#this makes me so unbelievably sad

[mushomori]

a reminder that the 3ds online servers are shutting down on april 8th, so we won't be able to visit other towns via the dream suite anymore. if you want to stroll around polaroid or silence, now's your last chance!

Polaroid: a rainy forest where time has stopped to let you escape from reality, as if it was captured in a photograph

                          ↳ 6D00-00EC-A91A

tag your visits with #mushomori ˎˊ˗

[poorly-drawn-mdzs]

MDZS Disco Elysium AU part 2 - Psyche Skills

Part 1 - Part 3

[acrosstobear]

figured that while we're all missing f1 i would share this incredible work of art set to Charles' music. the skaters are Kaitlin Hawayek and Jean-Luc Baker and this would have been their 23/24 free dance skated to Kyle (I Found You) by Fred again.. and AUS23 by Charles Leclerc.

for context, they have spent the last few years dealing with injuries and mental health issues and have chosen to step away from competition for the foreseeable future. they are so consistently stunning and special and magical and i'm heartbroken but hopeful that they will find peace in this decision.

[fear-no-mort]

evil rick is so good because hes the first and best example of how just cringe and melodramatic evil morty is in the way he acts while being controlled by him. the slow clap, the like fake orchestra director thing he does when hes talking about the symphony of morties, the ‘we’re not so different you and i’ lines, the cut-throat hand gesture he does when saying hes gonna kill rick. u get what i mean all of that is evil morty doing that except it’s him replicating the behaviour of a rick except all of that stuff is kinda just how he is anyway. i personally think he enjoyed it a lot he had fun with it

[statementlou]

https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share

did he or did he not lose fans then?

I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:

There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.

Anyway to address the specific question- (con't......)

NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.

[purple-nightfall-writes]

what if we all went on reddit and talked about how we're so excited for whatever the hermits/lifers make and we trust their ability to make something super fun no matter what and also it's really fun to watch them hang out with their friends. and what if we were all really nice to them and stuff.

[laugtherhyena]

I think it's easy to tell just from looking at my blog that i like Termina way more than i like the first f&h, but if there's one thing the first game does undeniably better than the second one is making you feel absolutely devastated over the god that's being born in the game

I'm sorry but the girl's death hits infinitely harder than Reila's ever will.

Like don't get me wrong, her ascension to godhood is sad too, especially if you like Olivia a lot, and Reila wasn't terrible or even a bad person by any means

But the girl was a child, a little kid born from parents who did not give two shits about the kid herself and abandoned her in the worst place imaginable, at the end of everything she was twisted and turned into a diety because of a destiny those unloving bastards had set for her

Reila was young, sure, but she had her sister, she had friends, she got to study the things she loved, went to college, traveled the world. She had a good life

The girl didn't. Throughout her entire short life she only saw violence and suffering over and over again, never to experience any of the joys and fun every child should have in their lives and that's genuinely so upsetting to me

[itspileofgoodthings]

School is going so great and also I am so exhausted and also I am having an existential crisis

[feliichu]

Shinji, Aki, and Miki!

[yellowocaballero]

so! saw you mentioned jjk, so if you wanna talk about it, whats your thoughts been on it so far?

Was waiting to answer this until I finished S2, which I just did.

It's incredible. It's an amazing work of art. Some of the best fighting animation I've ever seen in an anime, some of the best fight scenes period, non-stop gripping and thrilling and incredibly exciting. Gorgeous, cool as fuck, a lot of fun. Binged it and was extremely unwilling to do anything other than watch it. Real 'wander out of my room, rant to my roommates about how good it is, ignore their confused looks and wander back in my room to continue binging' energy.

Beyond that, my thoughts are a bit complex and difficult to put into words. It's great at a lot of things besides action - it has great characters, humor, world-building, everything. I would like to see more of the other things it's good at, and I think that would elevate the fight scenes a lot. I won't go into a tangent about what makes "a good action movie", but basically in good action work the action scenes need to have a lot of weight. S2 was basically 15 episodes of the climax of an incredible action movie, and a lot of the fight scenes would have been stronger if there was greater buildup or a more coherent escalation (Mahito loses every fight, which makes it hard to take his very lengthy subsequent fights seriously)(Gojo himself is a mystifying choice)(My only coherent thought for two episodes straight was 'Mahito just fucking die already'). My personal belief about arcs in serialized works is that they should work as full stories in isolation and have a coherent beginning, middle, climax, and end; one that still slots into the greater narrative of the serialized work and meaningfully develops the characters, world, and overarching plotline. S2 was, again, 15 episodes of climactic fight scene. But the climactic fight scenes were so fucking good.

It's a lot of things that I normally like in theory and are extremely bored of in practice. JJK really lived up to the theory of "what if a shonen action anime was only action and it was so so so so so good". If you do want an example of mangakas who do work that's 95% action that's skimpy on characters/plot/etc but still feel like an extremely complete experience, I recommend Nightow's Blood Blockade Battlefront.

Lots of criticism on a show I fucking loved, but you are talking to someone for whom "they punched so good and then the explosions were so pretty and I pumped the air and was satiated by the violence" is a 5/5 glowing four thumbs up review. The characters themselves were so endearing and fascinating and charismatic, which is an understated but important aspect of an action work. They don't have to be deep or complex, but you do have to get me invested in them and make them fun to watch. It also has incredible and well-utilized women, which esp in male oriented work I do genuinely consider a barometer of quality - not 'badass women automatically makes something good', but 'a creator who can write every character well is good at creating characters and if you can't create all your characters well or feel uncomfortable with portraying half the population then you aren't good at creating characters'.

Geto/Gojo will never be KakaObi and you are all lying to yourselves.

[petit-papillion]

Charles Leclerc stands on the grid with Carlos Sainz (and Andrea Ferrari) behind him at the Anthoine Hubert Memorial 🥺

Joined on his other side by Mattia Binottto and Sebastian Vettel.

Anthoine Hubert Memorial prior to Belgian Grand Prix | 1 September 2019

📸 Jerry Andre/LAT Images

(Meant to post this before the race weekend started, but was torn about whether I should. See my tags.)

[evidenceof]

shooting my laptop screen so i dont have to keep seeing web's boat on my dash

[tinytimism]

i’m having such a hard time wrapping my mind around liam payne’s death. i didn’t like him as a person and i don’t think anyone whose discussed his abuse of maya henry should retract their statements or feel bad about them no matter how harsh they were because it’s important to talk about to prevent it from happening again. because of his history of abuse and grooming fans i can’t mourn him the way i would’ve ten years ago and any tears i do shed will be for his friends family maya henry and his other victims who shouldn’t feel bad and be made to feel bad by stans who put their faves over the protection and safety of women and girls. i don’t feel like it’s the place of people who didn’t know him personally (knew him through one direction etc) to tell other who didn’t know him because emotions have no morality and people’s feelings over a death shouldn’t be dictated underneath a urfaveisproblematic lens

[thespaceyace]

yes

[rawliverandgoronspice]

re: last post, but yeah I think there is a way, unintended by the game for sure but still not canon-breaking, to understand TP Ganondorf the very same way we understand WW Ganondorf post mental breakdown, and suddenly a loooot of things start to make a horrible kind of sense

There is a way to make TP Ganondorf, not only not stupidly written, but also utterly heartwrenching

AGAIN YES it's not what the game intended, but literally except for maybe (maybe!!!) Wind Waker, and that reading is being semi-actively dismantled by Nintendo at every turn ever since that happened, when the hell has any zelda game given that dude any kind of grace

[licorishh]

WHAT THE CRAP IS THIS

WHAT IN THE FLYING FREAKING FRICKIN' EVERLOVING CRAP IS THIS, ACTUALLY