#this was a GREAT episode. i really really loved the music track!!!

[rachelamberish]

Comprehensive Veilguard Review (FULL SPOILERS)

What They Got Right:

-The environments. My God, seeing some of these locations that we’ve only read about for a decade had me getting legitimately choked up just looking at them. I cried entering the Grand Necropolis. I cried at Weisshaupt. I cried at Kal Sharok. The Ossuary. The Crossroads 2 Electric Boogaloo. Just all absolutely stunning, and so lovingly crafted.

-The art direction, on top of that. They kind of go hand in hand, but genuinely, it’s great. I think the art director deserves a raise for the candlehops alone.

-The music. I love it. I know it’s not what it has been, but I think it’s fucking great. The Blight theme is far and away the best, but so many of the other tracks really fully commit to the fantasy-futurism aesthetic that has been crafted by the art direction and I think it’s so fucking cool that the music has evolved as we travel to new locations and the world of Thedas really opens up.

-Companions. I’ve spoken a little about this already. But yes, the companions are incredible. The pacing of getting to know each of them is so well executed. (It feels unfortunate that the same cannot be said about the story as a whole, really). They are each truly so memorable and I think BioWare knocking it out of the park with its companions is nothing new.

-Vocal Performances. Gareth David Lloyd should be lauded for his work as Solas. You can hear how that performance has evolved and matured over the years like a fine wine. His vicelike grasp on the nuance of that character transcends even the game’s often questionable writing. Truly incredible stuff. I also have to mention Jee Young Han for Bellara, and Bryony Corrigan and Alex Jordan for two versions of Rook. The rest of the cast is fantastic as well, those four are just so incredibly standout to me.

-This feels very specific but The Siege of Weisshaupt. That quest. Is. *chefs kiss emoji*. It’s giving game of thrones season 8 episode 4 the long night where i cant see anything but also i have existential dread!!!! Love that

-Codex entries are as well written as they ever have been, so no dip in quality of the writing there. Particularly a huge fan of the passive aggressive emails sent between Solas and the Evanuris like they were all shitty coworkers. Elgar’nan screaming “i’m the ELDEST BOY!!!” at the top of his lungs à la Kendall Roy while he and solas bicker about who was conceived of by the Fade first. Very good stuff

-Ghilan’nain is an eldritch horror lesbian witch and that is so so cool. Thank you bioware

-Maevaris Tilani

-Combat and performance. Because neither of these are story stuff, I’ll throw these together. The game performs like a fucking dream and is incredibly optimized. The combat feels amazing and I genuinely look forward to combat encounters rather than dreading them. No notes.

….The Rest, in No Particular Order:

- Morrigan forgiving her mother and the game erasing Flemeth’s nastiness was truly vomit-inducing so thanks for that one bioware

- Is Mythal good or bad bioware please answer the question and you CAN’T look at your notes

- They do get Solas mostly spot-on but Mythal is so inconceivably bad and it’s hard to divorce the two. Ironic, considering that they should be the most divorced couple that ever lived

-"Flemeth's piece of Mythal was the good version actually and was completely uncorrupted" bitch HOW?!!??!??!!?! FUCKING HOW?!?!? Literally A GAME AGO she screams at Morrigan and Lavellan about "a reckoning that will shake the heavens" promising vengeance for her betrayal because she's done nothing but stew ALONE in her anger for 2,000 years, ALSO piling on the rage and betrayals of Flemeth and (I think it's safe to presume at this point) Andraste and EVERY OTHER host she's had. If we have learned ANYTHING about spirits and "abominations" through four games it is that the spirit becomes corrupted "against its original purpose" when fused with the negative emotions of its host. What was the point of Anders, if not to foreshadow what Flemeth truly was? A spirit of justice corrupted against her purpose by living inside righteously angry women for millennia? If anything the Dagger-version of Mythal would be the uncorrupted one. Sure, she'd be lonely and pissed too but that would be the truest version to who Mythal ACTUALLY was from before. A mixed bag of grief and anger and hurt and pride. But the rage inside Flemeth's Mythal would be wild and unfettered. She would be almost unrecognizable.

-I'm moving on from Mythal now because ranting any more about her in this game is actually going to give me an aneurysm.

- Yeah this game suffers from lack of roleplay and choice carryover. It’s impossible to avoid. It was okay to suspend roleplay in a game like, say, Dragon Age 2, because Hawke as the game wrote her was such a strong personality and memorable protagonist. Rook is…. not that. Which is okay for a blank slate protagonist, but they’re also not that either. And i think they didnt commit, fully, to the idea of less roleplay. Because they *tried* to give you origin stories, but they don’t end up feeling like they truly inform the character in the way that they do in Origins, or even in Inquisition. Say what you will about Inquisition’s roleplay options, but Lavellan being Dalish DEFINES her character.

- And what do you know. Yeah. It was bad that they only let us carry over three choices. Who could have seen that one coming. It’s almost like everyone ever was like “wow. That sucks. Please reconsider.” And then they didn’t.

- And it also gets extra confusing when you realize that the three choices they said were going to matter a LOT literally don’t. At all. So that was a lie. I guess. Even Solas romancers who were being PANDERED to apparently get…like two mentions of something that feels like it should be so pervasive throughout the whole story. And one ending.

- Solavellan writing failure gets its own bullet point actually. There was so much ample opportunity for Lavellan’s presence in this story to be amplified. For the Lighthouse to contain more traces of her. In codex entries, in murals. I get that Solas probably wouldn’t talk about her to Rook much. But the fact of his yearning is downplayed when it should be overplayed. He yearns for this woman who made him think he was worth something for the first time since he took a physical body, while clouded by regret for his feelings for a long-dead woman who made him hate himself. That’s the saddest fucking story ever. Why does this game not lean into it more? I don’t know. You don’t know. None of us know.

- BioWare kind of forgot that fifty percent of the Tevinter population is slaves. What do the shadow dragons even do? There are apparently no slaves left to free!!

- BioWare kind of forgot that the Crows are very cool and yes very Italian!! 🤌🤌🤌 but also buy child slaves and turn them into soldiers by systematically weeding empathy out of them. So where was any of that.(*where is Zevran or someone who fills the role of that character. He is so desperately needed to portray the Crows with any nuance.*)

- The depiction of the Qunari/kossith, outside of Taash’s storyline (which I actually think was a very thoughtful examination of the intersection of gender and Qunari ideology), is actually the craziest most stereotypical one-note racist bullshit i’ve ever seen and i am shocked any writer allowed that to be the final product.

- You know what yes i also noticed that you couldn’t ever be mean in this game and also Rook smiles so much. She smiles when saying things she should not smile about. Idk why but that bothers me. And why are her hands always on her hips? What is she hiding

- The exposition-heavy dialogue is terrible at the start, gets way better around the first act break, then turns dangerously close back around to Avengers-style “Well, that just happened!” and it’s a mixed bag that I don’t know what to do with. I can’t blame bioware for the exposition, I’m sure that’s an EA directive of “pander to the people that want to come into the fourth installment of a series knowing nothing and not be completely lost”. But the rest…..let’s just say I can feel how many people had their hands in writing this. And I can feel it because the quality swings back and forth so wildly it gives me whiplash.

- Because of no choice carryover cameos feel like cardboard cutouts of characters. Dorian worked for me because he was doing things he would be doing anyway and it is passively mentioned that he and the Inquisitor are in close contact. Isabela is skinny like a twig now i guess (??? Hate that) and i’m happy for her whole lords of fortune thing but she is made lesser by being completely divorced from Hawke. Same for Varric, although at least he has more to do. Morrigan…………………………………………………………………anyway moving on.

- The Dalish.

- BioWare kind of forgot that Solas doesn’t hate blood magic. Doesn’t use it personally. But doesn’t hate it. Also what he does to gain a connection to Rook is LITERALLY blood magic. I don’t fucking know WHY he/the game insists that it’s not. I’m beside myself with that one.

- BioWare kind of forgot about the brewing elven uprising led by Solas that they set up at the end of Trespasser and instead now he’s a lone actor and everyone hates him. Like no. No actually some elves would have found what he was doing very cool and a great alternative to the terrible hand the world has dealt them. Perhaps all those elven Tevinter slaves you forgot to put in the game.

- BioWare kind of forgot about Briala in their rush to say “but nothing in southern thedas matters!!!”

- Cole should be in this game and the fact that he is not is actually fucking baffling.

- VERY BIG SPOILER Varric dying is fine actually and the one thing i’m literally perfectly okay with so idk why i put it down here other than it feels wrong putting this spoiler at the top lmao. But yeah that’s fine. We knew it was coming and Peepaw needed rest anyway. Good reveal, no issue there.

- Lucanis’ bugged romance ruined my life

- I made a separate post about this but Veilguard has single handedly eradicated mystery in the Dragon Age series without creating any new mystery and it’s what I’m legitimately the most sad about.

All in all, a mixed bag. I enjoyed my time with it, but it left me sad at times and not in the good way. The idea I have of Dragon Age in my head will always be more true to Dragon Age to me than this was, and I can live with that, I was just hoping for better on a lot of writing fronts.

[the-eclectic-wonderer]

Oh Samama Khalid. Ooohhh Samama Khalid. You are so so so doomed.

[medlilove]

(Edited to add headshots because tumblr hates detail) I've etched away at this is a lovely few weeks, so click for full res and all the little details, okay? It's my love letter to the journey I've found myself on

This is long-ish, so its under the cut (but worth reading...)

I had been thinking a lot recently about that double feature episode, you know the one? I half remembered it then, when they chased a bunch of alien spies so fast through the solar system they all got thrown back in time. Half the crew went on a little undercover adventure in Toronto in 2024. It was great because they got completely cut off from the Enterprise, so half of them, well mostly Uhura and Spock if I recall correctly, spent their time collecting as many radios as possible and worked on building their own communications. Uhura and Spock were basically taking turns constantly tweaking radios by the window with wires everywhere. Oh yeah, their base of operations was the whole top floor of a worn out old building looking over a big square. They ended up in the really arty/queer part of town full of art galleries and thrift stores.....??

Chapel and Chekov were sent out to those shops to find disguises for everyone. I loved the joke that Chekov was puzzled and slightly alarmed that Christine just knew everyone's clothes sizes and measurements with no explanation. Later on, they ended up getting separated from the rest of the group and getting held up by B story shenanigans, mostly getting lost and running into culture shocks. It was fun to see them having their own adventures and made for a pretty interesting combo. Spock and Uhura spent most of their time with the tech, accidentally listening to the times most popular music while changing frequencies. Jim and Sulu paired off to search for clues, and getting supplies and spent a lot of time talking to the locals setting up for a Pride parade. McCoy, feeling paranoid and irritable that he had practically no equipment, wandered around with Dr Alfred Nahdi, the Botanist, who kept picking random weeds and talking about how extraordinary the little dandelions were. Oh and together they stole a whole medical bag out of an ambulance?? It was pretty funny.  Anyway, the main issue was they couldn’t risk leaving the area because all these alien spies had assimilated into the population and they had to track them all down and bring them back with them so as not to disrupt the timeline or something. They had to track down the aliens while making sure the aliens didn't pick up on who they were or that they were also out of place. They ended up being there for around two whole ass months, I think. The spies were spread out all over and there were about 30 of them, but it ended up being the Botanist, Alfred (Alfie) Nahdi who found the enemy base of operations by complete accident. Alfred, who had spent most of the time studying all the common flowers and weeds that were so ordinary at that time but were extinct in their time, figured out where the aliens' base of operations was because the big plant shop at the end of the square had a few succulents that could not have existed in 2024. It was a big "woah" moment. And there was this whole thing where he had to act like he hadn’t just figured it out because the florist, who was almost certainly a spy, was watching him and McCoy. But soon after, it all went to hell anyway when a fight broke out and Sulu was straight up shot with the aliens' weapon that had bullets made from alien metal. So then Bones had to perform old school surgery on him in their HQ, with only 2024 equipment. Jim, Spock, and Uhura were out fighting and ran into Chapel and Chekov and were able to finish them off, but it got really crazy because there was a Pride parade in the square at the same time so they had to make sure no one noticed them. While Bones was pulling bullets out of Sulu, with the botanist assisting him until Chapel (who had been sent by Jim) appeared and took over. McCoy said something like, “Christine, I’ve never been so glad to see you in my life,” and they sewed him up all old school. And it worked out! But Bones was a mess because he had to do messy surgery with none of his kit, and so much pressure, and more blood than he was used to... Chapel stayed with Sulu, and Bones and Nahdi went to sit on the fire escape stairwell and had a sweet scene of Bones just full of adrenaline, his hands couldn't stop shaking. They sat hand in hand for a while listening to all the people on the streets below. Then Spock, Jim, Uhura, and Chekov appeared at the stairwell and they all had a happy, albeit exhausted reunion. After a day of everyone recovering from all the excitement, Uhura and Spock used some extra tech they got from the aliens and finally made contact with poor Scotty who was up on the Enterprise losing the will to live. Anyway, their outfits were iconic tbh.

I invented this whole thing to draw Dr. Leonard “Bones” McCoy in a sweater. I lost control of the situation. I spent a lovely two weeks etching away at this with the support of my lovely ST server, I love you guys. This ones for you.

[byoldervine]

Writing Tips - Overarching Themes

A lot of stories like to have overarching themes, such as themes of redemption, acceptance, ruthlessness, love, etc. But how do you come up with the themes for your story?

1. Don’t lose the plot. What kind of journey does your plot take your characters on? What do they achieve and what do they learn along the way? Off the top of my head Miraculous Ladybug doesn’t do a great job at portraying an overarching theme of ‘love conquers all’ when love repeatedly causes problems for the heroes (to the point of “It was our love that destroyed the world” being one of the most memorable lines) and only seems to benefit the villains. Let the plot help keep you on the right track

2. Ask a question. There are tons of themes that rely on asking a question and pitting two different virtues against each other; traditional vs modern, redemption vs damnation, nature vs nurture, etc. The theme of the story is then watching one conquer the other, or finding out where the balance lies between the two if that’s more applicable. ATLA was, of course, very good at handling the nuances in redemption and damnation; it showed people learning they need to change, people wanting to change, people choosing not to change, people trying and failing to change, and even people with the capacity to change only if they take it. The episode The Southern Raiders is also a masterclass in nuance in revenge vs forgiveness, and ultimately allows the audience to form their own conclusions

3. Add a twist. One thing that really intrigues me about EPIC: The Musical is how the overarching theme is ruthlessness vs mercy - with the lesson being that main character Odysseus needs to be more ruthless. You don’t get a lot of stories that teach ruthlessness as the good and correct answer over mercy, that you should kill a defeated opponent rather than letting them live, and that makes the story so much more interesting and unique. If you can think of a way to intentionally twist the expected outcome of your overarching theme, see if you can make it work within the story

4. It’s overarching for a reason. Make sure your overarching themes are evident in the story and impact the characters and their decisions, as well as the consequences for such. Hazbin Hotel has an obvious overarching theme of redemption, and you can see it in the way each episode plays out that redemption comes into it, whether it’s Vaggie regaining her wings when learning to fight for love rather than vengeance, Charlie giving Alastor the chance to work in the hotel despite knowing he doesn’t believe in her goals, Husk encouraging Angel’s character growth and his true nature, etc. Almost everything the characters do relates back to the theme of redemption and betterment

5. Reward the theme. Maybe in the past characters have been burned before and no longer believe in your overarching theme, but the course of the story changes their perspective. The Owl House has overarching themes of non-conformity and individualism and acceptance of those who are ‘weird’ or different, and they all culminate in Luz finally feeling understood for the first time in her life after never feeling that way. Attempts in the past to be understood have often been met with people labelling her as the weird kid or her being punished, and then throughout the story there’s a lot of people that accept Luz, but in more of an “I don’t get what you’re saying, but I get what you’re trying to say” kind of way; acceptance and understanding aren’t quite the same. And lacking acceptance has negative impacts in the story for good and bad characters alike; Luz is at her most powerful when she accepts both the human and witch side of her rather than comparing herself to Azura, Amity’s potential for redemption comes only when she accepts Luz as a witch, Belos loses his power when he’s no longer accepted by others, etc. Characters are rewarded for following the overarching theme and punished for straying

[bndingover]

SONNY ANGEL

SUMMARY :: you going on a podcast and talking about your life, career, music, and Chris

it’d been a few seconds into the podcast episode when you were asked to introduce yourself “hey! I’m y/n. Im 21 years old and I do music!” Right after you finished speaking you were bombarded with questions like “and how long have you been doing music” “what’s going on in your life right now” and “any new music updates” after taking a second to figure out how you would answer those questions you started speaking “I’ve been doing music since I was 19! Not much is going on! And I’m dropping an album soon!” You ended the sentence with your usual smile that your fans have come to love over the years “so you have two albums out? Correct?” “Yes sir! Cinna and rose gardens in my mind!” “Do you still find interest in those two albums?” “Yes! I think that they are still very good and they’re both very important to my life and my career!”

“Speaking of your life! How did all of this become?” You accidentally let out a nervous laugh before answering the question “umm I’m not sure! It’s really all just a blur in my honest opinion! I went from a 4 year old listening to my moms car ride playlist to now being in my 20s and now being on my moms car ride playlist!”

— —

“So you’re in a relationship with the very well know rapper Chris sturniolo right?” “Yes! I am!” “How did that happen” “I don’t know! It’s crazy! But umm basically apparently he’d heard one of my songs on his umm daily mix playlist and ended up reaching out to me! And now we’re a couple!” “Have you ever regretted answering his dm?” “Nope! Never! He’s great!” “Would you ever collab with him on a track or two?” “Yeah 100 percent!” “Do you often listen to his music?” “Yeah! Sometimes!” “Do you think his music is worth the listen” “uh. Yeah! Definitely!”

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 3)

Hi! Welcome back to The Lady Whistledown Papers, where I'm taking an in-depth look at Penelope Featherington and Colin Bridgerton's character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Girls Like You

Jumping back in, we start off with a montage of suitors for both Daphne and Marina set to Maroon 5's Girls Like You. Usually, I have some great thoughts on the use of music within shows but this one feels... just like a fun little pop song to put to a montage? Most of the lyrics involve -- needing a girl like you -- and -- yeah yeah yeah. It's not the most profound song, but it works nicely for the montage.

Also, I love when they match the Featherington girls' dresses. I'd love the backstory as to why Portia is obsessed with citrus fruits.

As a nice touch, when the LW voice over starts, the camera pushes in on Penelope. I kind of love all the hints they give that LW is Pen -- it's incredibly obvious once you start looking for them. Anyway, Penelope is so devilish here. She loves the attention Marina is getting - not only because she finds Marina a nice person, but because it's pissing her mother off. I love that the LW narration is Pen's way of throwing salt in her mothers' wound. It's a bit wicked. And delicious.

What's somewhat wild, though, is that LW goes after the Queen about her choice of Daphne as a diamond. THE QUEEN! Like, that is bold, Pen. Incredibly bold. She even throws shade at King George, like wow. It's no wonder the Queen is obsessed to track her down. Pen's playing with fire here. But I wonder if she doesn't realize, yet, that there can be consequences to her words? I mean - right now, LW is almost like her journaled words being published -- unedited thoughts that aren't necessarily filtered, but are done so anonymously. The only reactions she's really getting are her mother's frustrations -- which she delights in.

It'll be interesting to watch the LW development as the show continues...

Courting I

Awww, it's our first real Polin scene of the show! And it's... like ten seconds long. But! Still plenty to dig through.

Colin's decided to call on Marina - I'm assuming he's the one (or one of the ones really) who brought her flowers. And during one of the suitor's atrocious poems, Colin's throwing Pen (and you could argue Eloise) looks. Like, can you believe this guy? Seriously?

But, no, I love that there's this layer of non-verbal communication right off the bat. Colin isn't just some random dude Pen has had a crush on from afar. They have an established relationship from the onset (which I'll talk about more in a sec) and how many times -- cutting through the ridiculous nature of the society they live in, do they shoot each other knowing looks.

They grew up together, and while Colin probably very much thinks of her as an additional sister at this point -- there's a comfort there that he can express how he's feeling over the situation to her.

A quick second about the dog - it took me a sad amount of times to realize that one of the suitors had brought it as a gift. It also doesn't show up after this episode (I think) so I really hope it's safely living at a neighbor's house after Portia decides to get rid of it.

Anyway... I was thinking about Eloise in this scene. Why is she even in this scene, she doesn't need to be. Well, actually, in a way, she does! First of all - we can appreciate Claudia Jessie's fantastic comedic skills (Btw - anyone else up for a buddy comedy with Claudie Jessie and Nicola Coughlan? Because I sure am here for it).

Secondly, it helps reestablish that Pen and Eloise are bffs. Which helps establish why Colin would otherwise randomly come up to talk to her after calling hour is over. This is the first episode of the series, and all of these relationships are being established. And it can be done without dialogue having to confirm it. It's all subtle, but it's better than the trap of over explaining things in expository dialogue.

Anyway, I want some backstory... How often do Eloise and Pen sneak over to each other's houses? They were children when they met - how often did Pen play over at the Bridgerton house? It's interesting that children are allowed some freedoms that once you get older, aren't allowed anymore. I have to wonder - if one reason that Pen and Colin are so free with each other later on is that because they they were children together, and probably played together as kids, they don't feel as bound by society's rules because they didn't have to when they were younger.

And now I just have all of these headcanons about a much younger Colin chasing his sister(s) and Pen who is visiting around the house in the way siblings do. And Eloise deciding she wants to take revenge, and she and Pen coming up with plots to play pranks on her brother(s). Think of Gregory and Hyacinth at the beginning of the episode, running around causing havoc. And I can just imagine that Eloise and Colin are a lot like that, too. And of course, Pen, who wanted to be away from her own family, from her own sisters who treated her like a disease, would want to be a part of it as much as she could.

Before I get into their exchange, a small, but important detail is what Portia says a moment before -- she encourages the young men to acknowledge her other daughters in hopes that someone will notice Prudence or Phillipa. But the way she includes Penelope's name -- "or even Penelope" -- it's an after thought. It's like, oh yeah, I have a third child I guess if you really want to acknowledge her, go ahead, but meh, who cares. It's so sad, really that Portia thinks so little of her at this point in time.

But then here's the kicker -- not one of these suitors even takes a glance over in Prudence or Phillipa's direction. But Colin takes a moment to full on have a short aside with Penelope. He makes it a point to go over to her to share a laugh -- because they'd probably been rolling their eyes at each other during all of this suitor business, and now that the official courting moment is over, they can have an exchange.

The fact that Portia is so blind to what goes on with her youngest daughter is the reason LW works. Penelope is left to really be on her own - and while that's devastatingly lonely, it also allows her a freedom that other women her age and place in society don't get.

Anyway, back to Colin -- and the fact that the first thing he does is seek out Penelope. He could address his own sister, who is sitting right there, but he doesn't. Because Eloise probably usually ignores him. Penelope doesn't. She latches on to pretty much everything he says, and that's gonna be a big deal for Colin (but we'll get there...)

Their exchange is only a couple of lines, but they're able to be witty with each other. Penelope mentions that the suitor is no Lord Byron (and -- guys, as an aside, if you want a wild time, look up the life and times of Lord Byron and the Shelleys. It's just... a good time...) Anyway, Colin's face subtly shifts in this moment. Her wit and intelligence is impressive, and he clocks that. It's why he keeps coming back to her - because they can share similar thoughts - but also she's deeply amusing on top of that.

And, oh, dear Penelope... Her eyes never leave him. She is just so, so gone. Not only is she just over the moon that he comes to stop to talk to her, not only is she gazing adoringly up at him during the quick exchange, her look lingers as he leaves. Of course, part of this is visual storytelling to show the depths of her feelings. But, we're beyond crush stuff here -- this girl has got it bad.

Seriously -- how does Eloise not notice all of this? I mean, plot purposes, yes, and the fact that Eloise is usually caught up in her own drama to really notice other things. But you'd think you'd notice your best friend being moony for brother after a while. Because, Pen, girl, you wear your heart on your sleeve...

Courting II

Before we get into the meat of this short, little moment - I have to mention the transition. In the scene before, Simon and Anthony were talking, and Anthony mentions that he's not worried about taking a wife because he has brothers... And we cut to this scene where Colin is courting Marina. And, I think it's a neat little transition because - we see Colin doing something that Anthony is actively not doing. Looking for a wife. (Or at least a romantic partner)

That's the thing about Colin -- he is a romantic. Unlike Anthony, whose position is different because he is the oldest and therefore there's more responsibility there, and therefore he'd rather not deal with it at all (and who has a ton of trauma going on in addition) and unlike Benedict, who is kind of caught up in finding himself more than anything, Colin (who is young still at this point) likes the idea of a wife and a partner and a domestic home.

It's one (of many - I'll get to it) reason he is so quick to propose to Marina. It's why he doesn't fuck around ages later when he figures out his feelings for Penelope. It's actually something Colin and Penelope have in common -- they both have a shared love of romance.

Okay, so onto this moment, I want to note the blocking of the scene. Notice how Penelope is on the floor, playing with the dog? It's purposeful! It positions her to reflect that she's still a child, or at least a child when compared to Colin and Marina on the couch, deep in their courting moment. It highlights the chasm currently between them -- something Marina will bring up later, that Penelope is still a child, a younger sister, not serious marriage prospect in Colin's eyes.

There's Lady Whistledown narration going over this scene -- where LW proclaims that Colin might be rewarded with the prize of Marina. And we see Penelope watching with a mix of emotion.

Penelope was having fun with all the suitors back when there were a ton of them and they were spouting bad poetry. But now that it's just Colin and Marina, the knife twists a bit in Pen's heart. She's playing with the puppy, as a way to pretend she's not that interested, but she's dutifully watching. And yes, a small part of it is her LW ways. A bigger part of it is to watch the development of this particular courtship. And, a third part of it is that there's a twisted sense of -- I may hate every thing about what's happening, but we're still in the same room together. She doesn't miss opportunities to be near Colin whenever she can.

The LW narration is somewhat brutal and almost petty. Pen is mocking Marina through the guise of carefully placed compliments. (Note - Julie Andrews doesn't oversell it the narration, but the hint of sarcasm is there.) Again, they did a great job at layering the narration over Pen's face, so we literally are hearing what she's thinking.

Here's the other thing about the narration :: 'It has come to my ears that Mr. Colin Bridgerton will win the grand prize when he sweeps Miss Thompson off her pretty, little, slippered feet.'

There's a lot in that little sentence. Pen is watching Colin and Marina laugh together. And that is hard for Pen -- because we saw it even in the first scene they have together. They laugh, have in-jokes, seek each other out and share cute, sweet little moments. Sure -- we know (or will be told) that Colin is flirty in general, he cracks jokes, makes people seem at ease, and is genuinely kind to everyone. But Pen has taken a lot of those interactions for herself, has buried them away as something special between the two of them.

Colin flirting out during promenades (or whenever) is kind of a distant thing. Pen having a front row seat to watch Colin lay his natural charm at a serious romantic partner is something else entirely. She hates it. And that's why she turns away, because it's a bit too much. And yet, she doesn't leave -- because she can't.

Also, ALSO! The - sweep her off her feet - comment in the narration. Marina will find Colin a bit fun, but it's a nice connection. And I do think she likes Colin. But she's not really swept off her feet. Pen was the one who got swept off her feet. I just... think they did a great job keeping up the duality of having LW be her own thing and having it really reflect Pen's inner thoughts.

So on that angsty note... one more post about the first episode to wrap it up, then we can move on!! See -- I told you there's a lot in this first episode!

[sunbloomdew]

beach episode spoilers below cut a collection of random thoughts :]

kudos to roxie and rob for being great friends to eva, reaching out to her and taking her on that vacation. we don't know who was calling eva in the starting screen but it was probably one of them or members of her family. it could have also been quincy! i've been thinking how they could help each other out while grieving :( i'm glad she has people she can count on in her life

also i really like that the beach episode gave us more roxie and rob moments, showing us more of their characters!! i love that they got more chances to be goofy <3 rob especially since in previous games, when he had lines of dialogue he was stoic and serious, and here we get to see that he matches roxie's freak kshfskfhskj

im wondering if eva left her job at sigmund after neil's death, since she'd had to get a new partner. plus this whole thing going down would definitely change how she feels about her job... i wonder if she ever briefly considered signing up with sigmund for a life where neil lived.

and last but not least: what the hell did angus mean by "... who's still alive, that is..." what is the fate of sigcorp

and i gotta say, while im a tinyyyyy bit disappointed over there not being a lot of new music tracks in the game, i really enjoyed hearing music from the previous games. and the title theme GOES HARD

thank you for reading this assortment of thoughts

[warningsine]

We Are Lady Parts, a British series about an introverted engineering Ph.D. student who is roped into playing the guitar for a local all-women Muslim punk band known as Lady Parts, was one of the most delightful and original television debuts of 2021. Its absence these past three years has been deeply felt—but luckily, Lady Parts is now back onstage, returning with a second season of antics and self-discovery, streaming on Peacock (in the U.S.) and Channel 4 (in the U.K.).

Music has always played a major role in the series thanks to Nida Manzoor, We Are Lady Parts’ showrunner and creator, who, alongside her siblings, also writes and supervises the music for the show. Season 1 blessed us with original songs like “Bashir With the Good Beard” and “Voldemort Under My Headscarf.” Not only are there some great new additions in the second season—from “Malala Made Me Do It” to “Villain Era”—but the music this time around boasts both a tighter sound and a stronger voice. There are even some standout covers, like a stunning punk take on Britney Spears in Episode 3. Slate chatted with Manzoor to discuss We Are Lady Parts’ musical evolution, a surprise (and instantly iconic) cameo, and how we can pay homage to the trailblazers who came before us. This conversation has been condensed and edited for clarity.

Slate: While music has always been the central impetus of the show, it seems to drive even more of the plot this season. After establishing themselves and growing a fan base, the members of Lady Parts are trying to make the band a real deal by recording a debut record. This means that you got to play with the music a bit more this season. For example, there are a few more cheeky covers in there. What was your intention with writing and supervising the music this season?

Nida Manzoor: Music is at the heart of the show. It’s the heart of Season 1, and I had such a joyful experience writing the songs with my brother and sister. For Season 2, I wanted to challenge us, and thereby challenge the band. I wanted the songs to be more complex. I brought in my collaborators more on a ground level. All I came with were song titles and styles. I wanted to do a Western-sounding song called “Malala Made Me Do It” because I wanted to see the band just be silly and go different places. With the song “Glass Ceiling Feeling,” which comes later on in the show, I wanted to see the band feel like they’ve evolved from Season 1. Moving away from their traditional punk songs and seeing them explore different ways of expressing themselves was really exciting to me.

Let’s talk about “Malala Made Me Do It.” The sentiment sort of reads as an alternative to the mantra “What would Jesus do?” in so many clever ways. How did this idea come about? What does “Malala made me do it” mean to you?

“Malala Made Me Do It” was one of the first ideas I even had for Season 2, before I had any other deeper story ideas. And then, as I was writing the script with Bisma’s story arc, where we see her being challenged as a mother with her daughter moving into adolescence, I wanted to explore this idea of motherhood and her tension through the song. But with the song itself, I was like, “It’s just going to be a Malala hype track. I want it to celebrate this incredible woman who’s done so much real, meaningful work for girls and women.”

I must spoil this moment for readers because I have to ask about Malala’s cameo in the show during the fantasized music video for “Malala Made Me Do It.” What was your pitch to Malala to get her on the show? 

Initially, I had no intention to reach out to Malala. I was like, “She’s not going to want to be in the show. She’s a very serious person in the world.” But then I went to a talk of hers, and she was expressing her love of comedy, and she had this incredible dark sense of humor, this great wit. And I’m like, “Maybe I have a chance for Malala to be in the show.” So I wrote her a long letter of why I’d love her to be in the show and how I think she’s an inspiration, and sensing her love of comedy really emboldened me to do that.

She was immediately like, “Yeah, let’s do this,” and was so chill, so kind and gracious on the day. So full of love, so easy to work with. I feel like there’s a lot of reverence around her, but she’s a woman in her 20s—she contains multitudes. She does a lot of meaningful, serious work, but she’s also a really fun, joyful person. I really wanted to celebrate that.

Speaking of celebrating women, one of the focal storylines in the season, with the character of Sister Squire, explores what it means to pay homage to those who have come before you by doing something meaningful with the space that they’ve created. Who are some of your inspirations that you tried to honor with this show, particularly with Season 2?

One person for me is the actor who plays Sister Squire, Meera Syal. She is a comedy legend and hero of mine. She co-created a sketch show called Goodness Gracious Me, which is all about the South Asian experience. It was so witty. The show was so inspiring because it was impressive, it was cool, it was edgy. It made me, as a young brown girl, feel cool. To get to have her play Saira’s hero in the show was honestly a dream come true. Between working with her and Malala, I was like, “I can retire now.”

In terms of women in punk specifically, there’s the singer of the band X-Ray Spex, Poly Styrene. She was a woman of color in punk in the ’70s. It was just so rare. Her music really talks about identity, self-expression, these really meaningful feminist themes. It’s so contemporary, yet she was writing this stuff in the ’70s with such a playful tongue-in-cheek vibe. She’s been a hero and inspiration as well, making the show.

I want to talk about the covers this season. You cover three of my favorite songs: “The Reason,” by Hoobastank; “More Than Words,” by Extreme; and then, of course, “Oops!…I Did It Again,” by Britney Spears. How did you decide what songs to cover? 

I knew I wanted to do a Britney cover. I am a millennial, I came up at a time when Britney was just everything and a goddess and a queen and so much a part of my childhood. Getting to do a cover of her song, but in a punk way, was just joyful. I think it was one of the most fun days to shoot on set because we felt like we were getting to perform such a brilliant and iconic song, but also making it Lady Parts, in those iconic costumes with their suits. Even now, when I rewatch the show and when I was working in the edit, just watching the Britney performance was my favorite thing. It was everything.

Hoobastank, “The Reason,” it’s just that classic early 2000s, very cheesy, but still such a great tune. It was so fun to get to honor that song and that band because they were such a formative part of my childhood. It was something my sister suggested. We were initially going to write an original that Amina sings to Ahsan. She’s like, “Oh, it should sound like Hoobastank’s ‘The Reason.’ ” I’m like, “Wait, Hoobastank’s ‘The Reason’ is perfect. Why don’t we just try and get that song?” Because it’s nostalgic and brilliantly cheesy and it’s perfect for the rom-com storyline. So that was a no-brainer.

Oh my God, do you remember the music video for “More Than Words”? Black and white and the two of those guys with their long hair and guitar. Again, such an iconic moment growing up. That song was so phenomenal. So much of making Lady Parts is an excuse to just bring in all the music I loved growing up, and that was one of those songs that I would watch the music video for and just sing along to. Me and my siblings would sing those harmonies. So, again, it was like, “Oh, I love this song. Can I have it in my show?” It’s such a romantic song, and having Amina and Billy play that and sing that to each other was perfect for the story.

Throughout Season 1, music was a way for the members of Lady Parts to get what they really wanted, whether it was control or creative agency or freedom from self-imposed religious ideals and traditions. Would you say that it still serves the same purpose this season, or does it function slightly differently?

I hadn’t thought of that. I definitely wanted the music of Season 2 to feel like an evolution. I still think music is a way that we see the characters express themselves and express their frustration with how they feel they’re boxed in and limited. With a song like “Glass Ceiling Feeling” or “Villain Era,” it’s that traditional pop-punk sound, but what was new and different was that it was Amina leading that song, so you got to see her really enter her villain era and lead it. “Malala Made Made Me Do It,” for me, was a big move away from Season 1. I was like, “What if Lady Parts did a Western?” It was just trying to push and evolve the music from Season 1, but, in much the same way, I wanted the songs to feel organic, coming out of the storyline and the truth of the characters and grounding it in their experiences.

We wanted the songs to be fun, but we wanted them to also evolve from Season 1 in terms of style and complexity. All the songs are much more difficult to play in Season 2. The actors really upped their game because the songs are faster, they’re more intricate, there were more harmonies in them, so there was a level of difficulty that was much higher this season. But I think, in many ways, the songs operate in a similar vein of allowing the characters to express themselves through music.

[ducktracy]

What's your favorite SpongeBob episode/track?

GOOD QUESTION!!! my favorite episode as of right now is probably Texas! i think it has such a great balance of everything i love about the show, i absolutely adore the way it is drawn/looks, the humor is sharp and memorable, it really places such a big emphasis on character and their motivations and conflicts, and i ESPECIALLY love the novelty of it being scored with Junior Brown’s music!! they brought a guest musician in to do the soundtrack!! HOW COOL!! i’m a big fan of steel guitars, particularly in Hawaiian music and old (‘30s-‘60s) country music and this episode combines both so charmingly. and, of course, the episode has such a great heart to it :’) just look at this and tell me your heart doesn’t swell immediately

other episodes i particularly love are Ripped Pants, Jellyfishing, Plankton!, Walking Small, Mermaid Man and Barnacle Boy II, Bubble Buddy, Christmas Who?, The Algae’s Always Greener, Plankton's Army, Have You Seen This Snail?, Mimic Madness, Bunny Hunt and Mind the Gap. THIS IS ALL A VERY SELECT FEW THOUGH and there are a lot of episodes i haven't seen in many years that i bet i love just as fervently and forgot to mention. i also can't think of an episode that i truly, genuinely dislike or can't watch. i need to catch up with a bunch of post-sequel episodes since that's around when i stopped consistently watching the show (which isn't the show's fault necessarily, there was just a hiatus for a bit and i was finally becoming a teenager who didn't spend every waking hour watching SpongeBob when that was happening). but realistically you could throw every episode from s1-3 up there as a favorite. and more beyond that! i love the Sponge unconditionally and always have

AS FOR TRACKS. OHOHOHO. SpongeBob production music was one of my first online hyperfixations as a young'un and so i can, have, and maybe one day will talk about the music in this show for hours. it's so hard for me to narrow it down. but i'll say two overwhelming favorites are this:

and this one:

BOTH VERY NOSTALGIC TRACKS FOR ME.. i think the first one maybe wins out since it's more prominent and thusly associated with more "widespread" nostalgia, but i have a very special love of the second one because i remember it being impossible to find. the only copy available once upon a time (like, 12 years ago) was a very garbled and Bad mix of it cut up from various episodes, and even then, it was revolutionary to have THAT since i remember when it was still an "unknown track". so the fact that we can listen to it cleanly now still kinda blows my mind HAHA

here are some others i love that i would feel bad for excluding, SOOO:

[girlstuffnorp]

Julie and the Phantoms Song Recs: McFly Songs that are Sunset Curve/JATP Coded

So, McFly are a big British pop/rock band that have been around since 2003, and are still releasing music and touring at the time of writing in 2024. I saw them perform live in 2023, and loved it. 💖 That tour was to celebrate the release of the most recent album (at the time of writing) - Power To Play - and listening to that album immediately gave me Sunset Curve vibes, and then I subsequently realised that they had been making Sunset Curve/JATP-coded songs throughout their whole career. 🥺💖

Edit: So, McFly are really popular in Brazil, and they released a song with popular Brazilian band Fresno in 2023 as part of the Power To Play album - Broken By You... and I've just discovered that Fresno actually had a cameo in Julie e os Fantasmas (the original Brazilian show that Julie and the Phantoms was adapted from) in episode 3, so this whole post has gained a lot more validity in a '6 degrees of separation' kind of way 😍👏

I wanted to make a list of songs that I could see Sunset Curve/JATP performing/recording for their potential albums, some that just remind me of the boys, and some fun gems in between - these are all my personal preferences/opinions, so you may think differently, but here is the current tracklist in no particular order. (All with YouTube links of varying quality since a lot of the music videos/live performances give Sunset Curve/JATP vibes too IMO. All [except one] of these songs are also on Spotify etc.):

🎶 God of Rock & Roll (link here) (Screams Sunset Curve for me)

🎶 Where Did All The Guitars Go? (link here) (Also screams Sunset Curve for me)

🎶 Air Guitar (as McBusted with Busted) (link here) (Always reminded me of when the boys realised that people could see them play with Julie)

🎶 Ghostbusters (Live cover of song by Ray Parker Jr.) (link here) (On Youtube, but sadly not on streaming) (Maybe a bonus/hidden track on the album or they would exclusively play live at the gigs - I couldn't not share it because it's awesome from start to finish, and the boys would totally cover it as a joke 👻Also, imagine the boys getting the crowd to do call-and-response with them - iconic 😍)

🎶 I'll Be Ok (link here) (Gives me vibes of the boys helping each other through their crappy family lives in the 90s 🥺)

🎶 Five Colours In Her Hair (link here) (The song written during a jam session - the boys just having a laugh)

🎶 Make It Out Alive (link here) (As soon as I first heard this, the angst and melodrama of the song gave me vibes of the boys being cursed and under Caleb's control at the HGC 🥺)

🎶 Route 55 (link here) (A song all about friends having a great time together during an endless summer)

🎶 Don't Stop Me Now (Charity single cover of Queen) (link here) (They would have totally covered Queen during their jam sessions - respecting some of the best but putting their own fun spin on things 😂)

🎶 Transylvania (link here) (This song always gives me HGC vibes - so gothic and melodramatic, and Dougie's vocals in the chorus?? 😍)

🎶 Party Girl (link here) (Such a guilty pleasure song of mine~ This music video is slightly NSFW since it contains clips of the band's infamous vampire-themed short film that they all starred in 2010 to promote their album at the time [which even the band realise was a bad idea in hindsight, since it was clearly riding the Twilight wave]... but! Listening to this song also gives me ideas for a possible evil Julie possessed/controlled by Caleb - maybe sometime I will write them down~ 👀)

🎶Tonight Is The Night (link here) (A spiritual sequel to I'll Be Ok in my mind - when the boys realise that they're not really okay and need to ask for help to process all the shit that has happened to them - think what Luke went through in Unsaid Emily [and what we presume Alex and Reggie would go through in subsequent seasons] and the boys helping each other through it 🥺)

🎶 Too Close For Comfort (link here) (The obligatory break-up song on an album, and this performed live is everything - just heartbreaking 🥺)

🎶 Umbrella (Live cover of song by Rihanna) (link here) (Julie gives the boys a lesson in popular music during the 25 years that they've been dead, and they decide to surprise her with a fun rock cover of Umbrella to cheer her up one day)

🎶 The Heart Never Lies (link here) (The dramatic love song on an album that is really about the band's bond and sticking together through thick and thin)

🎶 Falling In Love (link here) (The love song that has a music video full of tour footage, which always make me think of the boys in Sunset Curve absolutely loving playing for a crowd, and the bridge/quiet part of the song giving the vibe of Julie, Luke, Alex and Reggie cherishing the moment at the end of Stand Tall before the boys cross over 🥺)

🎶 One For The Radio (link here) (The defiant song for everyone who dismissed Sunset Curve and JATP - I could imagine this as a song written in response to either record companies who wouldn't sign Sunset Curve/JATP, Bobby/Trevor or Caleb. It also gives me vibes of the boys appearing back onto the stage of the Orpheum to perform Stand Tall with Julie - defiant celebration)

🎶 Lies (link here) (The break-up song that gives me vibes of the boys standing up to Caleb. Also is it just me, or does Tom [you can see him at around 0:43 in the video] give Luke vibes in his styling? 😍)

🎶 Forever's Not Enough (link here) (The true love song that Luke writes for Julie, but will never admit that it's for her because he makes the lyrics vague enough 💖)

Tagging @ri-jane @phantomwriter95 @hemeraomara @1mnobodywhoareyou @legolasghosty

@floating-in-the-blue @60sec400

[nso-csi]

240819 ETERNAL 1Q1A

Q1. You reached your solo debut 10th anniversary this year. It must have felt very different, how do you feel?

Taemin: It made me realize that I have been active for a long time and I am very thankful towards the fans that have been loving me over this long period of time. I prepared this album with the intention to commemorate my 10th anniversary so I really wanted to present what I prepared as soon as I can.

Q2. There has been a huge change. You moved to a new company, BPM so is there any thing that changed or stayed the same from the usual? If there is, please share what is it.

Taemin: To be honest, there isn’t a huge difference due to the change of company. I have prepared it the way I always do regardless of where I am. But of course, I am learning how to communicate with the staff and other various things as I try to find a way to work together. I am just creating a new way of doing things but I think I have prepared it as how I have always been preparing.

Q3. We heard that you took part in all the process in producing this album, from the planning to the music, concept, music video etc. You included lots of your identity in the album introduction too so what’s the most core point when making the album?

Taemin: I have always put in lots of thoughts at what I need to do, what I want to show and I have tried to include them as they are in the album this time. However, I did not try to intentionally change anything or put any meaning to it just because there is a huge change to my situation. That’s why I am just doing it the way I usually do and connote the music and emotions I like to prepare this album.

Q4. Double title track ‘Sexy In The Air’ and ‘Horizon’ presented different color respectively. Please introduce each song.

Taemin: I think that ‘Sexy In The Air’ is a song that fits the hot weather. It has a very exciting and retro-ish sound and to dance a dance fitting to that retro-ish sound will give off a refreshing feeling. At the later part where the song atmosphere heightens, there will be drill (a music genre) where it makes the song a charming one. ‘Horizon’ is a synth pop genre with lots of energy and it’s interesting as it’s my first time trying out this genre. A passionate performance fitting for this song will be charming so it would be great if you can watch it together.

Q5. Performance is something important that Taemin cannot leave out. What’s the part that we have to keep our eyes on among the performance for this promotion?

Taemin: Choreographies that fit the flow of the music for each section has been choreographed. That’s why there will be parts that are very minimal and there will be parts that are very refreshing and then it will go to parts where it’s very conceptive. It would be great if you can keep your eyes on the performance that changes to fit the flow of the song.

Q6. Pre-promotion contents have already hyped up the anticipation. Are you able to give spoilers about ‘Sexy In The Air’ music video? We are curious of any episodes happening to.

Taemin: I shot the music video of ‘Sexy In The Air’ with director ‘SEGAJI’ who I worked with for ‘The Rizzness’ performance video. As we have previously worked together before, the director has a high level of understanding of me and pondered over many things with me. The mood of the song, which expresses the desire and confidence to move forward, is embodied in the image, and is expressed with a sense of speed transitioned with a huge scale set and the performance. There will be sensational moments delivered through water, light, wind etc. in a totally different space so if you look into parts like these deeper, you will be able to understand ‘Sexy In The Air’ better.

Q7. You did a listening session where you introduced the song to fans before the release and since that’s the first time the songs are being revealed, is there any interesting question or episode? Do share how it feels to do a listening session.

Taemin: I am always nervous when I release a new album so to be able to be in a space where I can be with my fans that are like my forces at the listening session made me feel at ease. It was meaningful to be able to share the stories from my recollection working on each and every song and it was nice to be able to see the various reactions of my fans myself. Rather than saying that it’s an episode, it was enjoyable to be able to talk to my fans but because it got too long, it was such a pity that the corner where I read messages from my fans got shorter at the very end.

Q8. Is there any reaction you wish to hear from your 5th mini album ‘ETERNAL’ or any goals you wish to achieve?

Taemin: I hope this ‘ETERNAL’ album can be the chance for it to be known that I have started to participate a little more in the album. Through this album, I think it’s the chance for me to slowly complete and grow more from parts of me that are still less inexperienced. It’s also for me to include the emotions of mine a little more or those that I want to express, as it is, in this album. That’s why, I would like to include the process of me being a little more of the main subject in the next album.

Q9. You have your first solo world tour ‘Ephemeral Gaze’ in schedule. You have done lots of concerts but it’s your first time doing a solo world tour so how do you feel? Do share what kind of stage are you preparing.

Taemin: I am very happy and grateful that I can finally do a tour. I have been imagining to do a tour like this right from the moment I dreamt of becoming a singer actually so to be able to finally fulfill it makes me very fluttered. I want to use this chance to meet lots of fans and make good memories with various people while going to places that I have never been to.

Q10. Please say a word to the fans that are always supporting Taemin’s path.

Taemin: It’s thanks to you guys who are by my side giving me the support that I am able to always try new challenges. I think it took very long for me to realize things like these. I feel even more grateful these days, and I want to show myself as a musician, and show it through my music so that I can always return my appreciation for this kind of support. Thank you and love you guys always.

cr. iheartshinee_

[magical-oppas]

Now that the season is over, here are my predictions as to what will make it into Drive to Survive.

!Disclaimer! DTS was my entry into this sport. I think the show is great in its own way and an excellent way to reach new fans, this is mostly just for fun. (If you can't make fun of the things you love I'm the wrong person to have on your dash)

Here is my list in no particular order

HAAS: They love a HAAS focused episode, partly because it brings Steiner into the picture. I personally never got why people like him but if it works it works I guess. Expect many "Suck my balls" jokes. Otherwise we are scheduled for our regular viewing of HAAS being absolutely washed on track with Guenther calling Gene every five minutes.

Qatar: Things they WONT cover about Qatar; the drivers collapsing and passing out from heat exhaustion, the tracklimits and tyre fiasco. Things they WILL cover about Qatar; the mercs crashing into eachother on lap 1 (with THAT clip of Lewis playing like 50 times), Oscar winning the sprint. I imagine them spinning it in a way that makes the sprint a huge deal (cue clip of Will Buxton talking about how essential the sprint is for F1 as a sport and almost more important than the grand prix itself). This brings me to my next point

Civil wars: We have the real civil wars and the fake ones. I imagine them using the Qatar gp to make up a war between Oscar and Lando, framing it as Oscar as a rookie getting a win before Lando. Not sure who they are gonna make the villain here, probably Lando. They could also fabricate one at Ferrari given how this car suits Carlos more than Charles, will probably blow Monza out of proportion. Merc civil war might get a whole episode(be honest, we all know that one is a competitive car away from blowing up). The french civil war is the one I'm looking forward to the most because BOY do those two like to play it dirty. I'm frothing at the mouth already to see the backhanded compliments, the jabs, the shady comments they have probably been giving in the dts interviews. Speaking of Alpine

Alpine vs Mclaren(Oscar): This is a must because they made that whole thing last season. Episode will start out with a really smug Alpine team but we will get to witness the horrible car crash of a season they are having with the amazing dts editing. Can't wait to see the Silverstone part where they show the double DNF side by side with the Mclarens celebrating a p2 p4.

Singapore: The only non Redbull winner so I will be surprised if they don't feature it. They also love a dramatic crash and Lance's one in Singapore qualy is probably the most intense one we had this season. Will probably also use the onboard footage from Lando to show the tyre skirting by him to really amp it up.

Red bull: Will it be about their amazing achievements as a team this year? No. Will it be about Max and his fantastic race craft and the way he hasn't put a single foot wrong? No. It will be about Checo and his struggles. Will also have interviews of Christian defending him that become fewer and fewer the longer into the season we go. The win streak and the domination will be mentioned only in contrast to Checo. I also have a theory that red bull might drop checo and if they do I promise you the reveal in the show will go exactly like this:

Christian: We have given him time and patience, but at some point we need to start looking elsewhere, Mclaren have an amazing pairing, Mercedes have an amazing pairing even Ferrari have really started to get into their groove. He really left us no choice.

*Dramatic music, cut to black*

"Hi I'm Daniel Ricciardo and I'm a driver for Red Bull racing. Fuck, that felt so good to say *big Daniel smile.*"

Las Vegas: Will be shown as the most epic race this season with all drivers hyping it up (Might be able to include Max in that one with enough editing). What they WONT cover: all of the thursday/free practice shenanigans. What they WILL cover: The fact that the race was a banger.

Alpha Tauri: They have the perfect angle for this set up already. Nyck was talking himself up big time last season so they are just gonna overlay that with Nyck having a mare on track. They're gonna make whole "I'm back bitches" thing with Daniel. Then they're gonna make his accident real tragic (they could also make it into a Thing that it was Oscar that Daniel tried to avoid when putting it in the wall). Not really sure what they're gonna make out of Liams short stint.

Ferrari vs Mercedes fight for p2 is gonna be HELLA dramatic. They are going to drag out that race and insert radio messages where they don't belong. I also think they are gonna make it look like Carlos was closer to Lewis in the race than what he actually was.

As I said, these are just my speculations. based on the way the show has been and are mostly just for fun.

[group-dynamic]

Script Doctoring(?) Doctor Who Season 1

Here’s how I would fix the thematic and mystery box issues of this season of Doctor Who while keeping almost everything else the same.

This season would refocus on the thematic tension between Ruby with her desire to find her birth mother and the Doctor’s avoidance of finding Susan. By adding a few choice moments in the Tardis at the beginning and end of certain episodes where Ruby tries to convince the Doctor that finding Susan is important, you would add some really nice character development and even tension to Ruby and the Doctor’s relationship and get to more explicitly explore and discuss some of the big thematic ideas that this season ostensibly centered around like family and fear of abandonment /rejection.

I also think that having the god of death in this season doesn’t make much sense in terms of the themes, so I would probably swap out Sutekh for the Trickster as many others suggested. With the Trickster, you could have the narrative-manipulating, story-changing surrounding Ruby make a lot more sense in universe. This could then better match with the idea that Russell already had: that we imbue things with importance and can thus rewrite our own narratives. Imagine Ruby as central to the finale because her desire to rewrite the false narrative in a positive way could directly counter the negative attempts to rewrite the narrative by the Trickster. Thus, she’s still just an ordinary person as RTD intended, but she is learning to overcome her fear of rejection and abandonment by fixing the negative story that both her own mind and the Trickster have written about her life as she knows she is worthy of love, there’s nothing inherently wrong with her, etc. (A great opportunity to make Carla‘s inclusion narratively significant, too, as she actively contributes to this!)

This would also make the moment where the Doctor cautions Ruby against reconnecting with her birth mother a more meaningful emotional payoff, because Ruby isn’t afraid to try reconnecting with her mother and it goes so well despite the Doctor’s own fears. This could serve as a turning point for the Doctor as he realizes that getting over your fear of rejection can lead you to new avenues for happiness and connection.

Then, instead of having a sorrowful “the doctor is always alone” ending to the season, have the last line of this season be the music swelling triumphantly and the doctor declaring that, yes, he’s going to go find Susan. This would show the actual impact that Ruby had on him and allow his character to go through some growth rather than end up where they’ve always been. (Plus, what a fun teaser to leave the audience on haha.)

You could then spend the second season, (which was ordered at the same time as season 1) on the Doctor trying to track down any clues of where Susan is. So, the season-long arc would become the doctor looking for Susan, but getting sidetracked in the typical adventure of the week.

NOW you can justify Sutekh as the big bad for this second season. If the doctor is actively looking for Susan, it makes a lot more sense that Sutekh would use her to lure the Doctor in and more devastating when it’s revealed Susan Triad isn’t her. Thematically, this works because the Doctor claims to have never reconnected with Susan before because they were terrified that they would either hurt Susan or she would already be dead, so the big bad being death this time around would haunt him: The Doctor is too late and it’s all his fault.

In terms of the “I am life, and you are death” theme, this also makes a lot more sense within a context of actively trying to find Susan, because the doctor is so afraid that he brings death, but the fact that Susan exists at all (and perhaps he finds her or some evidence of her life) in addition to the amazing family he’s built across time and space rallying around him (like Ruby, Mel, Kate, and Rose which justifies a unit based episode AND the memory Tardis as the Doctor’s equivalent of Carla’s wall of photos of her foster kids) is proof that he isn’t a “harbinger of death.” That all of us defeat death when we choose love and support for ourselves and offer it to others. Self indulgently, I would love a conversation between the Doctor and Cherry about family and found family, too. Imagine how wonderfully thematic it would be if this ordinary woman gave the doctor what he needed physically and spiritually to save the day: grandmother to grandfather. Heck, maybe she is the one who gives him the spoon. A teaspoon in fact :).

So anyway, those are the big changes that I think you could make and leave literally everything else the same to get a better emotional payoff and prevent the audience from feeling a little robbed by the mystery boxes.

[thecoleopterawithana]

Eras: The Beatles | Episode 6 - Now and Then

In the final episode of Eras: The Beatles, we hear the story behind The Beatles' final single Now and Then, including new interviews with Paul McCartney and Ringo Starr. Narrated by Martin Freeman, the episode also features insight on the new track from Sean Ono Lennon, Olivia Harrison and Peter Jackson.

.

[This episode features more complete audio from the soundbites included in the 'Now and Then' short film/documentary. Under the cut are transcriptions of some of my favorite sections. Including Paul's interpretation of the meaning of 'Now and Then' (bonus points if you guess his answer!)]

PAUL: And then 'Now and Then' just kind of languished in a cupboard and we didn't do anything with it. I kept saying, "You know, maybe we should do something with this, seems a bit—" "Hm, I don't know..." There wasn't a great desire to do anything with it. So it hung around for a while. Years! And every so often, I'd kind of go to the cupboard and think, "There's a new song in there! We should do it! We gotta do it!" But it'd go back in the cupboard.

[...]

PAUL: Peter [Jackson] had sent me a text while he was doing the 'Get Back' thing. He said, "Here's a piece of dialogue of John's that I'd like to use, but George is rehearsing in the background," and you could hear George's guitar and you couldn't really make out quite what John was saying because it was distracting. He said, "But we've got this new technology: Machine Assisted Learning. M.A.L., so we're calling it MAL." Which was like— that was really cool! Because our old road manager and dear friend was Mal [Evans].

[...]

PETER JACKSON: I'd had this idea for two or three years about him [Paul] singing a duet with John. And the fact that we'd developed this software now allows us to separate the voices and the music meant that I could take a song that John and Paul were singing on, just separate John's vocal only, and Paul could have that for playing on stage. And then his band and himself could do the vocals and the playing for the rest of the song. So he could do a duet with John. He didn't even blink, he just said, "That's a fantastic idea, I love it! Let's do it!" And so we quickly turned that around and got that underway. So Paul was now touring with a John Lennon duet on 'I Got a Feeling'.

[...]

PETER JACKSON: I got a phone call from Paul saying, "Is it possible to use that technology for another project I've been thinking about? [...] Would it be possible to take John's vocal and clean it up and get rid of everything else? Because that would allow us to finish this Beatles song." And absolutely, it didn't take me more than about a second to get back to him and say, "Of course we can do it!"

[...]

PETER JACKSON: We assumed that the copy of 'Now and Then' that they were working to in the studio in 1995, where the vocals were coming from, was probably not a first-generation copy. [...] So we though, well this is probably a third generation [tape copy]. [...] And so we contacted Sean Lennon and he was very helpful. And sure enough, we got a digital copy of the original. Which is the same demo, same performance, but two generations better.

[...]

RINGO: I'm sitting there thinking, "I don't remember George doing that solo?" It was just like practicing, maybe. Cus it sounds like George! Then Paul said, "No, it's me." [laughs] But Paul did a great job. I mean, he's very good, you know, Paul. He's a very good musician.

[...]

RINGO: Giles [Martin] had to fly out to LA one day to listen to a four-hour string session that Paul wanted, and then fly back to England! [laughs] There's no string sections in England!

[...]

PAUL: Eventually, when we got to mix number 7 it was, "Wow, this is it! Now it's a Beatle record!" And we played it to various people, some of whom cried. Some of whom said, "Jesus Christ! It's a Beatles record!" But the reaction was very favorable.

[...]

RINGO: The difference from the two tracks of John, the old track of John— you know, we have to thank Sean as well, because he found the original tape. So that's the one you can really hear John, not the copy-copy-copies. And... it's like John's there, you know. It's far out. It's so clear now you know it's him. Cus on the original one we were working to I couldn't tell if it was Paul or John singing half the time. But now you know it's John! [chuckles]

[...]

PAUL: I think it just means 'now and then'. "Now and then, I have a cup of tea". I'm not sure it means an awful lot more than that. But, looking at it from today's perspective, now and then. Then you can start to get all sorts of meanings in. The modern-day, the historical past of the Beatles. It lines up with all of that. But we were always very happy to let people make their own minds up. "Here it is, it's a song. Now, the minute we deliver it to you, it's up to you. You can do anything you want with it." And people do!

[...]

RINGO: And that was what it was like for the three of us when we started this role in the 90s. We had to pretend— it always makes me laugh when I think of it— we had to pretend that he'd gone for a cup of tea or his lunch. But that he was still around. Because it was very strange when we started there's only three of us, after all those years, and all that life, that there were four of us. And I still miss him, man!

[...]

SEAN LENNON: It feels very synchronous that the lyric speaks about time and that it's taken so much time. That it sort of fuses the past and the present. It's like a time capsule. And it all feels very meant to be — or fated, or something — in the nicest sense.

[...]

PAUL: When I remember the Beatles, I remember the joy, the talent, the humor, the love. And I think, if people remembered us for that — for those things — I'd be very happy.

[azurityarts]

hewwo >:) 5, 6, and/or 7 for the pmd ask game? if another asker hasn’t requested them already :3c

Heyoo! :D

5. Which Pokemon from Gen 7-8 would you consider potential hero/partner options, outside of the regular Starter Pokemon?

I know this question is about Gen 7-8, but quick mention to Zorua! Would LOVE to see that little fucker as a hero/partner option in the future.

I think some good ones from Alola (excluding regional forms/variants) would be Rockruff, Mudbray and Fomantis? Rockruff is a pretty obvious answer, but I feel as if the latter two could have potential?

Galar's difficult; to me, I feel like I'd prefer most Gen 8 Pokemon as NPCs 😭 Going with Rookidee and Chewtle for now though!

6. Favourite Special Episode?

Special Episode 5 is an easy sweep for being just excellent in so many different aspects: narrative, overall place in the grand plot, focus on characters, setting, music, the quotes, Grovyle and Dusknoir just being Normal Enemies I Swear—the list goes on!

But I gotta give a mention to Here Comes Team Charm! It's not the most significant SE by any means and doesn't have any major implications for the main plot and its characters, but I need you to understand that hearing their theme for the first time had me do a double take to remember what game I was even playing??? LIKE WHY DOES IT ACTUALLY GO SO HARD THOUGH???

Spike Chunsoft where's the return of Team Charm because oh yeah they ALL have megas now LMAO

7. Favourite dungeon(s)?

Gonna rattle off one of my favourites from each of the games! (I think a large part of my decision-making was the dungeon's theme whoops)

Great Canyon was absolutely one of my highlights from Rescue Team! Nice place in the narrative, captured the feeling of the trek to Xatu really well. But it's definitely up in my rankings just for that theme alone- LIKE LISTEN TO THIS REMIX BY DRAZORLEAF

Okay this one may not be necessarily a favourite dungeon, but story time! When I was playing through Explorers for the first time (idk how I was able to go in blind in retrospect lol), I noticed that Crystal Crossing had Absol as a potential recruit! So I spent like a solid hour or more running through floors, trying to recruit one (because well. you know me.), and that was my very first experience and encounter with:

Something's stirring...

So yeah, thanks Crystal Crossing for letting me get an Absol, and also thanks for giving me Realization of the Horrors

Glacier Palace: Great Spire is absolutely CRIMINAL for having that godsend of a musical score and only lasting FIVE FLOORS. Makes sense that they didn't want to drag it out, and I think the overall impact of the track would have been lessened if they made the dungeon fighting itself a slog, but MAN what a fucking banger.

The Tree of Life dungeons are also both great; perfect OST for the moment, but also really darn nice visuals—the crackles/streaks of life energy in the environment were super pretty omg

[sidecharactersdomatter]

Thoughts I had during TGCF S2 Ep 8

Starting this week, I’ll be finishing my TGCF S2 Reactions!

Now here we go!

Previously on TGCF…

-That’s a lot of Orcs

-Man, I’m surprised none of Qi Rong’s lackeys are noticing disguised!Xie Lian and Hua Cheng and are like, “What?  I don’t remember the boss hiring ghosts more eye catching than we are.”

-“Oh?  Would you like me to do that?”  That delivery was awesome and it got Xie Lian adorably flustered!

-They have fangs!

-XL, you stopped two guys in a sword fight in Ep 5 you’ll still come out on top

-That’s the only quality he respects

-They’re still blending in

-That’s a lot of humans

-Baby Guzi!!!

-A new disguise!!!

-He’s returned

-Xie Lian looks great as a mortal in disguise

-There’s like 20 of them

-I’m surprised another lackey is noticing disguised Xie Lian and San Lang at the end of line and says, “Hey, I don’t remember capturing those last two.  Shouldn’t we tie ‘em up with the other humans?” And then the other ghost just goes “Nah, our king we’ll be pleased with two more for his feast.”

-That creepy odd flute music

-Aw baby Guzi

-Whoever did this track, props

-He touched his hand!!!

-He’s writing hanzi!

-San Lang understood! 

-San Lang’s still savoring the touch!

-Now San Lang has a message too!

-In other words he just wrote, “Heads up”

-*Content Warning for Accidental and unintentional Cannibalism*

-Gross

-That ain’t meat jerky

-Thank you San Lang

-That music keeps getting creepier as they travel deeper

-His throne room

-Ugh that ain’t chili

-San Lang’s enraged!

-That Xie Lian statue

-Oh no that statue was beaten in the past!

-They took their anger out on a young man who tried to help

-And here he is!

-He knows him

-That green oni mask

-Thank you Hua Cheng and E Ming!

-Aand there’s a backup chorus

-I think ‘Murderize’ disappointed every English Major watching this Episode

-Thank you Pei Xiu!

-I think he just wanted to be left in peace

-My eyes widened as Qi Rong swore like a really bad sailor

-Gross Qi Rong, that’s disgusting this guy’s officially worse than Koh the face stealer

-Man, I don’t think we’ve heard Feng Xin swear a lot until the previous episode 

-San Lang’s controlling his anger

-I wouldn’t want to be massaged by ancient Chinese orcs

-Xuan Ji got mentioned

-It’s official, Qi Rong supports Women’s wrongs

-RIP Xiao Ying, Pengtou not so much

-Qi Rong roasted the heck outta almost every Heavenly Official shown so far in the series

-I think Hua Cheng’s already better than Qi Rong

-He’s trying to cause drama between the martial gods

-His legs are propped up on Stone!XL’s bowing head

-The Dragon floor relief

-‘Pei Fling’’s an accurate nickname

-That one orc selecting a new human: Eenie, meanie, meinie, That guy

-Oh no Baby Guzi!

-Nyoom! Gotta go fast! - Basically Hua Cheng

-Literally the lackey that focused on XL and HC: I told you we should’ve tied those two guys back with the others! (This quote was inspired by one of Catwoman’s Henchmen in a cold opening of an episode in Batman: The Brave and the Bold and that same henchman said, “I told you we should’ve taken his utility belt!”)

-He caught the statue!

-And the statue’s gently placed on the ground

-Doll!Qianqiu moved!

-They’ve got more cave trolls!

-His eyes glowed

-Gotta go fast again!

-His head’s in an iron grip!

-Dang, literally 0 seconds after Qi Rong asked for help and got faceplanted into the ground by Hua Cheng sent all of his armed lackeys fleeing into the cave.  Dude really has the dumbest henchmen in the series

-Guzi’s Dad’s last action of selflessness was protecting his own son

-XL saved Baby Guzi!

-You gotta love Bad Cop!Hua Cheng

-Parental Xie Lian!

-Dude if I were you I’d keep the kid with me at all times, not that I want to be parent whatsoever

-Move over MCU Loki

-Qi Rong low key has the same pathetic energy as Prince John did in Disney’s Robin Hood

-“And then there’s me.  Smiling, as I end your damn life!” Preach Hua Cheng

-Right in front of his own statue

-There goes the Oni Mask

-Ugh purple lipstick and Xie Lian had better cosmetics in S1 EPs 1-3

8 down! 4 Eps left to go!