#time to start rambling in the tags

[bilolli]

I don't usually post my traditional sketches anymore but I recently was initiated to cult of the lamb by reading bamsara's fic and the two little guys are so similar to my old o.cs that I had to sketch something (role reversal/clothes swap whoop whoop).

Feel free to ignore, I feel funny today hehehiho

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[littlefankingdom]

I'm thinking about the drastic differences between how Bruce reveals his identity and how Dick reveals his identity in World's Finest. Dick simply takes off his mask and presents himself to the Titans, but Bruce? Bruce, he calls the Daily Planet, asking them to send Clark Kent to his manor immediately. Clark is now in the house of a stranger he only knows as a rich extravagant man, and said man starts explaining how he knows Clark is Superman. Clark tries to deny it and Bruce explains how he filed the room with a gas that humans cannot breathe, and Clark can breathe, so he is not human. At this point, for Clark, Bruce Wayne is a dangerous man who knows his secret identity, and he has him in his house full of gadgets. Bruce asks him to follow him, and he takes him to the Batcave, which is how Clark makes the connection. Like, the dramatics of it all? The theatrics? Making your colleague fear for their safety? Showing how they need to be better at hiding their identity? Slightly playing bad guy? This is so good.

Anyway, now I cannot accept Bruce not doing something like this everytime he reveals his identity to another Justice League's member. But his kids, they are simply taking their masks off, like normal people. And now, you have other vigilantes' families discussing how they learn their bats' identity and being baffled.

Barry: They just... Took their masks off? And told you their names? That's it? No supervilain's monologue?

Wally: BATMAN PRANKED YOU???!!! I'm calling Dick.

Bart: *Blue screened from learning that Batman pranks the JL*

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[chalkrub]

thank you for a great art fight! here's some of my final attacks. had a blast, already missing it - see you next year!

[reverienco]

what the fuck am i doing. scheduling this at 1am.

[raycatzdraws]

ribbonwood

[azulsejos]

s2 + golbetty centric episode prayer circle 🍎💝

[couch-house]

wanted to play with how blaze would fit into stc, so I finally got around to watching a longplay of sonic rush. i hated it. the writing made me so mad. so here's a couple fleetway blaze doodles and a LOT of "here's how i would fix this story" doodles

[madbard]

I just realized another reason I love Hozier’s music. It’s not just that the lyrics are complex, or the music itself is beautiful - it’s that Hozier is a musical liar.

Take Cherry Wine. This is a song about an abusive relationship, told from the perspective of someone very much in love with their abuser. Throughout the song, the narrator describes their lover’s cruelty. Lyrics like “I walk my days on a wire” and “open hand or closed fist would be fine” make the darker aspects of their relationship all too evident. At points, the song suggests that they are defending this relationship to someone else who cares about them (“it looks ugly but it’s clean. Oh mama, don’t fuss over me”) and even the more beautiful and seemingly romantic lines later in the song (“oh but she loves like sleep to the freezing”) have dark undertones (what else is sleep to the freezing but death?) Still, I often come across the song being used in a wholesome, romantic context. A lot of factors contribute to this, but I would argue that this song mainly gets mistaken for a romantic song because of how soft and gentle the music is - it presents as a sweet love song in every way except the lyrics. Even those lyrics are told through the lens of someone defending their broken and abusive relationship, deepening the lie. Our narrator wants to portray this relationship as something dark, yet also immensely beautiful and encompassing. The result is a song about the agony and pleasure of a broken relationship, disguised so well as a love song in every possible way that it gets mistaken for something romantic. (Even if you are aware of the meaning, there is still that deep urge to experience the song as something romantic. Just like the narrator, the listener is drawn in by beauty and the powerful idea of love, so much so that it can blind them to reality.)

Variations of this can be seen in Talk. In this song, the narrator makes their intentions very clear - they are sweet-talking someone in order to hide their own thoughts and desires (“I try to talk refined, for fear that you find out how I’m imagining you”). Despite knowing this, the sheer power of the lyrics (“I'd be the voice that urged Orpheus / when her body was found. / I'd be the choiceless hope in grief / that drove him underground. / I'd be the dreadful need in the devotee / that made him turn around, / and I'd be the immediate forgiveness in Eurydice”) overwhelms the listener. We know the speaker is putting on a show. We know they have ulterior motives, and likely don’t even believe what they are saying. But their words are so beautiful that we don’t care. The intense, almost mythic music in the background is so lovely and deep, it makes the lyrics seem genuine, because what lie could sound so astounding and true? In this case, the song about smoke and mirrors and empty talk becomes a love song because the narrator is just that skilled at lying.

Even songs like Too Sweet, sung by a narrator who refuses to be with someone unless they allow their standards to slide, become ‘romantic’ and ‘sweet’ to certain listeners - not because the lyrics are impenetrable, but because so many of Hozier’s narrators are unreliable. His songs spin sweet stories, lies so stunning that listeners are willing to deny what they know in order to experience the beauty of that untruth, the complexity of that space between what is real and what we want to believe.

And isn’t that more true to the experience of being a person, and loving other people, than the simple truths we often see in these types of songs?

[untitled-tmnt-blog]

I absolutely HAD to draw something for @phoebepheebsphibs's DTIYS (based on this pose)! I decided to mix things up a bit by experimenting with a more limited color palette, which was a pretty fun challenge.

[littlefankingdom]

Justice League meets the Batfam, but they already knew about them because of Batman ranting about his kids.

In the comics, Batman has implemented that Nightwing should be in charge of the Justice League if something happened to him BEFORE he had adopted Dick (so, when his only legal son was Jason). When Dick is called to help, he learns that people think he's Batman's son because of how Batman speaks about him, and how he is proud of nothing in his life but the man Nightwing has become.

So, let's imagine the batfam thinking they are so secretive and mysterious, and "B, it's time for you to trust your friends and colleagues more", and going to the JL to officially present the Batfam, only for them to cut them and be "You're Batman's kids, everyone knows that. He doesn't shut up about you."

Bruce doesn’t realize he does it, btw. He didn’t clearly stated that they are his kids, that he is their dad, he just starts to talk about them and how proud he is, and how competent they are, and how much he cares about them, when the discussion seems appropriate to do so. But for the rest of the JL, Batman talks about three things: the mission, his kids, and his interests if you are close and it's useful rn (him starting to rant about dinosaurs to Hal when they face dinosaurs is cute). They probably tell new recruits "Batman may seem scary, but he is really just a protective dad. Soon enough, you will hear about his kids".

[acekindaneat]

do you guys think serizawa has seen reigen somewhere before in passing

reference + another version under cut!

i knowww it's an old redraw thing but i wanted to redraw serizawa in it for so long... here's a version without the vignette

[untimelyambition]

on the list of “lines that made my jaw drop upon rewatch” this definitely takes the top spot

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way