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lubdubology · 24 hours ago

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Take My Love and Wear It

SYNOPSIS: Taking care of Charles has its own special challenges, but you didn’t expect the hardest one to be the man who hired you. Distant, gruff and rough around the edges, Logan still manages to worm his way under your skin. But you’ve worked your way under his, too.

PAIRING: Old Man Logan x fem!reader

WC: 10.8k

WARNINGS: smut 18+; mdni; angst; swearing; non-explicit mentions of wounds, blood and use of stitches; extreme physical pain; Charles is a lovable, meddling little shit; fluff sprinkled in for good measure; Logan in a tub (if I had a nickel for every time I bathed him, I’d have two nickels—which isn’t a lot, but its weird it happened twice, right); touch-starved Logan; handjobs; shower sex; fingering; dirty talk; oral (f receiving); sex with feelings; unprotected p in v; creampie

A/N: There’s something special about Old Man Logan, isn’t there? Old and grumpy and desperately in need of some love and affection. I know the Charles caregiver story has been done before, but I couldn’t get this idea out of my head. And then Charles starting talking in my head and well...it blossomed into this. As always, thank you to @joelsgoldrush for allowing me to send her snippets of this as I went along and offering her love, support and suggestions. I hope you enjoy this and any likes, comments and reblogs are always appreciated!

You stare down at the remnants of yesterday’s cold and congealed dinner and sigh. Scraping the food into the trash, you resist the urge to pack everything you have and leave.

One month.

One month of helping Charles—making his meals, washing his clothes, giving him his meds, making sure he doesn’t hurt himself (or others), assisting with daily tasks—and Logan still regards you as a nuisance, like a gnat needing to be swatted away.

At best, he ignores you, moving around the house as if you don’t exist.

And at worst, he treats you with barely concealed contempt, his scowl deepening the lines of his face whenever he’s around you. As if you’re invading his space uninvited even though he’s the one that sought out help.

You grip the edge of the sink, staring down into the porcelain basin as if it holds some hidden answers. Every day you’ve tried to break through walls Logan’s built around himself, held onto Charles’ promise that eventually he’ll soften, just give him time, but he only seems to have grown more hostile. And you’ve done nothing to incur his ire besides watching him come home every day battered and bruised, his very bones weary with exhaustion, and offering your assistance.

Part of you is angry—angry that you care so much when your main focus is supposed to be Charles. Angry that despite all his efforts to come across unapproachable and cold, Logan’s worked himself under your skin and takes a little piece of you with him whenever he leaves.

Angry that somehow he’s stolen a piece of your heart.

You hear shuffling behind you and turn to find Logan entering the kitchen, fingers fastening the last buttons on his dress shirt. “What?” he asks gruffly and for a moment you wonder if he can read your thoughts.

You straighten and meet his gaze head on, swallowing down your nervousness. “How much longer are we going to keep doing this, Logan?”

“Doing what?”

“This,” you say, gesturing between you. “You walking around here like I’m some stain upon your life, acting like I’m a problem when all I’ve ever done is try and help.” Your voice is steadier than you feel. “You asked for me to be here, Logan. It’s not like I barged in here without permission.”

Logan holds your gaze, his jaw tight, and for a moment you think he’s going to grab his keys and leave, head off into the night and drive until sunrise. His eyes soften for just a moment, something like regret crossing his features.

“I know why you’re here. And I do…appreciate it,” he says, his words coming out low and rough. As if the words taste foreign in his mouth.

“Wouldn’t kill you to show it,” you challenge.

You’re waiting for him to lash out and instead he sighs, pinching the bridge of his nose. “Look, I’m not good at this.”

“I’m not asking you to bow at my feet,” you say, hoping to ease some of the tension in the air. “Although, I wouldn’t be mad about it.” You think you see the briefest hint of a smile flicker across his face. “I just want us to be able to live in the same space. I’m here to help, Logan. Let me.”

“You have no idea how hard this life is.”

A rueful smile tugs at your lips. “I understand more than you think I do.”

Logan’s gaze sharpens, inquisitive as he searches your face, as if he’s trying to decipher the meaning behind your words. He rubs a hand across his face, scratching lightly as his beard. “I’ve gotta couple jobs tonight. Maybe more,” he finally says, changing the conversation. “Should be back before sunrise.”

You nod, his switch in topic not lost on you, but you don’t push him. “Alright,” you say softly. “Just—just take it easy, okay?”

He glances down at you, relief softening his gaze and you know a part of him is grateful you didn’t push further.

Grabbing his keys, Logan heads towards the door but pauses just before he’s about to leave. He turns to look back over his shoulder. “Thanks,” he murmurs, the word awkward on his lips.

You give him a small nod of encouragement as he slips out the door. He may not be ready to full open up, but you feel as if he extended a tiny olive branch tonight, cracked open the door just enough to let you peek in.

+++

Over the following weeks, Logan’s a little less avoidant. He doesn’t go out of his way to make conversation—you didn’t expect him to—but he at least as acknowledges your presence. Small nods and murmured goodbyes when he leaves and sleepy hellos when he returns. It’s not much, but you’ll take it.

You’re cleaning the last of the dishes from dinner, Charles safely settled in front of the TV watching an old movie when Logan comes home. He’s earlier than you anticipated, but exhaustion lines his face nonetheless. You expect him to slip away quietly, but he pauses instead, lingering in the doorway.

“Smells good,” he says softly, nodding towards the pan of half eaten lasagna still sitting on the counter.

Surprised, you turn around to face him. You brush the hair from your face and say, “Sit. I’ll make you up some.”

Logan hesitates and for a moment you think he’s about to decline, but then he nods, his shoulders dropping slightly as he sits down at the table. You fix him up a plate, setting it down in front of him with a bottle of beer as you slide into the chair across from him.

He tucks quietly into the food, his fork scraping against his plate as he eats, pausing only to wash it down with a few swigs of beer. You watch him, a strange satisfaction tugging at you at the sight of him actually sitting down, enjoying a meal with you, even if it is in silence.

“Long day?” you ask quietly, gesturing towards his bruised knuckles.

He flexes the fingers on his free hand before tucking them under the table. “Nothin’ I can’t handle,” he mutters, taking another bite of lasagna. “They’ll be gone in a day or two.”

You know not that long ago an injury like that wouldn’t have even marred his skin. Now, the simplest of wounds can take days to heal and it’s not the appearance of his skin that bothers you, but the newfound ache he experiences, the heaviness of constant pain.

You want to help him, ease his discomfort, like you know you could. But you know he’s not ready for that. Not yet.

“You’re good with Charles,” Logan says then, his gaze steady on his plate. “He seems calmer around you.”

Logan’s admission is so unexpected, you find yourself staring at him in disbelief. At your silence, his eyes flicker up to yours and you see more than simple acknowledgement in his expression. It’s subtle, but it’s there, a current of something more, something you’re not quite sure how to address.

“Thank you,” you murmur, your voice softer than you intended. “Charles—he means a lot to me.” You pause briefly, but something compels you to continue. “You both do.”

His gaze is focused on you and you don’t miss the flicker of surprise that breaks through his usual stoic expression. Clearing his throat, he looks down, pushing around the last bit of lasagna on his plate and then after a moment, he sets his fork down and leans back in his chair. “You mean a lot to him, too,” Logan finally says and you wonder if he’s talking about more than just Charles.

From the living room you hear Charles call for you, his voice soft but insistent. The moment between you still crackles as you stand from the table and as you begin to walk away, Logan reaches for your hand. His fingers are warm and rough against your skin and you’re barely able to suppress your shiver.

“Thank you,” Logan says, his voice surprisingly soft.

His grip against your skin is gentle, a stark contrast to all his roughness and you can feel the weight of his unspoken words curling around you. Charles calls again, his voice breaking through the moment, but Logan’s hand lingers just a beat longer before he lets go, fingers trailing along your skin.

+++

“He likes you, you know.”

You glance up from shaving Charles’ face and find him staring at you, a mischievous glint in his eye. You give a soft hum. “Did he tell you that or did you read his mind?”

Charles scoffs and waves his hand dismissively. “What’s the difference, dear?”

You chuckle, shaking your head as you rinse the razor. “With Logan I’m pretty sure there’s a big difference.”

“Bah, if Logan wanted to keep me out of his head, he would. Stubborn man.” He tsks softly to himself and shakes his head. “But, no my dear, he can be quite loud if you know how to listen.”

You raise an eyebrow, giving him a playful look. “Loud, huh? And what exactly is that brain of his telling you?”

Charles gives you a knowing smile. “Oh, just little things,” he says casually with a wave of his hand, but you can tell by the look on his face that he’s holding back. “He notices you—what you do for me, this place, for him. He may not realize it himself, but his thoughts linger on you more often than he’d like.”

A flicker of hope sparks in your chest and despite yourself, you feel a blush creeping into your cheeks. “Logan doesn’t strike me as the sentimental type.”

“Logan has spent so much of his life running,” Charles continues, his tone and expression growing more thoughtful. “The loss he’s experienced has led him to believe it’s better to be alone than form meaningful connections with people. But you’ve somehow become something of a home for him. And he doesn’t quite know what to make of that.”

Your heart skips a beat as you take in his words. The idea of being a home for Logan, a comfort, feels surreal, and yet...there’s a part of you that dares to hope what Charles is saying is true. That this isn’t some fictional truth his brain has concocted, a product of his disease riddled mind.

“Home.” You repeat the word softly to yourself, testing the word on your own tongue as if it might shatter into pieces.

Charles nods, his hand reaching for yours, his gaze warm and knowing. “Yes, home. He feels it, deep down, in a way that’s unfamiliar and frightening for him.”

You glance down at your hand in Charles’ grasp, his touch grounding you as his words settle over you.

“Logan’s spent so long hiding from himself,” Charles continues. “I think he’s convinced himself he doesn’t deserve that kind of peace.”

“And you think I can give him that peace?” you ask quietly, your eyes flicking back up to Charles’ face.

He smiles knowingly and gives your hand a squeeze. “You already have, dear.”

+++

“Want some help?”

You turn to find Logan standing in the entrance of the kitchen, hands tucked into his pockets.

It’s a rare night—one where Logan’s chosen to stay home, taking a night off from the almost endless driving he does. He’s dressed down, well worn jeans and a button-up flannel, and for once you actually think he looks comfortable.

You smile, surprised, but happy to see him there. “Sure, the company would be nice,” you reply as he comes to stand next to you. “Want to wash and dice the potatoes?”

Logan nods and rolls up his sleeves before reaching for the bowl of potatoes you had set aside earlier. You watch him for a moment as he settles into the task with a quiet focus.

“Smells good,” he comments, gesturing towards the oven. “What’re we having?”

“Charles has been asking for beef tenderloin for weeks now, so I’m finally indulging him.” You finish trimming the last of the green beans and toss them into the bowl beside you. “You know, if you have any favorite meals you’d like me to make, you can tell me.”

Logan pauses and glances at you as he shuts off the tap. He clears his throat and says, “You already are.”

You blink in surprise as Logan’s words sink in and then the realization dawns on you. A soft smile spreads across your face as you piece together the extent of Charles’ meddling. You can’t find it in you to be annoyed and only feel a mix of amusement and fondness towards the old man as you chuckle softly to yourself.

“What’s so funny?” Logan asks, raising his eyebrow as he catches your expression.

“Oh, nothing,” you say, waving him off with a smile.

Logan doesn’t look convinced, but he doesn’t pry as he picks up the knife and begins to deftly dice the potatoes. You watch him for a moment, captivated by the simple domesticity of the task. It’s in direct contrast to the man you’ve seen numerous times before, brooding and gruff, brimming with an almost untamed violence.

It suits him, you think, this quieter version of himself.

You both finish the prep with relative ease. He helps you set the table as the rest of the food cooks, plates clinking softly as he sets them down. You busy yourself with finishing the green beans in a garlic butter as you wait for for the tenderloin to rest enough to carve into.

“Ah, my dear, this smells wonderful,” Charles announces as he rolls into the kitchen, a warm smile on his face. “And you managed to pull Logan out of his room. What a treat.”

Logan snorts in response, giving Charles a pointed glare.

“I dare say it’s because the company has improved much as of late,” Charles says, his eyes twinkling in amusement as he glances between the both of you. “We all know he’s not out here for my benefit.”

You laugh as you bring the dishes to the table, noting the faintest of blushes creeping along Logan’s cheeks. “I’ll take that as a compliment, Charles.”

“As you should, dear. Your personality is quite sparkling.” He looks over towards Logan. “Isn’t it, Logan?”

Logan’s eyes land on you as he answers, “Yes. Yes, it is.”

Dinner begins quietly, the three of you settling into easy conversation as the first few bites are consumed. Both Charles and Logan hum in delight and a warmth blooms within you watching them both. This—this is the simplicity you’ve been craving with Logan.

As the meal continues, Charles launches into his usual repertoire of stories, those of the school and his students, his words brimming with nostalgia and pride as he talks. Logan sits back in his chair, arms crossed as he listens to him speak, shaking his head fondly at some of the memories.

“You know,” Charles begins, setting his fork down with an air of mischief, “I don’t think I ever told you how I met Logan, have I?”

Logan’s head snaps up. “Don’t, Chuck.”

But Charles is already smiling at you, ignoring Logan’s warning. “It’s a good story, dear. See, Logan had quite the career as an underground cage fighter.”

You lift your brows in surprise and you glance over at Logan, who’s thoroughly unamused by Charles’ choice of topic. “Cage fighting, huh?” you ask, unable to suppress your curiosity.

Logan shifts uncomfortably in his seat, stabbing at his potatoes with a little more force than necessary. “It wasn’t a career,” he mutters. “Just a distraction. Way to get by.”

“Mmm, yes, perhaps,” Charles chuckles, clearly enjoying himself. “Regardless of the reason, it lead you to this exact moment. Didn’t it, Logan?”

Logan narrows his eyes at Charles, though the glare is only half-hearted. “You make it sound like all it all had some grand purpose.”

“Did it not?” Charles says gently, his tone shifting into something more serious. “Kept you alive, for one. But more than that, it brought you to us. To me.” He pauses for a moment, his eyes darting towards you. “To her.”

The words hang in the air and you glance over at Logan, whose expression softens just slightly. Without thinking, you reach across the table and give his forearm a gentle squeeze. His eyes meet yours, a flicker of a smile tugging at his lips.

Charles watches the exchange with quiet satisfaction before clearing his throat. “Well, I believe my work here is done,” he announces, wheeling himself back from he table. “Logan, fancy a game of chess? I haven’t made a player out of her yet.”

You laugh to yourself as Logan follows Charles into the living room. After clearing the kitchen from dinner and loading the last of the dishes into the dishwasher, you join them both in the living room. Tucking yourself into the couch, you read while the two of them play, the clinking of wooden chess pieces and the occasional dry quip from Charles filling the room.

From your spot on the couch, you glance up from your book every now and then to watch them. Logan’s brow furrows in concentration, while Charles’ face is more relaxed as they play. You smile to yourself, wondering how often they played like this in the past, when times were simpler.

You’re not sure when you fell asleep or how long you’ve been out, but you’re jostled awake as two large, warm arms wrap around you, holding you close as you’re lifted off the couch. Logan’s familiar scent—cigar smoke and pine—fill your nose and you blink up to find him walking you down the hall towards your room.

“Logan?” you mumble, voice thick with sleep. “D’you really cage fight?”

Logan chuckles softly, the sound rumbling through his chest. “I really did.”

“Did it hurt?”

“No.”

You blink slowly, your sleep-laden mind struggling to process his answer. “Not even a little?” Your voice is barely audible as you nestle closer into the warmth of his chest.

“Not in the way you think,” he answers, nudging open the door to your room with his foot.

You’re too drowsy to ask what he means and instead you hum softly, a noncommittal sound that Logan feels more than hears. Lowering you onto the bed, he moves with a gentleness you’ve never felt from him before. He brushes a strand of hair from your face and pulls the blanket over you before he turns to leave.

Your limbs are heavy, eyes barely open, but you call out softly—“Logan?”

He looks back towards you. “Yeah?”

“I’m glad Charles found you,” you murmur, closing your eyes.

Logan doesn’t answer, but you swear you feel the lightest of kisses against the top of your head before he leaves.

+++

It’s deep into the night when you hear the front door finally open. Your heart flutters against your ribs as you swing out of bed, unsure of what condition you’ll find him in. He was expected back two days ago, those extra hours away feeling like an unfathomable eternity.

You find him sitting at the kitchen table, dress shirt hanging off one shoulder, the rest of his clothes rumpled and bloodied. A large gash oozes from his shoulder and you can’t stop the gasp that falls from your lips.

Logan looks up at you, eyes narrowed and lined with exhaustion. “Don’t look at me like that,” he grunts, tugging off the rest of his shirt.

“How else am I supposed to look at you?” you ask, taking a tentative step forward. “No phone call or text letting me know you’re not coming home and then you waltz in after midnight soaked in blood and covered in wounds.” Unshed tears burn in your eyes but you will yourself not to cry.

“Didn’t ask you to care about me,” he bites back, but his tone is more weary than argumentative.

“Oh, fuck you, Logan,” you snip, but your tone lacks venom.

He ignores you, pushing up from the chair with a heavy groan and limps over towards the cabinets. He shuffles through one of them, pulling out the makeshift sewing kit before sitting back down. You watch as he attempts to thread the needle, growing increasingly frustrated when he keeps missing.

Shoving down your own frustration, you pull up a chair next to him and reach for the needle and thread. He pulls his hands away from you, turning in the chair to keep you away. You chase after his movements, finally grabbing his wrists and removing the supplies from his grasp.

“I don’t need your help,” he growls.

You sigh, tired of this same argument, this same endless loop every time he comes home injured. “Goddamit, Logan, just let me help you.”

He drags his gaze up to yours, eyes tracing the lines of your face. His chest still heaves with heavy breaths, but you can see the anger bleed from him. He nods once, turning just enough so that you have access to his wound. Threading the needle, you place a gentle hand on his shoulder, ignoring the flinch he gives at your touch.

“I’m not going to hurt you,” you whisper.

Logan huffs. “It’s a needle, darlin’. It’s not gonna feel nice.”

You try to ignore the flip your heart does at his use of the word darling. Despite his earlier gruffness and proclivity to push you away, Logan has softened to you over the last couple of months. Since that first dinner you shared, he’s joined you and Charles more often. Or if he comes home late, sought out the leftovers you’ve kept for him. He’s engaged in conversation, offering small pieces of himself, pieces that you’ve cradled close and nurtured.

But there’s a tension between you, thick and heavy in the air, and you wonder if he feels it too. Feels that same undeniable pull you’ve always felt in his presence. You’d like to think so, otherwise you were doomed to love him silently, your feelings for him bound in the quiet of your mind.

“Just trust me,” you say.

Slowly, you release your power, warmth spreading from your fingertips, easing his pain and discomfort as you begin to stitch him up. You try to ignore the heavy press of his gaze on your face and you can almost hear his unspoken thoughts, his words still stuck on his tongue.

“Why didn’t you tell me?” he asks, his shoulder relaxing as you continue to work.

You glance up at him then, finding his expression softer than you’ve seen it. “A mutant is a dangerous thing to be, Logan,” you answer, your voice soft. “Few people know what I can do. Those I trust.”

For a long moment, Logan just looks at you, his eyes unreadable. Then, a rough, tired sigh falls from his lips. “You coulda told me.”

You take a steadying breath, his words lingering in the space between you. “Maybe,” you say, your fingers brushing against his skin as you continue to stitch. “But you don’t make it easy to talk to you.”

Logan lets out a low huff. “No. I guess I don’t, do I?”

You finish the last stitch, securing the knot. Your fingers linger a touch long than necessary, the warmth of his skin a comfort you’re loathe to lose just yet. Slowly, you lift your gaze to his and you feel your heart beat solidly against your ribs as he looks back at you like he’s seeing something there he hadn’t allowed himself to before.

Logan’s voice is low when he finally speaks. “Why you keep stickin’ around? Watchin’ me come home time after time covered in blood?”

“Because you deserve it.” The words tumble from your mouth before you can stop them. “Even if you don’t see that.”

He doesn’t respond, not right away, as he continues to watch you, his eyes tracing the lines of your face. Then he reaches up for you, fingers curling around your wrist, his skin warm and rough against yours. He holds you there as if grounding himself in your presence, his thumb drawing random patterns against your skin. The gesture is simple, but vulnerable and open in a way he rarely shows.

“I’m no good for you,” he murmurs, glancing down at where he’s touching you. “For anybody.”

“How ‘bout you let me be the judge of that?” you answer, your voice steady. “You’re more than you think you are.”

Logan clenches his jaw, a flicker of disbelief crossing his features, and you know deep below the surface he’s waging a war against himself, one he’s been fighting for far too long. His thumb stills on your wrist, his grip loosening slightly, but not letting go.

Placing your hand over his, you give him a soft smile. “C’mon, let’s get you cleaned up.”

+++

You’re surprised that he doesn’t argue, doesn’t try to brush you off or push you away as you gently nudge him towards the bathroom. He still gives you a dubious glance as he looks down at the tub, but you just ignore it, moving past him to run the tap.

You give him privacy to undress and get settled before you reenter the bathroom. The sight of him, as large as he his with his knees pulled up to his chest, makes you laugh, garnishing a terse look from him.

“You find this amusing?”

“Big man in a little tub? Yeah, I do,” you reply with a smile. “Just relax, Logan. This’ll be our secret.”

He huffs, but does seem to visibly relax, resting his arms over his knees. You kneel down in front of him, resting one hand gently against his forearm as your other reaches for the washcloth. You can feel the tension release from his muscles as your power floods through him and he breathes out a soft, “Oh,” as all the pain and discomfort is eased from his body.

You wonder how long it’s truly been since he’s felt like this, unburdened by the pain and suffering of his own body. Your heart aches for him as you slowly begin to wash him, rubbing soft circles over the scarred flesh of his back, rinsing away the blood dried to his skin.

Even battered and marred as he is, you still find him beautiful—you always have. When you first started working with him all those months ago, you felt that pang of attraction when you met him, you’d have been blind not to. Ruggedly handsome, so strong and sure of himself. But you know that wasn’t all that drew you to him. Deep down, below all the tough, seemingly impenetrable exterior, you saw the man he truly was. Someone born of scars and rough edges, yet gentle. Someone who would selflessly put himself before others, even at his own expense.

You let the cloth linger a moment longer against his skin before dipping it back into the water, watching as his blood rinses from the fabric. Squeezing the excess water out, you press it back against his collarbone, tracing the warm cloth along his neck and over his shoulders. Logan doesn’t move, his eyes half-closed, his expression relaxed in a way you’ve never seen before.

Something deep tugs at you as you realize how vulnerable he is right now, how trusting. He hides behind a gruff exterior, his true self guarded so carefully so that he doesn’t let people in, doesn’t open himself up to the hurt that trusting another person can bring. But maybe you’ve finally cracked through, broken down a little bit of that wall he surrounds himself with.

The warm water drips from his skin as you continue to wash him, letting your fingers trail gently along the newly cleaned lines of his arms. Logan shivers at your touch, but he doesn’t pull away. If anything, he seems to lean into it, his breathing deepening, muscles falling even more slack.

“Feel nice?” you ask in a murmur, voice barely above a whisper.

He nods, finally glancing up at you through his half-lidded gaze. “’S very nice,” he replies, his voice rough.

“Good. You deserve it,” you say, repeating your sentiment from earlier.

You feel a flicker of warmth as his eyes meet yours and he simply nods. It takes everything in you to not smile too widely, to keep the moment gentle, but you take his acceptance to heart.

Running the cloth down his ribs, you pause when you feel the misshapen knot of a bruise beneath your fingers and glancing down, you find a deep purple hue coloring his skin. Your eyes dart to his with worry, knowing that an injury like that will take him at least a week to heal, if not longer, in his weakened state. That with every breath he’ll feel the pain of his muscles pulling and the bruise spreading if you’re not touching him.

Dropping the washcloth in the water, you press your palm against his side and take in a deep breath to steady yourself. Then, a warmth spreads from your skin into his as you pull his injury from him, feeling his skin knit back together, feeling his abused muscles realign themselves under his skin. A dull, yet sharp ache, blooms along your ribs as you continue to pull his pain into yourself, erasing the injury from his body. With a final gasp, you draw back, your fingers now running along unmarred flesh knitted whole.

Logan tilts your chin up, forcing you to meet his gaze as the back of his knuckles brush against your cheek. His eyes flicker to yours, holding your gaze, and for a moment, the room falls into a deep quiet.

That pull between you, the magnetic force that you’ve felt since the beginning, feels amplified now. You’re acutely aware of every inch of space between you—how small it is, how easy it would be to close it. How badly you want to close it. You swallow, feeling the tension coil in your belly as he continues to hold your gaze, unblinking, but more open and raw than he’s ever been before.

“What are you doing to me?” he asks.

Your breath catches in your throat at his question, voice rough and laced with something between wonder and disbelief. As if he can’t quite fathom what you’ve done for him—what you’ve given him so freely.

Logan’s eyes search yours, his fingers drifting from your cheek to trace along your jaw, lingering with a tenderness that belies the man he presents to the outside world. His gaze is steady and intimate, as if he’s trying to understand you in a way that goes beyond words. But you say nothing, your heart pounding too loudly in your ears to form a reply.

“You took it on yourself, my pain?”

You simply nod, distracted by the way Logan’s fingers continue to brush along the edge of your ear, tracing the lines of your face as if he’s afraid you’ll vanish if he lets go.

“Why?”

“Because I want to,” you whisper, unable to resist the pull of his hand against your skin, the warmth of his touch that you feel with every fiber of your being. “Because it’s the one thing I can do to help you.”

A beat of silence passes, the air thick and heavy with unspoken words. He exhales, shaky and deep, letting his hand slide to the back of your neck. The calloused pads of his fingers press gently against your skin, anchoring you in place and you can feel him pull you closer, his gaze dropping to your lips, his breath mingling with yours in the small, intimate space between you.

“I shouldn’t want this, want you,” he says, voice so low it’s almost a rumble. “But, fuck, I do.”

His confession is raw, leaving him unguarded for the first time in a long time and before he can pull back, before he can throw those walls back up around himself, you close the gap, resting your forehead against his. You bring your hand up to touch his face, thumb brushing over his cheek as you breath him in, feeling the heat radiate between you.

Logan’s hand slides further along your neck, his fingers tangling in your hair as he finally, gently, presses his lips to yours. His kiss isn’t demanding or rushed or filled with passion, but a lingering connection, the promise of something more. His lips are softer than you imagined, his touch more careful than you expected, as if he’s afraid he’ll break you. Slowly, his thumb traces circles against your cheek, steadying and soothing, pulling you closer.

When he pulls back, he rests his forehead against yours, eyes closed. His breath is warm against your skin. “I don’t wanna push you away anymore,” he murmurs.

“Good because I don’t want you to.”

Logan lets out a breath, a hint of a smile finally softening his features.

Reluctantly, you pull away and pick the washcloth up again, intent on finishing what you started. The water turns to rust as you wash him of blood and grime, making sure you reach each cut, each bruise, each scar on his body that makes up the map of who he is.

You turn off the tap and hand him a towel, averting your eyes as he stands, wrapping the towel low across his hips. Logan reaches for you, tugging on the collar of your shirt to pull you closer. You stumble a bit as he pulls you in, surprised by the insistence in his grip. Logan’s eyes meet yours, an intensity behind his gaze that makes your breath catch.

“C’mere,” he murmurs, hand slipping along your jaw, his thumb pressing against your bottom lip.

You’re drawn forward as Logan’s lips find yours again, but this time there’s an urgency behind the kiss, a desperation and need he’s no longer trying to hide. He holds your face gently in his hands as he deepens the kiss, his nose pressing against yours, his beard scraping against your skin and you find yourself melting against him.

This is what you’ve been craving since you met him. Despite it all—the rage simmering just below his surface, the sharpness of his exterior, the sometimes shocking callousness of his words—you always knew there was a tenderness underneath, a softness that even his tortured past couldn’t erase.

Logan’s hands drift from your face, trailing down your neck and tracing along the curve of your spine as he presses you closer until there’s no space between you. The dampness of his skin bleeds into your shirt and you gasp into his mouth when he shifts his hips just enough and you feel heat of his erection against your thigh.

He pulls away from your mouth long enough to husk against your lips, “I’m old, not dead.” His teeth nip lightly at your bottom lip. “I’ve gotta beautiful woman lettin’ me kiss her, what did you expect?”

Your fingers trail along the edge of the towel slung low across this hips and a thrill runs through you as you feel his abdominal muscles flutter beneath your touch. You peer up at him, noting the flush of his skin, the black of his eyes as you tug the fabric just enough to loosen it. “How long has it been since someone has touched you, Logan?” you ask, your breath warm in the space between you.

Logan’s hands urge your hips closer, seeking friction as he starts to slowly rut against your thigh. You hear him swallow as your fingers dip below the fabric, brushing along the damp hair at the base of his cock.

“F—fuck,” he groans, guttural and low, his head dropping down to your shoulder. “Since before you.”

The weight of Logan’s confession presses into you and in that moment you want to give him everything. Wrap him in all the love you can muster, show him something other than pain and suffering.

You move your hand from the towel, allowing the fabric to fall from his waist and pool forgotten on the floor. Logan’s breath catches as your fingers wrap around him fully, the heat and weight of his cock pressing against your palm.

A ragged groan escapes his throat. “Christ,” he mutters, voice thick and vibrating against your skin. “You don’t gotta—”

“I want to,” you interrupt, slowly and deliberately dragging your hand along his length, tracing the vein along the underside of his cock with your fingertips.

Logan’s hips jerk involuntarily, seeking friction, chasing your hand, and you oblige, tightening your grip just enough to elicit another groan from him.

“What do you like?” The question lands in the sliver of space between you, your strokes still light, teasing.

“Firmer, more ah—” He breaks off as you tighten your grip on the upstroke. “Fuck, yes, like that, sweetheart.”

A shiver runs down your spine as his hands find your waist, fingers clutching at you almost hard enough to bruise. His breaths are growing uneven, each exhale warm against your neck as he fights to maintain some semblance of control.

“You keep that up,” he rasps, lips grazing your ear, “and I’m not gonna last long.”

His admission sends a rush of pride through you and you tilt your head back to look at him, your thumb brushing over the sensitive head of his cock, spreading the wetness there. Logan’s eyes meet yours, dark and heavy-lidded, his expression raw and unguarded. You like him like this, such a large, imposing man boiled down to pure wanton need.

“I don’t mind,” you reply, keeping your movements steady, your strokes firm yet gentle. You focus on the subtle shifts in his breathing, the way his fingers grip you tighter each time you find the right rhythm. “Just wanna make you feel good, Logan.”

He leans forward, capturing your lips into a kiss that’s both rough and messy, teeth nipping at your lip as his tongue licks into your mouth. He groans are muffled against your mouth as his hips begin to thrust in time with your strokes, his movements growing more erratic as he chases after his release.

“Can’t believe—ah, fuck—can’t believe how good you’re makin’ me feel,” he growls against your lips.

You smile into his mouth, your free hand brushing along his hipbone as your strokes quicken. His whole body tenses, the muscles in his shoulders and arms flexing, his abdominal muscles taut as he teeters on the edge.

“Let go, Logan,” you say. “I’ve got you.”

With a strangled groan, he comes, his release spilling over your hand, hot and thick. His body shudders against yours as he buries his face in the crook of your neck. You hold him close as he continues to thrust lazily into your grip, your own movements slowing as you guide him through the aftershocks.

For a moment, neither of you speaks, then Logan lifts his head, his hazel eyes soft as they meet yours. “You walked into my life and I knew—I knew—you would ruin me.”

You smile to yourself, unable to stop the thought that floats into your head—he’s ruined you as well.

+++

The text comes in at a little over one AM—hurt.

You jump out of bed, adrenaline rushing through your veins as you slip into one of his discarded flannels and head out into the night. Pacing the driveway, your heart jumps into your throat at every passing headlight, your thumbnail almost bitten down to the quick as you wait for him.

The minutes bleed into eternity until you finally see the limo turn down the long drive and it takes all your willpower to not run and meet him halfway. You’re bouncing on your heels as he finally comes to a stop, the driver’s side door opening with a faint groan of steel.

Your heart stutters in your chest as he emerges from the car, blood soaking through his shirt, dark and spreading, as he steps towards you on shaky legs. Logan’s face is pale in the moonlight, his breathing uneven and shallow and white-hot dread shoots up your spine as you see his arm hanging limp, two of his claws unsheathed and dripping blood.

“Oh, fuck, fuck!” you gasp, rushing to his side.

Logan tries to wave you off, gritting his teeth as he grips the doorframe. “”M fine,” he grits, but the tremor in his voice betrays him.

You reach for him, hands already attempting to steady him as his knees buckle and he collapses to the ground beneath him. “Careful. Claws,” he rasps as his left hand seeks purchase against your shoulder.

“I don’t fucking care about your claws, Logan,” you snap, although you both know your anger isn’t at him. You glance up at him and for once you think you actually see fear in his eyes. “What happened?”

“Gas. Robbery.” Each word punches out of his chest, the effort to speak sending tremors down his limbs. “Got ‘em.” He nods down towards his limp arm, claws still unsheathed, but slowly, so slowly starting to retract.

He winces as you help him peel off his coat to get to the shirt underneath. Your fingers shake as they trace the holes the bullets made—one in his shoulder, dangerously close to his lungs and the other just below his ribs. Hooking your fingers through the fabric, you rip it from his chest—the wounds are deep and his skin is hot and slick with sweat.

Panic claws at you and unshed tears burn in your eyes. You’ve seen Logan hurt before, but this—this was different. His breathing is painfully shallow, his usual gruffness and resilience absent.

“Logan, you’re not healing,” you whisper, your voice shaking as your fingers stain with blood. Logan simply grunts, trying to wave you off, but lacking the strength. “I can’t…I can’t lose you. I can help.”

Logan’s eyes widen as he grabs for your wrist. “No. You’ll hurt yourself.”

“I don’t care!” you shout. “I love you, dammit, and I’m not just going to sit here and watch you die!”

Before he can protest, you press your palms over his wounds, the familiar warmth of your power surging through you as it spreads from your palms into his torn flesh.

The pain hits you like a freight train.

It’s sharp and relentless, searing through your shoulder and into the softness of your belly like molten fire. You gasp, biting back a scream as your body jerks instinctively away from the intensity, every cell in your body demanding you withdraw from the torture.

But you don’t stop. You cling to him, tears streaming down your face as you channel your power into him, knitting his flesh back together. You can feel it, the way his muscles, bones and tissue rearrange themselves, months of healing taking place in mere moments. Every second feels like an eternity, but you refuse to let go.

You’re dimly aware of Logan yelling at you to stop, his own pain momentarily forgotten as he watches you endure his agony.

Black dots dance in your vision as the last of his wounds come together, the spent bullets clinking to the gravel and you finally collapse against him, trembling, your breath coming in ragged gasps. The fire in your body begins to dull, fading to a cold, hollow ache as Logan wraps his arms around you, pulling you tight against his chest.

“Hey,” you mumble against him, your voice barely above a whisper. “You’re okay now.”

“Me?” Logan’s voice is low, disbelieving as his hand cradles the back of your head as if you might shatter. “You’re the one—why the fuck would you do that? You could’ve—dammit, you—”

His words break off, his forehead dropping to yours as his breath shudders against your cheek. You can feel the tension radiating through him, warring with himself between his gratitude and anger, between his guilt and the love he’s too afraid to speak out loud.

“I told you why,” you answer, lifting your head to look up at him.

Logan’s jaw clenches, his words caught in his throat, but his eyes say everything is voice won’t. You don’t need him to say it, not yet, but you can feel it, pressing just below the surface.

“C’mon, let’s get you inside.”

+++

There’s a reverence in which Logan washes you.

Steam swirls around you as he works the thickly lathered loofah over your shoulders, down across your collarbones and down along the soft planes of your stomach. The water rinses away the faint metallic tang of blood, leaving behind the fresh scent of soap. He continues with a silent determination, as if the act of washing you can erase all the pain you’ve taken from him.

You know better than to convince him you’re fine, that the pain is always temporary, that it only lasts for a few minutes, sometimes just a bit longer. That the pain is something you’d endure for him again and again if he’d let you.

His thumb brushes along the underside of your ribs, searching for a wound you know he won’t find. You reach for him, lacing your fingers together with his. He blinks up at you, hazel eyes holding far too much worry for such a stoic man.

“I’m not going to break, Logan,” you say softly.

A wordless noice escapes his throat as he removes himself from your grasp and continues to work, ditching the loofah in favor of his hands. His fingers are warm and calloused against your skin as they glide lower, down over the swell of your hips, over your thighs, down towards your knees.

His touch morphs from one of care and comfort to one more sensual, simmering with unspoken tension as his fingers rest in the hollow behind your knee. You glance down at him, water droplets catching in his hair, running off the slope of his nose.

Though you’ve seen him bare before, you can help but trace the lines of his body—the broadness of his shoulders, the well defined muscles of his chest, the sturdiness of his thighs, the scars that mar his skin. The sight of him stirs something deep within you and you feel your pulse thrum beneath your skin.

“Logan,” you murmur, your voice almost lost in the sound of the water.

He looks up at you then, eyes locking with yours. A storm swirls within them, a mix of guilt, affection and an intensity that takes your breath away. Leaning in, he presses the barest of kisses to the inside of your knee before he rises to his full height, pressing you close.

“D’you mean what you said before?” he asks, voice low.

I love you, dammit!

“Yes,” you answer without hesitation.

Logan exhales sharply, the tension he’s been holding coiled in his muscles loosening as he loops his arms around your waist. “I’m not very good with words,” he admits, his breath fanning across your damp skin. “Can I show you?”

There’s no mistaking the meaning behind his words and you can only nod, your voice catching in your throat.

His lips find yours, mouth moving over yours slow and deliberate as if he’s savoring the taste of you. The first touch is a spark, the second a fire, and by the third, it’s an inferno that engulfs you both and leaves you breathless. Logan kisses you like you’re his anchor, his salvation, his touch desperate and full of everything he can’t yet put into words.

Your fingers slide into his hair, gripping the strands at the nape of his neck as you pull him closer, deepening the kiss. He groans against your mouth, the sound swallowed in the space between you. His tongue brushes against yours, teasing and exploring and you respond in kind, your nails scraping along his scalp.

Logan’s control is fraying. You can feel it in the way his teeth nip at your bottom lip, the way his hands press along the curve of your spine, the way he can’t seem to find enough of your skin to touch, to caress. A low growl rumbles through his chest as you slip a hand between your slick bodies, finding his cock, thick and heavy against your belly.

You give one slow drag of your palm along his length before he’s gripping your thighs and forcing your legs around his waist. His mouth leaves yours, trailing down to the curve of your jaw as he presses you against the wall, the coolness of the tile a direct contrast to the heat of your skin and you can’t stop the gasp that escapes your lips.

Despite his age, the metal bones inside him slowly poisoning him and causing him human aches and pains, he’s still able to hold you up solidly with one arm as the other trails along your hip bone and dips down to where you’re warm and wet.

“This all for me?” he asks in a murmur, sliding a finger along the seam of your cunt, just barely brushing against your clit.

Your breath hitches and you grip his shoulders, nails pressing lightly into his skin as you nod. Logan’s eyes darken at your reaction, the faintest hint of a smirk tugging at the corner of his mouth.

“Yes,” you finally manage to whisper. “Always for you.”

“Good,” he growls, leaning in to nip at the skin just below your ear. The deep rumble of his voice vibrates through you, his touch deliberate and almost torturously slow as he slides his fingers through your folds, spreading your slickness with a focused and unrelenting precision.

“Oh, fuck,” you gasp, your head tilting back against the wall as he finally presses his thumb to your clit, circling it with just enough pressure to have your thighs trembling around his waist.

“I got you,” he coos against your skin, his lips trailing from the pulse point in your neck to your collarbone. His teeth scrape along the curve of your shoulder, his free hand gripping your hip tighter to steady you as his fingers continue to tease and coax. “Lemme make you feel good.”

Every nerve ending is afire beneath him, every motion, every stroke of his fingers against your cunt leaving your mind reeling with pleasure. Your nails dig further into corded muscles of his shoulders, desperate for something to anchor yourself to. You pull back when you see the tiny, crescent shaped cuts marring his skin.

His eyes snap up to yours, sharp and molten. “No, do it,” he urges, fingers still moving. “Mark me with somethin’ pretty.”

“Fuck, Logan,” you gasp.

“Say my name again,” he demands, his voice rough and commanding. There’s a quiet desperation in his tone, as if hearing it grounds him. Grounds him to this moment. To you.

You can’t help but obey, whispering his name like a prayer, and he rewards you by slipping one long finger inside you, the sensation sending a jolt of pleasure along your spine. Logan watches your face intently as if memorizing the way you react to his touch. When he adds a second finger and slowly begins to thrust his hand, you cling further to him, the heat inside you building to an almost unbearable intensity.

“Good girl,” he murmurs, his voice low and reverent. “You’re so beautiful like this. So wet and warm and tight around me.”

His words barely register in your mind, too focused on the way his fingers curl and thrust inside you, finding that soft spot that makes your eyes roll back. He’s relentless now, his thumb pressing hard against your clit as he brings you closer and closer to the edge.

“Logan, I’m so close,” you whine, your hips beginning to roll against his hand, seeking just a bit more friction, forcing his fingers deeper inside of you.

The tension coiling low in your belly finally snaps, your orgasm washing over you in waves that make your whole body shudder as you cry out his name. Logan holds you through it, his hand continuing to thrust against you as he draws out every ounce of pleasure from you, his own breathing ragged against your skin.

When you finally come down, Logan presses a kiss to your temple as he helps you unwrap your legs from his waist and carefully sets you down, keeping you close.

You tilt your head to meet his gaze, your fingers tracing the line of his jaw. “I didn’t think you’d be into shower sex, old man,” you tease with a smile.

His laugh is low. “I can make exceptions. I need a bed to fuck you properly, though.”

“Prove it,” you challenge.

+++

The heat and intensity between you doesn’t diminish as Logan helps you out of the shower and guides you down the hallway towards his bedroom. A shiver of anticipation crawls up your spine as you get closer, knowing that once you cross this line, there’s no going back, that he will have claimed you fully.

You scoot back onto the bed, watching as he approaches you with a fire in his gaze that doesn’t waver. He climbs onto the mattress, knee pressing down between yours as he cages you in from above, gently pinning you beneath him.

Leaning down, his lips brush against yours, teasing. “Still wanna challenge me, sweetheart?” His voice is a low gravelly growl that sends a prickling rush of arousal down your limbs.

“Always,” you reply breathlessly, arching into his touch as his hands slide down your thighs, parting them with ease.

His grin is sharp as he leans back to take you in fully and you acutely feel the weight of his gaze against your skin. He traces his calloused fingers over your damp skin, along the dips of your collarbones, under the swell of each breast, mapping the curve of your hips as if committing you to memory. Dipping his head, he leans down between your legs, his beard grazing the sensitive skin of your inner thighs and you can’t help but shudder at the sensation.

“You’re so fuckin’ beautiful,” he says, almost to himself, his voice dripping with desire. He drags his lips higher, brushing along your damp cunt, his breath hot and tantalizing. “And all mine.”

The possessiveness in his tone has you clenching around nothing, heat pooling low in your belly and your fingers tangle in his hair, urging him closer. But he ignores your silent plea, almost deliberately testing your patience as he kisses you everywhere except where you want him most.

“Logan, please,” you gasp, the ache between your thighs almost painful.

“Patience,” he chides with a smirk, though his own resolve seems to be thinning. His hands grip your hips, pulling you closer before he flattens his palms against your thighs, opening you fully to him. Then, his tongue is on you, lapping at you with flat, broad strokes in a rhythm that quickly has you teetering on the edge.

Logan’s focus is unrelenting, his low growls of approval vibrating through you as he works you over with an enthusiasm that proves to you this is about more than just pleasure—he’s claiming you, showing you just how much you mean to him. Making you his.

Your thighs tremble around him and his warm, rough hands hold you steady as he slips one, then two fingers deep inside of you. It’s embarrassing how quickly you come as he thrusts his fingers against that spot inside you, your second orgasm of the night crashing over you as his name falls from his lips in a breathless moan.

Before you can properly catch your breath, Logan is moving from between your thighs, making his way back up your body, leaving wet, open-mouthed kisses against your skin. His lips finally find yours in a kiss that’s messy and desperate and you can taste yourself on his tongue, sharp and bright, and the intimacy of it sends a thrill through you.

“You taste so fuckin’ good,” he groans against your lips, his voice wrecked as he grinds his hips against yours, his cock hard and insistent against your hip. “Could spend the rest of my life between between those thighs.”

“Why stop there?” you tease, your lips tugging into a smirk. “I thought you said you’d fuck me properly.”

Logan’s eyes darken, your challenge seeming to light something dark and primal in him. His grin is all teeth as he sits back on his heels, hands curling around your hips and pulling you down the bed like you weigh nothing until your hips are flush with his. “You gotta mouth on you, sweetheart. Should we see if you can still talk stuffed full of my cock?”

The weight of his cock brushes against your slick folds and you gasp at the sensation, your nerve endings exquisitely sensitive. Logan grips himself at the base, giving himself one languid stroke before running the thick head along your cunt, teasing you with shallow thrusts. Each slow, deliberate stroke of him sliding against you leaves you desperate and aching and you lift your hips in search of more.

“Look at you,” he murmurs. “So needy. Bet you’ll take me so well, huh?”

“Yes,” you breathe, nails digging into the muscles of his forearms. “Please.”

He presses into you then, the stretch of his cock making your jaw drop as he takes his time, sinking in inch by inch, filling you completely. Logan’s gaze is locked on yours, heavy and possessive as he watches every flicker of pleasure cross your face.

“Fuck” he groans when he’s fully seated against your hips, his body trembling with the effort to stay still. “You feel��so fuckin’ tight. So damn perfect.”

Your hands clutch at his shoulders, anchoring yourself to him as he starts to move, pulling out torturously slow before thrusting back in harder, setting a rhythm that’s relentless and consuming. Each stroke of his hips has you crying out, your body arching into his as you meet him thrust for thrust.

“Takin’ me so well, sweetheart,” he growls, his fingers gripping the flesh of your hips hard enough to bruise as he continues to pound into you. “Like you were made for me.”

The sound of skin slapping against skin fills the room, mixing in with your whimpered moans and Logans own ragged groans. He leans down, bracing himself on his forearms, the wiry hair on his chest teasing your nipples as his lips find your neck, biting and sucking marks into your skin that feel like promises.

Your legs wrap around his waist, pulling him in deeper, your heels digging into his back as the coil inside you begins to tighten once more. He feels it too, the way you body clenches around him, and his pace falters slightly, his breaths coming faster.

“C’mon,” he rasps against the pulse point on your neck. “Wanna feel you come. Wanna make you fall apart.”

It doesn’t take much more—just a few more well-angled thrusts that hit that spot inside you and the tension finally snaps, your orgasm ripping through you with a force that leaves you trembling. Logan’s finesse is slipping, thrusts growing erratic as chases his own release.

“Come Logan,” you manage in a whisper. “Come for me.”

His hips stutter as he groans your name, spilling into you as his body tenses, lazily thrusting against you as he wrings out the last of his pleasure. He stays deep inside you, still for several moments before he shifts just enough to collapse against your side.

For a long moment, neither of you moves, the only sounds in the room being your heavy breathes and the pounding of your heart. Logan rests his head against your chest, heavy and sweat slick between your breasts. You brush at the strands of hair against his forehead before running your finger along the old scar on his cheek.

He lifts his head to look up at you, his gaze soft yet still simmering with hunger. “I do, you know,” he murmurs. His fingers brush idly against your skin. “Love you.”

A smile spreads across your face, warming blooming in your chest.

“I know.”

+++

You wake before he does, rolling over to find him prone, face buried in the pillow he hugs close to his chest. Sunlight filters in through the half slatted blinds, catching on the silver in his hair and beard and you can’t help but admire how handsome he looks, how at peace he is beside you. He’s relaxed in sleep for the first time since you came here. You’ve heard his growls and yelps of terror that echo in the night, seen the claw marks that pierce his sheets.

Your mind filters back to last night and how he looked as he came apart inside you, how desperate and needy he was for your touch upon his skin. The memory of his gasps and groans send a rush of warmth over your skin, making you dimly aware of the ache between your legs. Logan, so guarded, so unyielding and seemingly unbreakable, trembled as he came, his voice rough and wrecked as he called out your name. You shiver thinking about it.

You want to hear it again. But not now.

Resisting the urge to reach out and brush the hair from his forehead, you leave him undisturbed and slide out of bed. Padding into the kitchen, you find Charles sitting in his chair at the kitchen table, the newspaper spread out in front of him. He looks up at you with a warm smile as you start a pot of coffee, the machine humming to life.

“Ah, I see,” he comments, a smirk tugging at his lips.

You glance over at Charles, his eyes back on the paper in front of him, but his smile still paints his face, sly and knowing. Heat creeps up your neck as you busy yourself with the coffee. “Are you reading my mind?” you ask, trying to force nonchalance into your tone.

Charles chuckles softly and taps at his temple. “I don’t have to. You’re projecting. And quite loudly, at that.”

You bite your lip as you fill your mug, leaning against the counter as the coffee warms your hands. You attempt to clear your mind, trying to think of anything mundane—the weather, baseball, laundry. Charles just shakes his head. “Relax, my dear. What the two of you do together as consenting adults is none of my business.”

“Oh, God,” you groan, your cheeks aflame. “That’s what I’m projecting?”

“Not that explicitly, no. You think more in feelings, rather than words. But they’re quite powerful emotions and rather hard to ignore when they’re radiating as strongly as yours are this morning.”

You bury your face in your hand, peeking at Charles through your fingers, which only seems to amuse him further. “You’re enjoying this far too much,” you mutter.

“Perhaps,” Charles says with a laugh. “But you’re helping him. Healing him. And that, my dear, is worth everything.”

Before you can respond, you hear the sound of heavy footsteps coming down the hall. Logan rounds the corner, hair tousled from sleep, his body still bare except for the pair of low slung sweatpants clinging to his hips. His eyes find yours first, softening in a way they rarely do for anyone else as he scratches at the back of his head and mumbles, “Mornin’.”

“Morning,” you reply with a smile, thankful for the distraction. You pour a second cup of coffee and offer it up to him. “Coffee?”

Logan grunts in affirmation, moving towards you, but instead of reaching for the mug, he loops an arm around your waist, pulling you against him. He buries his face in your neck, beard scraping against your skin as he sighs. “Didn’t like wakin’ up with you not there,” he breathes into your hair, his voice so low you almost don’t hear him.

“Sorry,” you whisper. “I didn’t want to disturb you.”

“S’okay,” he says softly, pressing the lightest of kisses just under your ear. “Next time, wake me.”

Your heart stutters against your ribs at his open display of affection, the softness and warmth in which he holds you, and the promise behind his words. From over his shoulder you see Charles give you a slight nod, a bright smile on his face before he turns his attention back to the newspaper in front of him.

You think back to what Charles told you all those months ago, about how you were a home for Logan. Those words echo in your mind as you feel Logan’s steady weight against you. He’s so different now, soft and unguarded and in that moment you know.

You’re home, too.

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catis15 · 2 days ago

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I'm in gen Z and I've got friends who think like this

I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭

And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.

Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??

Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol

But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/

But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol

So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much

Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????

I don't have a license so I can't talk-

Working on it though ;v;

And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)

Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.

weird anti ideology finally leaking out into the mainstream

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justluxy · 2 days ago

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Perverted Best Friend

Original Story so it’s probably shit

Basically this idea but expanded, Best Friend

Best Friend x Bottom Male Reader

TW: Gay Smut, Breeding kink, Fainting, (Also english is my second language so this story is probably horrible lmao)

Word Count: 2k

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The relationship between you and your best friend, Noah, was always weird. Since middle school students always used to tell you that he liked you. But you ignored them and continued with your life, not knowing that the rumors were true. Now both of you are at college and the rumors that he likes you are getting stronger and stronger. You always caught him looking at your ass when you wore shorts or when you changed in the locker rooms. He even touched your ass by “accident” multiple times, and as the gullible person you are, you always believed it was an accident. You thought that was normal because friends do that right?

Noah always thought about you… in a wild way. Always dreaming of fucking you. Always dreaming of you bouncing on his cock with you drooling and with an expression that only showed pure lust and pleasure. He always jerked off to your pictures and even managed to steal a piece of your underwear and came on them, smirking when you put them in knowing that has his cum in it. He only wanted to hear your pretty moans while he fucked you as hard as he could and fill you up with him seed. Also, he is very jealous, you are a very extroverted person so you have many friends, including guys. Noah always gets super jealous when you talk to them. He just wants to pick you and fuck you in front of your friends to show them who you belong to.

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“Perfect! Let’s have a sleepover in my house!” You said excitedly, you were going to have a sleepover with your best friend at your house where you and Noah will eat snacks and watch movies all night love… poor you, you didn’t know the things that were going to happen that night.

“Perfect! See you there in five minutes” Noah talked on the phone. He was very excited to see you and already had a plan to have you for himself. He smirked noticing that he already had a boner, maybe masturbating before going to your house wasn’t a bad idea.

…

“Hey Noah! Good to see you!” You said excitedly opening the door for him. His cologne smelled amazing to you, he always smelled really good. Especially when he came from the gym.

“Good to see you too,” Noah said, smiling with an innocent smile, a smile that hid a lot of perverted thoughts about you. He entered your house but before he did, he looked at your outfit and body. You were wearing just an oversized hoodie with small shorts… gosh he loved it.

After greeting him you and Noah went to the living room where you turned the movie on and prepared popcorn with sodas for the both of you. Now you were both sitting on the couch eating popcorn while watching the movie. You felt sleepy so you decided to rest your head on Noah’s shoulder. He took advantage of the situation to pull you closer by your waist.

You started to fall asleep and Noah looked at you. You look so beautiful, he just couldn’t resist but to start to kiss your neck. You started moaning in your sleep feeling his kisses. He started leaving hickeys in your neck, many of them just to show everyone in the world that you belonged to him. While doing that, his hand traveled under your hoodie and shirt. He started feeling your smooth chest and after a few seconds he started pinching your nipples. You started to wake up, opening your eyes slowly just to find Noah kissing your neck while playing with your nipples as you moaned louder.

“W-What are you doing N-Noah?” You managed to ask while still moaning. He just kissed the tip of your nose and said, “Just playing around… do you like it?” He said while rubbing his fingers on your nipples.

“I c-can’t deny it… i-it feels pretty nice to be honest…” You managed to say with a blush on your face. He smirked and continued to play with them while with his other hand rubbed your thighs getting closer and closer to your cock. He started rubbing his hand on your cock through your shorts that only made you moan more.

He started to pull your shorts down slightly and moved from your neck to your legs while you only moaned. He started to kiss your cock through your boxers, teasing you while he grabbed your ass. Gosh he loved your ass, so soft,... so smooth… so round… that was his favorite part of your body.

“God… I love your body…” He said while he kissed you on your lips. The kiss was hot and lustful but it was a bit romantic. You blushed, even though he was basically jerking you off, he could still be romantic, kissing you softly while caressing your waist softly.

Then he pulled your shorts and underwear down revealing your hard cock which compared to his, was tiny. He wrapped his hand around the base of your cock, giving it a few slow strokes teasing you. Then he leaned down and took the tip of your cock into his mouth, swirling his tongue around the sensitive head before taking more of your cock into his mouth. Then he stopped and you gave him a disappointed look. He smirked and took your hoodie off and after he took off all of his clothes and to your surprise… His cock was huge! It was nine inches, you have never seen a cock that big before!

“C’mom baby… come suck this cock and enjoy it” He said with a smirk and you obeyed, not knowing why. You got between his legs and wrapped his cock in your hand while he took a bunch of your hair. He gripped your hair tightly as you started to slowly lick and kiss the head of his cock, his hips bucking up slightly at the sensation. He bit back a moan, trying to hold back his eagerness as he looked down at you.

“Gosh I love your such pretty mouth…” He let out a soft moan as you took the head of his cock into your mouth, his grip on your hair tightening even more as he tried to contain himself. He couldn’t help but moan and groan as you started to bob your head up and down his length.

His hips bucked up involuntary, his control slipping as he began to thrust his hips up into your mouth. He let out a series of loud, desperate moans, his body teasing as he got closer and closer to the edge. Noah let out a loud moan as he came, his body arching as he released into your mouth. His grip on your hair was almost painful as he held you in place, riding out his orgasm as he filled your mouth with his seed.

“Good boy” He said smirking as he positioned you on all fours, admiring the view of your ass presented to him. He couldn’t help but reach out and give one of your cheeks a firm squeeze, his fingers digging into the soft flesh. You moaned, feeling his hands. He leaned forward and bit on your shoulder, his teeth leaving a mark on your skin as he trailed kisses down your spine. He then moved his hands to grip your hips, holding you in place as he positioned himself behind you. He started slowly pushing into you, his large cock stretching you open as he let out a moan.

“F-Fuck… s-so big agh…” You said when finally his large cock was inside of you. Noah paused for a moment giving you time to adjust to his size, before he started to move. He started with slow, deep thrusts, his grip on your hips tight as he set a steady pace. “F-Fuck… you’re so tight baby fuck… I love this ass” He said as he continued his slow thrusts.

He gradually increased the pace of his thrusts, his hips snapping against yours with great force. His fingers dug deeper into your hips, sure to leave bruises as he claimed you as his own. “F-Fuck… agh” You moaned feeling that he smacked your ass, the sound of his hand echoing through the room. He gripped your hair with his other hand, pulling your head back as he continued to pound into you. He smirked as he saw how your body reacted to the spank. He gave your ass another smack, this time harder than before, as he leaned forward to speak to you in your ear, “You like this don’t you? You like your ass being spanked little slut” He said as he continued to thrust into you.

Noah continued to pound into you mercilessly, his grip on your hair keeping your head back and exposing your neck to him. He took advantage of your exposed skin, leading down to bite and suck at your neck, leaving marks all over showing who you belonged to. He felt himself getting closer and closer to coming, his thrusts became more erratic and desperate as he neared his release. He let out a string of moans and curses, his breath hot against your ear as he continued to mark your neck. “F-Fuck I’m close… I-I’m gonna fill you up baby, are you ready?” You could only let moans and moans so you just nodded at his words.

He slammed into you one last time, burying himself deep inside you as he reached his peak. He let out a loud, guttural moan as he came, his body shuddering with pleasure as he filled you up with his hot seed. At the same time you let out a loud moan that sounded like a porn star’s moan, finally reaching your orgasm as you felt his hot cum inside of you. “T-That was amazing… I have always dreamed of having you like this all to myself…” You chuckled, “So all the rumors that you liked me since middle school were true?” You asked curiously, “Of course haha… how could I resist your charm and this beautiful ass?” He said spanking your ass playfully.

“Mmm.. I think I want more… “ He said, hiding his face on your neck, giving you soft kisses, “mmm.. Why not?” You said smirking, eagerly for feeling his hot cum inside of you again.

He gently flipped you over so that you were laying on your back. He leaned down to capture your lips in a deep, hungry kiss, his tongue dominating yours as he claimed your mouth. His hands roamed over your body, his touch gentle as his hands reached your ass, giving it a small squeeze while with his finger played with your sensitive hole.

Both of you continued fucking until you fainted out of exhaustion, he smiled and stopped thrusting into you as he kissed your chest slowly as he pulled out of you and went to the bathroom to get towels and warm water to clean your body. After he finished he hugged you and fall asleep next to you and he smiled softly, finally his dream came true, he was hugging his crush and had finally fucked him, he was the happiest man alive.

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You woke up and saw him sleeping next to you, you smiled seeing his cute expression while he slept. Then you noticed that your body was cleaned and you felt happy that at least he cleaned you. You hugged him. After a few minutes he opened his eyes slowly looking at you, “Morning baby how did you sleep?” He said with a caring tone, “Fine… that was the best orgasm I had in years”, You said chuckling while he smirked, “Wanna do it again?” He said while his hands squeezed your ass, “Happy too…”

Since it was Saturday, the day was long for both of you. You and him fucked the whole day, finally your best friend’s dream came true, and you were more than happy to be with him and to feel his cum inside of your ass over and over again.

#bottom male reader #gay #male reader #x reader #reader #gay smut #smut #gay boy

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badnewswhatsleft · 3 days ago

Text

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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alchemistc · 10 hours ago

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Harry twirls a lock of dark curls between his fingers. Tips his chin against Tommy's head and stares up at the ceiling. He considers not asking, this time.

The sex is good, and Tommy's funny, and if he closes his eyes he could imagine there could be something - Tommy twitches and shifts his hand lower like he might be gearing up for another round, and it breaks the fantasy. That's new.

"Tell me about him," Harry says, and Tommy's eyes tip up to glare at Harry.

"Making an assumption, there," Tommy warns, but Harry just raises an eyebrow. Six years of this and Harry knows better than to expect Tommy would show up at his door for any reason other than to get his mind off of something - someone else.

"So we're both asses," Harry intones. He needs to call the super, see what they'll do about the water stain on his ceiling. "Tell me about him."

Tommy sighs. Twists, drifts away to the second pillow, and Harry's done this enough times not to mourn the loss, exactly. It's not like he's ever told Tommy -

"He's too young. Impulsive. New."

Harry fails to hold in his snort. "Okay."

Tommy at 34 had been a fucking hurricane. Newly out, no holds barred, he'd jumped right into the deep end and let the storm whirl him around. They'd been friends, for the first six months, Harry a watchful presence while Tommy made it his mission to be more than the guy in the dark corner getting a risky blowie fifteen minutes before last call. To be out - not loud, that wasn't Tommy's style - but to at least be himself.

He'd lasted two months in a real, actual relationship before he'd shown up at Harry's door with a six pack and a box of condoms.

"He looks at me and sees this - cool suave guy -" Harry shifts, nearly interrupts because that guy is exactly what Tommy projects, even if he doesn't mean to. Fucking Scorpios. "- and I was falling for him."

Yeah. Harry can extrapolate from that. Tommy fell ass over tea kettle and then got spooked.

"He's just so fucking open with himself. No brainworm goes untouched, and he can't hide his emotions for shit, and he's so goddamn stubborn and so goddamn ready to bulldoze through every hurdle ahead without looking back at the damage, and..." Tommy trails off. One hand shifts down to hitch the duvet up over his hips, and Harry adds the duvet cover to his list of laundry. "I gave him too many chances to slow down on his own."

"What, did the kid ask you to marry him or something?"

"He's the Himbo," Tommy retorts, and it takes Harry a moment to make the connection. He whistles through his teeth just to watch the scowl fall into place on Tommy's face. "And the connection freaked him out so much he asked me to move in. To his bachelor pad loft." Harry waits. "It has two balconies, Harry. Two."

"...he knows you have a mortgage, right?"

Tommy shoves at his shoulder. "It doesn't matter. We're just - the timing wasn't right."

"Did you want it to be?"

That's always the thing he ends up hung up on, in Harry's experience. Tommy's scared out of his mind to be the right person at the wrong time. Always has been. There's probably some mommy or daddy issues hidden in there somewhere he hasn't explored. Tommy's eyes drift up to the water stain. "Don't these apartments all have the same layout?"

This is the shove-off. This is his hint not to push. "Yes, and I really don't want to ask how the upstairs neighbor flooded their bedroom. Back to the guy." He's never been one for acknowledging unspoken cues.

"Buck," Tommy says, and the name sounds harsh in his mouth.

"Buck," Harry repeats, and pictures Tommy's usual type - tall, light-eyed, more smiles than common sense. There was always something distinctive, too - freckles, a scar, weird shaped ears.

"I miss him."

It doesn't hurt the way it had those first few years, when Harry was convinced that eventually Tommy would see him as more than a friend to blow off steam with. Still. There's a twinge there, beneath his rib cage.

"So stop missing him. That's an option, isn't it?"

And Tommy does that thing - that frustrating, enchanting thing, where his whole body seems to hold the emotion flickering across his face. "I walked out on him. I dug the damn knife in just to make sure he wouldn't try to convince me to stay."

"Would you have? Stayed?"

Tommy's quiet. The sweat has cooled on his skin, and the lights coming in through his window dance across the skin of his shoulder, his chest, that stupid thick neck of his.

The phone he left on the bedside table is dark, but that doesn't stop Tommy's gaze flicking to it.

"Cards on the table, Tommy?" Harry sucks in a breath. Blows it out through his nose. "Once upon a time, I convinced myself you were it for me. That I'd be satisfied with what you gave me, and I wouldn't ask for more. I cut you out of my life for eight months when I realized how fucking dumb that was."

Tommy frowns. Harry hadn't really ever expected him to notice.

"I've seen you through shitty relationships, and one sided ones. I've heard all the bullshit you and Greg put each other through. I've been there for every fucking heartache."

And he'd offered up his body like it was absolution for always being fucking thrilled when a relationship ended.

"You called me Evan," Harry murmurs, and Tommy's eyes go wide. That's never fucking happened before. This thing wouldn't have lasted nearly as long if he'd ever heard another man's name in his bed before. "You should shower. Go home. Take a day or two, if you need it. But I know for a fact you wait this shit out, justify coming to me with time and space from whatever guy has you strung out. I know it's been a minute already, and I know you've never sounded so unsure about cutting someone loose."

Tommy's gaze flicks to him.

"Whatever it is that's got you so scared of this guy, figure it the fuck out. Because it sounds to me like you fell fast and hard and hit a fucking wall before you ever thought to tap the brakes. That's not fair to you or him. Call him. Text him. Show up at his door with a bouquet or an industrial size bottle of lube and figure your shit out. Together."

Tommy stares at him for a long, long time in silence.

"Them's the brakes, huh?"

Harry hates that he knows exactly what Tommy means. Still, he clarifies. "This is your forever guy." Six years of watching him flail and learn and grow and hurt and love and fuck. He knows a thing or two about Tommy and his flights of romance. Knows this lonely man has never sounded quite so lonely before. "You don't need me, anymore."

He's quiet as his eyes drift back up to the stain. "I'm not his forever guy." Harry can't actually refute that, considering he's never met the guy. But he knows Tommy. Knows exactly how captivating he can be. Knows Tommy's a sucker for that starry-eyed look that so often has meant not love, as Tommy reads it, but idolization. "What if I'm not his forever guy?"

Harry digs toes into the spot in the duvet where Tommy's knees should be. He shifts Tommy about half a millimeter. "He has a nickname you don't call him except when you're punishing yourself. He dated Abby and that shared history didn't scare him off. You'd never let yourself fall for a guy that wasn't throwing clear signs that it was serious. I'd put my odds on him doing something weird and wholesome every time he thinks about you until his entire two balcony loft is filled with trinkets or treats and he still can't get you off his mind."

Harry's never seen Tommy's face do that before. Not in the throes of a honeymoon phase and not in the worst of a bad breakup. It's some awful mixture between unbridled hope and abject despair.

Harry thinks it's probably fair to hate him a little, for that face. He's earned the right.

"If he kicks you to the curb, I'll take you to one of those expensive wine tastings you pretend to hate, and I'll let you drink all my samples too." It's not an idle promise. Tommy may pretend to hate it but Harry fucking loves wine tastings. "If he doesn't..." Harry shoots him a fond look, "...knowing your type I'm not invited to the wedding anyway, so I guess then I'd been seeing you around."

Something shadows his gaze for a moment, but he's quick to hide it, to smack Harry on the chest like they've just had a good game, to shift out of bed and into his briefs before Harry can blink. He doesn't love Tommy. Not the way he'd have liked to, years and years ago. Still, when Tommy shoots him the dorkiest finger guns known to man and scoops up the rest of his clothes to take to the bathroom with him, Harry still wonders what it's like to have him enough to love him fully.

---

The name catches him off guard every time he hears it. 'Evan' isn't hard to filter - Evan had been a popular enough name to immediately write it off but Buck wasn't white noise of a name

Buck was a character in a movie, an old grizzled war vet, a dog. The name Buck wasn't popular enough not to hear it every time it was so much as whispered in his direction.

The coffee shop isn't crowded, but it's not dead either. When the girl at the counter calls out an order for Buck, sliding three cups down the counter, Harry can't help but look up.

A tall broad shouldered hulk of a man smiles a dimpled smile at the barista, and Harry watches him palm two cups and grab the third one in one practiced move. He's cute, Harry thinks. Maybe his grandpa ordered, Harry thinks, a little harder, and then caves, following his path through the three-tops littering the lobby.

Harry catches sight of him without being noticed. He's grinning, one of those rare earnest ones that make his ears rise and his face crinkle like a Shar Pei, hand spread out over something lying open on the table. The little girl on the seat to his right is a surprise, but Harry hasn't spoken to Tommy in two years. Maybe he's had enough time to get his mind around the idea that he's nothing like his father. The girl responds to something Tommy says by palming at as much of his face as she can reach and turning to the man now approaching their table.

"Uncle Buck!" he catches, another firm tug at the part of his brain that's been stuck on this for too long. The man barely gets all three drinks on the table before the girl is launching herself up into his arms, and it's too late for Harry to turn away without notice. Tommy's gaze shifts across the room and lands right on him.

He looks like he might wave Harry over, and Harry would rather die than know whether Tommy would introduce him as an old friend, or by name like Buck should know it. He tips a smile Tommy's way. Raises a brow at the man - Buck - and gets lips being sucked behind teeth in response, and then a slow, subtle head tilt.

Good. Good for him. Harry's never wanted anything for Tommy but to see him incandescently happy.

Witnessing it from a distance is better.

Buck twirls his - niece? - flops her back down on the bench seat next to Tommy and bends to say something that includes a pinky promise. He's got a wine-dark stain just above his brow, and Harry can't quite hide the tip of his smile.

Harry's name rings in his ears as he picks up his drink, and he's halfway to the door, feeling proud of himself for not turning back, when he hears the chorus of three laughs erupting from the corner where he'd taken his last good look.

He'd seen the ring on insta, a week and a half ago. Just an uncaptioned picture of two bands balanced one over the other on a rock, a killer sunset sky blurry behind them. No tags. 102 likes and counting.

Harry pushes through the doors and only glances through the window to watch Tommy tip his head back in laughter for a second, before he's cleared the coffee shop and rounded the corner back to his office.

#bucktommy #bucktommy fic #tevan fic #tommy + omc #outsider pov

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foolsmask · 10 hours ago

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Voyager added so much lore to Vulcans and I love it. Not knocking TOS or TNG (they just didnt have the inclination, time, or interest to dig as deep), but Spock left me feeling like he was weird because he was half human and Vulcans as a while were truly emotionless. Yeah we saw the Pon Far but that was once, and I feel like they played up Spock's version of it as worse than normal. And when Sarek died he gave his memories to Picard, a human who couldn't possibly be prepared to handle having all that extra crap in his head, so it felt like his acting out was just dealing with the psychic trauma.

But Tuvok really gave us some good shit to work with. Vulcans were just as emotional as humans, maybe even more so, but they kept it under control. I was relatively young when Voyager was on (like early teens?) and this particular episode, and others dealing with Tuvok, gave me a lot to think about. I wasn't particularly traumatized or anything, but seeing this Vulcan admit he went through all the dark shit Kess went through, that I at least identified with, and still found a path through it gave me a sense of...not being alone? Granted Tuvok is a fictional character so it wasn't really him I connected with, but if another person wrote the script and the director and actor made the show it had to mean they all identified and understood what they were portraying. It meant I wasn't weird for being the way I am, other people felt the same way. That is a big part of why I love Star Trek. No Voyager isn't my favorite series, DS9 is, but Voyager really had its moments.

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bloodibambiidoll · 2 days ago

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What if someone who had a massive crush on rafe started dressing and acting like weird girl reader in an attempt to get his attention

I think she wouldn’t live to see another day !! Just kidding… but it wouldn’t be good for her… Possessiveness, talks of weird!girl getting bullied in the past, use of a butterfly knife (no breaking skin), Barry banter, weird!girl gets just a lil crazy here, she’s at her limit what can I say !! 18+MNDI!!

You don’t who the fuck this bitch thinks she is, who she thinks you are but she is about to get a reality check real quick. You’ve been watching it slowly progress. First you saw her at one of Topper’s parties wearing fuzzy demonias and a frilly mini dress and it just got worse from there. This girl whose name you haven’t thought of in years, Brittany. She treated you like shit all through school and she spent that same amount of time begging for Rafe’s attention. Which he never gave to her. And now? She’s dressing like you and posting pictures on her Instagram story of her in the middle of the woods. You even saw she had a sonny angel on the back of her phone in one of her selfies. Just like you. She’s been showing up at parties more and she’s somehow always at the country club when you and Rafe are. She’s never caught him alone though. Not until now.

You decided to stay home tonight, Rafe was going to a party with Barry and a few of their other dealer friends and you were tired. But when you got a text from Barry that you needed to come rescue your man because some girl wouldn’t leave him alone no matter how many times he turned her down? You knew who he meant and you were out of bed putting on a quick beat and a cute little outfit immediately. You called an uber and were there in less than an hour.

When you rolled up there was music blaring and lights flashing from inside so you pushed your way through the sweaty, weed and beer smelling living room while scanning for your man in every corner. It didn’t take you long to find him. He’s sitting out on the back porch on a bench, counting money on the small table in front of him, surrounded by his guys, and fucking Brittney. Barry is in between her and Rafe but she might as well be in his fucking lap from the way she’s leaning over him to fawn over your fiancé. She’s wearing a little lace corset top and a black mini skirt which wouldn’t be that abnormal for a basic kook bitch like her but she’s wearing the same platform boots you had on last week, a studded choker, and a chunky belt to match. It makes you see red immediately.

You stomp out the back door and across the patio with tunnel vision. Your white platform Mary Jane’s clank against the ground and your little pink mini skirt swishes with every step. You walk right over to Rafe and plop down in his lap, interrupting his money counting.

“Hey, baby.” You throw your arms around his neck and smile at him sweetly, which he returns.

“Hey princess. Thought you weren’t coming. Just gimme a second to finish this up and I’m all yours, Kay?” Rafe kisses your cheek all sloppy before going back to business. Which you don’t mind because you have some business of your own to take care of. You turn sideways in his lap to see Brittany glaring over at you with her mouth agape, like she’s shocked to see you sitting in your man’s lap.

“Oh, hey, Brit! Fancy seeing you here! I didn’t know you were seeing Barry!” You smile at her sickly sweet, gesturing to the way she was splayed across his thighs. “And I love the outfit, didn’t know dressing like a weird little fucking freak was in now!!” You giggle as you throw her words that she’s spewed to you a thousand times back in her face.

“What? I’m not seeing him. What are you talking about?” She scoffs and rolls her eyes, throwing her thin mousy brown hair over her shoulder. “And this? This is what everyone is wearing now. Do you live under a rock?”

“No, I don’t. I live in my fiancés big, nice house were he fucks me so good everyday.” Her blue eyes that she sloppily applied a large eyeliner wing to blow wide as her hand flies to her chest like you just hit her. It just makes you smirk as you lean across Barry’s lap so you can get in her face.

“Well, we will see how long it takes him to get bored of you. He is Rafe Cameron after all, you never know when someone shiny and new is gonna come around.” She says it quiet enough that you don’t think in his state of focus Rafe hears her but Barry suddenly looks very scared for her. And he should. You peer over your shoulder to make sure no one is looking your way and pull the butterfly knife tucked in your garter from its place all in one move. You stare into her eyes as you flick it open, finally putting those tricks you spent hours in your room teaching yourself to good use. You lace your finger into the loop of her cheap, wannabe choker and pull her face close to yours, holding the blade to her throat.

“Shiny and new?” You chuckle darkly. “Honey, you’re so fucking ran through Rafe is probably the only man on this island that hasn’t touched you. And he never will. So ditch the act. Go back to your lulu lemon’s and stay the fuck away from my man. Before I make you.” Your voice is calm and collected but the smile on your face and the underlying tone of it, mixed with the knife you have to her throat has her shaking with fear.

“You’re fucking crazy.” She gasps and tries to pull away but you only pull her closer, not enough to cut her, but enough to threaten it. You lean in so your lips brush her ear, letting out a manic giggle.

“You don’t even know the half of it. Stay away from him. Or you’re fucked.” You give her a condescending sticky lip gloss kiss on the cheek before pulling back and flicking your knife shut. She gasps and grabs her throat like you actually slit it and it sends you into a fit of laughter as she runs off with tears streaming down her face.

“Damn girl, I didn’t know you played like that.” Barry chuckles and he looks over at you with a proud smile.

“Yo, are you flirting with my girl again?” You look over your shoulder to see Rafe tucking a wad of cash into his pocket before you feel his arm lace around your waist so he can pull you against his chest.

“Nah, I mean, maybe a little bit.” Barry sends you a smirk and a wink that has Rafe groaning into the crook of your neck. “But don’t tell me you didn’t hear alla that…”

“Oh, no, I heard it.” You feel Rafe’s lips curve into a smile on your neck. “You feelin’ a little territorial bats?”

“Oh, absolutely. Not just over you, but over being the island's resident weird girl. You don’t get to jump on the train after shitting on it.” Your face sets into a glare that sends Barry and Rafe both into a fit of laughter. “Hey! Fuck you guys! That bitch made my life a living hell, she had it coming to her!”

“Yeah? You don’t think holding a knife to her throat was a little excessive?” Rafe squeezes your sides and you try to push off of him but he just pulls you closer.

“Honestly, country club is right. It probably would’ve been less crazy if you just hit her ass.” Barry rubs his fingers over his chin, the smirk on his lips causing the grill on his teeth to glint in the low light.

“That’s rich coming from you two!!” You scoff out a laugh that has them both laughing along with you.

“But honestly though? That was so fuckin’ hot, baby. Lemme take you home and show you who I belong to, yeah?” Rafe runs his nose along your throat before placing a few kisses there that have you throwing your head back against his chest with a sigh.

“Aye, unless you’re gonna let me in on it, I suggest you get a fuckin’ room.” Rafe sends Barry a glare that he returns with a smug smile. “What? Just sayin’.”

“Bro. It’s never gonna happen. Stop trying.” Rafe leans over you to shove Barry’s shoulder playfully before scooping you up carrying your ass out of there so he can take you home and fuck you until you can’t take it anymore.

Tagging some mooties: @babygorewhore @cxrrodedcoffin @starkeysprincess @cameronsprincess @rafeinterlude @nemesyaaa @bunnies-p1tst0p @eddiesxangel

All things Rafe & his weird!girl here

Divider by @anitalenia

#weird!girl reader #weird!girl #Dolly writes #rafe Cameron #rafe blurb #Rafe thoughts #rafe x reader #rafe cameron x reader #rafe concepts #rafe cameron fanfiction #outerbanks rafe #tw knife

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judysxnd · 2 days ago

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Baby who ?

Pedro pascal x reader

I had this in my drafts for a very long time (like the rest of my writings). But it kinda happened when I was online shopping, I said Baby Yoda and I surprised myself and it gave me this idea 😂

It’s just a little something, nothing big (or good) but there ya go 🤷🏻‍♀️

I'm finally publishing something again. I mean this was written a long time ago and only needed some editing.

Also, as Christmas is getting closer, my job is going to get even tougher and I might even get less time for me but I'm determined to write again. I miss it too much! And I've received some requests again, so I'm going to try my best. Thank you 🫶🏼

—————————————————————————

Today was a stay-at-home day. I mean, it’s Sunday, there isn’t much to do. It was also Pedro’s day off, so you did want to spend the most of it with him. But neither of you had the energy to actually do something, like go hiking, doing some chores or something else, so you just chilled the entire day.

Stayed in bed until 11am, a late breakfast for lunch, staying on the couch with some tv show in the background, but really you’re just talking and catching up on what’s going on since Pedro was away for some time.

At some point you had brought your computer after needing to make a quick search on internet to prove a point (and unfortunately he was right), you ended up looking through some clothes and stuff. Why not do some online shopping? But you didn’t really like anything, so you were just looking and casually judging some seriously weird stuff. At least you were both enjoying yourselves while not really doing anything.

“Oh look at the socks!” You said as you saw Grogu on some pair of socks. It immediately made Pedro turned his head, having a big smile after what he saw

“They are so cute!”

“Oh, wait” you scrolled a bit further “there are also shows with baby yoda on it!” You immediately realized what you just said, and as you felt Pedro freeze, you slowly turned your head, trying not to laugh. He was shocked, his big brown eyes looking straight at you. “Shit- sorry, grogu!”

You looked at each other for a few seconds but neither of could contain their laugh.

“You’re lucky” Pedro said looking at you then at your screen

“Or what?” You teased. He arched an eyebrow

“Or I would bring you in warm or I would bring you in cold” he said with his mandalorian voice. You were speechless, and not in a bad way.

“Look who’s teasing now” you kept going, which Pedro just laughed at. “liking the voice very much right now” you whispered

“Wh-what was that?” Pedro leaned

“Hm?”

“What did you say?”

“Nothing” you stared at each other again, and just laughed “hm”

“I won’t repeat it, so if you heard it, good for you, if you didn’t, well.. it’s too bad” you shrugged

“I swear” he laughed

And that's how it became a game between the two of you. But for real.. He did bring you in warm many many times.

#fanfic #imagine #oneshot #pedro pascal #pedro pascal fanfiction #pedro pascal imagine #pedro pascal fic #pedro pascal preferences #pedro pascal x female reader #pedro pascal x y/n #pedro pascal x you #pedro pascal one shot #pedro pascal smut #pedro pascal x reader #pedro x reader #pedro pascal fanfic #pedro pascal x f!reader

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auroracalisto · 2 days ago

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opposites attract, or so they say

simon x gn!reader, 1.9k words summary: simon's got a crush on the sweet little thing down the street. a/n: I love him. I love kyle gallner. send help. tw: lots of cussing but it's mostly because I went with simon's pov and ran with it, simon is buzzed, brief mention of sexual content but like nothing other than the idea

Simon was a lot of things.

Angry. Vile. Crude. A badass punk rocker.

But there was something more to him than just that. There was something deep within him that screamed for release, that just wanted to be a part of his world just as much as the rest of him.

And that, which it's far more simple than you might think, was the need to be loved.

His family was shit. That was a given. Never once looked at him like they were proud of him, which for what it was worth, he couldn't give a shit.

His bandmates were fucking righteous, but what the fuck's that got to do with anything? Love from a bandmate? Right. Weird as fuck. This wasn't one of those half-assed teen romcoms where the drummer fell in love with the lead singer. He'd rather vomit in front of an entire set than have his drummer fall in "love" with him.

And then, there was you. That bitch down the block that made him question anything and everything. Just looking at you made him feel things that he wasn't used to, and it infuriated him.

Sure, maybe he wanted to be loved, but by you? Sweet, little Y/n who'd never had a bad thought in your life? For fucks sake, it was as if the universe was laughing at him!

The universe was always laughing at him.

But who cares? He was in a punk ass band, he always stuck it to the Man, and when it mattered most, his bandmates showed up when others didn't.

But you were always on his mind.

Shit.

He was down bad for you. There was no way around it.

Standing outside your doorstep, half-smoked cigarette hanging from his lips, he knocked rather loudly. If you didn't answer, he'd just leave. God, he hoped you didn't answer. The cherry wine coolers he'd had just moments before weren't doing much to settle his nerves.

Why the fuck was he even nervous?

It wasn't like it was the first time he'd been around you. Hell, he'd smoked a cigarette or three on your doorstep, complaining about anything and everything as you drank a soda, a coffee, or one of those cheap wine coolers he brought you.

It wasn't like he didn't know you.

There's a pause as he sucks in a deep breath of smoke, and the door opens to reveal you. In your pajamas like a good little samaritan, ready for bed at 10 in the evening.

Simon silently scolded himself. Of course you were ready for bed. A goody-two-shoes who most definitely wasn't waiting up for some kind of divine inspiration for a new song. Who wasn't waiting up for some kind of alcohol to finally kick in.

You blinked slowly at him. You knew him—not as well as you would like to, but you knew him. You had a history class together back in high school, and while you weren't that teenager from way back when, you still remember the inkling of a crush you had on him. You knew him way better then than you did, now.

Ethics be damned, am I right?

"Simon?"

Your voice was so soft, so sweet. He just wanted to turn around and walk away, to avoid you so he wouldn't taint you like he wanted to.

Dammit.

"Hey, Y/n," he said, dropping his cigarette and crushing it beneath his boots. "You, uh, got a minute?"

You blinked slowly but gave a small nod, stepping out onto the porch. You closed the door behind you to keep the cool air from going in. Your arms crossed over your chest and you watched Simon closely before he spoke. It wasn't the first time you had done this.

You stood barefoot in front of him, the cold concrete a not-so-welcome addition to the conversation.

"Look," he began. "I, uh, just wanted to—well, fuck, I don't know what I wanted to—"

He was a blabbering mess. What the fuck was this? He was confident, but around you, it was as if every little bit of his brazenness melted away.

"You, me, bar tomorrow night, yeah?" he blurted.

Simple. To the point. Far less embarrassing than what happened just moments prior.

Your eyes widened, and he can see the gears turning in your pretty mind. But you didn't seem adverse.

You smiled a bit. "What bar?"

He blinked slowly. "What bar? The fuck—uh," he looked over his shoulder, clearing his throat. "Sure. Why the fuck not? Bar on Main Street."

"Will I meet you there?"

He scrunched his nose. "Yeah. Meet me there."

"Cool. What time?"

He blinked slowly. "Time? Fucks sake, Y/n, you ask a hell of a lot of questions," he said, snorting softly. "Let's, uh, say nine? Or is that too late for you?" He eyed your warm pajamas.

"I'll be there," you said.

He perked up a bit before he looked you up and down one more time. "Fucking right," he said. "Be there." He took a step back, nearly faltering on the first step of your porch, but then he turned away and without another word, left you behind.

Fuck. Fuck, fuck, fuck. He wasn't stupid. He was smart in his own ways, sure, but what the actual fuck was that?

Girls threw themselves at his feet, especially when he was John Q. Guys did too, in their own ways—hell, he had one guy one time tell him he'd give him a blowjob if he looked at him for longer than five seconds.

He almost took him up on the offer. But that was nearly a year ago, and the way you looked at him tonight made his heart melt in the confines of his beaten chest.

Dammit all, what the fuck was he doing?

Love. What the hell would love give him that he couldn't get from some random fucker down the street?

What in the ever-loving hell was he doing?

Nine o'clock on the dot, he was there at the bar on Main.

Down bad. He knew it, too. Even canceled his band practice just to come and see you. His drummer had nearly cussed him out, but Simon didn't give a shit.

He went straight to the bar and ordered a beer, downing half of it in the first few seconds of having it.

When he felt a hand on his arm, he nearly jumped out of his skin. He looked down, seeing you standing there. You actually came. You weren't pulling his dick, you actually showed up.

His heart pounded nervously in his chest. Shit. When was the last time he was actually this nervous?

"Y/n," he said.

You smiled up at him. Did anyone ever tell you how pretty your smile was?

What. The. Fuck.

"You said nine, right?" you asked. "I'm avoiding my pajamas just for you."

Just for him. Fuuuck.

You were cute.

He shoots a cheeky grin, leaning against the bar counter. He could be suave. He could be confident and not seem as needy as he felt. The pyro was more than capable.

But for some reason, he didn't feel like lying to you. He didn't feel like joking around, or trying to show you something that simply wasn't true.

He'd loved you since that stupid class back in high school—the one with Mr. Fuck-face and that terrible toupee. You had been so nice to him, while everyone else had treated him like a parasite. Not that he blamed them. He knew what he was.

He cleared his throat and looked around the bar. Maybe it hadn't been the best place to ask you to, but the alcohol definitely would help at some point.

"Yeah. I said nine," he said.

You ordered a drink. He doesn't listen to what you say to the bartender. He's staring you down, eyeing you like a fine choice of meat. Fuck, you were, though. Every inch of you was like heaven to him.

Maybe it wasn't love he wanted. Maybe it was just lust that kept him in a chokehold.

Besides, he hardly knew you. Knew you briefly in high school, but the fuck's that matter? How long has it been since the two of you graduated?

Long enough.

Long enough for everything to change, except for him, apparently.

"How've you been?"

Your voice drew him out of his thoughts. He looked at you, blinking slowly, before he shrugged.

"Busy," he said.

"You still playing?"

He blinked slowly. "Huh?"

"In high school. You had a band. You still playing?"

You remembered that? Shit.

"Yeah," he said. "I'm still playing. We play a couple gigs here and there."

Your eyes widened. "Really? Where do you play?"

"Wherever we can get a spot. You, uh, should totally come out to hear it some time."

You smiled immediately. "I would love to," you said.

He stared you down. Either you were lying or you were one of the fuckers who he knew he'd never get enough of. It's looking like it would be the latter.

He looked away from you, taking a swig of his beer.

"You think that—"

He interrupted you, slamming his beer onto the counter. "Look," he said rather quickly. "I don't know what it is, but I need you to take me seriously for a second."

You blinked slowly. "Yeah. What's up?"

He clenched his jaw as he looked at you. He wasn't angry with you—nah, he was angry with himself. Not talking to you sooner, not kissing your pretty mouth, not—

"I think you're fucking tits," he said, taking hold of you by your shoulders. "I'm not about to sit here and tell you I love you, because I don't, but for fuck's sake, I want you more than I've wanted anything in my entire life."

Okay. Lie number one. Starting off strong. But how could you love someone if you didn't truly know who they were? Guess it wasn't really a lie. It just... was a half truth, if that.

Your eyes are wide as you stared up at him. "What?"

"I want—" he began, letting out a labored breath. "I want you. Okay? There. Fuck. I said it."

"You... you want me? How?"

He snorted softly at your question. "I want you in every fuckin' way imaginable, Y/n."

He said nothing more, leaving it up for your interpretation, but clearly, by the way he was looking at you, it was obvious.

"Simon—"

"Nah, don't," he said. "If you're gonna protest, I don't want to hear it."

"I'm not gonna protest—"

"—I've had enough people tell me they don't want me, and it pisses me off."

"But I—"

"—I'm serious, Y/n."

"Simon. I'm not protesting," you said defensively. "I—I feel the same way."

He blinked slowly at you, like he didn't just hear you correctly.

"What?" he asked.

"I like you," you said. "Have for a while now."

"You..."

"Yeah. I do," you said.

"Well shit," he breathed out, looking down at you. "Well that was easier than I thought it would be."

He pulled on a cheeky grin, and those pretty eyes of his bored into yours.

"You should kiss me," you said, smiling up at him.

"The fuck?" he let out a curt laugh, but he took you up on the offer. A hand moved to the back of your neck, and his lips pressed to yours almost instantaneously.

Fuuck, he'd wanted to do this shit for ages. Why the hell didn't he ask you sooner?

#simon x reader #simon dia #dinner in america #dinner in america x reader #John q #John q x reader #kyle gallner #Kyle gallner x reader #simon dia x reader #dinner in america simon x reader #dinner in america fanfic #reader insert #x reader #gender neutral reader #x gn! reader #simon John q x reader

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faorism · 2 days ago

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im feeling real the call is coming from within the house vibes rn, so im going to be kinda nasty for a hot minute because you actually were the reason i came across this post in the first place. my friend and i were so aghast at your racializations of hardison in a fic, that they had to see who the fuck you are. and your own ignorance highlights why this response is kinda bullshit.

incorporating race is absolutely something that fandom needs to be better about doing. absolutely. but up your attempts at doing so show how stomach churning poor follow through can be, where i would have preferred you not give an attempt at all. because in the fic in question, you use the wildly outdated term "ebonics" to refer to hardisons exaggerated speech that he codeswitches into occasionally. my friend and i spent fifteen minutes trying to decipher your implications in the line: "He’s young, or maybe (hopefully) just black, is the first thing."

i did not read your evil!hardison fic, because i didnt trust your ability to write an entire fic focused on him. that said, i felt like a got enough out of this hc post:

so! i think there's some good points here (perhaps!) about what hardison would look like with a possessive god complex, as opposed to him being a thoughtful provider building homes for the people he loves. and yes, "ownership" is a very contentous topic in the Black community, given how white supremacy has subjugated Black capital. but whatever analysis i would give you credit for—and any brownie points you could get from naming the racialized aspect—is immediately wiped when you fucking compare hardison to a goddamn overseer. you know, like an enslaver overseeing enslaved people? you imply here hardison, a Black man, would be a kind master to his employees. which is just so vile to be casual about.

attempts were made, i can say about your posting and writing. but i don't at all respect it, because you still have so much to really pull together to not be offensive about things.

which gets back to this post. you say your saw weirdness. why the fuck didn't you name it? no, really. did you actually see it or are you trying to save face now? you're not welcome for the labor i (nonblack latinx) and my friend (Black) had to go through to process this post. don't rely on others to do the work of naming racism and antiblackness; do the work yourself, or just don't reblog if you can't give commentary.

and, because i have been nasty and might as well be petty: honestly, there's just so much more work you need to do if you want me to trust you with handling race in fandom when you out here posting shit like this:

you're the fucking issue here too.

Well, a realization just hit me. Don't know if this is true of not, I don't remember the timing.

Eliot said he didn't hit cops in the OG show. Well now that makes sense. His dad is Black. What do Black parents teach their kids when it comes to dealing with the cops? Part of The Talk. Just do as they say, not that that always work.

He would have at least heard that talk with other foster kids, or teammates, if not given it himself.

And why would he stick to that? Because his dad was upset with him and he was still trying to be a Good Boy in one way.

#leverage #racism #faorism meta #antiblackness

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meli-writes · 12 hours ago

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Long Time, No Shear - Ch. 01

A sheepish Fae-girl is desperate for someone to shear her for the summer, and to not be weird about it.

There’s a human on Dolly’s doorstep — and she’s naked.

Okay. No, not literally. Per human customs this is all completely appropriate, if a little avant-butch, for the current weather. Black boots and denim short-shorts; enough chains to lose count; loose, side-slit tank that makes her toned, tanned arms part of the outfit; no attempt to hide the lace bra underneath — citrine yellow, to match the sun beating down on her.

And Dolly, snout pressed on the window, feels like she can see all of her.

But— she’s here because Dolly invited her and Dolly can sympathise, because it has been three weeks since she was supposed to have been sheared and she is melting.

(It is though 100% the humans’ fault this is the 8th ‘hottest summer’ — on record, in a row.)

And so there she is, pressing forward through the curtains, trying not to be noticed while she works up the courage, when all of a sudden the human looks at her.

And waves.

---

sheep-goat Fae needs EMERGENCY help w/ summer shear. Can be reg if not weird

Last posted 18 hours ago on Fluffr, the dating-slash-bulletin app for Fae and panel-vetted humans. Yes, humans named it.

It still takes a weird person to apply to the panel, unless they got Fae-referred but that’s got pitfalls too; it also went public after the grants dried up, and has gotten worse because of that particular human-neoliberal urge to overdevelop everything into ruins; and it’s where she met her Wolf-Fae ex — the one who dumped her four weeks ago. But:

It’s still better than the human apps.

Because Dolly doesn’t need this to become a weird sex thing because it’s already super intimate and freaky — and it’s what every human she meets on their apps tries anyway.

Y’know, before she shuts them down and they false-report her till she’s banned.

None of this is the Dolly-in-distress’ preference. Not by the length of a thousand leylines.

---

“Hey. Sorry about that,” Dolly says, sheepishly.

“You’re all good,” the human replies, a smile perched beneath her silver-rimmed aviators. “I’m looking for someone in need of a bit of help, roommate maybe?”

“Dolly! Yeah. That’s me,” Dolly cuts in.

She points to the thin, white line traced on the interior doorframe, “You see the chalk? It’s a shadowskin enchantment, here and on the windows. Makes me look human from the outside, your side, so no one stares.”

“Ace! Makes total sense. Fiona, by the way,” Fiona says, as she steps past the threshold.

Behind the aviators her eyes glimmer, and Dolly has to remind herself it’s just the dispelled illusion and not— “You are a beaut, but I see yer problem.”

She’s glad Fiona can see the smooth, mottled-white velvet on her face now, because even from across the street anyone looking in would be seeing her cheeks swell up with a redcap-crimson blush.

“Girlfriend broke up on ya, didn’t she?” Fiona asks, a little idly.

“Mutual! It… was… mutual,” Dolly bleats, biting down on a full-blown shriek. “Okay. No. But she did it at the worst time and—” She breathes in the infodump, stops herself, curls in an outstretched finger and restarts, “Remember what I said on Fluffr about privacy?”

Fiona winces, hard, and Dolly has to smother her mirror of it, cursing at herself in her own head for not sucking it up. It’s nothing I didn’t tell her, justifying the post and shit. She was just—

“Yeah nah, totally,” Fiona says to her relief. “Just out to help a fellow gal in need.”

(Fellow. Yeah. Dolly also had to tell her in those DMs that Dolly was trans — up the freak-show sentiment even further — because there was no way around Fiona seeing it.

Humans could never tell otherwise, even though her horns were still buck-sized.

She was half-goat anyway, which explains away most irritating questions she gets from them — even if they still didn’t stop staring at the black thigh-high wool pattern on her legs.)

Dolly tries to move on, before Fiona stepping back over boundaries also means out the door, “Thanks. You’ve got uhh— experience. Right?”

Fiona’s nerves are swallowed in a moment. “Reckon!” she says, bouncing on her feet. “I was a kid when there was still livestock on the big, industrial farms. Went to the sheep-stations each year to help out; docking lambs in the spring and the like.”

(When Fiona had mentioned her ‘experience’ in DMs Dolly convinced herself it was practical. Human ethics have been catching up since Fae unveiled themselves a few decades back, after the Vampires, but it was still… weird.)

Did she have to specify docking? Dolly thinks as her tail twitches, and thinks Fiona can see her trying to hide it, and that Dolly can see that Fiona can see that, and that—

“That’s… okay? You’re okay?”

“Ahh! Yep. It’s helpful, not weird,” Dolly answers desperately. “Well, it’s a little weird, but it always is. Just remember that I’m very much sapient and talkative.”

She steps into the next room without looking, hoping Fiona is still with her.

---

“Alright girl, are ya ready?” Fiona asks, observing Dolly scurrying over the plastic mat that covers the floor, making sure it’s tightly held at each corner by a chair or spare textbooks.

“Uhh, one minute. Could you— look away?” asks Dolly, bringing a long-clawed paw to the neck of her shirt. “I know you’re gonna look back but—”

Fiona turns. She’s not giving you a striptease, she thinks to herself, pottering over to the sideboard to distract herself, “This is the stuff here?”

Dolly watches as Fiona inspects her life-long assembled kit — explains, “Yeah. I had to figure out what was best for me. Was not cheap.” Fiona whistles in agreement, as she slides a slim pair of double-bow metal shears out of the sunlight.

“I know this girl who can roo, so lucky,” Dolly adds, jerking about as her pencil-skirt stretches over her fluff-plumpened ass and— “Okay, ready.”

She sees Fiona tee-up herself, nabbing the electric handpiece. “No wide combs, I like it. Grandpa used to say we lost the union to those things,” she says, before turning back around and instinctively sizing Dolly up.

“Huh… like a whether,” she mutters under her breath.

Dolly has tried desperately to never learn the terminology; doesn’t think when she idly asks Fiona, “Excuse me?”

“Comb on the handpiece: anything bigger than 2.5 inches is a ‘wide’ comb,” Fiona answers obliviously. “So you can go faster, and get paid less. I suppose it makes sense to go smaller, and you’re not looking to sell the fleece are ya?”

(She had — once. When she still had rent to pay, and was needily short, so went and sold it on a Fae-fetish site for a shameful and incredible amount. And still thinks about it sometimes.)

Right now, her hooves grind anxiously into the floor. “No, Fiona. The other thing?”

The human’s round eyes tumble back into the abyss of their sockets, as Fiona’s brow rises in concert with realising what she’s said; something Dolly hasn’t the expertise to know, only the foolishness to ask. She doesn’t answer. Dolly feels the plastic fibres beginning to snag under her circling hoof.

“Say it, or go and don’t help me,” she demands at last.

“It’s a… castrated male,” Fiona says, biting her cheeks. “Sorry. Maybe I should go anyway? It was a bit of a heinous thing to say—”

“Nope. No, you’re doing it now,” Dolly tells her, making it obvious she’s guilting her. “Or, maybe I pull out Fluffr and report you?”

Tormenting her too — all while utterly in the fluff, Fae-adapted phone stylus in hand.

Fiona twists at her shirt, briefly exposing a rippling mid-riff, “You wouldn’t… really?”

Dolly makes a show of walking up, tucking the stylus into a stationary-drowned mug, and looks at her. “Fiona, I’m fucking with you. You apologised, and I’m desperate here.”

“It really is that bad?” Fiona mutters, as much about the overcoat as realising her pitiful remorse is far better than Dolly must usually get.

“You know what crutching is?” Dolly asks.

Fiona nods.

“Eugh. And, it’s a fifth of my body weight. Roughly. And fuck it’s so hot these days.”

“Yeah nah, lost my hometown to a wildfire,” Fiona says, a little dissonantly chipper about it. “Why I moved here to be honest with ya.”

“Shit. Sorry I’m—”

“Our fault,” Fiona reassures. Meaning humans. “Not yours. Just tryna help.”

“You really are, y’know.”

She sinks to her knees, leaning forward and pressing her thighs together to hide herself a little, and coaxes Fiona to join her. “My girlfriend— my ex— she promised to help me after the breakup ‘cos I was due but well… ghosted me, then blocked me after I called.”

(Six voicemails. The first few reminders; the last few begging.)

“The other options are like pay three hundred pounds to get nude at a hairdressers, and/or livestream the thing on a fetish site to break-even,” Dolly continues, knowing exactly what that site is called. “Yeah… nah.”

Fiona listens, but doesn’t look, focused on setting a few implements down before taking an offered arm to follow her down. “Wow, you’re soft.”

“Uhh, yeah? Unlike the sheep you’re used to, I don’t like live in a field,” Dolly says sardonically. “I get a bath in this place.”

“Sweetheart, you’ve got an entrance hall, lounge, staircase. It’s heaps better than ninety-percent of the places in this city. Certainly better than the box I’m allowed to rent,” Fiona retorts, flipping the handpiece on.

Dolly lets out a small, nervous titter. The way humans tangled up their housing with markets seemed remarkably silly. “Adjustment funds, the Greater London—”

Fiona swipes, a whole ream of Dolly-fluff falling off of her.

“Hey-hey-hey! Wait!” Dolly squeals, Fiona blinking as she rushes to pause and Dolly collects herself. “You uh— need to go slower than that.”

“Sorry, sweetheart. Was just thinking you’d want me to be… efficient.”

She smiles plaintively, “I mean, I do. It’s just I wanna make sure it’s not scruffy, or messy, or obvious. ‘Cos that would take weeks to grow out. It’s best to sort of—” She holds her breath, and looks at Fiona who’ll never be more ready for this.

“Go slow and hold me down.”

Fiona swallows, wishing it was light beer and not the sheep-girl’s dignity going down.

“And that’s… where people get really weird, right?” she asks.

“Yep.”

If they somehow got this far.

“Like, seriously — how do I explain on an ad: hiya, I need a girl to pin my nude body down and spend four-to-five hours groping me and not somehow make it a weird sex thing.

And, y’know, not make it too much of a regular weird thing either.”

She sighs; rearranges herself to lean back into Fiona, bumping horn into chest.

“Throat’s best to start,” she says, after a moment.

Fiona’s hand reaches slowly, constantly darting her eyes back-and-forth for consent and, not seeing any complaint, takes Dolly at the horn and pulls her low till she’s able to line the handpiece up against the notch at the base of her neck. She closes her eyes, a little unemboldened. The lambs never talked back to her or looked this cute.

“Come on,” Dolly interrupts. “I’d like to wear clothes again today.”

Fiona fumbles, and blinks open, and the lamb in her arms just laughs. It’s difficult not to, there isn’t a way this isn’t absurd and Fiona thinks she gets that now.

Her gaze focuses, a little less nervous this time. A smile creeps to the corner of her mouth, “No worries. I’ll get ‘er right, sweetheart.”

---

Three hours in, and Fiona’s just now reached Dolly’s hips. The arms were simple, if a bit too close to being nipped once or twice; the back came off clean, and Dolly doesn’t admit she thinks about that site again; the tits weren’t bad — mostly covered in the same velvet that’s on her face, all the way down to her— y’know.

(Dolly also absolutely does not mention the three times she came this morning. Not for any sort of pleasure, spirits no. But to make sure there’s as little chance as possible that she gets hard from the super-hot, basically-nude butch handling her like— well, like a sheep.)

The ass was mild torture; Fiona tearing her facial muscles to shreds in the sternest wince of her life, as she held up Dolly’s fat, soft cheeks to clean up the folds where her ass met her thighs. Dolly, at least, holding herself in a grim but merciful silence of solidarity, till at last both rushed to kick back into listing off more of their shared, fascinating, and agonising spars with each of the respective departments of the Home Office that exists to make their lives a bureaucratic nightmare.

It made it all too easy for Fiona to forget Dolly was even supposed to wear clothes, until she was looking at her bend down to a cupboard to fetch mugs for a strongly needed tea-break, even in the present heat.

But, it’s smooth now, and so she runs a hand serenely down the small of Dolly’s back, not thinking of anything more than just making sure the girl’s cut is clean and consistent — till her hand reaches that newly-shorn ass and—

Bleat!

It’s the tiniest sound Fiona has ever heard, and it sounds hot.

What comes after is worse than the ass-silence. Fiona tries not to panic, hopes that Dolly didn’t feel the still in Fiona’s slide, but before she can click on the handpiece to continue—

“Oh— God. I am so sorry,” Dolly squeals.

“No, no. It’s okay,” Fiona protests but Dolly is wrestling out of her lap and she doesn’t dare stop her, as the self-excoriated sheep covers her mouth in shock.

Fiona tries to raise her hands in surrender, “I-I wasn’t thinking. Or rather thinking of you like a— I just wanted to check it was all the right length.”

“Fiona, you heard that right. I sounded like I was—” Dolly buries her face into the unshaven fluff of her thighs, butting the tip of her snout through to sniffle at the air. “You know what I said earlier…. weird sex thing. Like I’d never mean to, it’s just you’re hot and I can feel all of you. And I know how dumb that sounds coming out of me and with what the weather’s like but I’m used to people wearing like— more than that when they’re shearing me.”

She parts herself like Moses, and looks at Fiona clenching herself in awkward horror.

It really doesn’t help how it makes all her muscles flex.

“I-I’ve made it weird, not you,” Dolly whines; crucifies herself on the plastic sheet, “You can stop there, and I can wear shorts or a skirt so you don’t need to shave my legs.”

No one’ll notice the bulge. Shadowskin can take care of it. Right?

“Are you sure?” Fiona asks, tentatively placing her on Dolly’s knee and sinking it down a bit into her coat. Forcefully enough to both reach her wayward lamb, and to demonstrate the problem still there. “It’s really okay, that was totally me. I just sort of—

forgot the artwork for the canvas it was on.”

Dolly looks up, jerks a horrifically undecided croak out of her throat, and asks, “Did you prepare that one? You don’t… you don’t think this is a date, do you?”

There’s no velvet to hide the crimson shame that courses across Fiona’s cheeks, nor the same cushioned thighs to tuck them behind. “No, no, definitely not. Sorry,” she cries. “I know what you said too, and I don’t wanna be another weird human that you’re suffering for… basic care! It was just that you seemed… cute? And I don’t know, it feels nice to rescue a gal in need. I-I didn’t expect anything, I just… didn’t want to say no if you liked me too.”

The sheep stares at her, tilted head and pursed lips. Dolly can’t tell what reaction she’s having, which bloody well means Fiona won’t be able to.

Instead she slides back across the plastic and lies on her back, pulling her legs up till each forms a triangle. It does the trick.

“Should do the legs, shouldn’t I,” Fiona says — and Dolly is glad she didn’t have to ask.

---

The door is open, and Fiona hovers at not-quite the threshold unsure if she should be on the inside or the outside of it. Of the chalk line, Dolly’s rather literal boundary.

Dolly at least is— Fiona can’t admit it, not now, but she’s beautiful. To see the whole of her not in shittily-taken photo-form — her stylus is there for a reason it seems — but all in motion, as she stretched and shook and wiggled her tail and shorn-at-last self.

It’s hard not to feel proud too, of a job done well, of a girl saved.

The magic — the metaphorical, right now — worn off though leaves Dolly hovering too. She looks about as stressed as when Fiona showed up, but she hopes it’s only in a way that’s her fault — and that it’ll be quickly settled when she’s been booted out the door never to see her again.

“Uhh. Hey,” Dolly says, sheepishly, like Fiona was just coming in again. “You really helped me out a lot today.”

“No drama, sweetheart,” Fiona replies, the points of boots tip-tapping as she looks down at herself. “But, I should’ve dressed up better, didn’t think at all it’d be such a bother for you. Or— not a bother but— not your fault.”

“No I— It’s cool. You look good.”

“Oh… Thanks.”

She takes a step back, pulls out her aviators and tries to flip them on but Dolly just reaches out and takes her at the wrist. They stare at each other for a moment, but Dolly doesn’t let go, and Fiona doesn’t shake her off.

“Would you wanna help me next time?” Dolly asks, in more of a squeak than a sensible, unheated whisper. “It’s in a few months time… a lighter cut, for autumn.”

She drops Fiona, watches nervously as Fiona’s own nerves creep across her face, “Oh, I mean, sure! Would you wanna meet up before then, maybe? I don’t know, just to help things be more… normal.”

Dolly laughs, sweet on the afternoon breeze that’s sweeping in. “Now it’s a date?”

Fiona’s tongue wants instinctively to slither down her throat, but she thinks she can spot one of the girl’s teases by now — and she probably does have all the right to be a little mean.

“If you’d like it to be,” Fiona teases back. “But — for real — I’m still happy to help.”

Dolly huffs, and smiles in eminent satisfaction, “Then yeah, we can call it a date.”

It’s when Dolly’s peering through the curtains a few minutes later that she sees Fiona, thinking she can’t be seen, stop at short distance down the street and dance with glee for just a precious, delightful moment, before she looks back with a dumb, fond smile on her face and it just cracks when she realises Dolly can still see her.

And Dolly waves.

And Fiona can see her blush.

---

(Masterpost) / (Next)

#melinoë writes #f/f #butch4femme #lesbian writers #sheep furry #please don't hate me furries i love you #for all the freaks who correctly bully me for being a sheep girl #i think i'm legally obligated to get my sheep fursona now #this sat in my drafts for 10 months dear god

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