#time was honestly the WORST person to go to

[writerdownbookworder]

“What’re you doing here?” I mumble over my shoulder. Although I’m not looking, I know without a doubt who it is.

Ray sighs. “Look, for what it’s worth, I’m sorry.”

“Not worth much,” I say, staring at the picture of my partner, framed and unnatural. She never would have wanted this. Her family didn’t know her anymore, why were they allowed to make these choices?

A groan behind me finally makes me turn. Ray stands there with his arms crossed, full disguise. I stare at him so long - not thinking much of anything, just numb - that I startle when he clears his throat.

“How long are you going to mope like this, Saga?”” He uses my code name, although I’m not dressed in my usual clothes. I didn’t take much care with my disguise today, just throwing on my mask and hood over dark clothes for the funeral.

I look away. “”If you came here to fight, let’s just get it over with. I’m not in the mood today.”

He sighs again. Why does he keep doing that? “I’m not here to fight. I’m here to pay my respects. I know you and Kya were close.”

“It’s my fault,” I whisper, turning back to the picture. She wasn’t just my partner, she was my best friend. I knew she was still a newbie, and I told her to go by herself. I thought she could handle it. 

By the time I got there, it was too late.

“Hey,” Ray says gently, shocking me. “It wasn’t your fault. I was there, remember? No one could have predicted that a normal everyday occurrence would turn so violent.” 

It was true. Ray had been there, for the same reason I was. Our fight had traveled several blocks and we happened to chance upon the scene. My fight with Ray had been forgotten as I rushed to Kya’s aid, and until this moment, I had forgotten he had been there at all.

I start walking toward the door, unable to stay a moment longer. 

Ray follows me. “It’s okay to be sad, Saga.”

I stubbornly ignore him.

He rolls his eyes behind me and I scoff. “You know I can see you. Why do you insist on being rude anyway?”

He grins. “It’s what I do best. I just wanted to make sure you’re okay.”

“Argh!” I whip around to face him, face red with anger. Ray actually takes a step back. “I am not okay! My rookie died because of something I told them to do! My best friend is gone because I wasn’t there for her! And worst of all, she never got the chance to do anything she wanted to do! She was only 19…” My voice trails off with a sob.

Ray opens his mouth, but I cut him off. “No, you know what’s worse? You, coming here, to her funeral to mock me. Follow me, fight me, yell at me to your heart's content, but don’t sit here and mock me by pretending you care about Kya or my feelings!”

“Fine!” he snaps back, finally losing his temper. “I’ll tell you the truth if you want!”

I throw my hands up in frustration. “What I really want is for you to leave me alone, but go ahead!”

Ray’s voice drops back down in volume, slightly lower than his regular speaking tone, his voice shaking slightly with anger. “I’m not pretending anything. I may not have known Kya much at all, but I do know that on the few occasions I saw her, she seemed to be a genuinely good and happy person.”

“Why do you-”

“I’m not finished!” he snaps, before continuing again. “As for you, I do know you. I knew you would blame yourself, I knew you would be upset and sad, I knew that you would be here, and I knew you would stay long after everyone else left. I know you. Your feelings haven’t been a mystery to me for years! 

“The truth is, I know who you are.” He doesn’t meet my eyes as he says it. “Inside, outside, underneath the mask and hood. You aren’t a mystery to me. I honestly thought you would recognize me long before now.”

I stare at him, unable to speak, trying to understand what he is telling me. “You-”

Ray looks up into my eyes, voice soft. “Emma.”

He slowly pulls off the mask, revealing the one face I didn’t expect to see.

The one that equal parts of me hated and loved, unable to decide between desire and defense. Part of me never wanted to see him again, had hoped he died.

Part of me was so relieved that I wanted to cry.

I chose the latter.

your a super Villian/super hero who's partner just died. When the funeral was supposed to be attended, nobody came, except for one person, your arch nemesis, who came there to comfort you through these tough times

[redclercs]

DELICATE✰CHARLES LECLERC.

xiii. he was sunshine, i was midnight rain

— the one where you broke his heart 'cause he was nice.

❝𝘞𝘩𝘦𝘳𝘦 𝘥𝘪𝘥 𝘸𝘦 𝘨𝘰 𝘸𝘳𝘰𝘯𝘨? 𝘐 𝘬𝘯𝘰𝘸 𝘸𝘦 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘰𝘶𝘵 𝘢𝘭𝘳𝘪𝘨𝘩𝘵. 𝘞𝘩𝘦𝘳𝘦 𝘥𝘪𝘥 𝘸𝘦 𝘨𝘰 𝘸𝘳𝘰𝘯𝘨? 𝘖𝘩, 𝘥𝘪𝘥 𝘺𝘰𝘶 𝘤𝘩𝘢𝘯𝘨𝘦 𝘺𝘰𝘶𝘳 𝘮𝘪𝘯𝘥? 𝘏𝘰𝘸 𝘤𝘰𝘶𝘭𝘥 𝘺𝘰𝘶 𝘤𝘩𝘢𝘯𝘨𝘦 𝘺𝘰𝘶𝘳 𝘮𝘪𝘯𝘥? 𝘞𝘩𝘰 𝘨𝘰𝘵 𝘪𝘯𝘴𝘪𝘥𝘦 𝘺𝘰𝘶𝘳 𝘮𝘪𝘯𝘥?❞ —𝐋𝐀𝐍𝐘, 𝟏𝟑.

warnings: angst, not proofread and pls go easy on me i'm coming out of the worst block everrrrrrrrrr. our girlie is making poor choices pls hate her a bit for it, the last bit is charles centered. 2.23k words (+articles!)

masterlist ✢ next

by Tom Gill

The worst time to have a carreer on Public Relations is when your client is as unhinged as y/n y/ln has proven to be. Many people, myself included, can't help but feel sorry for whoever is on her team because there's only so much someone can do to put out a fire when the person burning is the same one who keeps lighting the matches.

y/n just can't stop messing up, can she? Just when her fans thought she would rise from the ashes with an outstanding movie deal, the 'Queen of Romcoms' has to go ahead and mess things up by proving that people who aren't blinded by her master manipulations are right: y/n y/ln is in fact a cheating snake.

The Deuxmoi post talking about an actress involved with a Formula 1 driver and her presence at the Italian Grand Prix last Sunday are enough confirmation of the fact. y/n is not ashamed to be seen on broad daylight with the guy that broke off her engagement.

Don't kill the messenger, y/n fans. Aidan Kim and Victoria Presley did warn you.

New York, United States, September 10th.

It feels like you've just finished unpacking when you find yourself throwing stuff in a suitcase once again. There is little to none excitement in you as you decide between a couple of blouses and recite Amy's lines outloud inside your messy apartment.

"Wait—that's not right," you huff, unaware that you've let the blouse you like the least inside the suitcase. The lines slip your mind like butter on a pan. Honestly, you've started to wonder if several of your braincells died in the past month. Nothing other than 'I want to be great or nothing' seem to have stuck. So much for how well that single line applies to your life.

"'It looks like it's never done a day of work in its life'," you mutter, picking the script up from the dining table. You have studied it a million times, gone through lines and rehearsals and a thousand other things. You have called Greta and Timothée and Saoirse and they have called you on their own accord to agree the accurate tones of scenes and interactions, and yet you are sure you are still going to mess everything up once the camera starts rolling. "God, help me."

The clock on your phone tells you it's 9:30 a.m. and you are nowhere being done with your luggage. Also, Charles' plane lands in less than an hour and you are not making it to the airport in time. He has a busy month race-wise and he has still made some time to come to New York before you leave for Boston in a couple days and you are both turned upside down with the Asian race-tour.

There is one reason—and one reason only— that Mildred has agreed that you should have these two days off. That reason is not Charles Leclerc, given the fact that she has grown to hate him even if she can admit, albeit to herself only, that he has done nothing wrong. You are supposed to be preparing more interviews and then a prolonged stage of silence while you focus on filming Little Women. Mildred has a whole plan laid out and that is another script you have to follow. No improvisations though, you have been warned.

─────────

Time has a funny way of passing by when it comes to Charles and yourself. Your whole relationship feels contained in a moment and also in a century, and every time you see each other again, even after just a few days a whole other bubble of time seems to have passed. You think it's Charles' way of making it feel special, making you feel special by looking at you like you're a part of him he's constantly missing when you're not right next to him. A 'lovesick fool' you have heard him been nicknamed by people who try to be nice, at least a little bit. Others sneer at how they can't wait for the 'honeymoon phase' to be over.

And it's precisely the way he looks at you before he's crushing you against his chest that makes you hold your tongue for the rest of the day. You cannot bring yourself to tell him the plan the people around you have made without asking for your input—much lesser his— to salvage your career and your reputation.

It nags at you how stupid you're being. Maybe some part of your brain did die between Sunday and today, but you are certain you won't be able to bear the disappointment in Charles' eyes when he finds out what you agreed to.

This visit is less touristy than the last time Charles came to New York. He's leaving tomorrow and you, the day after for Boston, so you want to bask in each other's company as much as possible. You go to a cupcake place and take pictures, all while Charles re-tells everything people have said about his win on Sunday. He's become even more of the Golden Boy he already was in the eyes of Ferrari fans, and you feel love swell in your chest at the fact. You love that he's loved, there's nothing he deserves more than to be loved.

"Will you show me the script now?" Charles asks, taking his light jacket off as he crosses the door to your apartment. A slight feeling of embarrassment flashes through you when you focus on the different disasters around the house but Charles either doesn't notice or doesn't mind as he makes himself comfortable on the couch where several pairs of your shoes are scattered.

"I think it would violate my contract somehow if I did," you chuckle, noticing that your travel kit toothbrush and toiletries are on the coffee table. "I was sure I had those in my luggage already," you groan, pointing at them.

Charles laughs, patting the spot next to him and motioning you over excitedly. "Can I see it please?" he elongates the 'e', with a mocking puppy eye look on his face. "Read me some of your favorite lines," he's suggested so several times and you refuse him every single one. It's not like he hasn't seen you act, Charles admitted in one of your phone calls to have binged all of your movies.

"I can't," you fall into the couch next to him, wrapping one arm around his neck. "You make me nervous, it won't turn out good."

"You see me work all the time," he grumbles against your hair, "And you too, make me nervous. You're being unfair."

"Oh, booohooo," you mock, nuzzling into his neck. "Your job is far more exciting than me reciting lines."

"It is not—"

His complaint is cut short as you kiss him, once, twice, so many times you lose count and he kisses you back between snickers and fake complaints about how there's only so much his heart can take before it explodes. It's so cheesy it makes you both cringe and burst with laughter before starting the scene all over again.

A re-run of a Foodnetwork reality show is playing in the background when you open your eyes after a short-lived nap. Charles is swiping through his phone with his other arm around you, the light in the apartment has faded almost completely giving way to late evening.

"Do you want to go out for dinner?" you ask pushing off of Charles' body and sit and rub your eyes. "Or should we order something?"

He locks his phone and stretches, still laying on his back. "Whatever you want to do, soleil."

You two are way too comfortable in your little cocoon to mess it up by going outside just to eat. Charles smiles, knowing you've already made your mind up.

You argue on the couch for ten minutes about what take-out to get and after you've finally placed the order on your phone, you get up to make some space the dining table.

"Here," you throw the bunch of papers at him softly. The 'Little Women' script is anotated from page one, and it is true that you probably shouldn't be showing it to him, but it doesn't really hurt anyone either. "Not a word, do you hear me, Leclerc?"

Charles laughs before crossing his heart with his index finger, eager to read about your next big thing.

You throw more stuff on your open suitcase, wipe the table down and look through your kitchen for an unopened bottle of wine while Charles reads and occassionally shouts something from the living room. He's so genuinely excited about seeing you bring Amy to life on the silver screen.

"Gooodddd, what's taking them so long?" you whine as you return to the living room. The 'your order is in progress' notification still alive on the screen of your phone. Charles doesn't seem to mind as he makes space for you to sit with him again.

"Couch potato," you stick your tongue out at him, placing your feet on his lap after reaching for the TV remote. You surf through a few channels, trying to remember what the name was of that crime documentary you wanted to watch on Netflix.

"...y/n y/ln making headlines again with her messy love life," the E! Show that's starting has your picture and Charles' next to each other.

Charles' eyes move from the last pages of the script to the TV and then to you. "Change the channel, love," he says as he reaches for the remote himself.

"Yeah," you click on the Netflix logo on the remote and the screen goes black as your phone pings, letting you know your food has been delivered to your apartment complex's lobby.

─────────

There is something beautiful about domestic life with Charles even if it just exists for scarce moments like this. The smell of coffee and the sound of his humming lull you into a peaceful state of mind as you prepare breakfast before once again leaving for the airport.

Messages from Mildred, three or four already, remind you that you must be ready for the list of things she had also reminded you of a million times already.

'how did he take it?' you read from your phone, Mildred again.

You look at Charles and open your mouth. Maybe now that he's leaving in a couple hours you'll work up the courage to tell him about how Mildred is staging your break-up right this second. Which means nothing, right? Keeping it lowkey is for the best, even for him.

Right?

You open your mouth and close it several times looking at your disheveled boyfriend and his sweet smile.

"What?"

"There's something I have to tell you," you breathe out, screwing the already too tight cap on the empty bottle of orange juice that rests on the table.

"So tell me," Charles' smile widens as he puts both elbows on the table, ready to listen.

"I'm really going to miss you." you chuckle awkwardly, and there is momentary gesture, barely perceptible, in Charles' face that tells you he knows that's not what you really wanted to say.

"Me too soleil, but we'll figure it out," he's reaching for your hand with a weaker smile on his face this time.

AFTER months of speculation about the nature of y/n's relationship with Formula 1 Pilot Charles Leclerc, a spokesperson for the actress has made an exclusive statemen for PEOPLE.

"They have never been romantically-involved," the source said. "Their friendship is undeniable but there's nothing more than that."

y/ln and Leclerc have been linked since April and spotted in public together several times, including at the Italian Grand Prix on September 3rd.

"Since becoming friendly they've ran into each other at several events," the source continues, "They are often surrounded by friends they have in common, such as Matilde Bassi and Timothée Chalamet. y/n knows it's too soon to put herself out there romantically."

Despite a rumor surfacing on an online gossip site that they took a romantic vacation together in Greece, y/n's spokesperson tells PEOPLE that "pictures are often released without context to create controversy."

Charles Leclerc has been blind-sided. Which, to be fair, in his career field is something he should be used to. But the feeling doesn't compare to being blind-sided by the person who is supposed to be your partner.

Charles understands, he always understands, or at least tries his best to do so. But this time, it really feels like he's reached his limit. It's not even about how he's become even more of the laughing-stock within his group of friends about how he's been parading y/n around and defending her honor for her to call their relationship 'casual' rather than not even getting a heads-up from her about the matter.

"Is there something you would like to talk about now, y/n?" Charles questions, trying his best not to let the anger flow into his voice.

Charles thinks the worst part is how long she stays silent, but it's not even close to what comes next.

"I tried telling you," she lies.

"When?" there is no point in hiding his anger anymore, even if he doesn't want to fight. This is one of those unavoidable things you expect to hit somewhere down the road in the relationship, not a month into it.

"I TRIED!" she repeats, unable to come up with any argument in her defense.

"You never tried! See that's the thing about you, you just wait for things to happen and then you 'try' to deal with the mess!" His accent is thickening with every word.

"If it bothers you so much—"

"What bothers me," he cuts her off, "Is how you cannot trust me with these things? What did you think I would say?!"

"Exactly what you're saying now, Charles," she sounds defeated and it manages to irk him an extra mile. "You don't understand—"

"I don't understand how you still care more about what people are going to say than about talking to me. I'm your boyfriend!"

There is another long silence during which he can hear faint yelling in the background of her side of the line. On his side of the world it's nearly midnight.

"I've been thinking," y/n nearly gasps, "That maybe we rushed things."

"Rushed things?" his voice is so small now he wonders if it can really travel half-way through the world.

"I— Maybe Mildred is right— I wasn't, I am not ready for a relationship." She stammers, and Charles can picture her pinching her thigh in that nervous tick she can't quite manage to get rid of.

"You can't even take responsibility for your own feelings?"

It's always Aidan, Victoria, Mildred... a handy list of people to put part of the blame on for when she doesn't want to say things herself.

And Charles accepts it. He accepts her messes because he wants her, but now apparently y/n doesn't even want him back.

"What do you even mean by that?" y/n scoffs.

"Can you even be honest with me, then? Say that it is you who doesn't want this relationship, y/n, don't put it on—"

"I'M NOT PUTTING IT ON ANYONE! THIS HAS BEEN A MISTAKE SINCE WE LEFT MYKONOS I—"

Charles didn't want to fight and now there is nothing to fight for, anyway. So he hangs the phone up, because sometimes things end in silence.

It's three am, and Charles Leclerc just got his heart broken.

─── team principal radio: ❝why hello there, i don't even know if you remember this fic but it is for my own peace of mind that I have to finish it!!! also i love these characters a lot, even when they're acting so selfish and stupid—looking at you y/n. Thank you if you are still here and like me, had to reread it to get to this chapter.❞

✰ paddock club members: NO PADDOCK CLUB THIS TIME BECAUSE I DON'T KNOW IF ANYONE STILL WANTS TO BE TAGGED.

[writtingsomestuff]

Can the hate towards Lando stop? Honestly, it's ridiculous at this point. Like I don't get it, don't you guys have a life or something to do in general? I am involved in social media but I don't dedicate my time to hate on a driver.

Lando, especially Lando, has been open about mental health and I think that we all know how much he suffers from it and regardless of this he still gets hate.

First of all, the "famous" line on Max's luck was taken out of context and I blame this on both journalism and fans who like to take everything out of context for the sake of... drama? I don't know what for but I surely don't get the reason.

Second of all, going to his Instagram profile and literal ruin his last post with a high percentage of hate comments is pathetic from you because it shows your immaturity, but the worst part is how aware he is of it- like he reads them. And it gets even worse when he is being sent de@th threats. People who are hating on him openly need psychological attention rn.

He may not be your type of driver, you may not even like him, I also don't like certain famous people or other F1 drivers but I simply ignore them (try it. it's much healthier). If you don't like Norris then ignore him, don't go to his socials, don't send hate because what's the point? showing how awful of a person are you?

And lastly, the worst part is that probably the people who are hating on him are probably the same people who publish and speak up about mental health's importance until it is Lando Norris I guess. Also, don't get me wrong, I want and I think that Max will win his fourth, but Lando was not fighting for the wdc since the beginning either, so...

Enjoy the sport, ignore who you don't like and don't be a poisonous person.

[1percychase]

Unpopular opinion: Nico's trauma is over rated

Okay so I'm not saying that it's not validated or anything, there's a reason it's over rated, but so many fans act like he's the only one and that no one else's trauma matters because Nico has it the worst. When did we start comparing literal trauma?? I think somebody we should look into more is honestly.. Percy. He's the main character and all, but it's almost like all the fans forgot how much he's gone through, which is CRAZY to me. Anyways I have a list cause I love making list and yeah.

1. Getting abused by his step dad, which made him feel worthless and like he didn't matter.

2. Everyone bullying him.

3. The only person who ever seemed to care about him, his mom, disappeared.

4. Getting punished bc of his father.

5. Getting accused of stealing something and getting sent on a quest at TWELVE.

6. His first friend at camp betrayed him, which gave him trust issues.

7. His best friend getting kidnapped.

8. Getting turned into a guinea pig, which actually gave him a phobia over.

9. Having suicidal thoughts while only being THIRTEEN.

10. Never thinking he is enough.

11. His other best friend being kidnapped.

12. Watching Bianica sacrifice herself after he tried to stop her.

13. Holding up the literal sky while also being injured.

14. Being blamed for Bianica's death (and believing it.)

15. Finding out Nico is a child of Hades and deciding to protect him against the Prophecy even if he hated him.

16. Annabeth mad at him bc Rachel likes him, even though he can't control that.

17. Getting lost and separated in the Labyrinth.

18. Watching Pan fade out of existence.

19. Watching Bekendorf explode on a boat.

20. Being the Demigod of the Prophecy.

21. Fighting a war on his birthday, the battle of Manhattan.

22. Watching so many people die in front of his eyes, knowing he couldn't save them.

23. Silena betraying him and the camp (I don't think she was a bad guy at the end but yea.)

24. Feeling guilty that Luke committed suicide and blaming himself when it isn't his fault (idk how true this one is but I've seen it so..)

25. Being kidnapped and all his memory taken away.

26. (This one is kinda a joke) Watching Octavian kill his pillow pet.. rip perry the panda pillow pet.

27. Being in another Prophecy of the seven.

28. Being afraid of drowning, while also being a child of Poseidian.

29. Falling into Tarturus with Annabeth.

30. Going completely psycho and mad.

31. Leaving Bob it Tarturus and feeling super guilty about it.

32. Making Gaia rise with a nosebleed.

33. Fighting in the battle of camp half blood.

34. Thinking Leo died.

35. Finally thinking he has a break and getting asked to help Apollo.

36. Becoming an older brother. (it's not like physical trauma but I'll explain it later)*

37. Jason's death.

38. Going on more quest to get college recommendation letters.

*okay so becoming an older brother was on this list because even if he was so happy to get a half sibling, he's been an only child for a long time and it's hard to accept new people in your life. Also older brother duties. Even if he was just leaving the house when she was a couple months old, I still put it on there bc many people can count it as one. Also I'm the oldest out of 6 kids growing up so I would count it lol*

And people still have the audacity to say percy was too much of a jerk in heroes of olympus, please. I would act the same way.

Anyways I actually have a list of a lot of different characters traumas cause I got bored one night so if you want to see the other list, tell me!!

[dragonfire2lm]

Holy shit, reading all of this just felt so damn good. I'm blind in my left eye and need glasses to see through my right, so reading other's experiences with only one functioning eye is...nice.

I thought I might share some of my experiences, because I don't really think too much about it honestly, I just know how things go for me because being half-blind is my normal.

Slopes and uneven ground are the worst. Walking is more than just seeing the ground in front of you, its also feeling it with your feet. When just out and about during the day, I can see just fine, but I do need/prefer stable ground because my depth perception is off and my balance is shit. So when dealing with say, a hill or holes i nthe ground, I take it slower, feel out each step because I can't tell how deep something is by just looknig down at it.

My night vision is also...not a thing, lol! I've gone out at night before, but would have to rely on having a torch (flashlight for you americans) with me and point down at my feet so I can see where I'm walking. For real, one time when I was walking home i nthe dark I accidently stepped onto the curb of the road because I couldn't tell I was veering that close to it, but I course corrected pretty quick. Because of my shit night-vision, we've got a motion-sensor light in the hallway for me, and I have a little lamp in my room for whenever I need to get up in the middle of the night. I don't necessarily need to turn a room's light on to see, I just need enough to tell where I'm going because gonig from darkenss with some light to full on "let me turn the bathroom light on for you" means I need to take like..ten, twenty seconds for my eyes to adjust to the suddenly bright light flooding my vision.

I'm not sure if this next thing is because I'm half-blind, or just a me thing, but I tend to not do well with navigation or cluttered environments. For example, If I need to find a phone on a table covered in clutter, you can see it, its right there surrounded by other things, but its there. I cannot see it, its not in an obvious spot where I could notice it at first glance, there's too many things, even if you point it out to me, I would still have trouble finding it. This applies to video games too! I often get lost in video games, or need my friend to point out something I missied because I just don't notice it amongst everything else.

I hate bright light. I'm very sensitive to bright light to the point most of the curtains in my home are closed, I wish real life had a brightness setting, and sunlight glinting off cars on a sunny day is my own personal hell. I've gotten flashbanged walking into the bathroom a couple of time because Mum opened all the curtains in there for important reasons I can't remember (like, she did close them later on, they are normally closed but sometimes they're open if the windows need to be cleaned or something).

People think I'm more blind than I am at first. When they first learn I can't see out of one eye, they assume I need to have things pointed out to me, like "watch out for the step/curb." when its during the day... I can see just fine, that's what the glasses are for. Yeah I can't see shit at night and will let people know that, but I know what I can and can't do...it's like people take a bit of time to really get the message that only under certain conditions do I need help and can manage the rest of the time perfectly fine on my own.

I prefer to have people walk on my blind side, because that's the side I'm keeping a closer eye on, so its easier for me to walk and talk with someone if they stay at my left.

Let's see what else? I do the head turning thing too! Its way easier and less eye strain to just turn my head towards something to look at it.

With my vision being the way it is I need to be mindful of what videogames I play. Yeah there's the obvious thing of most horror games are out because I would need to crank up the brightnesn super high and its frustrating not being able to see shit, but there's also ui elements to take into consideration. If a game uses small font, or a small hud, that's just eye strain and a headache waiting to happen. I've bought games wheere I;ve had to stop laying them because the console ports just aren't made for people like me who need larger font sizes and ui scaling, and I don't play PC because my laptop isn't a gaming one, and its much more comfortable for me to play console games because my large tv means less eye strain because its a bigger screen.

Speaking of the laptop! I wish most sites were zoom-friendly...like I need to have my web browser set to be zoomed in because again, I need the larger font and ui elements even when browsing the web. Most of the sites I frequent are fine with this (namely tumblr and AO3) but some of the sites i do use aren't zoom firendly and I have to zoom out to use the site properly, and that means tiny font and stress because I have my shit zoomed in for a fucking reason! but no, a lot of sites just don't do well with the fact that I have stuff zoomed in at 90 or 100%, like they weren't desinged to be used with zoom or larger fonts in mind.

I have to write my fanfics with font size 22 or 24 and then scale it down to a more presentable size 16 when I want to share previews of what I'm writing via google docs. Thankfully I don't have to worry about doing this on AO3.

Some of this wound up being a little bit ranty, don't take it too seriously, its just little things that frustrate me sometimes.

Stuff about having monocular vision that people don’t know (in my experience)

1. You only ever sit on one side of a room. (Especially if you’re in class) If you’re blind in your left eye like me, you sit to the left of the room so your right eye has the greatest scope, and there’s not much to your left to look at.

2. Harder time seeing past obstacles. People with two eye vision have the perception of both their eyes blend together for one image. Without this, you only have one eye, so you’re don’t get to see past obstacles the same way. For example if something is blocked for your right eye and not for your left, you can still see it through your left. For people with monocular vision this isn’t possible.

3. People don’t walk on the side of your blind eye. It may just be me, but because I’m blind in my left eye I tend to accidentally bump into people if they’re on my left. So when people walk beside me I naturally go so they’re to my right, or they do, without it being discussed.

4. 3D movies are headaches. Even though we’ve progressed past the red-blue type glasses, 3D just doesn’t work well for monocular vision. (And you know those fun optical illusions? A lot of them don’t work at all- nothing happens!)

5. Things like grabbing a pencil without looking at it are extremely difficult. (Due to lack of depth perception, you have a hard time discerning where things are in 3D space). This also stretches to having bad posture and balance. Meanwhile, things that are flat are relatively easy.

6. You turn your head when you’re looking at something, so your good eye is focused on it. This includes tilting your head at worksheets, TVs, and computer screens- and also people.

7. Seeing in the dark is also much harder, because people rely on their depth perception for it, and without that stuff gets real hard

8. The headaches. Most people with blindness don’t experience total blindness, but instead low vision, where their vision is not able to be used in a way that’s helpful. Your brain tries to merge the images, or use your bad eye to see something in the peripheral. This just makes your head hurt. Much like people who need time to adjust to having glasses due to the headache, getting headaches is common because your vision is always at odds.

9. More susceptible to eye damage. Since you’re not overly aware of your bad eye, you may not notice if the sun is shining directly at it. I tend to squint with my bad eye whenever I’m outside, without thinking about it. Additionally, you’re more wary of anything that could damage your good eye. It’s the only one, so you gotta be careful with it.

10. Also, it makes things really, really weird if there’s a bright light from one side but not from another. There are often after images that float in my vision.

11. Looking at things that are moving can be hard. I can focus on an object, but if a camera is panning in some direction without being focused on one thing in particular, I just stop being able to make sense of what I’m seeing. It becomes very jarring.

12. Sometimes it’s not that your eye necessarily has anything wrong with it, but that your optic nerve isn’t fully connected. So the eye may be healthy, but your brain shut it off, and the connection between the light coming in your eye, and the way the brain interprets it, never fully formed. Funnily enough, I’ve heard that this can cause the connection between your good eye and your brain to be stronger, as it is with mine. For some people it’s the opposite, and it makes both of their eyes worse. Peoples experiences can really differ.

[burningcheese-merchant]

Abt burning spice's kingdom interaction with nutmeg tiger when he says "this place it reminds me of the first kingdom i..." do you think he destroyed that kingdom? Or built it?

The fact that he shows regret and hesitation in that line is interesting...

Do you think he became what he is because he doesn't have anything left to lose?

This can perfectly foils Golden cheese's story, even after her kingdom got destroyed she eventually embraces that fact and process that emotions healthily

Sorry im just yapping here, i love me two character that perfectly foils each other while being more similiar than enyone else and form a weird ahh relationship balancing between romantic or wanting to kill each other

-🌾anon

I'm going to go ahead and say both. I think he built it AND destroyed it. In fact, I'm going to go a step further and specify that he accidentally destroyed it while trying to defend it from some invading force, thus making this the first real step down that dark path. Think of it: in a mad frenzy to protect something he loved, he destroyed it instead. He unwittingly became what he was fighting against, if only for a moment - and that moment would set many things in motion, each more terrible than the last, for not only has Burning Spice now come to truly know the bitter taste of loss and history's seemingly futile nature, it came to him in perhaps the worst way possible, and so left the most lasting impression. (Idk if what I tried to cook here came out of the oven right, but there was an attempt lol)

I 100% agree with the idea that Spice became who and what he is after succumbing to despair in the face of seemingly unending loss (I go into detail about it here, this is how I personally headcanon his descent into villainy), and that there is still a lingering sense of regret somewhere inside of his heart, even if small and not strong enough to influence him anymore. That dialogue he has with Nutmeg Tiger is what pushed me to want to analyze him and construct a possible background and motive for him, and later what inspired me to want to redeem not only him, but all five of the Beasts. The fact that he might have regrets is very interesting and very promising to me, and lends itself to the idea that, with time and the right guidance, he could perhaps... change (to keep with the theme haha).

And I also agree with you on him and Golden Cheese being perfect foils for one another (it's part of why I ship them so hard lol). They mirror each other SO well in my eyes. And in the face of the same exact loss, one folded while the other stood strong (although you can say that GC folded as well, at least for a while, before she realized the folly in her delusional grief and collected herself). Nothing lasts forever, that's true, but that doesn't make it meaningless - quite the opposite. It is the ephemeral nature of life that makes it beautiful and worthwhile. It's alright to be upset when something ends, but you can't let that define you. Everything ends eventually. Focus less on what's far ahead or what's far behind and focus more on what's in front of you right now. That's the lesson GC more or less learns, and it's the lesson BS needs to learn too, in my opinion. And I honestly think GC is the right one to help teach him that.

Sorry, I sort of spoiled the "Change" arc in my Reformed Beasts AU a little bit here lol. You really hit the nail on the head with your thoughts here and it prompted me to puke this word salad. Great minds lol

[teal-fiend]

prey delivery service

summary: a pred being rude because his prey delivery was late to arrive

The clock ticked past midnight, and the predator’s patience ran thin. He reclined on his leather couch, fingers drumming irritably on the armrest as he glared at his phone screen, waiting for the delivery that was already half an hour late.

“Unbelievable,” he muttered, sending another angry text to his personal assistant. She’d promised everything would be in order, that the ‘food’ would be there in five minutes. But here he was, stomach growling, craving the feel of something fresh (very fresh) and warm inside him.

Just as he was about to let out a growl of frustration, the door finally opened, and in walked a pair of delivery men, flanking a nervous young man. 

The predator’s gaze swept over him, sizing him up with narrowed eyes, hunger-tainted. He was perfect, plump, and there was something deliciously soft about him. This would do nicely. 

“Finally,” The predator sighed, sounding as if he’d just endured the worst day of his life. “You know, if you’re going to offer this kind of service, you could at least be on time.”

The young man gulped, wide-eyed as the delivery men guided him further into the room, like guiding cattle towards the slaughterhouse. The assistant rushed in a few seconds behind them, and began to apologise, explaining there had been a delay with traffic, but the predator waved her off.

“Just get him over here,” he snapped, gesturing to the trembling young man. “I’m not sitting around listening to excuses. You know how my stomach gets if I’m not fed on time.”

Oddly on cue, his stomach intruded with a thick, angry growl. A few people jumped at that sound. The predator grimaced, and put a hand over it. 

The delivery men guided the young man closer, positioning him within reach, but the predator didn’t move, he merely glared up at them. “Well?” he barked, arms crossed. “I’m waiting.”

The delivery men exchanged a hesitant glance, and one of them leaned down to coax the prey forward - it was supposed to offer itself up to the predator - but the prey wasn’t having it. 

“Uhm, what’s going on?” The prey stutters. The predator’s gaze whips over to his assistant, who shrugs. He looks towards the delivery men, who have a similarly vacant expression.

The predator tutted, rolling his eyes at the awkward situation. 

“Honestly, you’re telling me he didn’t know what he was signed up for? This is ridiculous.”

Finally, the young man met the predator’s gaze, swallowing hard, fear etched across his face. The predator’s expression softened just enough to appear less intimidating, though impatience still simmered under his skin. 

“You were sent here as my meal. I am going to eat you.”

“W-what?!”

Before wasting any more time, he reached up, pulling the man closer, and gave a smug, satisfied hum as he opened his mouth and began to devour.

Each swallow was deliberate, the predator taking his time to savour every inch, pausing to breathe and let his stomach expand as it grew tauter. His belly began to bulge like it had many times during its career. It strained against his shirt buttons, which were stretched to their limit by the time he finished. He licked his lips, content as he gave his belly a proprietary pat.

But then, a twinge of discomfort pinched him as he adjusted in his seat, and he scowled at his assistant. “Unbutton me,” he snapped, exasperated. She stepped forward, carefully but quickly undoing the buttons over his prey-filled stomach until he could breathe easier. The relief was palpable, but he gave her a disdainful look as if it were her fault for not foreseeing that slight discomfort.

“Finally,” he said loudly, reclining back and giving his belly a smug rub. “You know, this would’ve been much easier if he’d been here on time. Now my stomach’s all worked up, thanks to you lot.” He shot the assistant a cold glare.

“Yes, sir,” she replied, keeping her tone even as she packed up and prepared to leave.

The predator huffed and closed his eyes, settling back with a groan. “Well, see that it doesn’t happen again. I don’t care what it takes; I expect my meal on time.”

As the last of the staff shuffled out, he relaxed fully, sinking into the chair, his fingers idly squeezing at his gut. The deep, tight fullness soothed him, and slowly, he drifted into sleep, Grumbling incoherently about tardiness and incompetence. 

His sleepy brain was still fired up as he lay, edging towards sleep - How hard was it to keep a predator of his stature properly fed, relaxed, and—ideally—never left waiting?

And that prey… Well, he tasted fine, but the prep was completely unacceptable.

The predator planned on telling his assistant to make sure his prey has been well-prepared next time—no shivering or backing away. The predator did not want to deal with nerves while he was trying to enjoy a meal. 

After all, someone of his calibre deserved nothing less than absolute perfection, a full belly and none of the waiting. The predator fell asleep Entirely satisfied with himself.

[eddwardharrison]

thoughts on Clippet? (eclipse x puppet)

I think I would actually start eating bricks for breakfast

I’M SORRY!! NOT ACTUALLY LMAO || ALL LOVE / NO HATE

I don’t see Eclipse as a shippable character! ESPECIALLY not with Puppet.

Eclipse (as a whole when it comes to having any kind of relationship) is a character that struggles to keep connected to people and much less open up to them. The only time he’s ever opened up about anything is to try to defend himself when someone assumes the worst. He’s never comfortable around anyone, and he’s expressed many times that he just isn’t interested in the ideas.

THERE IS FOOTAGE OF HIM BEING ACTUALLY COMFORTABLE. WATCH VILLAIN PLAYS. HE’S SO /RELAXED/ IN THOSE VIDEOS IT’S INSANE. (Thanks SleepyNoGay for opening my eyes to VP…)

This is heavily why I HC Aro/Ace, because he is originally a Moon. I do agree that he is his own person and could have different preferences, which is EXACTLY WHY I DON’T CARE IF HE GETS SHIPPED ANYWAYS, but I just think, because he used to be THE Aro/Ace character (Moon), that he’s more than likely aro/ace too.

ALSO FOR THE PEOPLE WHO GO “aro/ace can still be in a relationship” HONESTLY DNI (not actually, everyone is different and I simply am not someone who can understand) AS AN ARO/ACE PERSON THAT LINE MAKES ME SO SICK TO MY STOMACH, EVEN THOUGH I’D LIKELY BE THE EXCEPTION!! ALSO THAT IDEA WAS ONLY BROUGHT UP BECAUSE PEOPLE WERE CRYING ABOUT NOT BEING ABLE TO SHIP ALASTOR FROM HAZBIN HOTEL. GET OUUUUT!!!!!!

Acespike and Cupiromantic, THAT’S WHO I AM!! But I could NEVER be happy in a relationship of any kind because my aro/ace would DESTROY me. (Tested and proven. Numerous times.)

Also he’d likely neglect his partner, and when he realizes he’s being the toxic partner, he’d feel really really sick over it, and would likely break up because of it. I just don’t think it’d be healthy for either parties!

BUT I HAVE BEEF WITH PUPPET, AND ECLIPSE DOES TOO.

I’m SORRY did we FORGET the MONTY AND PUPPET PODCAST?!??! YOU KNOW, THE ONE WHERE ECLIPSE WAS KIDNAPPED, TIED UP, AND THEN EMOTIONALLY AND PHYSICALLY DEGRADED?? THEY PUT THE /WORST/ TITLES THEY COULD WITH BARELY ANY CENSORSHIP AND FRAMED HIM FOR BEING /SEXIST/.

THAT EPISODE WAS BAD ENOUGH TO MAKE ME HATE PUPPET FOREVER…UNTIL SHE APOLOGIZES…depending on how she apologizes.

But also, her way of “befriending Eclipse” is just so bitterly annoying to me, and she would only make me want to destroy the universe I reside in more. She’s so pushy to believe Eclipse can be better, yet, like a plant, she starts screaming at it to grow and then complains when it doesn’t. BECAUSE…YOU PUT IT IN A DARK ROOM, WITH NO WATER. IT’S GOING TO DIE, PUPPET.

I can’t even see this whole Eclipse and Puppet Show as a “redemption arc”, it’s genuinely just a live broadcast of Eclipse’s energy weakening more and more until he either collapses or falls off a cliff whether someone pushes him or he just decides “now is a great time for a nap.”

He’s just being overwhelmed the whole time, and because his previous tactics of lashing out and making people fear him isn’t working, he’s just giving up entirely. You can SEE how angry he is ALL THE TIME, he still LASHES OUT but it’s been reduced to small outbursts and hitting things.

“Well, if he’s so upset, why doesn’t he just leave?!”

Where would he GO?? Eclipse’s are UNIVERSALLY HATED and Puppet probably wouldn’t LET HIM because she’d think he’s going to cause problems elsewhere!

Eclipse is literally just masking.

SIGH

SO, UNFORTUNATELY…

I think Puppet x Eclipse sucks beyond mortal comprehension.

Am I also just…nauseous with shipping fictional characters, so there’s my only bias.

BUT LIKE IF YOU LIKE THE SHIP, SLAY BESTIE!!! I REALLY DON’T CARE WHAT YOU DO OR DO NOT SHIP AND HEADCANONS + FAN LORE ALWAYS EXISTS!!! This is just my personal opinion!! 😋😋

[velvetvexations]

Ive seen at least two responses to your antigonism post saying that the word would be divisive because “transfems who are normal about transmascs are the norm” and I really truly do believe that’s probably the case but at the same time it personally feels a little dismissive?? I cant speak for all trans people obviously but I know A LOT of trans people, basically everyone in my life is trans- my blood sibling, all of my friends, my 2 girlfriends (im poly) I am regularly in contact with other trans people/trans communities in several cities across my state, and for me it really does not feel like its a “small vocal minority” of transfems who hold anti transmasculine and exorsexist beliefs.

I want to make it clear I absolutely love the transfems in my community, they are my dearest friends, and I deeply treasure our relationships; but absolutely every one of them that I have gotten close to has ended up saying something to me that made me feel really weird. They either mention something about how transmascs have it easier/transfems have it the worst, or they feel the need to gatekeep things from other trans people& borderline accuse other trans people/intersex people of copying transfems, or they joke and complain about “theyfabs” or justify the use of the term (both of my gfs did this- mind you I was afab and exclusively use they/them pronouns), or they invalidate feminine transmasc and afab enby people (again something both of my gfs did despite me being genderfluid and sometimes presenting feminine).

And thats just some of the things Ive experienced IRL in my own home and within my own communities! If I were to start listing my experiences online Id be here all night!! I honestly want to go on about the shit I see online but I dont have the energy for it- but when I see exorsexist or anti trans masculinity coming from transfems (and self proclaimed tmes) online, the comments/notes/whatever is always filled with sometimes hundreds of other trans people agreeing and venting their own frustrations about “tmes” and it just. Again doesnt FEEL like its a minority. You are literally one of the only TWO transfems I know who makes content actively CONSISTENTLY standing up for transmascs and pushing back against anti trans masculinity. Its not that I think its transfems job to dismantle anti trans masculinity but the ratio of transfems who complain about tmes vs ones who actively push back against that rhetoric feels so disproportionate to how often I see transmasc and afab enbies pushback against trans misogyny and the exclusion of transfems in queer spaces.

This turned into a very long winded vent and Im kinda struggling to conclude my point but i guess I wish it felt like more people cared to pushback against TIRFism. It just feels kinda dismissive to hear people say that transmascs who are hesitant to interact w trans communities just need to touch grass or whatever when in my personal experience it feels like I cannot escape anti trasmasculinity or exorsexism in every trans space I am apart of. Kinda blanking on how to end this ask i hope any of this is coherent.

I wanna emphasize again that the person I responded to specifically was really cool and my emotions in this post are not directed at them

Recently someone said it was "easy to forget most trans women are normal about trans men," and I was scolded because me not thinking that was horribly transmisogynistic was apparently a sign I'd lowered my standards as a trans woman because I'm too discourse poisoned, so now I'm even more self-conscious that people will start to see me that way no matter how much I try to insist over and over that TRFs are a vocal minority.

Meanwhile I continue to get asks calling me a pickme and comparing me to Blair White. I continue to have ten people respond to my every reply going "don't listen to Velvet she's crazy and hates trans women!!!!!".

So yeah. It is, actually, easy to forget that sometimes.

Especially since I'm stuck in a tiny southern town without even the option to make use of what meager community exists in the area because there's no one to drive me several hours to the state capital for their annual Pride stuff. I can't just go outside and be gal pals with all the vast numberless hordes of Normal trans women. I would be shocked beyond fucking belief if I saw two gay cis men in my fucking zip code. With my personal situation I can't even be social with cishet people anyway, let alone other queers, let alone all the trans women others perceive as Normal because they've knowingly been in the physical presence of another trans person a single time in their life and have the option of making that happen when they want it to.

Thank you for the support, anon.

[klaineharmony]

Why We Ship: Josh/Donna (The West Wing)

Okay, friends. This post has been sitting in my drafts for SIX YEARS. (No kidding.) And since my West Wing obsession is currently on full display, I am finally going to talk about the OTP to end all OTPs: to wit, exactly why we ship Josh Lyman and Donnatella Moss untill the end of time.

I have to preface this post with a couple of things. First, this year is the 25th Anniversary of Season 1 of this incredible show, and I have been so emotional seeing the reunion photos, Janel’s article about Donna, her exchange with Brad on Twitter, Mary McCormack and Melissa Fitzgerald’s new book, the cast’s appearance on the Emmys, just everything that has been about celebrating this show that won 26 Emmys, in large part due to a flawless cast and Aaron Sorkin’s writing. (Where did the time go?!)

Second: a bit of fandom history as I lived it. What I want everyone to understand about these two is that we ALL shipped them. Every single one of us, from Season 1 onward. It didn’t matter who else you shipped (and you could ship other couples, it was fine!), who else you thought could have been a couple, who else was paired off with whom in the show - we all shipped Josh and Donna. I’ve never seen anything like it before or since. It wasn’t the original plan for them to end up as a couple, but they had such chemistry, and Brad and Janel are so exquisitely perfect at what they do, that they created seven seasons of flirting and hilarity and angst and heartache that had you rooting for Josh and Donna the whole way. 

Third, and this is just me talking: Aaron Sorkin left the show after Season 4, and he left this perfect setup for Josh and Donna to get together. I don’t know who was in the room after he was, but they decided to write another 2 1/2 seasons of agony. Of absolutely soul-shredding agony, watching Josh and Donna break each other into pieces before finally sorting themselves out. In one way I really love that arc - it gave Donna a lot of wonderful independence and let her become her own person, away from Josh, and I love that for her! Not to mention that it allowed Brad and Janel to show entirely new dimensions of their characters, and the ways they interacted when things were hard, and angry, and resentful, and Josh and Donna had to find some way to function without each other. The acting is masterful. In another way, it was so painful to watch that I wished (at the time) that the writers would have taken Aaron’s opening and found a less gut-wrenching way for them to form a relationship as a couple. I occasionally still wish that, as the painful section of Josh and Donna’s relationship was in the darkest and most stressful part of the show as well. It felt like the writers started going for grim realism instead of Aaron’s signature brand of hope. It was hard to watch, and honestly still is, despite the still incredible writing and acting.

All of that is my preface to singing the praises of these two to the skies and beyond. Why do we ship Josh and Donna? Let me count the ways.

First: these two know the best and the worst about each other almost from the get-go. Before Donna even meets Josh, she knows he’s frantically busy, bad at answering his phone, totally disorganized in his office, and high maintenance in general. Josh figures out her history with Dr. Freeride during their first conversation, but he’s also impressed with her earnestnesss and determination. We also know that he ends up at Donna’s apartment sometimes when he’s drunk. We know Donna keeps boundaries around him after he’s shot. Donna is the one who figures out that Josh probably has PTSD, before anyone else does. We see Josh basically put his job on the line to protect Donna when she lies under oath to Cliff Calley. These two protect each other, fiercely and with everything they have.

Second: their banter is an art form. It is flirty and hilarious, and also smart and clever, and in the midst of it you realize just how smart Donna is. She can keep up with Josh Lyman! The smartest guy in the Democratic Party! What’s more, she’s not afraid to challenge him and tell him he’s wrong. And Josh loves that about her. As much as he teases her about her positions and her questions and her endless challenges to him, he loves that she isn’t scared of him and is willing to push him to be better. How many people tell Josh Lyman no, or even dare to argue with him?? Almost no one, and they can’t even begin to be as funny and attractive as Donna when they do manage it. And sometimes it goes from arguing policy to being downright flirty, and you just want them to give in and kiss already! It’s about the *tension.*

Third: All the silent communication. There is a post on my dash somewhere that has all kinds of gifs of Josh and Donna touching each other in all these little ways, and a quote from Janel where she talks about how she and Brad found all of them, all these little touches that indicated sexual tension and flirtatiousness but also affection and familiarity. Josh and Donna are also masters of looks that speak. They can look at each other in all kinds of ways, and exchange all kinds of information without saying a word - and most of the time we as viewers know exactly what that exchange is, which just says volumes about Brad and Janel’s acting skills. 

Fourth: Even when things are at their worst, even when Josh and Donna are hurt and angry and barely speaking, you can see how much they still love each other. You can see they want to fix things and just don’t know how, don’t know what to do to move past the anger and hurt feelings and sense of betrayal. Even though they are both in tremendous pain, you never get the sense that they stop loving each other, just that they are at a point where they need to be apart long enough to sort themselves out individually, before they can come back together. And as painful as it is to watch, it’s also quite extraordinary.

Bottom line: Josh and Donna love each other. They adore each other. They fight for each other, and are willing to risk everything for each other, again and again. Their love and connection is never absent and always visible, whether they are flirting or arguing or absolutely furious, whether they are protective or panicked or exultant. They love each other through every moment of everything, and it’s impossible not to love watching them while they find their way to each other.

See the previous entries in this series (and please feel free to add your own!):

Neo/Trinity (The Matrix)

Steve/Peggy (Marvel/MCU)

Jack/Sarah (Newsies)

Harry/Hermione (Harry Potter)

[adrift-in-thyme]

The fact that Wild ran to Time of all people to have his opinion validated is hilarious to me. My man that dude has seen horrors and oddities you wouldn’t believe

[deathricedrawn]

i'm ready to try

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[ineed-to-sleep]

ENDING SPOILERS FOR BG3 AHEAD

Hate that I found this scene kinda hot

[camgoloud]

you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons

[synthwayve]

Thinks about Micolash and Laurence’s rivalry that never strays from the confines of academic snark or the occasional jab despite their shared ambition(and possibly also just accompanying a general friendship they could have had since they worked together at some point. Idk I’m a softie. Sue me.) eventually involving into a full on intellectual divorce. Cries. Explodes. 72 casualties.