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[she-posts-nerdy-stuff]

*Shadow and bone season 2 spoiler warning!!!*

It’s time to talk about the costumes in season 2. I did not think that it was possible to top what the costume department pulled of in season one but damn if they didn’t outdo themselves!!!!

Miracles were performed.

First of all, the Kefta redesigns for the Darkling’s grisha were absolutely brilliant. The costumes featured mostly the same colour choices to represent each order, but in darker tones and with different styles of embroidery to their Little Palace counterparts. This is a physical representation of their allegiance to the Darkling, creating a clear divide between his grisha and those loyal to Alina, but I think it could possibly also represent the fact that their power has been warped by an amplifier from someone born of merzost, since it means they no longer fit in with the other grisha. This could possibly even be foreshadowing the way Nina feels that she can no longer fit in with other grisha after her power is changed by parem, since she believes her new abilities to be closer to merzost than the small science. The new costuming for the Darkling’s grisha also includes a tattoo on their hands, and although I don’t want to talk about it in too much detail here because I’m planning a post with specific focus on that tattoo, I did want to mention it as a very interesting aspect of their appearances that once again separates them from the other grisha. The Darkling’s own Kefta has also been redesigned, I don’t have anything to say about it that hasn’t already been talked about by Ben Barnes and Jessie Mei Li in interviews and the costume department tour video, but basically they said that the gold detailing represents the tether and the way the Darkling and Alina now share some of each other’s powers and I absolutely love that detail!

What’s interesting about Genya’s costume is that she never gets a redesigned Kefta when she’s still with the Darkling, but returns to the red and blue she wore at the end of season one. This represents her allegiance not fully lying with the Darkling, or by this point not at all, but it’s also the Kefta she was wearing when Alina felt she had betrayed her; creating a painful and permanent reminder to the audience of the way Genya has been manipulated and abused even through the control of her friends so that she had no-one left to trust, or who she believes will trust her. No-one except David, who also never wears a redesigned Kefta. One of my favourite things about Genya’s costuming, however, was that they put her in her civilian clothes when she was attacked by the Darkling and the nichevo’ya. This was incredibly powerful, because it highlighted her complete lack of power: in this scene she was not a soldier, she was not a member of the Second Army or any kind of rebellion, she was not even a Tailor. In this scene she was just a girl who had been hurt, manipulated, and abused, and who had run out of places to hide. For me, it made this moment even more painful and even more powerful because it was her renouncing what she said to Alina - “I am his soldier” - and forcing the audience to witness her pain as exactly what Alina replied: “We are his pawns. Nothing more”.

The only thing I would change about Genya’s costuming, is that I would have given her a veil after the attack. For me reading the book, Genya’s veil became a brilliantly important symbol as a physical manifestation of her psychological progress. When she eventually sheds the veil, it is because she feels that she is safe to do so and it’s Alina that helps her come to that conclusion. Both seasons have proven to us that the costume department are FANTASTIC at bringing symbols and little details to life, and I think they could have had an absolute field day with this.

The only other thing about costumes written in my notes is “whoever gave Jesper a skirt deserves a raise, but could they have given him a skirt that went with the rest of the suit a bit better?” but honestly I’m rewatching right now and the combo of that suit and that skirt is growing on me.

…Sorry for yet another massively long post. I’m very excited.

[willsilvertongue]

“Being cheerful starts now, Will thought as hard as he could, but it was like trying to hold a fighting wolf still in his arms when it wanted to claw at his face and tear out his throat; nevertheless, he did it, and he thought no one could see the effort it cost him.”

[procrastinatingsapphictrash]

My Tasha

Word count: 7334

Genre: Mostly angst but the ending is fluffy

Pairing: Natasha x fem!reader

Warnings: A sort of suggestive scene? I think that's all (let me know if I need to add any)

Request: congrats on those 500’ love!!! they are well deserved for all of your amazing words 🥺 i was just thinking how cute it be for nat to take a liking to reader, so she tries all those “seductive” tricks the red room taught her, but r just reads it as a cocky fuckboy thing and rejects her? soft!nat appearing later to ask her out? 🥺

Summary: Natasha tries to seduce you at a party but you misunderstand, assuming she's just using you. Both of you mope before realizing what happened.

A/n: Finally I finished this! It was supposed to be 2000 words max but I got carried away and @teenwonder I blame you since you were the one who sent in this idea. I actually really like how this turned out, even if it differs from the prompt slightly so I hope you guys like it too because this probably took at least ten hours to write and I have lost way too much sleep over it. Enjoy!

Natasha looks in the mirror and lifts the corner of her mouth into a slight smile. She looks hot and she knows it, spending hours in front of the mirror perfecting the look. Her eyeshadow screams seduction and her lipstick highlights and colours the natural shape of her lips. Her lashes are curled to perfection and her makeup is applied with the technique she learned years ago that was guaranteed to make people stare. Her hair is straightened because it matches the look and also the last time she straightened it you had complimented her hair so she knows you like it.

Her dress is black, the colour that looks best on her, with a neckline that is dangerously low and the bottom riding dangerously high on her thigh. Her heels are her go to ones for anytime she wants to seduce anyone, they manage to work every time and have become a small symbol of luck for her and tonight she needs all the luck she can get for tonight’s party.

Usually people are easy to seduce, she just has to figure out the likes and dislikes of her target and play up to them. Tonight shouldn’t be much different except for the big added aspect of her actually caring. She’s never had to seduce someone she’s wanted to before so she knows it’s going to be harder than normal. Taking a deep breath she pushes the nerves away and smirks at her own reflection before going to meet everyone in the main room.

Your breath hitches when she walks in and you quickly look away so it doesn’t seem like you’ve been waiting for her arrival. She’s gorgeous, she always is, but tonight there’s something about her that’s different, like she put more effort than usual. You force yourself to stay calm and look away, pretending to still be interested in the conversation you had been having with Carol that you zoned out of the moment Natasha entered the room.

Carol’s looking at you strangely. “What?”

She gives a half laugh. “You think I didn’t notice you drooling over Natasha.”

“That obvious?” you ask and she nods. “Damn.”

“Damn is right, she’s smoking!” Carol whisper-yells, glancing over quickly and then back to you.

“Carol!” you exclaim aghast.

She laughs again. “Don’t worry I’m not trying to steal your girl, after all I have Valkyrie.”

“Yes and you constantly remind me of that.” you mumble which she ignores.

“I’m just saying that some people are already staring at her and are going to be all over her soon, you need to make your move quickly.” she finishes.

“I will.” you tell her, with no real intention of going to talk to her.

“Sure you will,” she says quietly at first before yelling in Natasha’s direction, “Hey Romanoff! Come here.”

Natasha is surprised and she hopes Carol isn’t calling her over because she noticed her staring. Logically she knows that Carol doesn’t want to date you and is dating Valkyrie but it looked far too much like flirting in her opinion. There were whispers and giggles and at one point you got all flustered and embarrassed. She doesn’t like how possessive she feels over you when she has no right to but somehow when it comes to you she can’t quite control herself.

Showing none of the inner thoughts that go through her head she weaves her way over to you. At first some of the team is staring because they got startled by Carol’s yell but a small glare gets them to look away again.

“Hey.” Carol greets when she walks over.

“Hey.” she says back with a smile and it’s not her fault if the smile is a little flirtier than normal and directed more towards where you’re standing. “What’s up?”

“I want to go find Valkyrie and see what’s taking so long for her to come back from the bar but didn’t want to leave Y/n all alone at a party and since you were alone too I thought it would be a great idea for you guys to spend the party together!” she explains quickly. “I’ll come back soon!”

With that she leaves and you and Natasha are left looking at each other awkwardly. She wants to say something to break the silence but all her earlier confidence is gone and she feels like a schoolgirl with her first crush. Which is half true, she is definitely not a schoolgirl but she’s never had feelings like this for anybody before.

“You don’t have to stay here.” you offer, feeling bad that she was forced to come here and babysit you. Carol is your best friend but sometimes you just can’t stand her. This is so uncomfortable and Natasha is looking at you weirdly and you just know that she’ll apologize and leave so she can spend the party with people who actually know how to have fun.

“I know but I want to.” she says and you can’t help looking away shyly and smiling. She smiles herself at your cuteness, now slightly more confident knowing that she can make you react like that.

---

She smirks as for the thousandth time that night you struggle to keep your gaze from dipping below her neck. The dress was a good choice and judging based on your lack of eye contact you appreciate it. She knows you find her attractive, it’s hard not to know that with you staring at her boobs every few seconds but as the night goes on she’s more and more hopefully that you want to date her. Your flushed cheeks and occasional stuttering give you away.

Some guy interrupts your conversation and she resists the urge to punch him. She doesn’t know what he’s here for and shouldn’t punch people for interrupting a conversation with a girl she really really likes (she doesn’t allow herself to consider love just yet).

“Hey beautiful.” he greets her, stepping into her space and ignoring you. Against her better judgment she does punch him and giggles as he staggers backwards muttering about bitches under his breath. Really the punch shouldn’t have affected him that much, it was light and not in an area that would cause serious injury, he was just weak.

“Holy fuck.” you whisper under your breath.

“That didn’t bother you, did it?” she rushes to confirm, not wanting to have upset you by resorting to violence. She wasn’t quite sure how to take your holy fuck, whether you meant it in a good way or not.

“It was so hot.” you breath and then immediately clamp a hand over your mouth once you’ve realized what you’ve said out loud.

You’re about to apologize but she speaks first. “Really?”

You don’t understand how she makes her voice sound so smooth and seductive but it makes your knees weak. You’re nervous but there’s no point in taking it back now and it does seem like she’s flirting with you so you continue.

“Yeah, what can I say I like strong women who don’t take shit from men.” you say, moving closer to her. You haven’t flirted very much before but judging based on how her eyes darken slightly you think it’s working.

She reaches out and runs her hand down the side of your face slowly, making you shiver. “Looks like we have the same type.”

She keeps her hand there for a second then leans in slowly, giving you time to pull away. You’re frustrated by how long it’s taking and try to take a small step towards her so you can kiss her. It doesn’t work well since you forgot you’re wearing heels and lose your balance, making her laugh, her breaths dancing over your lips. And then suddenly she’s not moving slowly anymore and her lips are on yours and it’s all you can think about. Your other senses are all dulled and you kiss her harder to prove that this is real.

After a few seconds she pulls back. “I didn’t want people to see,” she explains when she sees your pout, “hallway?”

You’re not sure if it’s even possible for you to do anything but nod and take her hand as she leads you out. Inside of taking you to the main hall she takes you to a side one that doesn’t get used often and only the avengers have access to. Glancing around again to make sure nobody notices she pulls you inside and immediately you’re kissing again.

She presses you against the wall and you grip her shoulders tightly, your nails dipping into her bare skin. When she pulls back again she notes in satisfaction that your lips are smeared with her lipstick and she applauds her choice of bright red. Inside of going back to your mouth she kisses along your jaw and your neck, the lipstick marking you. Happy with her work she moves back to your lips, humming happily at the feeling.

She likes it even more when she feels your mouth open to let her in, taking the opportunity to explore your mouth with her tongue. You let out a small whine and the noise reminds her of where you are.

“Come up to my room?” she asks, smirking. You’re about to say yes when you notice her smirk. It bugs you for some reason, it makes it seem like she’s winning some sort of prize. Breathing heavily you look more closely at her and notice her heels. It’s her seductive mission heels. And then you realize she often wears a black dress to seduce people as well. You feel like a complete idiot, she doesn’t want you for anything more than a quick fling. This was a calculated move on her part.

“No.” you tell her firmly, only able to hold back your tears due to sheer anger. You thought that you were friends, how dare she try to play with your feelings just because she knew she could. Taking advantage of her shock you push past her, running out of the hall and back into the party. You look like a disaster so as quickly as possibly to rush to the doors and leave, running to your room, thankful that everyone seems too invested in their own conversations to notice you going.

You keep running until you reach your room. It didn’t look like she was following you but you don’t want to take any chances. Flinging off your heels because they’re uncomfortable you launch yourself onto your bed and curl up, pulling the covers over your head and putting your face into a pillow. You’re probably getting her lipstick all over right now but you don’t care, you don’t have enough energy to care right now.

You berate yourself again for how stupid you are. You got so caught up in your own emotions that you didn’t even consider that it didn’t mean the same to her as it did to you. It’s so obvious in hindsight. How after one kiss she wanted to sneak away so nobody saw, her glance back at the room before you entered the hall. She wasn’t looking for a relationship that much was clear. She invited you to her bedroom, not on a date.

You try to reason with yourself to make the pain go away but it doesn’t. You weren’t super close but you considered her a friend. Apparently she didn’t consider you one if she was willing to put your friendship aside for sex. You briefly consider that maybe she didn’t know about your feelings but you shake that thought off. She’s smart and reads people easily, she knew she just didn’t care.

You hate the tears that roll down your face. You can’t tell if they’re from sadness or anger and it doesn’t matter. Nothing seems to matter right now. Sobs wrack your body harder and you scream silently into your pillow. You hate this so much, you hate crying and you wish you could hate Natasha but you can’t. You hate yourself for letting yourself get hurt like this though.

---

Natasha watches you leave. She wants to run after you but the look on your face when you pushed by her stops her. You looked so disgusted that you had just made out with her and she can feel her heart breaking into a million pieces just thinking about it. She doesn't know what she did to get it. It’s obvious that you regretted kissing her but it hurts that you seem disgusted by it.

She allows herself a few moments to stand there and try to comprehend what just went on, a single tear dripping down her face. Swallowing hard she wipes it away and takes a breath to collect herself. She makes sure her dress is straight and runs her fingers through her hair so it doesn’t look too wild.

It doesn’t really matter what she looks like, she’s planning to slip out the back of the hall, the opposite way that you went, so it’s unlikely anyone will see her but she wants to be prepared on the off chance that the halls aren’t empty. Biting her lip to stay calm she walks out the end of the hall and slowly makes her way to her room.

She feels so stupid. She’s not even mad at you for feeling disgusted she’s mad at herself. She got so caught up in her own feeling that she never stopped to think about the fact that you don’t like her back. For a moment it seemed like you did but that was probably you being too nice to say no to her.

Her heels seem to mock her as she walks up the stairs with the way they clip clop. So much for lucky heels, she’ll never be able to use them again without remembering how badly she failed. She tugs on her dress from both the top and the bottom, trying to pull it longer in both directions. She felt so confident in it earlier in the mirror and especially when she caught you staring but now she just feels dirty and slutty.

“You’re a fucking idiot.” she mutters out loud to herself when she finally gets to her room. Looking in her mirror upon entry only makes things worse. She’s lucky that she didn’t see anyone in the halls because even after her attempts at cleaning up she looks like a mess. Her makeup is smudged all over and she can see the upset written plainly on her face.

Usually it’s easy to hide her emotions but usually she doesn’t feel such strong ones. You make her feel and she hates it. Only earlier today she loved that you made her feel. She loved the way her heart fluttered thinking about you and how she wasn’t always perfectly composed. You made her feel normal. But now she hates the way her heart betrays her, happy at even the thought of you.

Her only option right now is to forget and she thanks herself for always keeping a bottle of vodka in her room. A bad habit perhaps, but she rarely drinks from it and it is perfect for this situation. Drinking doesn’t help much, even after a while the hurt is still fresh in her mind, but it stops her from overthinking. When she eventually leaves the bottle and slips into bed it’s nobody’s business but hers if she cries herself to sleep.

---

You bury yourself deeper into your covers when you hear knocks at your door, hoping that whoever it is will go away soon.

“Y/n open up!” you hear Carol shout, still pounding on the door. “Unless Natasha’s with you, don’t think I didn’t notice you left the party earlier.”

Carol’s mention of Natasha makes a lump form in your throat and suddenly you feel the sudden urge to take a shower and wash all of her off you. You must have stayed silent for too long because Carol’s knocking stops and she speaks again.

“If you don’t say anything in five seconds I’m coming in.” she tells you.

You don’t know if you want her here or not. Carol is always good at making you cheer up but you feel embarrassed to tell anybody what happened.

“Four.”

Carol would understand though, she’s never been one to judge people for things and she was the one who helped push you towards Natasha, telling you she liked you back.

“Three.”

You realize that Natasha’s lipstick is still all over you and you’re still wearing the dress from last night. It’s too late to fix the clothes but you try to wipe the lipstick from your neck as quickly as possible (spoiler, it doesn’t go very well).

“Two.”

You’re still not sure if you want her to come in so you open your mouth to try to tell her to go away but the lump in your throat prevents you from speaking.

“One, I’m coming in now.” she says, opening the door. “Is that Natasha’s lipstick?”

It’s too much and you get overwhelmed, bursting into tears. Her grin of triumph from when she saw the lipstick quickly disappears and she rushes over to comfort you, wrapping you in a big hug.

“Do I have to kill her?” she asks, when you’ve calmed down a little bit. If you didn’t know Carol enough to know she’s actually a huge softy you would think she is dead serious.

“No,” you tell her, managing a weak smile at how quickly Carol comes to your defense.

“Are you sure?” she asks. “You have her lipstick all over you and you’re crying because of her. What did she do wrong?”

“It’s not her fault,” you protest. Natasha and Carol are friends and you don’t want them to stop being close because of you.

“It’s not her fault you’re crying?” Carol asks skeptically.

“I-um, she,” you stumble over your words because technically it is her fault you’re crying. “She didn’t mean to.” you finally settle on saying.

Carol doesn’t look any happier with the situation than she did before. “Please tell me what happened Y/n so I can go beat her up for you. Did she try to force herself on you or do anything you didn’t want?”

“No.” you say, shaking your head. Natasha may have only been looking for a one night stand or short fling but you can confidently say that she would never do that.

“Okay, then what did she do to make you so upset? It doesn’t look like she rejected you.” Carol is both stubborn and curious and you sigh knowing you’re not going to be able to get out of this conversation without telling her what happened.

“At first it was really nice, we were talking and then we were kissing. But then-” you pause and take a deep breath as Carol rubs a hand comfortingly on your back. “But then she asked if I wanted to go up to her room.” you pause again, trying not to cry for the second time this morning.

“What did you say?” Carol asks softly, knowing this is hard for you.

“I almost said yes, I was planning to say yes,” you tell her, “but then I looked down at her heels.”

“Her heels?”

“She was wearing the heels she always wears for missions where she has to seduce shady old men.” you explain. “And her dress seemed different than normal, like one she’d wear on a mission and she was smirking at me, like she got exactly what she wanted.”

“She treated you like a mission.” Carol states, a hard look in her eye. “That bitch.”

“Carol,” you warn, “you’re her friend too.”

“And as her friend I’m going to give her some friendly advice.” She emphasizes the word friendly giving the impression that it wasn’t going to be friendly at all.

“It will only make things worse.” you tell her. “I just want to forget about it.”

Carol keeps the hard look but softens a little, smiling at you. “Okay, whatever you want. We could spend the day watching movies and eating ice cream?”

“Okay.” you tell her. You’ve never been heartbroken before but you’ve seen movies and apparently this is what everyone does.

“I’ll go get the ice cream while you pick a movie.” she tells you, standing up. “I’ll even watch a disney one if you’d like.”

You give a halfhearted cheer, trying to convince Carol that you’re excited. She frowns as she leaves the room, that cheer was obviously fake. Any other time and you would be beyond happy that she was agreeing to watch Disney movies with you, you’ve been begging her to for almost a year. She can’t help but feel anger at Natasha and anger at herself. Anger at Natasha for playing with your feelings but anger at herself for pushing you to be with Natasha. She should have realized Natasha wouldn’t treat you right but she was so caught up in trying to pair you together that she didn’t see it.

---

Natasha wakes up as normal, feeling a headache forming already. Glancing towards her alarm clock she sits up in shock when she reads how late it is. She’s never in bed after noon. She groans when she realizes sitting up that quickly was not a good idea and makes her feel nauseous. She takes a few breaths, in and out, to calm herself and tries to remember why she drank so much. She was upset, she remembers that. She was upset because her plan didn’t work.

She feels a sharp pain in her heart when her mental blocks seem to go away and she remembers everything that happened, how the night had been going so perfectly and she had felt so happy only for it to all come crashing down when you ran away, disgusted that you kissed her.

“Stupid.” she tells herself, getting out of bed. She reminds herself of that as she goes about her normal morning routine, washing her face, brushing her teeth and getting dressed. She was so stupid to risk your friendship for something more, now it would be a miracle if you still wanted to be around her. Even if it hurt to pretend you hadn’t kissed she would go back to being friends with you in an instant if you still wanted her. She tries not to think about how big of an if that is.

When she is presentable she decides to head down the kitchen and grab some food. It’s been awhile since she last ate and there’s no use in trying to hide away and avoid her problems; she will either see you and have to confront them or you won’t be there. She knows that hiding away will only make things worse and appear weak, if she leaves her room and pretends everything is normal it will make her seem less hurt than she is.

“Hi Natasha.” Tony says in a weird voice when she enters the kitchen, waggling his eyebrows. She does her best not to show her obvious disappointment that almost everybody is here. The one upside is that you’re not.

“Hi Tony.” she says tiredly, walking over to grab a piece of bread and plopping it in the toaster.

“So Natasha,” he starts, oblivious to her unrelaxed mood, “how was last night?”

Natasha whips around lightning fast, staring at him. “What do you mean?”

He couldn’t possibly have heard, could he? She had hoped to talk to you before word got out about the rejection, to try to keep it on the down-low because the guys would never let her live it down. She assumed you wouldn’t tell anyone but you did leave the hall in the direction of the party so maybe you decided to stay.

“I mean with Y/n.” he says casually as Natasha fights to keep a straight face as her heart beats wildly in her chest. “Don’t think we didn’t notice how you both left early.”

Natasha lets out an almost unnoticeable sigh of relief. He didn’t know anything important.

“Well that may be the case but I can assure you nothing happened.” she tells him.

“Then where is she now?” Tony challenges.

“I don’t know, if you haven’t seen her she’s probably in her room.” Natasha responds smoothly. It’s just her luck that after being rejected by the girl of her dreams Tony thinks they got together.

“And where were you?”

Natasha gives him a deadpan stare. “My own room.”

He scoffs. “First of all you could be lying to us, I know you spies are good at that. But if you aren’t you need to get some balls and ask her out already.”

Natasha scowls. “A man’s balls are the weakest part of his body, I am good without them.”

Tony has enough self preservation to step back for a second. Natasha lets him think that her annoyance is solely over his sexist statement but really it wasn’t that bad and she’s just upset that she can’t have you so she really doesn’t want to be talking about asking you out.

“You should.” Clint speaks up.

Natasha rolls her eyes. “Not you too.”

“See Clint agrees with me and I bet the others do too.” Tony says smugly. Natasha lets her eyes move slowly around the room and one but one they all look away when she catches their eye, showing her that while they are too nervous to outright say it, Tony is right and they do agree.

“I don’t care about that,” she says, “I am not and that’s the end of the story.”

“What not?” Tony persists. “You like her, you can’t deny that, so give me one good reason not to.”

“Because she wouldn’t want to and I respect that.” Natasha says calmly. Inside she feels her stomach twisting and she wants to break something. She may be good at hiding her emotions but this conversation is proving to be next to impossible.

Tony scoffs again. “There’s no way, that girl is so in love with you it’s ridiculous.”

“What’s ridiculous is that you assume things about other people and can’t let this go.” Natasha tells him icily. “You don’t know what she’d say.”

“Then you don’t know either.” Tony counters.

“Then why did she say no when I asked her out last night?” Natasha snaps at him. There are gasps all around the room and to her mortification she is barely holding in the tears that spring to her eyes.

“What?” Sam asks in disbelief.

“I asked her out, she said no and that’s that.” Natasha explains, trying to keep her composure but failing when a tear falls down her cheek. “Excuse me.”

She hurries out of the room, no longer able to handle the talk of asking you out and the disbelieving stares. As she gets back to her room and lies in bed once more she notes in annoyance that she never got her toast. Not that she’s hungry anymore anyway. She doesn’t feel anything anymore except sadness and emptiness. She knew her feelings for you were strong but now that she knows for sure that you don’t want her they feel even stronger and it makes her realize just how much this meant to her and how much she lost.

---

“Hey.” Carol greets as she walks in the kitchen and heads straight for the freezer.

“Morning Carol.” Bruce says, looking shocked when he sees the amount of ice cream she’s holding. “Ice cream for breakfast?”

“It’s for Y/n.” Carol explains.

Tony’s expression turns dark. “What on earth does she need it for?”

“Girl problems, also known as none of your business.” Carols says, in an admittedly sassy voice.

Tony glares. “By girl problems do you mean what happened with Romanoff last night.”

He may tease Natasha but she was like family to him and he would not allow your feelings to be coddled while you stomped all over hers. He doesn’t care if you feel bad for rejecting her, you had flirted and let her on for too long and feeling bad was the least you deserve.

In an instant Carol is across the kitchen and inches from his face. “How do you know?”

“Hey, calm down.” Bruce says, stepping in when he notices Clint and Sam have both tensed up, presumably to defend Natasha’s honor. Even though he’s a man himself he doesn’t understand them sometimes, Natasha was more than capable of taking care of herself and starting a fight between Tony and Carol, the two most stubborn on the team, would only be a headache for weeks to come.

“How do you know?” Carol asks Bruce, thankfully stepping back from Tony.

“She was here a few minutes ago and told us.”

Carol curses under her breath. “That bitch.”

“Hey!” Clint says loudly. “If anyone is a bitch here it’s Y/n.”

“Yes because it’s all Y/n’s fault.” Carol says sarcastically.

Sam decides he’s had enough of Carol. “Yes actually, it is.”

“Bullshit.”

The three of them go back and forth with Carol, mainly cursing and getting a little off topic.

It’s when Carol calls Tony an idiot that Bruce speaks up. “You weren’t here to see Natasha cry.”

“What?” Carol turned to face Bruce, shocked. He isn’t one for petty arguments so she believes what comes out of his mouth. But why would Natasha cry? It doesn’t make sense, she was the one who broke your heart, not the other way around. “Natasha never cries.”

“Well she just did.” Tony says but it’s not in a confrontational tone anymore. He’s not sure what Carol knows but it’s obvious she didn’t know fully what happened.

“Why?”

“It was partly my fault,” Tony admits, “I was teasing her about asking out Y/n and she kept saying no and eventually snapped and told us that she did last night but Y/n rejected her.”

Carol scrunches her brow in confusion. “That’s not what Y/n told me- OHHH.”

“What?” The voice comes simultaneously from all four men at once.

“They are both idiots.” Carol says, smiling and laughing for the first time since entering the kitchen. “They are both huge idiots that don’t know shit about feelings.”

“What?” Tony asks again, wanting to know what Carol’s thinking.

“Okay I’ll tell you but don’t interrupt.” Carol warns and looks at all of them to make sure they nod in agreement. Once she is satisfied she starts. “So this morning I found Y/n in tears and covered in Natasha’s lipstick. Apparently they had fun at the party last night and then snuck away to makeout. Y/n was upset because Natasha asked her up to her room instead of on a date and she noticed that Natasha was wearing her mission heels, do you know them?”

“The ones that she uses to seduce old men for Shield?” Sam asks just to make sure.

“Yep.” Carol confirms. “So anyways Y/n is upset because she thinks that she was just some sort of challenge to Natasha so she left her there…”

“...but Natasha was actually serious about her.” Clint finishes.

Tony laughs. “They really are idiots.”

“I am definitely telling this story at their wedding and to their future kids.” Sam says, also laughing.

“Well first they need to actually talk to each other about this.” Bruce points out, lowering the happy mood of the room. “Right now they’re both in their rooms miserable and feelings like the other doesn’t want them.”

“We should get Natasha to talk to Y/n,” Carol suggests, “because I know that Y/n won’t believe us unless Natasha is the one to tell her.”

“Okay I volunteer to talk to Natasha.” Tony suggests.

“No.” Carol tells him.

“Well you’re Y/n’s best friend so she won’t want to talk to you either right now.” he counters.

“Yes but you’re also a horrible option, I think Bruce would be best for this.”

Bruce looks around the room. “Me?”

“That does make sense,” Clint agrees with Carol, “out of all of us you’re the best at calming people down and she’d be most likely to believe you quicker.”

“But-”

“No buts Brucie, don’t you want to see them together?” Tony pleads.

“Yeah come on Brucie,” Sam mocks Tony, “do it for love.”

Bruce sighs as he watches Tony pout and Sam flutter his eyelashes ridiculously. “Fine.”

“Get straight to the point,” Clint advises, “because she will kick you out if you don’t.”

“Okay.”

Bruce leaves the kitchen to head to Natasha’s room. It took ages for him to be convinced to join the avengers and every day he can’t tell if he regrets his choice or loves his choice. Certainly no other job in the world would force him to go talk to his scary assassin coworker so she and his other coworker can get together. He really isn’t paid enough for this.

A knock startles Natasha. She didn’t think anyone would come after her because she assumed they would all be too scared when she’s in a bad mood.

“Who is it?” she calls out.

“Bruce.”

“Bruce,” she sighs, “I’m sorry but I need to be alone right now, I hope you of all people can understand that.”

“No.” he responds, surprising both her and himself with how determined his voice sounds.

“Bruce-” she starts but he interrupts.

“Hear me out first Natasha,” he begs, “please.”

She thinks about it for a moment before giving up and sighing, she’s not in the mood to spend time arguing. “Fine, but you have to stay outside the door.”

“If that’s what you want.” he agrees, pausing a second to figure out how he wants to word things. “I just came back from an interesting conversation with Carol in the kitchen.” he settles on saying.

“Oh?” She tries not to think about what that means. Carol is your best friend and after her scene in the kitchen this morning she doesn’t think there would be any other reason he would bring her up.

“She was getting ice cream for Y/n because apparently she’s upset.” he offers as a means of explanation.

“Oh.” she says again and it’s so quiet she doesn’t think he heard her. “You can tell Carol that I’ll apologize to Y/n tomorrow, I need to gain control of myself first.”

She never thought about how it would be from your end of things. She forced you into more than you wanted and tried to ask you out and she selfishly focused on her own feelings when you probably were upset that she kissed you. Or you thought you would lose her as a friend. She doesn't think she is capable of talking to you without breaking down right now but in a few days she’ll be fine and able to pretend nothing changed.

“That’s not what she was upset about,” Bruce tells her, “Carol says she was upset because she thought it didn’t mean anything to you.”

“What, why?” Natasha can’t help but let her interest be taken. She doesn’t want to get her hopes up, what Bruce said could mean a lot of different things.

“I feel like I’m in middle school and there’s broken telephone being played between two crushes.” Bruce jokes.

“Bruce, tell me why.” Natasha demands. Her voice is soft but they both know if Bruce stalls any longer she’ll drop the sweet act.

“Well Carol said she said that it seemed like you were acting as if she was your mission to seduce and not like you actually wanted to be with her.” Bruce says, relaying the information.

“Crap.”

Bruce waits for Natasha to elaborate but she doesn’t say anything. “Are you okay in there?”

“Yes, thank you Bruce,” she says, “I need to go fix this, you can leave now.”

He can’t help but feel relieved as he speeds away down the hall. He is never going to do anything like that again, it was way too awkward. He still doesn’t understand how the others forced him to do this, damn his heart for being persuaded it was a good cause. The one upside is that talking to Natasha did seem to work and with any luck she’d be able to fix her mistakes with you. If she didn’t he did all this for nothing and may very well hulk out.

---

Natasha paces back and forth in her room. If Bruce was right (and she has no reason to believe he would lie) you didn’t run away because you didn’t like her, you ran away because you thought she didn’t like you. She winces when she thinks about it. Looking back she can see why you were mistaken and thought she didn’t have true feelings for you because she did treat you like a mark. She analyzed what hairstyle and dress you would like and wore her good luck heels. Even the way she talked and acted was calculated to be exactly what you’d like.

She’s stupid, so stupid and if she had just asked you out in a normal way instead of trying to seduce you she could be on a brunch date with you right now. It had never occurred to her to try it any other way, she was taught that seducing was the easiest way to get people to like you so why should it be different for a normal date? In hindsight using red room techniques to get a date is a horrible idea and she can’t believe she didn’t see it before. Maybe she hasn’t shaken off the red room ideals as much as she thought she had.

The thought scares her, her entire life upon leaving the red room has been dedicated to being a force for good, the opposite of everything the red room stood for so to realize that they still have their claws in deeper than she thought is terrifying. She takes a deep breath and tries to make it go away, which is mostly successful as the thought is reduced to the back of her mind. She can take her thoughts and analyze them later, which is another thing the red room taught her to do she notes, but right now she has to focus on the thing that’s most important, fixing her mistake.

As she walks through the halls to your room she runs through things she should say in her head but nothing sounds right. Perhaps it’s for the best though, that way you can tell she’s genuine and not performing another script. She pauses as she reaches your door, finding herself almost shaking with nerves. What if you don’t want her anymore or Bruce misunderstood or worst of all you still think she doesn’t care?

She almost turns around and goes back, unfamiliar with this type of fear but she knows that if she does all chances of fixing things and having a relationship with you will be reduced to zero. Taking a deep breath she turns the knob and pushes the door open.

You don’t look right away when you hear the door open, too lazy to care. “What took you so long, you were supposed to be back with the ice cream ages ago.”

“I-”

You spin around quickly. “You’re not Carol.”

“Nor do I have ice cream.” She tries to joke but it falls flat.

“Why are you here?” you ask and she winces. It’s blunt and straight to the point, your tone quiet but practically screaming at her to get out.

Since you got straight to the point she decides to do the same. “To ask you out.”

You must look even more shocked than you feel because she quickly jumps in to explain. “That’s what I was trying to do at the party last night, although I know you assumed that I didn’t mean it. I know you noticed the heels and I know I was smirking and it seemed like I was playing you but it really was genuine, I was just trying to do it the wrong way. I was always taught in the red room that to get people to like you romantically the best way to do that is to seduce them but obviously that is wrong and I didn’t realize until too late.”

There’s a lot of information to take in but your mind gets stuck on one question. “How do you know all that about how I felt?”

“Carol talked to Bruce who talked to me.” she says, looking slightly embarrassed at how elementary that sounds. “So?”

“So what?” You know she wants to know if you’ll go out with her for real and you really want to immediately say yes but you also want to hear her ask you properly.

She seems to understand. “Will you go on a date with me Y/n?”

You hesitate one moment before responding. It’s unnecessarily mean but you just spent a good portion of last night and this morning crying over her and besides, she looks absolutely adorable as she shifts her weight from side to side nervously. She looks exactly how you want her to look, no makeup and wearing sweatpants. It’s natural and genuine and everything you would have loved to see last night.

“Yes.”

“Oh thank god.” she laughs in relief, the pitch of it breathier than normal.

“I like it when you do that.” you tell her.

She furrows her brow, confused. “Do what?”

“When you laugh like that or wear old clothes, like you’re not trying to impress me.” you explain.

“So when I do the opposite of what I did last night?” she asks, laughing at herself for being so stupid. Of course you didn’t fall for all the acts, if you did she wouldn’t like you as much as she does. You make her feel different and that’s a good thing, she shouldn’t have to act around you.

“Yeah, don’t get me wrong last night was hot,” you tell her, “but it’s not you. That’s agent Romanoff putting on whatever mask she needs to be for the night, this here is my Tasha.”

“Your Tasha, huh,” she teases, “possessive much?”

“Sorry.”

“No,” she tells you, “I like it. I don’t need to put a mask on around you because you’re you and I am your Tasha. But you’re also mine.”

“All yours.” you confirm and she visibly shivers. “Apparently I’m not the only possessive one.”

“Apparently.” she says looking at you in a way that makes heat rise to your cheeks.

“Since we wasted time last night maybe we could start with a movie date right now?” you suggest shyly, changing the topic.

“Well we do have time to make up for.” she agrees, sitting down on the bed beside you. “What movie?”

“Mulan.” you tell her pressing the remote to drop the tv down into your room. There were definitely benefits to living with Tony.

“A disney movie?” she asks skeptically.

“Have you seen it?” you ask already knowing the answer before she shakes her head. “Then don’t knock it, it’s a great movie.”

“If you say so.” she says, still slightly skeptical but much more open to it. Even if the movie is garbage she doesn’t think she’d mind watching it with you. She definitely doesn’t mind it when your head drops onto your shoulder and you fall asleep, tired from the emotional rollercoaster you just went on. And when the movie ends she doesn’t move, happy to have you there, even when hours later her shoulder is all tense and cramped. It scares her how much she feels for you already but it also feels freeing, she knows she is not just the product of the red room because their biggest rule is to not fall in love and she’s definitely going to break that soon, if she hasn’t already.

---

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[transneonneko]

Things from Archie Sonic that I would love to see return in the Mainline Games and/or IDW Sonic!!

Recently, I decided to read some of the Archie Sonic Comic, from like issue 186ish up until the first MegaMan crossover and the reboot, mainly because there were some gaps in my knowledge of those stories. Mainly Issues 198 till 235, which I never got to read as a kid and, I have to say, there were a lot of really interesting concepts during Ian's run of comics before the reboot that I really loved. There was a lot of really interesting concepts I love after the reboot too. I wanna celebrate that. A lot of these concepts and story idea I feel really deserve another chance.

So I wanna make this list of stuff I wanna see return in either for stories in the Mainline Games or the IDW Sonic comics. Before we start, I do wanna add somethings. This post isn't meant to be shitting on IDW and being like "IDW would be better if they did this". I really love the IDW comics and universe. I also know that some of these concepts likely can't be done due SEGA Mandates and I'm not gonna include stuff like "Bring back the Freedom Fighters" because I feel asking to bring back characters isn't gonna be very productive, as much as I would like to see their return. Anyways, let's begin.

The Fate of the ARK

One thing that really inspired this list was this scene right her. We'll talk more about Silver's Future later but for now, let's focus on the ARK. I'm gonna assume anyone reading this knows the story of the ARK from SA2 and Shadow. Sadly, the ARK hasn't really been revisited in the main canon since Shadow, despite how iconic of a set piece it is. In the Archie Comics, we get a look at Silver's future and one of things that may have been the cause of how bad things are is the ARK crashed. Sadly, Archie got rebooted before the writers could go more into it but, from SA2, we know that the ARK was set to crash into the planet if all 7 Chaos Emeralds are placed into it, wiping out all life on the planet. This could be an excellent premise of another Silver adventure, whether it be in the comics or games, where Sonic, Silver and some friends have to stop someone from making the ARK crash into the planet.

Expanding the Eggman Empire/Egg Bosses

Something I've always found a bit lacking in the game canon is how the Eggman Empire itself has been presented. In the games, the Eggman Empire is usually just made up of Eggman, Metal Sonic, Orbot, Cubot, a bunch of robots and (recently) Infinite. It's not really an Empire if it's just one guy and a bunch of robots. The main goal is the conquer the world but we hardly see Eggman actually see what happens when Eggman conquers a place, like what happens to the people who used to live there, besides like Colours and Forces, where the Wisps and Mobians are usually just seen being imprisoned. The Egg Bosses are the perfect solution to this and adds so much to Sonic's World.

The Egg Bosses are Mobians who, either willingly or unwillingly, aligned themselves up with Eggman for whatever reason, becoming commanders of the Eggman Empire. This usually comes about when Eggman has taken over a part of the region and the people living in that region have no choice but to join the Eggman Empire, for their own safety. Not only does this make the Eggman Empire feel more than just one person but it also makes Eggman more a villain himself. It able to portray Eggman as someone to be feared and, I mean, this is a dictator and genocider who is pretty much declaring war against the world.

It also brings up some interesting thoughts about the world. Characters like Maw, Thunderbolt and even Nephthys to a degree joined up with Eggman because they felt it was the right thing to do for the sake of the world, or in Nephthys case, to stop things getting worst later on, meanwhile characters like Grand Battle Kukku are plotting to usurp Eggman, with Clove and Beauregard only working for Eggman to protect family or close ones.

As I said before, having these Egg Bosses also makes Eggman look more threaten, both because he's able to look like a "bigger bad" next to these villains he has command of and, because almost all the Egg Bosses hate Eggman's guts, they are cyberized, a terrifying process in which those who work for Eggman are focus to have parts of their body replaced with cybernetics, with either bombs which will blow if they decide to leave or a locking mechanism that will paralyze their entire body, ready to be locked up.

If either in the game or the IDW comic, I would like to see the Egg Boss concept return. It doesn't even need to be the same characters or use the name "Egg Boss." It would help expand the army of the Eggman Empire, as well as provide some fun bosses for the games I think.

Mobians and Humans living together

This was always a weird hangup I felt the series had. In the case of games between Sonic Adventure & Unleashed, Sonic and friends were the only Mobians, humans made up the NPCs while Mobians were reserved for main characters. Then in Forces and IDW, Mobians made up the background characters, so then Eggman is the only human. I really prefer it when they have the two living together, it makes it seems more normal and, honestly, a better solution than the whole "Two Worlds" explanation.

Eggman Seemingly Defeated

Can I just that I love Issues 198-200? In these 3 issues, Sonic and friends Eggman's main base, the Egg Dome. This including fighting on the outside of the base, involving fighting hoards of the Dark Egg Legion soldiers and Eggman in the Egg Phoenix. After dealing with the outside, Sonic and friends raid the Egg Dome itself, taking different directions, with the Dark Egg Legion seemingly retreating, until they reach the center of the base, where they are blocked off by a barricade, which only Sonic can pass through, giving a "Point of No Return" vibe, Dark Egg Legion soldiers lining up and saluting Sonic. Then Sonic reaches the center and finds Eggman in the Egg Tarantula, starting their final battle which Sonic wins. This defeat is enough for Eggman to lose his sanity, seemingly ending the war Sonic and the Freedom Fighters have been fighting their entire life.

Of course Eggman returns but, god, it's just such a memorable couple of issues. There's a real sense of finality to it. I would a sequence like this in the games, something that feels like truly ending the Eggman Empire and defeating them once and for all. Of course, it wouldn't be the end, Sonic games are always needing to be made which would lead to...

The New Rulers of the Eggman Empire

In the comics after the defeat of Eggman, the Eggman Empire is taken over by some of it's Commanders, the Iron Queen and Iron King, who rules the Empire as their own until they are defeated and Eggman's return.

I love the idea that even if the Eggman, there will always be someone there to take his place. The games could do this by having Neo Metal or Infinite take his place. Hell, IDW did have Neo Metal take over but I think what made that less interesting was that Neo Metal wasn't doing it for himself, he was doing it for Eggman. I think this would work well if a concept like the Egg Boss was introduced in the games, maybe have one of the characters part of that group take over OR have a lot of the more ambitious Egg Bosses war against each other to take command, until eventually Eggman returns and puts them in line.

Silver's Future

Silver is one of the most recurring characters, who always joins the gang when his future is in trouble. The problem is that we never see his future besides 06. We have no idea what Silver's future is currently until it's in danger and, even then, we never see it.

We see Silver's Future in both continuities of the Archie Comic, with two different takes. Pre-SGW has a destroyed city vibe, like 06 but less lava. Post-SGW brought a whole new take where people are ruled by a corrupt council where people are put into class groups, and security robots will arrest if you are not at your job at the right time. They even re-contextualize Silver's bracelets as cuffs that the robots can activate. With Silver being my favourite character as a kid, I remember being obsessed with this new world and story, wanting to know more.

I'm not saying they would need to copy this world exactly but it would be nice if they gave us a concrete and consistence look for Silver's Future.

The Heroic Metal Sonic

Right before the SGW, we were introduce to Shard the Metal Sonic. His story is that he was the original Metal Sonic, the one that raced Sonic in Stardust Speedway. He appeared later in the comic, where Sonic made him realized there was more to life than just being Eggman's killing machine. He seemingly died, but was rebuilt to serve as a member the Secret Freedom Fighters.

This one would be tricky to be included. It worked in the Archie comic as they had been many Metal Sonics throughout the series, each one getting destroyed. Meanwhile, there's only officially been one Metal Sonic in the games made by Eggman (two if we count Classic and Modern). Admittedly, Gemerl fits Shard's personality and does need to be used more in the games but having it be Metal Sonic is just a cooler concept.

I think a solution to this is that we have Metal Sonic 1.0 made by Eggman and, in Rivals 2, we have Metal Sonic 3.0 by Eggman Nega from the future. But what about Metal Sonic 2.0? I think we could have a game where after Metal Sonic fails, Eggman builds a replacement, being 2.0, which would give reason to Metal Sonic wanting to revolt, which could lead to a redemption? While I am loving the IDW comics, I do really miss a lot of what both Archie continuities offered. I haven't mention the some other concepts and stories I liked that really focused on certain characters such as Naugus, Geoffrey St. John, Dimitri etc. Maybe I'll talk about that another day...

[your-brilliant-lady-m]

Part 1 - Basic Concepts of Miraculous Ladybug: Miraculous Jewels

Alright! I promised you meta and now I deliver!

I feel like people mostly watch Miraculous for the romance these days. Shipping is all everyone cares about. I wonder why? Probably because writers themselves don't take their worldbuilding very seriously and because they don't put much effort into making the audience care about something other than Love Square, like the mythology behind the Miraculous, or motivations of the main villain, or some pretty heavy topics for a kid's show that they bring up and then refuse to touch again. You know, all the good things. And this is coming from someone who is a passionate multishipper. I have lived through several shipping wars in different fandoms and came out victorious after all.

I am probably the only person out there who cares about the big picture, the overall storyline and the worldbuilding of Miraculous in addition to all details and implications that could develop into fascinating plotlines relevant to the main story. It is a rather lonely fandom experience, I must confess. But, hey? Who cares? I am here to have fun and bring to the table discussions no one wants to have.

So, let's talk about the basics.

If you, as the writing team, are capable of keeping only 1 thing consistent, then please, I beg you, let it be the basic concepts of your universe. Because in this case, one has to actively put effort into writing characters and conflict resolutions badly. And also because nothing can save bad worldbuilding.

I don't have high worldbuilding standards for Miraculous. They certainly aren't as high as the ones I had for Legend of Korra (which was a badly written trainwreck, that ATLA doesn't deserve as a sequel) or the ones I currently have for Dragon Prince. Therefore I won't be too harsh in my criticisms. Granted, I think that Miraculous has better worldbuilding and lore consistency than Winx Club for example (I haven't seen the reboot yet, so writers might have fixed their worldbuilding at least a little bit). Even though I enjoyed Winx when I was younger and some elements of this story still attract me.

Both serialised and episodic shows as well as movies to the lesser extent must have some flexibility in worldbuilding and plot because you can never be 100% sure where your story is going. Maybe, you'll get money for more seasons, maybe not. However, you must never lose sight of your basic concepts. They have to stay the same no matter what, because rewriting lore and retconning major developments every new season is not and never will be called good writing.

Forgive me for using architectural metaphors, but you need a solid foundation to build any kind of structure. Otherwise, everything falls apart.

I like to apply this logic to writing as well. When designing a world where your story takes place, you must lay a few ground rules. It's especially important if you have a magic system. What kind of ideas absolutely must exist? What kind of conclusion do you want your story to have? Does your magic system has limitations? Where is the grey area? Could you introduce new elements later on?

And I feel like the writing team of Miraculous Ladybug did not ask these questions. This may feel like I am nit-picking canon material and looking for problems that simply aren't there, but I promise that I am not. You see, things that I am about to point out only seem small at first glance. But these details are actually the source of the largest plotholes in the series. And their presence negatively affects character development, conflicts and resolutions of said conflicts.

That doesn't mean that I have nothing good to say about the magic system of the show and its elements. There are a lot of great ideas and concepts. And some of them have the potential to contribute to the delightful story.

Let's dive right into it, shall we?

Camouflage

I have to give credit where it's due because the idea of camouflage and shapeshifting for Miraculouses is brilliant. It seems like Miraculous can't fundamentally change its type of jewellery or accessory. The ring will always be the ring but with a different ornament, colour or shape. This is true most of the time (Monkey Miraculous is an exception since it transformed into earplugs/headphones/headband/circlet) It makes sense and avoids plotholes. Grimoire doesn't have the pictures of each Miraculous in disguise for identity protection. That was very neat too. I have no comments. This concept was very good.

Also, since Marinette wore a nose ring of the Ox in "Kwamibuster" without any problem and Adrien wore Ladybug's earrings in "Reflekdoll", we can assume that you don't need to have piercings to wear a Miraculous. Miraculous just magically passes through your skin.

I'm interested to know the following. Can Kwamis recognise a camouflaged Miraculous on a person? Can the holder order them to confess the identity of this person? This shouldn't be possible for identity protection just like with Kwamis sensing each other. But more on that in later posts.

Power Levels

For a long time, we assume that there are only 7 Miraculouses. Turtle belongs to Master Fu, Gabriel has Butterfly and Peacock, Marinette and Adrien have Ladybug and Black Cat. Everything is pretty straightforward. Then it's revealed that there are more jewels and more boxes. It makes the worldbuilding interesting, but it also majorly complicates things, making them inconsistent.

Their position in the Miracle Box implies their power levels. Creation and destruction are the most powerful forces in existence, therefore they are at the top. Moreover, it makes this Box the most important, the most powerful out of all others. Su Han in "Furious Fu" calls it "Mother Miracle Box". Fox, Turtle, Bee, Butterfly and Peacock have less power than the main pair, but more than the Miraculous of the lower Zodiac tier (since they correspond with animals of the Chinese Zodiac).

1. Ladybug can create anything out of nothing (Lucky Charm, which gives what you need the most at the moment). This Miraculous can resurrect the dead, reverse the effects of the Cataclysm. The power of Miraculous Cure or Miraculous Ladybug can work in several ways:

it simply repairs the damage (puts stuff back together, heals injuries and so on)

it reverses time for the matter, restoring things back to the state they were before the destruction occurred (however, the Cure doesn't erase people's memories of everything that happened unless they were mind-controlled, frozen in place or transformed by Akuma into something else - this is an important point that I'll discuss some other time)

How does Miraculous Cure work when there are no supervillians? In NY Special Marinette just says this.

Excuse me, what? What was that? You can't do anything when the villain is gone? What the hell?

*insert here every scene where Ladybug fixed Paris after destroying akumatized/amokized object (this action causes the Akuma victim to detransform/sentimonster to disappear - villain is gone) and purifying butterfly and feather*

It was such cheap angst. I couldn't even be upset when Adrien gave up his Miraculous, because that whole situation is just stupid. But, never mind. We aren't talking about that today.

Apparently, Lucky Charm and Miraculous Cure only work when summoned to battle a specific villain. What is the point then? Huh? You can't tell me that Ladybug has the power of unlimited creation and then say that she can't repair the damage without a special Lucky Charm that was magically synchronised with specific big bad of the week.

Ladybug also can purify Akumas. It makes sense for Ladybug to have the ability to reverse the magic of less powerful Miraculous. But this power can't be applied universally. How does this power of reversal apply to different situations where there is no evil Butterfly holder? Can Ladybug reverse the magic of any Miraculous?

The unlimited power of creation introduced in season 4 ("Mr. Pidgeon 72") is another fascinating thing. On one hand, it's logical and proves the status of this Miraculous as the most powerful. On the other hand, by introducing this power, you have created a plothole. Look, Marinette can create the charm which repels Akumas. If Ladybug can create anything then what stops her from creating a tool for finding Hawkmoth (like special glasses for discovering identities or a compass)? I mean, the show says that the power of creation is unlimited, it means that the creation of such tool is possible.

2. Black Cat can destroy anything with Cataclysm, even other Miraculous. He can kill living things and turn them into ash, but not himself. This Miraculous is supposed to have other special abilities that we don't see. And they should be equal to powers of Ladybug, both in number and in potency. Unfortunately, after 3 seasons writers didn't give us anything. It makes laughable the idea of balance between Ladybug and Black Cat.

Now, to the second tier. These Miraculouses have a singular ability, but they need a second one to keep the power balanced between Zodiac and the main pair.

3. Butterfly creates champions with different superpowers. But how does the time limit of children work for Butterfly? In theory, the countdown should start right after the creation of the Akuma since for Ladybug and Chat Noir countdown starts after activation of their powers even if they don't use them. However, if the countdown of the Butterfly begins after Akuma creation then there's no point because the holder has to stay transformed to guide their champion. The charged butterfly won't have time to even grant powers before the transformation of the child-holder drops. This issue is never explored because Gabriel doesn't have a time limit. However, I feel like it should be addressed in flashbacks of past Butterfly holders for example.

This Miraculous should be less powerful than Ladybug and Black Cat. It's often not. Some Akumas are too overpowered. Stormy Weather can move the Earth away from the Sun, Timetagger can send people through time and jump through time as well, Chat Blanc destroyed the world with a single energy blast, Miraculer could steal powers of those more powerful than her by default. These are the most notable examples. One could argue that Chat Blanc was a different case. Hawkmoth simply gave the most powerful Miraculous a boost. However, we know that even without a holder (the wildest and the most powerful form of uncontrolled Miraculous magic) Plagg's Cataclysm can't destroy the universe just like that (he presumably wiped out dinosaurs and sunk Atlantis on his own without a holder). I think that the less powerful Miraculous (Butterfly) shouldn't be able to increase the power of destruction to such a degree and give Black Cat the power to destroy celestial bodies and galaxies.

Writers want us to see Hawkmoth as the formidable villain. But it's not easy because he is less powerful than your main heroes by default of your worldbuilding. Sometimes writers make the Butterfly more powerful than creation and destruction to raise the stakes, breaking the laws of their magic system. So, how do you solve this? Let Ladybug and Black Cat keep their status as the most powerful and instead of giving Hawkmoth more magical power, make him smarter, more cunning, inventive. Gabriel is a fashion designer, whose creativity makes him a very good Butterfly holder. He has a life full of experience, he knows much more about things than the main teenage characters. Catalyst was very interesting for this very reason. Gabriel sort of discovered a cheat code to boost his powers. Show us how he experiments with his powers, how he analyses his past Akumas and tries to find the most effective ones. Maybe Gabriel tries to design Akumas that can specifically neutralise Ladybug and Chat Noir. This exploration could also give writers an opportunity to explain how the powers of Butterfly work. Can he control the type of powers he grants? Can he control the appearance of Akumas? There are many things to be explored.

4. Peacock creates sentimonsters. I remember that fans were very disappointed when the power of the Peacock was revealed at the end of season 2. I was one of them. The concept of Amoks is far too similar to akumatized butterflies. Other Miraculouses have unique abilities and keywords for their powers, while Peacock just looks like Butterfly 2.0. That glowing mask effect just adds insult to injury.

You have to start by figuring out the powers of the Peacock in a normal situation. If a holder is a good person, then how does their power work? For example, make them related to sight (because of the "eye" pattern on feathers). Maybe, Peacock grants the ability to see the several possibilities of the future, but only a few minutes ahead. Maybe, this Miraculous gives you the ability to see through someone's eyes for a few minutes (and the victim is completely unaware of the intrusion). Perhaps, Peacock allows the holder to use feathers (or tiny peacocks) as cameras one at a time and be all-seeing. These feather-spies can be destroyed by the holder or disappear on their own after some time. Such power could be devastating when used against heroes in canon.

5. Bee can paralyze. This power is pretty straightforward. Once I read a fanfiction focused on very vell done Chloe Redemption, where she fights alongside Ladybug and Chat Noir. Eventually, she grows and becomes a better person. This fic ends with an Akuma battle, where LB and CN are trapped and Akuma is ready to kill them. But Chloe uses a second power of the Bee on the villain - Miraculous Stinger. It's deadly both for the holder and for the victim (because bees die when they sting someone). Chloe kills the Akuma with a Stinger before it can get LB and CN, but she too dies making the ultimate irreversible sacrifice. I will add a link if I find it again.

6. Turtle can create a shield. I don't have much to say on this either. It feels underpowered compared to others in the second tier. Maybe Turtle can also slow down opponents (because turtles aren't the fasters animals out there).

7. Fox creates illusions and acts as their puppeteer. In order to create a balance between other powers, these illusions must hold for as long as the holder needs them to. I propose this mostly because we see that Venom of the Bee lasts very long, the shield of the Turtle lasts either until it's destroyed or the holder wants to remove it, same goes for Akumas and sentimonsters who disappear only when the holder wants them to or their affected object is destroyed.

Let's talk about Zodiac tier. Miraculous of the third tier shouldn't have the second ability like more powerful ones. These powers are the most inconsistent. Even if we haven't seen all of them yet.

8. Mouse can create many small clones of the holder. It is unclear how these clones communicate with each other and how many of them this Miraculous can create. The holder can control the number of clones. This power was very convenient in "Kwamibuster" and it makes sense symbolically for the mouse. What activates the time-limit for children? Marinette didn't have any problems with it when she became Multimouse.

9. Snake can create a 5-minute time loop and has the ability to come back in time. This Miraculous feels a bit overpowered for the Miraculous of the Zodiac Tier. The holder can reset the time as many times as he/she needs to. It's was a good source of drama and trauma in "Desperada". I was honestly surprised that Adrien was capable of fighting after spending months in a loop. But this doesn't change the fact that Snake is overpowered. You can give this Miraculous the power to hypnotise or keep the time ability but place a limit on the number of resets. How does the lyre work as a weapon? Who knows? No one!

10. Dragon can shapeshift into elements: water, wind and lightning. It has the coolest transformation words hands down (Bring the Storm and Open Sky). Apparently this Miraculous doesn't have the time limit.

11. Rabbit can time travel or jump through alternative realities, even writers aren't sure. Time-travel in this show is so badly written it gives me a headache. This Miraculous shouldn't exist just like its powers. Snake belongs to the same tier, but 5 minutes and whole centuries of time jumps aren't comparable in power levels. They are not and this is the hill I will die on. Give the Rabbit powers related to its symbolism in China like an ability to de-age people, heal them or give them a speed boost in contrast with Turtle who might have the ability to slow down.

This Miraculous is so special that its Kwami - Fluff can live separately from his Miraculous in a Miracle Box for millennia (Fluff lives in the Box in "Sandboy", but his Miraculous, pocket watch, was passed down for generations in Alix's family). This is a discussion for a separate post, however. There's a lot to unpack. We'll do that some other time. You will suffer with me but at a later date.

12. Horse can create portals. They could lead anywhere, which is pretty cool. On the other hand, this power is not very useful in direct combat, especially when it's used by a child since we can have only one portal per transformation.

13. Monkey can cause a malfunction in powers of other people. What is the point of this? This power was specifically created by writers to defeat Akuma in "Party Crasher". That's it. What if your target is not magical? How does this Miraculous work in different circumstances?

14. Pig shows people their greatest desire. Both the holder and the recipient of this power can see this desire. Chat Noir wasn't impressed in "Guiltrip" and neither was I. It's underpowered compared to other Miraculous in this tier. Also, why does the tambourine can shoot energy beams? Why?

That's all I have to say on the matter. I'll update the power analysis as needed.

[roz-ani]

Yall really cheering for the show treating a black woman grieving as angry and a brown woman as angry and violent and then making the white woman put them in their place and pull rank on them. Like I know the show loves to shit on black characters to uplift white ones but now you gotta Yas Queen it. Harriet and Elm deserve so much better than RT's racist writing.

Okay, let's make a few things clear. I truly am sorry if anyone felt bad because of that scene. There's no doubt that racism is a serious problem, especially after what happened this year in USA. Representation in media is extremely important and all people of colour have my support. However, this is taking the whole scene completely out of context.

Let's talk about Harriet. I will agree that she's dealing with Colver's death in her own way. She is aggressive in nature, stubborn and comes off as a bit arrogant. That obviously doesn't make her a bad character, but she's definitely the most emotional member of the group. Her skin colour is not a reason for that.

The Ace Ops don't see each other as friends and that makes their job easier. It's not necessarily the worst way of dealing with lost, it serves a purpose. The system is responsible for that too. The thing is, people can't be treated as something replaceable. Harriet seems to be heartless while explaining her point of view to Ren, but then we learn she doesn't believe that. She actually misses Clover.

The Ace Ops aren't bad people.

Now, about the rank: this is military. Winter is the leader, Harriet is her subordinate. The skin colour doesn't have anything to do with that. Winter is just doing her job.

When your subordinate acts emotionally and questions your choice/authority in such way, it's your duty to bring them into the line. 

Not to mention Winter made a decision she felt was right in that moment. Both Harriet and Elm were angry because Ren told them something they still keep denying, even though they know he's right. Right now Winter and Marrow, who is a person of colour, are the ones who accepted that fact to some degree. It's their job that forces them to do something they're not okay with.

Does that mean racism isn't a problem in the military? Absolutely not. I'm sure many people would expect it to be the last place where people have to deal with this problem. Everybody there should be treated exactly the same, those with a higher rank wouldn't pay attention to race of their subordinates and trainees wouldn't fight each other for that reason. Unfortunately, the reality is different. Still, that's something we have to deal with in real life, not in this show. Instead of that we have the conflict between humans and Faunus.

My friend who is a person of colour showed this scene to his father - he experienced racism in the military. Both of them don't see anything wrong with Winter's behaviour.

Now, you claim that black characters in this show are "treated very poorly". I assume there's a specific scene you have in mind. What would you say about Marrow? Emerald? Pietro? Fox? Joanna? Flynt?

In conclusion: I'm 100% sure this scene wasn't racist. My friends confirmed it and assured me that it was simply taken out of context.

Edit: I've noticed that some people saw me using my friend's opinions as an attempt of universalising only one opinion. I should've make it more clear, but I absolutely despise that way of thinking. People who know me will tell you I believe in "everything depends on everything" way of looking at things . So I recommend you reading this.

[border-spam]

Does troy really have a split jaw or is that fanon?

It's total fanon!

The design of the split lines across his cheekbones and chin coupled with the cheek clips and v shaped hinge outline next to his ears lead to a lot of people coming to that same outcome, that there is something up with his mouth from a prosthetic/mod standpoint.

So much of his design is never mentioned once or referenced in any way (hightech spinal rig with tattoos under it, neuro connector, mech arm that's much older and doesn't seem related to the spine and neuroport, implants on bicep, face mod etc) that like Tyreen's scars and possible lower body Siren markings, fandom took over when it came to coming up with logical explanations for 'em.

This actually touches ground with some Ao3 comments I wanted to share as they are all Leech Lord compliant, so I'll list them here alongside links to the fics they were related to (note warnings!)

You leave no avenue for characterization unexplored. Troy's facial prostheses finally receiving backstory is amazing

- Maw (Gore/Bodyhorror)

I LOVE the idea of it being not just decorative shit on his face, but my MO for any content I make is always based around asking why, over and over, and trying to make sense of what material I'm using in the first place. The modded mouth is a popular piece of fanon but you know... why? Why would he do that shit to himself. WHY would he want to be grotesque, why would he be chasing the reaction people would have to it when canonically he seems to really not be interested in fan attention the same way Tyreen is, what's the difference to him between being adored as his persona or being lusted after as a monster, etc. I just love deep-diving into the logic behind character and world building? It's what adds meat to the bone for me.

Big 'ol character and worldbuilding / lore responses list under the cut -

He could afford better robots but these ones UNDERSTAND Ty, don't you get it?

- Good night in (tooth rotting fluff)

Hey just because it's mangled and broken, and can't perform its intended function to a degree expected of it by everyone around it... and it's got rusty sharp bits it accidentally hurts you with sometimes... and it's cranky but it doesn't mean it... and sometimes it errors out in a way that's mildly disturbing in a way you can't place.. uh.. doesn't mean you should just GIVE UP ON IT you know? He can fix them :) They will be fine :) No one should just throw away something that's trying so hard just because it's damaged... haha... :')

It's so hard seeing how much they tear each other down when they're the only thing they have left. And what a poor self-image Tyreen has beyond all that glitter and bluster...

- Wolf in sheep's clothing

The twins function well enough as a unit till tensions rise, and I was trying to seed in The Leech's influence on them in earlier work like this too - towards anyone else Ty would become MORE aggressively confident, more assured in her complete and utter dominance of the situation, her flawlessness, but against Troy who see's her for what she is, it turns inwards and eats at her instead of lashing outwards. He switches from relatively submissive around her to almost surgical levels of dissection, he knows exactly how to go for the jugular with words, and doesn't hold back. She's The Leech's mouth but he's its eyes and it's only when they lose control emotionally enough for it to claw to the surface of their psyches that you get an idea of how much it really affects them individually. GB had an absolute goldmine on their hands here of cosmic/body horror and the concept of toxic family when all you have is each other, there's so much to work with, and I figure it's a factor in why some people still really enjoy messing around with Calypso content.

I like how you allow Troy to be a disabled character, how his congenital defects and prosthetics colour his outlook and appear in ways big and small in all these vignettes. It's easy, I think, to see him as largely untroubled by his health apart from when he needs a charge from Tyreen in the game, but you allow him to struggle with his weakness.

- Chronic (Drug use)

I'm really glad to hear that's coming through in the writing because it's something I noticed a lot too. Very often when Troy, or other characters canonically disabled / chronically unwell are written it's "told" and not "shown". Chronic pain, illness, it's not something that is just a little tickbox in a life or some descriptive terms added to a character synopsis, it's something you live and deal with. There are bad days. There are times it is a negative that has to be worked around or faced in ways that aren't pleasant. It doesn't make you lesser or weak to have times where illness does leave you unable to function to a level you want to, it's not a failure for you to be unable to perform tasks when a disability or flair up means it's not viable. I feel personally that by showing scenes like this where his health and body issues do have a very visceral and impossible to ignore the effect on his ability to function, and going through his mental processes of dealing with and managing them, it brings the character across as stronger than if he never seemed to be shown dealing with symptoms or weaknesses. People are more than their disabilities and conditions, those aren't just kinda taglines to add onto a character's description and then never address. I feel like doing that in a way undermines what people deal with who manage chronic illness, pain, and who have disabilities that affect their daily lives negatively. Appreciating the effort it takes to manage them is important.

What I really like about these is that you can really understand as a reader how their dynamic must have evolved. How even before Leda's death Tyreen would have felt demonized while Troy got the attention because of his condition, because he was less willful.

- Starlight, Moonbright

Ah man, absolutely - and that shit stayed with them. It wasn't his fault and he never wanted it, but of course their parents would have had their extremely ill child at the forefront of their thoughts, especially during weeks when he was.. bad. Tyreen by nature even without The Leech's influence is a little attention seeker, she'd be the life of any party and she BLOSSOMS if she's got the spotlight, but as a little kid who's got literally no one but her parents and her brother, and who all three of which can't give her nearly as much time as she deserved? That's rough. That's really unfair. That coupled with The Leech's warping effect on their egos as they grew up and the bitterness and resentment they harbored in different ways created a reverse dynamic. She'd never be out of the Galaxy's attention again, and he'd have no choice but to take his rightful place in her shadow.

I love how you illustrate both how much more, and yet how much less Troy is now. How the blameless child, full of potential, is inextricably linked to the brutal, larger-than-life avatar he fashions.

- DeLeon ( Graphic Violence / Gore / Hallucinations)

He's molded the monster he is now out of the bones of the man he should have been - there's no going back really. There's nothing left to go back to. He broke Troy DeLeon apart to build the persona that acts like an iron lung now, suffocating him breath by breath while forcing him to still take them. That life is over, he killed it before it had a chance, but the idea of it is still there in his subconscious. Somewhere in the absolute trainwreck of Troy's brain is the tiny, flickering belief that maaaaaybe one day this will all be over and he can shuck off the bracer and spines, peel off all the shit he's covered his skin with, and just go back to not being Calypso. DeLeon here isn't some aspect of his mental state or his sins haunting him - it's The Leech, spitting venom at a host it loathes in something that's not sound or comprehensible language. His subconscious has just translated it into something it can understand - his greatest regret.

On if Borderlands Humans originated on Earth -

There's a really tenuous link between BL verse and rEarth, but it's there and can't be ignored. The cultures, accents, terminologies, so many are Earth specific despite these people being spread across galaxies, so hell yes - Earth as an emergence point makes total sense. The next question then, is why is it never mentioned - and you can cover for that with a lot of things like say, tt was so long ago that it's not relevant to anything that would ever be discussed, or it could be a mass evacuation from a catastrophe there is little record of now. I like to go with something along those lines, that the first human Siren host emergence on earth just absolutely decimated the planet. Like, we were doing fine till this random woman somewhere in the ass-end of nowhere develops weird markings overnight, then goes apocalyptic. The first Leech maybe, not understanding her powers and having them rip across continents in a spread of crackling electric death that only left husked shells of plants and animals in its wake, or the first Firehawk who went nuclear and burned the sky, or the first Voidgrasp who lost control and began to collapse the planet's core - some extreme shit that had humans fleeing en masse with barely any preparation and HUGE swathes of history and knowledge left behind. That would cover so many social things surviving into the BL verse, cultures, accents, cooking, that shit comes with us regardless of what we were able to throw into escape ships. Like so much data would be stored on any tech and data arrays within the vessels people would use to leave a dying planet even in an insane rush, but that shit waters down over time - if you're farming barely edible plants on some planet that smells like farts, are you really gonna be that stressed about teaching your kids history from a lost planet when your current concerns are not being eaten by something with 19 legs and 4 buttholes? Don't think so.

On if the other Siren entities are as influential to their hosts as The Leech -

I touch on it a wee bit throughout LL, but the others are FAR more passive and meld more to their host's whims. The Firehawk Siren wouldn't.. like.. care? If the host was burning down a planet or fighting off an evil corporation? They are removed from any nonsense happening on this side, they might not even really be able to tell, it's like asking an amoeba or a collection of sentient atomic particles what its opinion is on Brexit. That's not really its priority. The Leech is so aggressive in its control of the twins and desperation to drive them towards an outcome it desires only cause it's split, broken, removed from the song, and completely lost. We're talking a caged, half-mad animal removed from its natural environment and left totally isolated from its own kind for millennia. It's in pain, it's confused, it wants to find its way back to the song and the others and where it belongs, but it's stopped by a barrier it can't comprehend ( the twins and being ripped between them), so in its impotent rage it feeds back that hatred onto them. It's not really sentient in the way we would describe functional intelligence, but it wants, and craves, and FEELS. And it feels very, very angry.

Big thanks to @undergoingcalibrations for talking through so much of this with me!

Asks are Open!

[creoterative]

AoT x GoT Headcanons

This just came to my mind and in a few hours, I built a whole story with this sh*t, but who cares, so I’m gonna focus on the dragons for now ;)

warnings: mentions of blood and murder, mentions of ehhh.... not so good bed scenes

and of course, spoilers for both

Daenerys Targaryen

-portrayed by Historia Reiss

-although she entitles herself as the ‘Mother of Dragons’, she sees herself as more of a big sister and the Dragons see her as such too

-is a very openhearted and -minded person, just as Dani was in the first seasons

-wants to break the wheel and earn her right to the Iron Throne by releasing every single slave in all of the Seven Kingdoms, because she was used by her father to gain him more power (she was forced to sleep with several generals)

-loves her three dragons and if something happenes to them, she goes on full rampage

-when Reiner gets shot by a spear, she feels extremely guilty and apologizes to him even weeks after 

-her favorite of the dragons is Reiner because he is strong, kindhearted, but a beast in battle, she trusts him the most, which is why she has a connection with him

-Galliard is her favorite when it comes to insulting and threatening her enemies, because that boy knows how to use his teeth and scowls

-Bertolt is her favorite when she needs someone to talk especially when it comes to serious decisions, Reiner can’t decide either and Galliard always wants someone to die, so Bertolt is the only one with a little bit of a brain to work with

-she enjoys laying on top of any of them in their dragon forms, because their bodies are extra warm then and can protect her from the cold, no matter what

-Historia hates it, when her boys fight, so if they do, she will start crying and plead them to stop, which, of course, they do immediately

-because of her experiences with her father and his trusted allies, she doesn’t know how to handle new faces and gets really shy around them, so her dragons get a little... overprotective in these situations

-but she can be a damn strict ruler, if anybody does something, that she doesn’t want to be done, fist on the f*cking table and a stern look, everybody will crawl on the floor

-she gets to know Armin Arlert later in the series and is attracted by him, although two of her dragons do not like him that much at first, has a relationship with him later on, but is killed by Armin right in front of the Iron Throne

-the reason why she gave all her ‘sons’ different last names, or last names at all, is because they actually aren’t related to each other and her consultants didn’t allow her to give them her own last name, since the Reiss family is highest royalty to them. Many of her consultants actually only see the three dragons as tools for battle and not actual members of the empire, Historia creates.

Drogon

-Reiner Braun, there is no better one for him

-but the role of Drogon himself would be a little... different

-Reiner can transform into a light golden dragon, bigger than a Boeing 747, with even brighter horns and claws, his scales shine in the sun and sometimes, when the light is just right, slight glittery patterns can be seen all over his body, giving him some kind of royal appearance

-his flames are bright as well, still orange, but intensive

-also his armor is the strongest among the three brothers

-he is Historia’s choice to ride into battle, which he is very honored by

-is very proud of his origin and powers, but doesn’t show this pride as much as Galliard does

-doesn’t interfere too much into politics, is more of a fighting guy and wants to prove his value to the queen, Historia

-his roar is veeeery deep, can smash a grown mans eardrums into pieces and scares the enemies even before they see him

-as he grows up, he realizes, that killing people gets to be a habit and Historia isn’t just breaking chains anymore, but also kills those, who don’t want to bend the knee, which he highly disagrees with

-nevertheless, he doesn’t interfere until the last day of Historia’s reign, he is the one to melt the iron throne in rage and carries Historia’s corpse to the place, where she gave life to all three of them

-as a dragon, he can fly, but he actually isn’t too good at it at the beginning, Galliard and Bertolt get way ahead of him, which is why Historia almost decided to ride Galliard to battle

-he likes to sleep in human beds more, being out in the open is more a Galliard thing

-gets in fights with his brother Galliard wayyyy too often, but gladly Bertl is there to reason with them, if that doesn’t help, Historia will just start crying right next to them (as they grow older, they don’t harrass eachother as much because... they would burn whole villages)

-he was the first to learn how to breathe fire

-his title amongst the people is ‘the one who breathes gold’

Rhaegal

-Bertolt Hoover would earn the role of Rhaegal, the fierce green dragon, Armin Arlert gets to be his rider later on

-in his dragon form, Bertolt is even bigger than Reiner, a good amount of bigger I should say

-his scales are actually green as well, but a lot darker than Rhaegals in the series, while his teeth are black, as they should be according to the books, his wings are the only ones being without any cuts or wholes, since he doesn’t really fight with his brothers

-he is known for his technique of clapping his wings together and creating a whole storm to send people flying, when he is asked to fight by Historia

-Berts flames are a dark green colour, sometimes a bit of black can be seen as well

-although he isn’t Historia’s first choice in battle since he is rather calm and shy, he can be a real threat because of his size alone

-he actually prefers to fight in the dark, because he can hide more easily even though he is the biggest of Historia’s dragons

-Bertl is the one, who is the most aware of his powers and controls them perfectly, which is why he always reminds his brothers to be careful with their tails or their wings, much to their confusion, I mean, he is the biggest of them, by far

-he’s a gentle giant, most of the time, and Historia’s preferred place to sleep on is his back in dragon form

-that boy can be such a d*ck, when it comes to sleeping, accidentally of course, because, well, he sleeps, but his positions while doing so are... random. In both forms actually, a house was smashed to dust one time

-politics are absolutely his thing, he loves to be a part of tactical meetings and enjoys to help his queen/mother with difficult desicions, although he is pretty shy around other people, who don’t belong to his closest family

-his roar is deep, but not as deep and loud as Reiner��s, even though he should have the lung capacity to make it even louder than his, which is because he actually hates to roar, is more of a silent assassin, you almost can’t hear his wings

-as Historia begins to grow a darker queen, he keeps himself out of it, only follows her orders, but deep inside, he questions their actions and feels sorry for what he has done

-he is really sceptical at first, when Armin approaches him, but as soon as he senses the Reiss families blood, he calms down and lets Armin ride his back

-they actually have a connection similar to that of Historia and Reiner later on, which allows Armin to lead Bertolt into battle and give him commands, just like Historia does

-he has this look, when he is in his dragon form as well as in his human form, a look, that can easily make anybody uncomfortable, though he just looks very directly at somebody. That is his way to say ‘back. the hell. off’

-Bertolt is shot down by three scorpion bolts in the battle at Dragonstone, Galliard isn’t there to whitness this, but Reiner and Historia are right next to him, leading to Reiner wiping out a whole fleet of ships in blind rage

Viserion

-the best one to play this part is Porco Galliard, just called Galliard by everyone, he hates his first name

-Galliard is the smallest of the dragon brothers, but he is actually the toughest and fiercest, leading to him being used in most of the battles Historia fights as the first one to attack the enemy

-in his dragon form, Galliard is of a smaller statue than his brother Reiner, but still pretty big, has copper scales, which pretend to seem a little bit darker, than they actually are, his claws look as if they are really made out of pure copper, but his teeth are pure white

-the fire of this boy is HOT, like he can literally melt rocks and metal like frikin wood, also his flames are of dark orange colour and sometimes a little bit of yellow sparks through

-he actually likes to use his claws to crush catapults and sink ships rather than using his fire, although it is really strong

-is the fastest of the dragon brothers and loves to speed through the enemy lines

-he often teases his brothers because he is the first to rush into combat and ‘makes things easier for them’ (actually he has to save Reiner a lot... and teases him for that as well)

-always the first one to say ‘let’s just kill them all, we know they deserve it, mom’

-he is rather harsh and cynical, but can be really sweet with children, tries to convince them that dragons are not always vicious beasts

-he often wanders around alone, sometimes disappearing whole months only to return from some smaller battles, because of that he has the best orientation amongst his brothers

-he absolutely hates fish

-Galliard actually would never allow any human to ride his back, not even Historia, doesn’t matter if Reiss blood or not, he HATES to be controlled, so Historia can only tell him what to do if he agrees to ‘help her out’

-has no interests in politics. AT ALL.

-Galliard doesn’t like other people, but is loyal to the kingdom and its queen, protecting Historia with his life, if he has to, still, no other people, except maybe some children, he grew fond of

-when he roars, it sounds like a damn hurricane is coming, high pitched, but terrifying as well, people sometimes actually think, that a storm is coming, when he roars, which he is very proud of

-is the first to notice Historia’s turn to the darker side of herself but thinks, that she finally accepted his sight on things, but as soon as it resolves in killing people just for the effect, he starts to question her, and actually speaks his mind to her very openly, only receiving stern looks from her

-he absolutely hates Armin when he first arrives at Dragonstone, shows that by growling at him and just flying away

-Galliard is the first of the dragon brothers to get killed, an ice spear pierces through his shoulder and neck, which kills him mid flight, is later revived by the Night King, also known as Eren Yeager, to fight against Historia

-he gets killed again when Mikasa Ackermann stabs the Night King in the chest, right after Galliard destroyed the wall of ice and fought his brothers in a devastating battle, in which Bertolt gets injured badly

[warrioreowynofrohan]

This is similar to one of my previous posts, but it has some new elements so I’m copying it over. This is the second of my posts on the core themes of each book in The Stormlight Archive. The first, on Rhythm of War, is here.

This post contains Rhythm of War spoilers.

Stormlight Archive Themes - Redemption in Oathbringer

If I pretend I didn’t do those things, it means I can’t have grown to become someone else. It cannot be a journey if it doesn’t have a beginning.

Redemption is a theme running through the entirety of the Stormlight Archive, but it is strongest and most central in Oathbringer- not only in Dalinar’s character arc but also in Szeth’s, in the start of Venli’s redemption arc, and - in a negative manner - in the arcs of Moash and Amaram. Oathbringer also, to my mind, encapsulates the philosophy of the entire series regarding redemption in one scene of striking symbolism.

The idea of redemption is Oathbringer is often paired, in analyses, with that of accepting responsibility for your actions - indeed, I almost titled this essay “redemption and responsibility.” And that is absolutely a necessary element that distinguishes the successful redemption arcs from the failed ones. But in thinking about it I realized that I had things in the wrong order - for both Dalinar and Venli, mercy is is what enables them to take responsibility, not the result of them doing so. They are both able to grapple with their actions and take responsibility for them, and this is what enables their redemption arcs, but in both cases it is a consequence of them already having been shown grace before they exhibited any change in behaviour.

When Dalinar visits the Nightwatcher, he has been a brutal conqueror for 23 years and then a drunk for the last five and a half. His sole redeeming characteristic is that he knows in his soul what he needs and it isn’t power or strength or to return to the man he was before Evi’s death, or the ability to blame someone else for his deed. He knows he’s guilty, and he begs for forgiveness. And what Cultivation gives him is not precisely that, but the chance to become someone better. It is crucial to remember that, while he forgets his actions and forgets Evi, that is not what asked for; his goal was not to be free of the knowledge of what he did, but the chance for it not to be the end of his story; the chance to be something other than the monster he knew he was.

When he rejects Odium’s offer to take his pain, on the battlefield outside Thaylen City, it is without any expectation of forgiveness or of freedom from his crushing guilt. Evi’s forgiveness is not something he has remotely earned or deserved, by that action or any of his actions; it is pure grace. When we talk about redemption arcs, “deserving” has nothing to do with it. Dalinar didn’t remotely deserve his. He knows this, and it’s why he’s ready to hold out the possibility of redemption to Amaram and, in ROW, to Taravangian - because if Dalinar can be redeemed, then the door is not closed to anyone. The difference is not in worthiness of redemption, but willingness to accept it.

And this is also seen in the beginning of Venli’s redemption arc. Timbre finds her and stays with her long before she’s demonstrated any positive qualities that would subgest fitness for being a Radiant. In the context of ROW, knowing that Eshonai bonded Timbre just before her death, I believe it’s because Eshonai asked her spren to look out for her sister. As with Cultivation’s gift to Dalinar, it is Venli’s bond with Timbre that enables her to become a better person, to make herself accountable to her people for her actions, to begin taking personal risks to do what is right.

Something similar is also present in Elhokar’s arc. Kaladin saves him before he’s done anything substantive to change, when Elhokar has only shown the first beginnings of recognition that he is not the person or the king that he should be or wants to be. He is capable of the change he exhibits in Oathbringer, the genuine humility and desire to serve his people, because Kaladin’s rescue gave him the chance to become that person. It’s not truly a failed or prevented redemption arc. He died, but he died trying to be better, and that matters.

The difference with Amaram, that prevents his redemption arc, isn’t that he’s uniquely evil. (Dalinar has also killed his own men, in battle-lust rather than in cold blood.) What prevents it is the rejection of the truth he knows in his soul: that he has done something horrifically evil, that he is in the wrong.

“No, he’ll never forgive me.”

“The bridgeman?”

“Not him.” Amaram tapped his chest. “Him.”

Amaram’s rationalizations during his fight with Kaladin are the consequence of him refusing the knowledge of who he is, or trying to escape from it. Ironically, Amaram previously put up quite a good pretence of willingness to accept responsibility for his own actions - he told Dalinar that after the war was over he’d be willing to stand trial for what he did to Kaladin and his men. I believe he meant it - but what he wanted, like Taravangian, was to be seen as, or see himself as, some kind of martyr, sacrificing his morality for the greater good. Which is a very different thing from the recognition that you’re wrong.

Moash’s arc is also one away from accepting responsibility - in his first chapter in Oathbringer, he feels terribly guilty for betraying Kaladin and recognizes thst he was wrong, and then he moves further and further away from this in every subsequent chapter, until Odium’s whispered lies - What happened at the Shattered Plains wasn’t my fault. I was pushed into it. I can’t be blamed. - begin to take hold. When he gives up his pain to Odium, he remains driven by the desperate need to hide from his guilt, and his campaign in ROW to drive Kaladin to suicide is driven in large part by the need to prove to himself that giving up hus pain was the only possible decision by driving Kaladin to make the same one. As long as Kaladin lives, he is proof of an alternative path. (Yes, a twisted death wish that regards this as mercy is also part of it.)

Moash, like Amaram, and Dalinar, and Venli, does receive an offer of redemption undeserved, not in Oathbringer but in the first part of ROW, in Renarin’s vision of him as someone who protects rather than destroys. He responds with terror - it can’t be possible, it needs to not be possible, because if another course is possible then his actions are not inevitable and he is responsible for them. (I know this vision has been compared to part of the magic system the Mistborn books, but to me it’s far more intuitive for it to be the Surge of Illumination, which we’ve already seen used by Shallan in a similar way in her drawings of Bluth, Gaz, and Elhokar, among others.) He spends the rest of the book trying desperately, and unsuccessfully, to extinguish that possibility.

And finally we have Szeth’s redemption arc. Szeth has never been in doubt that he is morally responsible for his actions, even when he did not concieve of himself as having a choice about them. I see his arc in the prior books as something much more nuanced than “just following orders” - that’s an excuse used by people who want to get out of making hard decisions, who prefer comfort and complacency. Szeth very much did not want to be in his position as assassin - he loathed it, and himself, and was willing to do anything within his power to avoid it; after killing Gavilar, he actively seeks out a life in obscurity as menial slave, concealing his abilities as far as he can, because that means he won’t be used to kill. It’s a life Kaladin spent years trying to escape from, and it’s Szeth’s idea of a best-case scenario. Szeth is in the position of desperately wanting choice, but conceiving of it as a privilege that he no longer possesses. I thimk this is connected to the meaning of Truthless - the underlying concept/rationale for the oathstone seems to be that literally anyone - any random person in the world - is capable of malimg better choices than you, so they, and not you, get to decide what you should do with your life. It’s near the end of his arc in Oathbringer - But it had always been nothing more than a rock - that he at last recognizes that he did have a choice about his actions.

Szeth, in his arc in Oathbringer, is very much motivated by the desire to do what is right and make right decisions, thpugh he is very out of practice at making any decisions at all. In the first test of the Skybreakers, he perceives that there’s something more important going pn that just chasing after wretched criminals, and that the warden’s immiseration of them is the worst crime of all. But it’s the second Skybreaker training session, with the practice fight using the balls of coloured dye, that gives us what I think is the heart of the theme of redemption both in Oathbringer and in the Stormlight Archive as a whole.

The contest feels a little out of place and low-drama - the recruits’ first test is killing criminals, and their second one is a game? But I believe it is absolutely crucial via the metaphor it communicates. Szeth starts out diing very well in the game - no one has hit him yet - and is actually enjoying himself for the first time in many, many years. And then he thinks this: He could not be happy. He was only a tool of retribution. Not redemption, for he dared not believe in such. If he was to be forced to keep living, it should not be a live that anyone should ever envy.

Other characters either accept both responsibility and redemption, or reject both. Szeth accepts responsibility, accepts guilt, tries to do right, even without the belief that redemption is possible.

And immediately after thinking that, he gets hit with the dye for the first time. He was doing well in the game when he was enjoying himself; now, when he rejects the possibility of redemption, he stops doing so well, and ultimately loses. Almost as if the universe were trying to tell him something.

And then, when he is bombarded with dye, runs out of Stormlight, and falls into the Purelake at the end of the exercise, he realizes something. It’s not actually about how many stains you have. He washes them off in the Purelake. And he wins the game.

To me, especially knowing Brandon’s religious background (and being a Christian myself), this is extraordinarily powerful symbolism of baptism, of the washing away of sin and entry into new life. It is stating the theme of redemption for the whole series. How many stains you have, what you’ve done in the past, doesn’t matter for redemption; what matters is whether you’re willing to accept redemption, accept the mercy that is offered, choose to be a new person. There is no such thing as being beyond redemption. The heroes of the story are not some perfect ideal, not the ones who manage to pick up very few stains. They are the ones who are willing to recognize that they have them and to wash them off; to recognize the wrong they have done and to change.

[lailyn]

Can I have another loki fic with stomach ache? Any pairing is good. Also, the fic you wrote for me earlier was amazing! Now I want more....

These Chains Around Our Hearts

Pairing: Loki/Steve Rogers

"Another war movie?"

"This one’s said to be...not bad."

“Not bad,” Loki echoed. “Not one for overselling, are you?”

“I haven’t had much luck trying to impress you with my movie choices,” Steve said. “But it did win around seven Oscars or something so...not that that’s a true indication of what makes a movie great but it’s on my bucket list and I thought we could - ”

With a tease of a smile, Loki plucked the DVD cover out of Steve’s hand; for some reason, the good captain looked flustered. "Tut-tut, Captain. I was not questioning your taste in movies nor your diligence in compiling your list of buckets.” 

“'Bridge On The River Kwai'," he read. "Sounds promising. Was this your war?”

“I’ve fought many,” Steve said, smiling faintly. “But you could say this was my first, yes. Only it was fought on a different front.”

“Then let’s watch it, shall we?” Loki asked brightly. 

“I’ll be right with you. I just need to grab a few snacks from the kitchen - ”

“But we just ate,” Loki grumbled to himself as he picked a corner to get comfortable in, making sure there was ample room on the couch for Steve when he returned. 

The pot pie Steve made for dinner had been a tad too rich and Loki felt uncomfortably full despite not having eaten very much. He listened to the sounds of Steve pottering about in the kitchen and wondered if he had any space left to fit whatever bonne bouche his host had prepared for their movie night. 

Loki had suspected from the start, back when they first started seeing each other, that Steve was one nervous entertainer. True enough, when the super soldier emerged from the kitchen, his already impressive arms were burgeoning with bags of crispy, salty things, jars of dips and cans of drinks. 

“Oh my.” Loki eyed the smorgasbord laid before him critically. “Is that all?"

"It's not enough? I could get some more - " But before Steve could make a beeline for the kitchen once more, a hand touched his wrist.

"I was teasing."

They settled into their usual seating arrangement, not too close but at a companiable distance from each other. Steve and his appetite dived face-first into the tortilla chips and dips, but Loki refused to partake, what with his stomach feeling as unsettled as it was. 

For a film made in the fifties, Loki found it quite impressive, almost believable even, if one had not lived through the dark times first-hand. 

“Did you win it?” Loki asked. “Your first war?”

Loki’s vast knowledge of the cosmos and all it contained was legendary and Steve for one knew it included Midgardian history, so there was no way this was not a trick question. “In a manner of speaking.”

“You were fighting the same war, you said. Did it look like this?” Loki pointed at the screen with his regal chin. 

“No,” Steve shuddered. After the surrender of Germany in 1945, the Allied forces’ attention shifted east, and this was a film depicting the horrors of the time.

How many of his comrades-in-arms had been taken prisoner? Forced to live in squalid conditions, ravaged by disease and starved slowly to death as they slaved away in the harsh tropical sun piecing the Railway of Death track by track?

"The Auschwitz of the East." The thousand-yard stare bruised Steve's baby blues to a dark, angry cobalt. "I don't know if I could have survived it."

"Of course you would," Loki said firmly. "If any man could, it's you." 

Steve's mind turned, uncertain if he was deserving of such high praise, especially when it came from none other than Loki, the God of Chaos himself. 

"I am familiar with the concept of war. I was Odin's war trophy after all," Loki said casually.

Steve turned his head slowly. 

"Story for another day, Captain," Loki forced a smile; he was no longer in the mood for a romantic evening, let alone a heartfelt tete-a-tete. The vague discomfort in his belly was commanding more and more of his attention by the minute. 

He laid a hand on his stomach. When it twinged again, Loki knew he was in for a long, long night. 

Steve caught Loki's sigh. "Loki?"

"I'm fine," he said gruffly.

Now showing was a scene depicting insubordination among the ranks, and by the time the Japanese sergeant had finished giving the prisoners a dressing-down and placed them in a punishment hut, the twinging in Loki's stomach had blossomed into a full-blown ache that no amount of rubbing was helping. 

Steve caught Loki's hand grabbing his waist again. "You okay?"

"I am fine, Captain."

"Are you sure?"

"I seem to have what you Midgardians call a stitch," Loki said as he kneaded his side gently, his smile wan. "It is nothing."

At being denied its existence, Loki's stomach voiced its protest in the form of a loud, whining rumble. 

"That doesn't sound like a stitch."

"You are not going to let this go, are you?"

Steve groped for the remote control that had slipped somewhere down the side of the couch. "Yeah, no. We can continue watching some other time." 

Ignoring Loki's mewl of protest, he stabbed the pause button before he stood up, gathering the uneaten snacks and drinks to clear the table.

Loki rose to help, but as soon as he did, a sudden pain lanced through his abdomen, sharper than anything he had felt tonight, and he sank back onto the couch with a gasp. 

Steve dropped everything with a crash. "Loki, what's going on?"

A tense few seconds later, the pained expression on Loki's face eased and his whole body relaxed. "Something I ate is not sitting right with me, that is all."

"Do you want some water?" 

Loki shook his head. 

"Do you feel sick?" Steve pressed.

A wince. "A little. There is a slight ache, it is more uncomfortable than painful really."

"Somehow I don't think slight means quite the same with you guys," Steve sighed. "Why didn't you say anything?"

Only Steve could say something like that without sounding chastising or judgemental, only worried if not a little bit sad. 

"It was not my intention to keep anything from you, Captain," Loki said placatingly. "And I speak true, it is only a mild discomfort. Perhaps I merely overindulged."

It was evident from the look on Steve's face that he did not believe a single word Loki said. 

With a sigh, Steve patted his thigh. "Come lie down."

A flush of colour suffused Loki's cheeks. "I can't possibly."

He felt Steve lay a hand on his back, contemplated leaning into it, but the thought was obliterated by a fresh round of cramps so intense they folded him in half. 

These things happen at the worst possible time, Loki cursed silently, groaning into his knees in sheer frustration. 

Steve must have mistaken his moan for one of pain for suddenly, a strong arm enveloped Loki from behind and pull him down. 

Resist, don't give in, resi -

"Loki."

Like magic, the gentleness with which Steve said his name drained all the tension from Loki's body and sapped him of the energy to remain upright. He sagged sideways in a slump. 

Utterly mortified by his inelegant tumble into Steve's lap, Loki hid his face against a taut, well-muscled thigh. To his credit, the captain said absolutely nothing, only running a hand up and down the side of Loki's arm.

If his stomach wasn't hurting so much, Loki would have appreciated the comfort of Steve's lap much more vocally instead of trying not to be sick in it. 

"Are you sure you don't want me to get someone? Banner? Dr Cho?" 

"There is no need. I will be fine."

"What if this is something serious?" Steve patted his jacket for his mobile phone. “I should get your brother.”

“No!” Loki peered through strands of hair, which Steve tentatively brushed away. "If it were, it would have killed me already." At the aghast expression on Steve's face, he added in a hurry, "Or conversely, my healing spell would have cured it completely."

"What do you think it was?" Steve asked anxiously. "It wasn't my pie, was it?"

Loki shook his head. "No, Captain. This is just a run-of-the-mill stomachache, albeit a very irritating one. Exploring the vast diversity of Midgardian cuisine has truly been an adventure."

"Thor can eat anything."

"There is nothing my Brother can't and won't eat. I have seen Thor devour five wild boars in one sitting and that was after a light training station, imagine what he could polish off after a day's battle or two." A sullen mutter. "I am not like Thor."

"No." Steve smiled. "No, you're not. You're different."

Loki knew better than anyone all the ways in which he was different. He wondered if they matched Steve's list. "How so?"

Steve shrugged. "You were right. I like war movies. And you're the only person who'd watch them with me."

"I suppose I too am nostalgic for the olden days. Even if they were someone else's," Loki said, mirroring his companion's smile; it felt just as awkward on his face as it had looked on Steve. 

He tried to make himself comfortable but lying on his back hurt too much. With his head still in Steve's lap, Loki turned onto his side and curled into a tight ball. 

Meanwhile, Steve was beginning to fret. “What can I do?”

“Retire for the night, I suppose. I’m afraid I am not very good company at the moment.”

“Yeah, like that’s going to happen.” 

“Captain.”

“No man left behind, Loki. I’m staying.” Steve let Loki squirm against him as he tried to find the most comfortable position. “What do you need?”

“Sleep.” Loki was almost too embarrassed to admit it. “I could try walking it off, but - ”

“Don’t be ridiculous,” Steve growled. “We’re watching a goddamn movie, not kicking some alien's ass in battle."

"I'm sorry you couldn't finish the movie," said the only alien in the room.

"It's okay. I couldn't concentrate anyway."

"Something on your mind, Captain?"

Steve shook his head. "Someone," he corrected.

"Anyone I know?" Loki asked, wanting to jest, but his intestines chose that moment to coil into knots inside him, each tighter than the one before; he could barely keep from crying out, he was in so much pain.

"I'm looking at him," Loki heard Steve say in a voice so soft it could only be a product of his muddled imagination.

He closed his eyes and concentrated on the grounding warmth of Steve's body heat against his face.

The beast clawing away in his belly was not real. Steve was. Good, kind, sensitive Steve.

Steve watched in sympathy as Loki massaged his stomach gingerly. "You really don't feel good, huh."

"There was a time when I would rather face the axe than admit to something so pitiful." Loki opened his eyes a mere fraction, lest he revealed too much his pain. "But no, I do not." 

"I'm not used to seeing you like this," Steve said quietly. "You always get stomachaches this bad?"

Loki had to laugh; Steve looked so serious it was adorable. "I have survived horrors far worse than this, Captain."

"Yeah, but you kept it to yourself this long, so it must be pretty bad."

"Oh, you know me too well," Loki said sarcastically. "I must have been too engrossed in the film to notice my stomach eating itself."

Steve appeared offended. "Hey, it's based on a true story!"

"They did not blow it up in the end, you know."

"What are you talking about?" Steve asked, baffled.

"The Bridge. There were many bridges like it along River Kwai, but the rest of it?  The uprising and the sabotage? That is all fiction," Loki said flatly. "Glorious fiction."

His eyes fluttered shut with a solemness analogous to that of one burdened with bearing bad news. 

It was hardly news, was it? These people had been dead for almost a century -

"Your friends did not escape the jungles. They were all packed onto ships that took them across the sea to the Land of the Rising Sun, but your own warships mistook them for the enemy and blew them out of the water. All ten thousand of them."

"Tell me one thing. Why does telling stories come so easily to you but not this?" Steve swatted Loki's hand away and replaced it with his own, ignoring Loki's surprised gasp. "Yes, war sucked. Watching your friends die in front of you sucked. But right now I don't care about any of that. I care about you!"

Loki swallowed hard. "Captain…"

But Steve was not done giving Loki a piece of his mind.

"I want you to tell me these things," he berated, his fingers curling around the taut flesh of Loki's stomach. "I'm not good at reading you."

A sharpness cut through Loki's words, a warning in disguise. "I do not want you to."

"I couldn't if I tried," Steve said quietly. "I have brought down walls thicker than you've ever seen. But I can't see through yours." 

Loki fell into a silence so deep it left Steve wondering if he had ruined the moment beyond repair. 

"A war hero like you has no business consorting with someone like me." Loki turned his face. "I am but a prisoner, begging for scraps from you, and from everyone else in the universe."

Steve's hand stilled. Loki's thin abdomen throbbed under his palm, the pulsations picking up pace in time with the racing of the ancient heart.

"I have been in chains since the day I was born. I will not chain you to me." Loki interlaced his fingers with the ones still clasped to his stomach. "This is a momentary comfort."

"We are all prisoners here, Loki," Steve said gently. 

As all anger left him, his other hand searched for Loki's. "We don't belong to this time, but there is no escaping it." 

His thumb danced across the bony row of Loki's knuckles. "There is only living."

"Perhaps I have lived too long." 

"That is a decision only you can make," Steve said, the sadness returning to his eyes. "But I have just found you. And I want you to know that I care."

With the confession finally out of the way, Steve inhaled deeply and leaned his head back against the couch, his hand resuming its gentle kneading. It was comforting, the sensation of Loki's tight, concave abdomen giving little by little to his ministrations. 

It was not overindulgence, the cause of Loki's pain. He knew that now.

"Captain."

"Yes, Loki?"

"What exactly do you want from me?"

Steve went quiet. The answer could not be any clearer, but Loki was notoriously oblivious to any notion of sentiment, even the most obvious one. 

"You said I was your comfort. I want you to allow yourself to be mine."

Loki remained quiet for longer. When he finally spoke, his voice quaked with a timbre of hope and unbridled joy. 

"If I say yes, would you do me a courtesy and let me choose what to watch for movie night?" 

Steve laughed. "Sure. On one condition." 

“This negotiation has strayed too far off course, Capta -”

“Steve,” he interrupted, cradling Loki's face in his hands. “Call me Steve.” 

It was an offer Loki could not refuse. "Steve." 

The name tasted good on his tongue. And so did those lips. 

[lozzypoz321]

Word count: 2.6k

A/N by @morizoras-cave: this was even more fun than the last fic, loz is so so funny and so so talented and i just feel so comfortable writing with her :) also so many… bad things… happened while we wrote this. I mean it was chaotic.. I hope you enjoy its LONG

A/N by lozzypoz321: this was so much fun to write and I loved it!! Honestly you do not want to know what happened behind the scenes because that was a m e s s. Vic is such and amazing writer and deserves so much love! Hope you enjoy!!

Warnings: bad language!

Sleepover (Collab)

-

“Kid, open the door!” your head snapped to the door of your hotel room. You recognised Sebastian’s voice coming from outside. “Open up!”

“I’m coming” you yelled, padding over to the door and opening up. Sebastian and Anthony stood out there. They looked oddly child-like as they stood there with their sleeping bags and dressed in pjs. You snorted. “Well, hello to you too!”

“Don’t laugh, N/n, this is serious.” Anthony said as you walked out, you also dressed in your marvel pjs and with a sleeping bag in hand. Although, you thought, it was hard to take him seriously when he was dressed in Winnie The Pooh slippers.

“Whatever you say, man.”

The entirety of the marvel cast had planned a sleepover on set. It was very secret, apparently. You didn’t know the full story, but they had seemingly asked the directors if they could have an onset sleepover and they’d refused, so someone had to steal a key. It was a whole process, but nonetheless you found yourself on the way to set at around 10:30.

“Is anyone bringing snacks?” you asked. You, Seb and Anthony were walking down the street. You could see the set already. “Damn, I hope so” Anthony mumbled and you all continued walking.

When you got there Elizabeth was standing outside, holding the door open with what you assumed was the stolen key. She ushered you inside. “You’re late and for some reason I’m not surprised.”

Inside all the others were already waiting, the entirety of the cast. Notably, you could see that Robert, Scarlett and Mark had created a pillow fort, and were hiding out in the coziness with a bag of popcorn.

“Welcome, late-comers!” Robert greeted you dramatically, standing up in his Iron Man onesie. “You’ve missed the pizzas. You know, because you’re late!”

“It’s fine, we already ate. Which is why we’re late,” Sebastian pointed nodded to Anthony. You nodded along.

Everyone sat down on a large stretch of couches, blankets and pillows, where Elizabeth had placed a projector pointed to an empty wall of the set. You sat down with Tom (Hiddleston), Sebastian and Mark. It was a rather weird thing to see so many grown men and women (that you had previously had respect for) in their most colourful pjs, but you supposed it was on you to expect any differently from this cast of people.

Chris (Evans) had picked a movie and, unsurprisingly, he picked Iron Man 1. Robert protested for about two seconds, before he let everyone shower him in compliments because that movie was so damn good. “Okay okay, I guess we can watch it if we really have to”

Scarlett lightly laughed and pressed a button on the projector to start the movie after placing the disk inside that Chris (Evans) had brought from his collection at his house. “Where’s the snacks?” You heard Chris (Hemsworth) loudly whisper to Scarlett who sat next to him.

“Ooh do we have popcorn?” You quietly asked Sebastian who nodded and reached across Anthony who was laid next to him to retrieve the salted popcorn that Mark had gotten just for you as he was in charge of the snack committee. Chris (Evans) silently got up, after making sure nobody noticed him (except from you), and crawled across the room in his rapunzel pjs on his hands and knees to reach Robert who was now on the verge of unconsciousness with dribble falling from the side of his mouth. Trying to be discreet, he raised his hands scarily behind him, gaining everybody’s attention in the room except Robert, and suddenly pounced on him in a playful manner.

The man leapt up without warning with wide eyes the size of dinner plates and held his hands up as if he was doing karate in a mode of self defence. Everybody in the room burst out laughing at his reaction, Chris (Evans) reaching for his left pec as he leant back on his knees in a full on belly laugh. “You looked like you were a 6 year old girl” Scarlett laughed out and shook her head towards the man, who was now grumbling as he sat back down on his spot with an abundance of blankets by his side.

“All the snacks are gone” Anthony exclaimed to the cast, making Tom (Hiddleston) look up from the screen and ponder “well we could do something that doesn’t require food” he suggested, making everyone look at him to continue.

“I mean, we could play hide and seek?”

“Oh!” You exclaimed excitedly, one of your first inputs of the night “I’d love to play hide and seek! My dad used to do it with me all the time!”

Your happy demeanour made them all smile as you began explaining how he would hide next to you while your brother tried to find both of you. “Well it’s settled then, we’re playing hide and seek!” Chris (Hemsworth) announced in his Australian accent, before you could be told twice, you jumped up and grabbed Sebastian's hand before racing out of the room, not even giving anybody a second glance.

“Woah, where are we going?” Sebastian chuckled, following your rapid footsteps. “Don’t worry about this, Seb, I’ve the perfect hiding spot!” It was a little bit embarrassing to admit, but every time you entered a new place, you thought about the best hiding spots (in case of an unwarranted game of hide and seek).

You pulled Sebastian into the costume room and shuffled awkwardly into the back. There, you found your masterful hiding place. It was a vent, but not a small one. It was big. Sebastian looked at you in surprise. “Not bad, Y/n.”

You popped the cover right off, catching Sebastian off guard. “I unscrewed it back in February,” you explained and jumped inside. Sebastian seemed to want to question you further, but instead just shrugged to himself and followed you inside, closing the vent cover behind him.

“This really is the perfect place,” he mumbled, voice echoing slightly in the vents. It was pretty cold, but stable. “And hey, didn’t you say that your dad used to hide with you?” He asked while looking around the airy place. “Oh, um, yeah” you said sheepishly, just now remembering the moment in the other room.

“Um- I-I mean, not that you’re my- Like, my dad-” you stammered, blushing at the awkward moment, “Like- My dad is my dad- You’re just- I’m sorry- I didn’t mean to make this awkward, I just-”

“Shut up!” Sebastian hissed suddenly. You looked at him, taken aback. He was staring out the vent covers, and then looked back at you with a grin. He pointed to it silently. Your brows furrowed, and you looked out. You saw Chris in the room, hand holding a flashlight while aiming it around the room, trying to find a sign of anybody. You held your breath.

“I know you’re in here! I can smell your fear!” he yelled trying to act scary. Meanwhile, he just looked kind of goofy in his Disney princess pjs. You saw Sebastian beside you, trying not to laugh. His face was contorted into a forced frown, but a smile still crept up the corners of his mouth. Seeing his face, you started feeling the urge to laugh too.

You both laughed silently, trying so hard to not give away your position to Chris. You were failing miserably.

“I will find you!” Chris said again, and this time Sebastian let out a laugh, immediately clamping a hand over his mouth. His eyes widened and so did yours. Chris stopped moving, snapping his head around furiously. “Who was that? Where are you?”

You saw the moment Sebastian decided to give up on hiding, as he just suddenly started laughing like a maniac. You did too, both of you clutching your stomachs. Chris scoffed and tore the vent cover off, revealing the two of you laughing uncontrollably.

“Come on, guys, it wasn’t that funny!” Chris sighed, but he was wrong, it was definitely that funny. You guys went back to the movie room. Robert, Tom, Scarlett and Anthony had all already been found.

“Welcome to the losers!” Tom grumbled. You both sat down with him and chatted while waiting for the others to turn up. The next was Mark, who had been hiding under a table, and then Elizabeth who wasn’t even trying, but was somehow second last anyway.

Then came the waiting game. Hemsworth, the biggest of you all, the goofiest, and seemingly the easiest to spot, was still at large. Chris was hopelessly searching, but came back every ten minutes with a more and more depressed look on his attractive face.

“I can’t find him!” he admitted finally. There was a collective sigh, and then everyone started searching together, simultaneously calling out “Chris! The aussie one!” Eventually you did find him, crammed behind a couch uncomfortably.

When you finally did, Anthony (as well as several others) seemed to have only grown hungrier, and the need for snacks was larger than ever. “I swear to god if we don’t find food right now I may just quit the job” Anthony swore and huffed as he crossed both his arms over his chest. “That seems a bit dramatic but okay” Scarlett laughed as the ten of you rounded a corner in the building to only come face to face with an abundance of vending machines that everyone used at break and you all had seemingly forgotten about. “Woah” Tom said, impressed at the arrangement.

“Food galore” Elizabeth expressed and was the first one to walk towards, closer to the arrangement, leaving the rest of you by the wall with your jaws dropped. “If I’m sick, don’t blame it on me” you quietly expressed, making Mark laugh from his spot next to you.

Trying not to seem too excited, Anthony ran forward, eyes following each and every item of edible food and drink. “I think you better hurry up” Tom commented from his spot the furthest from you, noticing the way Anthony and Chris were now eyeing your favourite type of chips.

“Umm yeah, that sounds like a good idea”

You, Robert and Sebastian immediately went over to the vending machine that was holding doritos, lays, and other classic chips. “Um, about earlier,” you mumbled to the Romanian man as Robert began to shake the machine with force, hoping something would fall down “I didn’t mean it like that” your cheeks flooded with embarrassment as the memory came flashing back to you.

But before you could start apologising even more, he stopped you and sent a reassuring smile your way “don’t worry about it Y/N, I know what you meant.” He gave your shoulder a small squeeze, before going back to watching Robert yelling at the Doritos to “fall out, you big pussy!”

Before Chris (Evans) and Tom could come over to your side of the room to be responsible adults and make a rational decision, Chris (Hemsworth) had already come bounding over to you and kicked the glass where the chips were held behind. He put full force behind the kick, so it shattered and fell loudly with a crash to the ground.

“Erm. Good idea?”

For no reason at all the situation was just funny to you, so while everyone in the room was stood still shocked (apart from Hemsworth who rocked back and forth on his feet sheepishly) you began to laugh(bitch). “What’s funny? You could literally cut your feet if you move!” Tom exclaimed with wide eyes, “you can’t get hurt we need to return you to your mom the same as we got you!”

Without warning Chris (Evans) ran over to you, making sure to carefully avoid the glass panes. “I’m not getting sued for this shit” he muttered as he picked you up and brought you over to a corner, which was a safe distance away from the wreckage.

“Alright, this has gotten out of hand,” Mark ran a hand through his hair, as he surveyed the broken glass on the floor in distress. Elizabeth nodded. You made eye contact with Scarlett and Anthony, who very clearly didn’t share the same concern that Mark and Elizabeth did. You all giggled quietly.

“But uh, let’s take advantage of the situation, eh?” Chris (Hemsworth) pulled a couple bags of doritos out of the broken vending machine, “Free doritos?” He shook the bags playfully. There was a moment where people seemed to question whether they prioritized their dignity of the free doritos, and it’s fair to say that a large number of them chose the doritos.

You all went back to the movie room, collapsing on your mattresses and blankets, with your snacks. But before any of you could begin to focus on the movie once again, a sudden gasp broke out from across the room. “He has the last bag of Doritos!”

“No I don’t” Hemsworth was quick to deny Elizabeth’s claim but everyone could see the full bag that he had attempted to stuff under his blanket. All of a sudden, Scarlett leapt out of her sleeping bag, trying to reach the chips before he did, but unfortunately all the gym workouts he had been going to (or yoga lessons you weren’t really sure) were paying off, as he held the woman at bay so he could grab the snack and hold it far out of her reach.

“Give it” she grunted and tried to reach past his grip and take the chips for herself, but before she had a chance, Chris (Evans) jumped up from his spot over by Tom and snatched the bag from him, holding a victorious grin on his face. Chris (Hemsworth) pouted angrily at his costar, not bothering to fight back as he knew it would be a losing battle (he was captain America for Christ’s sake). But you had a trick up your sleeve, you wanted those chips and you were going to get them whether it was the last thing you did.

Picking up the pillow beside you, you held it up as a shield as ran forward as fast as you could, taking in the confused expression Chris held in his face before you smashed into his stomach, knocking the air out of your lungs but unfortunately, not his.

He chuckled deeply as you smashed back into the wooden floors groaning as the pain surged through you. “I don’t think that worked as well as you thought it would” Mark commented from his comfortable spot on his mattress.

“No, it really didn’t”

The movie ended, and slowly but surely people started going to bed. There were yawns and stretches around you all bundled together on the floor. You too found yourself growing tired, stuffing yourself into your sleeping bag and getting comfortable.

“Goodnight!” you murmured and those who were awake mumbled it back drowsily. You distinctly heard Sebastian mutter back to you from his sleeping bag “shut up, I’m tired”. You chuckled for the last time that night, as soon sleep overcame you.

Then, at the the crack of dawn, a scream came from the nearest entrance: “WHAT IN THE ACTUAL FUCK-”

And that was the inspiring story of how body searches became a daily routine on set, so the Russos could make sure no one had gotten their grubby hands on an extra key.

-

@rooskaya-yelena @deephideoutmilkshake @kidney9-9 @marvel-ous-hobbit @snarky--starky @rae-is-typing @stargazingfangirl18 @canadianhufflepuffavenger @herecomesthewriterwitch @every-marveler-ever

[malecdiscordserver]

We’ve officially come to the end of the Malec Discord Mini Bang 2020 presented by the Malec Discord Server. We had a fantastic turnout with 35 writers, 21 artists, and 22 betas making it across the finish line. I hope you’ll join us in giving everyone a huge round of congratulations for this fantastic content. 

Take a look at the AO3 collection here!

Without further ado, here is a masterpost of all submitted pieces for this event. Please be sure to give all of these fantastic creators the credit they deserve for these amazing stories and incredible pieces of art. 

The Games We Play by @accal1a

Rating: Explicit Summary: Alec and Aed play a diabolical game, Magnus and Francesca look on, teasing their partners all the while.

When Life Doesn't Give You Lemons by @jesssssah

Rating: Mature Summary: Magnus and Alec are contestants on Masterchef. Without a recipe, they must each make a dessert by celebrity chef Jace Wayland or risk elimination from the competition. Magnus' talent is for desserts but Alec is inexperienced at those. So to save him from going home Magnus must give him some lessons in baking.

The Angel's Treasure by @notquiteascrazy 

Rating: Mature Summary: When a change of life circumstance gives Magnus the means to go in search of adventure, there is only one person he can think of who should accompany him: his college friend, Alexander Lightwood. After all, what could possibly go wrong with taking the man you've always had a secret crush on to explore a tropical island on the hunt for long-lost treasure? Link to completed fic

You Are The Music in Me @brightasstars 

Rating: Explicit Summary: Alec wakes up one morning, in a hospital’s bed, alone and far away from home, only to discover that he has lost his lower leg and all that he had, is now gone forever. With his new life, comes new relationships and encounters, and Alec finds himself working on his dream with Magnus, a famous cello player, who shares with him more past than he could imagine. Heart grows fonder as they get to know each other but it terrifies Alec to reveal everything to Magnus, scared that it would be too much, for he isn’t ready to lose everything all over again.When truth is forced out of him, even his own skin doesn’t feel safe enough. Luke’s question echoes through his mind, is he ready to let someone see him? let someone love him? A story of losing and winning and everything in between. Link to completed fic

hollow crown by taurussieben 

Rating: Teen Summary: He nodded at himself in the mirror, took the keys from the bowl on the sideboard in the hallway, checked for his pockets for his card and phone, and stepped out. The door closed behind him with a soft click.

“I think we should take a break.”

A story about how we shape our own world and that sometimes, that shape is much more different then we thought it is.

of track meets and heartbeats by fallenhurricane

Rating: General Summary: Alec takes a deep breath and rolls his shoulders, bouncing from foot to foot. He adjusts his grip on the pole one last time before starting his run.

His run feels good and right; his knees are pulling up high and the pole is steady, if a bit lighter than normal, in his hands. As he approaches the crossbar, he straightens and speeds up a bit, extending his arms above him. The bottom of the pole settles into the plant box and Alec swings himself forward and up, just as he’s done hundreds of times before.

But.

But.

While Alec has plans to clear this jump and advance to set his personal record, the pole that Camille loaned him has a different idea.

OR: The high school track team injury AU nobody asked for.

Please, Don't Turn Back by hmweasley

Rating: Teen Summary: Once they're 18, both demons and angels must visit Earth with their own personal missions before they come of age. For angels, this means saving souls. For demons, it usually means little more than corrupting a human or two, but Magnus isn't a run-of-the-mill demon. He's the son of a Prince of Hell, and his mission must reflect that. What Asmodeus gives him is a mission that's rather straightforward on paper: kill Alexander Lightwood, the son of high-ranking angels.

There's just one thing the plan doesn't account for: how Alexander makes Magnus feel.

Dormancy by Hermit

Rating: Teen Summary: Love used to be a weed that threatened to choke him. Now, it will never again be in the cards for him. Magnus absolutely, and with all the certainty of centuries, knows this. Until Alec Lightwood unknowingly waters his heart. It decides to grow. This is undeniably a problem, but both Alec and Magnus have to choose if it can bloom.

catch me when i fall by @mirrorofliterature

Rating: Teen Summary: When Magnus Bane walks into Alec Lightwood's office on one frosty fall night, fresh from a conference about a particular world-destroying lie-detector, the Damocles sword doesn't drop onto their heads.

Or: Robert Lightwood doesn’t tell Alec about the Soul Sword, and things change. Magnus and Alec stay together. Yet -

How much more does he have to lose - how much more does he have to suffer - before he’s finally left alone?

In the perpetual, lonely silence filling his home, Magnus Bane falls to his knees, and cries.

Meet Me On The Ice by @aceon-ice

Rating: Teen Summary: Magnus is at the top of men's figure skating, with a solid winning streak, but he's no longer interested in the sport- until he meets Alec Lightwood.

Alec is a pairs skater struggling with competition anxiety whose life takes a turn for the better when he's approached by Magnus Bane.

AKA the figure skating AU nobody asked for but I wanted to write.

Artwork for Meet Me On The Ice by @koryandr​

the way to a chef's heart by @lecrit

Rating: Mature Summary: After a scorching review on his restaurant in one of the world's most famous food magazine, world class chef Magnus Bane is set on finding the food critic who dared to slander his art and make him change his mind. He doesn't expect someone as stubborn or infuriating as Alec Lightwood.

Artwork for the way to a chef’s heart by @whatanexcitingfewdaysithasbeen

I loved your colours (before I loved you) by @hopesilverheart

Rating: Explicit (Chapter 10 only) Summary: Magnus Bane is a journalist who's always dreamed of modelling for Lightwood Fashions. When the CEO Alec Lightwood starts looking for new models for their spring collection, he jumps on the occasion.

In the meantime, Alec Lightwood is struggling with the idea of finally announcing his role as co-designer. When Magnus Bane strolls into his life, Alec is torn between keeping his secret or throwing all caution to the wind. Link to completed fic

Artwork for I loved your colours (before I loved you) by @calliartss​

Bleeding Heart by sivan325 

Rating: Explicit Summary: “Are you sure? Maybe there is some other alpha out there for you?” Jace asked.

“What other alpha?” Alec asked as he stared at the beta, and added, “I don’t have a choice in that anymore, I’m without an Alpha, I’m more like pack less, someone that does not belong anywhere.” Link to completed fic

Artwork for Bleeding Heart by @miss-shiva-adler​

They Call Me a Thief by @lightwormsiblings

Rating: Teen Summary: The Lightwoods are relatively new to the criminal scene but are quickly making a name for themselves. What happens when they run into world renowned con-artist Magnus Bane and his team when on a job after which Alec realizes he and Magnus might be after the same thing.

or a Shadowhunters Leverage AU

Artwork for They Call Me a Thief by @killiarious

Love, but Make it Fashion by theweird1

Rating: Explicit (Chapter 9) Summary: Alec couldn't stand corporate life anymore. Now he needs a job and Izzy is the girl to help. Unfortunately, it is to be a PA to the most overbearing and annoyingly handsome fashion designer to ever grace the pages of Vogue. A man with a heart of ice, but even ice can be thawed with enough care. Ghosts from the past will surface just when it looks like love is in the air. Suddenly Alec finds himself in the most awkward position of pretending to be his boss’ new fiancé. Magnus and Alec will have to decide if their fake engagement can become a reality before they are completely torn apart. Link to Chapters 1-5 Link to Chapters 6-Epilogue

Artwork for Love, but Make it Fashion by Kuro

To Shine A Light by Nadja_Lee

Rating: Mature Summary: Alexander Lightwood is a very old and powerful Warlock, who has risen to become a leader for the Downworld. When one of his people, the Warlock Andrew Underhill, is accused of breaking the Accords and faces sentencing Alec shows up at the New York Institute to set the record straight. Camille, leader of the NYI, has plans for the powerful Warlock, plans she is eager to see carried out. She has Idris’ best soldier, Magnus Bane, assist with the interrogation of Alec, unaware what she is setting in motion by doing so as Alec and Magnus are instantly drawn to each other. Soon Magnus will have to choose between helping Alec and his oath to Idris. Will Magnus dare to risk it all for the possibility the powerful Warlock will take a chance and open his heart to him? Link to completed fic

A Bit of Space by @facialteeth

Rating: Mature Summary: Alec and Magnus are the sole survivors after their spaceship crashes on an uninhabited planet. They have no way to contact anyone to let them know they’re still alive but somehow, they make it work. In the end, all they really need is each other. Link to completed fic

Artwork for A Bit of Space by @accal1a​

A Prince of Gold and Glass by @harkasun

Rating: General Summary: When Magnus sends himself to Edom in order to protect Alicante and the world, Alec must come to terms with the possibility that the man he intended to marry has sacrificed much more than his freedom. Meanwhile, in the demonic realm, The Queen of Edom finds a warlock, the half-breed son of a Prince of Hell whose corruption can ensure that the throne of Edom is once again claimed by a creature of demonic royalty: one who will become her Prince of Edom. Link to completed fic

Artwork for A Prince of Gold and Glass by DarayFlair

Cradling the Sun by @cuubism

Rating: Mature Summary: Alec’s known for a long time that Magnus is a hard person to hold. He’s so much—so much power, so much energy, so much brilliance, so much love. He shines so bright he’s hard to even look at directly, never mind try to hold in one set of hands. Now that Magnus himself is losing his grip on all of that, well. Alec will just have to hold him a little bit tighter. Link to completed fic

Artwork for Cradling the Sun by @faejilly Also found on YouTube and Spotify

A piece of night sky by myulalie

Rating: Teen Summary: There are rumors that Valentine is back. And he's searching for something. When his dealings with dark magic cause swarms of demons to crawl New York, the city is not safe at night, especially for downworlders.

Alec is doing his best to keep the city safe. With no support from the Clave, the New York Institute is desperately understaffed. He begins patrolling with help from the Downworld factions - which proves to be tricky at best, and becomes almost impossible when the werewolves start hunting Alec.

His siblings have no idea of what he’s up to at night and to keep them all safe Alec needs to keep it that way.

Then, he meets the High Warlock of Brooklyn. Suddenly, patrolling also includes pop songs and bird puns in between watching someone's back when fighting demons.

But, what’s one more secret to keep? Link to completed fic

Artwork for A piece of the night sky by @jesssssah​

Dona Nobis Pacem by lawsofchaos

Rating: Teen Summary: “When Alec kneels before you on that dais, Magnus,” Jace keeps going, “he’s telling every person present that it is your judgement, your respect, that he places before all others. In you placing that rune on his neck, Alec is publicly proclaiming that it’s your blessing and your judgement on him and on his reign as Head that gives him the right and the authority to uphold the Covenant.” Link to completed fic 

Artwork #1 for Dona Nobis Pacem created by @cloudburst-ink Artwork #2 for Dona Nobis Pacem created by @cloudburst-ink

isn’t it just so pretty to think (an invisible string) by @iambeingcoy

Rating: General Summary: alec had jumped at the chance to work in paris when the offer presented itself to him. it was a chance to run away from new york for a year under the guise of a good career opportunity. there, he meets magnus. while falling in love with the other man, alec finds himself falling in love with the city too. when the year begins to come to a close, alec doesn't realize that what you're running away from can always catch up to you and, just maybe, he isn't the only one who has been running.

it's easy to fall in love in paris.

Artwork for isn’t it just so pretty to think (an invisibly string) by @spark-draws​

Copper, Gold, Silver, and Glitter by YourAverageNerd 

Rating: Teen Summary: "Oh. Yeah. You know how you invited Magnus Bane to Jace and Clary's wedding as a joke?" Alec shrugged. "He actually showed up. We went out for lunch yesterday."

Silence. It was silent. The kind that Alec craved and usually could never find and wow, he should drop bombs like this more often because he really liked it.

Then Jace ruined it by nearly screaming, "I'm sorry, what!"

(In which there's a wedding, some celebrities may be nicer than they appear, and Alec is trying to keep himself from turning into smoke.)

Blame It on the Fairy Dust by slyvir 

Rating: Mature Summary: Pandemonium is Magnus's territory, the lack of Alec's presence by his side despite the latter's apparent open stance on downworlders is slowly brewing into political issues. That clubs are not Alec's scene it is not a surprise, the reasons why he tried to avoid nights at Pandemonium however blindside Magnus, especially when they came out in the open in a fashion that is uniquely normal for them.

Both Alec and Magnus are ready to give away a piece of themselves for the other. Suffering in silence, with the intent to protect their partner from pain or guilt. But the way to Hell is paved with good intentions. And the more one let someone else in, the more one can get hurt. No one has any doubt that Magnus Bane and Alec Lightwood are deeply in love, they show it all the time, even when no one’s looking. So it should not come as a surprise that they end up being each other’s reason to hurt so much. Link to completed fic

Artwork for Blame It on the Fairy Dust by @a-ghost-named-k​

In Every Universe, We Find Each Other by EternallySilverMagnusandAlec 

Rating: Teen Summary: Tensions have been rising between the Clave and the Downworld to the brink of near revolution in the wake of Valentine's return. Magnus is asked to lead in these trying times, pushed to fight at the forefront of his people and the downworld as he has for centuries. Despite this, Magnus and Alec still meet and dance around with whatever is growing between them, time stretching into months of stolen interactions despite the swelling conflict, and fall in love. And Alec Lightwood still makes the decision to choose Magnus Bane. Or: A collection of moments in a time of growing tension Magnus and Alec share, and the product of their final choices

Artwork for In Every Universe, We Find Each Other by @greentealycheejelly​

Codename: Bane by @bidnezz 

Rating: Mature Summary: Magnus Bane meets Alec Lightwood by pure coincidence on two occasions: one morning in a quaint coffee shop, and again during a mission briefing for The Clave. It’s only supposed to be one mission, but leaked information and the kidnapping of his friend and mentor Ragnor Fell lead to undesirable predicaments, and hard as he tries to keep it professional, Magnus can’t help his growing affection for the spy he’s hired to watch and navigate through the murky treachery of espionage.

Artwork for Codename: Bane by @myulalie​

A Wonderful Institution by @rhosyn-du 

Rating: Teen Summary: Magnus doesn’t have time for this bullshit. Warlocks are disappearing in New York City—five people in less than three months—and Magnus is determined to find them and protect the rest of his people from whatever took them. He doesn’t have time for politics, and he certainly doesn’t have time for whatever nonsense the Clave is proposing about marrying a Shadowhunter to a Downworlder as part of the new Accords. He doesn’t really have time for a pretty Shadowhunter who’s surprisingly kind to warlock children, either, but, well, he’s always been good at multitasking.

Alec always knew he couldn’t have what he wanted, but he’s spent the nearly four years since the newly-appointed Consul recalled his parents to Idris without explanation making the best of what he can have. When life suddenly offers up almost everything Alec actually wants on a silver platter, he can’t quite bring himself to trust it, especially when it comes with a million caveats and a side of impending disaster. But he knows how to handle disasters, even if the return of the Circle on top of Clave secrets that could destroy the Accords is way beyond the disasters he’s used to fielding. Hope, on the other hand? He doesn’t know what to do with that. Link to completed fic

Artwork for A Wonderful Institution by @bidnezz​

Coming to America by PisangGoreng 

Rating: Mature Summary: His Royal Highness Asmodeus Magnus III is the crown prince and sole heir to the throne of Edom. He has never left the island and is pretty desillusioned with the royal treatment. The law says he needs to wed before he turns 30, so on his 29th birthday his father arranges a marriage for him. But when his fiancée turns out to be an awful familiar face, Magnus takes matters into his own hand.

He bargains with his father, who gives him 3 months to do whatever he wants. So Magnus comes up with a plan: he's going to live life as a normal guy and find a partner all by himself in New York.

Not wasting any time he starts looking for love, with little success. Until he encounters the most handsome, intelligent and charming man he has ever seen! Without realizing it himself Alexander Lightwood sweeps Magnus off his feet, and along the way Magnus finds that he's in deep and has no plan, his dream guy is already in a relationship and every day he is closer to his return to Edom.

And even if he manages to get Alec's attention, will there ever be a good time to tell him he's been a prince all along?

An adaptation of the 1988 romantic comedy Coming to America (but probably a lot less funny). Link to completed fic

Artwork for Coming to America by amillustration_

until death do us part by ColorfulWarlock 

Rating: Explicit Summary: In the past, a still traumatized six-year old Magnus thought he would have to endure the darkness of Edom alone. Until another child – a boy with dark hair, pale skin and bright hazel eyes – found him and lighted up his heart.

In the present, the High Warlock of Brooklyn Magnus Bane works with the Shadowhunters and other Downworlders to bring Valentine down. What he doesn’t expect is that Valentine controls a very powerful being, and how to fight someone to whom you give your heart centuries ago?

Artwork for until death do us part by @eternallysilvermagnusandalec​

Keris by AlterEgon

Rating: Mature Summary: A recent death shakes Magnus Bane with some eerie parallels to his own past. As the supposed suicide turns to probable murder, he begins questioning the circumstances surrounding his own mother's death. When proximity to the dagger that took his mother's life brings him visions of details long forgotten that do not fit into the narrative he had taken as truth regarding her last days or weeks, he, Alec, and their friends and family begin to investigate, uncovering unexpected connections and a killer who has been on the loose for far too long

It's What You Do With Life That Matters by @skylar102 

Rating: Teen Summary: Alec has come to the Sinnoh region in search of a rare pokemon. Along the way, he meets a trainer who is more than willing to help him out. Is there more to the stranger's generosity? Will Alec be able to capture the pokemon he's been long searching for? What secret is Alec hiding?

On this journey, Alec is going to make new friends, finish a long overdue promise, and finally confront a piece of his past.

Aligned by @jaackkitty

Rating: Teen Warning: Non-con in a chapter (not descriptive or explicit) Summary: In six months, Prince Alec Lightwood is set to become King of Idris. He’s been waiting to take the throne since his parents' unexpected death at sea eight years ago. Since then, Valentine Morgenstern has been serving as king. Needless to say, Valentine’s rules & regulations only serve Valentine and his trusted followers, with no regard for the well-being of the people of Idris, least of all the magic users. Afraid of them, he created a law to bind their magic to another. By circumstance, Alec finds himself aligned with magic user, Magnus Bane. Link to chapters 1-9 Link to chapters 10-16

Artwork for Aligned by @greentealycheejelly​

My Fearless Love, I Will Not Say Goodbye by @arialerendeair

Rating: Explicit Summary: When their first time together results in an accidental mating bond, Alec and Magnus have to decide how they want to proceed. Especially since they were both sure that the other didn't want a full mating...right?

Also known as: Alpha Alec, Omega Magnus, and a fuckton of pining. Link to completed fic

Artwork for My Fearless Love, I Will Not Say Goodbye by @skylar102​

Sixteenth Sunset by Nhixxie

Rating: Mature Summary: NASA astronauts Magnus Bane and Alec Lightwood spend one year living and working together in the International Space Station. They fall in love one astounding view of Earth at a time.

Artwork for Sixteenth Sunset by @miss-shiva-adler​

Untitled experiment by @imandras

Rating: General Summary: But it happened at the time that in one of Alec's lectures the proposal to conduct an experiment was presented so convincingly, that Alec and his guitar were allowed to (or rather had to) spend some time (with considerably less wages) in the subway.

And as fate would have it (she was in a good mood this morning) Magnus went to work earlier than usual, because he wanted to start the day pleasantly with his dear friend Cat and an extensive breakfast together.

Remember, it's all Simon's fault! 

Artwork for Untitled experiment by @a-ghost-named-k​

[dalekofchaos]

Rian Johnson did Finn dirty and we gotta stop pretending he didn’t

Every now and then I am reminded how I hate how dirty Finn was done in the Sequel Trilogy. TFA started it, but TLJ continued it. JJ started it with the bait and switch, Rian continued by making sure Finn would remain a side character, which JJ would finalize in TROS.

Like I like TLJ for the visuals and Rey and Ben’s dynamic, but let’s be clear. It absolutely did nothing for Finn, Poe or Rose. Pretty much all the characters of color were given the shaft.(and one of them didn’t even get any speaking lines, NO I WILL NEVER NOT BE MAD ABOUT THIS)

Let’s take a look at what Rian Johnson did with Finn

Finn is repeatedly harmed for comedic effect. Most of his important scenes were either cut or rewritten. He is constantly belittled and mocked throughout the movie.

The beginning of Finn in the movie. Finn awakens from his coma. Does he struggle to come to terms with his near-death experience? Is he fearful that Rey is dead and he failed her? Is he scared, in pain? Nope. He falls on his face and squirts juice everywhere. The medics on-duty were on a coffee break and allowed their patient to wander the fucking halls unattended. And with that, his duel with Kylo is worthless and made a joke to laugh at.

Finn’s deleted scenes. The deleted opening where Finn wakes up. Finn and Poe’s scene on the Raddus where Finn declares he’s not joining The Resistance, but Poe simply says “you are where you belong” and hands him his coat after stitching it up for him. Then the scene where BB-8 shows Finn Rey’s last moment with Finn. Then the deleted scene with the one Stormtrooper where Finn shows restraint. and Finally the scene that shows a better death scene for Phasma......why were any of these scenes deleted? ESPECIALLY THE PHASMA ONE! I will never understand why this was deleted. Finn calls her out about her betrayal of lowering the shields and when this information is revealed, the Stormtroopers near her look suspicious and it looks as if they are going to turn on her. Phasma like the ultimate survivalist she is kills them with no hesitation. Finn cuts her hand off and blasts her into the abyss, giving Phasma a more deserving and better send off. Seriously, this is way better than their actual confrontation.  What I really like about this scene is its direct connection to The Force Awakens plot point and that it acknowledges Phasma’s survivalist attitude which was introduced into her novel.

Finn’s injuries do not get attention, but Kylo’s injuries do. In The Force Awakens, Finn fights Kylo Ren. He does well, but is ultimately defeated.  He is slashed in the shoulder and the spine by Kylo Ren and falls into the snow, unconscious. Now if this were in the first 6 movies, Finn would be dead or would be paralyzed. But because it’s a Disney movie, Finn heals up. Rey continues the fight and slashes Ren across the face, leaving him with a gash. The characters all escape, but Finn has to be carried to a medical station, unconscious until TLJ. Kylo Ren seems fine, ultimately jumping in a TIE fighter to try and kill his mom before getting patched up further.  Finn, again, has to wake up before doing anything. Here’s the difference between Finn and Kylo’s injuries.  Finn awakens in a medical bed wearing a bacta suit.  His first instinct is to call out for Rey. As he jolts up, he slams his head against the medical container.  He slams against it again. Regaining awareness, he opens up the medical container to find himself alone in a cargo room.  He falls out of the bed, spraying medical fluids all over the place.  He trudges down the hallway until Poe and BB-8 find him. His injuries are never mentioned, shown, or even referenced again.  Kylo, on the other hand, is asked by Snoke how his wound is, to which he responds “it’s nothing.”  He then takes that ridiculous thing off, complete with a close-up of a sad kylo Ren face, with his sutures  framed to draw attention to them. This happens again in the elevator.  Then we get a scene of him getting patched up soberly by a medical droid.  Then we get a shirtless scene as a final showcase of his other two scars.  Throughout the film, Kylo’s scars are present and framed as a constant reminder that he went through pain.  Finn’s injuries are used as a joke once and promptly forgotten, and let’s not pretend that these injuries are  one-to-one aside from how they’re framed.  Remember Finn received injuries trying to protect Rey, while Kylo received injuries trying to murder Finn and bring Rey before Snoke, a fate worse than death. Finn received a deep wound across his spine, which can often be fatal in the real world.  Kylo received a gash across his face.  Finn’s injuries were worse and nobly gained. Kylo’s injuries were comparatively tame and well deserved.  Yet the movie uses Finn’s pain as a joke, and Kylo’s pain as a humanizing factor. That Rey, as well as the director, cinematographer, and a considerable portion of the audience sees a scar and is willing to find sympathy with the person, no matter what they have done, is pretty reprehensible. Not only is Kylo Ren’s scar not enough to be considerably a change to his appearance, as Rian Johnson specifically modified the location of his scar because, “it looked goofy,” the scar is not the mark of an accident or from an assault, but rather from a failed assault on his part. Also, I could get into how messed up it is that scars that don’t fit Rian Johnson’s preferred model are considered goofy. Is a scar that isn’t kept to one side of the face not worth showing? Is a person with a scar you don’t personally like somehow less able to be taken seriously? By treating Kylo’s minor wounds as a big, life-changing deal, and treating Finn’s life-threatening wounds as a trivial matter of no more consequence than a joke, The Last Jedi reinforces century-old stereotypes about Black people. Specifically, it implies that Black people are somehow less affected by pain, have higher pain tolerances, or cannot be physically damaged the way White people can. This is a demonstrated, dangerous trend, where white people actually perceive Black people as experiencing less pain than White people under the same situations. Older textbooks, including some used as recently as late 2017, suggest Black people over-report the pain that they are experiencing. Doctors have declined to give painkillers to Black patients expressing the same level of discomfort that would grant a White patients the same painkillers, and some surgeons even believe that less anesthesia is needed for operations on Black people. This, of course, goes beyond the medical field, where Black people are not believed when they speak about suffering, and are expected to take more physical abuse than their White counterparts. However as the injuries are framed in a medical setting in this movie, I wanted to primarily address the medical bias as in the real world. This has been referred to as an empathy gap. When two people are hurt, with everything except the skin colour being the same, and White people feel worse for the hurt White person, there is a gap in empathy. Now, when the conditions are not the same, and the White person deserves to be hurt, and is hurt much less, and is still empathized with more, and the White man’s acts of attempted murder are framed as romance, while the Black man’s friendship is framed as harassment. Let’s also talk about Finn’s treatment. He’s placed alone in a room filled with cargo, without any monitoring.  It’s almost like the medical staff doesn’t even deem his injury serious enough to receive attention.  He’s not on the medical ship, which we know they have.  He’s not even in the Raddus’s Medical Bay, which, again, we know they have. Finn is isolated, left unattended,  injures himself, and stumbles out into the hallway without any assistance. All for a joke.  Finn’s injury should have been treated with respect and acknowledgement. A scene with the doctors examining his injuries, telling Finn he is medically clear to join The Resistance and Finn  sorrowed by his inability to help his friends, would have been light-years better than a scene where Kylo looks sad getting hurt while trying to kill people.

Finn’s rivalry with Kylo Ren drops instantly. Like Finn’s injuries, Finn’s rivalry with Kylo Ren is dropped for no reason whatsoever and never mentioned again. Finn and Kylo Ren are narrative foils, yet after TFA it’s dropped??? From the start they have been prominent foils to each other: dark from light and light from dark, both in the First Order but in drastically different positions. And Kylo too obviously has strong feelings about his defection. I also believe that Finn is the awakening in the force that Kylo and Snoke felt. Perhaps that is why Kylo focused on Finn and is so angry about him. Finn is also the first person to use the legacy lightsaber and is the first to actually fight Kylo. TLJ could've focused on Finn and Kylo being  narrative foils having a force connection and Kylo wondering why Finn would switch to the Resistance while Finn wonders why Kylo joined The First Order and  Rey standing in the middle of it all wondering with the new realization that her family has a mixed past of good and evil and her questioning where exactly does she belong? The way at the height of tfa when Kylo Ren rejected Han Solo’s offer for redemption and killed him he looked over and noticed Finn. Like they both locked eyes and in that moment was a surge of emotions between them— shock (and some fear) on Finn’s end, and anger on Kylo’s as he shouts at Finn that he’s a traitor— and those circumstances set Finn and Kylo up to be the dynamic for the sequel trilogy. They were foils, and the trilogy had the potential to truly expand on that and see their development in a final standoff/rematch at the very end. But it was wasted, because why have good movies.

Finn repeats the character arc from the last movie. Finn’s character arc from The Force Awakens was dropped completely in The Last Jedi. He does want Rey to be safe, but TLJ paints it as if  Finn just wants to run away, despite the fact that he learned to be courageous, face his fears and stay and fight at the end of TFA.  The First Order kidnapped Finn as a child, from his family(possibly killed his family) he was able to leave The First Order and resist the indoctrination. He no longer wanted to fight, he wanted to leave everything, he wanted Rey to come with him. When Rey was captured, Finn had something to fight for and when Kylo Ren pushed her. Finn finally stood up to his past and The First Order. He overcame his fear. So Finn should have been wanting to fight The First Order and become a big deal in The Resistance, we could have even seen Finn inspiring a Stormtrooper rebellion  against Phasma and The First Order. Finn just wanting to leave is just bad writing and backtracks his entire character arc from TFA.

Went from one of the major focuses of this trilogy to a side character. Finn is the very reason why The Resistance is alive. Finn breaks his life-long brainwashing, informs Rey and Han about the importance of BB-8 and helps out in getting BB-8 to the resistance and provides vital information that lead to the destruction of STB and gets nearly killed while helping to achieve this. If it were not for Finn saving Poe, BB-8 would’ve been scrapped for parts and Rey never would’ve left Jakku. The map would either be destroyed or be in the hands of The First Order. Starkiller Base would’ve destroyed D’Qar and Ach-To. He is the reason why Poe is still alive. He is the reason why BB-8 isn’t parts and Rey left Jakku. Because of leaving Jakku, this is the sole reason why Han and Chewie were able to find the Falcon. And he is the reason why The Resistance was able to find out about Starkiller Base’s weakness. he Helps out in sabotaging STB so that Poe, the very pilot he saved in the beginning can deliver the finishing blow to Starkiller Base and destroy it completely. In the Last Jedi, Finn awakes from a coma with no one attending him. No medics or guards. He's not even on a medship, he's in the fucking cargo hold. Finn recovering from his injuries is meant to be seen as a joke and his injuries are never mentioned again, while Kylo gets sympathy and shown his scars. There was also no marketing for Finn in the build up to TLJ. Despite Finn knowing that the First Order must be fought and knows there is something bigger than himself and Rey, we then see Finn attempting to flee in an escape pod to hide with Rey. Then he meets Rose. Rose in mourning meets Finn and expects him to be this big Resistance hero, only Finn never officially became one. Rose thought he was deserting. Finn wants to escape to save Rey and because The Supremacy is tracking them through hyperspace, but Rose sees this as desertion….Desertion? You taze people for desertion? How exactly am I supposed to root for either side again? This is probably the same only less lethal treatment one could expect from The First Order. And what if The Raddus took critical damage? Are you trying to tell me Rose would taze anyone going to the escape pods? I thought she was supposed to be a mechanic, not someone who prevents escape. Despite Finn explaining himself, she tazes him. She spends the majority of the movie berating, insulting and belittling him. It's even worse in the novel. Finn, who was the main focus of the last movie, and one of the main protagonists, is now made the sidekick to Rose in a pointless side plot. Finn and Rose then get caught because none of them could bother park their ship legally. Finn, the child slave doesn’t even get to say they should save the child slaves of Canto Bight, instead he blindly follows Rose into freeing the space horses. Then they openly trusts a man who talks like a snake and is shocked when DJ betrays them. Finn and Rose are made to fail their mission pointlessly, when they could've succeeded and get caught on the way to the escape pods. Finn gets to face his oppressor and fight Phasma and end her, but Phasma's better death scene was stupidly cut for reasons I don't understand. Finn then makes one last effort to save The Resistance, the people he loves. Rose stops him. She takes one last chance to insult him and kiss him without his consent as the bunker is destroyed while The First Order prepares to kill what Finn loves....and people see this as love???

The racist undertones of how RIan Johnson wrote Finn. Finn is treated like a racist slapstick caricature. The first real problem for Finn. He is reduced to a slapstick joke in his very first scene. Finn awakens from his coma, slams his face and it is revealed that he isn’t even on the medical ship or even in the medbay on the Raddus...he is in the cargo hold and is made to be a joke. This is the Co-protagonist of the trilogy, and he’s reintroduced as a slapstick joke. Then once again he wants to runaway. I am getting a real racist vibe that Rian Johnson sees Finn as the cowardly black man troupe. That’s just downright disgusting. Moving on. Finn is paired with Rose Tico, honestly I want to like her, but bad writing prevents that. Finn is put with someone who abuses him and we are supposed to root for this and see it as romance? Let me explain. Finn is then tazed by Rose, which is understandable, she thought he was running away and she was in mourning. He also was objectively posing absolutely no threat to her, wasn’t running away, and was even trying to explain himself. Additionally, just the threat of the taser seemed to have been enough to stop him from leaving. But Rose attacked him anyways. The difference between Rey and Rose attacking Finn is Rey subdued Finn just enough to stop and interrogate him, Rose went completely overboard by paralyzing him and knocking him unconscious. It was completely unnecessary and gratuitous. Rey and Finn have a real friendship and partnership from the last movie. Rose, on the other hand, spends the rest of the movie belittling Finn and talking down to him. The book also says that she thought about using violence against him more than once after the tasing (for annoying her) and even pushed him. This displays a really problematic pattern of violence and disrespect towards Finn so yeah,  multiple uses of violence and expressed desire to inflict violence on him as being abusive. I would argue that she is undeniably verbally abusive with Finn. In the movie and in the book (more so in the book) she often belittles him by calling him names and using other put downs. It seems she wants to make him feel bad about himself and bring him down, which is abusive. Of course, it doesn’t really matter what her intent is, even if she doesn’t “mean to be mean” it still counts as verbal abuse. So, in summary, her repeated threats and use of violence against Finn and her continual use of insults and put downs causes me to come to the conclusion that she is abusive to Finn. For the record I am not saying Rose Tico is abusive towards Finn, I am saying how Rian wrote Rose towards Finn is hostile for no reason whatsoever and could be interpreted as abusive and it’s downright tone deaf how the abuse and tazing is directed at the black man of the trilogy. Then Finn is made to fail. The only time he is allowed to be portrayed as a protagonist is him facing his abuser and taking her down. My only problem is they cut out Phasma’s better death scene. Finn reveals Phasma shut down the shields for Starkiller Base, and that gets the Stormtroopers to turn on Phasma. This is what I would hope starts a Stormtrooper Rebellion. Finn’s defection was withheld information by Hux and Phasma in fear of a full on rebellion. Humanizing Stormtroopers and having one become a hero is kind of genius, but the way they did it in Episode 7 made it seem like Finn was the ONLY good Stormtrooper, which has to be an impossibility. If one Stormtrooper can suddenly switch sides, what's to say that others couldn't? And since Episode IX will most likely see the fall of the First Order, I personally think that Finn should convince all (or most of) the Stormtroopers to turn against Kylo and Hux, leading to a cool final scene where the First Order is ultimately destroyed by their own henchmen, children who were abducted and indoctrinated take back their narrative. That would be cooler and more unique, I think, than another Resistance vs. First Order space shootout, or Rey and her possible Jedi apprentice army taking them down. The most insulting part of the movie is the last part. Finn’s suicide run. Finn was the best Stormtrooper and knows about The First Order’s weapons, he should know full well that speeder would be destroyed trying to destroy the mini death star. Finn’s attempted sacrifice was pointless, Finn was treated like garbage throughout the movie, he deserved better.

Finn was almost a big deal for the Resistance in the beginning. It is shown through cut material that Finn was in Cobalt Squadron uniform. If this was the case, there is something real simple they could’ve done. Have Finn be with Paige, have Paige and Finn have a short friendship(this actually gives Ngo Thanh Van speaking lines), Paige being in awe that Finn, someone who escaped The First Order helped The Resistance destroy Starkiller Base is working with him and she is more than happy to show him the ropes. They are co-pilots.  Finn was able to save Paige from dying in space and instead she dies in his arms while leaving a bloody handprint on his heart, working as a callback to when Slip died in Finn’s arms and left a bloody handprint on his helmet and her last words being “tell my sister I love her. Finn brings the bad news to Rose and gives Rose Paige’s pendant. Rose breaks down and hugs Finn. Both Finn and Rose have a good relationship at this point and there is no pointless hostility. You could even have Finn and Rose together finding the hacker and having their plan succeed and just having DJ betray them as they make it to the escape pod. And Finn and Phasma do have their fight, but keep in the deleted Phasma death scene. Instead of that? Nothing and instead of that we get a conflicting and hostile relationship between Finn and Rose and Paige has no speaking lines.

Rian Johnson rejected any and every possible character arc for Finn. Rian squandered a proactive, clearly-defined character from TFA, trying to make him fit moment after moment because he had no real big-picture idea what to do with this guy. And in light of Rian presenting himself as a progressive voice, he deserves to be challenged on why he failed a complex, heroic black character so abysmally while giving clear focus and dignity to the white male villain of the piece. (And this isn’t to say I want Kylo Ren’s character development to be worse, it’s saying I want Finn’s to be better.) But he shouldn’t just have treated Finn with care and dignity because it would’ve been more “progressive” - he should’ve done it because it would’ve made a better MOVIE.

Finn is brought to a white man, put on his knees, and is slapped in the face by said white man who once commanded him. Why? No Answers

Rian Johnson had Finn and Rose arrested and locked in a prison cell. Him and Rose are the only characters to be arrested (as in, not kidnapped by evil regime) in the Skywalker saga. PLUS they were immediately electrocuted after being pointed out to the space cops.

Rian admitted not wanting Finn and Poe together because he can't see them as two separate characters(he can't see two men of color as two different characters, let that sink in) and because in his words they "got along too well" and Rose is only there to give Finn 'conflict" We were robbed of Finn and Poe being boyfriends. I love Rose Tico as a character, but I will always want Finn and Poe to be together, aside from the amazing chemistry Finn and Poe have together and John and Oscar have together, if we get to see a gay relationship portrayed in Star Wars, it will show boys and girls who are gay that nothing is wrong with you, you are perfect the way they are and the way they love is beautiful. Oscar Isaac fought to have Finn/Poe together, he encouraged the shippers that the relationship they want is valid and supports it. And I feel so bitter after finding out Finn and Poe were meant to have scenes together in Canto Bight but were separated because Rian Johnson said “those two were getting along too well and that would be boring”  aka Disney doesn’t want gay characters in their cash cow. Despite Oscar’s fight, FInnpoe did not happen and it’s a damn shame. 

Rian Johnson joked about keeping Finn in a coma

Rian had a scene written where Finn was too bumbling/confused to know how to put on a tuxedo. He also had a scene where he sees alien ass unconsensually. 

Finn’s suicide run. Finn knows about the weapon during his time as a Stormtrooper, so he should know full well that speeder would be destroyed trying to destroy the mini death star. Finn’s attempted sacrifice was pointless as he knew that it wouldn’t work.

Rian has Rose explain to Finn, A CHILD SOLDIER, that war and child slavery are wrong.  Surely you see the issue there.

Finn almost had memories of his upbringing, but Rian chose to cut it. "In the original scene, Rose’s story of her childhood was a bit tamer and Finn shared his backstory with her, revealing a further connection between the two characters – that they both had family members taken by the First Order. Most of the sequence was reshot."

Rose stopping Finn. “that’s how we win, not by fighting what we hate, by saving what we love.” That makes no sense and ignores the entire narrative of Star Wars and heroism of the saga. Paige, her sister sacrificed herself to save The Resistance. Holdo sacrificed herself to save The Resistance. The Rogue One crew sacrificed themselves. Kanan Jarrus sacrificed himself to save what he loved. Finn’s entire arc in the movie was learning not to just think about running away with Rey and fight for a greater cause and when the time comes for Finn to prove that he’s grown as a character, he can’t? What was the point of Finn’s arc in the movie? And let’s talk about Poe. Shouldn’t Poe be sacrificing himself? Poe has spent the entire film watching others die and give their lives and he’s never backed down, so shouldn’t Poe be in Finn’s place? And if Rose stopped Finn who would save The Resistance? We saw after Rose stopped Finn, the bunker was blown up by the battering ram. Absolutely NO ONE knew that Luke was going to make his surprise entrance and save everyone. For all we knew, The First Order would’ve moved into the bunker and killed everyone and The Resistance.

I am well aware that JJ Abrams did Finn no better, I even talked about it here. But let’s be honest, Rian didn’t know what to do with Finn and truly did him dirty. 

This was really the easiest character arc for them to write. Indoctrinated Child Soldier turned Elite Soldier who after realizing what he was doing was wrong, wants to make things right, hunted by the FO for treason and because he knows too much, he slowly finds his path with the resistance and trains in the force with Rey and together they rise as the new Jedi, oh and Poe is his boyfriend.

It is my own personal headcanon that The force chooses Finn because he chose empathy for his fallen brother and chose to walk away from killing innocents.

Finn had potential to be one of the best characters we ever got in Star Wars. It’s been over 3 years since he was sidelined in the sequel trilogy and it still upsets me to this day. John really deserved better, to be marketed like this and then sidelined is just awful.

Finn in The Force Awakens: trooper number as call back to Leia, Awakening in the Force, & call to the hero’s journey/defending the symbolic hope of the Skywalker family is peak Star Wars & whatever was Abram’s original intent for Finn’s prominence in the ST; undone by studio interference because KK and China did not want a black lead.

Finn was the literal 1st face we saw when they teased The Force Awakens, it's clear he was supposed to lead the way for the future of Star Wars, criminal what they did to the character and god forbid a person of color saves the galaxy because some of ya’ll can't handle it

Finn was setup as the male lead and co-protagonist of the sequel trilogy. That’s not an opinion, that’s not a headcanon, that’s a literally fact. He was set up to be equal with Rey & Kylo’s foil and we all know why that changed.

At the start of the trilogy, we all thought people of color would have a prominent role in the new trilogy and there was a potential for the first LGBT relationship in Star Wars. But no, it’s clear that both TLJ and TROS gave us the impression that only white people can be Jedi and save the galaxy, people of color can only have secondary roles. And the blink and you miss it kiss? Only white women, not two men of color who clearly love each other.

Finn deserved to be a main character alongside Rey and Ben. He deserved a good character development, a great arc, an interesting backstory. he had the potential to become one of the most epic star wars characters. TLJ and TROS was an insult for him and he deserved better. nobody will EVER change my mind.

Finn should have been a Stormtrooper turned Jedi.  It doesn’t matter that you think it tells a better story for him to not be a Jedi. “Finn being a hero who is not a Jedi is important.” Poe and Rose are great examples of ordinary heroes coming from nowhere. Rey was supposed to be a jedi related to Skywalker or Kenobi legacy while Finn was the perfect "nobody from nowhere" that becomes a Jedi. And honestly, Black kids deserved to see themselves in the Black Jedi and black kids deserved to see themselves as one of the three protagonists of the trilogy.

[mst3kproject]

Atlas in the Land of the Cyclops

Here we have a movie with a big, brawny hero in a very short skirt, whose hobbies include drinking potions, napping, and bending prison bars!  He stars in a film that is poorly-made, mythologically questionable, and deliciously ripe for heckling.  What more could a MSTie possibly want?

Long ago, Ulysses blinded the cyclops and outsmarted the witch Circe, and they’re still pissed about it.  As the movie begins, they’re on the verge of completing their revenge by murdering Ulysses’ last descendants.  The last king of Ithaca is killed in a raid, but his young son is smuggled away and left in the care of an old shepherd.  Upon hearing of the slaughter, Maciste goes to the land of Sadok to save Queen Penope and the other women of Ithaca, who have been taken captive by Circe’s descendant, Queen Capys.  On the way he saves Capys from a rockslide and they fall in love, each not knowing who the other is… which goes on to make things very awkward later.  Nobody in the movie is called ‘Atlas’.

Nobody Named Atlas Goes Anywhere Near the Land of the Cyclops is a bit oddly put-together.  Theoretically the plot – the need to protect baby Prince MacGuffin from Queen Capys’ soldiers – is established quickly, but then it seems to take a while before anybody makes any progress.  This is because a lot of the early plot developments happen by complete accident.

After making sure the baby is safe, Maciste sets out for Sadok.  He quickly finds out where Capys is keeping the Ithacan prisoners, but this isn’t clever detective work – it’s just a coincidence, when some soldiers ask him to help them carry a giant amphora into the palace.  Meanwhile, Capys has been told that somebody named Maciste knows where Baby MacGuffin is, and orders her soldiers to find this man and bring him in alive.  Her Vizier, Ephetus, does so – but again, it’s an accident!  He arrests Maciste for wandering into ‘The Forest of the Vestals’ and sentences him to death for that before ever learning his name!

Once Maciste is in Capys’ custody the movie finally seems to figure out where it’s going, but this over-reliance on coincidence makes the first half of Nobody Named Atlas Goes Anywhere Near the Land of the Cyclops feel very muddled.  The only thing that really needs to be an accident to make the plot work is Maciste and Capys meeting in Circe’s cavern without knowing they’ve already sworn to destroy each other.  Following that with more coincidences feels like filling time.

The bit where Maciste is arrested is really weird, actually.  The Vestals appear to be playing Blind Man’s Bluff, and Maciste just wanders into the middle of it.  The blindfolded woman bumps into him and feels up his pecs for a moment while he stands there grinning awkwardly, then she pulls her blindfold off, screams, and faints.  Soldiers then run out of the bushes and arrest Maciste.

So that was odd… then there’s the way Ephetus decides to have Maciste executed for harassing the Vestals. They put him on a board over a lion pit (every ancient kingdom has a lion pit) and tie a long rope to each of his wrists.  Then six white guys in green skirts pull on one rope, and six black guys in white skirts pull on the other.  Eventually, of course, Maciste overpowers both teams and everybody but him gets to be Fancy Feast.  Only once that’s all over does Ephetus realize that this is the guy the queen wants delivered to her alive.

There’s other weird shit that goes on, too.  In another sequence, Maciste is getting his ass beat by Ephetus’ flunky Mumba (Paul Wynter from Mole Men Against the Son of Hercules, still buffer and oilier than the guy playing Maciste) and, having recently been drugged, is barely able to fight back.  He gets a second wind when Mumba throws him against another giant amphora, which breaks, dousing him in wine.  Maciste blinks a few times, and then suddenly becomes unstoppable.  Was it the alcohol, or the blow to the head?  There’s a truth serum that is administered by pouring it into an enormous wine goblet… and this isn’t just a thing for Maciste, either, everybody in this movie drinks booze from glasses the size of their own head. Nor can we forget the guy who gets thrown overboard from a ship, and out of nowhere a shark just appears and eats him immediately.

None of these are a full-on WTF Moment but all of them are kind of bizarre and many of them got a laugh out of me.  A lot of them also tie in to the movie’s main obsession, which is Maciste’s Feats of Strength.

We are treated to many of these, all of which go on a little too long.  They are filmed in loving detail, particularly focusing on the muscles in Maciste’s back, which are so well delineated that they almost comprise an anatomy lesson. We get the obligatory lion-wrestling scene (totally separate from the later lion pit scene), in which we are relieved to learn that yes, Maciste does have underwear beneath that miniskirt.  We get him holding up a stone roof that’s threatening to collapse, there’s the giant amphora and the inevitable prison bars, all while Maciste makes some very constipated faces.

My favourite bit is when Maciste rolls a giant boulder into the middle of a road so the soldiers can’t follow him.  What makes it funny is that this is clearly not the first take: the boulder has been rolled repeatedly, and there are places where the paint has come off to show the white Styrofoam underneath.

All this emphasis on Maciste’s rippling trapezius muscles makes the movie feel just a tad homoerotic.  One shot where the camera pans slowly around Maciste’s body while Capys walks a circle around him could be an attempt to depict the female gaze – a very rare thing in movies.  But I don’t know what to tell you about the Maciste-vs-Mumba fight scene, which is either trying very hard to be sexy or else I’m just looking through tumblr-coloured glasses again.

The climactic battle with the cyclops is pretty great.  The cyclops is played by a normal-sized stuntman made to look like a giant through camera angles, which means that Maciste can never be in the same shot with him. There are ways to do this well but Nobody Named Atlas Goes Anywhere Near the Land of the Cyclops does not use those – instead we just get some really funny jump cuts.

According to the movie, the reason Queen Capys wants to carry out her ancestress’ revenge on Ulysses is because until it is complete, she is under a curse.  Capys herself describes this as being ‘forced to live in hatred’, but it is very unclear what this means.  Early on, Ephetus confesses his love for Capys and she replies that she doesn’t know what the word means – this made me think perhaps her curse was an inability to fall in love.  A few minutes later, however, she has laid eyes on Maciste and his sheer manliness thaws her icy loins in a matter of seconds.  So… is her curse supposed to be that her subjects hate her?  They hate her because she keeps feeding them to a cyclops!  She could stop that at any time!  Her curse can’t be that nobody can love her, because Ephetus and Maciste both do!

I mentioned that Nobody Named Atlas Goes Anywhere Near the Land of the Cyclops shares an actor – Paul Wynter – with Mole Men Against the Son of Hercules.  It also shares a director, Antonio Leonviola (he also made Thor and the Amazon Women, the movie that runs over the opening credits of Cave Dwellers).  Maybe that’s why both movies have an evil queen who is supposed to be redeemed by her love for Maciste.  You may recall that I didn’t think Mole Men did this very well – Halismuya continued torturing people even after her supposed change of heart.  Land of the Cyclops does a bit better.

We don’t actually get an impression of Capys’ journey, but we do see the beginning and end of it.  As the movie begins, she’s callously throwing victims to the cyclops and looking forward to breaking her curse by killing Ulysses’ last two descendants.  At the end she sacrifices her life trying to save Baby MacGuffin despite knowing that it means she will never be free.  Her motivations for switching sides are unclear – she says that knowing Maciste has ‘changed her nature’ but we don’t ever see him trying to convince her that this child deserves to live.  She does remark that when she’s with Maciste she’s ‘only a woman’ rather than a queen… so maybe he brought out her maternal instincts?

I also don’t know what Ephetus’ determination to kill Queen Penope along with her son is all about.  She’s not a descendant of Ulysses, but he actually puts off killing Baby MacGuffin – the thing he believes his queen wants him to do – until he has identified the child’s mother.  The movie also never explains why this kid, whose father was the king of somewhere else entirely, apparently has the right to succeed Capys as ruler of Sadok.

Nobody Named Atlas Goes Anywhere Near the Land of the Cyclops is a pretty lousy movie, but it’s a fun lousy movie. It’s kinda racist and kinda sexist, but no more so than a thousand other movies of its vintage.  The only complaint I might have about its entertainment value is that it needed more crappy monsters.  The cyclops is pretty bad, but he doesn’t show up until the very end. Fortunately, the rest of the movie has plenty of other stupid shit to fill it out.

[shiftysdogtags]

Could you write something where the reader and speirs have a forbidden love or Romeo and Juliet like romance? Love your work!!

Forbidden Fruit

A/N: This is set around the time Lip gets promoted to 2nd Lieutenant and they need someone to take Lip’s place as First Sergeant. Rumour has it your name is at the top of the list, but any relationships between the enlisted and a superior officer are forbidden. 

I'm sort of stealing the scene where Nix throws Dick his oak leaves.

The look in the gif is exactly what i pictured in my head🙈 i wasn't sure what colour his eyes were and according to @hellitwasyoufirstsergeant‘s googling skills they're hazel so i went with that 

I hope it was what you were looking for and i hope you like it 

I have all the Speirs love right now💕

Taglist: @floydtab @curraheewestandalone

From day one of basic training, one of the first things Y/N was told was fraternisation between herself and any of the men was forbidden. Sobel drilled it into her almost as much as how to clean a riffle or the correct way to do a push up. All eyes were on her as a woman, the first of her kind in an active infantry unit.

Swearing she wouldn’t be a cliché, Y/N avoided showing any affection towards anyone. The stone-cold façade was impenetrable, and it never wavered if an enlisted officer was present.

She wouldn’t give anyone the chance to accuse her of being over friendly and decided being too safe was better than leaving it to chance.

Of course, all the boys in Easy Co. understood. Whenever they seen an officer, they warned her with enough time to change her persona. Friendly Y/N was suddenly replaced by someone who was detached and indifferent by her fellow soldiers. Everything was working, the plan couldn’t have been more effective, all until Ronald Speirs showed up to take over command of Easy.  

Although Y/N tired, avoiding Speirs was near damn impossible, especially when she was an NCO under his command. There was a clear connection between them, and every time she talked to him it was as if the weight that pressed heavy against her chest wouldn’t loosen until he was no longer in sight.

“Sergeant” Speirs nodded in her direction, stopping the Y/H/C girl walking past him. The smirk on his face didn’t go amiss, but she nodded back. With hands full of shiny objects, he clearly planned on taking home with him, he silently asked her to follow him. It was his little way of telling her he wanted to talk, privately. She followed him through a doorway and into a room with nothing but a table he used to support his stolen treasures.  

“Lipton was promoted to Lieutenant” His voice almost sounded proud, but Speirs was always blunt and straight to the point. It was a feature that was well appreciated as it prevented Y/N from staring at her Captain, and from getting caught doing it.

“Congratulations is in order then.” Nodding she couldn’t not feel happy for Lipton. He deserved to be recognised as a great leader, and she was sure all of the other men would agree. Although it was Lipton’s moment, she wondered why he was telling her.

“It sure is.” He seen the confused expression that was written on her face, causing him to smirk again. He patted his uniform down, obviously looking for something. He settled on the pocket to the left of the front zip and fished around for a moment. He threw whatever it was in her direction and despite Y/N having the hand to eye coordination of a goldfish, she caught it. A new patch.

“Congratulations, First Sergeant Y/L/N” A promotion was the last thing she expected, especially not one so high up. Completely surprised, Y/N ran her fingers over each of the stripes, the diamond shape in the middle in particular.

The shock was quickly replaced with dread. She wasn’t afraid of the extra responsibility; she was worried about all the extra time she would have to endure with the man she was trying to deny feelings for.

“Are you worried about spending time with me?” Ron read her face, something he was way too good at. The smirk remained firmly on his face, contrasting with Y/N’s burning red cheeks and bulging eyes.

Ron knew Y/N had feelings for him and while he would never admit it to the outside world, he felt the same towards her. There were countless times he caught her looking at him for longer than she should with her lip caught between her teeth. And in her defence, he was looking at her too. Infinite times he has had to try ignore her when briefing the platoon leaders, otherwise he would lose his train of thought.

When she didn’t answer, he crossed the room. It only took two steps and he twirled a loose strand of Y/H/C hair in his long fingers. He searched for eye contact; her eyes glued to the stains that littered the bottom of her dirty OD’s. One look and all restraint and willpower would disappear.

He wasn’t getting the reaction he wanted, moving his hand from Y/N’s hair to her burning cheek. The heavily calloused hand fit perfectly around her face, as if it had been made a perfect mould.

She gasped, not expecting this amount of affection from someone like him. It almost scared her, causing her eyes to dart to look at his. It nearly broke her heart. He looked so hopeful, his eyes telling her all the things his mouth couldn’t. The words he struggled, but so desperately wanted to say, ever evident in his hazel eyes.

“Ron we can't, I can't” The fear of getting caught was too much, outweighing the exploding feeling of love in her heart. Placing a hand over his wrist Y/N moved Ron’s hand from her cheek. Instantly missing his touch, she very nearly regretted the decision, but it was too late as his hand was already by his side. “It’s not that I don’t want to- “

Ron cut her off with a kiss that was backed with such force it caused her to stumble backwards. The initial shock took Y/N by surprise, but Ron’s hands on her waist steadied her and pulled her closer to his chest. With absolutely no space between them, they melted into one being, her hands on the collar of his jacket.

It was the type of kiss people dream of, a kiss that would put the movies to shame. Passionate and zealous. Y/N was certain that her lips would be lightly bruised and purple for the coming days from the sheer force of his mouth on hers alone. There was no other option than to completely surrender to him and the moment.

As quick as it happened, it was over. They held each other for a few seconds more, and as he tried to move back, Y/N pulled him lightly by the collar back to her. “It's not fair” Ron breathed, their lips almost touching again. Y/N felt his breath on her face, and she knew if he kissed her again, it was game over.

“It never is” It came out in a choked sound due to her dry throat.

“Maybe one day when I'm not a Captain and you're not a First Sergeant this could work?” The way he looked down at her with tired, yet wishful, eyes made her want to cry. The one thing she wanted was the one thing she couldn’t have. The one thing that made her feel safe was literally within an inch of her, dangling like a forbidden fruit.

Y/N nodded enthusiastically. “I would like that, Ron. I really would.”  

The crunching of debris under army issued jump boots alerted them to the men coming towards them from the hallway outside. Ron quickly placed his lips on her forehead, the stubble of his unshaved face tickling her skin. Before Y/N could even blink, Ron had gathered his loot and walked out of the room completely, leaving nothing but a cold shiver to run through her.

It was there in a shell of what was once someone’s home in Haguenau that her love for Ronald Speirs spilled out of her heart and onto the earth. A grey and bleak world was suddenly filled with colour, and the prospect of going home with something worth fighting for.  

[lizzybeth1986]

I don't think you play TRR/TRH anymore but you should see what they did to Kiara in the newest chapter. It's so dumb and makes me so angry, especially considering the current climate of events. I've already seen people on Reddit be like "but we helped her overcome her trauma" (we didn't lol) and someone called her the c-word, very classy. Honestly PB's been low key racist in the past but all the stuff right now makes it high key...

(Apologies for the long post and not being able to place this under a cut)

I'm pretty glad I got these anons because truth be told I wasn't sure how many people - besides the few that I already knew were constantly speaking about Kiara's treatment in the books - would care enough to ask any questions about this. Most of the posts I saw expressed a disturbing eagerness to throw her under the bus, without exploring nuance or asking questions, and at this point I'm not very surprised.

I've always maintained that the treatment for Kiara is what happens when both the writers and the fandom are heartless, and these past few weeks have only been proof of that.

There are questions you could raise about this finale re: Kiara - questions almost no one seems to bother asking. I have three:

1. In this Coventus Nobilis...how is it that I see four Heads of House, and only one heir? 

2. If Kiara - who is not head of house - is supposed to represent Castelserraillian instead of her father Hakim (who presides over that estate), why do I not see Madeleine? Why do I not see Penelope? 

3. Why are we suddenly seeing Adeleide  popping up out of practically nowhere to rep Krona/Fydelia, and Landon conveniently rep-ping Portavira?  

Some of the answers to these questions lie in the questions themselves. Why else would Madeleine and Penelope not be present in this meeting - if it weren't to purposely distance them from this awful moment? After all, both of them have inbuilt subplots ready for the next book that would require interactions with the core group. How else do you think the writers could ensure we kept coddling them and pandering to them in Book 3, except by distancing them from this "betrayal"?

Why else would the narrative choose to pit Kiara - the lone woman of colour we'd been shitting on for most of this series - against Olivia - the white woman who has been given innumerable individual PoV scenes and her own mini-book (and whose reputation we had to help rebuild in said mini book whether we cared about her stupid duchy or not). 

Why else would they force Kiara to alert us mere minutes before the meeting begin, if not to distract us with crumbs ("See? At least we wrote her as warning you. Of course we don't hate her!"). 

Why else would you have Olivia and Kiara pitted against each other like this - if not to show these two women side by side, on opposing ends -  and compel us to believe that the white woman we spent 4.5 books propping up and pampering, is the most loyal one.  When in fact we have done absolutely nothing to deserve any fucking loyalty from Kiara or her family to begin with! (Ezekiel and his white bride notwithstanding).

What we finally got as a result, was a narrative that (as @queen-of-effing-everything summed it up when I discussed this with her) in one full sweep "glorifies Olivia, shields Madeleine and Penelope and sets up Kiara". Very few of us even noticed. And even if we did notice, is there any guarantee that we would care??

Remember how I mentioned in my last ask that I wished we expanded the same energy that we did with Aurora, to speak up against the ill-treatment of other black characters? Kiara was undoubtedly one of those.

After this, we as a fandom will speak very easily now of her "betrayal". We will call her the b-word and the c-word. We will boast of how we will "take her down" along with Adeleide and Landon and Bartie Sr. We'll boast about how we "never liked her" to begin with, as if doing so required some...idk exemplary foresight. We will make memes about how Olivia was "the only bitch we ever respected". We will make huge, sweeping claims about how Kiara was our "friend" and how (as you've mentioned, anon) we "helped her overcome her trauma" (!!!!) and claim by that token that  we were entitled to good treatment from her. I'm pretty sure when TRH3 finally comes out, her every word and action will be screenshot, put up on blogs, mocked and torn down just so we can write essays on how awful she is. 

Yet I saw very little of this energy in Book 3, where the MC could first emotionally manipulate her into supporting the Unity Tour, and where we actively suspected her  at a time when she was traumatized. At most there was some lukewarm acknowledgement of how she "deserves better", all while people still continued to write fanfic that positioned her as creepy and obsessed and villainous.  Almost no one had a problem with Savannah not acknowledging Kiara's earlier support of her, and in fact I'd seen posts that clubbed her with the other ladies of the court who likely "treated Savannah badly". Her father Hakim was made to join the tour alongside her by default, without the expectations that Landon/Emmeline and Godfrey/Adeleide were allowed to have, and the fandom was mysteriously silent about Hakim being made to "bow to his knees" in a way the others did not have to. Very few people even bothered to  notice or talk about how often Penelope was allowed to hold the MC's baby, or how Kiara was never really allowed to hold her even once. Which "friend" treats someone like this??

When I finally published this essay on the treatment meted out to Kiara especially in Book 3, what I got was a lot of neat, but ultimately hollow, little platitudes about how Kiara "deserved better" (How and in what way? Who knows, who cares). Out of those many many people who reblogged and responded, only a handful held the MC and Drake in particular (and Maxwell, who thought it appropriate to joke about "one suspect down") accountable for choosing to suspect and interrogate just her, and for showing ZERO remorse in forcing her to reopen those wounds. How is it that we can judge Kiara for this latest "betrayal", yet pretend that the MC and Drake had nothing to do with the pain THEY caused to her? How is it that this fandom was so fired up over her comments, yet would have such a weak, muted, carefully-generalized response to the screenshots where Drake was openly suspecting her and optionally  minimizing her trauma? 

Following that, why should we be entitled to good treatment from Kiara when we never really gave her even half as much?? Why is it so easy to divorce characters from their words and actions in Drake/MC/Maxwell's case, but so hard for a character like Kiara? (One may claim this is because Drake and Maxwell are potential co-protagonists, but the aforementioned essay already proves that you as a main character can get punished for not treating a mere side character with kindness).

Another thing that fascinates and repulses me even further is how the fandom has created myths around this one character, and how PB has constantly leaned into these "characteristics" even though the text itself tells an altogether different story:

1. Kiara is a snob. This is especially hilarious considering that she is established in Book 2 as being the only person who befriended Savannah before her departure and cared about what happened to her when she left. Never once in the books has she looked down on us for class-related issues, or outright mocked people for not knowing the languages she knew. In fact, she was the first person to acknowledge our skills if we showed any before Lythikos in Book 1. On the other hand, Penelope can be uppity and look down on us in Book 1 (there is even a dialogue option in Chapter 10 that leads to her calling us a "commoner wench") if we don't do well, and yet she's a cinnamon roll.  Olivia can engage in snobbish , entitled behaviour without the fandom having a problem just because she's their favourite. Madeleine can look down on us and pretend for 3/4ths of the social season that we're not worth her time yet somehow Kiara is the snob. Okay. Okay. 😐

2. Kiara is "obsessed with" Drake and constantly comes on to him. This is said by the same group of people who saw Olivia fucking Nevrakis plant a WHOLE FUCKING SMACKER on Liam's mouth, and said..nothing. Kiara on the other hand, has admired Drake's abs once, mentioned she'd always liked Drake once, spoken normally to him about his sister once, flirted with him once (Paris tea party), and ordered a wine from him when he was bartending. In the next book she either looks at him wistfully or admires his suit. Yet somehow she's the creepy, annoying, stalkerish. Okay. Ooookay. 😑

(This one was particularly damaging, because post the TRR3 hiatus, all efforts from PB were focused on reversing Kiara's position as an alternative LI. This included "confirming" on livestream that her affections were one-sided, at a time when Olivia was finally allowed to have some romantic moments with a single Liam, pushing forward a buildup scene to Drake's eventual secret wedding that had him acting extremely rude and confrontational to Kiara mere minutes after suspecting her (while she was expressing joy at his upcoming wedding in his playthrough!!!), and involving a subplot where he openly and by default suspected her. Sure, he spends a minute to be nice to her and chat about trauma if the MC chooses. But that's like a drop of sewage water floating in an ocean of shit).

3. Kiara Pretended to Be Our Friend And Then Dropped Us: This is false. Kiara only ever promised to put in a good word for us to the rest of the court, no more, no less. And she fulfilled that promise. Otherwise she never pretended to be friends with us nor made friendly overtures either way. In fact if you're going to accuse anyone of duplicity, you have Penelope and Madeleine. Yet somehow Kiara is the dishonest one. Okay. Okay. 🙃

4. Kiara Was Insensitive To Penelope and Didn't Understand Her. I'm not sure how Kiara is supposed to magically understand something that her friend isn't telling her. Plus this argument deliberately leaves out the fact that she stood up for Penelope when people chose to be mean to her, and even explained to the MC that she employs "tough love" because she can't always be around to protect Penelope. It also leaves out how one-sided this friendship is and how Kiara is made to do most of the heavy work in this friendship. Meanwhile, at Kiara's most difficult time period, in Castelserraillian, Penelope says absolutely nothing as the MC forces Kiara to join the Unity Tour, while making bedroom eyes at Kiara's brother. In fact the only reason Kiara's brother even exists is to give Penelope a love interest. The Kiara-Penelope friendship practically revolves around Penelope. I have never really seen Penelope look out for Kiara or attempt to actually support her in any way, and Kiara was the one who got the knife wounds. Yet somehow I'm supposed to believe that Penelope's the better friend of the two. Suuuuure. 😡

And this steaming pile of crap doesn't just make its way into shitposts and short opinion posts. It creeps into fanfic and fandom opinions. It finds its way in the tags and in other social media. It eventually even finds its way into the books, even though nothing in the earlier narrative ever really supported these extremely stale takes. 

Because PB didn't care for Kiara the way they cared for their white characters, they had no problem framing her narrative the way this fandom so desparately wanted it. Book 3 has the MC claim behind her back that Kiara is stuck-up and acts like knowing ten languages makes her better than everybody else, even though this is not backed up by the text, and in fact you will never see any acknowledgement of how Madeleine forced Kiara to make herself sound "exotic" in Book 2, or of how Madeleine and the MC (optionally) could downplay or question her skills unless they wanted to use her. Also, Penelope is never allowed to be talked about like that no matter what she's done. PB even had a scene (in the Hana playthrough) where they aggressively retconned the events of Madeleine's bachelorette party, where Kiara supposedly shouted at Penelope until the latter cried, and Madeleine was the one "having fun". Kiara was literally being thrown under the bus to make Madeleine look better. Madeleine. Imagine that. Madeleine.

Given how desparate the fandom was to nitpick and overdramatize everything Kiara said and did, is it any wonder that the team got away with the writing they gave her in Book 3? Considering that all the false arguments I stated above have made a resurgence in the past few weeks or days...is it any wonder that the only "support" this fandom is capable of re: Kiara, is lukewarm platitudes, cold takes and rank hypocrisy??

Yes, we can hold PB solely/largely  accountable for the treatment meted out to Kiara now. They made these choices over and over, and continue to do so, while tossing us occasional crumbs of faux-sweet behaviour from the MC. And they did this in insidious ways, which were so hard to catch that even a Kiara stan like me had to observe multiple playthroughs just to unravel even half of what they'd done.

But let's not pretend a huge chunk of the fandom was just as responsible for this - with their unfounded opinions, their disgusting bias, their favouritism of white characters, their refusal to observe anything besides their favourites, and their godawful fanfiction where Kiara is a creep or evil or killing the virtuous main character. Out of the huge body of fanwork that I've seen for TRR that features Kiara - at least 90% of it features her stalking Drake, or harming the MC (particularly the Drake MC), or in cahoots with the villains, or generally being referred to as a creep (why Olivia, who kissed Liam without his consent in Book 1 and was entitled enough to be angry about him not returning her feelings in TRH1, never got this sort of writing - I fail to understand). There is a tremendous gap between the vitriol dumped on her when she does something the MC doesn't like, and the milquetoast response when harm is done to her. There have been times when I've had to comb through pages and pages of hate just to read even one positive post on Kiara in her own goddamn tag.

When the next book arrives, I know you folks will continue to gas up the white women in this book every chance you get, and mask your racist vitriol for characters like Kiara (and Hana, let's not forget the way y'all treat Hana) behind the same self-righteous judgements and the same tired, stale takes. I know that PB - despite what I will still believe is their hollow promises today - will write every single one of those stale takes into existence. All because it will be "justified", because Kiara is a "bad person" or "untrustworthy" or "fake". Whatever. Y'all can stick to Olivia The Black Hole and babysit Madeleine and Penelope, I guess. Kiara always deserved better than these writers and most of this fandom anyway.