#this one is more cartoony which is fun

[smilesrobotlover]

I did the expressions thing for king of the Gerudo lol. Had a lot of fun

And if anyone asks “where’s x” or “you forgot x” I’m gonna break your online knees I swear on my life

[crunchchute]

my attempt at a bunch of my fav artists styles :] idea by sootnuki!!

i would love to do more but this was already a huge challenge

if any artist here dislikes this/is uncomfortable with it/any reason i can take it down or turn off reblogs etc. otherwise i hope its ok 🫡 im not gonna tag anyone just gonna let it do its thing in the wild lol

[wheucto]

wanted to draw a cat. pretty satisfied w how it came out

[nomairuins]

like i wouldnt mind like. Not having new linear games post 5 its judt that sims 4 wasnt even supposed to Be The Sims 4 it was a last minute pivot and the base code is so outdated and was broken On launch so like. i just wish we could have the final actual sims game be like. one that was always intented to be a major sims release AND be intended to be so long term . yk

[gatitobladee]

my very own tips for young artists that wouldhave helped me immensely

- im begging you practice face shapes that arent a triangle with spiky chin. there is so much variety in face shapes

- if you hate the lineart go over it one more time. especially if it's traditional art and you cant ctrl+z

- ummm. study and do it with your hand & not your eyes. i look at pictures all day and still nothing beats just sitting down and practicing

[toyherb]

I really hope that within the next 10 years they make a remaster + expansion for fire emblem fates it deserves it

[yelloworangesoda]

i still follow one of my middle school friends on instagram bc i always hope shes gonna follow me back but she never does

[giantkillerjack]

Not enough people appreciate that The Harley Quinn Show finally came up with the BEST POSSIBLE ANSWER to "How do we end Joker's character arc?"

Almost every other Batman story is just like, "uhhhhh Batman is incompetent and cannot kill the Joker, so there will be no arc actually; this character will remain flat and static forever. You want a message? Uuhhh the message is that mental illness makes you murder people--and yes that is what we are going with for the 2019 movie as well! ........ ugh fine FINE he can have ONE good story, but it has to be the Batman: Beyond movie."

And The Harley Quinn Show is like, "Hold my purse, babes, I'm about to blow these dickheads out of the water and also tell a hilarious yet heartwarming dark comedy about redemption and family, and that's just a SIDE DRESSING to an already-excellent overarching story about self-realization, leftism, and lesbian love, you lucky fucks!!!! 💖💖💖"

Anyway, this art slaps, go watch this show.

more Joker stuff I have a HC where these two like to go dancing, like at 50s zoot suit style places, but now I also imagine 80s style ones too! they sometimes enter competitions and easily win most of the time XD I finally got round to drawing Beth’s tattoo The last two are: Joker buying Beth a dress just because he liked the colour. I go with the HC that “bastard man treats his family like royalty” The second one is Joker getting a suit made for (an older) Sofia

[lenny-link]

TF2 x SU au fusions!

oof this took too long but i finally made it !

I kept @gracefireheart Andalusite (HeavyMedic) and @cariocay ‘s Turquoise (EngieSpy) (that i just realized their account got deactivated just a few days ago im sad now) fusion designs because i just found them perfect and whenever i wanted to try making my own designs i always ended up with making something similar to theirs since i was very influenced so i just kept them! They’re so awesome plz check the original artists!

my designs :3 :

About the fusions:

I tried to choose a theme for every fusion that suits the characters like Spessartite (DemoSolly) is a warrior i put Demo’s sword with Soldier’s shield thing well he doesn’t specifically have a shield but yknow the helmet thing i thought that could work.

He’s very powerful, strong and jump into action without a second thought, while he possesses immense strength and a love for loud and chaotic things, his battle prowess is a double-edged sword since his attacks lack precision. however, this unpredictability often leaves his enemies confused and scrambling to defend. he fights more efficiently when drunk lol

Lepidolite (MedicSpy) is a plague doctor, he is very inspired by Hannibal Lecter (nbc Hannibal lol shout out to that one Anon who recommended it for me to watch it lol) at first i wanted to give him a bistouri as a weapon, since it would suit Medic’s saw with Spy’s small knife, but then i felt the fusion was leaning too much towards Medic than Spy, so i put a cane instead to give that old idk gentleman look :P

He is polished and sophisticated, with a hint of underlying sadism and very precise in his movements, he meticulously analyzes his opponents, exploiting weaknesses with surgical precision before jumping into action and strike right where it hurts the most, the cane appears to be a simple walking stick, but inside is a hollowed core that had a retractable, poison-tipped blade, and his poison isn't fast-acting he enjoys toying with his victims, watching as the venom slowly takes hold, fueling his twisted sense of amusement. they are far from being the strongest fusion but they rely a lot on making their opponent weaker by their ability to attack precise hits as well as poisoning them!

Carnelian (SniperScout) his design was inspired by a equestrian outfit (he was the hardest to design tbh bc i wanted his design to be specifically different from the others since Scout is half human so i wanted this "human" aspect to show in the fusion).

He is a walking paradox, he's got Sniper's calm confidence with Scout's hyperactive energy, he loves a good plan but his execution is often fueled by pure adrenaline, he can zip across the battlefield with incredible speed, dodging attacks and flanking enemies. good at mid range and long range attacks but weak at close range, has internalized monologues with himself a lot, he appears calm on the surface however, his foot constantly taps, he fidgets with his slingshot, he cannot stays in place for too long. enjoys taking challenges.

Rubellite (DemoPyro) is a robot with a 50’s cartoon style but with like a creepy vibe to it, their voice sounds like a broken radio perpetually stuck on a laugh track, is both infectious and unsettling.

They just as powerful as Spessartite but just a bit more agile and lean more on the defense style than offense, their body stretches in a cartoony way and battles become a twisted playground for them, a child's game where they hop and blow things up everywhere. they’re very joyful and loves to have fun while making chaos, they usually make jokes but no one understands their muffled voice so they often laugh all by themselves lol the weapon actually expands where the ball and the shaft of the mace connects there’s a chaine (i didnt draw it cuz there was already too much going on in the drawing lol) which helps them reach target from close to mid range easily, they twist and turn their body in very flexible ways before swatting their weapon at their target.

♠︎ If you want to suggest a pair for the next fusion please just comment here DO NOT send it in my ask box plz !!

And if you want to make your own fusion designs/fanart go ahead ! id love to see other people’s interpretations could be ! just don’t forget to tag me and add the tag ( tf2 x su au) :D

hope you enjoy !

+ early designs :

[punkitt-is-here]

How did you learn to draw fat bodies but still keep it cartoony? I love how you draw different types of bodies and make them all seem normal instead of certain body types sticking out like a sore thumb next to others. I struggle to draw fat bodies without it looking weird with the rest of my art. Do you have a specific tutorial you followed or something?

This is a really good question! I'm glad you like my depictions of different body types, i worked really hard to get better at that so im happy folks enjoy em!! I didn't actually learn from a book or tutorial, it was mostly looking at fat bodies IRL and learning to incorporate those features onto what I already drew. As it turns out, we're all human, so if you understand the anatomy enough to draw a skinny person, you have the tools to understand the anatomy of a fat person.

So, like, here, this is my sketch of someone with a very average build. If I were to draw a fat body, I would still use all the basic principles I use here. One mistake I think folks run into is "isolating" parts, which can lead to things like this

which isn't necessarily bad, but if its not what you're going for, the issue is pretty apparent. Weight affects ALL of the body, not just the stomach or the face or the limbs. If you think about how that weight affects everything in tandem then you can start drawing fat bodies that work more in your style.

for this, this is the same quick sketch using the same pose and principles as the first one. but! I allowed the weight to be distributed across the body. Notice how the legs, belly, arms, etc all got thicker? The key to drawing fat bodies and making them look like they fit is allowing that weight to affect everything. without it, it just looks like you're adding on features to someone rather than considering everything at once.

my other tip is: don't be scared! things like fat arms or chins or bellies or stretch lines are not something that's bad to depict. if you want to draw fat bodies, you gotta not be scared to draw things the way they are. someone having a fat body is not bad, and you drawing that fat body is not bad either. Experiment! To me, art is about representing ideas, and the only way to get better is to experiment with how you represent those ideas. I'm by no means an expert, and I think you can also get a ton done by looking for resources aside from me, but I hope this helps, and have fun!!

[marysdonuts]

Tom and Jerry

school clown!Hoshi x top student!reader

Synopsis: After transferring schools the attention seeker Soonyoung keeps getting on your nerves. Fortunately it is way too easy to make fun of his somewhat lacking intellect. One day you take your snarky comments too far and Hoshi is all fun and games, until he wasn't

Warnings: smut, enemies to lovers, high IQ (f.) x low IQ (m.), slight angst, school setting, classmates, public sex, revenge sex, dirty talk, crack, spanking, fingering, penetration, inferiority complex, questionable fashion choices

WC: 1.4K

Status: part 1 (ongoing), part 2

a/n: join my taglist to get notified about new chapters

Changing schools was easier than you thought it would be. You were halfway through your senior year of high school at the crisp age of 17. The family had to move to different city for work. Making new friends was effortless - you were intelligent, good looking and fun to be around. Of course, big part of your popularity was thanks to the charm of the next new thing which always attracted many admirers. You were getting straight A's, enjoyed busy social life, everything seemed perfect.

Well, almost perfect.

If it wasn't for Hoshi Kwon. The school's appointed clown, now pushing 19 years old, he failed his senior year twice. Pathetic, how could somebody be so stupid? You hated him the moment he showed up on the first day of school - in purple suit, tiger print on the collar with matching hat. Cane in hand. Kicking the door open while singing Sherlock from Shinee he danced can-can. His legs flying up to the rhythm of - I'm so curious yeah! Everybody loved the performance. Everybody except you. The fuck? Where did he even get that ugly ass outfit and apparently his real name was not Hoshi but Soonyoung. Who the hell calls themselves Hoshi? Does he think he is a celebrity? Stupid ass name.

After the teacher assigned him as your desk-mate he made it his mission to annoy you. Teacher's reasoning being - he might calm down sitting next to the top student. Such a nonsense. Isn't it their job to know how to control the kids? You weren't getting paid enough for this. In fact, weren't getting paid at all!!

//

On Friday he arrived to class more excited than usual.

"Look at my fit!" kicking his foot proudly on the wooden desk in front of you. Before you had time to push him off he continued

"Do you like my new shoes?" expecting compliments

"I haven't seen uglier shoes in my entire life." you responded with no emotions what so ever

"What do you mean ugly" his already small eyes squinting into straight lines, eyebrows frowning comically

You couldn't help but laugh. He looked like cartoon character

"Now you laughing at me too?!" Stomping the foot that was still resting on your desk " They are Balenciaga!" still stomping

"They look like boats," lazily resting your chin on the top of you hand "if refugees used these," pointing at the monstrosity "instead of those tiny motor boats, their survival rate would be 100%"

You could hear an audible *gasp* leaving his mouth and muffled laughs from the classmates sitting behind you.

"You are the worst!" he cried out "Do you even know how expensive they were.." tear forming at the corner of his cartoony eyes

"Probably as expensive as the donations your parents must be sending to the school each year to keep you studying here" your voice full of disdain

"wow a kick under the belt now, huh?" you could see the wheels in his little hamster brain spinning at full speed

"You will regret this" was all he could come up with in the moment

"I don't think so" smirk on your face beamed with satisfaction but the sudden dark shadow crossing Soonyoung's usually friendly face put a knot in your stomach

//

Much later that day, after your extra-curricular classes finished, you are standing in the dimly lit locker room reorganising the mess compiled after busy week. School was already empty and you loved the silence. The long halls full of lockers did look a bit spooky now but it wasn't your first time being there alone.

Squeeky steps approaching from behind you. Sounded like one of those Crocs.

"Anybody there?" you were sure it was just your imagination, simply asking the ghosts a rhetorical question

"What if there is.." vibrations of low growl echoed thru your ear sending shivers down the spine

"The hell..?" catching a glimpse of Hoshi in your peripheral vision. Why is he here this late? You knew damn well he ain't taking any extra classes.

"I was waiting for you..." his voice even closer now, hot breath touching the exposed skin of your neck. He was so close to you. You could hear his heart beating. Du dum. Du dum. Du dum. Stable. Confident. In control. Yours on the other hand reaching high frequency of dudududududum.

"What do you think you are doing, Kwon?" forced annoyance in your tone trying to mask something that was hiding a bit deeper. Panic perhaps?

"You tell me," he laughed but it sounded more like a threat "aren't you the one who knows it all?" Pressing the weight of his athletic body on yours, something hard forcing itself against your bottom made you gasp

"h-hey what's your problem.." you tried to sound intimidating, voice betraying you suddenly, only producing shattered whine

"You" not waisting one more second Soonyoung licked the curve of your neck completely sandwiching you between his throbbing heat and your cold locker. Kissing your sensitive skin as if he was waiting for it for so long. Wet kisses quickly becoming possessive bites leaving marks as his signature.

"oh fu-" was all that managed to escape your quivering lips as his hand spanked your ass with such force, it took your breathe away. You didn't want to admit it, but this situation? It was making you so incredibly wet.

Yes, you did hate him. Yes, he was annoying and loud. Always wanting to be the centre of attention. Apart from that you couldn't deny how good looking he actually was. Only person in school who could pull off blond hair and those horrendous outfits.Oh and how the lean muscles played on his body during P.E. class..? Except for his personality, he was 10/10

"You don't have any smart comeback now, do you?" Slapping you once more. Making you loose your breath - again.

"You look much nicer like this" the hand on your bottom started to move lower. Pushing your legs apart with his knee, making a way for his long fingers. Lightly tracing the center of your soaked panties

"stupid uniform-" you cursed. Why the hell did boys wear trousers but they made girls wear skirts? The last line of defence has been crossed.

"Oh?" rubbing the wet fabric "you are dripping all over your pretty panties" the strokes becoming spirals, combining your folds and the textile into unified mess

"I-I'm not..!" knees weakening into his skilful movements

"Mmm, I thought top students are not allowed to lie" forcing two fingers inside of you without warning. Deliciously thrusting into your pool of need.

"shut up-" already moaning. What the fuck am I doing? Now pushing your ass to meet his motion.

"If you are going to fuck me, at least do it right" another push against him "or are you too stupid even for that?" you mocked him, taking at least a bit of your power back

All you could hear was Hoshi's sinful laugh and clinking of metal as his jeans came undone collapsing on the tiled floor. His throbbing member now on your clit soaking in the wetness you produced. Gliding teasingly over it

"What if I don't want to?" rubbing in painfully slow rhythm, making you see stars

Hoshi was very much enjoying this moment. Moment of having upper hand on somebody he couldn't challenge intellectually, on somebody who always knew what to say, somebody who was making him feel and look small. Crushing his ego on everyday basis. Fortunately you were just his type.

"P-please..?" heard yourself saying. Almost as surprised as he was. But fuck it, his dick felt so good on you pussy and it was long time since you had any intimacy. It made you uncharacteristically needy. What's wrong with little steamy sex in the locker room? Nothing. Yeah.

"Please Soonyoung, I want to feel you inside of me. I can't take it anymore. You win."

Grin from ear to ear Hoshi finally entered you with such an enthusiasm like a kid getting the toy he really wanted.

Holding you by the wrists you were hanging off in empty air. Slapping the balls against your needy pussy he was pounding you mercilessly. Waves of pleasure running thru every inch of your body. You didn't notice it before but now you could feel it clearly. His dick had a curve to it and it felt fucking good. On every thrust the tip hitting you exactly where you wanted. You were full of him.

Why is it always these good for nothing guys who fuck the best? Or maybe you were just too harsh on him? You pondered as the following thrust almost took you over the edge, making your head fall forward.

And down there between your trembling legs pair of hideous Balenciaga sneakers

[ikimaru]

when and how did you find your art style? has it changed much over time?

I'm gonna go on a tangent here bc it's pretty interesting for me to look back on aksjd

I don't think it was really linear in a point A to point B kinda way, I still got it more or less where I wanted it to but I can't say it felt streamlined

my first fandom was pokemon anime, so I was 100% set on learning that style first bc that was fun to me, instead of learning basics or anything I went right in and learned how to draw humans in that style, then I got into Death Note so I had to learn an entirely different style bc the previous one didn't help at all, I didn't stick with it very long tho because THEN I got into vocaloid and various anime and more colorful characters so it was pretty much the huge eyes - dot nose style for a while

*then* I got tumblr and this site was very.. overwhelmingly cartoon-oriented so I quickly took an interest in cartoony styles and learned the style which I used between 2011-2016 pretty much, I think that was the first one where I could be like "it's mine" bc I was actively figuring out things I liked and putting my spin on them and it was so fun

but by the time I got into vld I wanted it to be more more complex so I was focusing more on learning lighting, anatomy and making the faces less cartoony annd I really wish I tackled the style of faces differently and I didn't end up hating drawing for several years in the process without even realizing it BUT Anyway

with gnshn last year is when I finally started compiling all the things I liked about drawing again from past styles and also new things so I can all combine it together at last, which is something I haven't done in huh 6(??)+ years.. ughhh lmao I really had to stop and be like "what do I WANT my art to look like?" and I'm still working on it

but yeah basically, it IS a lot more streamlined if you pick tutorials and go like that's a good™️ style to learn and go from there, instead of learning/unlearning things over and over like I did, I don't regret learning the previous styles tho, each of them were what I wanted out of it at the time, but there was a learning curve every single time

anyway your art path is your own whether you choose to get better in the faster way possible or do detours or something else, once you have a set of things that feel personal to you in how you draw them and you can comfortably use that to draw whatever u want to, you'll just know, it doesn't have to happen asap c:

[deezbignutz]

More Redacted hc bc why tf not, yknow :))))) (this is also to make up for not doing Brachium and Christian but u don't need to know that-)

One time during their early stages of dating, Angel found out about henna from Baaabe and wanted to surprise David with it some cool squiggles and flowers knowing damn well he would have a strong reaction to it. He did in fact have a strong reaction to it, and so did Angel when they realised they were highly allergic to one of the ingredients used in henna and was immediately brought to the hospital by a very worried David.

Asher has a knack for finding the most unsettling and disturbing facts and sending them to Milo because he doesn't need to know about it at all and gets pissed when Asher texts him in the middle of something important. (Also, fun fact! Camel's piss is as thick as syrup and it was thought to have medicinal properties, so people back then mixed it with camel milk and drink it. It did not have medicinal properties and didn't taste very good)

Gavin has a taser that is bedazzled in pink gems with text written on the front saying "Get tased, b*tch". He bought it for himself some time ago in case some perv got a little too comfortable without his consent.

Damien has a bad habit of chewing on his bottom lip when he's frustrated or zoning out, and he has done it so much that it old cuts bleed on its own even when he isn't biting it. This has led Huxley to buying lip ointments and lip balms for him and placing them in Damien's and his bags whenever they go out, he also has them littered around his home whenever he comes over, in the pockets of his clothes in case they don't bring their bags when going out, and one more he brings everywhere for back up.

Once Freelancer got Caelum a lego set for him to fiddle with while they were doing their coursework. The next day when he finally finished it, they watched in horror as Caelum destroyed the set so he could build it all over again, since he didn't understanding that once you build it, it's done.

Christian has a designer brand crescent cross body bag (it's not designer, he just likes saying it is because it's one of the only expensive things he owns), and because of this, Arden and Kelsey have lovingly named him an eshay (which is a stereotypically hypermasculine Australian man who are inclined to crime and violence, or basically just an annoying Aussie brat who's obsessed with masculinity/a chav) much to his chagrin.

Sweetheart has half empty cups and mugs scattered all over their room with most of the liquid in it drying up or turning into syrup from all the water evaporating. It hasn't gone so far as for mold to start appearing, but it's definitely getting there.

Porter has collected many little things that remind him of Treasure ever since he met them in that club, such as a surprisingly shiny penny from the ground, a cartoony key with a swirly heart on the end of it, a golden ring with hands on it that when worn looks like arms hugging your finger, and many other things that he keeps in his bedside table.

Darlin' and Sam write notes to each other and lay them around the house for each other to see when doing their normal routine. Like, Darlin' would be in the kitchen making their morning coffee and see a sticky note stuck on top of the coffee machine with some sappy shit like "Love you to bits, my Darlin'<3 P.S. Stop putting so many damn shots in your coffee, you're gonna get heart problems one of these days".

Hope y'all enjoy :)))))))

Thank you for coming to my TedTalk :D)))))

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[tbshorts]

The Best Panels of One Piece, Romance Dawn (chapter 1-7)

Full video scripts below the cut

Chapter 1:

What are the best panels in One Piece?

Chapter 1, being the very first one, obviously has quite a few contenders. Luffy's very first Gum Gum Pistol is an obvious one, setting the tone of One Piece's battles with its mixture of goofy and badass. Plus, god damn, even in chapter one Oda knew how to do an epic splash page.

I also like this panel, where Lucky Roux shoots a mountain bandit in the head. This too is a major tone setter, driving home the seriousness and danger of pirate life. The story up to this point mostly plays as fairly lighthearted comedy, and seeing the jolly cartoon fat guy casually murder a man shocks the audience a little bit. Despite the cartoony artstyle, this isn't a kiddy pirate adventure.

But the crown has to go to the passing of the straw hat from Shanks to Luffy. It's a panel that has only ever taken on more meaning as the story has gone on, and the symbol of the straw hat has taken on more and more importance. It represents the promise between Luffy and Shanks to meet again, Shanks recognizing Luffy as an equal, and it's the passing of a torch. That straw hat means something, and Shanks is passing it on to someone who he feels is a worthy heir to that significance. “Romance Dawn” indeed.

Chapter 2:

What are the best panels in One Piece?

Chapter 2 is all about establishing Luffy's character now that he's grown up, and especially the scale of the odds he's up against. What does his dream to be king of the pirates really mean?

And this is where Oda shows his skill not just as an action and comedy artist, but as a storyteller. He introduces Koby the Cabin Boy, a character who mostly exists to contrast Luffy. Scared, self-defeating and cowardly, even his body language is Luffy's direct opposite.

When Luffy says he will be king of the pirates, Oda drops the angle down low, playing Luffy's chill, unaffected sitting posture against Koby's shouting. His arms are wide, foreshortening even out of the panel as the nervous boy tries to communicate the jaw-dropping scale of what Luffy has said he will accomplish. "Don't tell me you're after the One Piece"?

We feel the weight of Koby's astonishment here, the monumental nature of what Luffy has promised to do. The One Piece isn't a silly bed-time story for children, it is a real thing, and to go after it is to march to almost certain death. And the fact that Luffy is so casual about it, because he has accepted death, is not normal. Luffy is not normal, and Oda establishes this visually through acting in every interaction he has with Koby.

Chapter 3:

What are the best panels in One Piece?

Chapter 3 introduces Zoro with this amazing panel, which, given how much of a martyr he is for the crew and Luffy, WOW what a hell of an establishing shot. But it also establishes one of the great running themes of One Piece, which is the abuse of power, and the value of freedom. Helmeppo lords his status as a navy failson over the townsfolk, abusing his position and status in a way we will see villains in the story do over and over again.

And Luffy does what Luffy will always do to those who use their power in this way. When he learns that Helmeppo lied to Zoro, let him believe he would be free if he survived a month tied up, only to plan an execution behind his back…

This happens.

There are many reasons One Piece is a fun and satisfying narrative to follow, Oda's dynamic and exciting art is a big one for me, but the thing I love the most might the vicious delight the story takes in showing us the ruling classes getting the ass-kicking they so richly deserve.

Chapter 4:

What are the best panels in One Piece?

Chapter 4 gives us perhaps one of the weakest villain designs in the series, which is Axe-Hand Morgan. His obsession with power and control foreshadows many of One Piece's best villains, but… hoo boy, not Oda's best character design.

On a better note, though, we're getting one of the most important recurring story beats in the narrative, which is the effect Luffy has on people around him. Koby, who not two chapters ago was a cowering appeasing wretch, walks into the execution grounds to free Zoro because he can't stand to see the navy oppressing people this way. He accepted abuse from Alvida, but no more. Luffy changes the people around him, and the most important thing he does is set them free of their fear. He teaches people to pursue their freedom, even if it costs them their lives. He will do this many times throughout the story, and Koby won't be the last person who almost dies to chase the dream Luffy kindled in them.

Chapter 5:

What are the best panels in One Piece?

In Chapter 5 the obvious choice might be Luffy taking bullets for his friends in the nick of time, which is a very Luffy thing to do, but I think the best panel is something much quieter. We get a flashback to Zoro's backstory, and his rivalry with childhood friend and swordfighting prodigy Kuina, who is idly one of the most transmasculine characters in anime history.

The panel that strikes me the most in this chapter, though, is this one. It's just a little transitional panel, Kuina lying there, dead, with the words "humans are fragile things Zoro" hovering above. Oda uses crosshatching to just barely hint at the eye sockets under the cloth, which otherwise erases Kuina's face, erasing identity, erasing life. It's such a quiet and disquieting panel, such a matter-of-fact reminder of cold mortality in the middle of all Zoro's hotblooded shouting. It's a death that is so meaningless, and Zoro, in taking Kuina's sword with him, is trying desperately to make it meaningful. If he becomes the greatest swordsman in the world, then everyone will know that Kuina was his greatest rival.

I think it's the same reason so many One Piece fans want Tashigi to turn out to be Kuina in the end. Because the idea that people can just vanish from our lives, so coldly and so pointlessly… it's a scary thought to have.

Chapter 6:

What are the best panels in One Piece?

In Chapter 6, the easy answer, I guess, is the big epic Oda splash page of the Gum Gum Whip taking out a dozen Marines, but… I mean you know it has to be the introduction of the Three Sword Style. Dear Zoro, with his cool bandana and his intense looks and his tragic backstory… and here he is with a sword in his mouth.

This is the power of One Piece. Because on the one hand, this is stupid. This is objectively stupid. Holding a sword in your mouth is dumb, this looks dumb, this doesn't work, this is cartoon nonsense that doesn't make any goddamn sense.

On the other hand… this totally fucking rules. Oda presents it so perfectly with that hunched over power pose blocking ten swords at once, and the black bandana over his head, although I'll never forgive the translators for covering this much of the art over with sound effects. You miss the rope still falling from his body and the scabbards still in the air from Zoro unsheating them so fast. This panel bypasses every critical neuron in my brain, and speaks to the primal, stupid lizard and monkey part of my man brain that goes "ooooh, three swords cool!" And nobody does that like Oda.

Chapter 7:

What are the best panels in One Piece?

Chapter 7 sees our first parting of ways, with Koby remaining behind to enlist in the Marines. It's mostly an exposition chapter, a cool down from all the action with Axe Hand Morgan, but Oda once again uses what could be boring exposition to do good character building. Because Luffy and Zoro are pirates, they can't stay in a navy town, and as they leave, Luffy begins to spill the beans on how Koby was a cabin boy for a pirate, which might ruin his chances to enlist. And Koby, desperately torn up about saying goodbye to his first real friend… punches Luffy to shut him up. Which then becomes evidence that Koby isn't with them, isn't a pirate, so he can enlist.

It's the first moment Koby fully asserts himself, it's the first punch he throws for his dream as a Marine, but it is also a moment of revelation. However simple-minded Luffy seems, so straightforward and oblivious, here he reveals a deep understanding not only of other people but of the things they need, the push they need to find their courage. He pushes Koby's buttons to force him to commit to his dream, to force him to renounce piracy, and when Koby does… Luffy couldn't be more proud. And maybe a little smug.

[roxtron]

YIPEE IT'S FINALLY DONE

spent the past like, month redrawing the sb cover art (original for side-by-side reference)

rambling under the cut

WOOO I'm so happy to finally have this done. I spent forever working on it, I wish I kept track but I'm pretty sure it took a month to fully finish, I've been working on it like every day for the past couple of weeks and I'm really happy to finally have it finished :D

I'm really proud of the rendering/shading on this one, the text was probably difficult which is why it looks the least accurate. I didn't want to just re-render it and re-draw the human characters so I changed the designs a little bit for this, first time I've drawn any of them. I thought it'd be fun to make their desgins fit a bit closer to the cartoony art around the pizzaplex and just smaller details I find fun.

(if monty is allowed to have spikes on his chest cavity i think freddy should be allowed fluff.. he looks so bald, if you count chica's feathers he's literally the only animatronic without hair LMAO)

I accidentally made some colors a bit more pastel or desaturated but overall I tried to replicate the rendering as well as I can, it was really good practice for understanding lighting better and stuff. (Roxy had like, 3 different color light sources I think? Monty had the most though..)

But anyway! I'm really happy I got this done so I can work on other stuff lol. I might use it for background stuff and I kept all the assets so I can edit them for pfps if i or other people want in the future.

Hope you enjoyed :)