always surprised when something new comes along that makes it even better.

“Hngh—Fuck,” you choke out, your voice catching behind your teeth as Stan sinks into you. You're on your back, staring with bleary eyes at the sight of Stan's flushed face above you. He's sitting on his heels with your ankles on his shoulders, his hands holding firmly at your plush hips as he grinds into you. “Fuck. God, please.”

“Told you you'd have to beg for it this time, didn't I?” Stan chuckles, stroking over your soft skin with his thumbs. He sounds gentle, but he's grinding into you hard, enough that each forward roll of his hips has your whole body rocking with it. He'd been fucking you so hard earlier, so good, but he does this thing sometimes—he stops altogether to get you talking. He loves when you talk to him. “Go on, then, sweetheart. You want it, right?”

“Y-Yeah,” you say, stuttering at another press of his dick into you. You gasp when he pulls back, drawing out only halfway before grinding in again. Your voice is wobbly when you say, “Yes, yeah. I want it, please fuck me, oh, fuck—I wanna come. Wanna make you come in me.”

You know, even through the haze in your mind and the growing blush on Stan's face, that that's a normal thing for you to say. It never gets old, and it's never untrue. Asking Stan to come in you always feels really fucking good. You're having a really good night.

“I know, baby. You want me to fill you up,” Stan says, full-on smiling down at you. His eyes are warm and a little unfocused as he draws out again, then pushes in, keeping that same romantic rhythm he's had since slowing down. His voice is low, almost drowsy, when he adds, “You want it to stay there, too? Want it to take?”

“Wh—Huh?” you ask, your mind a little preoccupied to register all the words coming out of his mouth. You're a little too busy staring at him, at his dark eyes, his crooked grin, then lower, to the hair on his chest leading down to his belly. Stan huffs out a good-natured laugh at your obvious spacing out.

“You always ask me to come inside.” When your gaze finally wanders back up to his, he's already staring at you. Stan chuckles again and adjusts his grip on your body, unintentionally hiking your hips up a little. He clarifies, “It's almost like you want me to knock you up.”

Your jaw drops open at that. A new wave of heat curls in your abdomen, making your fingers twitch, and your legs suddenly tense. Stan was half-joking, you know he was, but it's too late to pitch him a laugh and play into it. His brows raise, and you can practically see the gears turn in his head when you blink at him in mild shock.

Then the light bulb clicks on, and Stan's expression brightens in the way it always does when he learns something new about your body. Despite yourself, you smile, too, a flustered giggle bouncing from your throat when you realize he's about to pounce.

“W-Wait, I didn't—” You have no clue what excuse you were going to give to clear your name of a kink you didn't even know you had, but Stan interrupts you so you don't have to find out. You squeal when he suddenly grabs you by the thighs and adjusts your body, manhandling you into a new position. “Stan—!”

“You like that, huh,” he snickers, not unkind, as he shuffles himself up onto his knees without pulling out. One of your legs almost falls off his shoulders, but Stan quickly corrects it before snatching a pillow from your left and shoving it under your hips. He leans forward slightly, asking you again, “You want me to knock you up?”

Before you can answer, Stan gives you the first proper thrust he's given you in a while. Your back arches as you moan, your hips automatically rocking up into his as he starts a steady pace. Your hands grip the sheets, and you try to stave off the mild embarrassment in your chest. You try to welcome the excitement instead, growing warm in your stomach, making you tremble.

“That's right, honey. Feels good, don't it? Gonna put a baby in you.” The humor in Stan's voice fades slowly, overtaken by his little grunts as he fucks into you. You moan at one particular angle, Stan's dick pressing perfectly up against that spot in your pussy that makes your legs shake, and Stan chases it. He leans forward, over you, making your voice pitch higher and higher. He groans, “Fuck, so wet. You're all nice and warm for me, sugar. Perfect for my spunk.”

“Ugh, don't—ah—call it that,” you huff out, voice cracking in the middle as Stan picks up speed.

“Whaddya want me to call it?” he laughs. “My come? My kids?”

“Fuck,” you moan, like the breath's been punched out of you. Stan's hips stutter, and something in the air shifts. He groans, leans forward more, and soon your body is bent deeply at the waist with your legs hooked over his shoulders, your knees close to your chest. You don't know what this position is called. A breeding press? A mating press? The specifics are lost on you as you open your eyes, blinking up at Stan's handsome, flushed face.

He’s breathing deeply above you, his hot breath mingling with yours as he plants his hands on either side of you. Stan’s been teasing you all this time, but all of a sudden it doesn't feel so lighthearted anymore. Stan pauses when you meet his eyes. Shifts his weight on his knees.

“C-Can…” You swallow around the words. You're fucking salivating. You look at Stan shyly, through your lashes, and find the courage to ask, “Can you please put your kids in me?”

“Holy Moses,” Stan says, and then he's kissing you, all sloppy and heated and so fucking turned-on. You moan into his mouth when he starts pumping into you again, fucking his hips down into yours, and this angle is so fucking good you can't believe you've never tried it with him before, holy fuck. Stan is so deep inside you, pistoning his hips so hard he's fucking you right into the mattress with each thrust.

“Ah, ah, fuck, yes—” you gasp, breaking the kiss. Stan groans against your open mouth before pulling away, his eyes screwed shut as he presses his forehead to yours.

“Fuck, that’s hot,” he grunts, shifting so his forearms are caging your head, holding up his weight. “Gonna fucking fill you up, gonna make you have my fucking kids—Fuck, I'm already close.”

“Yes, yes, please,” you whine, voice strained as you reach up to grab hold of something, anything, to keep you grounded. You feel like you're floating, so warm and dizzy at the thought of Stan filling you to the brim, and your hands somehow find their way up into Stan's hair. He groans again when you tug, and gives you a particularly rough thrust that makes you gasp. “Ah, shit—! Yes, I want it, want you to come in me, fill me up—”

“Yeah, just take my fucking load, baby, just take it,” he breathes, somehow much more intelligible than you are even as his hips start fucking into you unevenly, losing their rhythm. But Stan's thrusts get harder, his dick reaching deeper into your ready cunt, so deep you swear you can feel his precome leaking into your cervix, or maybe the thought of it is just so good that you're making shit up. But you snap back to reality at Stan mutters, his voice gruff, “Gonna come so deep in you, sweetheart—Hah, fuck, that's—Gonna make you a fuckin' mommy.”

You're coming, an intense orgasm rolling through you and forcing one loud, drawn-out moan from deep in your throat as Stan fucks into you with a few more frantic thrusts. You're gasping, cursing when you can spare the breath, and then you're whining high in your throat as Stan presses as deep as he can fucking go. His voice catches for a moment. Then he groans, long and loud, right into your face as he comes deep in you. It's so hot, literally, you can feel the heat blooming in your fucking cunt, can feel the way his thick dick twitches with its release.

“Fuck—Fuck,” Stan swears, shifting again so he can slide one hand to your hip. He hikes it up and shuffles closer on his knees, sighing once his lungs have the capacity. You're still catching your breath, still dizzy with warmth and post-orgasmic bliss as you think of that pocket of come being plugged inside you by Stan's softening dick. Stan breathes deeply in, then out. He’s still riding the tail end of his orgasm when he murmurs, “You okay?”

“Mm. Yeah,” you manage, carefully unwinding your fingers from his hair. When Stan can lift his head to look at you, his face is red with exertion. There's some drool slipping out the corner of his mouth, and you try a smile. “You?”

“Yeah,” he says, but he sounds distracted. He studies your features, reading your expression, and whatever you managed of a half-smile drops.

“What?” you ask. But then Stan nudges his hips back, just an inch, and slowly presses into you again. Your breath hitches in your throat, your hands flying to his shoulders to grip him there. “What are you—Ah, ah, fuck.”

You feel exactly what he does. Stan's come is slick in you, it always is, but the new connotations add so much to the warm, wet pool within your body. Stan grinds into you, getting your thighs and his abdomen slick with your come, then pulls out again. When he pushes back in, you both moan at how fucking easy it is. There's no resistance. His come is sticking the way, making it easier for him to fuck you.

Stan is still breathing deep, but another smile plays on his lips. He’s close enough that he only has to tilt his head slightly to kiss you, but it's chaste nonetheless. His grin is bright and affectionate. But it isn't quite innocent.

“You wanna try for another?” he chuckles, his hand smoothing over your skin to dip between your bodies, to press gently, reverently against your stomach. You jolt at the touch, but eventually your hips start rocking into him. Stan doesn't move. You're intoxicated by the thought of him keeping you like this, pinned beneath him, full of his come and plugged by his dick as he brings you to the edge with his fingers.

“Ah, shit—Fuck. Yeah,” you say, the corners of your mouth rising up to match Stan's grin. You play along easier this time. “Yeah. Please. As many times as it takes, right?”

“Gotta knock you up somehow,” Stan says, keeping eye contact with you, his voice oozing with affection. You chuckle at him. What a softie. Then his fingers press a little harder on your stomach, then dip lower, lower, to really touch you, and your mouth drops into a moan instead. “Gonna be such a good mommy.”

You're having a great night.

(inspo from Family Planning by burberryali, which dropped super recently and helped a lot while i learned to write this!!! if you like breeding and fluff and stan in general... which i know you do... this fic is for you! show it some love!!)

[valenschmidt]

Let’s not spread false information - it’s never been said it WAS supposed to be Tommy & Eddie. It was said it was a possibility, not a guarantee, but it quickly fell through.

Then Tim revisited the idea of bisexual Buck that got shot down (by Fox, I assume cause, well, Fox) and he then made the effort to specifically get Lou, because he is fond of him and yes there would be no need to introduce a brand new character and thus Tim started writing his lil romcom as he calls it.

Well if you wanna get technical let's get technical...

Tim Minear confirmed that he wanted Lucy in the very beginning but since Arielle was not available THAT LEFT TOMMY. So no, he didn't get Tommy because he was revisiting the idea of bi Buck. It was the other way around. BECAUSE Lou was available and Arielle wasn't, Tim decided to revisit the idea he had had during s4.

So no... He didn't make the effort. Lou just was available and Tim didn't want to introduce a new character to explore Buck's sexuality and therefore Tommy

They even let us know in the show that Hen requested for Lucy and Tommy just happened to be there

And then he had to choose... Ryan himself confirmed during my previously mentioned podcast interview that he didn't know to which one of them that storyline was gonna go so yes it was a "possibility" but it went to Buck because Tim (and maybe Ryan) didn't believe that it was a storyline that fit Eddie so Tim went to Oliver instead. Oliver also confirmed that he was approached with the Tommy idea in the early days of preparing either eps 2 or 3 so it was something that was decided as they were filming so Tommy definitely wasn't the original plan

It was ALSO confirmed yes that the main reason Tommy was chosen to be Buck's first male love interest is because Tim didn't want to introduce a new character which doesn't go into bt favor since Tommy's place could literally be filled by any other man

So yes Tim chose him but trust me when I say he's no Endgame. Especially after all the trouble bt have been causing. Tim called it an entry relationship and yes Tommy is important to Buck because he's his first boyfriend. But there are no wedding bells in the horizon...

ALSO LET ME ADD! Thanks to the lovely @/fiooredimaggioo on Twitter that Buck was supposed to have a big storyline involving Natalia and their break up that was gonna go throughout s7 but because Natalia's actress wasn't available this was scrapped

And as we've been able to see in canon... there is nothing tender and positive about their relationship because Tommy doesn't actually listen to Buck or understand him. So yes... bucktommy is canon now but with the way he's been excluded from every promo/bts/content since they started filming (even though we all know he's coming back) well that doesn't sound good, does it???

AND because I'm petty I'm gonna add this. During the days previous to S7 Tim kept posting buddie stills on his Facebook account (the first one he ever posted was of Eddie himself)

Clearly you can tell Tim has a favorite right??? And I shouldn't even bring up the first still of s8 he posted just a couple of days ago...

Oliver liked a couple of bucktommy posts yes but after 7x04 he never liked a bucktommy post again and just kept liking and posting buddie content

And to finalize...

The ONLY post he liked post 7x10 was a buddie one so... if Oliver himself had to choose Buck's Endgame well the choice is pretty clear

Hoped this helped...

[terezis]

ok here's the hot goss from the nycc taz gn panel

i don't actually know whether or not it was recorded/ if they're going to put it online so here is my summary. also if i miss anything and u were there pls feel free to chime in. spoilers obviously!!!

got eight new preview pages (four two-page spreads), not the pages on the macmillan website!!!

ok i will tell u about those pages but the main thing discussed at the panel was how they went about adapting this arc into gn form. the actual time spent in wonderland has been trimmed a lot bc they had to think about what was actually important to the narrative as they are building to story and song.

basically in planning out the suffering game they also really had to decide what the rest of the series would look like, bc whatever they include now is seeding the stuff that's going to happen later.

cam is not in this book. it was implied there's less wheel spins. rowan/ash/sterling get much less screen time

almost half of this book is lunar interlude stuff (pre and post suffering game, INCLUDING REUNION TOUR!!! no word on where it ends but they made it clear that a LOT of thought went into what to include and where to end it, and what that would mean for the next book)

ok so about those preview pages

first one was post-taakitz date with kravitz sensing a lich and the umbra staff shooting at him <3 <3 <3

i thought they were going to show us the preview pages that were on macmillan so when i saw kravitz i was so shook

second spread was magnus visiting the voidfish, which now happens right before they leave for wonderland; the whole beginning of tsg from magnus trying to talk to pringles to him kidnapping those guards to the chimera fight was cut LOL bc it never really got… addressed again in the podcast

angus comes to get him for the mission but magnus has been going Through It (outright stated, they were like. he found out he's a red robe. he would probably not be handling it well. he has eyebags now. LOL) and snaps at angus when angus presses him on what's wrong.

more angus content, he will be investigating what's going on at the bureau more (his scene w magnus ties into this)

same for lucretia! more content/ stuff for her to do

third spread was merle w his kids getting saved by the red robe, is at a carnival instead of a random street this time LOL

last one was the boys arriving just outside of wonderland

wonderland looks fuckign cool

what else… oh confirmed like eighty panels of bare ass naked magnus after he gets his body back. so i think we really are getting the full reunion tour this book???

ALSO NAKED BARRY COVERED IN SLIME. WHEN HE GETS OUT OF THE POD. CONFIRMED. CANON. LOL

omg ALSO!!! ben (editor) said he campaigned REALLY HARD to have the umbra staff break during the suffering game, freeing lup early, bc he really wanted more time with her, but griffin campaigned really hard NOT to do this, and in doing so his arguments solved a lot of other problems they had been having at the time LOL

travis is the fans' champion when the others get too edit-happy. he's the one who has a good idea of what moments are important to the readers so he's like hey… too far. don't cut that. and then they don't

justin leaves great notes and when they couldn't figure stuff out ben would often say "no it's fine justin will solve this." and he ALWAYS DID

this was news to justin

??? i think that's all the main points honestly i'm v picky about adaptations but overall i feel like these are good changes that make sense when translating the podcast to gn

that said i do hope taako still gets a washing machine dropped on him <3 do this for me carey <3

[vianbarnes]

my buddie going canon ideal scenario and why it could happen before eddie fully realises he’s gay

i’ve been cooking up this scenario for a while now but before going into it i wanna clarify that i don’t think eddie’s homosexuality is tied to buck and just that. i could write a full essay about eddie’s queerness without even mentioning buck. HOWEVER i do think buck could be the key to eddie’s discovery, the last puzzle piece that makes it all make sense.

narratively speaking, i think it could be interesting to see buck and eddie get to the same conclusion (that they’re in love with each other) but in the complete opposite way. while for buck it’s oh shit i’m bi > oh shit i’m in love with eddie, for eddie it would be oh shit i’m in love with buck > oh shit i’m gay. and obviously eddie is starting his own journey just now, so he might realise he’s gay and then it could click for him that all he’s been looking for was there all along, but i do think that - since this is a tv show - it would be interesting to offer a different side of the story to the audience. and yes i know that buck’s queerness and eddie’s queerness are very different already, but i’m specifically referring to their storylines leading up to buddie. (also this is just a personal side note but i think i would be lowkey crazy to have both of them realise they’re queer and still not understand their feelings for each other, like i know they’re dumb and dumber but c’mon!!!)

ok so now let’s put on the tinfoil hat

we literally know nothing about what’s gonna happen in the next episodes so i don’t have any solid theory on how we could get to this scenario. some of the interviews were teasing some potential tension (or angst even) between buck and eddie so my brain took this information and ran with it. a lot of us were also theorising a nde for buck, for eddie or for both of them at the same time and that could also be the setup for what i’m thinking.

but first let’s analyse where buck and eddie are right now (and in the upcoming episodes)

buck was just broken up with so now he’s trying to explore his sexuality and understand it more. it feels like the search for “his last” has just started and he’s excited to look at relationships and love through a new lens, but he also might feel a little discouraged that he has to do it all over again. he might be thinking “now that i have all these new possibilities, why is it still so hard to find my person?” (average bisexual experience i will tell you that much).

eddie on the other hand is slowly trying to forgive himself and love himself, accepting joy and not pushing away his desires and needs. allowing himself to feel certain feelings and just let go. he’s taking small steps to show up for himself just like he does for his loved ones every day (we still don’t know how far they’re gonna go with his story so the next episodes are definitely gonna be interesting)

so, with all that being said, here’s how buddie could go canon:

it’s late and buck shows up at eddie’s house. they’re in the kitchen drinking a beer, both leaning on the counter and not looking at each other at first. something has happened between them that they need to clear up (could be an argument, a fight or some very important words exchanged when they thought they were about to lose the other).

as much as i love a “because i love you!!” screamed during an argument, i don’t see that happening in this scenario. i imagine them having the softest, most honest and open conversation where they lay it all out - without even realising what they’re doing. at some point, buck is gonna say something that will make it finally click for eddie. if it’s an argument he could say something like “i need you in my life”/“i want you in my life forever”, or if this happens after a nde he could say “i can’t imagine my life without you”/“i don’t know how i could live without you” (i’m not a writer but you get the gist lol)

and that’s when eddie finally allows himself to feel what deep down he’s been feeling for years, and so he leans over and kisses buck. the kiss is pretty short: eddie pulls away almost immediately, as if his body was possessed by something and he just snapped out of it. buck can’t believe what just happened, but it takes him just a few seconds to realise and to grab eddie’s face and kiss him back. they start making out, they go out of frame, the screen turns black, the episode is over.

now let’s talk about the aftermath of the kiss. because if we know 911 we know that this goddamn show can’t let people just be happy so of course there’s gonna be some angst and miscommunication.

after the kiss, they don’t really talk about it. they might even get interrupted by something else (maybe eddie has to go to texas to get chris back?) so they have to postpone the what the fuck just happened conversation. and that’s when both of them start to spiral, but for different reasons. buck of course thinks that eddie’s distance means that he regretted the kiss, that they got caught up in the moment but that he doesn’t feel that way about him and he basically ruined their friendship. eddie is also freaking the fuck out: he’s panicking about how they could make their relationship work, how they could tell christopher, he’s questioning literally his whole life and past relationships like oh my god have i been gay this whole fucking time??, he’s worried about their jobs, how they’re gonna tell bobby and the others. basically questioning everything but buck.

being the idiots that they are, they’re gonna convince themselves that the other regretted everything and they’re gonna avoid each other and never have that much needed conversation. the 118 obviously notices that something is off, but no one knows what it is. until hen and eddie finally talk and he tells her everything: what happened, what made him panic and doubt everything and what’s stopping him from talking to buck. hen is shocked but not necessarily surprised. her and karen look at eachother (yes karen is there too because of eddiekaren bestfriendism that is very real to me) and then hen says something like “i don’t have the answers to all of these questions, but i’m sure of one thing: you love him and he loves you. you can figure out the rest together. go talk to him” (i think it would be nice for eddie to have this conversation with henren as a couple, since his biggest fears and concerns are about how they could make the relationship work)

eddie feels like he just woke up from a 20+ year long sleep. he runs out of hen’s place, hurrying to his car, and from now i’m picturing a full romcom montage with him just fighting for his life to get to buck’s apartment: traffic, construction work so he has to take a detour, his shirt is drenched in sweat so he has to go back home to change because surely he can’t show up at buck’s looking like that. once he gets home, he sprints to his room to find a new shirt (maybe he puts on too much cologne - the one buck likes - and he has to change again. just because it would be fun to see him in distress). he fixes his hair for the 100th time, grabs his keys, finally opens the front door and stops in disbelief. buck is on his doorstep, hand mid-air about to knock. they look at each other and in that moment they just know. they both lean in and go for the kiss aaand BUDDIE CANON !!!! (+ the buck at eddie’s door parallel finally having the romcom resolution it always meant to have)

of course i have no clue how we could get there, but i do feel like it would be true to the show if they didn’t immediately get together and if there was some angst between them. i hope that once they get together they won’t try to break them up (even just temporarily) so they might have to go through some shit at the very beginning of their relationship for that to happen.

alright tinfoil hat OFF folks. i always try to stay consistent to the show and only come up with theories that i could truly see being developed and i don’t think any of this is unrealistic. buuut i’m still a clown so who knows. quite frankly i’m fine with buddie canon either way (as long as their first kiss is initiated by eddie and it happens in his kitchen <3)

[shima-draws]

Tell us about the AU! I know you want to!!

WAUGHHH. AGHHH. OKAY. OKAY SO. I've been watching one of my favorite content creators play through the DLC. Early on in the playthrough he was tossing around theories and said "Maybe KIERAN is Ogerpon??" and that gave me a BRILLIANT THOUGHT.

Ogerpon Kieran AU.......

I've already thought of a very long and complex backstory for this LOL but to simplify it. Before the ogre and its human companion came to Kitakami, said companion was actually living a very happy life with his child. However, they were caught up in the midst of a great war that ended up taking the child's life. The man was so overcome with grief that it summoned a great being (I'm thinking Xerneas), who blessed his dead child with new life. And that child was reborn as Ogerpon!! So kinda like how children who get lost in the woods and die are reborn as Phantump.

Fast forward to many many years later. A long chain of events leads to Carmine's grandfather's...father (so, her great-grandpa?) meeting Ogerpon and vowing to make it a new mask, a mystical and powerful mask that could grant wishes. Sadly, Carmine's great-grandpa wasn't able to complete the mask before he died. This project was eventually picked up by Carmine's father (and I have a whole other thing about him but I'm not gonna get into it right now lol). Carmine's father forms a very close bond with Ogerpon as he continues to gather materials to finish the wish mask. He expresses his desire for Ogerpon to finally be able to walk among the villagers with its name cleared, and for Ogerpon to meet his only daughter. He leaves for a journey to find the last material for the mask...and never returns 😔

Carmine's grandfather has a whole complex about the wish mask, but after seeing both his father and his son dedicate so much time and care into completing it, he takes the last material, imbued with the hopes and dreams of his family, and finally finishes the mask. When he presents it to Ogerpon, Ogerpon dons the mask and its wish is granted...it becomes human :") So it becomes Kieran, basically!! Kieran's wish was to be able to say thank you to all of the generations of mask makers that had helped him, and. To be part of their family 🥺 What he doesn't know is that his wish to be human stems from the fact that he already was human, once. But he doesn't remember his life before he was reborn as a Pokemon.

So, Carmine's grandfather happily accepts Kieran and his desire, and takes him home to live with him and Carmine. Note that Kieran is probably around 5-6 at the time, so he's BABY. And Carmine is only about a year or two older. She isn't sure what to think about suddenly getting a new brother, but she's happy to have someone to boss around lmao.

And once a year, during the festival of masks, Kieran lets his facade fall and wanders around as Ogerpon again. Just to keep in touch with his roots haha

So obviously with Kieran being Ogerpon the events of the DLC will play out differently than canon. Kieran slyly compliments the ogre in front of the player and mentions that maybe it's just misunderstood. He's been trying for a while to change the villagers' minds about what happened to him and the Loyal Three all those years ago, but it hasn't been going...too well lol. So when the player shows up, and things start to shift, Kieran gets really excited bc he realizes he finally might be able to clear his name :")

Is this AU silly and dumb as hell? Yes. Does it not really make sense with canon and is full of plot holes? Yes. Am I brainrotting over it anyway? Also yes.

Take a little edit I did of Kieran's official art to fit what I had in mind for the AU ;) I wanted to draw it but I'm at work rn lmao RIP

ALSO LITTLE DOODLE OF THE BOY

ALSO bc of Ogerpon's original gender Kieran probably goes by he/they pronouns in the AU

[iikisa]

heres more teacher rin au!!!!

ill have some more deets under the cut about this hehe

Welcome back aoex fandom… I’ve decided for this AU to be called “Tightrope”!!!! Haha,, yeah it’s definitely not what i was saying earlier in that ask..

But yeah!!! I’ll be tagging any post related to this AU under a tag from now on! ;)

(The rest of this will contain spoilers from the manga, but then again this whole AU has been spoilers..)

Alrighty, this time we’re going over the reason for Rin’s appearance… Just as in the manga, Rin becomes “unstable” through Yukio breaking his sword, except in this tightrope au, their relationship was much more rockier than it was in the manga. So much stuff that wasn’t cleared up, lots of avoidance, not so much emotional stability.. There’s a whole background to how Yukio and Rin’s upbringing would’ve happened in this AU because of their little aged-up situation— some events are interpreted differently to fit and others are just completely new, you can assume— so obviously things happened differently between them without Yukio being the cram school’s teacher and Rin actually attending said school to begin with…

So, now that Yukio left Rin for Illuminati, leaving him completely lonely and without a proper purpose to live for in life… Rin’s demonic nature is left in a “tightrope-like” situation.

See how the title relates? And boy does it apply for many other things too.

Where is Mephisto to help with all this you ask? Oh he tried to offer Rin help by going into the past, but even after learning of his origins (I don't think it helped his self-esteem much tbh) Rin still finds himself unable to "restabilize". Like in the manga, it's not until Rin truly accepts both sides to himself is he able to truly stabilize. This AU is obviously more heavy on the twins terrible communication and relationship, so obviously this will be harder for Rin.

For as long as he can remember, Rin's always thought of himself as a nuisance to his family. And with Fujimoto's death, everything seems to be Rin's fault and he's not stupid enough as to not notice the pattern. Unfortunately, this really eats away at Rin, especially with how distant Yukio was with him. So until Rin can learn to accept the uglier parts of himself, he won't be stable. And Yukio is the most important part for him to realize that.

Now… time for the appearance explanation.

When Rin first "unstabilizes" his hair, ears, and eyes change (other smaller details like his canines as well as the newest addition of little nubs on his forehead). The more "unstable" he is, the more prominent these features become—his hair is wholly whitish-blue, his ears and canines are pointier, his eyes are sharper and more vibrant, and his little horns get bigger.

After becoming a not-so-substitute-teacher for the cram school, these features start to become smaller or fade away!!!! Depending on Rin’s emotional state—negative emotions lead to instability and positive emotions leads to stability— his appearance changes. The happier and healthier he is, the more his black roots take place (his original hair color) and the duller his other features become!

Now as for his flames.. I think some logic may be off canon for this but it’ll be fine! He can freely use his flames like he does during the final war-against-satan arc, however, his state of stability changes how precisely he can use them. The more unstable he is, the broader and rougher the attacks. When he’s more stable, his attacks can be more precise and controlled, such as shaping his flames into weapons and other uses.

Anywho, I’ll have to start on making these differences more noticeable for the Rin’s I’m drawing out, because I do like to draw him at different times of his life (if you take note of his hair,,, its one of his best indicators ahah). But yes. Now that I’ve written this concept out (after I drew these sketches whoops) I’ll be showing off a little more of the story once some heavy inspiration hits me. I hope you guys enjoy hearing about this AU as much as I love writing and drawing it!!!!! I’d love to hear feedback or any fic recommendations..! They are my fuel.

Thank you for listening to the end, much love <3

[astaroth1357]

Most to Least Likely to Cry After Sex

Okay so, this might be a personal thing on my end, but I have long kept a running list of characters that I believe would cry after having sex. It is a perfectly natural response and there is absolutely nothing to be embarrassed about if it happens ... though it is surprisingly entertaining to think about in terms of fictional characters. And of course, I have a list for OM as well.

Contents: Nsfw/suggestive, depending on your definition, but not explicit. Emotional vulnerability explored.

~♡♡♡~

Levi

I think anyone could see this coming. Levi almost certainly has cried or would cry after sex. And depending on what you're doing, he may even cry during sex too.

Bless his little heart, it is 100% because he is always riding an emotional rollercoaster of the highest highs and lowest lows. The realization that somebody out there actually wants to be intimate with him would send his whole body into a meltdown. Have patience.

Mammon

Also kind of a no-brainer. He's only a little less likely to cry than Levi because he's better at putting up a front when he really wants to.

Unlike others on the list, Mammon gets super embarrassed if he gets overwhelmed and cries after sex but he rarely tries to hide it. It's kind of his way of reaching out for more affection, he wants to be coddled and reassured that his partner accepts him no matter what. He thrives on unconditional love like that.

Satan

Hear me out. Satan is canonically a kinky little fucker, I don't think he would cry after an especially "playful" rendezvous. It would be the really soft and intimate moments that get him everytime.

We have to remember, he's still a little new to this whole "experiencing feelings" thing. An emotion as overpowering as love is going to flatten him like a steamroller. He won't even realize that he is crying until his tears start staining the sheets. Be gentle. Talk him through it. Again, it's perfectly natural if it happens.

Belphie

I think Belphie will cry for bratty purposes more than anything else. I am wholly convinced that he will cry on demand if it gets him what he wants.

Lord forbid the MC tries to go anywhere before Belphie is ready because he may just grab onto them and start the waterworks. If you could withstand the full force of a pouty, teary-eyed Belphie begging just "5 more minutes" of cuddling, you're a stronger person than I am.

Simeon

Only lower than the other guys by virtue of having quite the stranglehold on his inner emotions, but he will let them out if he's comfortable to do so.

Let me be clear, Simeon wants to cry everytime. He wants to lose himself completely in his partner and let it all wash over him. It's just the social and moral questions surrounding what's happening that keep him from doing so. (Poor thing #1)

Asmo

Another person who can cry on demand or just get overwhelmed, but it won't happen often.

Put quite simply, Asmo's been around the block. He has a pretty good handle on himself even during his come downs. However, he knows how much it could mean to your partner if you're willing to show that side of yourself to them. So if MC says/does something that genuinely touches him, he will cry without shame.

Diavolo

Would almost certainly get misty-eyed if he was with someone he truly cared about. He may not cry, but he'll have to rub his eyes some.

Make. The. Prince. Feel. Loved. The realization that he has someone that he doesn't have order or trick into staying around would floor him. He's far, far too well-versed in maintaining a certain image to fully breakdown, but those feelings would all still be there regardless.

Lucifer

Also gets misty-eyed, particularly after make-up sex.

He would rather sheath his own nails into the skin of his palms than get caught crying, but if he really screwed something up (and was willing to admit it) then he would get a little vulnerable in the moment. It would be fleeting, though.

Solomon

It can get to him a bit, he's a pretty lonely guy, but he's more likely to make a joke or say something out of the blue just to hide from his feelings.

I don't think Solomon quite lets himself ponder or self-reflect on things that genuinely upset him. He's very goal-driven and future-focused, so indulging in these softer moments would be foreign to him. If he ever feels like crying, he'll immediately try to distract from it rather than letting the feelings out. (Poor thing #2)

Beel

I just don't see him crying. He's very comfortable with himself, he doesn't really repress his emotions, and he knows he's well-liked and well-loved. Beel would be just fine.

It's not a Solomon situation, of course. Beel does self-refect and he genuinely engages with others. I just don't think this would be a shocking level of intimacy to him. He already loves others about this deeply to start with, so just expect a really smiley Beel!

Barbatos

To be clear, Barbatos can cry and he has cried before in his life. It just won't ever be after sex.

Similar to Solomon, I think Barbatos lives his life with a certain level of detachment from the world around him. He wouldn't get overwhlemed after sex because he can't. It's not that his mind is elsewhere, it's that he blocks himself from getting too emotionally invested in such things to begin with. (Poor thing #3)

[getvalentined]

Thinking about Vincent's involvement in the Queen's Blood storyline and how it's the perfect explanation for everything going south with the game in fairly recent history even though the game has canonically been around for decades. It's genuinely so clever, I'm in love.

So, for anyone who hasn't done the full questline, Vincent is the highest ranking Queen's Blood player in the entire game prior to facing off against the Shadowblood Queen herself and the completion of the questline. (After this, ranks are adjusted worldwide because of game mechanics; Nanaki is rank 10 in the QB Arena at Gold Saucer.)

A lot of people have poked fun at this, like Vincent apparently learned the game really fast and was just naturally really good at it—but no, actually, Vincent played the game before. He's this good because he was champion level back in the 70s, back when he was human.

We know this to be the case because when you match against Lidrehl, he says "the Emerald Witch sleeps in Nibelheim with a monster of chaos, and that is where it will remain." This means that Vincent already had the card when Hojo killed him. It's not clear how the Emerald Witch came into his possession, but you don't make his rank without being a very active player, so it's clear that he was very prolific in the scene back then!

And back then, it was just a game. No mysterious deaths or disappearances. The myth of the Shadowblood Queen and the Emerald Witch was still there, as Lidrehl developed the game based on the story, but everything was fine.

This is definitely because Vincent was active in the scene, and he had the Emerald Witch. The Rebirth Ultimania implies that the Shadowblood Queen is a piece of Jenova (which I thought was pretty obvious since she calls Cloud a "puppet" and he's also apparently the only one capable of facing her head-on), and the Emerald Witch is the soul of a Cetra that serves as the silent warden to her imprisonment within the game. (Imprisoning monsters in cards is not new to the series, either, since FF8 literally allowed players to turn monsters into cards rather than fighting them.) Vincent being so active in the circuit allowed him to spread the Emerald Witch's influence through the scene and kept the Shadowblood Queen quiet, reminded her to keep her head down, kept her from trying anything at risk of being spiritually shitmixed again.

But then Hojo killed Vincent, and the Cetra warden Emerald Witch was in his deck, and that deck was tucked away with his things in Nibelheim. And so she spent thirty years unable to perform her ongoing duty to assure the safety of the planet. This time allowed Jenova the Shadowblood Queen to regain the power and confidence to manifest and start wreaking havoc again, finally building up enough strength to directly possess her current holder—during the period that Sephiroth is calling for Reunion, which presumably helped to really draw her back to full consciousness.

There's a whole detailed storyline here that makes perfect sense, with Vincent's murder literally being the catalyst leading to the resurrection of the Shadowblood Queen, and Hojo never having a clue what he'd done.

This is super interesting to me not only because it actually showed some of the more far-reaching consequences of Vincent's death, but also because it indicates that Hojo has unwittingly been Jenova's most loyal emissary for decades. He gave her his wife, his son, himself—and the first murder he ever committed served to imprison the only power holding a piece of her thought lost to history at bay, allowing her to manifest decades later with her own will and personality completely intact, something that she can't do through Sephiroth.

As it turns out, Hojo and Vincent have been opposing forces in supporting fate's "chosen ones," the forces around them capable of choosing the final fate of the planet, for much longer than either of them ever thought.

Still not a huge fan of the card game itself, but I adore the way it's been woven into the story, and strengthened it as a result.

[willowser]

now i wake up by your side—

bakugou x f!reader

wc: 2.8k+

tags: u.a. college au, canon-compliant, reader has a telekinesis/telepathic quirk, references (and potential spoilers) for the current arc in the manga, angst, a lot of secret hidden feelies

tysm to @alrightberries for giving me the opportunity to bring this lil thought of yours to life 🥺 your patience and understanding during the time it took me to write this is so appreciated it, and tbh you're the reason i'm even still here right now LOL you're so sweet, and i hold your kindness so close to my heart. i wish i could convey how much it means to me. i hope i did this even a lil justice !! happy birthday dear !!!! 🥺🩷✨️

Sero dreams of watching the sunrise on top of the Roppongi Observatory.

It’s a beautiful sight, one you’ve never seen with your own eyes, but you soak in the warmth flushing across his cheeks and the anticipated break of morning through the clouds. When he takes in a hefty breath, you feel the spring chill sting inside his chest, crisp and clear, like it’s you breathing instead of him, and it’s almost comforting enough to lull you to sleep, too.

But a clay pot shattering against a nearby bench has your eyes springing open, ripped from the haven you’d been lost to. 

You have to blink several times in order to fight through the exhaustion wearing you thin, but the evening returns to you in small, bleary doses. It’s the middle of the night—or at least it was when you’d first wandered out to the training field, and you can’t be sure how many hours have passed since then. Across the yard, you’ve successfully managed to carry four pots from the garden plot near the entrance all the way to your feet with your Quirk— but number five sits in pieces in the grass.

You’ll have to clean that up by morning or Eraser will make you run laps until you puke. Again.

Kirishima flits through your mind in a suit and tie: not as a Hero, but a spy of some kind, chasing down men with masks covering their faces and wielding a gun that looks odd in his hands, even in his own dream. Despite being back in the dorms, stories up and near the end of the hall, you can see it—hear him yelling out at the criminal to stop, feel the thud of the ground under his feet. His own determination blares through you like a freight train, as strong and damning as he is, and you fight to force yourself back inside your own shoes as you try to carry another pot.

Recovery Girl used to tell you that you did this to yourself: all your worry about losing sleep psyching yourself out of it completely, chasing it away before it even had the chance. When everyone is getting ready for bed, heading out of the common room and hitting the showers, you can feel that suspense building; what will come across tonight while everyone dreams? Fantasies? Or nightmares?

During the day it’s easier to drown out the foot-traffic of everyone’s thoughts—you do it without trying, now—but your brain needs rest, too. Letting go of control for even a second, just to get some shut eye is—

Something frightening is outlined in your peripheral vision, the dash of a pale shape you aren’t able to discern before it’s gone. The air turns metallic and stale and you can hear water sloshing, though you’re nowhere near the pools. All your blood rushes in your ears and your fingers curl, like you’re gripping your seat—gripping the edge of the couch in the common room, where you’d been sitting beside Mina when Kaminari put on that horror movie. The one with the—

“The hell are you doin’?”

Your eyes snap open for the hundredth time that night—show over, credits rolling—and it’s Bakugou. Standing only feet away from the new set of clay shards of your failure, tangible and real and staring at you with an intensity not even your dreams could mimic.

You blink, eyes stinging and heavy. You must look insane. “Oh, hey,” the voice that comes out of you is far-away, chartered off to distant lands, and he notices immediately, focus razor-sharp despite how late it is. “What did you say?”

Bakugou wrinkles his nose, like he’s offended at having to repeat himself. “I said, what the hell are you doin’? It’s nearly 2 in the morning and you’re out here throwin’ shit around in your fuckin’ pajamas.”

Almost on cue, the breeze brushes past your legs, chilly enough to have you shivering, and you peek down at them as if you don’t know what they look like. The sweater you’re wearing is from second year and the U.A. logo is half-worn off, but it’s the comfiest thing you own and if you’re going to be plagued all night by the forced intimacy of your classmates’ dreams—you at least want to be cozy.

When you look back up at him, Bakugou is pointedly looking away, taking interest in something other than your wimpy state of dress. 

It dawns on you then that he’s out here, too, in sweats and a simple back sweatshirt, hair a messy, golden halo in the pale, buzzing field lights. If you didn’t know any better, you’d almost think his face was a little rosy, but—maybe you’re seeing things.

Still. Being out and away from everyone, alone with Bakugou, makes your stomach tighten horribly. Like you’ve done too many sit-ups.

You try to brush off your sudden bout of shyness, because you know he’ll clock that in no time, too. “Well, I could ask you the same thing.” At the raise of your eyebrows, he only tchs, and casts you a filthy look. “But I think maybe I’ll just mind my own business.”

The face he makes is so awful and hot-blooded that you laugh, truly and earnestly, enough that a headache pulses to life. You wince, and the stream of pain that shoots down the middle of your skull brings back that image of Kirishima’s action-thriller: blood and knives, the sound of skin on skin, a fist against cheekbones, the ugly snap of breaking—

“Oi.”

Bakugou is closer than before, when you’re grounded back inside yourself. At least no pots have been broken this time. Less to clean up.

“Sorry,” you shoot him an apologetic smile that you know he must hate. “It’s just so—” your hand feels like it’s made of lead, but you drag it up to massage slow circles into your temple, trying not to grit your teeth and worsen the pounding in your head. “So loud sometimes.”

He’s silent until the pain ebbs out, and when you can blink without flinching, you peek up to catch how intently he’s watching your face. In the night like this, his eyelashes seem darker, longer, a kind of haunting beauty you would dream about, if you could get some sleep.

Again, you think of Kaminari’s horror movie, legs pressed against Mina’s under the heavy comforter she’d brought down from her room. It’s warm, the kind of pink, fluffy thing you’d imagine a girl like her to have—but it didn’t stop you from shivering every time you chanced a glance at Bakugou and found him already staring back.

The heat in your cheeks spreads to the back of your neck, so immediate that you think you might start sweating. “Dreams and stuff,” you murmur, by way of an explanation, “nightmares, sometimes.”

Bakugou's frown deepens, the muscle in his jaw tightening once as he grits his teeth. “What, you can just…hear that shit all night?”

“Usually,” you shrug, “It just comes in, you know? And I—” you steal another glance at him, aware, then, of just how intrusive you might sound. The veil of privacy is thin between you and others, and they don't often like being reminded of that. “Not for you, though. I don't—I don't get anything from you.”

And it's true, frustratingly enough. Not that you are ever intentionally peeking into anyone's head, but things slip through, occasionally—sudden reactions, wild, loose trains of thought. 

Bakugou's face twists, regardless, and you're reminded of all the times you've been forced to spar together, at Eraser's behest. One of the smartest in your class, quick on his feet and never without a plan; every time you've managed to get a hand on Bakugou, there's been nothing but a sea-shore calm.

It's hard to do and, at this point in your life, you've seen a thousand people try it—but he's the only one that's ever succeeded in keeping you at bay.

Nothing in his expression changes, but all your nerves spread to your voice until it shakes. “You're—I don't look in there, of course, but it's—you've always been…” Bakugou is terrible at taking compliments, you know that, almost as bad as you are at giving them. “Pretty, I guess.”

Awful, at giving them.

Embarrassment floods him, suddenly stained pink as he curls into himself. “Piss off,” he barks, and though he’s scowling at you in what must be disgust—you can’t help but to smile at how aggressively bashful he is.

You almost get the guts to make matters worse, just because you can. Admit how handsome you’ve come to find him, after the last few years, until his face is steaming in the sweet nighttime chill; the kind of intimacy you wouldn’t mind dreaming about again and again.

The absence of his thoughts are a comfort for your tired mind, has all the harsh edges of night fading into something a little easier to swallow, to breathe in. You know he does it on purpose as a strictly defensive move, but you almost want to thank him. For the quiet.

You don’t know if it’s from you or him, but when you reach a hand up to hover near his temple, the air buzzes between you, gently. Charged with that same thing that had you unable to look away from him in the common room only days ago. “In here, I mean,” you murmur, and the smile you pull on feels lame, but it’s as genuine as ever. “I don’t know, I don’t know how you do it. But it’s…nice.”

You’ve seen him die a thousand times.

Mostly in Midoriya’s dreams, sometimes in Eraser’s when he nods off during last period, but that horror—like many others, from that day—stains you all. When dinner is put away and showers are finished and the lights go out and the flood gates open, someone almost always relives the ugliness of it all; you’re more familiar with that moment than you are with any of your own.

Here and now, you close your eyes and see Jirou staring back at you, face beautiful and full of hope. You see Kirishima’s torn suit jacket and the blood on his cheek and the empty gun in his hand, the most dedicated secret agent. Aoyama is dreaming of his mother, something warm that makes you feel like you’re dazzling, too.

And yet—Bakugou is silent. Even right in front of you. Even after everything.

If anyone deserves the peace and quiet, you suppose it ought to be him.

“When’s the last time you got any sleep?”

You blink until his blurry figure is clear, and it’s like you can physically feel whatever energy you had left seeping from your body at the mere mention of sleep. “Maybe a morning or two ago,” you tell him truthfully, “I usually pass out after a few rounds of ‘throwin’ shit around’.”

Bakugou only stares at you as he digests the words, and once he’s gotten them down, he shakes his head before looking out over the mess you’ve made of the training field. With his head turned like this, you can take in the full weight of his scar—the one that’s wide and still baby-pink across his cheek. 

You almost get the guts to tell him he’s handsome. Almost.

Frustration is evident on his face when he looks back at you, but his voice comes out softer than you expect, like he's struggling to get out any words at all. “Can’t keep doin’ this,” he chastises. “Can’t be a Hero if you’re half asleep all the time. Gotta figure this shit out.”

“I am,” you give a lazy wave to your pots, “What’s wrong with this solution?”

“It's ass.”

“Alright, you have any better ideas, pretty boy?”

He bristles, visibly enough to have you snickering, and—you’re not sure what you expect of him; to continue his griping or leave you to your own devices, building his walls up high as he always does. Ever the fighter, ever the protector; maybe it’s a good thing, you tell yourself, because you’re weak like this and one of you needs to be thinking straight.

Despite his flush, there’s a playfulness to his grouchy expression, his raspy tone—and it has you leaning too far into things you don’t know how to name.

You never know what to expect of him.

There’s the slightest brush of skin against the back of your hand, and when you drop your eyes to the slowly-dwindling space between you—the rough pads of his fingers are touching you, gently. Softly enough to be the breeze, if it weren’t so warm.

You’re afraid to look at him, suddenly, like it will break whatever spell the night is casting over both of you; instead you press your lips together to stop their wobbling and the smile fighting to give you away. You’re waiting for that sea-shore calm, that quiet comfort, whatever it is he’s trying to offer you, strangely enough, in this moment. When you turn your hand over to catch his, the air buzzes again and the blood rushes in your ears.

You focus and—all you can see is your own face staring back at you. In a flash, like he’s cycling through his cards in a hurry, trying to find the best one.

You, across the arena during the entrance exam. You, in the locker room before the Sport's Festival. You, sitting in the common room during Christmas. You, ruined with tears and your own blood and covered in grime, on the darkest day of your life.

You, now. On the field in the stale light, prettier than you think you must look, for being so exhausted, the lines of your smile deep as you grin up at him.

—And then there's nothing.

The absence of noise is louder than anything. A stark, white silence that cuts through; a different world trickling away. A single touch and a little focus is all it takes to take root inside someone’s head and that’s always felt like a weapon, but now it feels like coming inside from a snowstorm, relief shuddering down your spine. Everyone else's fears and nerves and heartaches dissolve until they’re only a bitter taste at the back of your throat. Something far, far behind you

There’s just Bakugou. A strong silence that feels impenetrable, invulnerable to the outside. The steady beat of his heart is comforting in a way you didn’t realize it would be, has that bloody, dead-eyed image of him shifting into something else: another moment in Midoriya’s memories, of his silhouette standing in the sun, tall and fierce and alive.

Returned. Here and now with you, after numerous, unforeseen turns of events. You wonder if the ease surrounding you is his own, something else he’s sharing—or if this is just how it feels to be with him after so long. Maybe in the past it was different—you know it was; during the entrance exam, during the Sport’s Festival—but now you feel more relaxed than you ever have. A reminder that, no matter how dark the nights get, the sun is only just beyond the horizon. 

Returned, comforting and quiet.

(You won't know this until much later, but your hand will go slack in Katsuki's and his fingers will tighten around your own because he's not ready to let go yet. When your knees buckle, he'll already be there, awkwardly holding you up against his shoulder as his face flames and his eyes dart around the empty field, checking for any shitty snoops.

Ears is always up damn late, too, and there's a decent chance he'd get caught trying to haul you back to your room on the third fuckin’ floor, so there's really no better option than to gently lower you both to the grass. After a couple of minutes with no movement, the field lights will shut off and only the distant glow of the stars will remain.)

(You won't know this until much later, but Katsuki will arrange the both of you so that your head isn't slumped on the hard ground, but resting on the plush of his bicep, an arm around your shoulders so that the warmth can be shared between you both. His heart will pound hard enough in his chest to be worrisome, and every time you shuffle and scoot closer to him and nudge your nose into his sweater—Katsuki will fight to stay open and true, only honest with you in this wordless way.)

(You won't know this until the sun rises high behind your lids and your bones ache and he’s shown you things he could never say, but it's the best sleep you think you've ever gotten. With him, under the stars, surrounded by his calm and his constant.)

(You won't remember this but in your dream—your real dream, born from with solace Katsuki offers you—the morning will rise and settle in and he'll walk you back to your room despite the stares and in the elevator when you're alone, his lips will touch yours and you'll feel his  heart in your chest and his nerves in your stomach and his fear and relief all in one.)

(And right away, when you wake up, you'll finally have a name for this thing that's been blooming between you both for as long as you can remember—and he will, too.)

[carigm]

THE NEW ST VR GAME IS BYLER AND WILL BYERS GOLD!!!

Okay, so if any of you are on Twitter you might have seen mlvns throwing a tantrum over a clip from a new ST VR game. Here’s the clip:

https://x.com/1987byler/status/1761026225823449094?s=46

If anyone doesn’t want to watch it, I’ll describe it here. It’s a hypothetical of Will having a Vecna vision/or hearing Vecna talk to him set during pre S2 time. He’s listening to Mike talk about how different and amazing El was and he starts to hear Vecna’s voice telling him to “tell Mike how you feel” “your stomach is all in knots” “you don’t want her to come back��. Basically Vecna going “I know what you are” lol

Mlvns are grasping at straws and saying Will hates El because of something Vecna said to make him insecure, because that’s how Vecna operates. He puts negative thoughts in his victim’s heads and uses their biggest insecurities against them. I guess mlvns weren’t watching the Vecna parts of the show if they don’t get this. Never mind that this was also before Will ever met El, and well, it’s also not canon because it’s not in the show so…

Regardless of this game not being canon or fully canon, like I said, there’s a lot of emphasis on Will’s feelings for Mike. Like the game makers literally implying Will has been in love with Mike since S1…

As Vecna taunts Will, Will ends up hiding inside a memory of him and Mike at Castle Byers. His happy memory. It’s not like this show hasn’t made a big deal of characters having to use happy memories to find strength, it’s not like they haven’t been doing this since S2.

In another scene, Vecna finds Will in the UD and remarks how he is “the key to everything” you don’t say 💀

As for mlvn, well they’re as unimportant as always. There’s a moment where Mike mentions he hopes El comes back to play a game with them (remember the game is set pre S2) and the moment he talks about how cool El is, in which the literal focus is Vecna taunting Will.

Again, I can see why mlvns are so pressed and clinging to that line said by Vecna (which they think makes Will look bad) in order to avoid looking at the bigger picture.

Because even though this game isn’t fully canon, it’s pretty damn clear that Will having Vecna visions in S5 is a given. He will be taunted for his sexuality, his love for Mike, what happened with his dad. I wouldn’t even be surprised if there’s a vision of Mike rejecting him/choosing El over him. However, here’s what mlvns are afraid of:

Vecna is a liar, and they as much as us, know that if such a vision happens in the show Byler will be endgame.

Reality will be the opposite of Vecna’s visions, and that’s what they’re setting up. Will thinks he’s unloved, Vecna will use that to his advantage, Vecna will be wrong. It’s a simple set up really 🤷‍♀️

[wellofdean]

Sorry ,for me personally, it has to be out loud acknowledge to even remotely make up for how badly they treated fans over the years, the out loud queerbaiting in one breath and mocking in the next. The in text gay jokes, sexism and homophobia. The digs at their own fans.

They want the credit without having to do it. Again. They want the pat on the back they need to earn it this time.

Years of baiting for views and profit needs a payoff imo. Sorry people downplaying how important the canonization of this ship in particular is just hurts to see over and over. Stop letting them off the hook please. You deserve more. We all do.

It’s important. It does matter.

The cas/destiel hope baiting continued with the Winchesters and that’s why I’m at a put up or shut up moment with Jensen and the writers. He and Danneel kept the hype up every week that the show was airing all the while knowing cas doesn’t even get a name drop. He’s not even hinted at. Mary/john paralleled destiel so many times yet refused to call it want it was.

They could have shut it down week one, they interacted on tweeter a lot during airing and knew what fans thought there was going to be an acknowledgment or hint that never happened. They are smart people, they saw the speculation and hype but didn’t step in with a gentle ‘sorry guys this is about the new crew’ they fanned the hope instead with ‘something big happens’ that was just dean meeting the new team.

Loved the Winchesters as a show, sad it got dropped cause I loved the new cast so much. That said the baiting hurt and wasn’t necessary, the show was good.

Everyone is looking back with rose colored glasses and rewriting history. But things were ugly with the spn team/cast/writers at times. The homophobia was pretty out loud in a way it was allowed to be in the early 00s. They’ve grown and that’s wonderful but it still happened.

They need to earn the praise they want imo. No hate! Glad you are happy! just feels a little unfair to say we should all let them off the hook again and be happy with nothing while praising the benevolent straights. Just my two cents 😅💚💙

I want to answer this sympathetically, because I know it's disappointing that no one has been willing to just say "Dean and Cas are gay for each other" out loud, and I don't think there are many people in this fandom who picked up what the narrative was putting down, and were not disappointed in the finale for LOADS of reasons, only one of them being that Dean never had the chance to acknowledge what Cas said to him. I understand your feelings, my anonymous friend, I really do. I too found the end of Supernatural deeply frustrating, because they managed to erase the meaningful journeys of every single character, not just Dean, though what they did with Dean was the worst. I completely understand wanting them to JUST FUCKING SAY IT. I do. I get you. I simply do not agree.

My argument, which I have made many, many times, is that what you want is THERE in the narrative. They made Cas Dean's ride or die, they made it obvious that Dean can't carry on without Cas -- that the loss of Cas means Dean loses his will to live. That was explicit. They made it clear that more than anyone else, EVEN Sam, Cas is essential to him. They structured the narrative around Dean and Cas's emotional beats. They let Cas say the obvious thing out loud, and then showed us Dean behaving exactly as Dean would in a situation like that -- in the midst of his existential crisis about who he is and whether he has ever had free will, and with the world falling around them -- they showed us Dean unable to speak, unable to respond but overwhelmed with emotion. Like, remember that when Mary died when Dean was four, he was unable to speak? Is it really so hard to imagine that he loves Cas with all his heart? To read love in Dean's watery eyes, and the way he chokes down his heart and begs Cas not to do this? Not to being saying goodbye? I mean... I CAN DO THAT MATH. Literally everything about the story supports it. IT IS THERE.

Fandom always argues: if Cas were a woman, we wouldn't have any questions, so what I am just wondering is, why do we have questions again? Is it because we (homophobically) can't just see it for what it is because it's gay? Because, when it's gay we lose our ability to interpret narrative, and we need to be told, like we are 5 years old, what's happening in a perfectly obvious story? Or, is it a skill issue? Is it because we need the creators of the story to affirm our interpretation? We need the actors to just TELL US what they meant when they did that thing with their faces? Do we need their permission to understand it for what it is?

I've said many times that calling what happened on Supernatural 'queerbaiting' because no one ever made out or fucked on the maps table is really offensive to me actually. Don't you know that there are queer people in this world who never get to live their truths? Who just ache and yearn and want, and never get to have? Like, that there are in fact queer people who are afraid to say what they feel, or who don't understand or embrace who they really are and what they really need until it's too late? Are those not QUEER EXPERIENCES? I love Dean and I love that story because it's queer as hell and it makes ME feel seen, because I am like him! I am a queer person of his age who didn't ask myself those questions seriously enough in time! My own queerness is very fucking real, and it is UNLIVED. That HAPPENS to actual queer humans, and like, it's not queerbaiting when it's just queer, but didn't tell you the queer story YOU wanted it to tell. You saw years of tease? I saw years of choices, and love, and accretion of deep wells of emotion. I saw a clear romance, and a character becoming. It was a story I needed, AS A QUEER PERSON.

And the Winchesters was just joyful if you went in with that understanding of the previous story. It was like getting an A+ in Supernatural week after week from Dean himself. I can accept that the stars didn't align for Cas/Misha to come back in the first season, accept that if he were coming back, it needed to be more than a cameo to make it right, and that it didn't work out. I am so sad it was cancelled, but I can accept that it was leading someplace it didn't get to go. That's not queerbaiting, either! It's telling a story that was aborted, and I think if you don't see that, then that is DEFINITELY a skill issue.

I'm not looking back with rose coloured glasses; Supernatural is fresh in my mind. I watched it again without the internal pressure of expectations that aren't going to be met, and let it tell me what it was really doing all along. I am happy. It's a really compelling, deeply romantic, deeply queer story. I don't need permission from anyone involved to think that, and I don't need it explained to me. I understand wanting it to just be fully explicit, but I would not trade the story it did tell for a simpler, less engaging one, that asked less of me. I love it very much AS IT IS.

And, please: point me to this fabled abuse of fans. I have never really seen an example of it that is not easily debunked with a little bit of context.

[canonicallyobserving911]

Buddie: I'm excited to see what's next for Buck, Eddie and Chris

Going forward, unless it's for reference purposes, I will NO LONGER post anything about BT 2.0.

Before I explain why I won't be posting anything about BT 2.0, I'll begin with a brief summary. In 2021, I watched "The Shooting" live (related post linked here) and it was one of the best scenes in television I'd ever seen. Since then, I've probably watched it more than a hundred times and during the hiatus between seasons 4 and 5, I purchased every episode of 9-1-1's previous seasons and I spent the entire summer watching seasons 2 - 4 because I wanted to know more about Buck and Eddie's relationship. I noticed the emotional and casual intimacy they shared and when I compared it to the relationships they had with love interests, it was easy to see there was a huge and noticeable difference.

My excitement for the show dramatically increased before season 5 began in September 2021 and later that year, I found the Buddie fandom here on Tumblr and I was even more excited because I didn't know fandoms for TV shows even existed. By the time April 2022 rolled around, I finally decided to rejoin Tumblr (after being off it for a while) because I wanted to communicate with people who liked Buddie and the Buckley-Diaz family.

I started out by doing small posts regarding the things I noticed but a whole knew world was opened to me after I started reading METAs fanfics and theories along with viewing GIF sets and fanart. It didn't take me long to start posting my own METAs and speculations and I when I wanted to add GIFs to my posts, I taught myself how to make them on my iPad. In January 2023, I started posting some of the fanfics I wrote during season 5 and my fandom experience was further enhanced. It was an exciting time and I loved every minute of it.

Even though Season 5 was exhausting as hell because of BT 1.0, I still enjoyed it because of Eddie's PTSD arc and the Buckley-Diaz family scenes that were included. Eddie's my favorite character and I was happy to see him moving forward with his therapy and his life in general. BT 1.0 was dragged out for the entire season but season 6 looked promising... at least it did until it ended. I spent more than three months writing "Constructive Criticism" posts about all the things I didn't like and I was on the fence about whether I was even going to watch season 7. But after the str*kes ended and the promos for the new season began airing on a new network looked promising, I was excited again especially since the original showrunner (TM) had returned from LS and I couldn't wait to see where he would take Buck's and Eddie's storylines.

Similar to the title of episode 2x17, I should have been careful about what I wished for because even though it started out strong, after the opening disaster, it turned into a complete and utter dumpster fire and my experience in this fandom not only became exhausting; it was horrifically horrible because of a kiss between Buck and a PLOT DEVICE. Almost immediately, Buddie shippers started being harassed and were sent asks from blank blogs (they weren't anonymous for me because I don't accept those) telling shippers to stop posting about Buddie because they were never going to be better than BT and that we should just accept BT because they were CANON 🙄.

Anyway, needless to say, the last 7 months have been pure hell because of toxic BT Stans who have no boundaries, morals or fandom etiquette. Therefore, since I can't control anyone but myself, this morning, I made a decision that going forward, I'm turning the page on the BT 2.0 relationship because it's over and I'm tired of talking about it. I don't give a rat's ass about why TM chose to do what he did and why they didn't let Buck learn anything from it especially since this wouldn't have happened if whatever they were doing had ended in 7x5 but I digress.

Be clear, this is not a vague post at anyone in particular. I'm simply stating that I will no longer participate in fandom discourse about that relationship because I'm sick of it and I'm f~cking glad it's finally done. For me, it's taken a backseat just like EddieShannon, EddieMarisol, EddieAna, BuckAbby, BuckTaylor, BuckAli and BuckNaTalia because they're over and the characters are barely being mentioned in CANON, if at all. I'm done posting about these 'sunk ships' and the only time I'll include them in a blog post is when I have to reference them. Otherwise, I've moved on and I will not add anti BT or anti TK tags to my posts unless it's for blacklisting and filtering purposes because I don't give a flying f~ck about T.K. 2.0 anymore.

Now that it's over, I'm excited about writing Buddie METAs, speculations and theories again. Prior to season 8, I stopped writing them because I didn't want to and I didn't have the energy or the desire to do it due to all the toxicity. Since I was tired of being jump scared, I stopped watching live after 7x6 aired and even though I did watch 7x10, I wished I hadn't because it was a big nothing burger.

I'm excited because I don't have to worry about seeing Buck with that one-dimensional love interest who couldn't act his way out of a paper bag.

This Thursday, for the first time in months, I'll be watching live again and I might live blog the episode. I miss doing that and I can't wait to see what's going to happen with the call on the "Hotshots" set that has a fake firefighter hanging from the aerial and I wonder if Eddie will have flashbacks about the night him and Buck got struck by the same bolt of lightning.

The purpose of this long post is to say, I've moved on and I will no longer dedicate any of my blog space, writings or anything else to that relationship because the character doesn't deserve my attention. It's even more exhausting than BT 1.0 and they were in a relationship for the entirety of season 5.

Since I love Eddie, I'm ready to focus my METAs and speculation on what's next for him. I was planning to do a long post on 8x6 but I won't since I've already done two long posts about BT 2.0's breakup. So now my attention will be focused solely on Eddie until I finish the posts I want to do regarding his scenes. I loved the fact that he got the majority of the screen time at the end of 8x6 and when Buck showed up, that made it even better.

I ONLY SHIP BUDDIE! I ALWAYS HAVE AND I ALWAYS WILL.

I've turned the page and I'm excited to see where Buddie is going next. I'm ready for them to enjoy spending time together again without Temu third wheeling and infringing on their relationship. I'm ready for their son to come home so the Buckley-Diazes can spend time together again too. I don't know when Chris will return but I don't think it was a coincidence that there was a picture of him on the sofa table that's next to the door underneath a picture of Texas especially since it was in the middle of Eddie and Buck.

So, here's to me being excited for Buddie and ignoring anything BT 2.0 related 🥳🍾🥂🎆.

I'm ready to enjoy my Buddie fandom experience again by creating METAs, theories, speculation, GIF sets and continuing to write fanfics and I can't wait!

[antianakin]

I think if we can accept that there are things Jedi are shown capable of doing in canon that Cal is incapable of doing in the games due to video game mechanics (i.e. he cannot carve through locked doors or walls, and he cannot jump more than about 10 feet without dying), then we can accept the opposite as well: there are things Jedi are shown to be INCAPABLE of doing in canon that Cal IS capable of doing in the games due to video game mechanics (using the dark side in fights all the time without any real impact on him). Yes, Cal was given a "dark side" power-up ability, and yes, you can continue to use it for him over and over again and it seemingly has no real negative impact on his character. But this is how video games work, every time we get given an ability in the game, Cal is able to keep it for the rest of the game in order to explore new areas and fight new things. But that doesn't mean that that's how using the dark side actually would work for Cal within canon if he were shown in something like a film or TV show rather than a video game.

And if you look at the actual STORY within the game rather than the basic gameplay options, it's made pretty clear that Cal using the dark side is akin to losing himself. He CANNOT use it without that risk being there and he has to keep letting it go. The first time he uses it on Nova Garon, Merrin stops him by saying they've both lost enough people and she doesn't want to lose Cal, too. When they talk on Tanalorr before making it to the Temple, Cal expresses fear of losing himself. After the funeral, Cal says to Cere that he nearly lost himself during that fight with Bode. Over and over again they let you know through the STORY that Cal using the dark side is a bad thing that he isn't using without consequence even though the ability exists in gameplay without any impact.

Cal isn't a Gray Jedi, that's not how it works. The game is doing the best it can to tell you that the dark side WILL ultimately cause Cal to lose himself if he keeps using it even though it has to let you keep using the ability due to how video game rules work. Cal is a Jedi, full stop. The dark side is bad and twists everyone who uses it, full stop. Stop pretending video game gameplay rules are the same as the story it's actually telling when the dialogue practically spells it out for you.

[coelii]

let’s talk Castlevania lore~

so it occurred to me that, within the game material (I haven’t watched the TV show or anything like that so that’s not personally interesting to me for this discussion, sry sry), we don’t have all THAT clear an idea of why Dracula is A Bad Guy Who Must Be Stopped At All Costs, do we? I kinda feel like it’s mostly just treated as “c’mon, it’s Dracula, let’s go vampire killin’”

I mean we’ve got the accusation that he “steals men’s souls and makes them [his] slaves,” and, okay, if true (do we ever, like, see that?) I guess that’s pretty not great. And I’m willing to accept just a priori that he is A Vampire and therefore, okay, presumably there’s some drinking of innocent blood or something, not ideal. (Again, not sure that ever occurs on-screen?) I guess he also cursed Simon to have some pretty horrible nights? That’s not rad, i guess.

But like, fundamentally, do we ever have actual word in the games/game material of what exactly Dracula’s menace really IS? Just what kind of fate is the Belmont clan (et al.*) supposedly protecting us from? I guess I probably don’t want to live next door to an Active Vampire, but honestly it’s pretty amusing to me that I can’t actually think of what Dracula supposedly, like, wants.

(*from the Latin “et Alucard”)

So if we’re strictly looking at game material (and specifically main game and not the Lords of Shadow reboot) in my opinion there’s two origin games that have made a case for Dracula’s desires.

Castlevania Lament of Innocence

As covered in another recent ask, this is the official first game in the timeline

Here you play as Leon Belmont whose betrothed Sara is kidnapped by an ancient vampire named Walter Bernhard. Leon’s close friend Mathias Cronqvist, an alchemist who is grief stricken over the loss of his wife Elisabetha (who died of an illness while he was away), informs Leon that Walter was the one who kidnapped Sara and Leon goes to save her. Over the course of the game you learn that there are two powerful vampire relics and Walter is in possession of one: the Ebony Stone that produces darkness and makes Walter effectively invulnerable (as he is strongest in the darkness the stone produces).

You also create the Vampire Killer whip during the game which has the power to break the Ebony Stone and make Walter susceptible to damage. At the game’s climax, when Walter is close to Death (both metaphorically and physically) it’s revealed that Leon’s buddy Mathias had the other vampire relic, the Crimson Stone, the whole time. This relic absorbs the souls and power of other vampires (kind of a Ghostbuster situation).

Walter’s soul is captured in the stone, but Mathias uses it for his own dark purposes - to become a vampire himself and take revenge against God (whom he curses for taking his wife from him). Mathias eventually gives up his name and adopts the name Dracula instead and is canonically the Dracula in all Castlevania Games.

This origin story unfortunately leaves a lot to be desired in Dracula’s motivations because it basically amounts to Dracula being a man who’s just mad that God took his wife from him and uses another Vampire’s power (Walter) as his own. He isn’t noble or powerful without the stone (which is this red thing he wears in much of the official artwork apparently)

But I guess “stick it to the man” is technically a motivation…

Castlevania Legends

Now I’m a Lament of Innocence denier personally and would prefer to use the older games as the source to answer this question.

According to the Legend’s instruction book the story is:

IT WAS THE MIDDLE AGES IN TRANSYLVANIA. ONE MAN CAME INTO POSSESSION OF AN EVIL POWER, AND THE PRINCE OF DARKNESS WAS BORN. BEFORE LONG, THIS BEING HAD USED HIS NEW-FOUND SUPERNATURAL POWERS AND THE MAGIC POWERS OF HIS FOLLOWERS TO SPREAD HIS PLAGUE OF DARKNESS AND DESPAIR THROUGHOUT THE EUROPEAN CONTINENT, HE WAS COUNT DRACULA. EVEN TO MENTION THE NAME OF THIS PRINCE OF DARKNESS WAS TO CAST FEAR INTO THE HEARTS OF THE PEOPLE IN THE LAND, WHO WERE POWERLESS TO DO ANYTHING SAVE VOICE THEIR CONCERN. HOWEVER, AT ABOUT THE SAME TIME A BABY GIRL POSSESSING SPECIAL POWERS WAS BORN TO A FAMILY LIVING IN A REMOTE AREA OF THE COUNTRY. "YOUR POWERS ARE MEANT FOR A HIGHER PURPOSE AND NOT ONLY FOR YOURSELF” SHE WAS OFTEN REMINDED AS SHE WAS GROWING UP. THE PLOT OF THIS GIRL'S FATE BEGAN TO DEVELOP ONE NIGHT IN HER SEVENTEENTH YEAR WHEN SHE MET UP WITH THE YOUNG ENIGMATIC ALUCARD, WHO WAS ON A JOURNEY TO SEARCH FOR THE FATHER THAT HAD DESERTED HIM. THE YOUNG GIRL'S NAME WAS SONIA BELMONT, AND SHE WAS THE FIRST OF THE VAMPIRE HUNTERS IN THE BELMONT FAMILY TO BECOME LEGENDARY.

Now unfortunately this doesn’t tell us too much. In this origin Dracula exists already, obtained his power by coming “into possession” of it, and his motivation is simply “spread his plague of darkness and despair throughout the European continent” (Africa, Asia, the Americas, and Australia are all safe apparently).

Now I don’t want to theorycraft too far off the actual game material here, but I do know that Vampire Hunter D was heavily inspirational to the development of Castlevania. Many people know the anime films, but Vampire Hunter is a series of novels first published in 1983 (three years before the first CV game was released) and in these novels the being known as the “Sacred Ancestor” is the progenitor of all the other vampires and the oldest among them. He is known as the Vampire King or God and D is the Sacred Ancestor’s son (so to speak). This was the inspiration for Alucard, who we know in Castlevania lore to be Dracula’s direct descendant.

The VH novels present vampires as a race unto themselves, not the traditional mythos of humans given vampiric power (although they can still create vampires from humans).

Novel #17: White Devil Mountain (published 2014) is more explicit in this stating that vampires predate humans by possibly millions of years. The Sacred Ancestor, as the oldest among them, felt it was his duty to watch over his people and did many experiments over the years to try and save his race from eventual extermination (not necessarily by the hands of Hunters, but through a variety of circumstances). Some experiments included inventions that could block out the sun and give eternal darkness (a common theme in vampire lore).

The Dracula of Castlevania seems as much inspired by Bram Stoker’s creation and the historical Vlad Tepes as he was by Vampire Hunter’s Sacred Ancestor.

If the Sacred Ancestor’s motivation was as ward and protector of his race, acting in various ways to save them and ensure their continued reign and existence then I would say Dracula’s motivation is similar: “spread his plague of darkness” by ensuring that the curse of night spreads and his people can remain powerful and eternal.

In Short

Both games present Dracula as a man who obtained power through unholy means. Walter Bernhard’s origins aren’t necessarily explained in the game and it’s possible that like Vampire Hunter D he is of a race of vampires older than humanity and Dracula simply is just a man using his power as his own. However I feel Dracula’s motivation may still be similar to that of the Sacred Ancestor from VH: with great power comes great responsibility (thanks Ben!) and his duty is to protect and allow his people to thrive in a world hellbent on destroying them.