#this would be Doing Things to me even if I didn't have a blorbo to connect it to but you fucking KNOW I'm on my melliwyk bullshit about it

[aquilamage]

I haven’t been insane about Vi enough lately so time to pour out some random thoughts. free association thinking time:

been thinking about her “It's my savings. I wanna be rich, okay? So I can travel, eat well, buy cool stuff… So no one can say I can't do something!” And none of the following will really be insightful or revelatory because it’s just what she says here but. yeah! that’s vi! the main reason she’s so big on money is because she has to be to get what she wants out of life! it’s what lets her say no to people telling her what to do, and that’s important to her because she has no choice but to be independent and support herself. because no one else will. No one at the Hive had anything positive or supportive to say about her being an explorer until she went out and did it (to a ridiculously successful degree, too. I have to wonder if/how it might’ve differed if she was on a regular accomplishment level team. not the one leading them all to the mission to the Hive). she never had a choice not to be. I could also see that being a little part of why she starts out not really being a teamwork person. past experiences have taught her she can’t rely on anyone else for support. (does make me wonder about what if she’d met Chubee before leaving the Hive. obviously she still would’ve left, but how might even a bit of support have changed other things?)

I feel like we don’t talk about the fact that The Beemerang Is Also Knives enough

ok so at one point there was this post talking about people with money and how it affects their life like. if you can afford to get a nanny then you can only do the fun parts of childcare and when you stop feeling like taking care of the kid you can just hand them to someone else to take them away. and again likely not especially revelatory but I would guess that’s the kind of way queen bianca handled the bees as her daughters (she does care about them. absolutely. but not in the same hands-on attached way as we usually associate with parents) and thinking about how that kind of treatment would then apply to vi....hm

in universes where discussions of Gender and Pronouns etc happen I think she has moments where she gets frustrated with the everything of Being Referred To and Having Complicated Identity She Hasn’t Quite Figured Yet and is like. gender is cancelled how dare you refer to me. but especially anyone else calls me a girl ever i will be stabbing them

also I think a lot about what circumstances she finds out about gayness/Gender being things. and whether she’s thought about it in herself before and whether she’d been dismissed on it/told it wasn’t a thing etc. most circumstances she ends up angry about the finding out times because of (un)consicious internal conflict stuff

underground tavern stuff implies she was definitely doing quests and stuff for money with them precanon. would kill to know what specifically it was. but also the first talk with utter implies that she was doing stuff off that questboard as well which is even more intriguing. utter’s spy also implies you don’t have to be an explorer to do them but otherwise you would think you did I feel. so again very curious what was up there

[sysig]

You say “Jump” I say “Forget it” (Patreon)

[blujayonthewing]

reading this book on urban exploration and also stumbling onto a youtuber who is doing (and explaining!) literal ancient alchemy is doing something to my brain chemistry (positive)

[icharchivist]

hey remember when i left those tags on that post?

i still don’t want to talk about what the work of fiction is but i legit just got reminded today that while it’s been like over 15 years that i did want to check this thing, the character that “caught my interest like 7 years ago” actually caught my interest 12 years ago. As in, there was a specific moment in time when i wanted to get into it because i learnt about the character in question.

i’ve been in hysterics for the past ten minutes because i’m realizing it’s been over a decade that once in a while i had humored starting this thing, and that while it definitely started out of another place, it’s been 12 years that steadily it was because this character was standing out to me enough that i wanted to get into it, but then forgot all about it, and now i’m out there actually getting into it after a *dream that came out of nowhere about this chara popping up while i haven’t thought of them in years* and i’m just. 

bestfriendo is making fun of me because “this is the most slowburn in all of history of fav characters” and i’m screaming into my hands, imagine considering getting into something for OVER A DECADE while constantly one character keeps standing out for you and eventually you just get a dream out of nowhere of this chara like a sudden “hey. I’ve been sending you messages about it for the past decade why the fuck are you leaving me on read” and now you’re not only forced to pay attention but also forced to realize YOU COULD HAVE STARTED ALL OF THAT OVER TEN YEARS AGO i’m feeling so unwell.

[greatgoddyke]

this is petty n most likely an issue of ive just been exposed to entirely different shit but those posts about how people complaining about redemption arcs is bad bc its important message that people can change is just completely ignoring why people are actually complaining cause the big two examples i can think of for why people complain about redemptions are 1. the redemption is poorly written n ignores and/or retcons the previous seriousness of their wrongdoings just because the writer(s) want them to be good now n its kind of hard to do that if (for example) we take the lives they intentionally n mercilessly killed into account and 2. this character is an abuser but instead of taking accountability n bare minimum apologizing n letting their victim(s) choose whether they wish to still have them in their life the writer(s) choose a narrative where the abuser doesnt really have to change as a person they just dont abuse anyone anymore n the framing is weirdly unsympathetic to their victim(s)

[catcatb0y]

Idk man a big disconnect I have especially with online conversations is the one where I'm like 'I will suck on purpose'. I talk about myself the way that you would talk about a deranged blorbo you love to hate, hate to love.

These plots are so BAD! My writing SUCKS!

This is so sad I cannot believe I am ugly af 😔 Oh well lol!

I am so annoying to talk to bro.

Like if I am not overdramatic and over the top about how life KICKS THE KIT!! Oh!!! Jail for life!! Jail for life for... about twenty more years I don't wanna be here that long l o l- if I'm not that then I'm sad.

I'll say it to anyone who will listen "Be careful what you repeat, because you will internalize it," and, yeah, if you're always saying "Nobody likes me," it ends up being a self fufilling prophecy.

If you say you're not talented, then you'll never appreciate your work and it will always feel lacking. If you call yourself names, then you will always be those names. If you only ever make jokes about wanting to die- serious or not, you will feel them (and also no one will want to be around you).

But also, if I don't say that I'm 'annoying on purpose', then I'll leave the conversation feeling like I fucked up. If I don't make jokes about being a walking ball of trauma, then I'm going to feel really awkward when I slip up and mention something hella traumatic. If I don't jokingly call myself ugly in the same tone I use to mock my favorite characters, then I'm always going to feel gross in pictures or underwhelmed when I dress up in fun outfits.

If I don't mock my own suffering, then all I can do is suffer.

If I don't joke about how it's a shame every one ends up ghosting me, then I sit there. At my computer. I sit and I wonder why no one bothers to text first. I sit there and I think about all of the people who claimed to be so close then just disappeared one day. I think about all of the nice things that I've ever been told and all of the lies that have come with them, and the line gets so, so blurry...

[elexuscal]

the longer i stay in fandom, the longer i think a huge amount of bad takes and discourse come from an... abundance of identifying with a character

to be clear, i don't think it's bad to identify with a character. far from it! i think that's part of what makes fiction so powerful.

and it's only logical people often attach to a blorbo because they're just like me, for real. a person will see some element of themselves-- their race, their gender, their sexuality, their hobbies, their family life, their specific flavour of neurodivergence-- and something just resonates. it gives them a way to explore and name this important part of themselves, a part they maybe didn't even know existed before it.

and everything is well and good until some split between them and the character shows up

because of course, no character, except an explicit self-insert written by yourself, will ever be a perfect 1:1 for your own experiences. so sooner or later-- maybe in canon, maybe in a fanwork-- your blorbo diverges from your lived experience in a huge way.

I think this is why shipping culture in particular gets so toxic. While it is by no means the only way to indulge with shipping, a significant portion is 'if i was in that character's shoes, i would choose X'. the fight becomes for your own self-identity.

but this gets expanded in other ways. a character who is revealed to be black when the majority of the fandom had just assumed they were white. or revealed to be queer, or maybe the 'wrong' flavour of queer. or fuck, even some more innocuous part of their backstory, one that's nonetheless so meaningful for SOMEONE, but now it feels like the story is saying, fuck you, we're doing something else

i don't know. i just feel acknowledging this perceived-attack-on-identity helps me understand why people react it what seems to be such outsized way to canon and fanworks alike.

at the same time, i think it's a really important thing to check in yourself.

it's nice, to see a character who you identify with. who resonates with for being like you. but it's also nice to acknowledge and appreciate the way characters are not like you at All. how great it is to get insight into this totally different lived experience. and to muse on how wonderful that recognition might be for someone who does have that background.

[allthingswhumpyandangsty]

what people think pro ship means: dangerous people who want to harm children in real life and/or think taboo subjects in real life are justified

what pro ship actually is about: the belief that people are allowed to enjoy fictional thing however they want, as long as it's fictional and no one in real life gets harmed or harassed in any way, and as long as they tag their trigger warnings properly.

most pro ship folks I've come across are just "hey, you like this fucked up thing that is fictional? okay, cool. you do you, man. I myself don't even like this thing that you like, but hey, it's not real. and I trust that you know the difference between fiction and reality, so you do you. if it ever gets too much for me, I will just block or mute you and move on with my life, but that doesn't mean I think you're a horrible person in real life because of the fictional thing you like, it just means I'd rather not see or engage with this thing that can make me uncomfortable. I still want you to have fun doing what you love, and I still think you're cool as fuck. love and respect, dude"

meanwhile most anti ship I've seen are like "omg you like this fictional thing where fictional children are harmed??! Red Flag Red Flag. put this gross piece of shit behind bars immediately!!!"

and I'm just ????? I don't normally engage in fandom wars, but I think, as long as you don't harass anyone in real life and as long as no one in real life is in danger or is harmed, how you enjoy fictional things is none of my business. and I'm not gonna make any "call out post" where I encourage my followers to harass you because you like fucked up fictional things that I personally don't like or believe is wrong either.

I mean, from personal experience, I was exposed against my will to thing I didn't want to see from anti's screenshot of fanart or fanfic where they encourage their followers to harass this person whose fanart or fanfic, that was screenshot and spread by them, was originally tagged properly with all the trigger warnings so that people who didn't want to see it wouldn't get exposed to it. until anti screenshot it and flaunted it around in the name of being morally superior while also, at the same time, advocated for the witch hunt against someone who just wanted to mind their own business. so... the irony. lol

fandoms used to be more peaceful before Fandom Police starts their witch hunting, but it's a good thing we can just block these people and keep on enjoying our blorbos however we want to enjoy them.

and I'll always encourage every artist to write whatever they want, draw whatever they want. don't let people who think they're "morally superior" tell you you can't make art this way or that way. my best advice would be to block and ignore and keep on creating what you want. they may be loud, but at the end of the day they're just noises and they're not worth your attention x

[itsybitsybatsyspider]

I rewatched the Dragon Prince recently since season 6 is coming out next month (WOOOOOO) so naturally i had to put my most recent blorbos in a The Dragon Prince Au

second part :)

Dragon Prince au masterpost

(drawing notes under the cut if you wanna hear my rambling about the designs!)

Jack

so Jack is a Skywing elf mage-in-training because the power set of Sky mages seems to match Jack's powers the closest. They create gusts of wind, storms, can fly, breathe ice breaths, and frost touches. It was a tough choice between that or a Moonshadow elf, what with the whole invisibility thing, but i just can't imagine Jack not being able to fly :/

And even though most Skywing elves dont have wings, i gave him the wings because vibes and because i can

i did add some moon opal charms to his staff though, so he can do some small moon spells

Toothless

i wanted to adjust some of the details to Toothless's design because i didn't want it to be a 1-to-1 of his design in HTTYD. I noticed the dragons in Xadia all have snouts, horns, and muscled forelegs, and i tried to incorporate some of that to Toothless. With a narrower head and longer legs and more hand like claws.

I added more prominent scales, nose plates (like the storm dragons in TDP) and tried to add more horns to spots on his legs and wings.

I also made Toothless a lot bigger than he is in the HTTYD universe because those Xadian dragons?? Excuse me?? Even a common one is still pretty huge!

There's also a dragon that exists in the Dragon Prince universe called a Midnight Dragon, and it's connected to the Moon Arcanum! They're said to have pitch black scales and are sensitive to light, so i thought it was fitting for Toothless. There weren't any pictures of the dragon tho so i kinda just made the design as i went.

Hiccup

i tried using costume designs from both the first two movies, with the vest, the belts, and the pant pattern.

colors took me longer to figure out, because i wanted to have some red (like in RttE) along with the greens and browns. Overall though im happy with how it turned out!

I think Hiccup would be the son of Commander or General Stoic in the Katolis army some years before or during the events of The Dragon Prince/Mystery of Aaravos.

These designs are for early in the story, before Hiccup loses his leg and when he meets Toothless for the first time. Definitely thinking that him and his village are known for their handling of dragons and elves in the region and then Hiccup shoots Toothless down just like in the movie. But as they become friends, Jack finds them and misunderstands the situation and thinks Hiccup is going to kill Toothless.

So that'll be fun >:)

[la-pheacienne]

I feel like I understand people's blorbofication of Javert because I get why someone would really cling onto a complex (male) antagonist with a traumatic past whose entire life is a lie and who kills himself when he reaches that final moment of realization. It is absolutely tragic, and it is easy and natural to cling onto that, we've all been there. But you need to understand that two things are in motion here: the first one is Javert's individual tragedy, and the second one is the broader system he personifies. He's a symbol. His primary function in the narrative is to personify the hateful, bigoted, cruel, inhumane legal system that intervenes after the fact and crushes all those that society has already put down. He, the incarnation of that bourgeois legal system, delivers the final blow. He finishes off what society started, and he does it with joy. When we say that he killed Fantine, it's not even about Javert the individual per se. It's about the entire system he represents. That system killed Fantine and Javert is its flesh and bones. Fantine was a poor girl that was exploited and let down by society in every single way and when she was herself a victim of actual physical violence, the Law, personified by Javert, instead of protecting her treated her like an animal, dehumanized her, humiliated her. The Law was scandalized that a woman like her dared attack the bourgeoisie. The Law was horrified that such a disgusting creature got medical care because she should just drop dead on her street. The Law rejoiced in tearing down her sole protector. The Law prevented her from getting her child back from the con artists that have been stealing her for years because the Law doesn't care about the crimes committed against marginalized people. That's not its function. Its function is to use its discretionary authority in order to dehumanize and punish people that ended up on the wrong side of the street.

So when you come at me with nonsense that Javert "didn't tEchNIcALLy kill Fatnine", "he was just rude", "he was just bitchy", "he just stole her final happy moments", respectfully, you don't know what you're talking about. Javert absolutely killed Fantine. He's not the only one who did but he eagerly and enthusiastically precipitated her execution, and that is the entire point Hugo is trying to make. Your arguments against it are nothing but a mere technicality that stems from the fact that the individual's actions technically do not qualify as manslaughter. It's as if we literally had an individual at court and we were thinking of whether or not to condemn him for manslaughter. It's not about that. It's not about your blorbo and his sadness. Your blorbo has a whole other function in the narrative. You have completely missed the mark of the entire book and you have let your personal emotional attachment for a character prevail over Hugo's main argument about the structural punitive violence that literally kills people. Javert being the product and the embodiment of an entire system that exceeds his individuality does not mean that, as a police officer, he's not responsible for his actions or their consequences. On the contrary, he's precisely entirely responsible for the structural violence committed against Fantine, that's what "embodiment" actually means, that's what we mean when we say that he personifies that system. Absolving Javert of his crimes goes directly against the themes of the book, because while systems operate above individuals by definition, they need those individuals to function. The system needs Javerts. Javerts are everywhere around us, yes even today and it is important to hold them accountable for their crimes. I can't believe I have to explain this tbh.

[agalychnisspranneusroseus]

I will forever be a believer of Marcy's home life being horrible and her parents being shitty to her, if not straight up abusive. Not because of the whole moving away thing - those things happen in life and they're not proof of evil. What IS concerning to me, however, is the following:

The crashing sound before she runs away - why include that? Put yourself in the shoes of the writers and ask yourself, what would requiere me to add that to the scene? What do I expect to convey with that? My bet is that indicated some kind of physical confrontation, since Marcy's clumsiness is usually played for laughs and this one... wasn't a funny scene.

Running away and not planning to go back ever and intentionally doubling down on her intention to secure her stay in Amphibia and keep her friends with her. She doesn't even miss her parents 😭 that's not normal kid behavior. She was away for over half a year and she never expressed any desire to go back.

"Found family" being her favorite trope -> Anne and Sasha most likely being her "found family" in her eyes. + Wanting to earn the love and approval of adults so desperately. Girl wanted OUT of that house!

Her desperation to keep Anne and Sasha with her at all cost makes me think she really felt she had no one if she didn't have them. To be forever with them she gave up her home, her future on Earth, her mental health, her emotional needs, her family, her morality, everything. She was happy to be their emotionally neglected third wheel forever because that was somehow better than being with her parents. This is one messed up kid if I've ever seen any.

Idc if people find this interpretation annoying or edgy, I'm a sucker for kid characters surviving abuse (it's MY fandom experience and I DECIDE how I proyect onto my blorbos) and I just feel it enriches her character.

[for-those-who-wait]

it hurts me to ask this, but how would blorbo!Hunter respond to the death of flapjack…

Blorbo Hunter has cat brain where he doesn't really have a complex thought process (there's another ask about this in my inbox that I'll answer once I doodle some more, I'll try to go more in-depth about it then) so I think it would be that situation where one of your pets passes and the other is confused about why their buddy isn't around anymore and why their owner is suddenly very sad

I would really like to make a comic about it but it would take a while and my brain is mush so, taking crack seriously, I think it would happen like this (very limited memory of what happens in the beginning of For the Future):

Blorbo Hunter is probably in somebody's pocket or bag for the whole altercation with Belos in Thanks to Them, so he didn't actually witness anything. Everyone is very torn up about it after they go through the portal, the blorbo is a little confused about why Hunter looks sad and weird, but he's just kind of chilling. Hunter can't really stand to look at the blorbo for a bit (something about anxiety about loss and wanting to distance himself emotionally as a coping mechanism) so he passes him off to Luz and the gang to watch over while he broods in the corner at the Owl House like normal. Blorbo Hunter is just hanging out, he's kind of wondering what's up since I think Flapjack would be as constant a presence for blorbo Hunter as he is for regular Hunter and he's similarly not used to not having that presence nearby. They are friends, they love each other, and he wants to know where his friend is!

I think blorbo Hunter has a little bit of a signal thing going where he'll make little gestures about things he wants (he just learned that Flapjack is more likely to interact with him if he opens his arms like he wants a hug, and he kept doing it). So the gang is familiar by now that when he splays his little arms out, he's referencing Flapjack. And he doesn't actually do that until they're all calming down, slowly trying to fall asleep at the Owl House, and he finally wriggles away to find Hunter (because he follows him absolutely freaking everywhere and he might as well have a natural homing beacon for that boy)

Hunter's not really trying to sleep, he's been Irreparably Traumatized, and blorbo Hunter climbs onto him and splays his arms out like "Where's Flapjack?" since Hunter usually knows where he is, and blorbo Hunter has associated Hunter with Flapjack appearing. Hunter isn't even sure if he should respond to that, because he knows by now that the blorbo just can't really understand the concept of loss like that. Hunter's probably tearing up a bit by now because of all the stress and emotions he's shoving down, and now he's got this innocent little thing looking up at him for guidance that he feels he's incapable of providing because Flapjack, the one thing the blorbo is asking for, is gone in a way that Hunter can't explain and the blorbo can't understand.

Blorbo Hunter, ever the cat, at least recognizes that Hunter's upset. The blorbo climbs up onto his chest, probably lays right up against his chin, and just sits there for the sake of closeness and an attempt at comfort. And for his part, I think Hunter would just grieve a lot about it because Flapjack was probably there to help him process even accepting blorbo Hunter in the first place (I think Flapjack would immediately love the blorbo and would have to spend a long time convincing Hunter to give him a chance as well), and now he's left with the guilt of having initially disliked the blorbo and also killing his friend. Like "I killed Flapjack with the hand that I am currently using to try and comfort this weird clone-cat-creature he was friends with, I'm so incredibly messed up and terrible for this."

This child can fit so much trauma and self-hatred in him holy crap

ANYWAY sorry for the ramble, hopefully that answers the question, thank you for asking it :))

[atropinenightshade]

James X Kyma-- Why I don't ship

Did it have potential? Possibly. I wouldn't have minded it if it was developed since book one and James didn't have as much history with Rafal.

Is it for poor single Rafal who didn't get anyone? Eh, not that either. (Though the lack of closure was admittedly annoying.)

I just felt like I could relate to Kyma about the whole boys thing, and the way James treated her in the beginning was similar to my experiences. (Basically, immature, rude, even physically violent boys. Mostly the former though)

Maybe they would have been better if James slowly outgrew his belief that girls are a waste of time and they became a platonic pair. But honestly, I'm questioning if James even realized the error of his ideas, because to the very end, he had some of the "me and the boys mentality."

And when James was consumed by Rhian's magic in that one part where he physically hurt Kyma-- no. I'm sorry, but that's a big nope for me. I don't care if he was "possessed" or whatever. How can any girl love someone after that?? He was choking her. And when she "saves" him, that also felt off, because it reflects the whole idea that women can save their man from his vices and problems! She just has to love him! Which shouldn't be a message to people, because nobody can save anybody from their vices if they aren't the person themselves. Also, this was after he saved her, so this seems to be this push-pull thing where it's frustrating, and Kyma deserves something happier than that to be honest.

James saw loving a girl as a distraction to his goals, got defensive over Kyma asking a question to me/confronting him, and even gave her what she herself called a "backhanded compliment." Immature boy but he gets the girl in the end. Aladdin was also superficial and immature.

I could tell James respected Rafal-- a guy-- and he sure as hell didn't see him as an obstacle or he being attractive an issue. he invited him to Neverland. But with Kyma? The whole "because you're pretty" was just so... off and the way he kept putting her down for being on the crew was annoying.

So yeah, i dislike the ship because James seemed to be that kind of boy towards her.

(Also, I wonder if Rafal would have done to a girl what he did to James. because if he was willing to do that to a female, that'd look hella pathetic. But I'm sure I would see a bunch of sexist takes, like "she's a whiny bitch being mean to my blorbo" bullshit.)

[lgbtlunaverse]

It seems the dash has been talking about the Lan Xichen - Nie Huaisang post-canon dynamics and it's gotten me thinking about how discussion around post-canon Lan Xichen's absolutely horrendous mental state often center around the question of "who is Lan Xichen angry at and who does he feel guilty about" which, at its worst, seperates into 2 camps where according to one side he feels guilty about not protecting jgy and hates the Nies and, on the other side he has completely flipped on jgy and despises him now while being filled with regret towards both nmj and nhs.

And I dislike both of these takes not just because it often feels like people projecting their own Blorbo opinions onto Lan Xichen which is never a fun time but also because that central question is flawed to begin with. It treats anger and guilt like opposing emotions that can't coexist or, if they do, have to compete until one wins and cancels the other out.

And that's not how that... works.

To be clear, the reason why Lan Xichen is so supremely fucked up at the end of the story is that he believes on some level he fucked over everyone in this situation. And, even more importantly, that even with hindsight he can't actually think of what he should have done instead. Every attempt to do better by one seems to involve fucking over the others even more because these people were in conflict with each other and choosing one would mean standing against another

And none of this would actually stop him from feeling angry at any of them. It's not "who is he angry at and who does he feel guilty about" it's: "he is angry at everyone and feels an immediate and bone deep guilt for daring to think badly of them."

Speaking from personal experience here, but feeling like you're not allowed to be angry at someone because you wronged them really doesn't stop the feeling, it just maks you feel like shit for feeling it. And this is all worsened by the fact that what he's in seclusion for is, at the end of the day, a moral question of what he, Lan Xichen, did wrong and every single emotion serves as further proof of the ways he's failed them.

Is he angry at Jin Guangyao, for killing his oldest friend, using Lan xichen's trust in him to do it, and then lying to him about it and countless other things for a decade when Lan Xichen thought of him as the person he trusted the most in the entire world? Yeah. That's a thing people get angry about! Except Jin Guangyao also saved his life and protected and helped him more times than he can count and never ever hurt him and can Lan Xichen say the same? No. He had to clean A-Yao's blood off Shouyue, he has to be haunted by the fact that if he just hadn't listened to Huaisang- hadn't been just like everyone else, in the end, and believed a lie about Jin Guangyao just to think the worst of him- then Jin Guangyao might still be alive.

Is he angry at Huaisang? For orchestrating the death of his best friend? For making him do it? For knowing what the real cause behind Nie Mingjue's death was and never telling him until he found out in the absolute worst way? Absolutely. But didn't Huaisang hide it from him for a reason? Wasn't it his clan's techniques and his personal faith in Jin Guangyao that cost Huaisang his brother? How dare he demand that Huaisang let him in on the secret of his brother's murderer when Lan Xichen is here wondering about how he should have protected that murderer better!

And I do even think he's angry at Nie Mingjue, sometimes I think it's pretty normal to be angry at your friend for kicking your other friend down the stairs and threatening to kill him, even when you know his mind is being poisoned. And years later the last thing he ever saw of Nie Mingjue was Nie Mingjue's thoughtless corpse coming to kill him before Jin Guangyao pushed him away and then proceeded to graphocally snap Jin Guangyao's neck in front of him. And if what he wants to do is protect Jin Guangyao, shouldn't he be mad at Mingjue? Didn't this whole mess start because Jin Guangyao was afraid Nie Mingjue was going to kill him?

Except holy shit, can you imagine? Lan Xichen feels like he personally has Nie Mingjue's blood on his hands. Your oldest friend is killed in front of you and you happily believe it's an accident for 11 years and now you think you have the right to be mad at him? You watched him get worse as he was being poisoned and attributed it to his illness and not to the techniques stolen from your library with the token you give his murderer. Does he think Nie Mingjue knew who he was in that moment and wanted to kill him? That he blamed Lan Xichen for his death? (For the record, I don't. I don't agree with most of what Lan Xichen thinks about himself, but I've been in a self-blame spiral and I know how it feels)

But what was he supposed to do then? Choose Mingjue's side and let A-Yao die? That's also unacceptable. But so is letting Jin Guangyao get away with it. Every single outcome is unacceptable. And really, if Jin Guangyao felt like he had to kill Nie Mingjue to save himself, when it was Lan Xichen who was supposed to keep the peace between them, isn't that another mark of his failure? That he couldn't protect Jin Guangyao well enough that he felt he had to do something so horrible?

But that's not an answer! He's supposed to know what he should have done different, and all he can come up with is "what you were already doing, but without failing this time" He can't pick a side because that means betrayal, but he's already tried not picking a side and it ended like this! There is no right answer, which can only leave him with the idea that he was simply doomed to hurt the people he loved from the start. No wonder the guy looks like shit when we see him post-canon. They put him in a real life trolley problem and gave him the lever as a souvenir.

[syzthefrizz]

Tips for writing dream sequences (from someone who has really vivid, weird dreams on a frequent basis)

My biggest pet peeve with fictional dream sequences is that they make too much sense!! They're too relevant! There's not enough random crazy stuff! That's not always unrealistic per se, but you are missing out on some of the fun ways you can reveal information about your character's mindset, fears, struggles, and future.

Most of my dreams have a goal or objective driving the plot, and it's usually urgent. Ex. "escape the huge storm on the horizon", "find a place to sleep for the night in an unfamiliar town", "find a bathroom". This is especially true of stress dreams.

Everything going on in the dream makes perfect sense to you during the dream. It doesn't feel like reality per se, but you think it is. You're living in a house full of vampires that could eat you at any moment? Seems legit.

Emotions and situations from the dreamer's life can/will find their way into dreams, with varying levels of subtlety. The dream could be about the stressful event itself, or it could be some sort of exaggerated metaphor. Ex. I was worried about whether I was a competent CS major while I was still trying to find a summer job/internship, and I was worried about what my professors must think of me. Such a good student on paper, still without summer plans. I dreamed that I ran into my professors all having lunch together at a restaurant (during a dream with a completely different storyline), and I was wearing my pajamas. They judged me.

Certain things are very hard to do in dreams. This could vary from person to person. For me, it's always driving (the brakes never work right), flying (I can't stay off the ground for very long), and running (it's like trying to run through waist-deep water).

People with PTSD may dream about the traumatic event happening differently than it actually happened. (Take this one with a grain of salt - I don't suffer from PTSD, I just research it sometimes so my blorbos can suffer accurately).

You can have a string of loosely connected or disconnected dream sequences back to back, each with an entirely different plot, setting, etc.

People can have reoccurring themes or plotlines in their dreams, which are often connected to their lives/psyche somehow. I frequently dream about running away from tornadoes and being in situations where there's some catastrophe coming but I'm the only one who understands that there's a problem and nobody will listen to me.

It's common for me to have a dream setting that I KNOW is someplace I'm familiar with, but it doesn't actually look like that place at all. Ex. "I dreamed that we were at my house, but it didn't look like my house..."

Dreams can end in cliffhangers. Sometimes I wake up right before I'm about to eat something delicious.

Sometimes people have dreams about doing things that they would never, ever do in real life, and they wake up feeling disgusted. This is Not a manifestation of their secret desires (*glares at Freud*).

Images are the most memorable parts of dreams. I forget the specific plot points, but I can still picture dozens of liminal spaces my brain has created, even years after I dreamed about it.

Dreams will fade from memory very quickly unless the dream had a strong impression on you, you write details about it down or you tell someone about it before you forget.

If you realize you're dreaming during your dream, sometimes you can control the dream going forward. This is called lucid dreaming. I've done it accidentally a couple times, and it's really hard to "hold on" to the dream and control it. I usually wake up soon after starting. With practice, you can get better at it.

Sometimes a normal/good dream can turn into a nightmare, and vice versa. Most of my dreams aren't really good or bad, they're something in between.

Your subconscious brain is CRAZY intuitive. We can argue over the existence of prophetic dreams (I've heard so many crazy stories), but at the end of the day, your subconscious brain knows things that you don't consciously know. If your character is in love with someone, their subconscious brain will know even if the character doesn't. Relationship problems? Deepest darkest fears and insecurities? Your brain knows. A dream predicted the downfall of my first relationship eight months before it happened, down to the reason why we failed. You can absolutely foreshadow this way. A character might subconsciously know what the consequences of their or other people's actions will be, understand things about the situation they're in, know things about the people they're interacting with, and more, despite their conscious realizations.

There are plenty of ways to make a dream sequence relevant to your story, but don't forget to add in some fun, random details. Character A is secretly in love with Character B? Have Character A dream about Character B confessing feelings to them while in a Vine Nostalgia themed restaurant over a plate of mac-n-cheese. The details are the fun part, and you can get as weird as you want. I once ran into my aunt in a dream, and she was wearing a backpack with a bunch of (fake?) hands sticking out of it, making a fan that rose above her back behind her head like some sort of peacock feather costume piece. I was so freaked out that I woke up. I dare you to get weirder than that.

Not everyone's brain works the same way. I have vivid, random, detailed, memorable dreams on a frequent basis. When I describe them to people they often ask "what were you on?". My roommate only remembers her dreams when they're nightmares. I have some friends who say they don't dream. Other friends have really boring, mundane dreams about their normal lives. Some people have weird dreams but only once in a blue moon. It's a good idea to decide off the bat what kinds of dreams your character has, and how often they remember them.

That's it for now, but I might make a part two if I think of more things to add. Feel free to reblog with your own personal dream expertise!

[bengiyo]

Random QL Superlatives: 2024 Edition

It seems @lurkingshan has begun the end of year listicle game. Time to shout out our faves.

Presented (mostly) in the order I watched them.

Favorite Blorbo of the Year: Dynamite in Cooking Crush

I love when a show reveals that someone who has been upbeat or strong is actually carrying a ton of pain. Learning about how Dynamite suffered so much because of his family touched me to my core, and forever solidified the friendship he has with Samsee and Prem.

Favorite Use of Visual Comedy: I Became the Main Role of a BL Drama

This show really had everything, and more than anything it had some of the best visual gags of the year. There is so much humor in the framing of scenes in this show. It was a genuine delight, and I'm so happy I'll get to see Aoyanagi Hajime again next year.

Favorite Facial Hair: Gu Jing in VIP Only

This show ended up rather flat, but damn do I think about this man's face sometimes.

Favorite Disappointment: Last Twilight

This show really could have been great if it didn't fuck up so badly.

Favorite Existential Crisis: Love For Love's Sake

The way this show telegraphed that it would be heavy, and then still managed to gut the audience, is one of the most impressive things I got to witness this year. I love that this show left people with so many different interpretations that don't contradict each other.

Favorite Use of Omegaverse: Tadaima, Okaeri

Yes, there were two BL omegaverse shows this year. No, I did not enjoy the other one. I was instead overinvested in the success of my gay dads and their kids every week. HIKARU IS OUR HERO!

Favorite Use of Food: She Loves to Cook, and She Loves to Eat 2

I love this show with my whole being. If the Japanese don't figure out a way to get this cast to crossover with What Did You Eat Yesterday? honestly what is even the point of putting queer people on TV?

Favorite Reunion Romance: Perfect Propose

I really loved that this show was about two childhood friends both at the end of their ropes. I also loved the way this show used a questionable sexual encounter to jumpstart the dynamic. I'm so glad Hirokuni quit that nasty job, because this was so difficult to watch after having left a very difficult workplace.

Favorite Cast Dynamics: Ossan's Love Returns

"We are family!" In their 3rd or 4th outing, depending on how you want to look at it, I continue to be obsessed with Haruta, Kurosawa, Maki, and their extended network. I loved seeing Haruta and Maki working on their relationship, and I loved seeing them all grapple with the changes in their lives. I hope I never have to fight my in-laws in my kitchen.

Favorite Version of Tay Tawan: Cherry Magic Thailand

Tay Tawan was at his most charming as Karan. I'm so glad that Tay and New are able to work together again.

Favorite Version of Cherry Magic: The Cherry Magic Anime

Despite my opinion that Cherry Magic TH is the best version of Cherry Magic, I still think the anime is my favorite. The characters have an ugliness to them in this version that I really love.

Favorite Use of Yukata: Love is Better the Second Time Around

Despite my qualms with the final arc of this show, I still think about the way this show handled its second chance romance and especially the way it handled sex. Also, this show has a great visual gag in a woman who doesn't deserve this physically restraining a man from proposing to her.

Favorite Performances: The Cast of Unknown

I really think this is my favorite cast of the year. I really loved the way they all played together, and loved the handling of growing up in this show.

Favorite Use of a Mirror: Memory in the Letter

To be clear, I do not recommend this show. However, I was very impressed with all of the acting and technical work around the mirror in this show.

Favorite Show About Actors: At 25:00 in Akasaka

I really loved the way Niihara and Komagine played actors in this show. It's rare that a character withholding the truth of their feelings works out this well. This is one of the best things I watched this year.

Favorite Boy: Igarashi Daichi from Ossan no Pants ga Nandatte Ii Janai ka!

Not BL, but I love Daichi so much that he gets a shout out here. I love that he wasn't a manic pixie dream gay, that he was allowed to be angry, and that he was allowed to be imperfect. Daichi is now forever a part of my soul.

Favorite Rambutan Enjoyer: Venice in Marahuyo Project

Venice is so funny to me. I love that she's not the brightest one in the group, but she understands everything important. She protects Archie because she understands how hurt and scared he is. She accepts everyone who joins their group unquestioningly. She is eating in almost every scene. She is perfect.

Favorite Flirt: Vee in San's Dreams in Century of Love

I think we should let Offroad flirt with Daou more in future shows.

Favorite Narrative: Knock Knock, Boys!

This is favorite show from Thailand this year. I loved the use of every story in this show. The kindness pouring out of this show was really something special. I loved that this show never made fun of Almond for being a version, let Latte have positive relationships with his exes, let Thanwa dress like a normie, and treated Peak's closeted storyline with immense respect. I look forward to showing it to many more people.

Favorite Back: Mahasamut in Love Sea

I loved the way Fort played this man, and I love that we got another BL romantic lead that doesn't look dehydrated. More romantic leads should get to deck abusive fathers in BL.

Favorite Collector of Marbles: Takara in Takara no Vidro

A rare version of the Knowing blessed us this year in Takara. He was overwhelmed by Taishin's naivete, and I really loved seeing a character who absolutely knew who he was. I loved watching a character manage obsessive tendencies, and I loved how he spent much of the show holding back because he was afraid of himself. What a blessing these two were.

Favorite Use of a Workplace: The Trainee

I really loved that GMMTV used one of their best production houses to tell a story about interns in a production house. It was genuinely refreshing to see a workplace show from Thailand where everyone involved understood the work they were portraying. This was a really solid ensemble piece.

Favorite Homo: Shion in Twilight Out of Focus

I love this pink-haired boy. He was loud and competent. He was clear in what he wanted. He said plainly that he wanted a boyfriend, and HE WON. For everyone who got called slurs in their youth, Shion is for you.

Favorite Second Chance: Let Free the Curse of Taekwondo

Hwang Da Seul was determined to get it right this time, and boy did she! This show did a wonderful job establishing the teen romance, justifying its separation, and earning its reunion. Best BL of the year.

Favorite Adaptation: Love in the Big City

Also not BL technically, but there's no way we make a list of shows form this year without acknowledging Nam Yoon Su's incredible performance as Go Yeong and the efforts of literally everyone involved in this show. If there's one show you need to watch this year, it's this one.

Favorite Angry Outburst: Qi Lu in Blue Canvas of Youthful Days

I loved the way Qi Lu got mad about Qian Xiao holding back with him. It's the most I've enjoyed a character being wrong this year. It was the exact right response for a character like him. He knew who he was, what he was feeling, and that Qian Xiao was feeling it, too.

Favorite Cross-Cultural Exchange: Love in the Air: Koi no Yokon

We've had more than a few Thai adaptations of Japanese works. This is the first time MAME work crossed over to Japan, and it's been so cool seeing how much the Japanese team really loves Love in the Air. I feel no competition between the two adaptations of this novel, because it's clear that the Japanese show is a huge fan of the Thai show. It makes so many loving homages to the source work that it's clear this is a passion project for many people involved. It's so cool that we're now seeing Japan adapt Thai works, and I'm so excited to see where this takes us next.

Well, this was fun! Tag me with your list if you make one!