#this one wanted to kill me and its not even that complicated

[revelboo]

Thoughts/ Headcanons

Spoilers for my storylines below the cut. Not smut, but mentions of.

• First off, I’m a paranormal romance writer- vastly different lifespans between partners is pretty common. And while it’s fun to spin that angst and drama, we do tend to write in ways around it to extend the human partner’s lifespan after we’re done with having the characters dance around each other.

• First thought, seminal fluids. Cybertronians are able to self repair to an extent, figure it’s something like nanites playing the part of our own immune systems within them. And that some of those get passed along to a partner when they do the deed. And linger, adapting and doing their thing: repairing damage. A one night stand wouldn’t be enough to do much but over and over? Each time replenishing those nanites, it would begin to slow that human’s aging to a crawl as long as they’re staying intimate with that Cybertronian and neither would probably notice anything for some time. Years, most likely.

• On spark bonds, those are a bit more complicated. Almost a symbiotic relationship. They can be full bonds if both parties submit fully to each other, trust each other. Or very one sided, with one taking everything and dominating the other.

• Intentional one sided bonds would have been taboo before the war, I’d think. Almost a form of torture with one Cybertronian claiming the other, creating a dependency in the one claimed. A need to seek out the dominant to renew that bond periodically, but without any balance, any affection between the two there might have been to begin with would fall into hatred and resentment. I’d think this would have happened more often during the start of the war, if a lover was found to be sympathetic to the other side, forcing a bond to keep them from leaving. With a Cybertronian, it’d be forcing the plating over the spark chamber open to form the bond, so it’s a violent occurrence and traumatic. But one sided bonds could still occur between two willing Cybertronians if one isn’t as certain about that commitment as the other even unconsciously.

• With humans, contact with any part of our body to a spark will bridge that initial bond. And just like with Cybertronians it can be one sided or full. With a one sided bond, a human would be dependent on the Cybertronian to renew the bond occasionally so the strain doesn’t eventually kill us. Most initial bonds with humans would likely be one sided and only become full over time as both sides get past their hesitations, doubts, and hang ups. A one sided bond can be broken with the death of one partner.

• I imagine a full bond is permanent, tethering two sparks or a spark and a soul together. With Cybertronians, it’s a combining of life forces. If something happens to one, the other’s spark falters and extinguishes. With a human partner, they’re bound to their partner’s spark and their lifespan. They’ll live as long as their Cybertronian partner does, which could be its own sort of hell, outliving everyone they know. And if the two grew apart over time, fell out of love, the nature of the bond would pull them back together at least periodically to renew the bond so they don’t both suffer. And most likely, that relationship would involve the Cybertronian just refusing to let their partner go, becoming extremely possessive of protecting that bond whether the human wants to be with them anymore or not.

• About the storyline titles: a few of you have already figured it out, but they’re all Motion City Soundtrack song titles. And I know a few of you have mentioned finding comfort in the fics and that means the world to me, so in case any of you need it, these are the lyrics for “It’s a Pleasure To Meet You��� by the same band as it’s sort of become my anthem for all the storylines.

You are not alone

We've all had our battles with darkness and shadows

I'm here to let you know

It's a pleasure to meet you

Can you feel it, disappearing

It'll happen, you are not alone

I've been there, I'm still there

Oh, and better

Everything is so damn tragic

Time erodes the waves of panic

Take it in

You are not alone

We've all had our battles with darkness and shadows

I'm here to let you know

It's a pleasure to meet you

Today is all we have

So try for a moment to break from the torment

And sing this to yourself

It's a pleasure to meet you

At a distance

There's a difference

Things will make sense

You are not alone

Got to hold on for the moment

Till the next one

Everything is so damn tragic

Time erodes the waves of panic

Get up

You are not alone

We've all had our battles with darkness and shadows

I'm here to let you know

It's a pleasure to meet you

Today is all we have

So try for a moment to break from the torment

And sing this to yourself

It's a pleasure to meet you

Every damn night for years of my life

I've spent driving around this miserable city

Just looking through windows at people

Alone for an answer or reason to live

But every day since, I've been peeling away

At this counterfeit skin just got in the way

I can see my reflection and clearly can say

It's a pleasure to meet you again

You are not alone

We've all had our battles with darkness and shadows

I'm here to let you know

It's a pleasure to meet you

Today is all we have

So try for a moment to break from the torment

And sing this to yourself

It's a pleasure to meet you

It's a pleasure to meet you

It's a pleasure to meet you

[jams-sims]

I am home now, I can finally decompress and talk about tonight's episode. I'm going to start with Sam because, she's my girl and then next I'll do Jammer. And yes I'm going to talk about Sam x Evan, if you don't like that I can't help you.

This is the first time, in a hot minute, we've addressed Sam's identity issue. Her lack of real connections outside of her friend base. There's something about that that is worrisome. Everyone has their connections now K has the wolf, Jammer has the fire salamander, Evan has the Bear. We could assume that Sam's is going to be the bat or maybe the goat. What worries me, is that the implications of the next episode, from the misleading trailer at the end. Shows that its going to be about the sea creature and trying to ecaspe that. I have this feeling that something bad's going to happen involving Sam. I could be picking up on nothing but the Vibes Feel off. I feel like that phone scene was just a step.

I feel like we're going to have more scenes, of this lack of connection happening. We have 3 eps left, that just enough time for something to go horribly wrong. Especially with Sam being the heart of the group.

The reason why it weighing on me is because- Sam needed someone outside the group to check on her a few eps back. It was right after Evan killed B. I feel like her friendships are going to come into questions because- How much of her friendship does she believe they love her for her. Evan and her have been having a lot of hearts to hearts. An just like how evan broken down an express those complicated emotions when Jammer got his magical connections.

I can see Sam having a moment where this darkness in her heart. This lack of community comes and tries to swallow her and her connections.

Now onto SamEvan or EvanSam- listen idc if it meant to be friend coded or not. If Sam and Evan do kiss im breaking into the drop off studio dome and stealing tabby. The tension between them is insane!!

It feels like Evan is one minute, alway from decalring his fucking knight like devotion to Sam. EVERYTIME they have a heart to heart, Evan gives off the vibe that he wants to say 'I would kill so many people for you.'

I DONT KNOW WHAT IT IS!!! ITS LIKE CRACK!!! PUMPED DIRECTLY INTO MY VIENS!! I dont even know how a relationship between Sam and Evan would work!? Sam and Evan have the most shittist relationship tracklist. It feels like they could either be the 'we dated for like a week but it fwkt better as friends' type or the 'we've been so casual about our relationship, moved in together and live this very domesticated life even though we arent actually married.'

It also doesnt help Aabira and Erika are bother just as bad as me, their facial jounery gets me acting crazy!!

I just want Sam to get everything, she needs and wants.

[rontra]

tell me more about these OCs. What’s their deal. How’s life where they live. Do they have games on their phones

the 4 dipshits i drew yesterday are from one of the oldest oc settings ive got (they were minted from the forge of stupid fuckheads in the year of our lord 2011) (and i'm very mean to them<3)

so because it's so old a lot of my followers will recognize them or even be familiar with previous iterations of their story/lore... there's been like. 3 discreet incarnations of it by now. and 3.0 needs some serious aid so this might be 4.0 now. so basically things people know may or may not be canon anymore. i just go in there and sift thru the entrails like fnaf mangle when im bored its my toys

but basically they live in chess world. and they all hate it. and life is bad. because of the Forever War. we should put a stop to that. but the Powers That Be are very picky about the steps that need to be taken to End the Forever War so that part sucks too. also because its chess world everybody has a lil rank and title and has to go perish on the battlefield or whatever

yesterday''s posts,

these two assholes are flang (blonde) and kaitlin (has games on her phone). they're part of the group of 4 main characters with kaitlin serving as the "guy everyone gives exposition to" vehicle, because she just got here, because it's also an isekai (surprise!). so she owns a phone and has games on it but she can't use it anymore because there's no phone service in Chess World. sad!

her rank is king (she/her king W), which means she has a lot of responsibilities in a lot of areas--none of which she wants or really signed up for, but her fun new wife (the black queen) just kinda recruited her into it. in the setting, king/queen are primarily military titles, then government positions; it is not necessary to be royalty "by blood", hence these unruly (albeit rare since there can only be one of each at a time) pawn-to-queen and pawn-to-king promotions happening on the board. she also has a cursed sword that is surprisingly unrelated to all of that but it has magic powers

flang (they/she) is From chess world and has grown up in alabaster. her mother is a doctor so she is too. her rank is pawn. she has a lot of issues and almost all of them are because alabaster sucks ass to live in if you're even like 1% outside of what alabaster considers Proper. it's a "reasonably stable and reasonably safe" kingdom to live and work in, but that safety and stability is always conditional; it's only stable and safe if you're born 100% conforming to it or discard your existing self to assimilate into it. this has made flang a very precious kind of insane that hurts them and everybody around them all of the time. but it can be repaired by defecting from the country, scaring their family, getting a fun haircut, almost succumbing to a fever, and finally the tender touch of a lesbian who has games on her phone

the other two people in the Main 4 are aster (kaitlin's wife, queen) and erin (the other queen) and are NOT the people i drew yesterday (BDHJBGS)

this is aster and erin 👇

you can tell because they have the look of 2 people who have been ruining each other for like a decade now and arent gonna stop until they change or die

aster (she/they) is trying to kill the white king for Revenge Reasons and ending the forever war is just like a cool side effect for her. she's the one who got kaitlin into all of this mess which is complicated because on the one hand, she got kaitlin into all of this mess and is trying to strongarm her into doing things she absolutely doesn't want to do (like killing people). on the other hand though, being roped into all of this mess did pretty directly save kaitlin's life in the first place and somehow loops back around to improving her mental health in the long run. so who's to say whether big murder plots that only you like and want are bad to do or not

erin (she/her) is normal about that freak^ but is in a very bad position because aster getting kaitlin on the board and starting their big dumb plan is a very clear signal to erin that aster has already won, long before anyone else thinks that. erin doesn't really gaf about the white king but she has other things she cares about and is willing to die to protect. to erin, aster's victory means she's on borrowed time and it won't be long before aster will go Through Her to get what they want. there's a confrontation on the horizon where erin fully believes one of them will kill the other one. but also they're like in love. but also erin has way better gfs available. you understand

the two other bitches i drew yesterday are NOT in the main 4 theyre just some other freaks . this is zarni (short hair) and fal (blonde) 👇

faolan (she/her) is the white queen's bishop which means she's the piece closest to the queen--basically shes erin's right hand arm man. she's erin everything. her confidant. her best friend. her silly rabbit. (is that what erin calls her?) no.

fal WANTS to be all of those things and has a weird crush on the queen but erin never lets anybody in and that includes fal. but basically faolan is the bitch who's always in it for Rank And Power and has climbed as high as she can and is still vying for erin's personal approval and acknowledgement because nothing's ever enough for her. she sucks to hang out with and almost dies very badly but zarni has her back

zarni (she/her) isnt actually from either kingdom she's with the unrelated third party pirate faction that mostly keeps to itself and has its own squabbles and drama that doesn't really have anything to do with the Forever War. an outlaw... a GRIMINAL... she met faolan way back when fal was much lower rank than she is now. fal was escorting her to the capital to receive basically a slap on the wrist for doing crimes in alabaster territory and they kinda hit it off in a weird way. right now zarni is technically like. fal's hired muscle. her right hand arm man (henchman edition). but for zarni it mostly doubles as a convenient way to have free passage into and within alabaster, for her own sidequest reasons. she ends up saving fal's stupid life because unfortunately they care about each other now and it's embarrassing for everyone. but maybe it'll distract faolan from looking at erin just long enough for her to realize she needs a big strong woman to carry her off into the sunset and build her a cottage where she can fucking retire already. or something. one can dream

anyway that's the people i drew yesterday (and the 2 in the middle that i didnt even draw but i would feel neglectful if i didnt mention). ssorry for the long post i just love talking about my ocs and these ones are 13 years old so talking about them comes Very Easily To Me MDJBSBJGS

i skimped on details just to get thru the tl;dr basics but i hope it was at least entertaining (and if anyone has more questions after this i dont mind i know i skipped a lot HDHBJG)

to me this is an oc setting entirely populated by stupid assholes who are constantly ruining at least 1 other character's life in some way. and that's how they all save each other. and that's beautiful. godbless our beautiful gay chess soldiers

[familyofpaladins]

I think Mk should be able to transform at will between his monkey and human forms

[potatobugz]

i feel as if im going mad so im going to just put this out here. real quick. movieunleashers starters ramble.

i cant stop thinking about how mudkip broke down in that one scene in "Typomaniac," when Chespin called him mean. for a second he lets his mask slip a little bit and to me he just... acts his age. he starts crying and calls chespin mean back. maybe im just hyperfocusing on this one detail but mudkip is about 12 years old.

and that just makes me wonder what happened in this guys life that brought him to where he is now. and it makes it all the more tragic how his whole world revolves around chespin, but he is the one bringing him the most pain. and how young he was when he died.

there is a large theme of growing up in "Rare Candy." the characters ages are emphasized in that particular episode, and one of the main conflicts is fennekin wanting to evolve faster.

the thing about characters in these stories is that they're not allowed to just be kids, to have a childhood. so many bad things happen to them. like. mudkips whole, Everything. fennekin when she was famous in typomaniac, or dealing with her own insecurities/pressure from society about her relationship w chespin. and chespin always having to shoulder his friends problems & always somehow managing to stay positive despite everything.

why cant they just. play video games. eat ice cream or something. go to the movies

at the end of the day, i think both mudkip and fennekin are characters who grew up too fast. by distancing himself from them, chespin refused to follow in their footsteps and just wanted to stay a kid.

good for him.

[bikerboyfriend]

screenshot dump

[xxxemilyg1996]

Happy dead dad day!

[ragnarokhound]

re: your tags on the jason’s anger post~

hard agree!! i will read reconciliation fics bc like… i do enjoy them getting to be a happy family/group but ultimately, i am firmly in the Jason Todd Was Right camp, &. serious work would need to be done for him to ever actually be part of the family again, bc the actual roots of his issues run DEEP. (and again! he has points!!)

and also same again on like… if i mention the batfamily dynamics in my fics, with the exception of au’s, jason’s relationship with bruce especially is still at least a little strained. he’s a member but also kind of an outsider and maybe he has complicated feelings on that sometimes but ultimately it’s bc his convictions / beliefs run deeper than his need /want of acceptance / belonging.

anyway sorry to dump a rant in your inbox but, i loved your tags & wanted to reply 💞

OUUGHH YES THO!! THANK YOU FOR RANTING, ALWAYS RANT IN MY INBOX STAY IN THIS SPACE WITH ME <333

(I'm about to have a mini-rant of my own, and disclaimer, it's largely informed by my terrible foundation of the UTRH movie + fandom osmosis + the occasional page/panel drop/arguments from other fans skdndndj sO GRAIN OF SALT THE SIZE OF RHODE ISLAND: )

Because yes yes absolutely! It would take serious work on Both sides for Jason to be brought back into the fold. They would both need to want it, and someone would have to be willing to bend on what they are ok with letting slide. Bruce would have to allow Jason his independence and divergence in philosophy; Jason would have to make concessions to Bruce's hard anti-murder stance.

There would have to be compromise, and reparations of some kind. They would have to actually talk and be able to listen. Apologies exchanged (mostly from Bruce because lmao) and a bunch of stuff people with the whole picture could probably tell me better lmao. ALL HARD ASKS

Because yes yes yes!! Jason's convictions and his beliefs ABSOLUTELY run deeper than his desire for acceptance. That's not-so-low-key the biggest obstacle for both him and Bruce in their ever reconciling. It's why Talia was able to manipulate him at all (idk the specifics of that, but details), it's why he hatched a deeply convoluted plan to get back at Bruce and the Joker and fuck over Black Mask in one fell swoop.

He wanted to confront Bruce with the consequences of letting Joker run around even after committing a deeply heinous and personal crime. Show him that taking a more intense and hands on approach and cracking down HARD on the crime families in Gotham would have more immediate results than what Bruce did. And that's not even getting into the Robin stuff yet lol

I don't personally agree per se with Jason's stance on murder and crime fighting lmao - but I also think he has a goddamn point, especially in this universe. In the world of batman, where death can be impermanent and supervillains pull all kinds of heinous, torturous bullshit, Jason has a lot of righteous and justified anger about how Bruce does things, on top of his hurt and betrayal over how both he and his death were treated.

Bruce's stance makes sense to me too, in a 'everyone deserves a second chance' and 'no one is beyond redemption' and 'its a slippery slope' perspective. But at some point you have to wonder about accountability. About what's acceptable. When the Joker is an unrepentant, murderous, sadistic criminal who has demonstrated that he cannot be adequately jailed or rehabilitated, what do you do? Do you ever give up on him? When is enough enough? Is the death penalty ever justifiable?

It's what makes Jason vs Bruce's arguments interesting and tragic to me, because from Jason's perspective, he is seeking retribution for himself as a victim. He is an avenger for victims failed by the system as it stands. And the system fails a lot of people. It needs to change. (And it's something being felt very strongly by a lot of people rn IRL which makes Jason's ideals v sympathetic.)

But from Bruce's perspective, Jason has given up. He has lost hope in the inherent goodness of people. He no longer seeks to find the good in people; he has decided that there exists instead a sharp dichotomy, that there is such thing as a bad person who deserves to die for what they've done, and for being bad. As opposed to seeing deeply injured people who need help, even when you find them repulsive. Rotten work, that.

Bruce sees the end of the path that Jason is on, and it's a bullet that Jason puts in his own brain - because if there are good people and bad people, and bad people deserve to die... won't Jason lump himself in with the bad people eventually? (I am once again standing on my 'Jason Todd wants to die on some level' soapbox)

Anyway, all this to say - there is a sharp divide in Bruce and Jason's methods/beliefs that makes their reconciliation impossible if neither of them is willing to budge. And when they both see budging as a terrible thing to do, a failure to the very people they are dedicating their lives to protecting...well.

It's gonna take a lot of angst and a lot of work.

[yoonyia]

my humanity in a book series now that I actually think about the premise is so weird.

the original concept is just to prove that all of humanity's pain and suffering and joys and gifts can be shown in just a few books, that a lot of our struggles are shared and a lot are unique but that they're all inherently human.

no matter what experience you go through it's going to be a human experience because you are a human, and no matter how isolated and alone or exiled you feel the rest of humanity you are still infact human and take that part of you everywhere

you will always be a step in some direction of humanity no matter what that deed is

it's not meant to be read as comforting, in all honesty most of the characters find the idea of never not being human to be sort of disturbing. But that's a part of the human experience too. To look at humanity and say "man we suck"

But now I'm looking at it and it's more then that

the book is set in the 32nd century

although because of my lack of imagination I can't think of what the language would be like I did haphazardly put together a culture that I personally felt like matched the common trend of development in humanity

everyone is given a livable space, concept of currency really isn't a thing (but that's less on humanity and just because the space colony is made up of roughly 10,000 people and trade is impossible, there's more reasons too but I won't get into them at this moment) and in all honesty the society is fundamentally different then most societies on earth.

It's what you would call a utopia but it's such an obvious system that no body even considers it good. They talk only about the unfairness of the council members and the inhuman layout the colony is built on to make it relatively fair between all people. (I say fair not equal because they do take children, occupation and just size of person into account, which yes is a nightmare for everyone invloved)

but I dont know if you see it but there's a disconnect

they don't value the things we value, they don't have the same desires the same ambitions the same secret indulges, many conflicts are the same as they are now but they have a completely different context, different reactions from people, different tones and no real recognizable side we usually see in modern debates.

it's worse then if it were completely different conflicts, then you could just do some narrative translation and make it based off of the modern lense but you can't do that because it's the same conflict. ofcourse it's not to a point where your brain thinks "I can't compherehend this at all" but actually that makes it worse, because it is compherehensible it just isn't common

it's a story trying to tell you that all human experiences are inherently human but it's showing you a humanity that you can't really quite connect with

things you think are basic desires exist but they're not considered the core things that makes someone human, there's something alien about these people that you can't really agree with the actions they take and can't make sense of the movements and words they make.

800 years is a long time and I wanted to show it but I made a story that's inherently ironic

it still fits the original theme, it might fit it even better since it's telling you no matter how much humanity changes its still going to be humanity

but I left my audience behind, I alienated them to show them that they are human, that despite the alienation they're still apart of this society that they're reading about that dosent feel quite right

it's a weird thing to do

I really thought this book was going to be simple to write but I'm already adding layers and I don't think I'm going to stop

and also the science aspect behind this story excites me so much

I'm no biology major so half the stuff I come up with for the alien planet's are probably going to be impossible but it's fun to write about

espicially the plants, I found the heat regulated Lilly pads to be really fun to think up of

also fox like creatures that glow under uv light, gosh that took so much research

they're adorable by human standards but they are deathly venomous so please don't pet them

this series isn't even the only one in this universe

there's a second story that I suddenly forgot the name of but it's something like 'Colony 1, Brother Lutangalo' or something similar.

oh and if you haven't noticed yes these books are heavily inspired by the enderverse and I just wanted to go more indepth into the parts of the books that was largely left unexplored. So this series is also inspired by the shadow series, so the humanity in a book is more morality, conceptual and personal in nature the col1 brother lutangalo books are more political and more grounded in the main society (the 2 main characters are sent to set up a colony on a different planet so they aren't really on the main colony themselves) the main narrator being lutangalo which is the son of the 108 year old colony leader Lau. (this society also has a euthanization law that all people over the age of 100 by law must die to prevent over population, but religious leaders are protected so they can live pass 100 indefinitely) and is currently 8 when you first meet him. Actually his books don't start until he's 12, we meet him when he's 8 because that's the year the 2 main characters comes back

his books, and I'm calling them his books because this series is heavily centered on the one character rather then the humanity series which is forced to jump between people in different time and space to get the message across because the 2 main characters litterally don't react to anyone else but eachother for the majority of book one, all of book 2 and half of book 3 (at least that's what my planning says but it may change when I get to writing the drafts)

anyways his books are very focused on the family that he's apart of and how they affect the colony, it also focuses on the personal perspective of this one kid which is honestly the closet thing the readers get to a instinctually relatable character, he has all the impulses and needs a person of the current age would have, because he basically lived in the 21st century because of his obsessive need to research about Mr ari who is notoriously a history nerd.

so you're finally getting a person that lives and breathes in the same patterns as you do.

and he's so miserable

he is one of the most troubled, impulsive people you have ever met

but also the calmest and kindest and gentlest person at the same time

he's a horrible liar until he isn't, he's intelligent and self aware until he's shockingly oblivious

just a ball of horrible contradictions that feels way too unstable and flipfloppy to be consistently relatable

yes of course in several moments you will exclaim "ha, he's just like me!" but it's going to be rather hard to admit that all of his experiences and actions are relatable or even compherehensible

unlike the first series it's not justifiable in any rational way

it's messy, it's complicated, it's convoluted and he's honestly awful in some scenes

but thats human too

[arolesbianism]

Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)

[apathyisboring]

thank GOD im done w that beast of a white paper though 😭 i feel i could have done better particularly w the intro piece but i am so spent i just did what i could. it’s honestly not my best work but grappling with big ideas like that is so hard especially when u haven’t spent so much time sitting with it and reflecting like that’s a very important part of creating new knowledge whatever idk

[autism-connoisseur]

i hope everyone rbing this knows that leave is the canon ending To Me

"but there's always another way" "no, i'd never... kill myself" WRONG ‼️‼️❌❌ IN WATER ENDING 🌊🌊🚙🌊🌊🚙🌊🌊🚙🚙🌊🌊🚙⚰️⚰️🌊🚙🚙🌊⚰️🌊🌊⚰️🌊🌊🚙🚙🚙

[flying-fangirls]

Not to be an English major, but my genuine favorite part of Malevolent is how it handles its themes. Overall Malevolent tackles such profound and interesting ideas to chew on, but it's specifically the approach it takes to those ideas that really gets me going.

For example, one of the major themes across several seasons and characters is identity. The podcast asks pretty standard questions like "How do you define yourself?" and "How do others define you?" But it doesn't choose to stop there! It constantly expands on that idea, and it also asks things like "Which of those definitions is the 'real' you?" and "Are any of them right, are any of them wrong?" and "Is there even a singular definitive version of you?"

Malevolent works out from one idea and poses all these rich lines of discussion and questioning, and then just. Doesn't provide an answer! Or, at least, not a single, one-size-fits-all answer. Instead, it gives us multiple possibilities:

John's arc tells us that your identity is what you make— what you say, what you decide— and no one else's definition of you matters. Arthur's arc tells us that you can get stuck in a rigid, self-deprecating personal identity, so you need others' perspectives to help you see and love the real "you." Larson's story tells us that you do not have the right to selectively accept/deny parts of your identity and actions, and that others can see the whole of "you" whether or not you take accountability for it. Noel's story tells us that you can choose what parts of your past define you, and that leaving behind all the other versions of yourself can be beautiful and empowering. Kayne's story tells us that leaving behind other versions of yourself is akin to murder, killing off the pieces that you don't like and pretending like you've evolved past your own self. Yellow's arc tells us that your identity is fluid and can easily be influenced or manipulated by what others tell you, and by that point you've changed your own self-definition to something entirely new that can be just as true or untrue as the old you.

With all of these characters and with every other character throughout the show, we get a unique answer to the question "What is identity?" And if you look further at all the characters, you can break down their different arcs over the seasons and find even more answers just within that one character's development and story. And some of the answers we get correspond, and some of them contradict, and none of them are the right answer, and all of them are the right answer.

Malevolent takes one idea, and then it crafts an incredibly nuanced and humanistic exploration of said idea that adapts with respect to whatever situation or character it is applied to. And it uses this approach with all of its themes: identity, morality, guilt, grief, love, hope, etc.

Malevolent knows that life is messy, that people are complicated and contradictory and diverse and ever-changing, that no part of the universe or humanity can ever be explained or defined in a simple manner. Malevolent knows all that, and it wants to help us understand that too.

Malevolent shows us that nothing can ever be easily understood or answered, and it shows us that that fact is beautiful.

[larluce]

Merlin traveling back in time to save Arthur AU but with a twist!!

Merlin makes it to the sidhes, bringing a barely breathing Arthur with him. As expected, they ask for a price and Merlin offers his life, ignoring Arthur's protests.

Sidhe1: You're inmortal you can't die

Sidhe2: And even if you could, killing you would mean killing magic itself, therefore killing the earth itself.

Merlin: (crying desperate) I don't care! Take what you need! My blood, my magic, anything! Just save him!

Sidhe1: (smiling evily) I might know just the thing.

They never tell him what are they going to take from him, but he agrees. The sidhes start the ritual, while Arthur just keeps pleading weakely

Merlin: (smiling) If I somehow don't come back-

Arthur: (crying) Stop! Merlin don't do this. Please!

Merlin: I just want you to know that I love you.

Before Arthur can answer the ritual ends and Merlin blacks out.

When he wakes up he is in his way to Camelot in his old clothes and 10 years younger. He soon discovers he's been brought back to the very first day he met Arthur. He's confused. Have the Sidhes taken from him years of his life as a price? It doesn't make sense to him, but he decides to take advantage of this to prevent some things from happening.

Time goes by and while, in general, all events are repeating, not everything is happening as he remembers. Some people arrive in his live early, like Lancelot or Gawain. And Arthur treats him better? Like he says thank you to him more often and listens to him more. Merlin thinks it’s weird, but brushes it off thinking it’s due to the changes he's been making that some things are not quite the same.

Then the day comes when he finally reveals his magic to Arthur. He cries and Arthur hugs him telling everything its okey. Nothing its going to happen to him. Shortly after however Arthur also has a confession.

Arthur: I already knew.

Merlin: What?! Since when?

Arthur: the very start.

Merlin: How? I've been careful! More careful than before!

Arthur: Because you told me before. Well, not really before, but in the future. It’s complicated.

Merlin: Wait... you are from the future too?!

They are both surprised. They thought they were alone in this and it turns out they never were. Merlin cries all over again, apologazing for everything, for failing him, for not being able to save him, but-

Arthur: You did.

Merlin: ... What?

Arthur: You did save me.

Merlin: No, the sidhes tricked me. They sent us back in time-

Arthur: It was not them who did that. It was me.

Merlin: What... what are you saying?

Turns out what the ritual really did was turn Merlin into a small tree in exchange for saving Arthur’s life. A magic tree that would grow taller and taller and never die and whose ruts would expand making magic florish in the earth forever. Arthur of course was really upset after that. He demanded the sidhes to turn Merlin back but they only told him "what's done it's done" and that all he could do was pick the tree up before the roots growed if he wanted to move it elsewhere.

Arthur put the tree in a pot and brought it back to Camelot. Everyone was devasted with the news but they were also glad their king was alive and safe. No one blamed him, but Arthur always blamed himself. He repealed the ban as soon as he could and made sure everyone knew Merlin's involvement in the battle and later the other things he find out Merlin did for Camelot through Gaius. He made an anual event and a statue in Merlin's honor. Camelot slowly but surely welcomed magic again and became the most prosperous kingdom in the land.

Merlin: Oh...I don't remember being a tree.

Arthur: Yeah, I figured.

Merlin: But you repealed the ban! That's great! Magic was free again in the-wait... so why did you do all this if everything was fine? And how did you do it?

Arthur: Everything was NOT fine Merlin. You weren't there!

Merlin: (utterly confused) I was. As a tree.

Arthur: You know what I mean! You were there but you weren't. We mourned you but you were still alive. I kept you in that pot for longer that I should have because I wanted to keep you close all the time, yet looking at you was so painful... Gwen had to scold me into finally plant you in the garden so you could grow properly. I was broken inside, while trying to rule a kingdom. I kingdom we should have ruled together from the start!

Merlin: ...

Merlin: You're telling me you somehow traveled us back in time and throw away the golden age, your dream of uniting all Albion and all you worked hard for... just because you missed me?

Arthur: And because I couldn't say it back.

Merlin: What?

Arthur: That I love you too.

NEXT PART OF THIS AU HERE -> PART 2

[uno-san]

Bill Cipher Vs. Self-Hatred

Howdy y'all! Today I just wanted to go over some thoughts I had over everybody's favorite triangle that may or may not have occurred to some of you already. Naturally this will contain Book of Bill Spoilers.

To start off our little essay I thought it would be important to first sum up my thoughts on one of Bill's more complicated relationships: Stanford

Now we've all seen his dynamic with Stanford plenty of times in the show but with recent information coming from both the Book of Bill and thisisnotawebsitedotcom.com more light has been shed on the subject from both Bill's perspective and Ford's.

There's more than meets the eye when it comes to dissecting Bill's interactions and thoughts on Stanford, with the ever enlightening "EVEN HIS LIES ARE LIES" making theorists scratch their heads. Within the Book of Bill are these codes and their meanings: hbh grfwru ri d gliihuhqw nlqg/ zkr zdqw wr pdnh klv sdwlhqw eolqg

eye doctor of a different kind/ who wants to make his patient blind

Qeb alzqlo pxvp/ qeobb pfmp x axv/ tfii jxhb qeb sfpflkp/ dl xtxv

The doctor says/ three sips a day/ will make the visions/ go away

Ixvvb hdwhu/ edeb eloob/ zrxogq'w gulqn/ xqohvv lwv vloob

Fussy eater/ baby billy/ wouldn't drink/ unless its silly

As well as:

Finding out that both Stanford and Bill have a genetic mutation that made them Black Sheep suggests the possibility that Bill saw a kinship within Stanford. After all, he did make the offer for Stanford to join him. No doubt being able to sympathize with Stanford's situation yet misreading his motivations, causing the rift in their once savable relationship once Bill's lies were uncovered.

Now I'll admit it was others who came up with this theory in particular, especially when drawing comparisons of how Stanford was treated and how Bill allegedly was for having a strange eye. Stanford, in some form of other, might represent how Bill was before he saw the destruction of his world by his hands. A mere outcast looking for his place in the world. To be believed rather than ridiculed or "fixed".

Self-Hatred

And now we get to the Bill we all know today:

The chaos loving and nightmare inducing three-sided maniac, who may be hiding more insecurities than he ever let on in the show, thanks to the Theraprism.

Someone far more traumatized

Who's had to convince himself to fully be the bastard he is today

But if the theory that Bill had a type of kinship with Stanford thanks to their mutations was true, then wouldn't it be possible that his relationship with someone else might represent the inner struggle with himself?

For you see, the original title of this post was...

Bill Cipher Vs. Stanley Pines

As my own theory is that Stanley Pines is what Bill decided to project his self-hatred on. Nobody can doubt that the two have similar qualities, yet as I read the Book of Bill and thisisnotawebsitedotcom I couldn't help but notice the absolute malice that Bill has for Stanley whenever he's mentioned.

There have been many opponents before that have strived to take Bill down. Whether that was the Shaman, the Anti-Cipher Society, or Time Baby, none of his interactions with them have appeared as vitriol as compared to Stanley.

Not even Stanford has this same reaction, who, by really no contest, was the closest to ever defeating Cipher by himself. Both with the gun that he near successfully killed Bill with and the secret of the barrier of Gravity Falls he refused to give up. Bill didn't even have a real interaction with Stanley until the last episode.

Yet it isn't Stanford that causes Bill to break while he's in the Theraprism. It's Stanley.

"-A resume-inflating, cheap trick loving, past-denying overgrown child protected from failure only by a force field of DENIAL AND shamelessness!"

"Self-pitying"

"Stupid"

"Smug"

"Hack Jokes"

"UNWORTHY"

Now it could be just me, but those are a lot of specific insults to fling somebody's way that you've barely interacted with. Especially if Bill credits the Twin Swap to Stanford entirely as opposed to allowing Stanley the credit.

"STEP RIGHT UP, it's time to play my FAVORITE GAME!! BOOTLEG SIXER over HERE spent a LIFETIME trying to hide his humiliations, BUT I'VE BEEN INSIDE HIS MIND, so NOW they’re ALL YOURS for the low low price of BEING MY NEW PAL! ITS SHOWTIME FOLKS, AND THE ONLY WAY TO LOSE IS TO BE NAMED STANLEY PINES!"

“SHAME:TM - IT'S THE ONE FRIEND WHO NEVER LEAVES!”

This out-of-character hatred doesn't come from the fact that Bill thought Stanley wasn't worthy, it comes from the fact that Bill sees himself in Stan. Who by all means is a lying and conniving screw up. Somebody who let his family down.

This could possibly be proven by the poem Bill had wrote about Stanley:

The whole poem suits my point but I decided to highlight the sections that caught my eye specifically. That when you put into consideration Bill's clear trauma and regret about the Euclidian Massacre, his own words can clearly be flipped back on him.

That he sees himself as a curse and a mistake. A self-made monster. Someone who's left the past behind when the loss of his home is still on his mind.

And what truly gets under Bill's skin about Stanley Pines?

"He got his life and family back.

His big break, it finally came,

Redemption from a life of shame"

Stanley got back what Bill can't.

[irndad]

hi im back! okey so def can see spencer still wanting to hug and snuggle with you even when fighting or mad at each other. he even gets genuinely ??? confused ??? when you try to sleep on the couch instead of in bed at night. he holds you and either reader or him is like "i know we are snuggling right now but i am still super pissed off at you." lol i can just see it. he may be petty when mad but he wont stop trying to touch you bc its a biological need of his and no argument is more important than needing you 🥺

enjoy this I did it very fast!!!! ily

He knows he’s not easy to be with sometimes. She would never say it, but it’s true. He doesn’t always get the jokes, sometimes pushes things too far and without even knowing it the ground gets pulled out from under him. 

And sleep- Sleep is so complicated. The memory of the first time she slept in his bed is etched into a place he could never erase. Spencer had always had trouble sleeping, either fear or alertness plaguing him into the late hours of the night. He used to lie awake, the kind of exhausted that feels like it’s seeping out of your bones, while constantly facts he’d unwittingly memorized about how sleep deprivation can cause brain damage. 

But then she’d come into his life. All soft words and gentle disposition, and there really is something magic about the way that everything just dissipates when her warm, soft body curves into his own. He’s slept well almost every night since. 

Except today, she isn’t coming to bed. 

It’s his fault, and he knows it. He wasn’t being fair. She hadn’t seen him for two weeks (and he hadn’t slept nearly enough without the weight of her form beside him since the last time he saw her) and she’d said that she wanted to be prioritized more. 

“I haven’t seen you in weeks, Spence!”

His head was killing him. Was it actually possible, for a headache to kill you? Her voice is audibly upset, and it’s alarming how he could be the cause of it. 

“Please,” he had said through labored effort, “Can we talk about this later?” 

“When would you like to talk about it? Because I don’t ever know if you’re leaving-“

“Do you even know what it is that I do?  That it’s not a choice for me to go? I have to do this. I can’t pick and choose and honestly, I don’t want to. If you don’t get that, we’re not doing what I thought we were doing.”

It sounds foreign, his own voice. And it’s after he’s said it that the sick taste reaches his throat because oh, that means the end. Her lovely face is unreadable for a brief moment, before something like grief splays over her expression.

It’s silent for a beat, and Spencer wishes he could swallow the words back up, rewind his life like a battered VHS tape where he’s not so stupid to mess up the one thing that’s ever brought him peace.

“You’re not yourself, Spencer. I’m gonna give you a minute.”

A minute, it turns out, is hours in the living room. She hadn’t left, thank fucking god, but she hadn’t come back. Of course she hadn’t. She wasn’t the one who needed to apologize. 

He’s just so tired. 

He thinks of her so-sweet voice, the curve of cheek- the junction of her neck and shoulder, and how much he would like to have her pressed against him. He pads out into the living room like a nervous puppy, and sees her sleeping on the olive green couch she had picked out. Her hair was splayed across the arm of the sofa, and her head laid on a throw pillow, their fuzziest blanket draped across her form. 

His first thought is how low he’s dropped, that he’s jealous of a blanket. 

His second his that she is not coming to bed. He sits beside her gingerly, and the scent of her body wash lingers in the air. 

“Are you planning on coming to bed?”

“I didn’t think you’d want me to.” He can tell she wants to sound cold, but the truth is much worse; she sounds guarded. 

“I always want you to.” It’s the most honest thing he’s said today, and it’s just not fair, how much he revolves around her. How he has waited 14 days, 13 hours and 34 minutes to hold her again and managed to ruin it within the first 20 minutes of having seen her again. He grabs her hand, soft and pliant against his in a way that almost makes his heart leap. “Please? Come to bed?”

Her gaze softens, the warmth and light that guides him back in her eyes, and he hopes his relief isn’t too visible. It’s then that she drinks him in. It feels too revealing like she can see right through him. His clothes are old. He’d rushed off the jet to see her, and the half moon circles under his eyes only lend to the unimpressive picture of himself. 

“Oh, sweetheart,” she breathes, touching the side of his face. He instantly leans into it, the contact more than he’d be willing to give up to save his dignity. “Come here.”

She wraps her arms around him, and he pulls her into his lap, squeezing her tight to his chest, like she might disappear. 

“I’m still mad at you,” she says, looking at him with such affection it betrays her words.

“That’s okay,” he says into her collarbone, “As long as I still have you.”