#this one really fucking kicked my ass

[mawedgone]

kidsmoke

[livejournallegacy]

Ray talking about Gerard's vision for My Chemical Romance

[super-nowa-art]

HAPPY BIRTHDAY USOPP!!!! BESTEST BOY!!!!!!!

[front-facing-pokemon]

[muckyschmuck]

AAAAAAAAA

[hijinxinprogress]

Civilian Gothamites realizing they can get vengeance through Sword!Robin

Gothamites figuring out if they happen to mention a rogue treating animals poorly within hearing range of sword!Robin that rogue will be in custody with at least four fractures and a concussion and Damian being completely aware that like 63% of these people are lying but it’s the only way he can get experience with the nonlethal takedowns he’s experimenting with bc everyone keeps complaining about how he treats his opponents and allies 

Like he’s guiding a civilian to safety and they mention that “this would be the worst thing to happen to me today if riddler didn’t stab my fucking cat” and this civilian does not own a cat but they did own a car that was just paid off but riddler fucking crushed it with a stupid ass hot air balloon that’s shaped like a fucking question mark and Damian is aware of this bc he was the one that verified the insurance claim (but he’s been looking for a reason to punch Nygma in the throat since his last Arkham escape when he called Damian a moron)

And he also knows that if he plays along with it and says ‘as if I’d let that gaudy and tactless imbecile get away with committing such atrocities’ when prompted that he’ll get away with barely a slap on the wrist like he gets three half hearted but long lectures he’s not going to listen to and an online sensitivity training seminar he goads Tim into completing (Damian and Tim 100% try to trick each other into doing work they don’t want to do and full heartedly believe the other has no idea what they’re doing)

Bruce’s tendency for finding small crashouts at risk of becoming future rogues in Gotham and deciding they need love & supervision but what actually happens bc he’s so fucking awkward is they get almost the same amount of supervision just with like an hour of intense helicopter parenting a week but honestly besides that they just have more money and resources to do fuck shit

Tim 🤝🏾 Damian: using the manipulation tactics they learned from their mothers then later improved on with help from an assassin cult and bat/cape interrogation questioning techniques on the homies

[yo-yo-yoshiko]

Just finished Return of Ultraman!! (i got really attached...)

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[cluescorner]

I gave myself a writing challenge and I am fascinated by it

So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.

Stephanie, the first sidekick who defines the role

Tim, the sidekick who dies and comes back wrong

Dick, the sidekick who saves Batman from himself

Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong

Jason, the youngest sidekick who is still the Kid Wonder

...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).

I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.

[shima-draws]

USOPP ABSOLUTELY POPPING TF OFF???? Hitting a target THAT far away with SUPREME precision AND unlocking Haki?? I’M SITTING HERE LIKE

[astranauticus]

this isnt the kind of stuff i'd usually post but im fuckin losing my mind. ive been watching through the bilibili livestream vods of like this arknights lore creator reading through and commentating on like the game stories and right now im watching the vod from his main story chapter 11 stream and his reaction to logos' sprite reveal is so fucking funny i had to clip it. man is really having a crisis on stream

[sualne]

hii! honeslty just curious, I read/watched kuroshitsuji AGES ago and I don't think I've finished the manga anyway, does grell go by she/her?? I vageuly remember ppl headcanonning them as enby though iirc in canon he's a guy?

Your tags peaked my curiosity, I haven't seen any Kuro content in a hot minute, but I remember it being the absolute must watch in my peak anime watching years lol And I absolutely loved the manga's artstyle

in canon grell is a trans woman, yana toboso has said something like "grell is a man with a woman's heart" ages ago and sometimes around 2014/16 had tweeted something about wanting to be more careful with her representation of people like grell in the future, don't quote me on that thought because i only read that tweet once and only remember reading a shitty screenshot of a translation of that interview where she allegedly said that.

i can however show you this:

it's from a bonus chapter (after chapter 108) about the popularity polls (it's a very convoluted non canon chapter) but it's one of the most blatant example of her being trans.

there's also the way she constantly refers to herself as a "young maiden" ect. idk how it goes exactly in the og but in french they translated it so grell always refers to herself with feminine terms while everyone else misgender her including the narrator. she very consistently reaffirm herself as a woman through every single ones of her appearances, like it's a thing she very much does, every single time she's on screen.

i haven't watched the anime in forever (cause it's kind of a disgrace and insult to the manga lol) but if i remember properly (which i mostly likely don't) they did omit/lowkey censor some of grell explicitly going "i wish i had been born a woman/could have been able to carry children" when she first properly introduce herself as a shinigami & the other half of jack the killer. (the anime also really did lean a lot more into the pervert queer caricature whereas in the manga she's given a bit more dignity, especially the further the story goes. though that might be my own impression and maybe it didn't change that much i just love her a whole lot).

also because i have to, please forget the anime (the first two seasons that is) and read the manga first and foremost because oh boy, what a disaster the anime is (nostlagia and atmosphere wise it's entertaining, i really love the op & ed, but it just, i just cant man it doesn't even compare to the manga at all). only watch book of circus -> book of murder -> campania movie -> the new private school arc that's coming soon (idk what they called it) after reading the manga.

[pan-magi]

Have some ladies for Women's History Month <3

[savage-rhi]

Magenta 😥

[front-facing-pokemon]

[anxiously-sidequesting]

So I don't know if it was ever revealed how Duncan felt when we killed Malistaire all three times but I'm wondering if maybe some part of him could hate us for that too. Like you hear that and you go "but why. Malistaire was terrible and even Duncan knew that(?). Why would he hate you for getting rid of him."

But like I think it's so....... interesting in a very, very, very sad way how Duncan so easily latches onto anyone who directly feeds into his delusions of grandeur. And that's no fault of his own that he was manipulated by the nasty Schism but when you think about how desperately clung to the idea that Malistaire, easily one of the greatest necromancers any of us had ever heard of (at that time), somehow actually recognized Duncan's talents (even when canon supports that Duncan wasn't all that talented, at least no more than the next necromancer) and then praised him for it so often that Duncan believed that he would be the next Death Professor is. I mean ☹️

So like with that mindset I unfortunately feel like it would be quite easy to twist even Malistaire's death as something that's horrible and awful and all our fault. ESPECIALLY if the Schism was feeding into Duncan's already broken mind and shattered ego and was constantly telling him that everything bad that ever happened to him ever in his life was Our Fault. That's like a realistic conclusion that someone like Duncan could come to

And like, at this point in time, are Malistaire's crimes even a factor in how he thinks????? Was Duncan ever able to separate Malistaire's talent and skills and prowess from the terrible and awful things he did? If Duncan wasn't able to consciously tell that distinction in the first place I can't imagine it would be any better during the years he was being manipulated and isolated and lied to

Like in Duncan's mind it probably isn't, "maybe I shouldn't idolize a national criminal, or idolize anyone at all for that matter, and aspire to be like someone so harmful when I can recognize my own talent and build from there" it's probably more like, "you (the wizard) permanently got rid of a brilliant mind, an innocent person who just made a few mistakes, and someone who believed in me no matter what just so that you could be the better than me and loved by everyone else" and that's! very sad actually!