#it is clear to me how flat this fun character tends to fall

[giantkillerjack]

Not enough people appreciate that The Harley Quinn Show finally came up with the BEST POSSIBLE ANSWER to "How do we end Joker's character arc?"

Almost every other Batman story is just like, "uhhhhh Batman is incompetent and cannot kill the Joker, so there will be no arc actually; this character will remain flat and static forever. You want a message? Uuhhh the message is that mental illness makes you murder people--and yes that is what we are going with for the 2019 movie as well! ........ ugh fine FINE he can have ONE good story, but it has to be the Batman: Beyond movie."

And The Harley Quinn Show is like, "Hold my purse, babes, I'm about to blow these dickheads out of the water and also tell a hilarious yet heartwarming dark comedy about redemption and family, and that's just a SIDE DRESSING to an already-excellent overarching story about self-realization, leftism, and lesbian love, you lucky fucks!!!! 💖💖💖"

Anyway, this art slaps, go watch this show.

more Joker stuff I have a HC where these two like to go dancing, like at 50s zoot suit style places, but now I also imagine 80s style ones too! they sometimes enter competitions and easily win most of the time XD I finally got round to drawing Beth’s tattoo The last two are: Joker buying Beth a dress just because he liked the colour. I go with the HC that “bastard man treats his family like royalty” The second one is Joker getting a suit made for (an older) Sofia

[autisticlancemcclain]

Jackie supports the lion swap? How dare you!

Okay SO. This is not the first time I’ve gotten an ask or a comment like this, and I’m fully aware it’s a joke (or at least I think), but I also know that it is kind of a controversial topic on here! And I’ve already written an essay in the topic, but I have some more thoughts I’d like to dive into.

I used to be team Blue Paladin Lance, and hardcore on that team, too. If you look at some of my old fics, you’ll see that. However since I am a contrary person by nature, I started to notice that Red Paladin Lance was way less liked, and so I started to like it more. I really grew fond of the dynamic Keith and Lance got to have as co-leaders, both because it was homoerotic as hell and because the symbolism was fun to explore, but klance is not the main reason I started to care so deeply for the lion change — it was actually Shiro and Allura.

I’m going to start with Shiro, because he’s one of the most fascinating characters in VLD, if not underdeveloped. Part of that fascination for me is that he probably has the most arcs and opportunities for character growth and development in the show, and yet somehow he’s the flattest. He’s portrayed as very one-dimensional in a lot of fic — he tends to be less of a character and more of a role. He’s the Space Dad, or the older brother, or the cool teacher, or the kind and wise friend, or even the stoic Black Paladin. He is loved, I think, but the role he plays is loved, not quite the person he is. And that makes sense, because that is exactly how he’s portrayed in canon.

To Keith, Shiro is “like a brother to [him]”, but what do we see of that dynamic? The show has a clear sense of how a brother acts, that’s a good chunk of Pidge’s character. We barely even know Matt, but Pidge carries herself in such a way that it’s clear when her brother shines through her. And yet even though Shiro also goes missing, twice even, Shiro does not shine through his brother. Keith’s impulses are his own, developed from general abandonment issues rather than Shiro’s specific absence. Shiro’s absence becomes less of Shiro’s absence and more of an absence of a beloved leader figure, kind of a martyr, a “Shiro would have wanted you to carry on”. It is really hard for us as a fandom to use Shiro’s disappearance as anything but a plot device, because that’s all it felt like! We have occasional moments with Shiro, enough to care about him in some way, but as a figure, not as a person. Someone pointed it out on one of my fics and I agree wholeheartedly — Shiro is not shown with any flaws, and that makes it really hard to love him, because you don’t really get the pleasure of defending him, of seeing his motivations, his reasons. Not until the very end, at least.

This is, in all honesty, likely just poor writing. Shiro’s character was honestly just sidelined to a role, because he is really not that present in the show. But I am going to work with the benefit of the doubt, and see if I can use the lion change to explain why we all kind of love Shiro anyway, despite the fact that he’s flat as hell.

Shiro isn’t the Black Paladin. He never was. He flew the Black Lion, yes, and he flew her well — but he was never her Chosen. He couldn’t have been. From the very beginning, the Black Lion was in mourning; she was in no space to choose a new paladin. She accepted Shiro, and she loved him, but he did not fall into her as much as he fell into the role she provided for him. He piloted the Black Lion, but he was not her Paladin. This is made obvious in two ways: in that he never got her bayard, and that from the very beginning, he set up a replacement for himself.

Doesn’t that strike anyone else as odd? I haven’t seen the show in five years, and I don’t plan on rewatching, but I do remember that every moment with Shiro almost had this underlying tension. The closest thing I have to canon off the top of my head is the Handbook (which I had to stop reading because they did everyone SO dirty there, even though some of it was honestly pretty funny), which was released in S2, and even that incredibly early canon talked about Keith replacing Shiro!

From the very beginning, Shiro was planning an out to his role. He knew it was not meant for him. He did the role well, but it was not his to do.

Aside from those two reasons, Shiro also…can’t be the Black Paladin. He can’t be that and himself, I mean. This part is a little more complicated, so I’m going to borrow some of my own tags from some awesome fanart I saw:

I really do think Shiro is defined by his humanity (as is heavily implied by his illness — this is a character who is completely and totally bound to his mortality. Of all the other characters, he is the one most familiar with death, so he is the one who is most intimate with the raw fear of being human. But more on that later), but it’s my last comment that I want to focus on — “he is DEFINED by his his humanity…even as his greatest asset is the part of him that is not human”.

Every second that Shiro is leader of Voltron, he is the Champion. That can literally be his only goal — he is the head of the fight against Zarkon and the Empire. Either Shiro comes out the Champion, or Zarkon does. Either Shiro has to grit his teeth and fight off the flashbacks and the fear and the pain and use the one thing that forces him to reconcile with the fact that he had his entire personhood stripped away (his arm, his Galra arm, one of their biggest advantages as a team; his connection to Zarkon through Black, something that can only help the war effort at a direct cost to him; everything he does in this war is shoving him right back into that Arena again and again and again), or Zarkon wins. Every second Shiro pilots Black, every time he plays her paladin, he has to be who the Empire made him to be. He has to be the Champion. Once again he is not Takashi Shirogane, the person, the astronaut, the man, he is the Role. He is the Space Dad he is the Pilot of the Black Lion he is the Champion. For every second he is in that lion he is stripping away himself.

Obviously, that is something that was never sustainable. On this argument alone, Shiro was going to waste away eventually. There was always going to be a point where Shiro was not going to be able to be the Champion anymore. There was always, from the very way the dynamic was set up, going to have to be a lion switch. Now, interestingly enough, there could have been a really easy fix to this: Black Paladin Allura. She’s already a born and raised leader, already shown her immense competence, already someone the rest of the paladins follow. With her at the helm, nothing else would have to change, right?

Well, maybe. We’ll never know. One part of that is absolutely true — Allura should have been a paladin from the very beginning. Her quintessence is canonically closest to the entirety of Voltron (something that bears its own essay,; the relationship between all six of the paladins and Voltron is wrought with heavy symbolism), she is the most highly trained, she is smart, and she actually wants to be out on the field. She should have been in that armour from day one.

But Allura cannot be the Black Paladin. Allura cannot handle other’s sacrifice.

Of course this is a complicated subject. Should a leader sit back and let her crew sacrifice themselves instead of her? Must she hold herself in higher regard, convince herself she’s more important? Of course not! Teams, especially Voltron, are built with assets. While not everyone might be ‘equal’ in the traditional sense, they are all integral, and expecting sacrifices is not the stance I am trying to take here. But the point of a team, especially a team so small and vital as Voltron, is that everyone is willing to be the sacrifice, as they have to be, and Allura simply can’t handle that. She shows us this from the beginning, when she disguises herself as Galra and is taken in place of anyone on the team she barely knows, and again in Oriande with the White Lion, and finally in the piece of shit canon ending. Allura has to be the sacrifice. Every time.

And how could she not be? The last time she spared herself of sacrifice, she lost her entire people. The last time she let others sacrifice themselves for her, she was left alone, to shoulder a war bigger and greater than she could ever handle. Allura is painfully familiar with the agony of being the survivor, and she cannot do that again. She cannot and will not put herself through that again. As the Black Paladin, she would have to let her team make sacrifices — she would have to let them have their own agency, their own decisions; she would have to let them choose to get hurt and choose to do risky things and analyse and react and act. As leader she would have to trust her team to put themselves in harm’s way, and not only that, but she would have to authorize them to do so.

Like Shiro cannot last as the Champion, Allura cannot last as the Survivor. Shiro cannot even last in Voltron, and it is foolish to keep Allura out of it. A lion change is absolutely necessary for the show to move forward, for the war to move forward. The initial team was doomed to fail.

How would it change, then? What would fit? I know I’ve said my piece. I know who I think would fit where. But since I’ve been comparing character arcs to their roles as paladins, I’d like to keep doing that — what about Keith makes me so sure that he’s the true Black Paladin?

I’ll show you with process of elimination. I know Black Paladin Lance is a favourite, and I can see why. Lance has many leadership qualities, is a good tactician, and cares deeply. However, aside from his desire for power making him less suitable for the role, Lance functions best as support, despite how much he hates it. He is the one who knows how to pick up the pieces of a broken situation. He is an excellent guide, which makes him an unbelievably valuable second. He is adaptable, so he can fill in for many different roles. He can step in for leader when necessary, but putting him in Black would encourage a more active role for him; would force him to anticipate and plan for specific outcomes rather than his strength as one who analyses any outcome as it arises and works within it then. Lance could be the Black Paladin, yes, but taking him from the body and placing him in the head would be a fool’s choice. It would be crippling to Voltron, to put the jack of all trades as a master of one. Lance’s arc is all about learning to love and trust himself as he is, as the seventh wheel. Not to put him in charge of the vehicle.

Well, what about Hunk? Hunk is incredibly intelligent and analytical. He probably could lead Voltron, and did in several occasions. But Hunk’s arc is interesting because it was handled so early in the show. Unlike the rest of the team, Hunk’s arcs were solved largely in the first season. His biggest flaws were his distrust of people and, literally, his inability to fly. He could not take his feet off the ground. He was so untrusting that he could not manage to take a step forward. However his bonding with Yellow and trust with the team and their subsequent and returned trust resolved these issues, more or less, which is probably why Hunk was treated more and more like a side character the longer VLD went on. Hunk didn’t need the role of Black Paladin because he had settled into the Yellow Paladin in a way that was sustainable.

Pidge is in a similar boat. Her arc, primarily, has been about finding her family. Voltron was almost second priority for her, or at least not her only first priority. And understandably so! As the youngest she was afforded with that lenience. Her growth was about growing into her own pain, about becoming her own person alongside what she had become in the absence of her brother. As the Black Paladin, she would no longer have the space to prioritize her search for her family alongside Voltron, so her position as Black Paladin would be unstable. She is best suited in Green, where she can focus on several things at once.

That really only leaves Keith. In many ways it comes full circle — the Black Lion healing from her grief by choosing the man who ran from his Galran heritage and his power as a leader, rather than the man who chose nationalism and power over anything else. Keith is Zarkon’s direct opposite, and as such is the other side of the same coin, the one who is truly Black’s Chosen. We know this because Keith is the one who wields the Black Bayard, and Keith is, from the very beginning, the one the rest of the team chooses to follow — I ask you whether it was for Shiro that the three other humans ran off to chase in the desert, or Keith? Who was it that Lance could not leave alone? Who was it that piqued Hunk’s curiousity? Who was it that challenged Pidge to choose Voltron, rather than the search for her family?

That covers Black Paladin Keith. But what about Red Paladin Lance? I’ve established already why he cannot be the Black Paladin, but why did he have to move from Blue? For that, I bring you another few slices from early, S2 and previous canon:

“I thought what we had was special!” “Seventh wheel, if you count the Alteans.” More than once, Lance laments over being forgotten. He struggles with feeling like anything but the extra, the unnecessary. Whether or not Blue Chose him is irrelevant — he does not feel Chosen by her. The Pilot of the Blue Lion position for Lance is as unsustainable as the Pilot of the Black Lion position for Shiro — Lance does not trust it. He doesn’t trust himself in the role, and doesn’t trust Blue in having chosen it for him. Obviously, this is not the role for him.

But Red? Keith’s Red Paladin, at least? Yes, he struggles with feeling like Keith’s second, but that is literally his arc. Lance’s development is about becoming his own person despite his own misgivings about being second-best. His role as the Red Paladin is the fulfilling of his arc, and is thus the best Lion for him, the Chosen. And Red did Choose him, mind you. There was an adjustment period, of course there was, but Red did more than let Lance pilot her. She opened up new possibilities for Lance — think the broadsword — that he could not see. Red saw his potential and revelled in it. She Chose him.

Lastly — and this turned out to be less relevant to the essay than I expected, but I do want to go over it a tad — is Shiro’s tie to humanity. I mentioned two important points: Shiro’s connection to mortality makes him the most intimate with his humanity out of all the characters, and he is undoubtedly the flattest character of them all. That is, if you don’t consider his clone to be part of his character.

But I’m begging you to reconsider. Reconsider, perhaps, who the clone is — Haggar had pure access to Shiro for a year, you remember. His thoughts, his dreams, his mannerisms, his priorities, his body. Even him at his most human, his most deranged, his most scared. She had Shiro then. She had Shiro when he had nothing to look forward to. She had Shiro when he hurt his crew to make sure they would live, at direct cost to himself.

She stripped him of his humanity — his connection to his own mortality. She took his illness from him. And who, then, did she return to the team? Who was clone? Shiro, mostly. The clone was happy to play with the team. The clone was clever. The clone believed, fully, that he was Shiro, only he was angrier and meaner, a little, and less capable of shoving down his own pain. Shiro, stripped of his tie to humanity and mortality, stripped of his compulsive need to be strained and stressed and the one everyone else can rely on, the Role rather than the Person, is emotional. He has flaws and outbursts. He can’t manage his own pain. He is is cruelest to the one person on the team — Lance — who canonically reminds him closest of himself.

Shiro, in the purest form that Haggar can make him, is flawed and self-hating. That is where our love for him comes. Not the man who pushes himself down at the same time as he sacrifices his personality to be someone for others, but the man who is struggling and can’t keep it locked down. That’s where it comes from.

Anyways. Like with my other essay, I’ll admit that this analysis is probably reading into this. The writing of VLD was flawed, at best, but regardless, I think the lion change is a rich amalgamation of the characters and who they really are.

[sideprince]

Speaking of James, what do you think of him in the prequel + Lily’s letter? She mentioned him not having the chance to go on excursions without the cloak, despite them being in hiding.

I've been thinking about this question and funnily enough it came up in another post where I had a fun back and forth with @seriousbrat! I should probably preface my answer by saying that I haven't put that much thought into James or Lily in general, and I don't really spend time in the parts of the fandom that discuss them at length, so my thoughts are based on a cursory revisiting of the text. Some of what I say may be basic stuff for the Jily/Marauders/¯\_(ツ)_/¯ parts of the fandom, some of it may be stuff that has already been counter argued with points I haven't thought of, etc. This isn't my area of interest, but your question is interesting! Tl;dr proceed with caution I guess lol.

The first thing that comes to mind about the letter from Lily to Sirius is why she wrote it in the first place. My own reading of it is that it's meant to be exposition more than something that has to do with a thought out relationship between these characters. Like many others, I'm frustrated with the minimal and flat way Lily is written. We get very few insights into who she was, most of them through descriptions from other characters like Slughorn. To me it's clear that Rowling held back on her for the sake of the big reveal at the end of DH, and I think a lot of Lily's character development got thrown under the bus as a result. But it could also just be that Lily is writing a thank you to Sirius for Harry's birthday present and it was the only time she ever sent him anything, but in the process she's giving him an update since they know each other as well as anyone knows their spouse's best friend.

In her letter she writes:

James is getting a bit frustrated shut up here, he tries not to show it but I can tell - also, Dumbledore’s still got his Invisibility Cloak, so no chance of little excursions. If you could visit, it would cheer him up so much.

Deathly Hallows Ch. 10

Lily is showing a lot of sympathy for James here, while also acknowledging that if he had his Invisibility Cloak he would probably be sneaking out under it. I know that this implication is contentious across fandoms, and my own thoughts on it are: it falls within James' character to do something like that and be reckless, but while I think it's irresponsible and shitty, I also don't think he's satan incarnate for it, by any means. To me it - and how young James tends to be written - shows that he's an immature guy in a war where he spends most of his time shut up in a comfortable house instead of fighting (ie. his ideals aren't tested or challenged by trauma), and the first chance he gets to do something brave he forgets his wand on the couch and is immediately killed. I think James had very good intentions but kind of bad follow through.

In her letter, Lily is also asking Sirius to come visit to cheer James up, which I find strange, given the two men are such close friends. Why should Lily have to ask Sirius to visit? Are he and James not in touch? Or is Lily being thoughtful and identifying James needs and trying to meet them when he hasn't done so himself? Again, I think this letter is more about exposition, so I don't think there's any significant meaning here, just that the author was a bit careless. Lily then goes on to say:

Wormy was here last weekend, I thought he seemed down, but that was probably the news about the McKinnons; I cried all evening when I heard.

For me there's a conspicuous absence of any note referring to what a comfort James was. I talked about this in my other ask, but I think a lot of James, and as an extension his relationship with Lily, is the author's projection of her own experience in an abusive relationship and what she wishes it had been. That isn't to say I think James abused Lily, but rather that Rowling transferred some of her abusive husband's qualities onto James, while also projecting a fantasy of what she wished he had been onto the character too, ie. a devoted, loving father onto him who would - and did - die for his family. A lot of James' actions, mannerisms, and words - his arrogance, dismissiveness, and enjoyment of cruelty towards select people he has dehumanized - raises my own red flags as an abuse survivor. While I think he was a bully at school - and bullying is a form of abuse - I don't think he was abusive to his wife or child. I could draw a parallel with the phenomenon of the prison guard who enacts cruelty on his charges freely and then goes home and is a loving, doting husband and father who wouldn't hurt a fly, because he only abuses those he dehumanizes. Instead, though, what I think is going on is that Rowling is projecting a lot of her first husband onto James, and unconsciously and unintentionally leaving a trail of abuser red flags written into his character.

It hits hard for me that Lily is concerned enough about James, and empathetic enough of him, that she shares her worry about his frustration and cabin fever with his best friend, and asks him to come visit, because she wants to cheer James up - yet she makes no mention of James being a comfort to her when she spends all night crying about her friend being murdered. In short, Lily is identifying and attending to James' needs but we see no indication that this is reciprocated. It doesn't feel out of line for an abuse victim to describe a relationship like this, especially since it would be so simple to have added something like, "as difficult as it is being shut up in this cottage, it was a great comfort to have James that night."

It's odd to me that someone thoughtful enough to attend to their spouse's emotional needs would forgo expression appreciation for them doing the same, so my reading of this is that James doesn't provide Lily with the same kind of comfort. More importantly, it doesn't seem to be on Rowling's radar to mention how James reacted to his wife outright crying for a whole evening, which tracks with how a lot of abuse victims understand relationships, ie. it often doesn't occur to them that they should be reciprocal. And so, Rowling forgets to add in the bit where James offers Lily comfort, perhaps because it was something she lacked experience of and therefore didn't think to write. And while I feel the need to include the requisite statement of "fuck JKR and her transphobic, bigoted views" I also feel that despite that, I won't sink to her level and dehumanize others, and therefore feel it's still important to balance that view with sympathy for her experiences as an abuse victim.

As for the prequel, the implication seems to be that two muggle cops got in the middle of James and Sirius escaping from some Death Eaters. It's a fun little piece but also reveals that Rowling really benefits from having an editor, because the prose is overwrought and a bit clumsy. In terms of what it says about James' and Sirius' character, they don't seem at all concerned with violating the Statute of Secrecy in front of muggles, or with protecting those muggles from the three wizards who are presumably Death Eaters. James and Sirius were described by Rowling as "bad boys" and she talked about how this was something sexy that all women loved in men (which I find problematic for a number of reasons), however she doesn't seem to differentiate between youthful rebelliousness and selfish destructiveness. It's something Lupin talks about in PoA when he reflects on their youthful adventures. In any case, James and Sirius weren't rebellious - not in their bullying at school, not in their animagi nights, and not in the prequel. They weren't challenging an unfair authority or status quo, but instead were pursuing their own fun for fun's sake, and other people often get hurt, or come dangerously close to it.

In the prequel they leave the cops vulnerable and without defense with the three DEs who are knocked out and might be back on their feet any minute. Given that Death Eaters torture muggles for sport in canon, this seems like a careless and callous move. I also feel like the Phoenix shirts are a bit cheesy... Dumbledore would never? Is the idea that James and Sirius made the shirts themselves? Or is this just another clumsy literary device that exists for the sake of exposition but doesn't fit the characters all that well? I feel like if the Order did have some kind of gear with their emblem on it, it would be more subtle and also a bit more refined than a t-shirt. The idea of these besties wearing matching shirts is cute, it just feels out of character.

I'm not sure if this was the parallel you meant to draw or were asking about, but as to whether the prequel story takes place while James and Lily are in hiding, I don't think it does. James and Sirius are described as looking like they're in their "late teens" and this seems to be a pretty clear indication from the author that this is the age they're at. James and Lily are killed when they're 21, and they'd been in hiding for about a year according to @said-snape-softly's calcutations in this amazing post (though I need to adjust the timeline a bit because @saintsenara had some great thoughts too in this other post). So even if it was just a year or six months in between, I think the prequel story is set before James and Lily go into hiding.

[familiariscanis]

i don't care if bsd is believable. i don't care if the plot twists make sense, because honestly they never really have made much sense and they don't necessarily need to. bsd tends to be kind of ridiculous and a lot of times that's what makes it fun and endearing. i am perfectly willing to suspend my disbelief for this show.

i do care if bsd is rewarding tho, and i don't feel like this was a particularly rewarding season finale as far as dazai's character goes. another dazai ex machina ending to a season isn't the problem here for me; it's the doubt that resolution is retroactively casting on everything dazai has done and said in the last arc. it makes the sincerity of everything he said suspect. it makes me wonder if he was ever really in danger. how much dazai knew, how assured he was of his victory isn't entirely clear, but that doesn't really matter. what matters is that enough of the conflict in the mersault arc was shown to be not real, and that puts everything in a different light. it makes any vulnerability or weakness dazai showed during the arc seem inconsequential, and it makes it feel less genuine dazai's speech to chuuya when he was "drowning" chuuya was interesting when the chapter released because it had so many character and relationship implications. dazai, pragmatic and logical as he is, being capable of killing chuuya if he had to but not incapable of feeling nothing about it. it made you wonder if perhaps dazai might be doing something he'd regret, if he'd realize only once it's too late the true consequences of his actions. dazai saying for years that he wants to kill chuuya and genuinely believing that he wants him dead, only to realize once he's succeeded at that that his life is missing something without chuuya there to irritate him... that's interesting! that's opening up a whole world of possibilities for dazai's character and their relationship. even if chuuya survives, dazai still may be faced with the realization that hey, he doesn't want chuuya dead. it forces him to really reckon with the magnitude of importance chuuya has in his life, which, for all of their unspoken trust, may be something dazai has taken for granted. it might make him re-examine his feelings or himself. it might change the dynamic between them.

now that there's the possibility of it being pre-planned, that speech loses it's weight— and the character implications of it are somewhat lost. of course, there is the possibility that dazai didn't know at the time, that he only figured it out at some point during the events of the game. it's certainly open to interpretation and it's definitely interesting to interpret it that he didn't know at the time, but it's an equally valid interpretation that dazai knew all along, so it shifts the exploration of dazai's character and his feelings for chuuya from the realm of canon to fanon.

but the way that the vampire fake-out plot twist is presented does strip some of the possibility for vulnerability from dazai's words. it casts enough doubt on it to make it plausible that he was just fucking around, that it doesn't really mean anything. it keeps dazai in a secure place of superiority in the narrative and makes him immune to normal character flaws and weaknesses. dazai, as a person, is supposed to be learning to trust and he wins because of that trust, but it's falling flat for dazai as a character (for me, at least) because we don't believe there was ever really a risk that he'd fall. as the audinece, we can see asagiri setting up a safety net and it negates the impact of the trust fall that dazai is supposedly doing. basically this plot twist is the emotional equivalent to seeing a video of someone jumping off a ledge and then the camera zooms out and you realize what you thought was a 30 foot drop is actually only about 3 feet. and not only is it not rewarding, but it makes me feel like i was silly for being worried in the first place.

[lesvegas]

ritchie’s🎃💀 ABCs of Horror Movie Marathon!! 💀🎃

Horror movie challenge prompted by @quintsmachete

Day Two - B is for Blood Dolls (1999)

I was going to watch Black Christmas (1974) for the B movie of the challenge, but after a long day a classic slasher was the last thing I wanted to see. Fortunately, my friend @quintsmachete suggested their B pick for the month, and it seemed like a light, kinda mediocre but fun pick that would help me unwind. I hadn't heard of it before but I was told it'd be kinda bad and campy.

The flecks of camp, comically excessive blood, stop-motion animated dolls, okay music, occasionally fun/funny costuming and make-up were not enough to save this movie for me. Each individual piece feels like something I'd love, but even on their own they tend to fall flat, and come together in a late 90's flop that didn't even achieve the status of cult classic. It also pretends to be self-aware of how racist it is but all that really does is emphasize that they were well aware of the racism. The gratuitous femdom was especially cringe.

Actually I'm gonna talk about the femdom for a second because it was a solid fucking portion of the movie and I am not joking. Within the first 45 minutes there were three femdom scenes and by the third one I was so annoyed that I got up to take a shit and missed about 30 minutes of the remainder of the movie and I have no regrets about that. If I somehow missed something good I would think one of the three people I was watching it with would have mentioned it when I came back from the bathroom. I was told that we were in the middle of one of the multiple endings and I couldn't be bothered to ask about the other endings. Anyway, each femdom scene felt more cringe than the last and it quickly went from 'the writer's barely disguised fetish' to 'really bad softcore porn'. Apparently there was a fourth one I missed. I don't really care.

I should be clear, I don't think femdom in general is cringe. I also don't use the term 'cringe' lightly. I think femdom is pretty awesome in general, actually. Do you have any idea how bad femdom has to be for me to find it cringe? Really, really bad. I think 92% of the problem was the male actor, he was supposed to be like... stupid and annoying? I guess? Which was supposed to make him getting whipped and whatnot funny? But it just made the whole movie feel stupid and annoying. Like Jesus fucking Christ he was so annoying I didn't even find it funny when he died. If you're thinking about watching this movie just for the femdom scenes let me spare you: they suck, the movie sucks, and none of it is worth your time even if your standards are underground.

Anyway. The one positive is that the movie wasn't boring. It sucked ass, but it wasn't boring. But I still felt like the fantasy football ads interrupting the movie every 10 minutes were more engaging. Also the Woker was the only okay character.

I'm gonna give it one dancing woman ("the most femdom emoji" -@ed-e) out of five 💃🗌🗌🗌🗌

[pleas3pretendimnothere]

I'm going to make a little diary on here from now on! I love talking about fiction, and I tend to dislike a lot of "popular" fiction, so that leads me to reading whatever book I pick up that has an interesting summary! However, that means whenever I read a book, I don't know anyone else who's read it! I don't have any (ANY) friends that enjoy reading as much as I do, so I'm just going to put my thoughts down on here!

I started reading more vigorously last year, because last year was the first I wasn't working (I was an RN in the US, but I moved to Tokyo, where I can't work without a Japanese license). By then, I'd collected over 90 books on my bookshelf that I hadn't read, so when the New Year started, I decided it was time to tackle them! This year, I want to discuss what I read with...anyone!!! (and i don't have a twitter...) So keep reading!!

Proxy

By Alex London - Because I've been collecting so many books for so long, I tend to have a lot of YA fiction that's sat on my shelf for years and years and years going unread. This is one of those books! I fully went into this one expecting it to be another terribly developed YA novel. That can be very hit or miss--some YA novels are so bad, they become impossible to put down. It's like looking at a car crash!

Proxy was bad bad, and that's because it was disappointing. The book starts with a lot of positive surprises. It's a cyberpunk retelling of The Whipping Boy, where the hyper-wealthy are able to employ vulnerable, poor "proxies" to inherit their debts and legal punishments in exchange for an education. For cyberpunk, this is a match made in heaven. It made so much sense, I asked myself, "How has this not been done before?" And then, you quickly learn that the main character is LGBT! What a refreshing surprise from a 2013 sci-fi YA novel! All of this was setting up the book to be fresh, fun, and new. Unfortunately, it was none of those things.

The first half of the book is quite strong, setting up interesting characters with compelling dilemmas in a frightening, nonsensical world. The second half falls into the YA pitfall. As action ramps up, pacing ramps down. Things that appeared to make sense no longer do. And of course, now there is a rebel faction, and only our MC can lead them. And, wonderfully, the gay love story--spoilers here--doesn't end well! What a shocker!

Not worth anyone's time, building up an exciting novel only to crash and burn so hard. Read Snow Crash instead, and please SKIP IT!

Rot and Ruin

By Jonathan Maberry - Here is another book that's been with me for ages and ages. This one is a 2010 zombie YA novel. I have so much to say about this book, and unfortunately, it's quite like Proxy. A lot of good ideas, but poor execution.

This book has been recognized very positively, and it's clear why. The book is all about humanity. Introducing a concept like a "closure specialist"--a bounty hunter who specifically finds and puts to rest loved ones lost to the zombie pandemic--was a spectacular idea. It makes sense for any zombie world, and yet, I've never read about it! However, the extent to which this concept is explored doesn't always read well. The narrative wants you to sympathize with zombies, seeing them less as hungry packs of senseless wolves, but instead as hordes of human victims who were never properly put to rest. That's hard to understand. I mean, they want my brains! Maybe they were people once, but I could never see them as still human! Maybe that's the fault of Maberry's, or the concept of zombies itself. So while I LOVED the "closure specialist" angle, the book's goal of creating empathy for zombies falls quite flat.

My central issue was the book's pacing. For a zombie novel, it's incredibly slow from beginning to end. Even when exciting things are happening, it felt like a slog, perhaps due to our MC's frequent lack of agency. Often, characters are telling our MC pages and pages of more interesting things that happened far in their past--believe me, this apocalyptic world is cool, we'll tell you about it! The MC's brother is constantly showing the reader what a more compelling MC he would have been! What a shame! Instead, we are stuck with a rather annoying, childish young MC, whose contribution to the story, by the conclusion, feels minute.

So many good ideas, and in fact, one of the most powerful, emotional Epilogues I've read in a long time, but overall quite boring. Took me 3 weeks to read! If you love zombie fiction, this is worth a RENT IT . Otherwise, SKIP IT!

Her Fearful Symmetry

By Audrey Niffenegger - Here is a 2009 novel about a pair of young American twins who inherit their estranged aunt's London flat. Little do they realize, the flat is being haunted... That is the summary that attracted me to Her Fearful Symmetry. I see often the "Horror" genre tacked on to this one. The only horror is the book's lackluster story.

This is a beautifully written piece that left me asking, "Why?" Why was this book written? Who was it written for? Two eccentric 21-year-old sisters, who are virtually connected at the hip and share a mutual lack of ambition, move into a mysterious flat, where they both fall into the arms or the poor, emotionally damaged male neighbors who are twice their age. One man is married and struggling with severe OCD--oh, have pity on him! The other was romantically involved with the aunt. What an interesting choice!

There is a real charm somewhere in here. It's clear that Niffenegger fell in love with London's Highgate Cemetery--she even went on to give volunteer tours of the cemetery following her work on this novel, which is so incredibly sweet! Love for the cemetery reads clearly all throughout and is undoubtedly the strength of the novel, but unfortunately, it's made background to a story that left me confused and sometimes uncomfortable (I am so tired of girls in their 20s dating men in the 40s). Even worse, it's predictable in all the wrong ways. I was never surprised by the story, impressed by the concepts, or invested in a character. I just kept asking, "Why?"

And when the plot twist hit? Ugh! Silly, and overcomplicated. Trying to relay it to my husband just made him laugh. SKIP IT!

The Slanted Worlds

By Catherine Fisher - This is the second novel in Fisher's 2012-2016 Obsidian Mirror series. Thankfully, I didn't read ALL bad books this month. While this book, much like its predecessor, isn't incredibly new or special, it's executed well enough to keep me invested.

The writing isn't special, but it's approachable to readers of all ages, and luckily, the story and characters are enough to keep you glued to the page. If you're able to suspend your disbelief and consume a book about time-travel, this is great addition to the scif-fi genre! There are elements to the story that are confusing, as time-travel is doomed to be, but that is rescued by the book's colorful cast of characters. Each contender is technically working with everyone else, and yet, they all have their own conflicting motive surrounding the series' McGuffin. It's executed well enough that I am constantly wondering who is going to snap first and betray the group. That works magic for the pacing! Every character has secrets waiting to be discovered by both the characters and the reader!

There is an emotional aspect missing from this book, but the rest of it is so strange and magical and weird, that I couldn't help but zip through this one. Wonderfully paced, RENT IT!

Tada! And that was January! Thank you if you read this, and I'll be back at the end of February!

[animehouse-moe]

Torture Princess Volume 1: Grim, Gory, and Maybe Even Garish

Well, nothing like clearing out your reading backlog, right? I bought all of Torture Princess a good while ago, but due to pre-orders and the business that always accompanies summer, it's taken me quite some time to get to it.

Anyways, a dark and violent story about a self-proclaimed Torture Princess hunting down and torturing demons at the behest of the Church. Pretty solid idea right? I'd agree, but have a bit more to add to it than just that.

So let's start with each of those adjectives I used to describe this volume. I'll go back to front to make it a little more fun. Garish, not necessarily a bad thing, but in a few circumstances it is. Breasts aren't a bad thing, in fact, I'd say quite a lot of people like them. Besides their typical appeal, they can be well used to play into the feelings of horror or grotesque depend on what it is they're attached to, and for what purpose.

In spite of that though, Ayasato employs quite the garish inclusion of descriptions. A princess in an all-too-revealing dress that is referenced frequently at the beginning, an automaton who's immediately distinguished and described by her chest, and a tutor who's mind is unwinding having a paragraph referring to her figure. I'd say it nearly borders on childish in how it's approach/written. There's simply no need for it.

The good side of Garish however, is very nice but may flip flop for some. The methods of torture can get very creative at times and the descriptions are impressively well done as they ride the line between reasonable and excessive quite well. I think at times however, the characters involved in the torture can cause it to be too much. The use of women and children is to be expected, but it sort of pervades all layers of the process, which is somewhat of an issue considering the Torture Princess' backstory.

Speaking of backstory, let's talk gory. The Torture Princess came to be by torturing her entire town/kingdom, pretty grim, right? Right from the opening of the volume, you're treated to description after description of violence and all manner of terrible acts. Most surprisingly, you never quite become desensitized to these descriptions, and Ayasato remains rather inventive in how scenes play out. Sometimes I do think they may be too verbose or detailed, but that's more to do with the structure of their writing which I'll talk on later.

And last, but not least, grim. This is probably my least favorite adjective in regards to the series. Providing a heavy air requires levity and lighter emotions to counteract the weight, but we don't really get that in the first volume. It's a spiral that continues downwards endlessly without rest or reprieve, so when emotional or truly grim moments do arrive, they fall on deaf ears. Like a young boy sacrificing himself for our isekai'd main character Kaito. There's no weight to the moment, there's no passion or regret or anything of the sort that appears.

Continuing on from that thought, I believe it to stem a lot from the writing. I do like it a lot, but I think there are rather noticeable pitfalls. The pacing of the story is messy, the characterization of Kaito falls a little flat as he circles the drain continually, Elisabeth's character is far too transparent for a single volume, and a few other extraneous pieces. To reiterate, I do think the writing is really solid, but the stronger pieces expose the weakness that lie in the others.

The chapters tend to have a sort of formula to them, but Ayasato has bent that formula to their will to create something more recognizable than it is repetitive. The dialogue between characters for the most part is surprisingly exceptional and speaks to the distinctiveness of the characters in the story. As I had touched upon before, the creativity and ingenuity in how the process of torturing appears is greatly appreciated, and gives readers confidence in the length of the series. And just for good measure, the world is really well fitted to the circumstance. You feel the weight, the dreariness and dread that resides within so many, it wonderfully elicits the feeling of grey.

So why then, have I outlined more complaints than praise? Well, when you're on the cusp of a breakthrough, it's easier to point out the flaws than it is the perfections. The first volume is a treat to read, despite some of its shortcomings, largely thanks to how Ayasato writes. However, it comes with the caveat of how do things continue? This first volume ties a surprisingly neat bow on the story. Not in a way that fully completes it, but in a way that addresses the character arcs of Kaito and Elisabeth in a surprisingly succinct manner. There's more to be had, but aside from hunting down demons, I'm unsure of what can be done for our two main characters. I suppose I'll find out when I read the next volume.

[curator-on-ao3]

Fanfic Writer Emoji Ask: 😅 🛒❌💞🎉🤯 💖🍆🎢✨ - Have fun! ^_^

Oh my goodness, @wafflingchemist, thank you for this ask cornucopia! 💕

😅 What's a story or scene you've created that you're a smidge embarrassed exists?

I wrote a J/C story from the perspective of post-Endgame Janeway’s therapy transcript. The concept, payoff, and overall story fall flat. I’m not proud of that one. At all.

🛒 What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc.

I think I commonly have a core of kindness — characters who truly care for others, whether romantic or platonic, and want what’s best for them. My characters tend to be good people doing their best, and they touch and feel and think (with their heads and their hearts) and they’re flawed because we all are, but they’re trying because hopefully we’re all doing that, too. So, yeah. Kindness.

❌ What's a trope you will never write?

I learned a long time ago to never say never in fanfic, but I’m usually not attracted to anything that entails a lack of consent.

💞 Who's your comfort character?

Right now, Una Chin-Riley. Others have been and still include Kirsten Clancy, Raffi Musiker, and Kathryn Janeway.

🎉 What leads you to consider a fic a success?

When I’m writing and editing — if everyone is in character, the story flows, the sensations and sights and sounds are evocative, everything is clear, the plot is interesting, and the ending is satisfying.

After I’ve posted — kudos and comments.

🤯 What's a genre you struggle with as a writer (ex. romance, action, etc.)?

I’m not sure. Everything is a challenge, but in a good way. I always want to improve.

💖 What made you start writing?

I’ve always written, either for a hobby or profession. In terms of fanfic writing, I was probably going to explode from stress and my husband said I needed to find a way to calm down without ripping my body apart from over-exercise. Fanfic has done that for me, and I’m grateful for it.

🍆 Do you write the spicy stuffs? If so, what's your most popular nsfw fic?

Yes! I checked and my most popular E-rated fic by kudos is Fly Me to the Moon, a Kathryn Janeway/Tom Paris multi-chap. That one definitely brings the spicy early and often!

🎢 Which of your fics would you call your wildest ride?

Probably also Fly Me to the Moon. Two timeframes that fracture into four timeframes and the fic has settings within four universes (three canon and one very slightly AU). I’m actually really pleased with how it came out.

✨ Give you and your writing a compliment. Go on now. You know you deserve it. 😉

I love how both your ask and emilie786’s ask included this question! 💕 I’m going to change it up and say I’m proud of the details in my writing. I work really hard to structure small visual or auditory or sensory clues as to how the character is truly alive in the story, and I like to think those things work.

Please ask me questions from the Fanfic Writer Emoji Ask Game. It’s fun! 💕

[beevean]

Yeah, I agree.

The show can make scenes feel powerful. "I'm killing my boy" objectively falls flat because we know nothing about Dracula and Alucard's relationship, because the show wasted its time (plus Trevor can go fuck himself I guess), but the voice acting is phenomenal. Lenore's suicide feels like she's throwing a tantrum and I sure am not going to shed a tear for that whore anyway, but the music is so poignant that I genuinely get goosebumps at that scene - and I love the concept of a vampire choosing to look at their beloved in their last moments rather than the sun, I just can't buy it because Lenore barely gave a shit about Hector before then. Isaac's speech in a vacuum is powerful and cathartic, seeing a character who saw himself as a tool deciding he's going to live for himself is cinematic, you just have to ignore how choppy his development was and, you know, not take his various murders seriously.

I agree that sometimes Sonic games get loved for similar reasons. You mention Mephiles, and I raise Frontiers and The End, who also like Isaac runs his mouth way too much :P even Sonic Adventure 2, which is nowhere near as flawed as these products, seems to be only beloved for the "vibes", and its staunchiest fans don't even remember what happened in it. And I could make a similar argument for cases like IDW, where out-of-context panels circulate on Twitter so that people can fawn over the likes of Surge without engaging in her lackluster story, and... oh, that reminds me! I haven't seen one Lenector shipper mention my favorite line "oh, shush, you were having fun", which completely destroys any argument that she realizes she has crossed a line and has grown to care about Hector. And you want to know something interesting? That snippet was excluded in the only clip on Youtube. :)

(I'm also considering the possibility that people genuinely see that part as funny banter because they don't register what Lenore did as that serious. I have definitely seen people believe that Lenore in S3 already meant well, liked Hector from the get go, never lied to him except for the sex - oh yeah just a small little white lie no biggie - and even that she never wanted to use the ring but felt that she had no choice. To be blunt, the only way you can come to this conclusion is by watching the scenes with one eye and writing fanfiction with the other.)

Also yes, to be clear: I'm not saying all Lenector shippers are rape apologists, just that their insisting defense of Lenore accidentally sounds like one, because you cannot argue that she is a good person deep down if you don't downplay what she did in S3. Like when fans are so adamant to defend Dracula as a tragic villain who makes a good case against humanity that they lowkey justify genocide in the name of "get yourself a husband who loves you like that". In the same vein, I know Ellis didn't sit down and concoct a plot that said "forgive your abusers if they're cute enough", but between the rushed writing and the complete sanitization of Lenore in S4 it sure damn looks like it.

To get back on track, yes, I think this ties with how generally speaking fandom tends to encourage ignoring canon and projecting yourself into the story. I mentioned Trephacard because in no way you can say the three have such a strong friendship that they should have gotten all together in the finale. But who cares, when you can easily slot them into The Penis Man, Sad McTits and The Mom? Who cares about how atrociously Hector was written, when he's just like me fr fr, just a lil autistic bapyboy cinnamon uwu roll that you can ship with either Lenore if you're into cute mommies or with Isaac if you're into hurt/comfort yaoi? Who cares about the amateurish writing issues and repugnant hidden themes, when there are Feels to be had and you can use Isaac's voice as ASMR?

Since yesterday we talked about my *favorite* story: I think what really confuses me about the NFCV fans who defend Hector's writing by praising his final action, letting Lenore go, as the rightful conclusion of his character arc... is that it only works if you completely memory hole S3.

Hector is introduced as someone who burned his own parents alive after a childhood of abuse, bitter enough to believe humanity needed to be culled. From this perspective, him learning to forgive Lenore, or at least granting her mercy and dignity, could be a good character development. But Hector through the show was not written to be bitter, vengeful and violent: that was Isaac.

Or alternatively, Hector's biggest flaw is that he needs to be loved, so much that his favorite spell is reanimating dead animals so that they could love him unconditionally. He forces those creatures to him. He keeps this behavior by clinging to Dracula, then Carmilla (he could have ran away, he chose to stay with her after Dracula's death), then Lenore (after Carmilla's death and Isaac making him live, Lenore became his only certainty in life). From this perspective, him not forcing Lenore to live an existence she didn't want to live, but accepting her decision, could be poignant. But Hector never actively sought anyone: he was swayed and lured in. Besides, his pets stopped being relevant after S2.

Hector's arc was one of passivity. You can't miss it: even Isaac points out that Hector lacked agency. Hector spent his entire arc being thrown around left and right, lied to, beaten, humiliated, dehumanized, and he simply... existed. He has no objective, he barely has any negative emotions. Hector in S3 was a blow up doll, and we audience were meant to laugh at his stupidity while jerking off over the submissive and breedable peggable guy being called "good boy". S4 pretends he grew, with his working behind the scenes to resurrect Dracula, but it's not enough, for all the reasons we know. That's why him letting Lenore go feels like the last spit in the face for him: not only Hector is the only character in the season who is left with a bittersweet ending at best, but... he didn't do anything to affirm himself. He didn't choose to leave Lenore: Lenore chose to leave him, and he simply nodded to that. He didn't talk to her about their problematic relationship, now that nothing was between them. He didn't take the chance to recognize his own self-worth in the same way Isaac did. We don't know what he plans to do with Isaac, we don't know if he plans to leave the castle at some point. The pattern of him going "sure why not" at everything thrown at him was not shaken.

(I don't need to tell you that as someone who loves the original Hector's story precisely for the way he seizes agency for himself, this pisses me off something fierce. More idealistic? Maybe, but also encouraging.)

I'll be honest: Hector as a character is so empty that I feel his fans simply project themselves into him, especially victims of abuse who see the way he crawled back to Lenore and think that it was an intentionally nuanced representation of the way abuse twists your mind and priorities. And if his story resonates with you, I can't take it away from you, but I can assure you that the guy who spent a whole episode writing his puppy fetish for no reason other than fanservice does not give a single shit about the realism of abuse, let alone the things he was accused of.

And I wonder if the same can be applied to other aspects of the show, like Trephacard's friendship that straight up doesn't exist on screen, or Isaac's "development" which might resonate with people similar to him. Just a lot of projecting and filling in the holes, of which the show has plenty because it would rather waste its time with pointless filibustering and people being mean and crass to each other or piss jokes.

This is gonna sound very cynical but the main reason for the show's success is, essentially, that it's superficially deep and insightful.

Superficial presentation can go a very, very long way in hiding very egregious writing flaws, stuff like great fight scenes, emotional music and dialogues that sounds very cool, philosophical and deep can easily convince people that what they're watching is far more than it really is. These are cases where, if you don't pay attention to the finer details, you would really be led to believe that it's exactly what the show is presenting itself as

As another example: Sonic fans, even after all of these years, still like to parade Mephiles around as the best written villain in the series, even though his plan makes less than zero sense. This is because he looks cool (?), has cool powers, has a cool voice and the game consistently presents him as a mastermind...so folks fall for it, it's all about the vibes and how they emotionally impact the viewers, who in turn don't tackle the material with actual critical thought. Some seem to do so, given the plethora of in-depth analysis of characters like Isaac, but, and I know this is really offensive of me to say, I think they are still being influenced by the emotional impact of the way the story likes to present itself, preventing them from truly being 100% objective

People see Hector's pseudo philosophical speech to Lenore, they see her killing herself with the beautiful cinematography and music, and they mistake it for actual art, because it makes them forget or reinterpret the likes of S3. The reason why so many undermine or even justify Lenore's treatment of Hector in S3 is not, I believe, out of genuine rape apologism, but rather becaus people have a subconscious need to have everything neatly fit into their view of events

The ending of S4 looks so beautiful and deep and meaningful, but their relationship in S3 is in direct contradiction of that, so instead of recognizing that they twist the facts in their own head in order for all of it to make sense, because if you admit the existence of S3 as it truly was to yourself, then S4 and it's "beautiful" emotional impact falls apart like a ton of bricks

This is sounding very arrogant if not downright misanthropic I know, as I'm essentially saying that people don't know how to consume the media they like and that they don't even truly know what it is that they like. I feel a bit ashamed in saying this because it's the type of reasoning that would anger me usually, especially if directed at me, so in a way I guess I'm being hypocritical...but I truly don't see any other way to explain this phenomenon

Isaac is, of course, another good example: it's "easy" for most people to forget his hypocrisy because the show puts such a laser focus on his "development" and emotions and philosophy etc. It's like dangling keys in front of a toddler in order to distract them from some other thing

Something like Other M could have had the same effect, but the difference I feel is that Other M is far more egregious in its superficial dialogue: Samus sounds boring and stupid even at a surface level, she can't fool the audience, and Adam's character doesn't feature nowhere close as many "distractions" from his shitty behavior, especially since the authorization mechanic is pervasive throughout the whole game, so people immediately see what a douchebag he is and how self contradicting the story is about him.

[starryeyedweeb]

Valentine’s Day with BNHA

A/N: I know it’s late for Valentine’s Day, but this is about the fifth time I’ve tried posting this because every other time it never got a single note even though all of my other stuff does pretty well??? So not to be that person, but if you see this I’m begging you to give it some love because it’s one of my favorites!

*DISCLAIMER*: As I’m over eighteen, I write all underaged characters aged up to be eighteen or older.

Contains: As always, sickly-sweet fluff; gender-neutral

Characters Included: Todoroki Shoto, Bakugou Katsuki, Yaoyorozu Momo, Shigaraki Tomura, Dabi/Todoroki Touya, Aizawa Shota

Valentine’s Day with...

Bakugou Katsuki

As expected, Bakugou thinks that Valentine’s Day is kind of ridiculous and isn’t too keen on celebrating

When his friends ask him what he’s planned for the holiday, it results in a bit of a rant

“Valentine’s is a shitty holiday for shitty partners to try and make up for being shitty. I take them on dates and spoil them all the time, so why should I make a big deal about a random day in February?”

But because he wasn’t a shitty partner, he knows he has to do something for you

“Oi, do you want to go hiking?” he asks shortly on Valentine’s morning, already dressed for the occasion. “We can go to that spot you’ve wanted see for a while.”

You agree- eagerly.

You honestly weren’t the biggest fan of hiking until you started dating Bakugou, who’s obsessed with it

It’s like meditation to him- one of the best ways for him to find a calm and clear mindset- and the two of you always have your best conversations when you’re out on a hike

Plus he looks amazing in his hiking clothes

The trail in question is further outside the city than most, and when you arrive, it’s pleasantly deserted

With backpacks swung over your shoulders, the two of you start down the rough path, which cuts through a thick forest

When you first started hiking, you could barely keep up with Bakugou, but you had gotten much better at it over time and are now able to comfortably keep pace with him, even holding his hand part of the time

The trail is mainly uphill, though, and periodically he will all but force a water bottle into your hands

“Get a drink. I don’t want you getting all dehydrated on me.”

When you reach the peak of the trail, which is a flat clearing overlooking the city below, Bakugou indicates for you to sit down and pulls out two bento boxes that he had packed prior to the event

Though there’s nothing heart-shaped nor unnaturally red or pink inside, the box is sweetly filled with all of your favorite bento foods

And of course, they all taste amazing

“Katsuki, this is so good!”

“I know.”

“Come on.” You playfully push his arm, feeling his muscles rippling beneath his jacket. “Seriously, though, thank you. Life has been so crazy lately, and this little break was perfect.”

“So you’re not upset we didn’t do anything more, I don’t know...” he trails off, furrowing his brow and running a hand through his hair, “...on theme?”

“Of course not. Stuff like that is for shitty partners who use a holiday as an excuse to make up for being shitty. They’ll go right back to their behavior the moment the day is over.” You interlace your fingers in his and hold his arm with your free hand. “This was perfect.”

Bakugou can’t resist a smirk and short chuckle at your sentiment, realizing exactly why he’s with you

“Hey, what’s that look for?”

“Nothing.” He shakes his head. “Kiss.”

You reach up and press your lips to his, and his arms wrap around your body, holding you close

When you pull away, you cast a glance out at the tranquil cityscape below and reluctantly check the time.

“Do you think we should head back down?” you ask.

“No. I want to stay here a little while longer.”

Todoroki Shoto

As one of the top heroes, Todoroki Shoto is a hard man to get alone, but you have high hopes for Valentine’s Day.

On the morning of February 14, the two of you check into the luxury hotel he had booked for a romantic staycation, awaiting an entire day of activities planned around the resort: lunch and dinner reservations, a couple’s massage, seeing the hotel’s nightly show...

Only for it to all be completely foiled before it even starts when Shoto gets an urgent call about a villain incident gone badly wrong, with as many heroes as possible desperately needed to help.

“Go ahead and do everything we had planned,” he urges as he’s leaving, rushing through a parting kiss. “I’ll be right back.”

But you know that it’s not going to be as simple as “I’ll be right back.”

The moment the door shuts behind him, you can’t help but turn on the TV and flip to the news, trying to find out just what Shoto had gotten himself into

The danger of the situation makes you sick with anxiety, and you have to turn it off almost immediately for the sake of your own sanity

Trying to follow his wishes, you go through the motions of the day you had planned, but instead of reaping the intended benefits of rest and relaxation, your brain is completely clouded with worry for Shoto’s safety

Which is only amplified when the hotel lobby has the news on with a crowd of people clumped together before it to see what’s going on, and the receptionist approaches you to ask if you’re alright

Dark falls with no sign of Shoto, but your heart leaps when you get the news notification that the battle is over

You turn the news back on for live coverage of the heroes that participated being interviewed about the events, but your stomach knots once again when you see no sign of Shoto

They haven’t mentioned any casualties, you wonder, but have they missed him or something?

When a knock echoes throughout the room, a cold feeling of dread washes over your body

You freeze and merely stare at the door, sure you’re about to receive the news that’s the worst nightmare of any partner of a hero

Until the door opens, and reveals Shoto holding a bouquet the size of his torso, looking a bit battered but otherwise alright

You launch yourself across the room, and he drops the flowers to engulf you in his arms

“God, Shoto,” you sob. “No matter how long I’ve been with you, waiting and worrying never gets any easier.”

“I know, I know,” he murmurs back, stroking your hair. “But I’m here now. I’m fine. I ran here the moment I could get away.”

When you finally allow him to pull away, he hands you the flowers, and you call room service for a vase and a first-aid kit

You sit Shoto on the bed and tend to his minor wounds, then order some of your favorite comfort foods for a very late dinner

Shoto is never one to discuss his missions right after the fact, so instead you just talk about nonsense things, like the most recent episode of your favorite show to watch together, and where the two of you wanted to go on your next vacation

Afterward, the two of you lay in the dark, so tangled together that it’s nearly impossible to tell who’s whom

Neither of you are tired at all, realizing fully that the privilege of getting to hold each other like you are was almost taken away that day

You feel your eyes start to well up at just how much you love the man next to you, realizing how much you need him

Shoto seems to sense that you’re going to a dark place, so he traces his fingers lightly against your cheek and breaks the silence.

“I forgot to tell you. I extended our stay here so we can still celebrate like we were planning to. I’m sorry I had to go today.”

“Shoto, you don’t have to be sorry.” You cup his cheek back, a few tears spilling out of your eyes as they meet his. “I’m just so glad you’re safe and that you’re here with me.”

Yaoyorozu Momo

Recently, an adorable little paint-your-own-pottery studio had opened on yours and Momo’s route home

You two had always meant to go for a fun date, but never really had the time, so when a Valentine’s event is announced, you both leap at the opportunity and reserve your spots right away

When Valentine’s Day arrives, you and Momo show up half an hour early for the event, wearing coordinating shades of red and pink

Laughing at your accidental matching, the two of you kill the time until the event begins by taking a million photos together

When the doors to the shop open and you’re finally allowed in, Momo’s eyes nearly pop out of her head in excitement, and you just know it’s going to become a regular date spot for the two of you

The shop is decorated like a romantic tea shop straight out of a cheesy movie, with lace doilies marking work stations, faux roses as centerpieces, and red, white, and pink balloons covering the ceiling

The special event involves painting spindly teacups with handles shaped like hearts, the workstations supplied with punch and sweets, all colored and shaped for the holiday

“Look at these!” She exclaims, picking up the ceramic cup at her workstation. “What should we paint on them?”

“Why don’t we do a matching design?” you suggest. “That way we can remember this even better.”

“Yes, let’s do that!” she agrees. “What design should we do, then?”

You two decide to keep it simple: paint the mugs solid baby pink, stamp tiny red hearts all around, and then Momo would use her elegant handwriting and paint both of your initials in calligraphy on one of the faces.

You ready your stations and sit shoulder-to-shoulder as you work, chatting and giggling the entire time, occasionally nudging each other playfully with your legs

“Could you hold the cup at this angle for me while I do the calligraphy?” she requests, which gives you an excuse to sit even closer to her, the scent of her rosy perfume engulfing you

“I wish I had handwriting like that,” you whine, watching her paint the graceful swirls of your initials, followed by the date below.

“I can teach you,” she offers, coming to stand behind you. “Here.”

She puts her hand over yours, and guides it along in the shape of the letters, her free arm looping around the front of your shoulders in a casual hug

“See? You’ve done it!”

“It still doesn’t look nearly as good as yours.”

“Well, my heart stamps don’t look nearly as good as yours. I don’t think I applied enough pressure.” She returns to her own seat, stares at you for a few moments, then giggles. “Speaking of, you’ve got paint on your face. Come here.”

You lean forward so she can wipe off the paint with a gentle touch, and she places a kiss on the now-clean spot.

“There. All better.”

When the two of you finish painting the mugs, you turn them into the counter so they can be finished in the kiln, then sit by the window of the shop to enjoy your sweets while you wait

“I’m very excited about these cups,” Momo says, reaching out for your hand. “They’ll be a lovely little keepsake.”

“Me, too,” you agree, resting your head on her shoulder. “It’ll be nice to have tea in them every evening.”

“Exactly. And if there’s ever a time when we have to be separated, whether it be for hero work or some other reason, we can bring our cups with us to remember that the other is always there, waiting to come have tea together.”

Shigaraki Tomura:

Despite his villainous ideals, in romance, Shiggy is actually quite sweet, if not a little clumsy

When you first became close to him, his unhealthy lifestyle and lack of self-care worried you, so you made a habit of cooking for Shigaraki, and leaving a week’s worth of nutritious meals in the League’s fridge for him

He had never revealed this to you, but he appreciated it so much, and wanted to return the favor

When Toga mentioned something about Valentine’s Day, he knew that it was his perfect opportunity, and made his plans by ordering everyone of the League to get out and stay out for the night

He then did some research about something good to make you, wracking his brain to try and remember what you’ve mentioned liking, until he remembers a very important fact:

He can’t cook.

At all.

Has never even once tried.

Which poses an obvious problem.

He panicked for a few moments, until he landed on a new, and possibly better, idea

When you arrive for the date, dressed comfortably (because, as much as you love Shigaraki, you know that there’s no way you’ll be going out for Valentine’s Day), you’re a little bit surprised to find him standing in the kitchen

“Shiggy?” You approach the counter warily. “What are we doing tonight?”

“I can’t cook. I want to know how.”

“You want me to teach you how to cook?”

“Yes. I want to know how to make your favorite meal.”

“Okay. That’s simple enough.” You make to join him in the kitchen, but he blocks your path.

“No. I want to make this for you. Just sit down and...tell me what to do.”

That proves to be quite a bit more difficult, as you never truly understood just how hard it would be to explain cooking to someone that has never used more than a microwave before

The music you had put on in the background was quickly drowned out by his frustrated swears, and you can tell that there are times when he almost loses his temper, but holds it together for the sake of your Valentine’s gift

A couple of utensils do fall victim to his decay, though, and he subtly tries to sweep the remains away in embarrassment.

At one point, his poor knife technique leaves a decently sized cut on his finger, and you jump into action, running for a First-Aid kit

“I’m not a child,” he mutters as you clean the small wound, avoiding your eyes.

“I know,” you reply lightly, pressing a playful kiss to the bandage you had just secured.

As Shigaraki comes close to finishing the meal, you raid Kurogiri’s stores for your favorite bottle of wine, pouring two glasses and setting them out on the table.

“Does this look right?” Shigaraki asks once the final timer goes off, warily holding out his creation.

“You tell me,” you answer. “I’ve made this for you before. It looks the same to me.”

When the two of you sit down and portion out the meal, Shigarki neglects his own plate as he watches you take your first bite

You fight to keep your face neutral, because honestly, it’s god awful, even though you had been right there the whole time, telling him exactly what to do

But you really didn’t expect anything more from a first time-cook, and even though the flavor is completely wrong, you still enjoy it, because you can practically taste how much this prickly mass-murderer actually cares for you

And as twisted as your situation is, you wouldn’t change it for the world

“Is it good?” Shigaraki mumbles from across the table, pulling you from your thoughts.

You take a sip of your wine. “Thank you so much, Tomura. This was such a thoughtful gift. I really appreciate it.”

“I knew it. It’s shit.” He pushes his own plate away in frustration. “I just wanted to pay back a favor and I can’t even do that right.”

“Shig, what did I just say? I appreciate this so much.” You round the table to his seat, rubbing his shoulders and planting a kiss on the top of his head. “Of course your first attempt doesn’t work. But that gives us something new to do together. For tonight, we’ll order some takeout, but starting tomorrow, I’ll give you another cooking lesson, and then another, and another, and another... as many as it takes until you can make a whole meal for me by yourself. Deal?”

He meets your gaze with a puppy-dog expression, placing his palms over where your hands rested on his chest.

“Deal.”

Dabi/Todoroki Touya:

Let’s just say that Dabi isn’t one to ignore traditions.

He’s one to very openly and dramatically oppose them.

You were anxious if not a little worried to see what he was going to have planned for Valentine’s Day- but, honestly, as his partner, you’re equally as unconventional in your own ideals

And he doesn’t disappoint, coming home with tickets to a ghost tour at the most haunted spot in town.

“Do they even do these on Valentine’s Day?”

“Obviously. That’s when I got the tickets for.” He shrugs. “Apparently it’s a thing that people do.”

“Hopefully not very many people. You know how we hate crowds.”

“And hopefully it’s not overtly themed for this asinine holiday.” He takes your waist and whispers the next words in your ear. “The idea of a dark room and an invisible audience is romantic enough.”

“Oh, stop it.”

“I just made you more excited, didn’t I?”

“You’ll have to wait until the day to find out.”

When Valentine’s Day arrives, you dress for the occasion and meet Dabi at a glamorous hotel in an older part of town

Before the tour begins, the guide allows the guests to go to the bar for some drinks, and begin to tell the story of the hotel and the paranormal activity that had sparked the attraction

Dabi seems uninterested, taking in the architecture of the historic buidling and peering down random hallways

“I’m getting bored of this,” he mutters in your ear. “I’m ready to see something interesting.”

“Shh, Dabi, I’m trying to listen,” you whisper back.

He responds by pinching your ass. “So, are you in a naughty mood tonight? Noted.”

“Stop it,” you mutter, lightly pushing him away, but your flushed skin is a dead giveaway to how you truly feel about the situation.

When the tour actually starts, you and Dabi round out the end of the group as it descends into a long, dark hallway.

Eventually, you feel Dabi’s hand leave its spot around your waist, but you’re so distracted listening the tour guide tell stories at the front to even notice.

Until cold hands grab you from you behind and give you a violent shake, growling animalistically in your ear

You let out a terrified scream, but the laugh that comes after is all-too-familiar

“Dammit, Dabi!” you gasp, doubling over to your breath and quiet your heartbeat.

“Aha.” His hands trail down your sides and squeeze your waist. “Gotcha.”

You eventually reach the main event of the tour, which is an old storeroom that had been unused for years due to the intense paranormal activity

Dabi actually stood still next to you with his arm slung around your shoulders, interested for the first time that night as the guide used the ghost box and actually got answers from the spirits that occupied the room.

Though there are a few times when you have to stop him from pulling some prank to scare the other people taking the tour, trying to convince them that they’re actually in immediate danger of possession

When the event is over, however, and the guide is ushering people back down the hallway, Dabi pulls you into a closet, igniting a small flame on his palm and pressing a finger to his lips

When the noise of the crowd filing out is gone, he presses forward forcefully and starts to bury you in deep, passionate kisses

“Wait, wait.” You pull back once you realize what his idea is. “Isn’t this a little...scary?”

“Isn’t that what makes it fun?”

Aizawa Shota

Valentine’s Day happened to fall around one of Aizawa’s busiest times at UA, and he was so tied up and tired that you had barely seen one another lately.

So, when he remembers what’s coming up and drowsily asks you what you want to do for Valentine’s Day, you surprise him.

“I’ve already made plans for us,” you reveal, handing him a printed itinerary. “I booked us a spot at a day spa. Those are all the treatments we’ll be doing.”

“Why’d you choose this? I’m curious.”

“You need some time to relax, and I want to spend time with you when your mind is on something other than which one of your students is going to get broken next.”

“Fair enough.”

On the morning of, the two of you check into the spa, and are instructed to go change into the fluffy bathrobes they provided

“Do I really have to put this on?” he complains, holding it as one might hold a dirty diaper.

“What’s wrong with it?” you ask, already changed into yours.

“I don’t know how I feel about my chest being out on display like this.”

“Well, I’ll like it.” You snake your hand up his shirt and rake your nails down his skin. “C’mon. We’re going to be late for our couple’s massage.”

Once Aizawa has reluctantly changed, the two of you start off your day with massages and facials

You had arranged for him to get a special eye treatment, and the small sounds of relief from his table reveals that your gift is very much appreciated.

“Are you relaxed?” you inquire as you move on from the massage room to your next destination.

“More relaxed I’ve been since I stepped through the doors of UA for the first time.”

“Well, are you relaxed enough to get a hair treatment?”

“Honestly? Bring it on.”

When Aizawa is laying back in a chair, a towel wrapped around his head and a styling cape draped over his robe, you can’t help but snap photos of the slightly comical scene

“Are you taking pictures?” he grumbles.

“Do you mind that I am?”

“Just as long as my students never see it.”

“Noted,” you reply, adding the photo to an album of embarrassing pictures you planned to show them at the end of the term.

After finishing the hair treatment- Aizawa’s hair looking better than you could ever dream yours would- and moving on to a high-tech infrared light treatment, you finished out the day with a soak in the spa’s top-rate onsen, reserved for just the two of you

You sit in comfortable silence in the hot water, bodies pressed close to each other

Shota’s arm was draped around your shoulder, and you loosely held the hand that fell across your body

When you lay your ear on his chest, you notice that his heartbeat is the calmest you’ve ever heard it

“So, did the spa serve its purpose?” you ask, tilting your head up to gaze at him.

“It did. Though I think it was less the spa’s doing, and more the fact that I spent an entire day with you.”

You hum happily, reaching up and tapping his chin. “Nice and well rested now, are you? You sure look pretty.”

He chuckles lightly, running a hand through your hair. “So do you.”

“Well, there’s still about an hour left until our dinner reservation,” you observe, noticing the clock on the wall. “Is there anything you want to do to kill the time before then?”

“We’re both sitting in hot water, naked,” he replies matter-of-factly. “The answer should be obvious.”

[echoeternally]

Hi there! I have a bit of a strange request for you, if that's okay. I'm currently in the process of planning/writing a longer Star Fox fic that prominently features Panther, and by extension, the FoxPanth ship, and I was wondering if you could give any pointers on writing Panther and/or him and Fox together?

This isn't strange at all! I'm even delighted, like, someone asking me about a pairing that I originally thought almost no one else would enjoy, and so they can write it too? It's like a dream, my gosh!

Give me one more second, like, I'm so amazed that this happened with my rare pair for Fox/Panther. FOXPAN! Of all pairs, I'm thrilled!

Ok, ok! Let's see what advice I can scrounge up for you.

A lot of people are under the impression that Panther is a pretty clear cut character in one regard or the other, but he actually offers a lot of flexibility to write about. That's probably why I gravitate to using him so often for Star Fox content.

Writing him playing off of Fox has a surprisingly enjoyable kind of chemistry, but it depends on what you go for with them. Coming to me means that you're in for the shipping, so, that I can help with!

Kind of prefacing that a bit because I know this is going under a cut, which I'm adding in here. More below, of course! Also, it's going to be a lot longer than you're expecting, so...I'm hoping that helps!

...

~Panther's Background~

Ok, I'll start with Panther as a character, since understanding how you want to portray him is the first part to nail down right.

People kind of mistake Panther to be a flat villain and a basically a pervy flirt, nothing more needed to build his character. It's easy to write him off as such, given how little canon support the games give.

There are some very, very crucial elements that he's given with his appearances, however, and they tend to be overlooked.

First and foremost, a lot of folks like to lump Panther in as "just another Star Wolf crony," which is fair if you don't focus on him.

However! What's critical that too many people ignore is that, in Panther's debut appearance, that's a brand new Star Wolf too. With the story for Star Fox: Assault being what it was, Panther is part of the Star Wolf team that no longer operates as mere mercenaries for the main villain and the obvious rival team, but he's part of a team that becomes allies to Fox and friends by the endgame.

Anyone can take that any way they want, but Panther is basically part of the lightest and kindest, perhaps even the most fleshed out version of Star Wolf. So, people that gleefully like pairing Fox off with Wolf because he has those "hey pup" lines? They should very well like the roster from Assault, because that's the installment that gave the most credibility to Wolf even being capable of defecting.

There's a lot of ways that it could be explained, but notably, Panther is the new big member on the main roster. Sure, they could fill a seat with anyone, but look at who they chose: this lighthearted goofball that enjoys playing with his rivals as much as he does causing trouble. A far cry from the likes of Leon, Pigma, and Andrew, who were on the more ruthless side of Star Wolf.

Many like Panther to be along that side too, and depending on how you want to characterize him, that could work out.

My personal preference, however, is that Panther is part of the catalysts that helps Wolf defect from being fully evil.

He's less interested in hurting civilians and being some kind of hotshot assassin. There's no hard support that Panther's criminal record involves heavy war crimes and murder, and canon biographies about him state him to be an elusive criminal that troubled Cornerian army officials.

Rather, Panther is entertained by causing mischief and enjoys playing around. He's cunning, but in ways to further his goals and those of his allies, not to play as a pawn in another's schemes.

I like to create the background that Wolf and Leon got low and desperate when searching for new recruits, and after meeting up with Panther, they adopt similar traits from him, easing up on their rougher traits in favor of getting their work done.

Basically, I favor the idea that Panther helped make Wolf better. (Which is totally a fun basis for Wolf/Panther, something that I've wanted to write for a few years too, lol.)

~Characterizing Panther~

It really depends on what you're doing with writing him, because you can make him a criminal even still and have that work nicely. However, I tend to give him ways out of being locked into a shadier background, focusing on his lighter traits, and making him more of a "gentleman thief" type of character foremost.

(For reference, I made him that kind of a thief in my fanfic, "Your Thieving Heart," because I really enjoy the idea that Panther's a cat burglar, as opposed to...well, whatever other people prefer.)

If you're focusing on an action or adventure story, I'd recommend using his craftier traits to help him stand out. Panther likes to play head games, because he'll tease and taunt his opponents, baffling them silly until they're clueless to his true motives.

He's also a skillful shot; in Star Fox: Command, Panther is the only playable character that does not use a Lock system for his Wolfen, which means that he makes a single shot that pierces most opponents. And in Assault, he makes a good support to both Star Wolf, and later on, Star Fox, so he can coordinate well in dogfights and combat too.

A story that's geared less to fighting, such as a drama or a comedy, would focus more on Panther's playful traits. Obviously his flirting, which I'll get to in a moment, but also, tweak the way that his playful and cunning manifests.

His teasing can be used to hide other facets of his character (maybe he's actually hurting and lonely deep down) or otherwise his goals (maybe he wants to get flowers for a partner and jokes about missing a meeting to do so).

His smarts can be used to show a more analytic or thoughtful side to him; while Panther isn't the type that would be the smartest in the room, he's absolutely underestimated by everyone, and can get away with a lot of surprises as a result.

Character flaws are pretty simple. Panther can be arrogant, so he can go a little too far touting his prowess and skill, as well as take his joking a little overboard without realizing when to back down. Since he is a criminal, he definitely has a less than luster past, which can hold him back, depending on how you want to write his criminal history. Also, I tend to think of him as a type that comes across charismatic and social, but in reality wants something quieter.

That last bit has support from a profile description in Command, which states that while Panther proclaims himself to be a "ladies' cat," he actually is known to fall "totally and completely in love" with his partner.

So, where people tend to limit him to being confident and flirty, that's the short and simple version to Panther. The deeper way to flesh his character out is to make him a hopeless romantic type, who craves and wants to find someone special to help fulfill his life.

Because a large portion of Panther's character gets limited to flirting with Krystal in his two major appearances, he's not given time to really show off the depths of his feelings. (I think Command tried, but that story got botched in a few too many places.)

He's not a misogynistic type, if I remember correctly, because he doesn't make any crude comments to berate or belittle Krystal's character, but rather, makes strong efforts to prime up his character instead, doing his best to come across as enticing and viable to her as possible.

Panther is super desperate and longing for love, and he's not above trying whatever methods he can to get there.

~Shipping With...Fox!~

So, how does Fox come into play on that? It's pretty easy, since Fox is also a flexible character as virtue of being the main player controlled character for the franchise. In other words, you can project a lot onto Fox in manners however you might like.

There are specific traits to Fox that remain part of his core character, however. He's obviously a strong leader, leading the legendary Star Fox team. If we go by Star Fox 64's ending, he's pretty humble, given that he turns down joining military ranks (presumably greater glory) to keep his life in a freer style with his contract work. (This gets played up as the series goes along, though Fox was actually pretty cocky in Star Fox 64, and somewhat so in Star Fox: Adventures as well.)

Given how his personality matures by the time of Star Fox: Assault and whatever went on with Star Fox: Command, Fox is something of a type that does abide by rules and doing the greater good type of work, but still retains some of his "off the books" or "go it alone" type of work.

So, since he's a hero that dances close to more lawful work, though still manages to find ways to slide around for what his objectives desire, that does make him a mostly "no nonsense" type, though on the friendlier and nicer side, of course. Fox can be portrayed as pretty orderly, in other words, and doesn't favor causing more trouble than he can handle, even if he's not above it.

Does that sound like something of an inverse to Panther, who tends to get into trouble and be mischievous? I should hope so!

Because they have foiled personalities from one another, that gives Fox and Panther elements of "opposites attract," since Panther can be silly and troublesome, while Fox tries to be serious and respectful. Panther has a shadier history with the Cornerian Army and his past is riddled with mystery and lack of depth. Fox, meanwhile, has staunchly strong and heroic ties with the Cornerian Army, who rely and count on his efforts to help them out. Additionally, he has a fair amount of his background explored as well, especially so compared to the enigma that is Panther.

Going by how flustered Fox gets in Star Fox: Adventures, Assault, and Command, he's also a bit sloppier in the romance department. He's seen as a stammering type, and shier around those that show interest in him, namely how Krystal does in the former two installments. He ends up being too protective of her in the last game included for that group, and kicks her from the team thinking that it was the safer option, when it really did nothing to stop her.

Those that ship Fox with Falco can also write him in angles to being oblivious to love, since Falco tends to be a bit harsh with Fox, which many like to write as him being guarded with his true feelings. So, combined with the information above, Fox is something of a romantic novice or rather inept at it.

Panther, whether he's actually good at romance or just likes to think he is, still comes across as an opposite to Fox on that level too. Whereas Fox falters and hesitates in romantic matters, Panther boldly strides forward to do his best in a quest for love.

There are some tricks to helping Fox and Panther work even better than just playing off of their foil traits however.

For starters: Both can be portrayed as very lonely souls.

Fox is a character that lost his parents at a young age, with his mother being out of the picture in every game installment, and his father dead before he's even 18. That's rough stuff, at least in my book. So, I'd consider that Fox has some isolated sides to his character that not everyone knows about, and that he has a side that grieves for his loved ones, and a side that longs to find a way to be loved and cherished in some manner once more.

Huh, does that sound familiar again? Someone that desperately wants to find love to fill a void in his life?

Oh wait, that's literally part of Panther's core too!

See, both Fox and Panther are seekers of love. While Fox may not be as forward with his intentions, he cares deeply for his team, his allies, and his planet, if not the entire Lylat galaxy. While Panther may not have such grand showings for compassion, he'd be the type that would be impressed, if not charmed, by someone so compassionate and caring.

If you take the idea that Panther helped make Wolf and Leon better, then it's likely that he also has a good deal of compassion in him too, seeing the best in people that the rest of Corneria and Lylat write off as the worst out there. Finding the light in the darkness is a kind of hopeful trait that Fox would absolutely be drawn to, since he can struggle to do the same.

Of course, both Panther and Fox are also skilled pilots, so, they have at least that much in common. Fox's skills are something that have outright impressed Panther in canon, and he compliments Fox a few times in both Star Fox: Assault and Star Fox: Command, commending Fox as his personal rival. It's not hard at all to shift that from mere respect to a deeper admiration.

Both are also very loyal and willing to see their goals through to the end. Fox proves this repeatedly in the games, but Panther shows such qualities in his appearances too, sticking by Wolf's side in spite of the challenges they face, and committing to his goals until they either are toppled enough to stop him, or until they are fully realized in a capacity that satisfies Panther well enough.

Typically, I like to mix things between "opposites attract" and "like attracts likes," to balance them out. Both Fox and Panther want to not be lonely and fall in love, to share their lives with someone. They're both also types that would be lonely in a crowd, though none are likely to suspect so, since they both come across confident and social enough to prove otherwise. Fox may find Panther's slippery side somewhat alluring, since he follows a freedom that Fox may sometimes wish he had from his more uptight and legacied life. Panther, meanwhile, might find Fox's loyalty and noble traits very endearing, because that means he'd firmly stand beside anyone that he committed himself to, something that Panther absolutely wants.

Naturally, you can play around with how you might like to portray them, based on the choices you'd make with your story, but those are some elements that I noticed and liked to help build it up.

While a lot of it is fairly made up with loose ties to canon, that's kind of the point to many fanfics. And even still, there is enough canon support to characterize Panther and Fox in a way that could make them a harmonized duo, to the point of romantic involvement.

Phew! Even I didn't realize how much I'd have to write about them until I actually put it all down, lol.

I do hope that you find this helpful. If you want any more information with building the pairing up for writing, please let me know! I'd love to increase the support that FoxPan gets out there, haha!

Thank you for asking too! This was a lot of fun to write out.

[amara-scott]

Old Friends

part two

Movie: Enola Holmes Characters: Sherlock Holmes x Reader Categories: Reunited Friends, cutesy, fun

you are reading part two | part one

It has been a few hours now that Sherlock and Mycroft were back home. Sherlock being the Private Investigator that he is started looking around, observing, reading and listening for any clues that his mother might have left before she disappeared. I could only admire him from afar, sipping my cup of tea with Miycrofft who keeps asking me numerous questions about Enola. Why not ask herself? She is a young woman already, perfectly smart and capable of talking herself and explaining her situation. 

“But why not a governess? That is the very least Mother could have done if she really valued her education.” Mycroft fusses and sips his tea, wincing slightly as it’s still quite hot. 

“I do not know, I only visited a few times, taught Enola history and-” “-history? But what exactly is it about history that is so important for Enola to know at her age? Or rather- at all.” He chuckles and shakes his head in disbelieve. 

It takes me a second longer to think of a reply because he leaves me stunned with his ignorance. But before I can say any witty remark Sherlock enters, making his appearance even more noticeable with a cough. He folds todays paper and takes a seat beside his brother on the couch opposite me. I gulp and blow some cooling air on my tea. 

“Will you be there tomorrow to help?” Sherlock asks and I lift my chin to glance at the brothers. I nod quickly.

“Yes, of course. If I can be of assistance, I will help gladly.” He smiles, giving me a nod. Our eyes lingering until Mycroft stands up abruptly.

“Well, it seems rather late now, why don’t I guide you to the door, (Y/N).” He stops by the couch I sit on and holds his hand out, a smile that does not reach his eyes adoring his face. I sigh, blinking back into reality and stand up, sending Sherlock a last smile before taking Mycrofts arm to be lead outside.

“I believe you will be walking or should we fetch you a ride?” He asks but I shake my head.

“No need, I will be indeed walking home. It is only a few minutes as is.” I turn toward him as he clears his throat, standing up straight, both his arms now behind his back as he looks at me. I glance around for a second, waiting for him to say what he wants to say. 

“Well, it was a pleasure, always is, (Y/N). We will notify you if we need your pair of eyes on the case or help with Enola. Have a peaceful night.” With a curt nod I hold back a confused frown.

“So, I shall not be back by tomorrow? Enola might benefit-” “Oh, don’t be silly now. We will take care of that. I found a the best place for her to get educated and she will be taken care of properly.” I raise a brow but don’t question it any further as I do not intend to listen to him ramble on about female education. 

“-But” I glance back over to Mycroft as he sends me a tight smile, holding out a hand to me. I hesitate, eyeing his flat fingers but in the end oblige, placing my warm once upon his cold skin. “-I think that I- well I would benefit from your visiting.” He eyes me, awaiting a response. But I am struck. Did he- intend to- 

He bows down and lifts my hand to kiss my knuckles briefly. My eyes grow wide, as wide as they’ve never grown. I pull my hand off of his’ as quickly as his lips leave my skin and hold it in my other one.

“Well, good night then.” I try a smile but can’t help and linger with wonder. I curtly turn and walk off, maybe a little too quickly than needed. I feel embarrassed but also amused. Mycroft would not be the type of man I would want to court. At my age I should be looking for a suitable husband but- at the same time, I don’t want to. Why should I? Why would I? I feel very content living by myself and not having to worry about looking proper or dressing accordingly or making tea and tending to my husbands needs. No way would I give up my freedom for a construct simply built by society. 

But at the same time- if there were to be a man I felt intrigued by, I don’t think I would want to wait get to marry him. That man surely would never and no way be Mycroft Holmes. 

___

Just a day after seeing the Holmes family I received a telegram with the notice of Enola going missing. 

I hurriedly make my way to their house and knock a couple times, Sherlock opening the door and I frown, he looks calm and collected.

“Sherlock, what is going on?”

“Well, come on in, (Y/N).” He smirks and steps aside, I gulp and glance down as I enter. “I hope you’re doing well today?”

At that I glance back up at him, he leads me to the living room and we sit down.

“I- I don’t know, I guess? Do you think Enola is looking for her mother?” He sighs, nodding, his eyes meeting mine again. I only realize how close we sit as one of his hands find my enterwined ones in my lap. His thumb caressing my skin.

“Don’t worry about her. We will find her, not to mention she is a smart girl, you made sure of that too.” His smile unlocks my own and I nod, placing one of my hands above his.

“Thank you, Sherlock.” I add quietly and we pull apart as Mycrofts cane indicates his arrival down the hall. I sit up straight, flattening out my dress. Sherlocks stands up and walks toward the window near the couch, glancing outside. It’s a grey and cloudy day. Nothing unusual for the time of the year.

“(Y/N), you’re here already, great.” He sends me a short smile before turning back to his brother. I listen in as they talk about Enola and their mother. Mycroft insisted on Sherlock looking into the cases and prioritizing their mother.

“She’s just a child, Mycroft.” It’s the first time Sherlock speaks back strongly today and I can’t help and admire his stern expression. “I will of course look for Enola before anything else. She’s our sister for goodness sake.” The both stand now, sharing a long look and when Mycroft realizes there’s no arguing with Sherlock he turns to me, pushing his cane down once.

“(Y/N), dear, would you mind accompanying me-“

“-actually, Mycroft, Sherlock and I were about to go look for Enola. I probably know her best between us three; as strange as that sounds, but I might have a few places in mind she could be spending time at.” His moustache twitches at me cutting him off and he swiftly turns.

“Well, what are you waiting for then?” He calls over his shoulder as he leaves the room, down the hall. I sigh once he’s out and turn to Sherlock, who is wearing an amused grin as he eyes me.

“What?” I ask, holding back a grin myself. I take a step toward him and take his arm, wrapping mine around it, guiding him out the front door.

“So, you are not interested to court my brother?” He asks, amusement still prominent on his face as well as in his voice. I hold back from rolling my eyes and make out how tall he is next to me despite my heeled shoes I decided to wear today.

“Mycroft? Really? I thought you knew me, detective.” I reply and send him a smile, he looks down at me as we walk, not really anywhere specific but just down the path leading up to their house.

“Well, anything can happen over the course of a few years.” I nod, agreeing my eyes back forward as I make out a squirrel running across the lawn.

“Precisely. But no one could change that much for me to change my view on them in that sense.”

We linger in a peaceful silence shortly after and I enjoy the birds chirping and wind blowing.

“Then let me- make a proposition.” We come to a stop near a small pond, ducks and their offsprings swimming and chatting.

“What would that be?” I turn to him, letting go of his arm even though I miss the feel of his jacket between my fingers.

“If you were willing, I would like to take you out. Perhaps another stroll around a park or maybe-“

“-I could cook us a meal and we can have a picnic?” I add excitedly. He smiles down at the ground, hands behind his back and that one curl falling forward in the process. It’s sitting rather delicately on the side, making him appear even more handsome if possible.

“What would your answer be to such proposition?” He raises a brow, no smile this time, just pure seriousness.

“I would feel honored, Sherlock. Truly.” I admit and feel my warm cheeks. They give me away and he smiles, taking a step closer and picking up on of my hands. He doesn’t break our eye contact for a second as he guides my hand to his soft lips and places a delicate kiss upon it. This time my skin tingles and I feel warm inside, not sure if his lips still touch my hand or if it is only the memory of his touch that I feel. I just know that I don’t want it to stop.

_________________________________

you read part two | part one

More Enola Holmes Imagines

Full Masterlist

[novelconcepts]

for the prompt, please do dani and jamie with 22 thank you :)

prompt: kissing someone’s cuts/bruises/scratches

Jamie can’t remember the last time she needed someone to tend her cuts and scrapes. Can’t remember, even, the last time she wanted as much from another person. There’s something too vulnerable about holding out an open wound and saying, Here. Please. I can’t do it alone. 

Jamie can do it alone, is the thing. Has done for so long, she’s forgotten what it was to want another person’s skin brushing her own, another person’s eyes concerned for her well-being. It’s become second-nature, pushing all of that aside. How many times has she wandered into the kitchen, a cloth pressed firmly to a torn-open patch of wrist or palm, and scoffed at Owen’s worry? How many times has Hannah strolled into the room to find her bracing an ice pack against a freshly-bruised knee, rolling her eyes heavenward at her own clumsy misfortune? It’s natural, courting injury as she maneuvers the grounds. Almost easier than it should be. 

She’s never wanted anyone to fix it for her. Never trusted, if she’s honest, anyone to have the touch. People are too soft. Too twitchy about doing damage. As if there’s any helping a thing like that.

She’s never wanted it--

But Dani, meeting her in the doorway of the greenhouse, has an expression she’s never seen before. Not open worry, not nauseous distaste--an almost perfect, steady calm. 

“Let me.”

No question mark at the end of the sentence. No hopeful sway to Dani’s hips, no itchy pull of Dani’s fingers along the elbows of her own jumper. Dani’s face is set, determined, almost as though she’s been waiting for this day since the first time their eyes met. 

“No need,” Jamie says, though her head is pounding. Dani is plainly unimpressed. 

“C’mere. Sit down.”

She can’t explain why she obeys; her body seems primed to follow instruction, perhaps as evidence of a concussion. There is a split above her brow where a tumbling branch caught her just right, and privately, she’s relieved--that it was her standing beneath the tree as the wind jerked it out of place, and not one of the kids. Jamie had been quick enough to dodge aside. If it had been Flora, if it had been Miles...

Better me. I can take it.

Dani has a kit in hand, she realizes, lifted from the manor bathroom. Sitting beside Jamie on the sofa, she tears open a single-use alcohol wipe. She hesitates only once, one hand hovering beside Jamie’s jaw; when Jamie nods, that hand takes her chin, fingers splayed gently to tip her head back. 

“Deep breath.”

“I’m fine,” Jamie starts to say, the words hissing out of her when Dani angles the wipe against the edge of the wound. It’s small, thankfully--the branch had been, too, though Jamie knows better than anyone that size is no measure of danger--but the sting clenches her teeth together. She closes her eyes, trying her best to disassemble the pain and piece it back together into a more enjoyable sensation.

Not the burn, but the soft pressure of Dani’s hand on her skin.

Not the throb running a path along her skull, but the warmth of Dani’s breath mingling with her own.

Maybe this isn’t better, she realizes. Maybe it is infinitely worse, fixing on Dani’s knee pressed to her thigh, Dani’s hand cradling her cheek as though she doesn’t even know she’s doing it. Her eyes flick open to find Dani leaning close, inspecting the wound with an unflappable composure.  

“It isn’t deep,” she says. “Might scar a little, though.”

“Not my first,” Jamie quips before she can stop herself. Dani’s eyebrows raise, her lips curving in a small smile. 

“You’ve got stories.”

Not a question--and not a pressure, either. Just an easy statement. Sometimes, this is just Dani’s way: neat, straightforward, to the point. Jamie wonders what kind of life shapes a woman this way, to navigate the grip of anxiety one moment and turn utterly steadfast the next. She’d like to know. She’ll never push. Dani is a co-worker, nothing more; the last thing Jamie needs is to go crossing bounds again.

“Thank you,” she says, as Dani fishes out a bandage and some tape. “Didn’t, uh. Didn’t need--”

Dani silences her with another smile, tinged with something so like sadness, it puts any knock on the head to shame. “When I was little,” she says, “I was always getting hurt. I was a clumsy kid, I guess. Fell down a lot--out of trees, off my bike. My dad was always the one to take care of it.”

Jamie says nothing. This is the most Dani’s ever spoken directly to her, and she finds the bounce and curve of her Midwestern accent strangely comforting. 

“He wasn’t really a typical dad that way, I guess,” Dani goes on, gently holding the cotton bandage up to the wound. She reaches down, clasps Jamie’s wrist, eases her up to hold the square in place. “Hang onto that a sec. My dad, he was...softer than other kids’. He always knew how to clean my scrapes without making me cry. Never quite got the hang of that, after--he died when I was eight, I dunno if you knew that--”

Jamie shakes her head. Dani, patiently cutting a strip of tape, shrugs.

“Got sick. Was gone almost before I knew it. And my mom was never...much good at any of that, so I had to learn how to patch myself up. The alcohol was always the worst part. Almost.”

“Almost?” Jamie repeats. Dani is replacing her hand with deft fingers, adhering the bandage with simple efficiency. When she checks a mirror later, she suspects the whole affair will be neat, orderly, perfectly applied. 

“Yeah,” Dani says, leaning back to observe her handiwork. She seems satisfied, piling everything back into the first aid kit, closing it with a click. “Worst part was after. He would always find the best bandaid--something brightly-colored, or with cartoon characters--and then he’d lean over whatever I’d busted open that day, and he’d kiss the spot twice. Once for forgiveness, he always said, to let the skin know he didn’t blame it for bleeding. And once for healing. Two kisses, every time. It felt like magic. I could never...”

She quiets, her smile fading. It’s too easy for Jamie to imagine a small girl with a blonde braid, kissing her own scraped knee after a fall, knowing full-well it wouldn’t be the same. Too easy to imagine Dani at eight--eleven--thirteen, patching herself back together on her own. 

“Well,” Jamie says, clearing her throat. “You left a bit out, then.”

Dani raises her eyes, frowning. “Sorry?”

“Did the patching,” Jamie points out. Her mouth is weirdly dry, her head thundering away. This is, she senses, navigating too close to the brink of something. Friendship, maybe. Or just Dani thinking she’s making fun. And still, she can’t stop herself. “Seems like you forgot the magic.”

Dani hesitates, her hands folded in her lap. She’s picking, Jamie realizes, at one cuticle, nearly enough to tear the skin. 

“Go on, then,” she adds, heartened to see Dani’s grave expression tilting toward the sun. “Forgiveness and healing. Could use a little of both, maybe.”

She doesn’t know what she expects, exactly--even saying this feels like the product of insanity, a crack on the head urging her toward things she’d never normally try--but Dani draws a breath. Folds a hand around the back of her head, fingers sifting into curls. Leans forward.

It hurts, a little, Dani pressing her lips to the bandage, though she knows Dani is being gentle. Hurts a little, and sparks something Jamie hadn’t meant to let in, too. She closes her eyes, Dani’s kiss seeming to scorch. 

“Once for forgiveness,” Dani murmurs, lips brushing the skin of her forehead. Another kiss, sweet and soft and sending an electric charge down her spine. “Once for healing.”

She doesn’t lean back, not right away--her hand is warm, her eyes searching Jamie’s, and for a single beat, Jamie wants to tilt her chin. Coax that gentle kiss to find her lips. Change it all. 

The concussion, she assures herself, responsible for the reckless impulse. Responsible, too, for the thread of disappointment coiling in her stomach when Dani removes her hand, places it back in her lap, shakes her head almost ruefully.

“He was better at it.”

“Maybe,” Jamie says. “But I can be clumsy, too. Stay long enough, you might get enough practice to measure up.”

Dani meets her eyes, looking embarrassed, looking delighted. Jamie rubs the back of her neck, casting around for a way out of this hole she’s dug. 

“Listen to me. Take enough thumps to the head, I’m gonna starting spewing puns like Owen.”

“Oh no,” Dani laughs. “Anything but that.”

She has to go, she explains, back to the kids. Jamie’s welcome to join them--she’s got a game of cards planned, and they could use a fourth. Jamie almost agrees. Almost lets herself follow Dani into the house, her fingers straying mindlessly to brush the fresh bandage sealed with a kiss. 

“Shouldn’t,” she says--to Dani, to herself, to the burgeoning heat in her cheeks as she recalls how gently Dani had pressed her lips to the wound. “Work to be done, y’know.”

Dani nods. “See you at dinner?”

She should say no to that, too. Should go home to her little flat, to the quiet which always makes perfect sense, which never turns up with a first aid kit and assertive hands. 

“Yeah. Dinner.” She’s smiling. Dani, leaning against the doorframe, is, too. 

“No more knocks on the noggin,” she adds with mock-gravity. Jamie snorts, gives a careless little salute. 

“No fuckin’ promises.”

It’s difficult to say what’s harder to ignore, when Dani’s gone and the work rises up to meet her once more. Hard to say which part--the thumping of the headache, or the memory of Dani Clayton’s lips pressed to her forehead--has a greater hold on the rest of her day. No one asks, and she’s honestly relieved. 

If asked, Jamie would insist the headache has won out. If asked, she’d have no other choice.

If asked, Jamie would absolutely lie. 

[deity-of-calamity]

RULES

(Posting this for mobile users)

Mun is 36

Muse is Demisexual and Bi romantic (leans towards men)

Muse Alignment: Chaotic Neutral

NO INCEST (By this I mean don’t bring it into rps with me. As I will not rp it. Selfcest is fine however.)

NO POLITICS (I never have, nor ever will, care for political bullshit. So I’d appreciate it if you kept that away from me while we rp. I come on here to get AWAY from real life stress. It’s not easy since I’m American and I have to hear about this regardless of how hard I try not to. But I’d really like it if you could keep it away from rping. Thanks.)

NO HATE. I'm here for fun not drama.

DON’T CONTROL MY MUSE (unless we plot it for an rp)

DON’T GIVE MY MUSE HEADCANONS (Ex: How they like the temperature, what kind of food they like, etc. I’m the one who ultimately decides what they want. Discussing it is fine but don’t automatically give them something I haven’t agreed to.)

I will rp NSFW (Mostly violence. Smut isn’t common but will be tagged/put under a read more if it happens. And even if it does, I prefer it to be with muns I trust and for it be as clean as possible.)

I’m okay with romantic relationships (but there needs to be chemistry. Bill is not an easy person to love)

Reply length: I am not very good with writing long replies. Let alone super long like paragraphs. However sometimes I can write long ones if I’m in the mood and can actually think of a lot to write. Typically I just try to have more than one sentence written out. But when it comes to an ask, those tend to be short because I have no idea if anyone wants to turn that into an rp. So if you do, either tell me or move it to a separate text post.

I’m mostly a just wing it rper and I don’t always make starters. But feel free to message me if you’d like to plot. I also rp based on my mood. Some days I may not be feeling certain muses and I’m sorry. Also real life stuff can be stressful at times and I tend to play games or listen to music to relax. I’m also an artist so I may draw too.

Please don’t pressure me about replies. I am trying to get to them as best I can.

Sometimes I’ll drop threads without warning. However it’s not usually on purpose as most of the time I’m trying to come up with a good response. Not everything is going to be an instant reply. I like to think of something if it’s a more thought provoking thread. Sometimes the reply might be long. Sometimes not.

I enjoy Hazbin Hotel content. I’m sorry if it makes you uncomfortable but please don’t harass me about it. Just because I enjoy the characters and story, it does not make me a bad person and I am not going to waste my breath on people who only want to be jerks over it.

The way I portray Bill is a bit kinder than what most people may be used to. I am often anxious about how others will react to this but I felt the need to point out that mine is more of an angsty mess than just flat out heartless. He’ll also make a mention of Will here and there. This is mostly due to the close connection my Bill had with another person’s Will but I love the idea of the two being close. (Be it like brothers or even romantic)

This is just more of something I want to point out. I tend to rp Bill in a human form, even if he’s in the mindscape and it’s more of a dream body. As I have no idea how to rp a triangle and I’ve been doing this type of form for a few years now.

Because I feel like it may not be very clear and I’m never sure of what to tag. The fact of the matter is, Bill is a dark character. So dark themes will be present. Especially psychological ones. I’ll still tag things like suicidal stuff and if it happens, smut, (though that’s not very likely unless I trust the mun and even then it’s got to be clean enough)

This one kind of falls in with the above. Bill is a villain and has abusive tendencies. Even if he forms a close relationship. He will try to restrain himself for a loved one but some aggression is to be expected. I guess a way to look at it is that Bill has Yandere habits with those he cares for. My version of Bill can be gentle but he has limits.

Shipping: I love ships. Can be platonic, romantic, etc.

UPDATE:

One: I have thought this over in the past. But now more than ever I’ve decided to add this into my rules.

I AM NOT A MEME SOURCE. Please reblog memes/sentence starters from the original source. The only exception is if the source is deleted or can’t be found. If you reblog from me but don’t send me at least one thing in return, then don’t bother. The second exception is my friends. I don’t mind if they reblog from me. The third exception being that if you’re on mobile a lot or mobile only. I know it can be hard to find sources sometimes because of that. But I would PREFER if you sent me at least one thing instead of reblogging memes or sentence starters all the time.

Two: I am fine with Bill x older Dipper and Bill x older Mabel. But they MUST be at least 18. Besides it makes rping drinking and possibly drug use (if your muse does either) easier to do since they’d be fully grown adults.

Three: This is more of just me wanting to speak on it. But I feel it needs to be said. Please don’t make your muse already know that Bill is bad or that he’s no good without much interaction. A bad feeling is fine but Bill is a master manipulator and I’d really like for people to remember that. Your muse can get bad feelings and feel suspicious but unless it’s someone from canon or a muse he’s been around for long enough, it’s not fair to throw him under the bus when they don’t actually know anything. The exceptions can be if your muse meets a Ford or one of the Pines and they talk about Bill. Or if they speak with some of the denizens from Gravity Falls. Other than that, they would only have information gathered from rumors.

Anything that would actually be on file would either be the Time Police or people from worlds affected by Bill. The most accurate stuff would be the Time Police though. And even then, top secret. So don’t just say your muse has something unless they have good connections. Even that has it’s limits but I also don’t want to just say the muses can’t have anything at all. Especially if they work for a government of some kind. That would be about the only way they could get something solid. Especially since Bill these days is presumed dead and gone.

Four: I work 5 days a week and even though it’s part time, sometimes I’m just too tired/sore to get to much during the week. I’ll try to get replies and stuff done but big stuff is usually best saved for the weekends. And Friday if I can manage that.

New Updates:

Please don't call Bill kid. It greatly annoys me when people act like he's a teenager or younger. He isn't. My Bill's human form looks like 26. Basically around 30. He is an adult. The exception is a muse that's much older and may not have awareness of Bill's true age. That and if someone says he's being childish. That's fine.

Minors: Due to an anon I got, I realize I haven't specified if I rp with minors. I do but there absolutely cannot be any smut whatsoever. Lying about age is an instant block from me.

Another update: I will not tolerate bashing religion. It's fine if you're an atheist or have some issues but it is not okay to take it out on others. Keep the hate AWAY from me please. (I am not extreme and I can accept jokes here and there but please don't take it too far)

Send me Just Gold if you've read my rules. I’ll usually assume people who interact with me have but I like to be sure. I understand if people have anxiety issues though. So you don't have to.

[ladyloveandjustice]

Belated Spring 2020 Anime Overview: My Next Life as Villainess

For the Spring 2020 anime season, I mostly watched continuations of shows I was already into. The one new show I did pick up was My Next Life as a Villainess: All Routes Lead to Doom!

My Next Life as a Villainess: All Routes Lead to Doom! follows Katerina Claes, a spoiled young noble girl deviously scheming to win the heart of a prince- oh wait, never mind, she hit her head and remembered her past life! Turns out she’s an eighteen year old Japanese otaku chick who died and got reincarnated as the villainess in her favorite otome game. 

If you don’t feel like reading the wiki article, an otome game is basically a female- targeted dating sim where you play as a blank slate main character and date a bunch of pretty boys (and sometimes girls, but usually only if you go outside the mainstream ones), unlocking their backstories and collecting all the romantic endings.

Having played this game, Katarina is well aware that the Villainess character- who constantly tries to interfere with the game’s heroine and whichever boy she’s pursuing- is either exiled or killed in all of the games endings. And now she IS that villainess, living in the world of the game and all its characters! Does that mean she’s doomed to a horrible fate? What’s a girl to do?

Well, if you’re Katarina, what you do is be supportive and kind to the people around you and in doing so accidentally get every single character in the game to fall in love with you. And yes, this includes all the boys the heroine is supposed to date, the other female romantic rivals the heroine is faced with and the game’s heroine herself.

That’s right, we finally got us some bisexual romantic comedy hijinx last anime season, my friends! My Next Life as a Villainess was the delightful little show I really escaped into during these anxious pandemic times . All these girls casually falling in love with Katarina without it being treated as ‘weird’ was what particularly drew me to this show and warmed my gay little heart to see. It was honestly the perfect fluffy, low stress watch during these high stress times.

Anime has long been oversaturated with ‘harem’ stories- where a usually unwitting protagonist somehow gets a bevy of beauties in love with them- but it’s still unfortunately really unusual to see bisexual harems, especially ones with a girl at the center, so right away there’s a big draw to this story that helps it stick out from the rest.  (And worry not, the story is largely focused on Katarina having fun with these pals-who-are-not-so-secretly-in-love-with-her, rather than having a ton the dubious shenanigans you see in more sexually charged tales.)

Harem protoganists also famously tend to have the personality of potatoes, being so painfully bland it’s unclear why so many people would fall in love with them in the first place. But that definitely not the case for Katarina. She’s brash, ridiculous, kind and INCREDIBLY dense, and that for a pretty dynamic combination in this setting! She does genuinely come off as a fun person to be around. Unlike a lot of modern isekai shows, she doesn’t stumble into having incredible magic powers or skills, so her compassion is genuinely her greatest strength and what saves the day and wins hearts time and time again.

Katarina’s five brain cells doing their weekly check-in

(The moment she won my heart was when she responded to a tragic Frozen style situation with her friend locking himself away from people because he believed his magic was dangerous by taking an axe to his door. My kinda girl!)

The premise also allows for some plausible built-in reasons for the characters to take such special notice of Katarina- having been raised in a different world, she isn’t beholden to all the social rules, class divisions and noble family drama all the other kids in this very specific midevial-esque fantasy world are so embroiled in. This combined with her naturally earnest, accepting and straightfoward nature means she’s able to cross boundaries and reach out to them in a way they aren’t accustomed to. She was significant in each character’s life because she genuinely was the first to show them acceptance and affection without pretense, if only because she isn’t even aware there was supposed to be a pretense.

Katarina’s focus on trying not to die and her fear she’s going to meet the same fate as the villainess in the game also at least gives some kind of a basis to her comical obliviousness to everyone being in love with her. She assumes that everyone has to be into Maria (the heroine) and terrified of her because that’s how the game GOES okay, that’s CANON! Of course, this logic stretches thin as time goes on and it would be abundantly clear to most people that things have diverged greatly from the game’s storyline, but the show makes it clear that Katarina’s determined, one track mind is as much a gift as a curse. 

Her bullheadedness when it comes to picking up how everyone REALLY feels about her is an intentional gag on the show’s part and even her love interests are well aware of what a colossal dumbass she is and not afraid to point it out!

My Next Life as a Villainess isn’t without its flaws, and the personalities/backstories of some of the ‘love interests’ Katarina gathers may be a stumbling block on some- mostly the male ones.  Geordo, “the black hearted prince” has a bit of the “ possessive shoujo bad boy” archetype about him, and though he’s far from the worst that genre of love interest has to offer (there’s not much bad he can get up to due to Katarina’s obliviousness, the lighthearted nature of the show, and his rivals constantly getting in his way), the way he refuses to break Katarina and his engagement off despite her repeatedly asking him to, as well as some of his lines here and there, are definitely NOT cute. 

Keith is Katarina’s adopted brother, but clearly has a thing for her too. On one hand, they only first met when they were nine and he fell for her pretty immediately. On the other hand, he still refers to her as “sister” constantly which is kinda eesh. 

The other two guys are all right- Nicol’s big thing is he’s inexpressive and doesn’t talk much which, considering show doesn’t spend much time inside his head, doesn’t make him a very interesting character in the ensemble (maybe he comes across better in the novels) but there’s nothing wrong with him. Alan is undoubtedly the Best Boy in my book. He’s another common trope- rambunctious and competitive with Katarina but clearly soft for her- but he’s done well and they have a lot of cute moments together.

I find the girl love interests to be a much more interesting group overall, though this may be my obvious bias talking. Sophia has the strongest connection to Katarina, their backstories being intertwined in a surprising and touching way (I’m told in the novels her affection for Katarina was treated as more platonic, but the anime definitely plays it up as having romantic elements). Maria’s original role as the game’s heroine puts her in the most interesting position (and would make her the most narratively satisfying choice of love interest, if the show was actually interested in choosing). And while Mary is comically tenacious in her pursuit of Katarina, she’s doesn’t ever act ‘sinister’ or overstep boundaries in the way Geordo does, her “scheming” only really amounting to straightforwardly asking if Katarina wants to ditch her fiance and run away with her. 

As I mentioned, one thing that really contributes to My Next Life as a Villainess being a relaxing watch is that the queer characters are treated with casual acceptance. Mary in particular isn’t subtle about her crush on Katarina, but nobody bats an eye at her and she’s completely open and comfortable with herself too. The observing maid notes that the girls are in love with Katarina with the same bland affect as when she notes she notes the guys are. And while the social practices of the nobles are pretty heteronormative- girls are always engaged in arranged marriages to guys, the guys are expected to dance with the girls (something Mary complains about!)- there’s apparently a booming queer romance novel industry that inspires our young wlw.

Katarina, having grown up in a different world, seems to be the one most prone to heteronormativity of her group. She never really considers  that a girl would ever fall in love with her, but is also never hostile to the idea. It’s telling that when Mary very clearly indicates her desired romantic partner would be a girl, Katarina’s the only one that gets tripped up and has to walk back her assumption that Mary would be talking about a guy. 

Mary LAYING DOWN THE LAW

Also, Katarina has  SEVERAL “she’s so cute! My heart is beating faster!” moments with the other girls, on par in frequency with her moments with the guys. This strongly hints she’s an oblivious bisexual disaster.

So, My Next Life as Villainess is a fun, frothy watch and the rare positive example of silly wish-fufillment that’s inclusive to a wlw audience. But is the actual plot good, or remotely complex? The answer to that is no, the plot is fairly predictable and one definitely shouldn’t got into this story expecting a deep examination of the nature of fate or anything like that.There’s no real explanation of big reason as to why why Katarina was reborn into this game world and so on.

 The antagonist that does eventually emerge plays off otome game tropes a bit, but ultimately isn’t that interesting or built up all that well. . The attempts at drama the show makes towards the end fall a little flat, especially since it tends to rely on very-late-in-the-game-exposition-dumps (dark magic isn’t even MENTIONED as existing in this world until like, the second to last episode where it becomes relevant and we get a vague infodump explaining its mechanics). The conflict honestly almost feels shoehorned in and the climax is pretty standard and doesn’t really utilize the big cast of characters all that well

But in the end, that’s okay! The show makes it abundantly clear from the beginning it’s not here to be Deep, but to be some silly fun. And it really fulfills that purpose well, from it’s catchy, peppy theme tune to its consistently warm tone. It MAY get repetitive at times for some, and I do have some quibbles- like how I found the childhood segments to be some of the shows best material and wish we could have stayed in that section for a bit instead of rushing through it, how I wish Katarina had kept her cute little scar, etc- but overall, it was definitely the soothing balm I needed during a very rough time and I absolutely recommend it if you’re looking for a chill, feel-good watch.

 And hey, a second season’s supposed to be on the way too, so there’s something to potentially look forward to!

[frumfrumfroo]

Your answer on fandom conflict was actually helpful and informative. I wasn't trying to "both sides" the issue per se. But from my pov, the resentment/contempt def goes both ways. The difference is one side has more entrenched power/clout (for obvs reasons). And that sucks because I see value in both. Meta is great for enriching your understanding and finding new perspectives. Enjoying lore and "pew pew" doesn't make you a rube. If we could balance/combine them fandom would be a better place.

Oh, glad to hear it!

I do see people being needlessly dismissive of broad subsections fandom as if they're exclusively inhabited by FM dudebros, which isn't cool. And there's nothing wrong with being a lore anorak or with liking spectacle, though I would argue it's still important to understand the story itself if you're going to engage with it actively. The problem comes with people thinking that referencing minutiae is a replacement for plot or with thinking that not caring about story/themes makes you a superior fan because you uncritically accept and celebrate every product with the brand name on it regardless of message or quality. 'True fandom' as knowing every bit of trivia, etc. And 'masculine' fandom tends to fall into that because it is quantifiable, you can compete with other fans and there's a measurable outcome.

Meta and ship fandom does try to have pissing contests, but there can never be any clear winner except in terms of popularity. And you can be the most popular ship without having any basis in canon whatsoever, so that's not much of a 'true fandom' definition. It not being quantifiable gives the whole power struggle an entirely different dimension. To genuinely compete, we'd all have to agree on what the criteria are because we're dealing with something nebulous, and even if we did agree victory would still be a matter of individual judgement.

The sense in which fic/meta fandom tends to be derogatory towards lore/spec fandom is where it has essentially missed the forest for the trees. So you have people who consider themselves superfans of SW but hate and reject redemption and compassion, which is literally what the story is about. But framing this as a problem only ‘masculine’ fandom has fails to acknowledge that there are shippers who are equally uncaring about what the story wants to say and are only here for tropes, dynamics, and images they can appropriate. That there are loads of people writing meta for SW who are so completely missing the point that the point is in another dimension.

To me what needs to happen is for everyone to realise fandom is for fun, it’s not a contest, and however you do it is fine. Even missing the point is your prerogative if that’s what you want to do. The only issue I take is with the hierarchy and the relative treatment different forms of doing fandom receive. And I take issue with people who can’t acknowledge reality. It’s fine to disagree with what a story is saying and decide to read it your own way, but it’s not fine to try to gatekeep and bully the entire world into validating you. It’s not fine to pretend the whole raison d’etre of a narrative doesn’t exist and attack anyone who reminds you it does. It’s not fine to ridicule people who think that it matters and aren’t content with aesthetic trappings.

I’ve hated canon pairings lots of times, but I’m not going to sit  here claiming they weren’t in the text or were actually ‘sibling-coded’ or whatever other nonsense. I’m not going to lie about the thematic content of a text just because I disagree with its conclusions or message. I’m not going to say the essential character of a story, the thing it was created to communicate, doesn’t matter. It’s fiction and we don’t have to take  what we’re given, but at the same time no, not all interpretations are valid. Yes, you can be wrong.

I’ll never tell anyone they have to accept new developments or new instalments they don’t like or that they can’t write their own version of a character, but you do have to acknowledge what the basis of canon actually is if you’re going to play in the sandbox with the other children. You can write whatever fanfic you want, but you can’t demand everyone else cater to you and pretend your version is reality. There’s a big difference between ‘I see what canon is doing but I don’t think it’s done well/I don’t like it/I’d rather it suited xyz preference of mine’ and just��� refusing to admit what is front of your eyeballs.

The people angry and threatened by both romance and redemption yelling about how these things have no place in SW are objectively wrong. You can dislike those things and try to minimise them (why not just watch something else? but I digress), but flat out denial they’ve always been central to the narrative and attempting to drive out anyone who mentions them is insanity.