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thisfeelslike-iykyk · 3 months ago

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love languages ࿐ ࿔*:･ﾟ

pjo boys x reader (ft. percy jackson, jason grace, leo valdez, frank zhang, luke castellan, nico di angelo, will solace, ethan nakamura) backtrack: "hype boy", newjeans inspiration: I love thinking about love languages (little disclaimer that these are all obviously just my opinion)

percy jackson

giving: acts of service

how many times has this guy risked his life to save the world? percy jackson is a true hero, always putting himself in harm’s way to protect those around him, such as when he chose the prophecy to protect nico. he always takes risks to protect his loved ones, and he constantly puts others’ needs above his own.

receiving: quality time

I guess I based this off of percy spending a bunch of time with rachel before last olympian. but demigods are in constant danger, and percy would cherish every moment he spends with his partner because, unfortunately, you never know when it could be the last. I also thought about acts of service, since he was really grateful when annabeth and grover wanted to go with him on that quest in lightning thief.

jason grace

giving: acts of service

jason’s a giver. he literally joined the fifth cohort to bring back their glory. he sacrificed himself for piper (rest in peace jason, you deserved better) and his whole life has been about serving camp jupiter and later, camp half-blood too.

receiving: physical touch

this might be kind of controversial. I just think jason’s been in such a strict, intense environment since he was a toddler that he’s definitely touch-starved. he probably melts at any physical contact with his partner. I also thought about words of affirmation because he’s always been held to such high expectations, he’d really need someone just telling him they love him.

leo valdez

giving: gift giving

lowkey I put gift giving because too many people were getting acts of service. but genuinely I think leo would love making little trinkets and machines and giving them to his partner. he’s not great at being vulnerable with words or touch, so he shows his love through little actions. similarly, acts of service is also definitely a love language of his; think of everything he did to help calypso after all, even though I hate that ship.

receiving: words of affirmation

this is probably the one I’m most certain about. let’s be honest, leo’s been through so much shit, he’s been called so much shit, that he just needs someone to appreciate and love him and tell him that. plus, he’s so used to rejection that one “I love you” will send him into a spiral for days on end.

frank zhang

giving: physical touch

not entirely sure about this one, I need to reread heroes of olympus. but I bet frank would give the best hugs. you’d feel so safe and warm wrapped up in frank’s arms, and I feel like he’d be the most likely to be physically affectionate with others out of pretty much all the riordanverse characters.

receiving: words of affirmation

the second one I’m most certain about. frank is quite sensitive and definitely needs praise. not needs as in he’s an attention seeker, but needs as in he blushes bright red and smiles super wide when someone praises him. it just makes him feel so warm and fuzzy inside.

luke castellan

giving: acts of service

luke is like the embodiment of the statement “a hero would sacrifice you for the world, but a villain would sacrifice the world for you”. he did everything that he did in order to build a better world; I genuinely believe he thought what he was doing was right for the greater good. and he brought back the titan lord and fought a war for a cause he believed in--what lengths would he go to to protect his partner?

receiving: words of affirmation

luke’s never received any sort of praise or recognition; it’s part of why he resented the gods so much in the first place. if he could have someone with him just to pick him up when he’s down, to encourage him and shower him with praise and love, he’d be so happy. although I like to think he’s a touch-starved baby who’s really clingy with his partner too.

nico di angelo

giving: quality time

nico’s not a talker, he’d much rather listen or sit in silence with his partner. spending a lot of time with his partner would let nico feel closer to them. there’s a special sort of connection and understanding that comes from shared experiences. acts of service was also another contender. nico would do everything for those he loves. take bianca, for example, and how hard nico tried to bring her back in battle of the labyrinth.

receiving: physical touch

another touch-starved one. he was taken out of time for seventy years, came back and lost his sister in like five days, went through two wars, had to deal with coming to terms with his sexuality; the poor guy has been through tartarus and back (literally). poor nico. someone give him a hug. I also thought about words of affirmation, since nico constantly struggles with being isolated and would probably really benefit from some reassurance and support.

will solace

giving: acts of service

I mean, he’s literally a healer. he does everything for others. enough said, really. he puts others’ wellbeing first, and in the process sometimes overlooks himself and his own needs. which leads to. . .

receiving: acts of service

will is so used to people taking care of him that he never asks for help when he needs it. the little things, like helping him out when he’s tired, is the way to his heart. no one’s ever really looked out for him since he arrived at camp half-blood, and he had to take over the apollo cabin when he was barely a teenager. it’d be nice for him to have someone take care of him for a change.

ethan nakamura

giving: acts of service

I don’t know why so many characters have acts of service as a giving love language. maybe it’s because they’re heroes and fight and do stuff for their respective causes, so naturally they give off a giving or take-action vibe? but anyway, ethan fought and gave his life in order to gain his mother--and himself, honestly--more recognition. he takes action for those he cares about and always wants to defend his beliefs and help his friends, even though his ways may be a little questionable.

receiving: words of affirmation

really similar to luke. ethan’s always been undervalued and overlooked. he just needs validation and support. encouragement and praise would help him finally feel acknowledged, accepted, and valued.

I wanted to post this on valentine's day but I got too excited

divider by @cafekitsune

taglist: @loveinalocket, @raysmayhem-72

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schrijverr · 1 year ago

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It Just Hits Different When It’s Batman

5 times a League member heard Batman use slang + 1 time they knew where the fuck he got it from.

This fic is based off this post by @wednesday-if-it-was-tuesday bc it was just too good! Hope you don't mind :D

On AO3.

Ships: none

Warnings: none

~~~~~

1. Flash

Barry is pretty sure he has to get his hearing checked as he speeds through a city, trying to find a series of bombs, courtesy of a new alliance of villains. He and Batman are on bomb duty, thus sharing a private com line as to not distract the others or be distracted as they coordinate.

However, Barry is very much distracted by his own partner in this whole mess, because unless he’s gotten a few too many hits to the head in recent years, he’s pretty sure Batman just reported: “The bombs look like yassified thermos flasks.”

“What?” Barry chokes, nearly tripping over his own feet as he does.

Batman doesn’t seem to notice, instead explaining the bomb, not his wording: “The casing looks to be made from plastic, likely to escape Superman’s notice. Start checking water pipes, I found this one near a toilet. I’ll report again once I figure out how to disarm it.”

Okay, questing his sanity later, finding bombs, now.

So he zooms off again, having to agree with the fact that the bomb does look like a yassified thermos flask. He wonders if he can use that in his report or if Batman will scold him for language. He has worked with the man for long enough that he knows Batman isn’t above hypocrisy.

Then he wonders again if he even heard it right. In the heat of battle, the brain sometimes does weird things, especially when someone thinks at the speed of light. Or faster.

He’ll put it out of his mind for now, maybe tell Hal about it just so he’ll have someone to share the bizarre experience with.

Clark probably has a thesaurus, he should probably also find a synonym for yassified. Does a thesaurus have slang too?

2. Green Lantern

It’s true that Barry had told him about Spooky saying yassified in that one battle, but Hal hadn’t truly believed that Bats was capable of something like that. I mean, look at him. The guy might be a weirdo who dresses up as a Bat, but he’s not a weirdo who says shit like yassified.

However, at the moment it is starting to look more and more likely. Fuck, Barry is gonna give him so much crap for not believing him.

The moment in question is Batman working with him on the stealth mission. It’s one for the Green Lantern Corps, so Batman is doing him a favor. Though Hal is starting to wish that he hadn’t done him that favor, because Batman has just said: “It looks like Luthor is being thristy for Superman again. For someone who hates the guy, he sure wants his attention a lot. That’s Kryptonian honing device.”

Hal doesn’t react, still thinking about the fact that he’s just heard Luthor, thirsty and Superman in one sentence. In Batman’s voice no less.

“What?” he says.

“A Kryptonian honing device,” Batman repeats, sounding as if he thinks Hal is stupid, not uncommon. “So he can hone in on Superman, find him. Something we need to do something about.”

Hal decides to take the smart way out and lets the whole thing drop in favor of focusing on the mission. He’s not just telling Barry, but Ollie about this as well.

3. Cyborg

Being in the Justice League isn’t much different than being on the Teen Titans. Like right now, being in a building that could explode at any moment unless he hacks into the system and stops that from happening.

Ah, good old life-threatening pressure.

Batman is fighting some of the goons in the background. They’re on their own here, with the others fighting through an army outside to get to them. But it’s mostly up to them. Batman yells: “Cyborg, status.”

“I’m getting through, but something is bugging me about this whole thing,” Victor calls back. “I think there is someone I’m missing that will allow me to crack this.”

There are a few grunts in the background as Batman fights on, while Victor starts to scan through everyone who worked for the organization, trying to find the missing link.

He is interrupted by Batman, who says: “I took a tour here once. There was an intern, Kyle Paulson, he was kind of sus. Look him up.”

For a second, Victor is thrown by the sus in that sentence, but he quickly focuses back on what’s important. Indeed finding Kyle to be the missing link that gets him to disarm the bomb. While Batman is taking out the last of the bad guys.

In fact, the whole thing slips his mind until he’s writing his mission report, going through the footage to get accurate information in there. Then he pauses again, before dismissing it. Those who trained under Batman are always prepared, maybe it’s not slang but shorthand to be useful in the moment. Or he’s trying to include him, sweet, though unnecessary.

Victor puts it out of his mind.

4. Green Arrow

Ollie doesn’t believe Barry or Hal for a second. Like, really? Batman using slang that the sidekicks are using?

Sure, Nightwing sometimes uses some here and there, but Red Robin is always very professional and Robin is closer to a Shakespearean actor than a TikTok teen. There isn’t anyone else he could have gotten it from and it doesn’t make sense with his whole ‘I am the Night’-persona.

Victor suggested it was to make the newbies more comfortable when he overheard them talking, but that’s even more ridiculous in Ollie’s opinion.

So, he’s not at all in the slightest prepared for Batman’s reaction when he shows him the new arrows he developed. Because Batman’s reaction is: “Hm, serves cunt.”

“Excuse me, what?” Ollie says, his eyes nearly bulging out of his skull.

Batman just stares at him, then in a confused sort of voice goes: “You know, it slays? It’s, you know, good? Positive.”

“Huh, what? No, I- I know what that means. How the fuck do you know?” Ollie splutters.

“I’m Batman,” is all he says. Then he walks away and leaves Ollie to stand there, still frozen in time, because what the hell was that? Batman can’t just do that, can he? That’s illegal. How does he even know that?

What Ollie doesn’t know, is that this was a calculated move. Bruce had overheard the three talking as well and decided to have a little fun. All the times before, it just slipped out in the heat of battle, but this one was purposeful.

Bruce knows Ollie would know what it meant, because billionaires Bruce Wayne and Oliver Queen have done TikTok trends in the past and try to keep up to date, despite their age. Not that Ollie knows it’s him under there.

And last gala, he left Bruce for the wolves – Vicky Vale – so now Bruce is dealing psychological damage to him as petty revenge.

5. Superman (and Practically the Entire League)

They’re in a meeting with most of the Justice League members that are present on earth at the moment. It’s not often they hold such meetings, since they are a little overwhelming and tend to drag on more than be productive.

However, Clark thinks it’s important to ensure there are avenues through which ever member can state their piece and be heard. So, here they are again.

Booster Gold is complaining about always being on the sidelines and never in the heat of the action, even though he’s a great hero. He’s claiming that there is a bias against younger heroes, despite the fact that the ‘old guard’ will have to give it up eventually.

Apparently, Batman has had enough, because he gets up and snaps: “We don’t have bias based on age, we have one based off skill. Maybe if you stopped abandoning your post and being someone reliable, you might get put out in the field more often. Now stop being salty about it.”

It’s silent.

Clark is scrambling his brain, to figure out the meaning. As a journalist he tries to stay up to date on current language use, however, the only person he’s heard use that word is Jon. The boy never explained, but Clark guessed what it means. Doesn’t explain why Batman knows it.

Then the silence gets broken by a snort, everyone’s head whipping towards the source. It’s Nightwing, a newer addition and one affiliated with Batman himself. The only one there brave enough to laugh at Batman, mirthfully asking: “Did you actually say salty?”

There is no change on Batman’s face, but as a longtime friend, Clark knows he isn’t emotionless. Indeed, when he listens close, he can hear the blood rush to his face, blush hidden by the cowl.

“That was not the point of the sentence, Nightwing,” Batman counters, the name a little bit pointed on is tongue.

“Okay, okay,” Nightwing grins easily, showing his hands in surrender, an act which is made null by him adding: “Just pointing out that this is an official meeting. You’re on the record and you know I’m reporting this to the others.”

Red Robin and Robin, Clark fills in mentally, the other two known associates. Everyone already guessed that Nightwing must be close to them as well, since the younger two are closer to being Batman’s children. Now that is confirmed.

“Thank you for reminding me,” Batman says tersely, before quickly pivoting to the next point on the agenda. No one calls him out for it.

However, just because no one calls him out on it, doesn’t mean they drop it. In the weeks after the incident, whispers make their way through the halls of the Watchtower as people speculate why or how Batman came to use the word salty and how out of character it is.

Clark can hear the gossip all over the Watchtower and he’s sure Batman is aware of it too, because some brave souls have asked about. Especially when some of the others talked about the incident not being the first one.

Batman hasn’t replied yet to any of the questions or rumors. Clark thinks he likes the mystery and chaos, likes that they don’t know why the hell he sometimes lets slang slip. Even Nightwing has been seemingly silenced, never commenting with a sort of professional ease at evasion.

Nightwing is the only clue they have, along with Robin and Red Robin, but none of them seem like the culprit.

It just doesn’t make sense and Clark can’t help but have his reporter brain itch.

+1. The Batfamily

There is going to be an attack somewhere in a major city in America tonight. They cannot figure out where, so there is a nation wide stake out at all the important places. Nearly the entire Justice League has been pulled out for it and even then they don’t have enough.

Batman insists on having a skeleton crew remain on the Watchtower in case the threat turns out to be a distraction. And when it is protested, he pulls out an army of associates none of them have ever heard about to fill out the last gaps in their observational net.

The sudden introduction of about six new Gotham vigilantes, which have apparently been operating inside the city as well as outside of it, would have been the main shock if it weren’t for how they are on coms.

Red Robin and Nightwing are known as professionals like Batman, while Robin isn’t a known entity in missions, though those who have met him, know him to be serious. However, with the introduction of the others all of that professionalism melts away.

It starts about 45 minuted into their mission when Spoiler’s voice suddenly crackles over the coms: “I fucking hate stake outs, they’re so boring.”

“I know right, my ass is starting to hurt,” Red Robin – to everyone’s surprise – replies.

“No chatter on the coms,” Batman dutifully reproaches like he always does, but he sounds less stern this time. It’s as if he knows they won’t listen, but says it because it’s his role to do so.

Red Hood ignores Batman completely, idly commenting: “I don’t know, stake outs always hit different for me.”

“That’s just because you’re boring AF,” Spoiler says, an eyeroll practically audible.

“Oi, take that back,” Red Hood says, offended. “I didn’t die to have you slander my name like that!”

This is horrifying news for most of the other people stuck on the coms, however, there is a cacophony of annoyed groans as well. Why anyone would be so blasé about someone mentioning their death, they don’t know.

Until, Robin says: “Cease mentioning your death as excuse. It’s unbecoming to be so reliant on one measly event. You’re not the only one who has died, don’t be – what was it? – ah, yes, don’t be basic, Hood.”

“Yeah, Hood, don’t be salty just because you’re becoming a boring old man,” Red Robin pipes up, sounding smug. That solves the salty mystery.

“Shut up, Replacement,” Red Hood huffs. “I can talk about my death as much as I want to and you can’t stop me.”

“Hood, please, stop talking about your death, you’re going to make B sad,” Nightwing suddenly interjects, stopping the conversation before it can get out of hand.

Those with super hearing will hear Barry mutter in a shocked manner: “Is he talking about Batman?” But he is overshadowed by most of the newly introduced (and already) known Bat-associates booing loudly.

“Don’t be a fucking suck up, Dick” Spoiler hollers, only those in the know picking up on the fact it’s his name. It’s the only time Batman won’t correct them, because not everyone will know it’s a name unless it’s pointed out.

“Periodt,” the quiet voice of Black Bat supports Spoiler.

“Hell yeah, that’s what I’m talking about, BB,” Spoiler cheers when she hears the other girl.

“That was the correct usage?” Black Bat asks.

“It was, well done,” Oracle’s kind voice comes over the coms, from where she is in her lair helping with coordination.

After that it all quiets down again for about half an hour, then Bluebird breaks the quiet again, complaining: “I can’t believe I had to stay behind in Gotham of all places.”

“You live there. Willingly,” Signal answers. “And I had to stay behind too, you know.”

“They’re sleeping on us, Signal, be upset with me,” Bluebird exclaims, indignantly.

“Okay, but tea though,” Spoiler says, most of the Justice League listening in are starting to learn she likes stirring the pot a little.

“Don’t be a simp, Spoils,” Red Robin says.

“Oh, look who’s talking about being a simp,” Red Hood snorts loudly. “I observed you, loser boy, you’re the simp.”

“It’s not as much of the serve you think it is to admit to stalking me,” Red Robin deadpans.

“RR, not to be that bitch, but you’re the OG stalker, maybe- maybe don’t do that,” Nightwing says cautiously, which is apparently funny enough that multiple people start laughing.

Meanwhile Red Robin complains: “Stop laughing at me, when I did it was totally different, I didn’t plan on killing any of you.” Which is mildly disturbing

“Oi, I never planned to actually kill you-kill you either,” Red Hood protests, even more disturbing. The Justice League is starting to wonder why Batman works with the man.

“Stop with the chatter,” Batman interjects again, before it can go further. “It’s not just us on the com lines now. At least try to be professional.”

And much to the horror of the League, who could never imagine doing such a thing, Batman gets booed. Again. This time directly.

Then to add to the horror, Batman doesn’t explode in anger, like everyone would have imagined, instead he just sighs. Defeated. Batman is like a cockroach, he doesn’t get defeated. However, these kids are managing.

Batman remains defeated too, because the Gotham vigilantes continue to idly chat all throughout the next hour. They are definitely bat associated, because they never reveal any information that could be tied to their civilian identity. Instead discussing other missions, general news, funny things they saw on patrol and personal grievances with the others on the line.

If this is what Batman deals with on the day to day, some are starting to see why he would prefer the heroes of the Justice League to keep their mouths shut on missions unless it’s important.

Most try to tune it out and focus on their own stake out, though the voices keep them awake. But they notice when Spoiler’s voice suddenly becomes serious as she reports: “Sus individuals moving towards the Mayor’s office.”

“Received, getting visual on your location,” Oracle’s voice replies, also snapped back into professionalism.

Spoiler reports their appearances and currently location, until Oracle has them, running a check on them, before confirming they have a criminal record and might be thugs for hire. Spoiler says: “I am going to move in.”

Batman says: “Do not engage, Spoiler, they could be a decoy. Try and get more information first.”

“Alright, alright,” Spoiler huffs. Then adds petulantly: “I’m not gonna do it, I was just thinking about it.”

Which sounds pretty reasonable for most listening in, who aren’t of the right age group to know the meme. Batman, however, does know, because he’s been subjected to it multiple times. So, he yells: “Spoiler, no!” startling some members.

A second later, there are sounds of a fight and Spoiler gleefully saying: “I did it.”

Batman lets out a frustrated growl, but Spoiler pays it no mind and she can’t truly get chewed out, because more and more start to report suspicious individuals moving in on the targets they’re watching.

Within minutes of it starting, Nightwing reports: “They’re decoys with targets. Not the main attack, but will do damage if they succeed.”

“Everyone make sure to take out the decoys,” Batman says. “Those without decoys, keep your eyes peeled, you might be at the real target.”

“Done with my targets, moving to help the others now,” Nightwing reports seriously, before he adds: “And can I just say that I’m the GOAT. Dibs on cookies for finishing first.”

“Okay, shade much,” Bluebird says.

“Don’t be arrogant, it’s unbecoming,” Robin retorts as well.

“Yeah, stop flexing,” Spoiler adds. “I’ve wrapped up too, by the way. You’re not special.”

“Let me have this,” Nightwing complains. “You already took all my shit, let me be cool. You all used to think I was cool.”

“Yeah, used to,” Red Hood scoffs. “Then we all realized you’re a looser.”

“Ha, get wrecked,” Red Robin snorts.

“Baby bird, wasn’t I your favorite?” Nightwing asks hurt, though over the top enough to show he is faking it.

“No, sadly, that was Hood,” Red Robin replies, sounding a little like he’s grimacing.

“No cap?” Red Hood asks, surprised.

“No cap,” Red Robin confirms.

“Now I feel kind of bad for you,” Red Hood says, before some bullets are fired. “Wrapped up here, moving to help.”

Red Robin seems glad to not have to reply and none of the other Gothamites do either. With what the League has heard so far, they’re also kind of happy the topic is being dropped, unsure what to think.

Batman’s associates are among the first ones cleaning up, however, soon others are joining them and the true battles grounds – yes, there are multiple targets, these people are organized (Batman will likely obsess until he has tracked down their organization afterwards) – are discovered and heroes move in to fight them.

Throughout the battle, everyone catches snippets of this strange, newly introduced group. A group, who works well together, like an oiled machine, yet obviously made up of highly competent parts that can act on their own as well.

Like Black Bat calling out: “Red Hood, yeet,” before those fighting alongside them see Red Hood boost her into the air, so she can come flying at the terrorists.

But they also make comments about the people they’re fighting and the others that are fighting alongside them.

Signal calling out: “Bluebird is pulling some sick ass moves. Another one for her on the slay-board, Oracle.”

Or Spoiler commenting: “Okay, not to be like that or whatever, but these terrorists are kind of looking snatched.”

To which Batman sighs: “Spoiler, please, no chatter,” in a vain attempt to get them under control.

“What?” Spoiler says. “I can appreciate when they’ve at least tried to pull a fit instead of that usual para-military, ninja type BS.”

“Go off,” Black Bat pipes up again and Spoiler cheers while Batman drops it. Defeated again.

They also check in on each other, with Red Robin hissing in pain, which is immediately followed by Nightwing going: “RR, you good, fam?”

“Gucci,” Red Robin replies. “Just low-key got stabbed.”

“There’s nothing low-key about getting stabbed!” Nightwing exclaims, getting called a hypocrite by many people, while Batman is already calling for Oracle to get a visual and for a medic to head Red Robin’s way.

By the time the battle is over, the Justice League understands how different the team is that Batman usually works with. If they were surrounded by heroes who talked like that continuously, they would have probably picked up some things here and there too.

Still, it fucking weird when Batman checks over his horde, before declaring: “You were all lit out there,” causing multiple of the kids around him to groan loudly, with Bluebird calling Batman a boomer.

Clark, however, sees a small uptick in Batman’s mouth. And in that moment, he knows Batman is doing it on purpose, that he’s enjoying it. That he’s fucking with them. He doesn’t know what to do with that, nor does he think that anyone will believe it. So, he decides to share the amusement and drop it.

They’re never going to figure out Batman.

A/N:

This work is going to get dated so so so fast lmao, but it’s fun rn (if ur commenting in the future, welcome to outdated slang vibes from someone who wasn’t that up to date with current slang when writing it, bc im secretly a grandpa).

Hopefully I didn’t overdo it to an unrealistic degree, but if I did, such is the story that was being told oops

Also this whole fic is just an excuse for me to write batfam banter bc I love it lmao

I didn’t include Batwing, Batwoman and Flamebird here, sorry, but writing the batfam is always so hard bc there are so many characters T-T

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internalloops · 3 months ago

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DA:TV rant … if you are of the mind that BioWare can do no wrong /its games can be criticize or if you truly enjoying the game and are loving everything that you’ve seen so far this post is not for you. Please move along and if you don’t want me showing up on your feed please block me. I will not be engaging with any fan that will not allow me to take up space and vent my feelings on the disaster that is this fucking game.

*Also a lot of spoilers!!

.. it’s horrible, like I knew I was going to be disappointed but holy fucking shit …

I’m about to finish act one and .. they destroyed their entire lore … BioWare destroyed their ENTIRE lore /world build of Dragon Age

Minrathous has NO SLAVES !!! They are briefly talked about via shadow dragons but they’re are none visible at all in the city ( but they have the animation to give a poor person “fake money” )

The qunari who literally fought and tried to kill solas in trespasser have been turned into mindless brutes who willingly joined the evil gods … because they command dragons ?

The blight except for one mission is harmless. They purposely turned it into a bio weapon and then (besides the dark spawn spawning from it like something out of an MMO) due to *plot armor, no one actually contracts the blight ???

The black chantry minus one building that you go through in a side quest doesn’t exist? No chantry members , no talk of the black divine ..

Dalish are all engineers now and part of the veil jumpers ( which should not exist lore wise) and all elven magic has been converted into cyberpunk technology and artifacts. Very little talk about their oppression and they are all very willing to drop all their history , even their distrust of solas , to flight the old gods .

Varric Has been demoted to inspirational speaker and narrator he has no other role and the entire team acts like he died , even when he’s in the room with him ( I think BioWare actually planned to kill him but then chickened out ) and is a husk of his former self

Same with Morgan , you can’t interact with her at all and she’s given the same mysterious background as flemeth ( the theory that she carries mythal spirit is very strong right now )

Lyrim potions don’t exist, in fact lyrim doesn’t exist at all besides the dagger. All magic has turned into technology, and if you play as a mage mana just has an automatic replenish rate /cool down effect that you can level up.

Evil gods go back and forth between an actual intense adversary and threat to the world, and a typical Disney villain.

These are just the few I can think of off the top of my head, there is so much more than this …

The game can literally be summed up as Mass effect andromeda x2 with God of war animations and marvel style writing ( not the avengers I’m talking about the recent shit)

Also for the people who want to kill solas or simply dislike him, the game pushes a sympathetic view of him on you ,even your companions who outrightly want to kill him will feel sorry for him. And I’m saying this as a solavellan fan. Yes they’re options to be mean to him and antagonize him, but you won’t get anyone agreeing with your actions ,at best they’ll be neutral about it. Now this might play out differently for those who picked the “chooses to stop him “ option , but for those who’s inquisitions wanted to save him but they wanted their rooks to hate him … you’re not gonna be happy about what you get ..

The only thing that keeping me playing is the reveal of history of ancient elves and Titans and solas’s story. And Assan!! Assan can do no wrong !! Everything else is a slog to get through.

#dragon age the veilguard spoilers #dragon age critical #extremely critical of this game even more now #veilguard critical #if you like this game /are enjoying it this post is not for you #toxic positivity fans can fuck right off #skill up was 100% right about this game #solavellan #solas dragon age #bioware critical

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monarchetype · 3 months ago

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btw you should play xenoblade chronicles x: definitive edition when it comes out on switch and here's why:

-absolutely beautiful open world JRPG made by the studio that went on to work on BotW and TotK's maps. you want fantastical natural settings? we got em in spades.

-instead of being a JRPG that starts as a fantasy story and gets more scifi as it goes on it starts as a scifi story and gets more fantasy as it goes on. all xenoblade games are firmly science fantasy but X tips the closest to the science side of the scale

-super cool aliens. aliens that were genetically engineered to eat pollution. high tech aliens that love pizza. aliens that are allergic to human dna. straight up thundercats.

-Mix-and-match combat where you custom build your own class based on which sword and gun choice you have equipped. From a regular ass knife to a lightsaber, from an assault rifle to a laser drone.

-There's a character named "Murderess."

-You get a mech. You get lots of mechs. They transform into vehicles and can fly. Anything you want out of a mech, this mech can do it.

-There is a field boss named "Sheldon the Dentally Challenged"

-If you have a favorite English voice actor, they are in this game, I can almost guarantee it.

-Side quests. Great side quests. Excellent side quests. Open world JRPG with excellent side quests. Need I repeat.

-OST by Hiroyuki Sawano. You might recognize him from the soundtrack of some obscure anime such as Attack on Titan, Kill la Kill, and Gundam.

#xenoblade #xenoblade chronicles #xeno #xeno series #xenoblade x #xenoblade chronicles x #xbx #xcx #xenoblaxe chronicles x definitive edition #xcxde #xbxde #nintendo switch #switch #jrpgs #jrpg #rpg #rpgs #video games #video game recommendation

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felassan · 2 months ago

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The Art of Dragon Age: The Veilguard preview pages Part One, under a cut due to spoilers. Preview pages come from Google Books.

[Foreword]

[Part Two]

Life in the Tevinter Imperium.

Part One: Post-Inquisition

Top: Returning to Rivain with a precious quest object. Middle: Exploring Par Vollen, the home of the Qunari. Text: Halfway through the development of Dragon Age: Inquisition we created a series of illustrations we called “beat boards” (intended to cover a major moment or “beat”, they are more polished than a storyboard). They proved to be helpful as we brought the game together. As Inquisition was coming to a close, and a sliver of attention was being paid to the next game, we wanted to try doing beat boards right at the start of the game, rather than the middle. With a few general ideas like “We’re going north” and “Maybe there are Titans” and a sense of story momentum, we started creating exploratory beat boards, asking ourselves the simple question: “What would be cool?”

Top: On a secret mission in Tevinter. Bottom: Receiving an assignment from the Inquisitor

The Red Bride's grave.

Top: An old Warden that was avoiding the Calling. Bottom: The first attempt at designing Weisshaupt Fortress. Text: Northern Thedas - Designing the cultures of northern Thedas was like a fun speculative-archaeology project. We were starting with fragments. There were occasional props, characters, or journal entries that hinted at these cultures, and we had to reverse-engineer living, breathing societies from those fragments. The most important aspect was to design them in a way that respected our fans’ engagement with the material but also attempted to exceed their imaginations (or at least do them justice).

Top: In an ancient magical city, some buildings that would have collapsed centuries ago are kept frozen in time. Bottom: Infiltrating the Archon’s throne room.

Middle: One of the first ideas for a player base was a secret lair in Minrathous’s forgotten undercity. Bottom: The very first concept art of Minrathous. Trying to capture the elegance and pride of the Imperium.

Top: The Divine sends out ships to hunt Solas in the hopes that his capture will restore peace to Thedas. Bottom: A Tevinter magister, a Chasind witch, and a Ben-Hassrath commander plot against the player.

Top: A war room in the captain’s quarters. Bottom: We explored making the player base mobile. It would give us water access to most of the regions in northern Thedas.

Top: Early on we explored the return of the griffons – in this case, using them as mounts to hunt dragons. Bottom: Something in the depths has scared the dwarves enough that they’re fleeing to the surface by the thousands.

A coastal town in Rivain.

Top: Elves from all over Thedas answer a mysterious call to Arlathan Forest. Bottom: Exploring a possible endgame scenario where Solas has summoned a Titan in the middle of Minrathous.

Top: Solas returning like a regal figure out of the distant past. Bottom: What if we return to the Fade and rescue whoever was left behind? How would their time in that alien landscape change them, and what insights could they offer into Solas’s plans?

Top: The part runs into their Tevinter counterparts, and they have to work together to survive. Bottom: Solas interrupts your mission, wiping half your team off the board and forcing you to make an unlikely alliance.

Top: Your ship is stolen, and you have to sneak into enemy territory to get it back. Middle: Journey to the heart of darkness to find Colonel Kurts… er, Solas. Bottom: We created piles of sketches and line work to explore story beats. We could iterate quickly and throw things away if necessary.

Top: There are multiple factions in Veilguard. To make sure they were always recognizable, from their buildings to their belt buckles, we began with shape. Middle: We had explored Tevinter’s shape language in Inquisition, so in their case, it was a matter of expanding on what was established. Some shapes just felt right (like Wardens and the pointed arch). Bottom: A residential Tevinter interior.

Various captions on this page: An upward-pointing triangle for the mages’ college. We explored some sturdy shapes for the dwarves. The Wardens’ pointed arch could be turned upside down into a shield. Rivain has a been a neutral faction, so the circle worked well. The Necropolis factions started with a half-circle “crest”. A downward-pointing triangle for Tevinter. Ben-Hassrath started with an X shape language.

[no captions]

A wealthy Tevinter mansion. To show off, most of the house is built on top of a floating stone slab veined with lyrium. Visitors try not to think about what would happen if the magic was interrupted.

Slice-of-life illustrations like this weren’t prescriptive, but they helped to explore the feel of certain regions we had only ever heard references to.

Rivain is a trade center. It’s one of the places where you’ll see the greatest overlap of cultures.

[no captions]

Tevinter is a complicated place. While there are lofty towers and powerful magisters, we also wanted to explore what the daily life of Tevinter might be.

Top: Peaceful beginnings, gentle giant gardeners, and curious spirits. Middle (1): The spirits saw the dwarves as they tended to the Titans, and they wanted to try making bodies for themselves. Middle (2): The spirits made physical bodies for themselves from the “flesh” of the Titans. The first elves were born, and the first war began. Bottom: A brutal war raged on between the elves and the Titans, only ending when one elf (Solas) rendered the Titans “tranquil”, capturing their souls.

Top: The elves brought a powerful war trophy home. Middle (1): With the Titans rendered tranquil, dwarves lost their connection to magic. They fled into the bodies of their fallen homes. Bottom: With the power that came from the captured Titan souls, the elves built the greatest empire Thedas would ever see.

Top: Solas fought against the self-proclaimed gods, earning the title “the Dread Wolf”. Middle: The gods drew upon the power of the Titans’ souls to gain more power. The imprisoned souls became twisted with rage. This became the Blight. Bottom: To contain the Blight outbreak, Solas performed a desperate blood-magic ritual. He bound up the magic of the world behind a Veil and powered it with the blood of the evil gods. Text: Black Codex – There was a top-secret document on BioWare’s network that contained the objectively true history of Thedas called the Black Codex. Each culture had its perspective, its own emphasis and style, and over time more was added and taken away. It was decided to reveal a lot of truth in this game, so early on we wanted to illustrate the Black Codex. This would help to act as a visual guide to the events that formed Thedas as we know it.

Top: What remained of the elven empire collapsed. The early human empire of Tevinter discovered it in shambles. Bottom: Eons later, the Blight reached out to power-hungry Tevinter magisters through their dreams. They were lured to the Golden City, but the magisters found it already blackened by the Blight.

Various captions on this page: At this stage, just about anything goes. Writers and artists both have ideas for what kind of characters they’d like to try, so we dump them all out on the table. We created some comics to explore the tone of the story. Some of these characters were designed specifically for that purpose. The Heir of Andraste: Finding the last living descendant of Andraste, a rough-around-the-edges warrior living among the barbarians. The Gladiator: A Tevinter gladiator that has earned her freedom. Her arm’s protected by mail made of keys from all the slaves she has rescued. She wears her former shackles as rmor: a reminder and a threat.

Various captions on this page: The academic and the mage college scholar forced into the field. Initially we work from very simple premises, often only a couple of words, like “happy necromancer” or “Qunari assassin”. An awakened darkspawn mercenary. Text: Early on we thought about creating a new set of advisors for your ship. It’s satisfying to revisit characters from previous games, especially if time has passed. It’s a chance to try and make their story visible. In this case, we see a Morrigan that has embraced her new gift, who can offer insights into the mysteries of magic and the ancient elven world. This version of Dorian is like Mathis from Casino Royale, someone who can advise you through all the ins and outs of Tevinter culture. Smuggler Admiral Isabela can get you into and out of just about any port in Thedas.

Book art credits:

BioWare art: Matt Rhodes, Ramil Sunga, Albert Urmanov, Christopher Scoles, Nick Thornborrow, Steve Klit

Volta art: Gui Guimaraes, Stéphanie Bouchard, Akim Kaliberda, Alejandro Olmedo, Alexey Zaryuta, Julien Carrasco, Maksim Marenkov, Marianne Martin, Mariia Istomina, Marion Kivits, Matti Marttinen, Mélanie Bourgeois, Pablo Hurtado De Mendoza, Rael Lyra, Rodrigo Ramos, Thomas Schaffer, Tiago Sousa, Tristan Kang, Vladimir Mokry, Yintion J, Joseph Meehan, Stefan Atanasov, Julien Carrasco

Additional art: Marc Holmes, Thomas Scholes

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #solas #blood cw #gore cw #injury cw #morrigan #queen of my heart

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ir-abelas-vhenan · 2 months ago

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Fermented Fruit Juice

I saw a post a while ago talking about how Varric ended up "winning" against Solas, and really liked it. I've been revisiting a lot of Inquisition dialogue lately and found perhaps my favorite conversation between the two when it comes to highlighting their ideological differences. It also foreshadows why Varric "wins" at the end of Veilguard (within the confines of the endgame choices we're given) even in death.

The crux of it: Varric lives in a world in which his very existence is an act of resistance, while Solas sees resistance as a trial that must be endured to get desired results.

As always, once I get started I'm sure this will be very long, but I love that we got the chance to see a very rare instance in which Solas concedes a point to one of his companions.

Solas: Once, in the Fade, I saw the memory of a man who lived alone on an island. Most of his tribe had fallen to beasts or disease. His wife had died in childbirth. He was the only one left. He could have struck out on his own to find a new land, new people. But he stayed. He spent every day catching fish in a little boat, every night drinking fermented fruit juice and watching the stars.

Varric: I can think of worse lives.

Solas: How can you be happy surrendering, knowing it will all end with you? How can you not fight?

Varric: I suppose it depends on the quality of the fermented fruit juice.

As always with Inquisition dialogue, I am obsessed. But this moment does such a great job of laying out the fundamental building blocks of each character.

Solas comes right out of the gate and lets us know who he is. He is united with the man living in the ruin of all that his life used to be.

Solas, too, is living alone in a world where all he once knew has been taken from him. Before his sleep he had a master to serve, and then a rebellion to lead. He fought, he was relentless; his people were suffering but they were whole. There were opportunities to find comfort, familiarity, or even just a new normal amongst new lands and people, but he rejected them (I think perhaps this is best shown through the murder of Felassan/the plot of the Masked Empire). Now, he lives as much as he possibly can in the fade and waits for his opportunity to restore the world he believes he ruined in his quest to save it (imprisoning the Evanuris through the creation of the veil).

Varric, conversely, has been tearing his way through this (to Solas) new world his entire life. I also think it's worth noting that his attitude is probably an absolute smack in the face to Solas, who knows what the dwarves once were and is responsible for the loss of their dreams and the ruination of the titans. But Varric doesn't need to know what was lost in order to know what an uphill battle he faces in Thedas as a dwarf. And fuck, he's from Kirkwall, he knows exactly how much worse life can get than a quiet existence with food, drink, and the stars for company.

But because these two have such a cool dynamic of agree-to-disagree/mutual admiration for each other, Varric thinks the story over and renews the discussion.

Varric: What's with you and the doom stuff? Are you always this cheery or is the hole in the sky getting to you?

Solas: I've no idea what you mean.

Varric: All the "fallen empire" crap you go on about. What's so great about empires anyway?

Varric: So we lost the Deep Roads, and Orzammar's too proud to ask for help. So what? We're not Orzammar and we're not our empire.

Varric: There are tens of thousands of us living up here in the sunlight now, and it's not that bad.

Varric: Life goes on. It's just different than it used to be.

Solas: And you have no concept of what that difference cost you.

Varric: I know what it didn't cost me. I'm still here, even after all those thaigs fell.

God I love what the dialogue in these games used to be. There's so much I could talk about, but I think what I want to focus on is the idea of empire being so smoothly fitted in to the discussion.

Varric, knowing Solas isn't fully satisfied with his answer, ruminates and comes back swinging. This is also where I'll add that part of the reason I think Varric throws Solas so badly is because he's what Felassan could have been with more time to form his arguments. When Solas made the choice to take Felassan's game piece off the board, our favorite slow arrow was just coming to terms with the idea that there is beauty in taking what an imperfect world offers you and making the best of it. Varric is comfortable in this viewpoint, and Solas can't just kill him on a mission or at Skyhold. He has no choice but to hear the argument he fights to ensure he doesn't have to hear.

And damn, what an argument. Without meaning to, Varric cuts to the quick of what has been haunting Solas. You cannot snap your fingers and re-establish Empire as it once was. Orzammar has cordoned itself off from the rest of the world, does not ask for help, and clings to an ever-crumbling old order. Even if you tried, too much has changed. Dwarves are not what they once were, and more and more have returned to the surface. Life goes on. It's just different than it used to be. And Solas has never been able to confront that possibility.

True to form, he pushes back. But why not give it a try? Why take what you've been given when you could wrest what you've been denied from the hand that holds it? How can you do nothing?

Solas: You truly are content to sit in the sun, never wondering what you could’ve been, never fighting back?

Varric: Ha, you’ve got it all wrong, Chuckles. This is fighting back.

Solas: How does passively accepting your fate constitute a fight?

Varric: In that story of yours—the fisherman watching the stars, dying alone—you thought he gave up right?

Solas: Yes.

Varric: But he went on living. He lost everyone, but he still got up every morning. He made a life, even if it was alone.

Varric: That’s the world. Everything you build, it tears down. Everything you’ve got, it takes—and it’s gone forever. The only choices you get are to lie down and die or keep going. He kept going. That’s as close to beating the world as anyone gets.

Solas: Well said. Perhaps I was mistaken

And then Varric hits him with it: a life alone is still a life. There is nothing that time will not take from us. What Solas fails to understand (and we can blame this on his pride, on his crusade he cannot lay down until he is free of his duty to Mythal, or his straight-up sentimentality) is that if Elvhenan hadn't fallen through the actions of the Evanuris and those he took to stop them, it would have been something else. Life is a wailing gnashing unrelenting song that will never be satisfied and can never cease dragging all that falls before it into its maw in the hopes that finally something will be enough. When it tears something down, your only choices are to "lie down and die or keep going." And again, as a Kirkwall survivor, Varric knows this. An occupying force remove your political leader? Quell the violence and try again. The chantry explodes? Save the city's mages from their bloodthirsty jailer and make sure there's a tomorrow where you can fight to fix it.

We know this doesn't dissuade Solas, the burden he's placed upon himself it too great, the ways that war has shaped him have scarred deep. Part of the tragedy of Solas is how he's been walking the dinan'shiral so long that he is incapable of turning around. Every step he takes has sent sharp rocks cutting into his feet, and it would kill him to turn around and see just how little of a distance he's covered. He cannot let go of resistance as a concentrated action, as fighting until there's nothing left but ruination.

But it is no small feat on Varric's part to get the Dread Wolf himself to concede a point. And a step further than that, Solas respects his friend, and respects the life he's built amongst the scraps of what once was. I don't doubt for a minute that Varric was a key part of why Solas was able to start seeing the world around him as a little more real.

And then of course we get Veilguard.

It is here that Solas dooms himself.

"You came a long way and made a valiant effort, Varric, but this story does not end with my downfall."

But it does. Because even if Varric, like Felassan, is taken off the table, Rook endures. And what is Rook in this game if not the very continuation of Varric's fighting spirit: an absolutely untested newbie who through miracle after miracle (regardless of the issues I may take with that) is the very portrait of "But he went on living" ?

Varric may not get to be the one to talk Solas down at the very end of the game after Mythal waves her hand and unleashes her second-in-command, but by delaying long enough to stop the ritual, by refusing to give up on his friend that stares at the stars every night with nothing but his fermented fruit juice for company, he ensured someone would be around who could.

In one of the less kind endings that person is Rook, dragging themselves into the fade with Solas out of sheer spite or sending him there against his will. In the kinder endings, it is the Inquisitor, letting their friend/heart know that at last, merely surviving another day is enough. And I like to think that it is within those kinder endings that Solas thinks of Varric each time he works to soothe the titan's dreams and make life just a little better for the tens of thousands living in the sunlight. Perhaps, in this world where he is finally free, he appreciates the gravity of ensuring others have a chance to keep living in a world that is hell-bent on taking. Maybe he even finds a cup of that fermented fruit juice in the fade, sits with his feet dangling over an endless abyss, and drinks to his friend's honor.

I'll leave y'all with a final bit of dialogue I love.

RIP Varric Tethras, an absolute fucking baddie who forced Fen'harel himself to part with just a smidge of his pride and recognize someone that reminded him of what he once was--wiser than most--and in the subtext of this conversation, wiser than a pining spirit of wisdom himself.

Solas: Do you ever miss life beneath the earth? The call of the Stone?

Varric: Nah. Whatever the Stone - capital S - is, it was gone by the time my parents had me.

Solas: But… do you miss it?

Varric: How could I miss what I never had?

Varric: But say I did have that sense, that connection to the Stone. What would it cost me?

Varric: Would I lose my friends up here? Would I stop telling stories?

Varric: I like who I am. If I want to hear songs, I'll go to a tavern.

Solas: You are wiser than most.

#idek how much this is saying lol #but I needed to work through it so here we are #datv spoilers #veilguard spoilers #solas #varric tethras #dragon age veilguard #dragon age the veilguard spoilers #dragon age the veilguard #datv #dragon age varric #dragon age meta #veilguard meta #solas meta #mine

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ruegarding · 15 days ago

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for context, @rosabell14 is referring to tags on this post.

ok we're going off-road w this one

generally speaking, i like the concept of "some things aren't meant to be controlled," which annabeth says to percy after he controls the poison. this is said and then immediately forgotten abt, however, this could be another angle of change, a reoccurring theme in hoo, as well as a continued theme from pjo.

obviously, from pjo, the change is addressed w the myths, the theme of yielding, and w the conclusion of the story:

hoo continues this concept of change w the percy-jason switch, the greek-roman conflict, the idea of what an identity is and how to change it, etc. there's a lot of individual character work w this idea, but there's less of a mythological concept attached to it. gaea is a static and flatly written antagonist, octavian becomes incredibly flat as a character and his development into this sort of fanatical antagonist that is never explored, there's a lot of teeth-gritting abt how the gods are gods and they never change and everyone just has to accept it, the myths aren't challenged in the same way they were in pjo, etc. there's a few major exceptions, i'll get to that.

this is a glaring issue i have w hoo. it wouldn't be as bad as a standalone, but hoo makes the entirety of the previous series meaningless. in tlo, percy asks for kids to get claimed and be trained so when (or if) they have to go on dangerous quests/fight monsters/etc they're both older and more experienced. this is the conclusion to the war and how the status quo is changed (disability accommodations expanded to reach more ppl and work more effectively).

hoo, however, does not do this. camp jupiter infamously has a child army while the adults are retired, all of the new characters are younger than percy (who is still 16), and only two of them have spent a long period of time training, although hazel's isn't formal/in a camp (and piper doesn't even learn how to fight until book four ffs). this sort of immediately bastardizes pjo in a way that is never acknowledge by the series and makes it, and anything after it, a failure as a continuation of pjo.

and that's where this theme could've come in. when bob is remembering who he is, him and percy have this back-and-forth abt identity. percy relates to bob bc he, too, just had his memory erased and that vulnerability exploited (annabeth's perspective in this conversation is very different bc she doesn't have this same experience nor does she understand percy's feelings abt it. a good way to build tension using different povs, but, once again, doesn't get fully utilized). in the conclusion that conversation, there's an interesting moment:

this is that idea again, "some things aren't meant to be controlled," like fate, like identity. titans are meant to "be the same...forever." and here percy is, not only as the catalyst for change by throwing bob into the river lethe, but also by encouraging him to commit to this change once bob should know better. this was percy's role in the previous series, as well, where he constantly challenges the perspective of other characters to be more quote human unquote.

afterwards, annabeth has a similar moment w damasen:

i also think these are very funny to have side-by-side, just as character analysis, bc percy is very much both insecure and empathetic like u can choose ur future, it's up to u, etc, whereas annabeth is like i am right, listen to me.

anyway, both of these moments repeat the idea from pjo/tlo: immortals can't change. but they are changing. and they will change. the rules of the world are malleable (i also think hazel's monologue abt seeing the minotaur as a victim would be another aspect of this to explore). what abt traditions? what abt camp jupiter's child army? how should these change? going back to the og thought, tho, what shouldn't change? what are the "some things" that aren't meant to be controlled? how do you balance traditions and reform (great opportunity to use octavian btw!)? why can't a god be human, act human? why are the ancient rules important? that's an important discussion to have if we're growing this universe.

i don't particularly like that hoo immediately reverts back w the premise of the story, like i was talking abt earlier, nor do i think these characters were introduced or used well in canon, but using these characters, these moments, these conversations, rick could've salvaged this mess by embracing change isn't a static thing. he doesn't, tho, so it's all lost potential.

separately, something i've always liked abt the akhlys fight is that percy wins the literal, physical fight against her, but loses the metaphorical fight. he gets to walk away, but he walks away miserable. and this is bc the gods aren't ppl, they're physical representations of concepts. and percy has this thought abt tartarus and gaea while in tartarus, and i believe it's brought up in boo, but it's barely relevant. it's something i wish was explored more.

now onto specific characters. i talk abt my general idea here, ie this moment in tartarus is forcing percy and annabeth to confront their worst-case scenarios.

for annabeth, i've repeatedly gone on record to say i hate the way annabeth is written in hoo, here is an example, ie her fatal flaw does not come thru in her character (i also think she and percy switched characterizations from pjo to hoo, but...). separate issue is that annabeth's character revolves around percy a lot. so there are two issues i would focus on, largely bc she's not written well and doesn't have established unique conflicts. like,

this is a big revelation at the end of hoh, that she has to "step back" and she can't "protect everyone she love[s]." except it doesn't make any sense. tlo ended w annabeth telling percy to give luke her knife which luke uses to kill himself. not to mention, thalia's sacrifice on hbh. ALSO. percy accepting the prophecy and "taking the brunt of the danger"! and finally. annabeth has been at camp for 7-8 years. 1) she should have relationships w these ppl and 2) she should care that some of the ogs died in the previous war (which would also require rick to figure out who died lol). but the point is, this isn't a new conflict for annabeth!

the thought she had in moa abt having to accept she's not always the best person for the job:

this is not built up nor is it delivered on, but would be interesting, given that she demanded to be on the quest and if there was an actual power struggle instead of writing her as the de facto leader. this would be a better conflict than accepting that "she couldn't protect everyone she loved" when she has historically not been able to protect everyone she loved.

anyway, back on topic.

first, this moment exists to challenge her perception of percy, which is important to challenge bc she quite frankly has an unhealthy attachment to him. other ppl have said this better than i, so here's a post abt codependency and p*rcabeth and here's another one i rbed a while ago.

tldr; rick treats annabeth's abandonment issues/possessiveness/codependency as like. cute, peak romance. and he's been doing this since pjo, right, like annabeth's abandonment issues and possessiveness didn't matter when it was thalia joining the hunters,—bc there's no romance trope here w thalia—but gods forbid percy speak to rachel.

and this doesn't change in hoo. in fact, it's worse. like,

i'm going to [statement redacted] rick for this. what part of this is cute??? i'm killing it with fire.

so anyway, i want to treat annabeth's possessiveness/etc as an actual, consistent, character flaw, that she can grow out of, even. maybe even connect it to her hubris or her rsd. explore her feelings abt luke now that we have her pov to do it in. the fallout from this moment w akhlys is a great way to begin delving into that bc it's a shocking moment for her.

second, and going back to the theme of change, annabeth is different from percy in the sense that she has a different relationship to the gods than him (which i'm comparing bc i think rick (and fandom) has a hard time giving these two consistent and separate personalities/beliefs post pjo). the two times she has rebelled against the gods directly were bc of percy's influence (again, this is percy's role in pjo), 1) in the zoo truck, a scene that only takes place bc percy challenged her view of the poseidon-athena rivalry and their place in it, and 2) w hera where the first words out of annabeth's mouth are literally "percy is right."

i find this interesting especially bc her fatal flaw is hubris, which is common in mythology and frequently ends up fatal bc ppl challenge the gods. so, annabeth using the gods and these stories to keep her hubris in check makes complete sense.

and it seems like this is the same approach she's using w percy:

percy is directly challenging a god for power, and more than that, he's challenging a domain he's not supposed to have control of at all.

very interesting! does not get explored. such is common for hoo.

for percy, this scene is part of a long-running conversation of his powers (which is a huge part of his disability coding!!!!!). and it doesn't go anywhere.

percy has established anger issues and implied emotional dysregulation. this has been a thing since the beginning, literally chapter one of tlt! punishing percy for this when he's clearly not getting the support he needs is. a choice. also there's the issue that hoo kinda. erases this aspect of percy's character until the confrontation w akhlys, which is a separate but related issue.

there really should've been more buildup to this outburst (eg: in son percy punches a shelf in the library and immediately feels guilty bc he scares frank and hazel. percy is in an incredibly stressful situation; this should've happened more), but that would mean rick would treat it and the disability conversation seriously (which falls flat after son) and do less teeth-gritting abt the whole gods thing.

so, to go back on my "using the different povs to build tension was wildly underutilized" train, a featured part of almost everyone's pov is that percy is very kind, and gentle, and forgiving. i discuss a moment w frank being impressed w percy's selflessness here and he also says that he would follow percy anywhere, jason says percy is "a nice guy" after like 2 days, nico has his whole thing, hazel says "percy was a child of poseidon’s better nature," going on to describe him as gentle, etc.

and all of this praise goes nowhere and kinda just becomes percy is so awesome...and then turns into everything is percy's fault in boo...it's bad writing.

but it's an interesting opportunity to play w perspective. percy in pjo is dehumanized in that he is both villainized and idolized, and obviously hoo is continuing the trend w idolization. rick sets up a great plotline w this in moa:

and this doesn't go anywhere bc apparently percy's problem is that he needs to learn to step back. which. part of this is bc rick recycled plotlines from percy and gave them to other characters, which means that percy cannot be in character anymore without making themlook bad (the recycled plotlines i'm talking abt are the idolization, imposter syndrome, wanting to step back but constantly pushed into the spotlight, being seen as different/elevated status bc of ur parentage, struggling to connect to who your parent is, even the dehumanization as a weapon is straight out of percy's writing in pjo). this is a big problem w hoo in general ie characters becoming ooc by necessity (see: bad writing). the other part to blame is that rick is literally trying to redo tlo what w the whole "you are not the hero." it's all the same from pjo except written worse. it's a running theme of hoo (and a bonus). bad writing all the way down!

ANYWAY. so pjo ends w percy at an elevated status bc he 1) survived an unsurvivable prophecy, 2) was offered godhood, and 3) turned down godhood to improve the lives of the demigods while all the demigods watched. and he has the curse of achilles but. we all know how that went. the point is, all of this puts percy on a pedestal. i like to think it's the biggest reason hera kidnapped percy: if he said no, if he refused, she would've lost the support of almost all the demigods at chb (also the metaphor for the audience lol). i think making percy go on the quest, or at least to new rome, is the only good bit of world building rick did between books.

the problem is, rick is kinda all over the place w how percy is perceived and misses both the point of percy's character (callback to what i said abt his disability) and the world building of the previous series (what happened to power-scaling, narrative consequence, etc fr). that's what creates the flip-flopping "percy is perfect" and "everything is percy's fault," and neither are particularly good reads.

going back to annabeth, i don't think she's an exception in idolizing percy. she has no reason to see percy's vindictive side bc he works hard to hide it. even w crusty, annabeth is preoccupied. annabeth is smart, she's not omniscient. instead, there's the famous "percy is too nice" from som. i also like to think this is why she keeps trying to talk to percy abt luke as if luke is a good person who didn't try to kill percy. she doesn't understand that percy would hate luke for betraying him bc why would he? percy is a good person.

(for the record, i think the exceptions are: 1) grover, who chooses not to bring it up w the exception of his nemesis comment in tlt, 2) rachel, who made a painting where percy's "expression in the picture was fierce—disturbing, even—so it was hard to tell if I was the good guy or the bad guy" and simply said that's how he looked, and 3) arguably nico—considering percy has attacked him before—but i do think "very [dangerous]. to his enemies." does a good job of capturing that, it just doesn't go anywhere).

so, to condense all of this, ppl are idolizing percy in terms of both strength and morals and percy feels stifled by this knowing that he is not as strong or good as ppl think (and also by the fault that he was demonized prior and has corresponding low self-esteem bc of that lol). keep this in mind, i'm changing the topic.

in botl, percy's torture scene is used primarily to set up how powerful he is. he can cause an eruption that necessitates the evacuation of thousands of ppl and wake the biggest threat in greek mythos, but he would never know that if he wasn't back into a corner. bc that's not who he is. he shies away from power and titles. he wins his fights w strategy and very rarely relies on his powers to overpower his opponents.

just to clarify, i categorize percy's powers in two sorts of ways: involuntary and voluntary. involuntary is like speaking to sea creatures, healing in water, things that don't require a lot of energy/effort/focus. he's not scared of this. he's wary of the voluntary, powerful explosions, the things that set him apart from his peers. that's what i'm referring to in this section.

so, percy has to come to terms w the fact that he 1) blew up a mountain, 2) survived blowing up a mountain, and 3) woke typhon. and what does he say immediately after that?

he immediately deflects! he wasn't in control, it wasn't him that's powerful, it was an accident, and besides, he can't do it again bc he almost died. and what's even more interesting is the only time he uses his powers after this (in botl) is when grover asks him to stop the fire in the woods.

so, what lesson did percy actually take from mt saint helens? that he's dangerous. very interesting to use this teaching moment and have the protagonist come to the quote wrong unquote conclusion.

in hoh, we don't have a purpose for the torture scene. there's no significance to confronting how powerful percy is. percy is not addressing his self-sacrificing tendencies nor his propensity for bottling his emotions up. there's no questioning of p*rcabeth's relationship. there's no questioning of the gods. it's a cool scene w no narrative purpose.

so, take two. what is percy supposed to be learning from akhlys? how do we relate this to percy taking the wrong lesson from mt st helens?

at the end of botl, nico comes up w the river styx plan and percy takes almost a full year to agree to it. how much further ahead in the war would they have been if percy had accepted the curse sooner? how many fights could percy have won faster if he used his powers? if he trained his powers? if he trusted his powers?

there's a really interesting comparison w phorcys and akhyls where percy doesn't attempt to fight phorcys bc he assumes he won't be able to overpower him,

but w akhyls he tries anyway,

bc he's backed against a corner. and he succeeds.

percy is a character who very much embodies duality. i've talked abt this before wrt his loyalty being both his greatest strength and greatest weakness and how it clashes w his desire for freedom, but it's true for almost every trait. he's honest and manipulative. he's ruthless and merciful. he's kind and violent. he's looked up to and looked down upon. he's the saint and the scapegoat. etc etc. and percy responds to this by frequently trying to deny his quote worse unquote traits until they eventually bubble up and explode out of him. this is part of why juno calls him a loose-canon (which btw, i love. everyone has been treating him as a loose canon and no one on this side has the balls to say it until then, seven books in).

all this to say, *ethan voice* it's abt balance! this moment should've been abt percy confronting his unfair treatment! the idolization from his peers! the demonization of his flaws/disability!

thanks for coming to my tedtalk.

#if u think hoo p*rcabeth is the pinnacle of romance do us both a favor and don't read this post <3 #anyway #they call me the rambler #this is an excuse to talk abt many things i have thought abt but didn't want to make individual posts for #so this is only mostly on topic and it may or may not make sense #good luck 👍#percy #annabeth #hoo crit #answered #take a shot every time i say “anyway” in this post lmfao

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brucewaynehater101 · 7 months ago

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can we have chaos gremlin Tim Drake fic recs pls? 🥺

Hullo 👋

Here's some fics where Tim is a bit unhinged. I copied and pasted the summaries the author did:

Tim’s quest to bring Bruce back from his Time-Travel-Super-Vacation goes horribly topsy-turvey when Ra's takes a more pro-active approach to keeping Tim prisoner, and he ends up in an alternate universe where he never existed, and everybody is disorientingly well-adjusted and weirdly obsessed with his “wellness”, whatever that means.

Tim is a clone, Young Justice has a new BFF, and Batman's adoption tendency has been sledgehammered with Post-Ethiopia grief, which means the JLA is now in charge of a miniature Batman despite almost none of them being parents. This can't end badly, can it?

When Tim is 11 he figures it’s not hurting anyone if he. Ya know. Takes a picture in the Batmobile. But then the power goes to his head and all of a sudden he’s hacking the Batmobile and tearing through Gotham on a rescue mission.

Tim Drake fucks around with the timestream and finds out. Now, he has to suddenly deal with a baby face, his family (and hiding from them), the loss of his precious middle child status and the burgeoning realisation that Damian is taller than him.

Beneath Gotham there is something. Anyone who spends time with their feet on the ground can tell you that much. At the surface level it's goons and scared street kids. Beneath them are the sewers, haunted by endless appetites and the scraping of hide against stone. Beneath that is glowing green, craving warmth of blood and rage, hunting for its host. And even further beneath that is something other. Above Gotham there is something. Anyone who spends time in the city can tell you that much. In the shadows of tall buildings or on outcrops of stone there was movement. Flashes of color or shadows taken form. Ever watchful eyes following the movement of the cities beating heart.

He hadn’t been prepared to take on Red Hood in Titans’ Tower. No, Tim had fought cleanly. Fair. But he wasn’t in the business of making the same mistakes twice. And the Red Hood? Well… Jason Todd should have stayed dead.

On a boring night, Tim and Steph discuss their most favorite and stupid yellow-press headlines. Years later, it gives Damian the chance to witness the true unhinged potential of one Timothy Jackson Drake-Wayne

Talia doesn't tell Damian his father's name before sending him off to Gotham. This sets off a series of events that no one could have predicted. On an unrelated note, Tim has always wanted to be a big brother

The kid in civvies knocking on the door to his apartment shrieks Jason's name and launches himself at Jason, who catches him on reflex. He realizes it's the Replacement at the same time he notices the kid is so tiny he could barely pass for twelve, let alone fourteen. "Jason," his Replacement mumbles again into his chest, and Jason finally regains the presence of mind to move them backwards into the apartment. If he's murdering the kid now, better to do it with privacy.

Hal Jordan finds a tiny child in the Watchtower, and appropriately decides he should not be there. Robin has other ideas.

Last one: The series "Bird's Night Out" by Calamityjim. Basically, chaotic Robin rivalry with Red Hood

#tim drake #dc universe #thank you for the ask!!!!#dc fic recs #unhinged tim drake #batfam fics

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gia-batmm-crickle22 · 3 days ago

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!! Dr. Ratio, Nous & Fuli and Amphoreus Theory !!

Okay, I've got something cooking up, and this is just a theory, don't worry, so please take all of this with a grain of salt ^^; Also, this involves spoilers so please turn away if you haven't played the 3.0 update yet!

So, people have theorized that Dr. Ratio is from Amphoreus. Before the proof was just simply "His clothes and aesthetic are similar to Amphoreus!" But after Amphoreus was released, the theory is actually getting more proof.

Here's one proof:

Ratio and the Titankin of Strife have interesting similarities. Not simply because of the color and the book, but power-wise, they have similar abilities. They both can turn into stone, with Ratio more replicating himself after turning into stone while he has also the ability of wearing a stone bust.

So my theory goes;

What if Dr. Ratio is a half-Titankin that was exiled from Amphoreus?

After the Main Quest, we get a message from Aglaea that sends us to the Adventure Quest "I Once Was In Arcadia", which uncovers a love story between a guy named Paris and a Strife Titankin Furiae Archer.

This was enough for me to understand that Titankins CAN feel more than their original path like Strife. From this quest, I've also understood Amphoreus natives fear Titankins and would have them discriminated at one mistake.

From that, I made the theory of Ratio being half-Titankin. Of course, that would mean his parents were hated and possibly executed. And since Ratio has the face and intelligence of a human with the skills and power of a Titankin, he was seen as a danger to Amphoreus. This aligns to the fact that the Sky Titan Aquila refuses to let anyone leave the planet (from what Aglaea had stated), so the people sent Ratio (probably when he was a child) in attempt to get rid of him. However, Aquila spared him (given he was exiled, not attempting to escape).

Now, ik Amphoreus was destroyed and what we're looking at is just the memory of it, so...

How would this be possible?

Well, in the game, we see that Titankins can change into stone, right? And when you change from Past/Day to Present/Night, the Titankins change too. They turn to stone, almost like a hibernation that keeps them alive despite the years.

With that in mind, I theorize that Ratio was also able to do that, even as a child, his powers/instincts took over and he stayed in stone when he landed in another planet, unbothered and sleeping. When he finally awakens, he's still a child, but Amphoreus is long gone.

Now, where does Nous play a part in this?

As we know, Erudition is one of the paths that's involved with Amphoreus, thus Nous has a role to play in this theory, especially in terms of Ratio. Unlike Fuli, who kept the planet's memory, Nous (as theorized) has no interest with a planet that no longer exists.

This could explain why Nous refuses to answer Herta's questions about Amphoreus.

Now, about Ratio. Ratio was rejected by Nous in joining the Genius Society because he cares about people more than the pursue for knowledge. Ratio has a weakness that Nous makes sure none of the other Genius's have, so THEY turned him away.

But what if it was so much more than that?

What if Nous is aware that Ratio is from Amphoreus and not only do THEY not like the fact that Ratio has a weakness, but THEY also believe that Ratio will take advantage of his place in the Genius Society to help/rescue Amphoreus from ruin? Whether Ratio remembers his home planet or not, Nous didn't want to take the chance, believing that Amphoreus is a doomed planet from the getgo and their fate shouldn't be changed.

This could explain why Fuli (possibly) sent THEIR Memokeeper Black Swan to input the planet Amphoreus into the thoughts and ideas of the Trailblazers while (possibly) sending THEIR Memosnatcher to attempt to distract Nous and Herta from the building of THEIR plan.

When you exit Amphoreus, it's very different from the other Bad Endings. Elio is usually the script supervisor, but Amphoreus isn't.

It's an adventure that started with Black Swan, possibly sent by Fuli, thus the conclusion is that Fuli is the one who tugged on the strings and changed the script/altered the script to have the Trailblazers in Amphoreus, a land that even Akivili hasn't been in, and save Amphoreus.

With this theory, these questions remain:

Why is Fuli trying to save Amphoreus?

Will Nous try to stop the Trailblazers from saving Amphoreus?

Will Ratio return to his home planet after it's saved?

---

Again, this is all just a theory! I'll probably publish this in other platforms, sooo yeah ^^;

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bookishjules · 2 years ago

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Things that were taken from Annabeth in the Heroes of Olympus:

Percy

her invisibility cap, a crucial part of her fighting style

the dagger that Luke gave her, the weapon that ended the Titan War

Daedalus' laptop, an expansive resource of knowledge and ideas that could have rivaled the library of Alexandria

Three of these were gifts from people she looked up to. Every single item she was given held within it the esteem and the love and the trust and the hope and the respect that made them more than just items. They were physical representations of the fact that she mattered to someone, and they were ripped from her hands.

She's never been the one with insane powers, the one who can command attention and respect just by existing. She had to prove to people that she was capable and strong and wise and all the rest, just to prove to herself that she was worth seeing. And having the attention that was given her in the form of gifts be taken away... it would feel like being cut from a tether and left to drift. And not only that, but those items were also the things that gave her something like powers. She learned to wield them, knew exactly how to plan an attack using the resources that had become like extra limbs to her. And then she's left with nothing. She has to learn how to build up a reservoir of plans and strategies again that don't involve those tools. And of course she can do it, of course she's going to, but damn if it doesn't hurt like hell to see everything slip from her grasp in such a way.

And maybe they were crutches, and she's ready and confident enough to step out on her own without that idea of support.. but as prideful as Annabeth can be, wisdom is about using the tools you were given, not necessarily about making your own. It's about knowing when to trust others and let them help you, even if they're just the ghosts of others that have been left in the items they gave you.

Which brings me back to the first thing that was taken from her: Percy. Percy who, alone among the things she lost, has free will, who not only saw her, but refused to stop looking at her. Percy, who could almost have been a gift himself to little Annabeth who was just dying to go on a quest. Percy, who, when everything else was slipping away, held on tighter, who would never let her be all on her own again.

#this post wasn't supposed to be about percabeth but they're too perfect a team for it not to end this way #annabeth chase #percabeth #hoo #pjo #honestly idek what this post is about. i just get emotional when i think about the hat and the dagger and the laptop #and my 10yo and i are about halfway through moa.. so it's been on my mind

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intpstyle · 2 months ago

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Dragon Age: The Veilguard Review Pt. 1 - "How to move on?", The Companions

DA:TV Spoilers ahead!

So what does DA:TV want to say, or rather: to ask?

I think the question at the lyrium-red heart of the game is “How do you move on?”. It does not only make sense narratively, for Solas and his complicated relationship to his own past actions, the companions’ story arcs, and the “good ending”, but also for a game that has been trapped in development hell for 10+ years. How DO you move on?

Specifically, the question seems to be: “How can we move on from guilt/an unjust/imperfect past into an uncertain future?”

We see this theme echoed in all companion quests, to varying degrees.

It is in Bellara literally being faced with a manifest regret from her past (her brother) and having to choose how to honour the legacy of their work for their people.

It is in Davrin taking responsibility for the guilt over and future of the last surviving griffons whose species almost died because of his organisation’s, the Grey Wardens’, abuse.

It is in Emmrich finding the courage to do what Johanna (his more extreme, unethical mirror) could not do: to face the uncertainty and walk across the threshold of death with peace of mind, either in his ritual or later in life, because of Manfred’s sacrifice.

It is in Harding waking up to the injustices towards her and her people that have been buried deep underground and choosing how to unearth them and carry them forward.

It is in Lucanis moving beyond the reality that he was betrayed by one of the very few people he trusted - that he crawled out of a year of torture by the skin of his teeth, forever changed and fuelled by Spite, and choosing to break the cycle by not murdering Illario.

It is in Neve being haunted by (yet another) criminal from her past, grappling with the age-old noir questions of who a detective would be without their murderers, whether the fight with/ against corruption can ever stop and what it means to be “a force for good”, so that she can fully embrace who she is and wants to be for Minrathous in the future.

And it is in Taash, walking the many tightropes of traditional expectations (man or woman? Rivaini or Qunari? Honouring the past and their mother or carving their own path into the future?) only to realise that some choices are not binary, that one can only discover options beyond that which one has been taught by “struggling with oneself” (shokra toh ebra), and that embracing certain parts of oneself does not mean dishonouring others.

All companions must face something that they were afraid to confront in their own lives, made unavoidable through the appearance of Someone Who Is What They Are Not (Cyrian for Bellara, Isseya for Davrin, Johanna for Emmrich, her own unbridled rage for Harding, Illario for Lucanis, Aelia for Neve, and, the Dragon King, but also, surprisingly, I think Neve for Taash?)

What I find most interesting is how this question (“How can we move on from guilt/an unjust/imperfect past into an uncertain future?”) seems to be answered along a sliding scale of personal vs systemic failing and also personal vs systemic responsibility.

The quests that intrigued me the most were the ones in which the personal and the systemic were deeply intertwined and were also acknowledged as such: Davrin’s (his own struggle with individuation vs being shaped (and potentially abused) by a community/ organisation mirroring Assan’s and the griffons as a whole; both he and the system must change), Emmrich’s (his own deep intrinsic fear of death as the driving force behind his a) appreciating and b) being terrified of the Mourn Watchers’ philosophy of going beyond death is beautifully thought out), Harding’s (her own supressed rage as the price for being ever-pleasant, useful, and building others up by mirroring the long-forgotten suffering of the tranquilised Titans who were literal building materials for the elves? *chef’s kiss*) and Neve’s (her constant fear of losing control (which is highlighted in her romance) while still being drawn to the thrill of the chase is mirrored in Minrathous’ constant chaos where just one slip of vigilance can cost you at best a leg, and at worst your life, or your loved ones – but Neve’s quest marries personal and systemic responsibility by asking: would you rather shape the system’s chaos or be shaped by it?).

The quests that fell a bit flat for me had either side of the equation slightly underbaked: Bellara’s (yes, she and Cyrian were deeply invested in Arlathan and Anaris was a Forgotten One, but how does his death directly relate to Bellara keeping or “freeing” (?) the Archive?), Lucanis’ (there is such potential in an assassin re-evaluating whether murder is always the best solution for everything and especially betrayal (and especially-especially because family members assassinating one another seems to be just another Tuesday for the Crows (and especially-especially-especially because it’s heavily implied that Lucanis knew that whole year in the Ossuary who put him there)). But sadly, the game doesn’t really go into Lucanis’ deeper thoughts on the Crows as an organisation, assassination as a moral quandary or the potential culpability of Caterina – which makes his final decision all the more baffling. Him struggling with his “inner demon” would have been a great set-up for struggling with the title of Demon of Vyrantium; what makes him more or less of a demon now than before? But alas), and Taash’s (all the ingredients are there, but the lack of systemic emphasis really dragged down Taash’s story, I felt. Taash explicitly exists between systems, and yet we don’t really see them engaging in either culture and/or going beyond them except for rather shallow markers, like food, clothes, and jewellery – I really would have liked to experience that moment in which Taash talks to Neve, Maevaris and their friends and reflects on their views on gender. I also really would have liked a moment between Isabela, Rowan and perhaps an Antaam defector on what being Rivaini, in-between, or Qunari meant to them, and for Taash to pitch in. In the end, it was not narratively satisfying for me why Taash must now make a choice (or, even weirder, why Rook must now make a choice for them) between being more Rivaini or more Qunari when them thinking through being more man or more woman ended with “neither/both/a third option, actually”.)

Pt. 2 is here, Pt. 3 is here

#dragon age #datv #dragon age the veilguard #dragon age spoilers #datv spoilers #dragon age meta #bellara lutare #davrin #davrin dragon age #emmrich volkarin #lace harding #lucanis dellamorte #neve gallus #taash #dragon age veilguard spoilers

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nyxvamps · 1 year ago

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if the lightning bolt wasn’t stolen do you think percy would have been claimed so early? i don’t. even though we do see that poseidon does care alot for percy, that relationship didn’t really start building until after percy was claimed and started going on quests and getting more involved in their world.

do i think poseidon loves percy? yes. he even said that percy is his favorite son. not demigod son. just son overall.

do i think he would bother to claim him when percy wasn’t of use to him yet? or if there wasn’t some circumstance that’s more important than the oath? no.

because of the oath, poseidon would have put off claiming percy for as long as possible. he probably wouldn’t claim him at all (whether to protect percy or to keep the heat off of himself). even when percy started using his powers, there are other minor gods that have control over water.

i think it would take a big showing of percy’s power (like blowing up a volcano or controlling poison) for poseidon to give in and finally claim him.

i think the lighting bolt is the only reason that percy stayed on the side of the gods. we know that percy only fights for them because of his friends and family and obligations to do good and if the gods did something he didn’t like (which he has a high tolerance for), he would turn on them very fast.

if he wasn’t claimed and didn’t have such a close relationship with his father, i think it would have been much easier for luke to get percy on his side. or for percy to start his own side.

i don’t think percy would condone attacking camp and hurting other demigods, but i do think that a young impressionable percy could have that used against him to convince him to fight for the titans to protect the other demigods.

and by that time, it would be too late for poseidon to claim him to fix things. and with the power we see percy have throughout the books, he would cause a lot of problems for the olympians.

#pjo #pjo headcanons #pjo headcanon #godly parents #percy jackson #pjo poseidon #dark percy

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lukecastellanshandholder · 5 months ago

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You do understand that Luke groomed and used teenagers, also asked a teenager if she loved from when she was sixteen and he was 23…

(I only dislike Luke, I don’t completely hate him, but reading your account description made me wonder…)

*sigh* ok, I’m going to try my very best to be nice and explain Luke’s character. (I only say this because I’ve made countless posts about these things already, but you seem new so I’ll explain)

First of all, Luke himself was groomed by Kronos for about 2 whole years before the events of The Lightning Thief took place. Kronos started coming to Luke in his dreams shortly after his quest to retrieve a golden apple from the Garden of Hesperides. Kronos came to Luke with his offer to help him dethrone the gods when he was upset and thinking irrationally because of his (very justified) anger towards Hermes. After this, Kronos continued to haunt Luke’s dreams, making him think that they both had the same goals.

Luke had always wanted a better life for demigods and for their godly parents to treat them better, he never wanted to hurt other demigods (as is plainly said in The Diary of Luke). While Kronos just wanted to gain power over Olympus again and to reshape the world. However, Kronos convinced Luke that he didn’t want to bring harm to demigods and that he could help Luke achieve his goal.

When Luke started to realize that Kronos just wanted power and that he no longer wanted to help Kronos, Kronos tortured him with nightmares. He was verbally and mentally abusive, driving Luke to near insanity until he broke and became Kronos’ perfect little soldier.

“But Luke groomed and used teenagers!” First of all, what do you think that the gods and Chiron do to all of the children at camp Half blood? They use those poor kids to run their errands and fight their wars under the guise of offering protection from monsters in the mortal world. And Camp half blood had been around long before the Titan Army was established.

Secondly, do you think that the gods are such good parents to their children that they didn’t have other kids who would willingly want to dethrone them? Because we have at least 2 examples of demigods who wanted to dethrone the gods for their own reasons. Ethan Nakamura and Alabaster Torrington. Ethan could’ve cared less about putting Kronos in power, he just wanted minor gods and their children to be treated better. Then Alabaster couldn’t have cared less about Luke but did want to see Kronos in power only because he would treat his mother, Hecate, better than Zeus did. So to say that Luke groomed every demigod who joined is completely ignoring the fact that the gods were terrible parents who have wronged so many of their children.

And third, Kronos was the one who wanted that army to fight against the army that Camp Half Blood had been building for years. Kronos was the one with all of the control, because once a demigod joined they were put under a haze. They were under Kronos’s influence and didn’t come out of it until Luke killed Kronos. So to blame Luke for the use of those demigods is also completely ignoring who had the true power in the situation. The gods and the Titans started this feud hundreds of years ago, Luke, Percy and the other demigods were just dragged into it.

Now about the whole Annabeth thing. I’m 100% sure that when Luke asked her if she had loved him, it was meant as in platonic/ familial love. As we see in The Diary of Luke (the only story that we ever see from Luke’s POV) we always see him thinking of Annabeth as nothing but a little sister or even a daughter. The only person that we ever see him show romantic feelings towards is Thalia when they were on the run together before going to camp. Well, except for Kelli, but I feel like that’s a special kind of situation.

“But Percy said-.” Percy is the most unreliable narrator out there, and he was a jealous teenage boy. Of course when Percy has a huge crush on Annabeth and he hears Luke ask Annabeth if she loved him, that Percy is going to think he meant it in a romantic way! He doesn’t have all of the information about practically anything going on! Now I’m not saying anything against Percy, but again he didn’t have all of the information and was just going off of what he thought he knew.

“But Annabeth said in the Heroes of Olympus series that-!” In this situation, Annabeth is also an unreliable narrator. Think about it, if you have or had a crush on someone and they asked you if you ever liked or loved them, aren’t you going to automatically assume that they mean it in the same way as you do? Aren’t you going to assume that they meant in a romantic way and think that they also had a crush on you? And again, I’m not saying anything bad against Annabeth but, the only time we get to hear from Luke’s POV about Annabeth he’s always referring to her as his little sister. So, are we going to believe what Luke says in his own point of view? Or are we going to believe what two people without all of the information think Luke meant?

So yeah, if you were wondering if I like Luke, the answer is yes! He’s one of my absolute favorite characters because his story is so interesting and intriguing to me.

No, I don’t blame Luke for what the gods and Kronos caused. I don’t think that he’s some evil monster like most of the fandom seems to think he is for some reason. Luke is a victim of the gods and Kronos. He was used just like every other demigod and in the end, died a hero.

I hold the actual villains of the story (Kronos and the gods) accountable for their actions instead of just blaming everything on one of their victims.

#hope this helps #luke castellan #asks #pjo #percy jackson #percy jackon and the olympians

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