#this was Hard i cannot lie to you. and for what.

[brainscrems]

I’m sorry, why do you think that’s what I want? I didn’t say, “welcome hateful people into our movement”. I said make our movement welcoming of male allies in the fight against the patriarchy. I’m saying that these right wing con-artists, like nick fuentes, prey on young white men to get radicalize them into becoming nazi shitheads and, if we’re smart, we’ll make a better pitch to them to PREVENT them from becoming those people and, if we’re lucky, get some who were already won over to realize what they’ve done and switch sides. And, in fact, I think there is a simple shift we can do. We keep all of our old messaging, we just add something new in too. The patriarchy’s selling point to these working class white men is the american dream of the 1960s and it’s tied into capitalism too. It’s selling the good job, the house you worked for, the obedient wife, the good christian children. It tells them, “hey, you’re the man. You do the work, be the image of extreme stoicism, fit the roles you tell us, and your reward is this perfect family where YOU’RE the king. Now, the real power? That’s for us at the top. But if u do ur job well u can have it all in microcosm. Your own power over others, and that’s all you’ll ever need to be happy.” But, part of what it demands is these men be emotionally isolated from all those around them. That they focus on the nuclear family and their power there and not relationships with others. This is the point. If the workforce is emotionally closed off from each other worker solidarity and collective action becomes harder. So it demands this of men, and gives them a place to be kings in return. It sells this dream and says that’s what will make them happy. This is a lie. You cannot be happy while emotionally closed off from others. It sells men power disguised as happiness, which they get in exchange for their labor and misery. What we need to do in our movements is sell men that the patriarchy is bad FOR them, because it is! Power isn’t happiness and chasing the dream the patriarchy gave you will lead to nothing but misery. We need to tell men to put down their anger and accept the world wasn’t built for them. We need to tell men that the promise of their happiness is a lie. That if they want to be happy they will find that happiness, not through the power they were promised, but through the solidarity and community they can build by working with us for a better world. We need to tell these men that if they want to find a place, that if they want to connect with people, that they will be loved and respected here and the only price they need to pay is that of adding their voice to ours in the fight for a better world. We are selling to people that they should give up the power that society gave them for the benefit of others, and that is a hard sell. We should instead be selling the promise of happiness and a world where they are no longer expected to perform the damaging requirements that the patriarchy expects of them. That message not only sells to men our other messages wouldn’t reach, but works in tandem with our messages about women’s liberation. These messages work well together and there is no reason we should not use them both.

what is this "as someone who escaped the alt right pipeline" failpost I've seen so many people vague about

[munsonsmixtapes]

hii could you write a smut like this so yk the scene in stranger things where eddie’s bed was covered in unknown stains? and when he says “those stains are.. idk what those stains are”and then recap from the night before that eddie and the reader hooked up with eachother the night before tysm!!

I love this idea!

cw: MDNI (18+) smut (p in v) unprotect sex (wrap it before you tap it)

Eddie, Robin, and Nancy stare up at the mattress above them that Lucas and Max have just carried in. His cheeks turn pink as the two girls eye him suspiciously. This puts him in a predicament. He could lie, or he could tell the truth.

He's gonna lie, he thinks. He doesn't care if they don't believe him, he just absolutely cannot tell the truth. Not only would it embarrass him, but he also doesn't want to tell them about you. That's none of their business.

The mattress looks even more gross than he remembers. He meant to wash the sheets but he forgot like always. So now every knows what he's done and he's trying to play off that he doesn't know what the stains even are.

"Those stains are uh-I don't know what those stains are." He doesn't have to look at the girls to know they don't believe him. He doesn't care anyway. He just lets his mind wander to the night before.

"Look at you," he says as he spreads your legs wide. "So wet for me, hm?" He asks as your slick leaks out onto the sheets below you.

"Always wet for you," you reply and he smirks because he knows you're right. You're always wet for him and that's the way he likes it. He loves to know that he's always on your mind 24/7.

"That's right, sweetheart," he nods and lines himself up before pushing his cock inside you, pumping into you fast, hard, and deep. He's managed to fit all of myself inside you and he's getting harder as he sees the tears pricking your eyes.

"Taking me so well already. Didn't think all of it would fit, did you?" He asks as he grabs hold of your thighs, wrapping your legs around his waist as he pushes even farther into you.

"Oh," you moan so loudly that Eddie's nervous that other people in the trailer park can hear you, but he decides that he doesn't care. In fact, he wants them to hear you, to know just how good he makes you feel. "Eddie," you whine, grabbing onto his shoulders as he lowers himself onto you.

Your nails dig into his shoulder blades and he winces, but clearly it doesn't bother him that much since he's continuing to pound into you, both of you exchanging moans as your hands move down to his back, scratching up and down to show him how much you're enjoying it.

And you're already coming, an orgasm rolling through you and Eddie's talking you through it as he pushes your hair away from your sweaty forehead before pressing a kiss to it.

"Look so pretty when you're coming," he says. "Wanna do it again?" And you're nodding enthusiastically as the two of you go for round two and many more after that.

"Right, of course you don't," Robin teases Eddie with a nudge and he flushes as he continues to think about his night with you and wonders how he can back to you, and fast.

[physalian]

3 More Character Types the World Needs More Of

Or at least, I do.

1. The denied redeemed villain

I need this. So badly right now. So, so, so many “redemption arcs” are half-assed and carry undertones of guilt by the heroes, gaslighting them into thinking the villain “wasn’t all that bad” right before they make some big heroic sacrifice, as if that’s ever enough to make up for the damage that was done.

But you know what I never see? A villain who’s done some awful shit, wakes up to reality, tries to apologize and… is denied. No, it’s not enough to be sorry. No, you’re not absolved of your crimes just because you cry really hard on your knees. Yes, you have to work for it. Yes, even if you work for it for the rest of your whole life, those you hurt are not obligated to forgive you.

Example that sadly did not happen in canon: Enji Todoroki

2. The liar revealed who loses

This fucker lies and cheats his way into his lover’s arms (and liars revealed are always men, because their love interests are always women put in the place of “but he tried really hard and you need to forgive him uwu” unless it’s gay). Similar to above, no, you do not get rewarded just for feeling sorry.

This character builds an entire relationship (and it’s specifically romance that I take such an issue with) on a lie. They are not who they say they are, specifically, they lie about their identity because they know their lover would not let this happen if they knew the truth.

It’s one thing to lie about something inconsequential, or to lie about something unrelated, but to lie deliberately to present yourself as the perfect suitor—and these are never little white lies, these are usually entirely false identities, or secrets so damning that risking the truth could mean arrest or even death—just. Why?

Yeah, okay, you never thought you’d get this far. Cool. You don’t have to tell her the truth, but you have to leave before you trick her into sleeping with you.

It’s just. So squicky. And the lesson always is that he deserves love, that he makes up for it with everything else, that he’s just got a winning personality. She always forgives him, even if they fight about it, it’s so, so predictable.

Examples that did not lose: Aladdin, Evan Hansen

3. The paragon who loses faith

I don’t know that we need a whole bunch of these characters, but so many paragons are painted as heroes with unshakable loyalty to their causes and I’d love to see a devolution of character where they just can’t keep smiling and pretending it’s alright. That there is a limit to how much shit they can take.

They don’t have to go full villain, but maybe they just stop caring, maybe they get cynical, maybe they just don’t show up for work the next day, maybe they’re not there when they’re needed the most.

There’s a few stories I can think of where the masses realize they’ve screwed up and show the hero that their faith has been rewarded (Nolan Bats being one of them) but I mean really a hero who just cannot take it anymore, throws in the towel, and walks away knowing it’s the hardest thing they’ve ever had to do.

Example: (kind of) Captain America

—

Sorry this list is kind of a bummer. It’s a bummer kind of week.

[theriverbeyond]

not to bitch about my thesis project on my tumblr blog but do u ever like. have someone that you somehow absolutely cannot communicate with regardless of how hard you try. like there is some cosmic barrier between both of you that understanding can never cross. most recent manifestation of this phenomena is we need to write this section, and we both have our assigned parts plus we write one paragraph together. so we wrote that bit together on the phone. together. we wrote it together. tonight. we read it together and agreed it was good. 2 hrs later this man texts me like "i wrote a few versions of [the section we wrote together] ill share with you tomorrow" and im LIKE?????? what are we even doing here. he hasn't written any of his own parts. none. and yet decided to use 2 hours to rewrite a part we wrote together and agreed was good, together. while not writing the parts he was actually assigned. that is all clearly marked on a document with his name highlighted next to the headings. im going to lie down in the ocean.

[ai-the-broccoli]

I DIDN'T NOTICE YOU RB'D THE DEATH NOTE ASK MEME uhhh. 23 and 24 maybe?

ooooh thanks!!!

23. what was your favorite moment and why?

"oooh that's a very hard question" ...is what I might've said, if this wasn't the light yagami animanga series and light yagami makes me insane. uhhh. I do have several though, if that's allowed.

(update: when I said "several" I meant uh. a lot apparently. whoops)

favourite line / favourite moment in a "holy wow this is amazing thematically": the. y'know. "Tell me, Light, from the moment you were born, have you ever told the truth?" line in the anime rain scene. yeah. holy fuck that is amazing because I LOVE that sort of thing. as far as character traits go, there's like nothing I love more than characters that are liars who lie lyingly (multiple types of this apply). it's truly, truly the best.

favourite moments based on what I repeatedly rewatched immediately following my first watch of the anime: there are, uh. three (in no particular order)

light goes home from the entrance ceremony, incredibly stone-faced (like 😐) the entire way -> gets home, gets up the stairs, opens the door, shuts the door, sits down on his chair, suddenly starts shaking -> blows up "Dammit! He got me! Damn L! I have never been so humiliated in my life!" (even Ryuk comments internally that he's never seen him lose his composure so much) -> suddenly laughs and calms down talking about how it's a battle of wits now and he'll make L trust him and kill him, with his own hands if necessary. i rewatched this several times in a row which was definitely very normal of me.

look at him. grumpy but in like an extremely restrained way (his face is even hidden). until it breaks completely in the next page lol

the last episode. light trying so hard not to laugh/smirk in the warehouse, then he reveals himself as kira (a lot of laughing), and he loses and falls pathetically, shouting for kiyomi and mikami and misa after matsuda shoots him, and then runs in the beautiful sunset, passing his younger high school self by, and seeing a vision of L before he dies on the stairs. all this is great and i did an immediate rewatch of this episode after finishing it

the Relight scene where Light laughs on top of L's grave soil. it's conceptually fucked up in an amazing way that really really appeals to me. murder and grave desecration are really romantic/beautiful/erotic on principle.

as you can see I am very normal. as you can see I am a very normal Light Yagami fan. one of those two statements may be unironically true, but the two statements inherently cannot go together. anyway this particular selection of scenes totally doesn't actually say anything about me right but anyway I'm right those are totally the best please torture light some more everyone

favourite moments I didn't immediately repeatedly rewatch/reread like that but are still my absolute top favourites:

The entire first episode because DAMN did it hook me completely very, very fast. I did NOT know there was going to be Faustian contract + god complex&general big ego + everything else in one in this little and very infamous character known as "Light Yagami". my expectations were blown instantly and I got obsessed with DN right away

L and Light declaring war on each other over the live broadcast and L asking and taunting Light/Kira to kill him. amazing. it was really... gay. sorry I can't think of a better word lmfao

L's death scene oh my god. GOD I loved (and was really really amazed/impressed by by) Light rushing to him at once and basically lying on top of him for a second, so that he will die in his arms. GOD. it is SO. like yeah this is literally my favourite sort of thing holy shit it is amazing (it's to gloat to him and to declare victory before his death, and it's to pretend to the Task Force too, and yet it seemed like such an instinctual reaction really that I think his first instinct really IS to hold him in his arms before he dies. this is really good). and the dramatic performance afterwards. I love it

on a COMPLETELY different note. JESUS CHRIST I love Soichiro's death scene actually. because holy fuck the multi-layered irony. I really love it. actually I think I wrote about that scene long before I even really wrote anything else about DN. alright here:

idk if I still 100% agree with my initial impression but it should still overall hold and MAN. I definitely loved it (<- fan of irony) (<- extremely, extremely normal Light Yagami fan) (<- fan of Soichiro also, to a lesser extent)

favourite moment that gave me a lot of thoughts when I'm reading the manga: (even though I already first watched the anime and this stuff is also in the anime)

the moment where Rem is like "okay I will kill L" and Light, person who has been plotting this exact murder for ages, is like. Oh shit. he'll die...? which is. man. Light sure is Light

like look at his face here!

favourite manga-exclusive moments:

Light not considering killing Sayu. Light asking Soichiro to promise him to come back alive with Sayu. that scene afterwards where Soichiro is at home thinking he should die. (at least I think those weren't in the anime?)

the manga ending is also good

I like that the manga tells us he lost weight and has nightmares due to using the death note. (it possibly has happened to anime light too but we don't get to see it)

not a "favorite moment" exactly, but while the scene is beautiful I don't like Misa dying in the end despite how much I adore everything else in that episode, so I like that Misa doesn't canonically die like that in the manga

favourite anime-exclusive moments:

rain scene and footwashing scene yes obviously

everything about Light being "haunted" after L's death. aside from the aforementioned Light dying scene, I really like the anime

I love the anime ending too

also hmm this might be a less popular opinion, but personally I also love some of anime Light's characterization tidbits that differs from the manga (e.g. first episode). I would say it's because it's maybe very slightly more relatable for me but that probably sounds wack lmao so

favourite moments based on how comedic I find them: (not including ones I already included in other sections) DN is such an amazing comedy I'm not even kidding

the whole handcuffs thing oh my god. homophobic misa moment. I didn't think she'd actually call him gay, but there it was. also just fken. buddy. L??????? why and how and in what world was there an absolute need for this totally normal, totally appropriate, absolutely most safe and most ideal method of interrogating criminals. I was laughing because god. that's not even. yeah okay I'm happy with it but LMFAO YOU CAN'T BE SERIOUS. and Light just easily went along with it

the... the... first date scene. I was like oh my god c'MON you two. I didn't think something like this would be so like this in the actual canon manga. first date where Misa is being thirdwheeled while Light and L sit together chained together and then they focus all energy on talking to each other and then they get into a fist fight (date activity) all over the room. combined with the later dunking on matsuda. this is LITERALLY how a fucking sitcom goes at this point.

the anime's footwashing also. not the scene itself necessarily but just the fact that it fucking exists between lawlight and is. Like THAT????? lmfao like what the hell

ALSO the. fken. Matsuda fake death scene lmfao it was so wack in retrospect

live Ryuk reactions + "hey Light can we play Mario Golf? can we play Mario Golf Light? come on let's play a match of Mario Golf"

man I can't even include all of it here because Light Yagami is so entertaining to me in 85%+ of all the scenes she appears in in one way or another like his existence itself is peak entertainment to me. it's entertaining when Light is humiliated and it's entertaining when he's succeeding. and like I mean, he's the protagonist of the whole manga / show, and I mean I can't list every moment in the series can I. lmao

favourite moments that don't have light yagami in it: I'm sorry everyone else but I am especially obsessed with light. as you can see. however I love many other characters too

Kiyomisa dinner kiyomisa fighting !!!

(technically this includes light but) matsuda shooting light

misa being unexpectedly smart (compared to her wider reputation) (the higuchi car scene! and others) is also nice

idk if it makes sense but. the scene where Rem and Misa mention the way a Shinigami can die, and Misa admits to thinking about killing Rem like it's. just very Neat. I like the vibes here and Misa is very beautiful (related to the dialogue about love and killing. yeah)

also!! I love the meronia moments

and then I recently got myself into soichello so actually yeah. the soichiro mello scenes too. very good

24. any headcanons you want to share?

uhhhhhhhhhhh hmmm. man what's a headcanon I haven't properly shared on tumblr before, and also isn't like a take that is shared and often discussed by tons of people around here already?

... fine okay let's do this finally.

neurodivergence + mental illnesses headcanons

[disclaimer: please read this post first. if you disagree, you can skip over this and skip to the next section!]

aside from OCD and autism, imo Light has NPD with some ASPD traits, and also bipolar. this is because the way his mental illnesses are is like. I feel represented lol. (not as in I have every one of those things I listed, but I probably have some/most of them, and the combinations are interesting). even though this is unfortunately Light Yagami. but I really like him for that too tbh because man. I don't get to see that stuff often. (like idk how to explain it. even though I'd never even remotely pull that kinda stuff because of differences in personalities, values, background, abilities, and manifestation and degree of symptoms, etc. however some of his mannerisms sometimes feel right on point e.g. I feel like the way he is like sometimes gives me depression + hypomanic/manic vibes, in a way where I can see myself in him if it makes sense lmao)

on that note Misa 100% very BPD I agree. I wanna say on top of autism, L also seems to have some ASPD traits imo. Near is autistic but I think that goes without saying lol. Mello has like... C-PTSD and/or NPD. and then this probably not a very unexpected take, but Matsuda has ADHD or audhd vibes. OH and! Soichiro also very much has OCD and autism, imo.

other headcanons:

not a hot take, but Mello and Near are both nonbinary and/or genderqueer (and/or otherwise trans, if not applicable) to me (could be transmasc or transfem, not necessarily transneutral; I could see either or any direction among those, although I would say I lean toward seeing Near as transfem and/or nonbinary, and Mello as transmasc and/or genderqueer).

Light is demi, and has had a covert superiority complex about not feeling attraction unlike his peers (like. you can view him deciding to use porn mag reading to prove himself as a normal teenage boy as indicative of his subconscious? mental association of his more "normal" peers as, like.... unfortunate horny perverts. in a way. if that makes sense) I know how it feels because I was kinda like this in grade 6-8

man I definitely have other ideas too but I'm drawing a blank at the moment partly because it's late and I still haven't eaten lunch lmao. I will continue to post my thoughts and headcanons in the future, so tune in by clicking on the subscribe butto- *gets shot*

ask game

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[forest-hashira]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers (except me because obvs I have done it). Spread the self-love ❤

AHHH LIN!!! ok ok uhhhh. this is cheating a little bit bc two of these are series but they really are so special to me, i can't possibly pick just one chapter/installment from either of them. anyways, here are five of my favorites, not necessarily in order (edit: why the FUCK was this so hard???):

Noble Blood - stsg x gn reader; jjk dragon rider au. by word count, this is the longest multichap fic i've ever posted. it's really niche, since it's 1.) a reader insert, 2.) a poly ship, & 3.) a high fantasy AU, but it one of my favorite things i've ever written in my life, and i've been writing (fic & original writing) for over half my life.

Transfem Gojo - trans woman gojo satoru x gn reader. i've always loved playing around with characters' genders and sexualities, which like... there's definitely some projection happening there, but we don't need to talk about that. i also didn't expect the concept to turn into a whole series, but it has, and honestly i couldn't be happier about it, especially when it brought one of my favorite people into my life ( @dr-runs-with-scissors ily) and when i see how much other people love her, even if it's a very small group. again, a very niche concept, but i love it.

Too Much - kocho shinobu x gn autistic reader; shinobu helps reader through a meltdown. this fic was a gift for red ( @redlikerozez), actually! i really like this one bc, as someone who is autistic, it fulfilled a very specific hole in the reader insert space (at least in my experience). it was also nice to write for a character i hadn't yet written for, who is also a female characters and a character that generally has less fic written about her!

Lucky Shot - outlaw geto suguru & fem reader; platonic w/ open ending; gun violence, blood/injury, minor character death. i really liked all the entries i did for riley's collab, but this one is probably my favorite of the three! it was also my first geto fic that didn't include gojo.

Day Off - maki & gn reader; you spend the day at the arcade. this fic is the only one i've ever written based on a request (for @/yuutito), but it was so much fun to write! maki deserves more fics and writing something platonic is always nice.

honorable mention goes to my selkie shoko x gn reader fic Lost & Found.

[uncanny-tranny]

If you truly want to do what's best for mentally ill people, you have to learn that you often won't be able to separate the "salvageable" parts of ourselves with our illnesses, and you can't pretend like we are sane people underneath the façade of insanity, like we can flip a switch and magically erase the differences that make us "disordered"

[mars-ipan]

hey folks did you know i love super dangan ronpa 2

[trainingdummyrabbit]

[SURFS INSIDE OF THE ASKBOX AGAIN] hello i am Here to ask about what the Hell do magpie and luci have going on. Considering the whole Thing. magpie's watch being important to him and how luci is associated with the backwards clock. That Kind of Ordeal ^<^

hai . i am so capable of being normal about this. lie.

ok so im once again going to be At It, some mix btwn scattered notes and infodumping and me just saying words You Get It. i have Not been talking abt them as much as i think abt them, theyre another dynamic that haunts me to death. you understand. anyway; ~28 paragraphs.

so first i should Probably actually go over magpie as a character bc i. somehow. dont think i have. at all. so ^_^

magpie, our funny little manager, is introduced mostly as a negligible character. honestly? he just kind of sucked. shows up to be really annoying before dipping again, yapping just because he can, mostly. hes set up entirely to be some 'rich completely-inept asshole climbing the corporate ladder,' acting like hes So In Touch With Everyone (but still blatantly comes across as a complete and total narc). this is on purpose. magpie is a liar.

none of that is true, and he simply plays up the role so that people dont really suspect anything of him. actually, hes not supposed to be the manager at all. at his core, hes actually just. some guy from the backstreets people hire to do misc dirty work-- delivering information, just so happening to mess up in places that takes attention away from someone else, poking his nose places it doesnt belong-- hes got the look and charisma of someone who can be trusted, and he plays it up Hard. multiple times.

he has several different presentations he cycles through to get people to see him a certain way. he is Very Good at his job. he Hates his job. so much so, in fact, that after a particularly. messy. instance, he dropped off the map entirely to figure out some way-- any way at all-- to regain some sort of stability. (to stop the inevitability of harm even a little bit, even just once. (to make up for it all, maybe.))

so. yeah! magpie lies. a lot. he doesnt really care for status or the company as a whole at all-- originally it was just t cause problems for people he views as In Power, but like… fuck dude theres a LOT of people who Just Work Here, and if he went through with just Causing Problems like he thought he was going to, well. oof. so. change of plans! honestly now hes just trying to find some way to Get Everyone The Fuck Out Of Here.

he plays the part, and he snoops. he pretends not to notice shit he Definitely shouldnt be allowing (but like… if it makes shit easier for them, then yknow..) and pretty much just… lets people treat him however. because ultimately his act is Annoying and Untrustworthy yes, but also Completely Nonthreatening. people will let him get away with a LOT of shit with the excuse that he is "kinda stupid" and "doesnt know what hes doing." and well, yknow. whatever works! there is no way this can backfire <33

. so his thing with luci.

luci also generally sticks to her role as just kinda. yknow. Managerial Guide. at least to start out with. shes just figuring shit out yknow. and honestly, nobody really catches onto her being like… Conscious. except for Magpie. because he would always make dumb little quips and jokes at her out of habit-- yknow, like one talks to a particularly unruly printer or something-- and then she would respond in kind. like… snarking back enough to be like Okay Theres No Way Someone Just Programmed That In There Right. and not just that, she'd return with her Own little quips and questions, then act as though she didn't.

magpie originally takes this as a kind of "haha ok thats kind of fucked, at least thats something Super Illegal against these guys we can use if we need to" but then. unfortunately. the thing about magpie is that, against his own instincts, he cares for people. a Lot. he doesnt much enjoy watching people in danger-- and most certainly doesnt want to cause any of that Himself, he's over that.

which is to say: he Instantly gets attached. he cant really say it, but he counts her as as much of a person as anyone else is pretty much instantly, despite him knowing he really really shouldnt be doing that this is so stupid he cant just jump to conclusions like that and if anyone finds out theyre all So Dead. but he cant :( he cant help it… hes just a lil guy and luci is very obviously doing a horrible fucking job at hiding the fact that shes like… conscious. and he has a role to play up too, so its not like he can Do anything, especially since shes part of the damn facility's system and can probably get into contact with important people really easily..

so for a while, its just. luci thinking shes doing a great job at slinking around and playing the manager for a fool the whole time, and magpie fully aware but pretending not to notice and trying to just make things passively easier for her to figure herself out without anyone noticing. its insufferable. because theyre both Correct and Entirely Wrong about each other.

luci completely falls for his Dumb Manager facade and plays the part accordingly, playing around with him because its convenient and kind of funny, she also happens to be the only one who catches on that he is Not Supposed To Fucking Be Here, but plays along because, again, convenient. easy enough scapegoat if she needs it. meanwhile magpie clocks onto her Instantly, but Completely misses the fact that she isnt just innocently futzing around like he thinks she is. he somehow completely trusts her, so much so that despite being the only person who could possibly figure out her Scheming he just. completely rules it out. i really have to reiterate, they are So fucking insufferable.

it isnt until past halfway through th fucking game that luci catches on that magpie's front is . well, a front. and she is genuinely insulted she never caught on. its so fucking funny. and then things get kinda complicated bc like… [waves hands around] story events…..

luci kinda functions as a sorta "final boss" for the whole thing, in heavy quotes. ihavent decided exactly how itll go yet, but. waves hand around. the point is that shes kind of directly responsible for a LOT of people dying, and also kind of for directly threatening Them as well. but the thing is, she hinges Immensely deeply on the idea of Relevancy. because her own nature is so fickle and fragile, shes insistent on making a strong Impression of herself-- as this is what she feels like will root her into reality. something much like how abnormalities function-- ideas dont really ever die, and neither do they. and Thats what she wants more than anything.

so. while it wasnt exactly her entire Goal from the start, if she can cement herself as a Villain, then sure. whatever. it could be fun! and she plays it up. as she is wont to do.

that whole thing is important because of th fact that like.. the only person who Doesnt immediately believe that image of her IS magpie. like… yeah hes kinda had th rug pulled out from under him completely (and its kind of true that if he'd been a little more observant that he could have literally stopped all of this.. he tries not to think about it too hard.) but he also just… god, despite everything he still hates the idea of having to do anything to her.

it takes him a while to figure out why, but its because he's ALSO immediately able to call out her bluff. AGAIN. due to being pretty much the only person that talks to her directly (and.. genuinely ??? kind of??) he can tell when she is intentionally hiding something. she is very deliberately playing up the Idea of what a villain Is, goading everyone on, but he knows damn well what shes about. the issue is that it isnt wholly untrue either.

its like. yeah she intentionally hurt a lot of people, and will probably keep doing that if someone doesnt Do something about her (like everyone else wants to do…) but also… well to put it bluntly, again, she wants little more than simply to be able to Live.

shes purposefully putting herself into a role in order to get what she wants, confident that she can do whatever she wants with no consequence, and treats the entire thing as a weird little game. she doesnt really hold any malice in her heart, she just. she's just desperate and deeply, deeply confused.

shes not good, but shes not evil either. she is JUST stupid. she doesnt know what shes doing and will do just about anything to hide that fact because she hates the feeling of not having control over these things. something she Also tries to hide. honestly hes not really sure if she even notices it herself.

at this point luci has literally never had to deal with the consequences for her actions so this is quite literally the Peak of her hubris arc. to put it in a way, shes convinced she understands how the story goes and can change it how she wants, and she Does Not and Cannot. her arc is essentially trying to assign narrative significance to things in the hopes that it Fulfills something in her. it does not. instead she just has a bunch of problems she caused herself. oops. oh well <33 and its not like magpie doesnt try!! unfortunately its a little hard to talk someone down when theyre Actively Trying To Kill You, and also when theyve completely resigned themself to this sort of Only One Of Us Can Survive ultimatum.

which is to say luci keeps collecting death flags and well. oops <333 which kind of ends with magpie being literally the only person who knows that luci was ever anything other than that Antagonistic Presence she insisted on being (because she would rather have committed fully to that than to ever reveal that maybe, just a little, she was terrified of what would happen otherwise..)

but most importantly, luci ends up being Another Person that magpie couldn't help. its not like he couldve DONE anything, she would've refused anything and everything regardless, its just. man. god. ugh. that… that sucked. its not like he has a horrible track record of repeatedly failing to save people or anything… lol lmao………

so hey, the watch, right?

its something he got from one of his little jobs. last one he ever took, actually. he'd never say it was really a Moral way to make it day to day, but like, what Was, right? nothing was Really moral, everyone just kinda did what they had to; so like, no need to worry about it right? no time for all that. but then you pay a little too much attention, slip up a little, get to know someone a little too much; learn they're pretty much exactly like you are. someone with wants and hopes, little preferences and stories they get excited to share.

and then you get the guy killed. part of the plan from the start, of course, but like... he was Right There. its different when you have to look em in the eyes when you do it, yknow?

magpie's key running emotion is Guilt. he spent so long trying to avoid facing the reality of who he was and what he was doing, but unfortunately it catches up to him Big Time. he's just deceptively good at acting as though that isn't the case. no time to slow down, after all. he couldnt Afford to do anything else. honestly? his entire stunt with lcorp wasnt even something he Thought about too hard. it was stupid and impulsive and he knows it, but now he's Here, and he Has to do something. it has to be something, he can't just let it go. can't just let them go. (some part of him hopes that at the very least when it Does all backfire on him, at least it'd help somebody in the process...)

the watch is a reminder. something kind of absentmindedly tossed at him by the guy who put him on the job as a little something extra, (or in other words, something they didnt bother to want to deal with.) and then it turns out, it was just some petty fuckoff disagreement between them that started th whole thing! but its cool because he gives you the dead guy's watch "to sell for at least a little extra, as a tip." right. of course. yeah, that's... yeah, thanks. great!

he cleaned it and fixed it up and he keeps it as a memento. a little "hey dont fuck up again ok buddy?" a little "you could literally die at any time so like just remember that ok buddy?" ... an "at least let me honor this somehow before karma comes back and inevitably kicks my ass." equal parts reminder and weight to bear. sentimental piece and confession of guilt.

luci's ordeal with backwards clock is a mostly out-of-narrative subject-- assigning her abnos to thematically tie with for funsies. the clock is, wouldnt you guess it, linked with her experience with regret. its... very, very complicated to explain, especially because of the fact that 1) shes already so goddamn hard to decipher and 2) she is Also fully incapable of processing it for what it is.

which... kind of brings me to the whole Thing. magpie is plainly, fully aware that trusting luci in the way that he is is by all means a horrible, horrible idea. she's made it abundantly, repeatedly clear she will simply do whatever benefits her most at any given point. but all magpie can really see is someone struggling just a few paces behind him, exactly somewhere he has been, something he remembers incredibly clearly. as stupid as it may be, he wants to help her. he wants her to be able to find herself, confront what she refuses to acknowledge, give her a fighting chance.

he cant stand the idea of letting someone slip through his fingers like that. it's... its complicated, but its something he wants to stand by. luci just doesnt get it. she still holds a grudge towards him after everything, an odd caution knowing that he just. knows things about her. has seen her for what she is, further than she can bear to acknowledge herself, as bad of a job as she's doing hiding it. luci will continue to refuse any opening he gives to her, but he will continue to offer the option, time and time again.

. anyway heres some images.

[maractean]

SO!!! To anyone unaware, early this month I entered @catmask and @frogcroaks' Monster Mayhem contest!! I made a messed up crab that I called the Haven Crawler. And. Uh. Holy shit, my crab was Lemmy (frogcroaks) judge's choice. So I figured to thank them (and everyone who said. such unbelievably nice things in the chat) I'd post the actual images present in the ref, transparent and on their own!!

Again I want to thank both of the judges for all of the unbelievably kind words they said about my lil guy, and to the chat who was so incredibly nice as well. I honestly still kind of feel like I'm dreaming, and words cannot even begin to express how much this means to me. I've never felt more motivated in my life to continue creating. Thank you.

[iliveinprocrasti-nationn]

one thing abt being disabled/chronically ill that some people don’t get is that sometimes body maintenance that ensures you have the absolute minimum amount of function can also be something that takes away a lot of control and autonomy. you can argue till the cows come home that making those decisions to try and help yourself (or realistically to try to make sure things aren’t worse than they already are) is something that exhibits control and autonomy and stuff, but they can be so limiting in practice because they’re things that take up so much time but have to be done to do anything else

[annadelveys]

always love it when i go through a Major Crisis but you wouldn't guess from the way i post <3 anyways I'm going through a Major Crisis

[waywardsalt]

small little thing abt botw/totk and the future of zelda games considering it seems likely that future zelda games might be in the same style as those two and how i feel like botw/totk don't actually feel like zelda games (kind of messy i just typed this out in a kind of informal or whatever way) (this post is long af btw so uhhhh yeah)

im part of the group that claims that botw/totk aren't 'real' zelda games but... i guess they are technically 'real' zelda games, but... they sure as fuck don't feel like it, and because of that, i'm not at all excited with the idea of future loz games being in the same style, especially with the pitfalls these last two games have fallen into having been things that past zelda games did especially well, it feels like things have been sort of flipped on their heads in terms of what's being valued or whatever

like... the best parts of older zelda games were things like the story and the characters and the puzzles and the dungeons and stuff like that... the best parts of botw/totk right now are just the gameplay. people enjoy these new characters, but they dont have the narrative backing that older games do, they don't have the same impactful arcs or roles allowed by a more linear story

the point i want to get at though is how botw/totk honestly don't feel like direct evolutions or steps up from past zelda games but rather just... entirely different game styles (open world games) with the zelda flavoring and worldbuilding and story styling slapped on top.

i mean... i feel like a half-decent example of some other well-known franchises that have jumped on this (honestly kind of thoughtless) open-world bandwagon are mario (mario odyssey) pokemon (sword/shield and scarlet/violet) fire emblem (kind of. with some free-walking segments in 3 houses and engage) and the soulsborne type games (elden ring), these are all other well known and storied game series' that have somewhat made the move to open world, and i think that switch was a bit smoother, kept the core and integrity of the games that came before much better than botw/totk did

elden ring is the easiest to explain- the gameplay loop and core mechanics are the same and build upon past games' you just have more room to run around and get killed in with some little open-world flourishes like material gathering.

fire emblem is... a bit less flexible in terms of changing up the core gameplay, and the addition of open-world segments are added to add bonuses to the strategy gameplay and allow for more support-building oppourtunities and little minigames, and its more or less evolution from echoes' dungeon-crawling bits and the customizable castle in fates. the core gameplay still effectively works the exact same, just with some little class or mechanic tweaks and additions.

mario odyssey, though each world was pretty massive, still had your typical 3d mario platforming, and the new hat stuff fit in pretty well with olderpowerups and gimmicks, and the boss battles feel and work pretty similarly to the way they used it- odyssey does feel like an evolution from past mario games (ps. playing two-player with one person as cappy snaps the game in half. its the secret easy mode lol)

the new pokemon games are pretty much just the same as past pokemon games, theyre just open world and buggy as fuck rip have extra little open-world flourishes that build on what past games set up. the battling works the same as ever and the progression is the same with a number of powerful trainers you have to battle to continue forward.

with botw/totk... the progression is dramatically different in terms of power-scaling, world presentation, item-gathering, puzzle-solving... pretty much everything in the established zelda format. i get that it was pretty much the aim with botw to have a fresh start and throw out a lot of the old standards but it just makes them feel so dramatically alien to past zelda games; theyre completely different experiences in pretty much every single way, and as such they dont feel like what we've (well, people who have started with and spent a lot of time with other loz games) learned to associate with the zelda titles.

with open world games in general it's a bit harder to have a truly impactful narrative akin to those in past zelda games, anyways. i will admit that botw was a good execution of trying out something entirely new, and the narrative and gameplay and world actually complement each other very well, so despite what i've said in the past I can't really fault it's narrative too much since it's a less traditional sort of narrative and effectively does what it aims to do very well.

totk, on the other hand, proves that this style of game does not mesh with the old style of storytelling at ALL. linear games can have proper narratives with coherent stakes, developing characters, twists and reveals and building emotion and mood- and all of that is thrown out the window with totk when they decided to try and have both a more linear story with actual reveals and development and emotion, while also letting you literally spoil it for yourself out the gate.

you can't really have a well-executed story when players are capable of doing things drastically out of order and of jumping into story beats without the prior buildup and straight-up ruining what could be otherwise emotional reveals, and players being capable of doing this is hard-baked in how the game fundamentally works. I honestly feel bad for people who found the fifth sage by accident before anything else.

you can't effectively have a linear story with character growth and plot developments and impactful moments while also allowing it to be experienced out of order and with massive time gaps in between; with this kind of stuff, you can't really have your cake and eat it too. say what you will about the linearity of past zelda games, but i bet you that midna wouldn't be as beloved as a character as she is if it weren't for the linear order of the story and its events. certain parts of storytelling may demand for a linear manner of telling that story.

botw's story works because none of the memories reveal anything groundbreaking taht you don't already know; they are optional and merely give you more information about these characters from link's past and simply inform you about the girl keeping ganon at bay. if you find a late memory first, that's fine- it technically doesnt reveal anything too important to you, it just fills in some gaps for you and your player character. it makes sense within the story itself for the world to be so open and for you to be able to do what you can; the story is not the focus, nor is it even needed to beat the game. the story was made with the gameplay and what you are allowed to do in mind, and as such doesn't include things such as in-depth character development or important plot-twists.

on the other hand, you can easily spoil totk's biggest plot twist in a handful of different ways completely by accident, just by getting curious about the world around you. this can shatter a lot of the mystery or tension in the plot and this can happen completely by accident to someone playing the game organically and blindly. the story itself doesn't take this into account, it reads more like a linear story that would be more suited to a linear style of play, coming across things in order to ramp up the stakes and let things be revealed at the best possible time. (tbh totk's story doesnt seem to take the player into account in general, if the game forcing you to watch basically the same long cutscene four fucking times says anything, jesus christ)

narrative pitfalls aside, botw/totk put heavy emphasis on gameplay, but not in the same way older zelda games did, and as such trade away the unique items and gimmick-y game-specific mechanics for a small toolset handed to you out the gate. what botw/totk do- giving you everything you need from the start and having very little true varation in the gameplay from then on out- make sense and works just fine for an open world game. there is, however, a lack of actual depth to that gameplay that other open world games do have (off the top of my head, the ability to unlock and upgrade abilities and have general character upgrades in fenyx rising as well as the impressive depths of elden ring's combat and character customization system). the most depth botw/totk has to the actual gameplay is just the fourish different weapon types and the ways you use your fourish abilities (saying fourish bc for real ultrahand and fuse are fundamentally the exact same thing). there is also just raising the little defense numbers on your armor and getting more stamina and health, but that does absolutely nothing to the actual gameplay but make link more durable.

i mean, sure, health in past loz games just makes link more durable, too, but thats how health upgrades in any other game work.

the gameplay switch makes sense, considering the switch from a linear puzzle-adventure concentric game to a more sandbox-esque open-world game, but it does not mesh with the former loz formula at all, so while the shift in style makes sense, it makes me think that you can't have a previous-style loz experience in an open-world sandboxish sort of game. especially with how in totk you can very easily bypass most of the fire temple just using the mechanics handed to you at the start. you can't have the same type of zelda dungeons in a game where you are allowed to do it 'wrong' and the game itself does not allow for the same kinds of puzzles.

i am of the opinion that so long as future zelda games work the same way botw/totk did, we will not get old-school zelda-style dungeons again.

the loss of a variety of items used for specific puzzles and environment switches is the loss of a varied dungeon experience and the loss of the same kind of world and character progression as past zelda games.

you are handed everything you'll ever need at the start of botw/totk. the only thing that will meaningfully change is how much damage you do. there are no alternate strategies opened up by new items that can double as weapons, no new traversal options or routes opened up by things such as grappling hooks or clawshots or whips or specific wands. even the battle system is drastically different, instead of being enemies that take specific amounts of hits to die while you can obtain progressively stronger swords, enemies are just damage sponges and you can get all kind of weapons that just do different numerical amounts of damage.

the bosses themselves- big staples and draws of zelda games- also work extremely differently. instead of having to leverage specific items to expose weak spots or having to fight in a specific manner to do damage, you are just asked to... do damage. even in totk's bosses, where sage abilities are most certainly helpful, the only boss i found to truly require a sage ability was the lighting temple's boss; the others i either hardly used the sage at all (i didn't use yunobo at all in the second phase of the fire temple boss and hardly had a need for tulin with the wind temple boss [esp considering i was using a 3-shot lynel bow to make the poor fucker a cakewalk]) or found that alternative solutions felt better, like resorting to splash fruit on repeat water temple fights instead of wrestling with having to activate and use sidon's ability. the sages are honestly fairly poor replacements for dungeon specific items.

this kind of causes botw/totk to play more like a poor man's dark souls or just like any other open world rpgish game. i don't play botw/totk for the experience of a zelda game, i play it because it's an open world game that i can walk around in for five minute before switching to something else because i liked something in that other game better.

the combat in botw/totk isnt designed in such a way that makes it feel good. mineru's mech is fucking dismal, but since it's just either shooting with a bow or attacking with one of three types of melee weapon with some timing for a dodge, it can get stale fast. it doesn't necessarily even feel good, since there's not enough variety for it to get really engaging. (this is def an uneven comparison, but elden ring's combat feels considerable better with the different dodges you can do and the amount of attack options you have with just one weapon, not to mention the amount of control you have over your general fighting style.) combat in botw/totk at hour 1 is the exact same as combat in botw/totk at hour 100, the only different being the amount of damage you do or how much of a beating you can take.

it just... the styles of botw/totk can't allow them to feel the same as older zelda games. the shift in style was clearly a good move to draw in series newbies and shake things up, but it comes at the caveat of making them feel distant from their predecessors and uncomfortably similar to other games like them. it's hard to avoid comparisons with elden ring when on the surface they are very similar games, one just feels more true to its core identity

this all is said without mentioning the way in which botw/totk lore feels almost dismissive of past series staples and seems intent on not looking back while also taking every fucking attempt to nudge you and say 'hey, remember that zelda game' and honestly all that shit does is make me want to play a different zelda game.

botw/totk seem altogether very desperate to distance themselves from past zelda games while also being unable to really tear itself from what came before and it just culminates in me spotting linebeck island on the map and going 'damn i miss linebeck' and turning the fucking game off to play phantom hourglass instead. say what you will about phantom hourglass, but it certainly handles its story progression and character development infinitely better than the game that lets you accidentally shatter the impact of the story by deciding to check out that cool temple in the distance of the depths

[livvyofthelake]

and what’s crazy to me about the situation where the actresses in pride and prejudice 2005 didn’t wear makeup, is that everyone is like. oh they’re lying. oh no one looks that pretty without a full face of makeup. oh it’s a lie they had a makeup artist credited and i don’t believe it was only for “continuity” they’re all lying!! like. are you for real so influencer pilled that you can’t believe that women can be beautiful and appealing to you without covering their faces in makeup. “but no makeup doesn’t translate as well on camera so they’re lying” actually if you know how to fucking film it right and light it right anything can look good just because YOU don’t think YOU look as good without makeup on your front facing phone camera doesn’t mean joe wright doesn’t know what he’s doing… like girl we all already knew kiera knightly was beautiful and had flawless skin is it truly so hard to believe she wasn’t caked in foundation

[pepprs]

i literally need there to stop being situations circumstances events developments complications and happenstances. for the fucking love of god