#these three make me so nostalgic and sad it’s unbelievable
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feliichu · 10 months ago
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Shinji, Aki, and Miki!
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capsironunderoos · 4 years ago
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Hoth Chocolate
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DINCEMBER - December 4 - Hot Chocolate
Din Djarin (The Mandalorian) X Reader
CHAPTER 14 SPOILERS! S2:E6 SPOILERS PAST THIS POINT!
Summary: After the events on Tython, a tired Mandalorian finds himself back on Nevarro.
Word Count: 2.5k
Warnings: SPOILERS! Also a very, very sad Din.
Author’s Note: Wow... So a lot happened in that last episode, and the only way I knew how to cope was to write. Thankfully Dincember exists, and I was able to do just that! This is very sad and has some angst in it, but some fluff too. It’s the fulfillment of the “Hot Chocolate” prompt for @dindjarindiaries​ Dincember, which makes this post just a tad bit late. Also, I learned that hot chocolate in Star Wars can be referred to as hot chocolate AND Hoth chocolate, and I literally love Hoth so much so that little bit of Star Wars knowledge will stick with me to my grave. Anyways! I hope you enjoy!
Here’s the previous prompt: 
DINCEMBER - December 2 - December (Ariana Grande Version)
And the link to my masterlist: capsironunderoos masterlist
“Cara- Cara said I could find you here.” 
You’re jumping up from your seat at the sudden break of silence. The book you were reading drops to the floor, and the sound of the hardback spine landing echoes around the room.
The shadow standing just inside your doorway is one you have not seen in a long time, one you had accepted you’d possibly never see again. 
You’re still standing in silence, trying to decide what he’s doing here, and how he got in, and how you didn’t even notice. 
“Din?” You whisper, almost unbelieving.  
Your brain tries to talk itself into believing this isn’t happening, that you’re dreaming, and in a few moments you’ll wake up, alone and nostalgic for days when the other side of your bed wasn’t cold. 
The visor of his helmet is still focused on the ground, and you notice almost immediately that he doesn’t have the child with him. 
You find yourself wringing your hands together, a nervous habit you’d picked up too many rotations ago to remember, and one that could only be calmed with the touch of the man who was suddenly standing before you. 
A child screaming in a fit of laughter outside your door as they run by catches you both off-guard. 
You jump at the sudden rupture of the silence around you, and Din spins quickly to look behind him. 
Something has happened, you can see it in the way his shoulders rise at the sound of the child laughing, and then fall once they have passed. 
You walk over to where he stands, still looking into the alleyway where the entrance to your house rests. 
You never take your eyes off of him as you hit the button that triggers your door to slide closed. 
The soft whoosh of it closing let’s Din know that it is now just you and him, that no one will ever know what takes place in this room besides you, and him. 
He’s missed that feeling, and you have too, though neither of you will admit it, not right now. 
Not when there are obviously too many other things to talk about. 
You stand facing his side now, noting that he has yet to look away from the closed door. 
“Din?” You try again, and a deep sigh falls from his lips, crackling into static through the modulator of his helmet. 
“Something has happened, hasn’t it?” 
You question and he still looks forward, as if acknowledging being here with you will also force him to acknowledge whatever he has been through. 
“Where is,” you’re unsure if you should finish the question you so desperately want to ask. 
You stop mid-sentence and clear your throat as your hands find each other again and repeat their motions from earlier in a desperate attempt to try and ground you. 
You want to know what has happened, you want so very much to know where the child is, and if he is okay. 
You want to know if Din is okay, and why he is here now, after so long. 
“What happened, Din?” You whisper, barely audible, and for a moment you’re unsure if he’s heard you or not. 
There is a beat of silence before his shoulders slump, and the visor of his helmet tilts so far down that his chin is almost resting against his chest. 
Your hands ache so badly to reach out to him, to touch any part of him you can in order to reassure him that everything is okay, even though it so clearly is not. 
“I,” he starts, and your chest tightens. 
Are you ready to let him back in just like that? 
Are you ready to hear the tragedies he’s endured since he left you, since you asked him to take you with him and he disappeared before you’d even had the chance? 
Din seems to be weighing the answers to those questions as well, but you can hear his steady breathing through the modulator and you notice him turning slightly towards you. 
His chin stays tucked into his chest as he continues. 
“I lost the kid. He’s… gone.” Din whispers so quietly that his modulator almost misses it, as you do you. 
The word “gone” ricochets around the room before crashing into your chest, and you feel the breath knocked from your lungs. 
Your legs grow weak, and you steady yourself against the wall to keep from falling down. 
“Din,” you murmur out softly, and he hears his name laced with both sorrow and comfort for the first time in his life. 
You notice how the utterance of his name seems to physically strike him, watching as he flinches at the sound of it. 
He clears his throat before shifting his weight and starting again. 
“Moff Gideon followed us to Tython. I- I left the kid, I left Grogu, alone, and scared for one,” he huffs loudly, and when he speaks again his voice is gravelly through the modulator, and you know that he is trying so hard to hold back, to stay strong. 
You just aren’t sure if he is trying to stay strong for you, or for himself.
“I left him for one second. That was- all it took was one second.” 
The defeat in his voice is something you have never heard from him, and it is something you never want to hear again. 
Your brain briefly latches onto the name the child has seemed to receive, and you wonder how Din came to know it. 
Before you can ask, you hear Din take a deep breath. 
He’s not finished. 
“They blew up the Crest,” he mumbles, and your eyebrows furrow. 
Surely you aren’t hearing him right. 
“They blew up- it took one second!” He yelps this time, his voice breaking and causing the modulator to crackle so loud it makes you flinch. 
“They blew up my home!” 
He yells now, visor raised as he looks straight at you, begging you to try and understand where he’s coming from, as if him leaving all those rotations ago didn’t completely uproot the home you had created for yourself. 
“That was my home. It was- I had so much of myself in that ship, so much of what makes me…” 
His voice has quieted down now, but he still stares at you. 
He can’t even finish his sentence as his hand reaches for something in one of the pouches on his belt. 
Your eyes slowly travel from the visor of his helmet to his hand, where he is grasping a small silver ball. 
You feel as if your heart will explode at the sight of it, immediately identifying it as part of the control panel of the Crest. 
“All that was left, I couldn’t, there wasn’t…” 
Hearing him struggle to speak has broken you into a million little pieces, and you feel your face growing wet from the tears you can do nothing to stop. You are frozen, and you are unsure what to do to offer even the smallest ounce of comfort to the man before you. 
Normally he is the one providing comfort, helping those in need and making sure everyone is safe. 
Now it is your turn to do the same for him, and you can do nothing. 
You are completely shut down, unresponsive, as if you are a droid whose each and every circuit has fried. 
Din’s shoulders begin to tremble ever so slightly, and before you can register what is happening he is dropping. 
The Mandalorian is on his knees now, his chin resting against his chest as he cries. 
The sound of his pain through the modulator is enough to snap you out of your stupor, and you are quick to follow him to the ground. 
“I lost everything, everything. In minutes. I have nothing.” 
He whispers, and the words are so strained, so full of hopelessness that you aren’t sure you even recognize the man before you. 
Hearing him believe so strongly that he has nothing left creates a strain on your heart akin to a vice grip, and the pain of it shoots through you, but you know you cannot argue with him now. 
Your role is to listen, to understand, to sympathize. 
You raise your hands to his helmet, and they hang in the air for a moment as you listen to his whimpers. 
Would he still allow you to see his face? 
You had made his clan of two into three at one point, but you wondered if he even remembered what that felt like. 
You had found sanctuary in each other, and in the way the both of you cared for the child, but it had seemed so long ago that you were unsure he even remembered a time when you were allowed to see him outside of the beskar. 
You begin to move your hands back to your lap, content with wringing them against each other, but you freeze when his hands shoot up to grab yours. 
His fingers are wrapped around your wrist, and holding them so tight that you are almost afraid he will leave unintentional bruises there. 
His chin still rests against his chest, and his shortened gasps for breath let you know that he is still crying. 
Din slowly begins to move your hands to his helmet, and he pauses for just a moment before bringing them to rest against the sides. 
The beskar is cold underneath your palms, and you instinctively curve your fingers under the helmet. 
His hands still grip your wrist, and with a final squeeze he lets go, his hands now falling limply into his lap. 
“Din,” you state his name in wonder, and he knows why. 
“Please,” he insists, begs, and it is all you need to hear. 
You lift the helmet slowly, sitting it beside you on the floor as you turn back to him. 
His hair has been cut, but you can still see the unruly mess of curls. 
His eyes are closed as tears continue to slip between his eyelids, making their way down his cheeks and pooling into the fabric around his neck. 
You inch ever so closer to him, gently taking his face into your hands. 
A tear begins to roll down his cheek, and when your thumb moves to swipe it away he breaks. 
A loud cry erupts from his chest, and the noise is so foreign to your ears that your brain can only register it as a feeling of unease and pain that spreads through your body like wildfire. 
Din suddenly falls the rest of the way, landing on his bottom with a loud thud, pulling your hands down with him, but you do not let them move from their spot against his skin. 
You have longed for one more chance to touch him, to hold him, and you would have asked for it in any way other than this, but this is all you have been afforded, and you will not take it for granted. 
You follow his actions, sitting on the floor in front of him, but he is quick to catch you and pull you into him. 
You straddle his lap, legs wrapped around him as he squeezes you into his chest. 
His nose finds the crook of your neck and your hands move to wrap around his head, your fingers lacing through his dark hair. 
You shake as he cries, both from his sorrow and yours. 
Tears fall freely as your mind tries to wrap around everything he has endured, and the way he so freely trusted you with his stories. 
You allow him to cry for what must be hours, neither of you moving or speaking. 
He whimpers as if in pain, and his struggle to catch a deep breath shakes you each time he gasps for air. 
You can feel his warm breath against your neck, and you can feel where he has soaked the collar of your shirt. 
Your heart aches for him, breaks for what he has witnessed, and longs to know the status of the child. 
After his breathing has begun to even out, and he has stopped shaking, you bring your hands back to his face, moving it to look at you. 
His eyes are bloodshot, and the skin around them is puffy from crying for so long. 
You can see that he is exhausted from the release of so many emotions, and you lovingly stroke his cheek. 
The smallest hint of a smile graces his lips and is gone as quickly as it came. 
“I shouldn’t have left him. I shouldn’t have left you.” 
You start to protest but he does not let you speak. 
“Gedet’ye, please, cyare, forgive me. I shouldn’t have left you here.” 
You have begun crying again, and he moves his hands to cradle your face and wipe away the tears. 
The both of you now sit in silence as you hold each others faces between the plans of your equally callused and bruised hands. 
“I will always, always, forgive you. You are my heart, my home.” 
“Ni kar’tayl gar darasuum.” 
“Ni kar’tayl gar darasuum.” 
I love you. 
At your confirmation of his words, he pulls your lips to his, and the both of you continue to cradle the other as you share the softest kiss. 
His lips are so familiar to you, as yours are to him, and it takes only a second for the pieces to begin to slowly connect once more. 
When you pull away, a bit breathless and somewhat surprised, you notice that sorrow is still settled in the deep brown of his eyes. 
“You know that I will do everything in my power to find the child, to return him safely to you. I know the attachment you feel to him, and how much he means to you.” 
Din nods at your words, and you notice that he has begun to tear up again. 
“I want you to tell me your plan to find him, because I know you, and I know that you were already thinking of one the moment he was lost.” 
At the word “lost,” Din’s chin dips again, but you quickly raise his eyes back up to yours. 
“And don’t you dare blame yourself for this Din Djarin. You knew the risks when you rescued him from the Client, you were aware of what could happen, and this tragedy has always been a possibility. The only difference is that now it is reality. Regardless, you are not at fault, and we will not abandon him.” 
Din is crying again, and you swipe away each tear as quickly as they fall. 
“Now, I want to hear that plan,” you prompt, and Din offers you a small smile. 
“You always did love immediate action,” he states, and hearing the slight tone of tease in his voice makes your heart swell with affection. 
You nod in agreement, and his smile grows. 
“I will make a deal with you, Mandalorian,” his hands have long fallen from your face to rest around your waist, but he uses them now to pull you closer to him. 
“Anything, cyare, anything.” 
“You tell me your plan, and I’ll make Hoth Chocolate.” 
He ponders your proposal for a moment, before a wide smile splits across his face. 
“How could I ever refuse Hoth Chocolate?” 
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saladejin · 4 years ago
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Admire | 06
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Seokjin x Fem!Reader | arranged marriage!au, husband!Seokjin | Strangers to lovers, angst, self discovery, loneliness in luxury, touch starvation (eventual smut), eventual domestic fluff
Summary: You’d never needed anyone else. Growing up alone, living alone, existing alone. It all came naturally and effortlessly, quite like breathing. That was until your somewhat distant parents finally decided it was time to make good on a promise. One they’d made before you were even born.
Warnings: There’s only one bed - but nothing too saucy lol, touching
Word Count: 2.4k
A/N: Just a mixture of fluff and angst for you guys hehe
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When you came out of the tiny bathroom that night, the lights were already off, and all you could see was the mounded shape of Seokjin underneath the bedcovers. He must have been pretty tired, as he’d been the one with the most hours of driving under his belt so far. You stood and appreciated the way the lamps from outside cast tiny slivers of light across the surface of the duvet.
You climbed in, wishing that the bed was a lot bigger so that you didn’t have to feel or sense his presence anywhere near you, the idea of little proximity making your knees weak … also considering his lack of shirt.
You wanted to be close to him, to feel his skin against yours, to hear the way he inhaled and exhaled small puffs of air as he slept, or even just the sound of his gentle heartbeat. Having that sense of closeness would make you feel so incredibly relaxed. You didn’t know how badly you craved it until now, and you didn’t know why that was.
Then he was turning over, and it was slow enough to make you panic, but not slow enough to give you the time to inch further away or turn yourself around. You were face to face with him, and his cursed eyes as they took in your slightly parted lips frozen from fear. 
Why is he even awake?
He didn’t say a word, just blinked and waited for your tensed up muscles to loosen. As you sighed and ran a hand through your hair in frustration, he lifted one corner of his lips ever so slightly into a knowing smirk.
“You scared me, idiot,” you whined in a low tone, turning to face him again but keeping your eyes fixated to a point above his face. You couldn’t really bear the shame of looking into his amused gaze again. In truth, it didn’t seem like he wasn’t amused but rather just as curious as ever.
“Why can’t you sleep?” he wondered aloud with a certain rasp to his tone that you found much too attractive. A loud part of you wanted to ask him to just keep talking, not even caring what or who he talked about. You only realised then that you’d brought a finger up to start tracing the outlines of his shoulders leading into his collarbone, the feeling of his lean muscle putting your mind at ease for some strange reason.
“Physical contact, right?” he then said almost to himself.
Your finger stopped in its tracks and you lifted your eyes to his in confusion. You must have been way too tired to even form rational thoughts. Had you seriously just been touching his bare skin without hesitation?
“What?” was the only thing you could blurt out in your state of conflict.
He didn’t answer, but your shock was soon replaced by a tingling warmth when you felt one of his hands grazing the exposed skin of your waist, precisely where your shirt had ridden up the most. The way you shivered and sighed at the contact was too immediate to be considered normal, and you heard the way he softly inhaled at the reaction.
“You never really mention how badly you need it. I can barely understand it, or you,” he commented calmly.
“Your needs are different from mine. How can you understand something if you’ve never had to think about it? When you’ve never yearned for it so much that you almost lose your mind every time someone looks at you?” you said with a tinge of shame flaring immediately after the quiet outburst. You were too vulnerable, too much like an open book for him to read.
He seemed to be trying to keep his emotions concealed, but it was obvious how intrigued he was to watch your inner turmoil. He continued to run his hand downwards and then followed the slope of your hip back up towards your goose-bumped shoulders.
You were so happy to finally receive the touch and attention you wanted that you couldn’t help but shift closer to him. You heard a tiny murmur of disbelief rumble deep in his throat, but ignored it. You only moved to press your colder hand to his chest and run it upwards, and eventually burrowed your face deep into the crook of his neck. He was so warm, and it made you feel so unbelievably secure. You surrounded yourself with the scent of him and let out a large unbridled sigh of relief.
The wide hand that had stilled on your back from the shock began to move again. He gently brought your figure further into his and let his deft fingers continue tracing patterns onto your back over the fabric of the shirt.
“Since the wedding, I’ve made sure to keep my distance because I was sure we’d be out of this almost as soon as it started. I’ve always been reserved to people in my life and that hasn’t changed,” he said so quietly that you would’ve missed it if you hadn’t been so close to him.
“So, I don’t get what you’re seeing in me now really. I know you better than to think you’re seeing me as a simple warm body, it’s much deeper than that. Why do you feel the sudden change in attitude, after all this time?” Seokjin murmured. It was questionably the longest time you’d heard his voice speak in succession.
“I guess I just wanted to be this close to someone for once,” you whispered with a sad smile. “It’s like that one time we were dancing but a zillion times worse. Since the start, I’ve battled with loneliness and thought of myself as self-sufficient and independent, but for some reason it’s all suddenly changing, and I don’t really know how to feel.”
Right then was when you’d let your walls crumble into a dusty pile of bricks and stone. You were so exposed; you may as well have been sitting stark naked in front of the man. All your insecurities were laid out on the slab for him to see … One. By. One.
You continued in a breathy voice, one beat away from breaking. “It has nothing to do with how you’re not the warmest or most companionable husband out there. That didn’t matter to me before, and it sure as hell doesn’t matter now. Think of the life I’ve lived…”
It was silent for a few moments as you let him mull over his thoughts. The rhythmic sound of his relaxed breathing soothed you into your next words.
“A partner. That is what you are to me, and that means you’re kind of irreplaceable since I’ve never had one before. It doesn’t matter if you’re distant, or cold, or even confusing at times because at the end of the day we only have each other to come home to. And if you’ll indulge me sometimes, I’d like to see you as the rock that keeps me grounded. The one common denominator reminding me that I’m not alone in that big, empty house.”
You paused, not knowing if you should continue due to the lack of response. When he seemed to still be running it over in his head, your sudden spark of confidence fizzled and almost died out completely.
“I’m probably the most selfish person for this, but to put it simply I’m using you as a security blanket. Wrapping myself up in the familiarity just to feel safe. Because you always just seem to have it together whenever I’m the one breaking down.”
He was just starting to open up to me as well, yet here I am scaring him away like a madwoman.
“That’s why you wanted to stick with me since the beginning, right?” he spoke surprisingly after a few heavy moments. “At all those first parties and balls you had no idea of what you were doing, so you asked to stay beside me because you were the outsider and I was the one stranger out of all of them that you just happened to know a little more.”
he mused, cast into a thoughtful sense of amazement. “I saw that you were scared, but didn’t know that you felt that way back then.”
You couldn’t help but shift your gaze upwards to garner any kind of visual reaction from Seokjin. When you only found his eyes looking down at you with a profound look of shining sympathy, you blinked away the tears pricking at the corners of your own and buried your face deep into the space between his neck and shoulder. He was a like refuge, and you were only hiding from your own disgrace.
The sound of his deep even breathing was lulling you into a sleepiness so strong that you could feel your lashes kissing your cheekbones every few seconds. Your chest was positively alight with a burning bittersweet combination of happiness and regret.
He was holding you close, giving in to your cry for help even though your past self would have never believed it.
~
Days passed, and ultimately so did your roadside adventure.
The last night was proving to be an absolute delight, with the whole group sharing toasted marshmallows on large twigs around a crackling campfire. The vehicles were parked around you, casting long looming shadows along the grass while you all reminisced about your healthy time spent away from work and life in general.
For you, the highlights had definitely been the beach. Feeling the sun-kissed sand underneath your toes and listening to the sounds of rolling ocean waves had almost put you in a trance of sorts, a serenity you could barely describe. Other memories were things such as shopping in the old town stores, dining on the most nostalgic meals, spending the summery nights gathering with family members and catching up on your busy lives.
These were all just some of your favourite moments spent on the trip, but they couldn’t compare to the ones you had experienced with Seokjin. Even now, as you sat near the campfire surrounded by the busy ramblings of your real family, his magnetic field of a presence drew you in.
There he sat next to your grandfather; three fingers pressed firmly to the strings of an acoustic guitar while the older greying man showed him how to strum out the chord. You felt your heart squeeze when Seokjin smiled lightly and took over from the elderly man. He began playing the instrument shyly, fingers still shaky from inexperience but getting the hang of skill as if it were something as simple as breathing.
“(Y/n).” His steady voice broke into your thoughts like a freight train. You brought yourself back into focus to see him tapping the tightened strings of the guitar gently. The warm orange glow of the nearby fire flickering its own cadence of hues onto his flawless features.
“I’m getting one of these when we get home.”
Everything within you stuttered at his matter-of-factly statement, and for some reason the smile plastered on your face began to falter.
‘When we get home.’
Why did these simple words cause your bottom lip to quiver ever so slightly, or your eyes to brim with unbidden salty tears? You couldn’t even pick apart the emotions within you to decipher whether they were ones of happiness or sadness. Everything was a jumble.
“Sorry,” you excused yourself before placing your stick covered in gooey marshmallow remnants on the flat log below. Nobody really took notice as you made your way briskly towards your motorhome, face tingling with pent up feelings and mind a whirring mess.
I’m happy, and surprisingly enough, that’s a bad thing.
You let the motorhome door click shut and threw yourself onto the soft pillowy bed face-first.
I’m happy on this trip, but that isn’t the problem. I’m happy with him…
A lonely tear of frustration escaped the confines of your willpower, trailing a warm path down your cheek in a sad descent. It soaked into the white fabric underneath.
I’m not meant to be happy with him! I’m meant to be just waiting it out until we go our separate ways. I’m meant to be disengaged, disinterested.
You gripped the bedcovers harshly, knowing that your own foolish need for his touch had gotten you into this chaotic disarray. You were so happy to know that he wasn’t an asshole, that he wasn’t some douchebag who had his head stuck up his own ass. You were ecstatic to find out that the man you’d been condemned to marry just wasn’t the whiny juvenile brat you’d expected.
“But why would everything be easier if he was?” you whimpered to yourself.
Then the door was being pulled open and the sounds of the chirping crickets flooded into the van, all the way to your throbbing ears.
“Hey, what’re you doing?”
Hearing Seokjin’s voice after mentally recalling every aspect about him you admired only twisted the knife deeper into your gut. You knew you should have pretended to be tired and needing sleep, but under his watchful eye it just wasn’t going to happen. Slowly, you sat up and combed the flowing hair out of your face with firm unforgiving fingers.  
At the sight of your tear-stained skin and blotchy eyes, Seokjin’s gaze softened and he exhaled loudly before making his way over. You were so upset at yourself for letting things happen the way they had, but this time you didn’t hide your emotions away out of courtesy.
“I’m sorry Seokjin.” You cleared your throat and sniffed. “I’m sorry for letting myself believe... I’ve gotten so used to fooling other people about us that I forgot to exclude myself. So, I’ve been fooled.”
By now the tears were gone, and the only evidence remaining of your explosive breakdown was the hoarse edge to your voice. You knew he probably wouldn’t understand the confession, and it wouldn’t hurt his feelings. You were the only one dumb enough to pull the veil back over your eyes. The veil convincing everyone watching that you were in love, and in turn seeing it all through the same shroud.
You couldn’t lie to yourself anymore. You were in love with him. 
Copyright © 2020 by salade. All rights reserved.
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aggresivelyfriendly · 5 years ago
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Day Four: The One With The Metaphors
More wish fulfillment! I love this one, obvi- I love a metaphor. Anyway! Thank you so much to @dirtystyles for the read through and screams!
Send me screams! Reblogs are definitely love!
I’m starting a tag list as well for when I post- if you’d like- send me a note to add you! Thanks @awomanindeniall for the suggestion!
Elise woke up aware that something was wrong.
Amiss, that was a better word. Nothing hurt and she was supremely comfortable and warm, but something was off. It took a moment for her to puzzle it out.
The sun was high through the window, so at first she figured it was that she had slept in so unbelievably late. She'd been up to the wee hours last night. Elise could remember the clock on her iPhone saying 3:30am, lying in was not surprising, but a consequence. Her room was still, only her knee joints cracking when she stretched broke the silence.
The house was quiet too, but Harry had been a quiet housemate for the three days they'd been quarantined. He usually skulked about quietly in the morning to avoid waking her, and when she went down, he set about treating her like a treasured guest instead of the chick he sneezed on. Making her breakfast or doing her coffee immediately, like the world's best waiter.
Oh! That's what felt weird about today! She'd woken up in this stranger's bed in this stranger's house and didn't feel weird about it. There was none of the disorientation and then fear she'd got on the other mornings. The first one, she'd realized it wasn't her bed. Her bedding was an ombré of blues and purple, and while she liked the sheets, thought they were comfortable, she knew it would be hard to go back to them now. Harry's bedding was like the very plush stuff she had encountered when she went to see her one and only concert, by invite, of her friend Daphne. Elise wouldn't name the band. They'd stayed at a high end hotel. She'd been afraid to sit on the couch. She'd adopted an air of whatever by the time they made it to the bedroom, because she didn't want Daphne to notice how impressed she was. The friendship had petered out in high school, but they were buddies for a time. And Elise got used to her lifestyle, but never comfortable. She remembered the comforter in the hotel was down and over stuffed, and the sheets felt like a billion thread count. She doubted a cloud could feel better.
Harry's was better. In his guest room. Imagine what he had on his own bed! No- she wouldn't!
In any case, it was a glaring difference. On day one, or two, she'd need to nail down how to count the days, she realized, the blankets had caused a domino reaction. She'd reached behind her immediately and sighed in relief when she felt no body behind her. But they could have gotten up for the bathroom, maybe that's what had initially woken her.
So the next step in freak out containment was to smooth her hands down her body and confirm she was clothed. One night stands were not her style. It had happened once. Their sheets had not been this nice.
They had not been as nice as Harry in any way.
What would it be like to wake up, do her checks, realize she was in another's bed, and find it to be Harry. She giggled while she skipped down her own mental path. Waking up with Harry Styles, his actual bed, not the guest room one. That would have been a shock in every sense of the word. A pleasant shock, you might even do the walk of no shame from. In any case, this morning was different, but not that different.
Today, it just felt like this is where she woke up now. Her giggle broke the cold air, yeah, this was not a life she'd let herself get used too.
Poor international student and desert rat were still her bylines.
The plush bathroom was also amazing though, and she lingered over the heated floors. Just because she couldn't have them forever didn't mean she shouldn't appreciate them while she could.
It was 11:30 by the time she made it downstairs.  In truth, maybe she was stalling.
She didn't want to tell him she disliked his favorite book.
Well, dislike was a strong word. The book was alright, but Harry loved it. Elise felt like he would want her to love it too. They'd found things in common yesterday and it was lovely and thrilling. His face would light up in a way Elise wanted to be the root of, but they didn't have this new thing in common. He made this happy puppy face, full of energy and youth when they hit upon a movie they both spent hours rewatching, or bands they loved, listening to albums on-repeat in adolescent bedrooms. She hated to tell him it didn't expand to Norwegian Wood. She'd even worked on a line to soften the blow.
I like the prose, but not the protagonist. That's what she would say.
Did Harry see himself as the protagonist? Did you have to identify with a main character to love a story? Maybe you did, though she didn't see herself as a swamp girl, like the main in the book she had recommended to him. She did feel like an outsider, she supposed. She suspected everybody did a little.
Did Harry feel ordinary, and torn between melancholy and merry? He seemed bright to her- like a little firefly in the dark, with his bright shiny teeth and crinkly eyes. She'd listened to his first solo album, it had been serious to say the least. Wistful, nostalgic, sad in mood, ultimately hopeful. Maybe that's what he was like inside, and he just wore an upbeat face. Was it a mask?
But Harry was anything but boring. He was extraordinary. She believed that long before she was stuck in a house with him. It had just been confirmed by proximity.
Elise felt like she should listen to his new album right now to get a handle on where he might be at the moment, or closer to the moment. She almost pulled it up of her phone.
Shaking her head, she existed out of Spotify, she'd have to listen to his new album tonight. Elise knew if she stayed up here much longer, her temporary housemate would be at her door. Probably with coffee, just as she liked it, and maybe even toast. Oooh, that sounded delicious, maybe she would wait.
She wouldn't.
Elise took light steps down the stairs, she had it in her head to startle Harry. It was a strange impulse, people always did it to her, and she always jumped a foot. Apparently, everybody always found that hilarious. She didn't. Must be being on the wrong side of it.
She was about to find out.
Except Harry wasn't in the kitchen where she had come to expect him in the mornings. Though there was hot coffee in the French press with her cup next to it. The mug that said more joy. She'd liked the sex one, but it made her blush a little, she avoided it.
He'd noticed her pink cheeks, given her the joy one, and sipped from the other, his green eyes over the rim, dancing at her reaction to every sip. She shook off the memory.
The first sip was hot and everything she loved about the break of day. Rich in smell and possibilities and full or flavor and energy.
Elise drank three more gulps before she set off to scare Harry. She poured carefully and was proud enough to do a tiny happy dance when she didn't spill any.
"Yay! Why are we twirling?"
That time she did jump a foot into the air, and she was glad she wasn't holding the mug to warm her hands like she usually did. It would have shattered on his beautiful floor, and she was sure it cost a million pounds. The floor, though the mug was designer, she knew. A mug couldn't cost a million pounds right?
"Jesus! You scared me!" Elise had a hand to heart, coffee dribbles on it.
"Sorry!" He didn't look contrite in the least. The purse of his lips trying to flatten them into a rubber band. How did he not know better? They didn't flatten, not effectively, ever. His lips weren't juicy persay, but they did seem a little overfilled, like an exuberant cupcake. This morning she noticed they were framed by extravagant scruff, it had been sprouting for a day or so, and honestly she thought it made his face look a little dirty, but today it was filled in, darker, and the frame around the fruited hues of his lips was distracting. As was the beautiful hazard of his curls on his head. All of it was better than the horror of his eyes.
When she was younger, and she'd jumped from Liam as her girlhood crush to him, it had been the green of his eyes. Later, when Taylor sang about them, Elise could totally understand.
She was a little breathless, from the scare, and there was still coffee to clean up. She shifted her eyes and grabbed paper towels.
"Well," he cleared his throat before he spoke. "I feel I owe you breakfast because I gave you a fright. You had a full English yet?"
She hadn't. "Isn't that a lot of trouble though?"
"Well, it takes a bit, I'm thinking we have the time though. And I wouldn't call it trouble, and we both have to eat, yeah?" He said this from the fridge where he was already pulling out the necessary articles. "And it's late enough that we should call it lunch too. You slept in today."
"I did." She nodded.
"Just exhausted, or?" He was slicing tomatoes. She was watching him. He had really long fingers. They curved around the tomato in a way that made her sad. Or curious.
"What?" He was really distracting today. She'd have sworn she was over this crush ages ago. She supposed the real person was different to the images she looked at and created in her mind.
"Why so tired today? Up late?"
Oh, he wanted to know about the book. "Yeah, um, I was finishing Norwegian Wood."
"Did you like it?" He was smiling like he knew the answer.
"Um, I liked the prose." She dissembled, left out the protagonist part to avoid offense.
He frowned over the bacon he was laying in the skillet. Round bacon still threw her off.
"The prose? But not the book?" He guessed.
"It was alright. I didn't really like Toru. He frustrated me."
Harry went to run his hands into his hair, and maybe it was the cooking, which she was thankful for or the new worldwide obsession with hygiene, but he stopped himself. "Oh, I quite like Toru. I think he is like, like most guys. And because you are in his head you kinda get why."
She wanted to tell Harry he was nothing like Toru, way more interesting, and for someone who apparently thought they were indecisive, he was really in charge of his life. That it wasn't a fluke, or luck, not entirely. That it was him. She wanted to tell Harry he was special.
"Did you like my recommendation?" She asked.
He made a funny face. Oh? He didn't. That miffed her a little and she suddenly understood his upset.
"Can I say the opposite? I like the story, and the characters, but not the prose." Oh she'd loved the prose style. The lyrical quality. Way more lush than his pick.
"We must just like different styles."  She tried to shrug it off and was totally unclear why she couldn't. "I like my books to almost sound like they are lines lifted from a song."
"Oh, I kinda like minimalism, in songs too." Why did they both seem sad about it.
Breakfast was delicious, and it distracted them for a while.
When Harry was finishing up his last piece of vegan bacon ( he'd broken that to her after she'd praised it), chewing thoughtfully as a beaming smile lit up his face.
"I know- you find a song or album you feel like is exactly what you love, and I will too, and we can share. We may not ever like each other's books, but music, well I like all music." He was grinning and she thought the term firefly wasn't as apt as lightening bug.
"That's a great idea. Let's brainstorm and meet up in an hour." Her literal first thought was 1989, but she would not go there.
Nope.
Two hours later, she had a list of three albums, and trotted down the stairs to find him.
"Alright Styles, show me what you got!"
He looked up from the notebook he was scrawling in and he tried to smile.
"Hey, this is supposed to be fun Harry! It doesn't look like you are having fun."
He went to put the end of the pen in his mouth and moved it down to his chin. "This is harder than I thought. Only three? And I'm trying not to be too predictable."
"Just be honest," she shrugged, and plopped on the carpet next to him with her legs pretzeled, her air pods and her phone.
"I'll do one first. Are we doing the whole albums, or like songs that are great examples?" She asked as she opened her Spotify.
"Whole albums! What else do we have to do?" He quirked the more masculine side of his face and she realized she'd chosen to sit really close to him. It wasn't really necessary with the air pods, but he didn't seem to mind, he was leaning towards her.
"Alright, well let's go. I'll show you mine, then you show me yours, then again. Til we're done."
"Or naked!" He chuckled and she blushed, tried to hide it. He sobered and got back on task. "Can I have some honorable mentions?" He asked.
"Yeah, but those you gotta pick a song!" Elise nodded at her brilliant allowance.
"Deal!" He put out his hand and they shook. Then she placed an air pod in his hand.
"Let's go!" She pulled up the first album she had in mind. "This one is Oh Wonder's self titled."
"Oh, I know them a little."
By the end of it, Harry had scrawled his favorite songs, and downloaded a few.
"Good?" She asked.
"Yeah, they sound great together, and lots of metaphors."
"That's what I like!," she said.
"You'd like Arctic Monkeys, specifically AM." He told her, so she made a note of it. He'd already mentioned he liked them when he was younger. She knew of them, but they must have been much bigger in Britain or something, she'd download something.
And then he played her Astral Weeks, and they wound up laying back on the floor with the cord of his ear buds laying slackly between them. And she got what he meant about minimalism. She usually liked it wordy, got her emotion from lyrics, but she still felt a lot, even without the words.
"Alright, I feel like you are bringing the oldies, Styles. All of mine are this decade."
"Yeah, I thought about that, but I only have one from this decade."
She laughed, "I'll allow it. This one I'll bet you know."  She put on Hozier and if she thought sitting so close had been overwhelming, him singing in his lower register, essentially in her ear was wholly distracting. He knew most of the songs.
"I feel like it's not my favorite, but it's clearly amazing!" He said when it was over.
"Well, what's your favorite?" She sat up with him and they were facing each other, their knees were touching and her yoga pants were hot all the way up her thigh.
"This one." He spent a moment looking for his ear phones snake like cord and turned back to her. She was glad when he arranged them side by side before Harry Nilsson started to play.
"Like it?"
"Yeah-!" She butted into him with her shoulder. "He uses some figurative language." She raised an eyebrow.
"I suppose he does."
"But he does that sound thing you like." She mused.
"How do you know I like repeated sounds?" Oh, he looked amused.
"I like your first album." She confessed.
He bit his lip and dimpled and Elise had to turn away. This was normal. He was the only person she'd seen in days, and well he looked like, was, him. She was gonna forgive herself the butterflies. "Um," she picked her phone back up. "Do you want to get a snack? Or keep going. I need some water at least."
He was spooling up his cord and standing. "I got an idea." And he was gone before she could follow him. Elise sat for a moment. Should she follow him? He didn't really invite Her. Did you have to be invited to follow your de facto housemate? She supposed she'd just wait.
But that was an awful decision, because she just sat there and thought about how this quarantine day felt like the best date of her life. Dammit. She was gonna wake up tomorrow sad she wasn't in his bed. She could just tell. She was also probably going to have to touch herself to sleep. She knew exactly what she'd think about. It would be when she turned to her side and watched his mouth form around the deathless death lyric in Take Me To Church.
Elise was actually fanning herself by the time Harry came back in.
"Is it hot in here?" He asked.
"Oh, no, I was just dancing a little." God she was lame.
"Oh! Hold that thought for my last album. And I've brought provisions!" His eyebrows were so high and perfect. She liked his proud face.
He'd brought alcohol. That was exactly what her libido needed. Shit.
"Pick your poison. I have an excellent red, or we can just skip to the party with tequila shots."
"Yeah, no tequila, sun's still out."
"Oh, is this a rule of yours? No tequila until sundown." Why did he look like he found that hilarious?
"Not if you want me to keep my clothes on!" She resisted the urge to slap a hand over her mouth.
"Right!" he crowed. "Tequila it is!"
"No, no, I'll take wine." She pulled his hand down from opening the bottle of amber liquid and started on the darker bottle.
"You are a party pooper!" He laughed.
"Can we plan the tequila party for another day?"
"Oh, we should do that. I have a pool! We can make margaritas and lounge."
"Harry, it's March! In London," she added. Because it was definitely pool weather in Arizona.
"Well, I have a hot tub."
She swallowed and focused on getting the bottle opened. "Are you having what I'm having?"
"Yeah, I guess. But in a couple days, we are opening the other bottle, deal?" He handed her the waters he'd brought in too. She needed to drink that first, and between, and after. To slow her intake down.
"What's with you and hand shakes?" She laughed and handed him his glass instead of taking his dangerous palm.
"I dunno, gotta seal the deal!" He shrugged. "So what's next?"
"Right!" She scrounged to find both earbuds and they cheesed to the beginning notes of 'Red.'
"I already said you love her. Typical! And well, I can't blame you." He mused towards the end.
"Why?" She felt like that would be a slight, but he didn't say it like one. Typical stung just a little. Basic Arizona bitch sounded in her head.
"Just you like lyrics, and she is so clever and relatable, and I'm not an American, or a girl, but I imagine it's more specific to you." He titled his head.
That made her feel better. Was kinder than she'd been to herself. "Yeah, yeah, I've liked her since I was way younger. I saw her at a county fair really early on and fell in love."
"And you like this one better than her newer ones?" He asked. "I haven't gotten around to listening to Lover yet." He had a look that meant he may never. She wondered about that but decided to pull him from his dip in mood.
"Well, actually, 1989 is my favorite, but I thought it would be too weird to listen to that with you."
"Ha!" He burst out laughing at that, and they giggled helplessly, aided by the bottle of wine they'd finished. "Well, I'll thank you for that thoughtfulness. We need another bottle." He started towards the door. "But it's my favorite too!," he threw back over his shoulder as he got just around the door.
"I'll bet." She said to herself.
His last album was a surprise.
"I'm surpirsed it's not Stormzy Everybody here talks about him all the time." She mentioned when they started.
"Nah, though I love him, and his music, he's very clever. But Kendrick is more honest." They danced to the upbeat songs and Harry shocked her when he pulled her close and danced up on her a little. She tried to chalk it up to the wine, but the feeling of his thighs cradling her ass was gonna follow her into her bedroom, into sleep, and maybe forever.
By the end of the second bottle, they'd gotten the munchies and were raiding the fridge.
"Should we do take out?" He asked.
"Nah, let's cook something." And they spent an hour making squash stuffed with quinoa scented with maple syrup. He was a good cook too. Fucker.
"Can we do my honorable mentions now?" He asked after they had popped the third bottle of wine and were sleepy and full and a little wine drunk.
He was on the couch and she was sure her jaw was gonna unhinge when he stayed stretched out and opened his arms like he wanted her to come lay with him.
"Do you want to?" She made some idiotic motion between them.
"Yeah, I sat my headphones down in the kitchen and can't be fucked to go get them. We can just play it out. Come cuddle me."
How could she say no to that. Should she disclose her ear buds were nearby? What didn't he have ear buds? She went to him and laid down. Because the opportunity was too compelling.
They listened to Dark Side of the Moon, well he did and she mostly listened to his heart.
When he put on Otis Redding, well, she already thought she was in trouble. She was hoping he hadn't given her coronavirus, but if he kept acting like this, she was gonna have caught more than a bug, and she was sure it would last more than 14 days, or three weeks, or however long the world was on pause.
Feelings didn't have a pause.
She was trying to figure out if she was too tipsy to get herself off him gracefully, when she realized he was asleep. She looked up at his smooth face, all gorgeous angles and bright spots.
She was infected.
Elise was steady on her feet while escaping up to her room. She was less steady as she revisited her morning musings. Harry wasn't a Toru, he wasn't an Everyman, he wasn't like anybody she'd ever met.
He was lightning in the night.
Elise was surprised she hadn't gotten anxious yet? Normally she would be itching to go, do. She wasn't even missing the parks she had on her list of things to do. She felt content.
It must be that she felt excited most days to go downstairs, to see what she and Harry would get up to on any given day of their quarantine. She had loved dance time tonight, and she'd plug in headphones and share conspiratorial smiles over Harry Nilsson with Harry Styles any day.
There was a part of her that wanted to listen to this with him. Have him explain it to her. She'd liked it the time she had listened. Liked the singles enough to stream and download them.
Elise imagines laying next to him on the couch as the"dun-dunnnunas" started playing in her ears.
She didn't think much at any sensations for the next forty minutes, she let herself drift away on Harry's Fine Line. She had to listen again to answer her earlier question about whether Harry was melancholy or merry.
He was both, she decided.
Maybe he just needed to see that he was a fine line too. And the duality between sad boy and pop star was what made him everybody's favorite fixation.
Elise knew she was a fine line as well, she hoped she ended up alright.
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alloftheimagines · 5 years ago
Text
billy hargrove | heaven-sent | part two
masterlist | series masterlist | part one
words: 1k+
warnings: mentions of death, arguing, smoking
disclaimer: i in no way support the actions of billy. i just find his character interesting and want to explore it more with my oc. takes place from season 2. OC is hopper’s daughter. sorry this has no billy in it but I want my OC to be as much a part of the story as the other characters and you do get dad!hopper and sister!el.
summary:  she’s an angel. he may as well be the devil. one would not exist without the other.
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"Look at that," Hopper says by way of greeting, a disapproving look on his face as Frances shuts the door behind her. He and El are sat at the table, microwave dinners still in their plastic containers in front of them. He doesn't even bother to use goddamn plates anymore. "She decided to grace us with her presence."
In response, Frances flashes him a sarcastic grin, taking a seat at the table. The chair wobbles under her weight, far from sturdy. The furniture had been here almost as long as the cabin itself, and it wasn't hard to tell with the damp wood that had never dried and the looming feeling that all of it would crumble beneath them if they so much as sneezed too loudly.
El sits opposite her, picking gingerly at her peas with a fork—a metal one, thank god. Frances has saved a real smile for her, and El returns it, though even now, after almost a year, her big brown eyes are like a deer's caught in headlights.
"You wanna tell me where you've been?" Hopper questions, mouth half-full with food as he scrapes around for the last few pieces. "You promised me you'd be here tonight, Frances."
"I was with Jonathan. I lost track of time." The lie came naturally now, though she and Jonathan barely spent any time together outside of school anymore.
"Funny, since he was looking for you on my way home. Told me you made a dash for it after school. You kids still play hide and seek or are you lying to me?"
She pauses, blushing despite herself. "Maybe we were feeling nostalgic."
"Don't lie to me, Frances." His sarcasm was gone, replaced by a severity that surprised even her. "You said you'd come straight home after school. The kid needs you here."
"I'm not a babysitter," she spat back, standing up and causing the chair's legs to screech against the floorboards. "I was busy."
"Doing what? Chain-smoking?" He drops his fork and towers over her, his blue eyes piercing as her cheeks turn a deeper shade of red. Gravy has splattered against his shirt. "I can smell it on you."
Frances raises an eyebrow. "You sure that's not your own breath?"
Inhaling sharply, Hopper closes his eyes for a moment, fists pressed against the table angrily. "You're unbelievable."
"Stop," El whispers, drawing Frances's attention away from her father.
Hopper pinches the bridge of his nose, and when he opens his eyes and looks at her again, his eyes are steely. "You're grounded." His voice is low, steady. "I want you home at three every night for the rest of the week. No going out this weekend, either. You disobey me again and that camera can find a home in my locked desk. How's that?"
Frances clutches the camera instinctively, narrowing her eyes. "Fine," she says finally, pushing her chair back under the table and walking to her room. She closes the door behind her, letting out a ragged breath as she pulls the camera from her neck and places it on her desk.
Her eyes drift to the window, where the forest is bathed in shadows and the moonlight floods through the branches, casting fractured, pointed silhouettes onto her face. The nature used to be a comfort to her, but now she can't help but imagine them creeping in the darkness, waiting for blood.
A small knock on the door breaks her out of her reverie, and she jumps, shutting the curtains quickly and turning on her lamp to light the room in a soft, rosy glow. When she turns around, she finds El standing in the doorway, hand still on the door knob as though she's debating whether she should come in.
"Hey," Frances greets softly. El presses her lips together — her version of a shy smile — and enters, the door clicking shut behind her. "I'm sorry for fighting in front of you. You shouldn't have to put up with that. And I'm sorry for not coming home earlier."
"It's okay," she shrugs, planting herself sheepishly on Frances's bed, causing a few of the teddies propped against the wall to tumble.
"No, it's not." Frances collapses beside her, taking her hand. "It wasn't your fault. If you weren't here, we'd find something else to argue about."
"Like?"
Frances sighs. "Like how he drinks too much and is never around. Like how after Sa..." She swallows, her sister's name getting stuck in her throat.
"Sarah?" El questions, understanding.
At the sound of her name, tears prick in Frances's eyes. She blinks them back, looking away from El as she replies. "Yes."
"You miss her."
"Yes," Frances breathes, finding the one photograph she has left of herself and Barb tucked in her mirror opposite. They're smiling at the request of Barb's mother, a documentation of their first day of high school. Frances's right arm has fallen naturally over Barb's shoulders, and she stands on her tiptoes to maintain the pose while Barb stands hunched, books tucked under her arm and glasses she hadn't yet grown into slightly askew. "I miss a lot of people."
El follows her gaze, squeezing Frances's hand tightly. It snaps Frances out of her daze, and she wipes her eyes quickly, uncaring if it smudges her cheap mascara. "You wanna read before bed tonight? Make up for me coming in late?"
Eleven nods, grabbing the book they were in the middle of from the bedside table and handing it to Frances. The book was tattered, the spine near falling apart, but it had been Sarah's and Frances had never been able to bring herself to throw it away. At least now she had some use for it.
There is a sadness in her voice, thick and heavy as though something is caught in her throat, as she reads to El softly. She hears her door creak halfway through, feels her father's watchful eyes on her, but she makes no effort to turn around.
She finds herself wondering when her family became this.
part three
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louistomlinsoncouk · 5 years ago
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Q&A: Louis Tomlinson On 'Kill My Mind,' Taylor Swift, Oasis And More
Louis Tomlinson released his invigorating new single, the indie-rock leaning "Kill My Mind," this past week. The song has become an instant hit, earning raves from his massive fan base and critics.
When I spoke to him by phone this past Friday morning as he was leaving rehearsal for an upcoming show in Madrid, Spain, he said, "With this song I feel like I'm finally comfortable musically."
As a fan who grew up on bands like Oasis and the criminally underrated British band James, both of whom were featured on Tomlinson's recent playlist of "Kill My Mind," influences, Tomlinson is very excited to explore his rock side.
I spoke with Tomlinson about what led to the new direction musically, the love he still has for One Direction fans, why he admires Taylor Swift's social media skills and Liam Gallagher's rock star attitude and more.
Steve Baltin: How gratifying has the response to "Kill My Mind" been?
Louis Tomlinson: I think for anyone who works creatively it's always important to take risks and get out of your comfort zone a little bit. But, for me, with this song I feel like I'm finally really comfortable musically. I think I played around with a few different sounds on my previous singles. And I think I really found my home now. Before I was kind of making music that I think I assumed was the music I was supposed to make as opposed to just following my heart and doing what I love. I feel really comfortable and really confident in this song.
Baltin: It's comfortable for you, but for the fans it is still a little new. So that's what I meant about the response being gratifying.
Tomlinson: Yeah, you're right. It's taking a risk I suppose with the fan base. But I think also where I'm lucky and what my fans have reacted to is they see how comfortable I am and how natural this is for ne. And I think they feed into that. The reaction has been absolutely incredible, it has been amazing. I feel great about the whole process.
Baltin: Do you feel like you are more comfortable in general as you get older and that is extending to music?
Tomlinson: Yeah, and I think as you grow up you're more confident and use your experience and trust yourself really. I think in this process it was important for me to trust myself cause when I first played the song for the record labels they were probably a little bit shocked, when I say record labels I mean my American label and UK label, but very excited. I think it's very important to push the boundaries and it makes me feel a lot better.
Baltin: Do you feel like this is the direction you want to grow musically?
Tomlinson: It's definitely taught me a lot and the reaction being so great, like the playlist I uploaded, this is a lot of my inspiration and a lot of my influences. I think this is probably the biggest statement off the album.I wrote this song with the deliberate intention of feeling a little bit shocking and exciting.
Baltin: Is "Kill My Mind" indicative or does it set the tone for the rest of the album?
Tomlinson: Definitely, I did a long of songwriting over the last two to three years and I've worked with a lot of different people.  I wrote three or four songs with Jamie Hartman, who's obviously on "Kill My Mind." And that was the first of that bunch and it made the songwriting after that a lot easier. One thing I did just want to mention is on the sonics of the song, other songs I released were really emotionally heavy. It was a great song for me and I needed to get it off my chest, but that's also kind of what made me excited also about the sound of "Kill My Mind" and the album kind of following on from that. It feels exciting, fun and nostalgic as opposed to being too emotionally heavy cause I didn't want to be defined as an artist who writes sad songs. That's now what I want to be.
Baltin: But every great artist has that diversity, from Elton John to the Stones, they have that range of sad songs and rock tracks. Who are those artists that inspire you for their evolution and range?
Tomlinson: It's a good question because sometimes in music, I'm not gonna mention any names, you get those bands that follow the radio trends. You lose a bit of identity and who they are as artists. If I think about my favorite band ever, Oasis, and I think about Liam Gallagher, I think it's almost as impressive he's retained such a strong and well-known sound, but still makes it different enough and exciting enough. People have been listening to Liam Gallagher for however many years and still they're interested.
Baltin: I have interviewed Liam multiple times and part of what makes him so special as an artist is he just doesn't give a damn.
Tomlinson: No he don't (laughs). It's refreshing.
Baltin: Going back to the playlist, James for example is a band I love. It's interesting because it often takes time when making a record to gain perspective on what a song or record is about. Did you feel all these influences right away or did it take a minute to hear them?
Tomlinson: I think that playlist, when I put it together, it was kind of a combination of general inspiration to me across my life and also specific to that song. But where I'm from in England, the North of England, that band sound was very prominent anywhere. And it's something that I've always loved and is a little bit different to your average One Direction fan's music choice. I've made some other playlists as well. It's really amazing for me for fans of mine who haven't heard someone like a Sam Fender, unbelievable, and just to get that moment of me sharing what I love listening to music and them giving their feedback is really nice.
Baltin: What would be the coolest thing you could hear someone say about these songs you turned them on to?
Tomlinson: For me, I'm big on lyrics and I suppose that's why I mentioned Sam Fender, I think he is a fantastic lyricist. And if there's a song or a lyric or something that I resonate with and then I get feedback from the fans that they also like that, it makes us feel even more connected and even more on the same page. And social media in general, obviously that is a massive conversation and there are of course pros and cons and everyone can be on social media less. But the amazing thing for me is it gives me a chance to have a real, genuine, direct relationship with my fans. I know that I wouldn't feel as close to my fans without social media. What is great when Taylor Swift, and she is f**king amazing with her fans, does these listening parties and brings fans to the house, the involvement of the fans is never ending. Nobody knows better than these people. So I'm always looking for clever and different ways to involve them and feel like they're included in the whole creative.
Baltin: Talk about how bringing this song to the stage excites you and also invigorates other older songs as well.
Tomlinson: Yeah, and that I have trouble with, putting a set list together because there are certain songs that fans gravitate to. I feel like, especially with my earlier couple of songs, like the Steve Aoki song, I love the song and it was a great song for me at the time, but musically it feels so different to where I'm at with "Kill My Mind" that we actually did completely strip that and start again and made a bit of an indie-pop version of it, my version of it. So it fits more in line with the rest of the stuff.
Baltin: What songs are you excited to bring to the stage and see how people respond to them?
Tomlinson: Well "Kill My Mind" obviously, I'm very excited to do that live. It's a song that naturally leans to a good live show. So that's an obvious one. But I think there are a couple of, on the album in general, songs that are written with fans in mind. So a little bit more sentimental songs and those are always special moments where, like you say, I can make eye contact with people in the first few rows and I can watch their brains thinking about the lyrics and how it relates to them.
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dailytomlinson · 5 years ago
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Louis Tomlinson released his invigorating new single, the indie-rock leaning "Kill My Mind," this past week. The song has become an instant hit, earning raves from his massive fan base and critics.
When I spoke to him by phone this past Friday morning as he was leaving rehearsal for an upcoming show in Madrid, Spain, he said, "With this song I feel like I'm finally comfortable musically."
As a fan who grew up on bands like Oasis and the criminally underrated British band James, both of whom were featured on Tomlinson's recent playlist of "Kill My Mind," influences, Tomlinson is very excited to explore his rock side.
I spoke with Tomlinson about what led to the new direction musically, the love he still has for One Direction fans, why he admires Taylor Swift's social media skills and Liam Gallagher's rock star attitude and more.
Steve Baltin: How gratifying has the response to "Kill My Mind" been?
Louis Tomlinson: I think for anyone who works creatively it's always important to take risks and get out of your comfort zone a little bit. But, for me, with this song I feel like I'm finally really comfortable musically. I think I played around with a few different sounds on my previous singles. And I think I really found my home now. Before I was kind of making music that I think I assumed was the music I was supposed to make as opposed to just following my heart and doing what I love. I feel really comfortable and really confident in this song.
Baltin: It's comfortable for you, but for the fans it is still a little new. So that's what I meant about the response being gratifying.
Tomlinson: Yeah, you're right. It's taking a risk I suppose with the fan base. But I think also where I'm lucky and what my fans have reacted to is they see how comfortable I am and how natural this is for ne. And I think they feed into that. The reaction has been absolutely incredible, it has been amazing. I feel great about the whole process.
Baltin: Do you feel like you are more comfortable in general as you get older and that is extending to music?
Tomlinson: Yeah, and I think as you grow up you're more confident and use your experience and trust yourself really. I think in this process it was important for me to trust myself cause when I first played the song for the record labels they were probably a little bit shocked, when I say record labels I mean my American label and UK label, but very excited. I think it's very important to push the boundaries and it makes me feel a lot better.
Baltin: Do you feel like this is the direction you want to grow musically?
Tomlinson: It's definitely taught me a lot and the reaction being so great, like the playlist I uploaded, this is a lot of my inspiration and a lot of my influences. I think this is probably the biggest statement off the album.I wrote this song with the deliberate intention of feeling a little bit shocking and exciting.
Baltin: Is "Kill My Mind" indicative or does it set the tone for the rest of the album?
Tomlinson: Definitely, I did a long of songwriting over the last two to three years and I've worked with a lot of different people.  I wrote three or four songs with Jamie Hartman, who's obviously on "Kill My Mind." And that was the first of that bunch and it made the songwriting after that a lot easier. One thing I did just want to mention is on the sonics of the song, other songs I released were really emotionally heavy. It was a great song for me and I needed to get it off my chest, but that's also kind of what made me excited also about the sound of "Kill My Mind" and the album kind of following on from that. It feels exciting, fun and nostalgic as opposed to being too emotionally heavy cause I didn't want to be defined as an artist who writes sad songs. That's now what I want to be.
Baltin: But every great artist has that diversity, from Elton John to the Stones, they have that range of sad songs and rock tracks. Who are those artists that inspire you for their evolution and range?
Tomlinson: It's a good question because sometimes in music, I'm not gonna mention any names, you get those bands that follow the radio trends. You lose a bit of identity and who they are as artists. If I think about my favorite band ever, Oasis, and I think about Liam Gallagher, I think it's almost as impressive he's retained such a strong and well-known sound, but still makes it different enough and exciting enough. People have been listening to Liam Gallagher for however many years and still they're interested.
Baltin: I have interviewed Liam multiple times and part of what makes him so special as an artist is he just doesn't give a damn.
Tomlinson: No he don't (laughs). It's refreshing.
Baltin: Going back to the playlist, James for example is a band I love. It's interesting because it often takes time when making a record to gain perspective on what a song or record is about. Did you feel all these influences right away or did it take a minute to hear them?
Tomlinson: I think that playlist, when I put it together, it was kind of a combination of general inspiration to me across my life and also specific to that song. But where I'm from in England, the North of England, that band sound was very prominent anywhere. And it's something that I've always loved and is a little bit different to your average One Direction fan's music choice. I've made some other playlists as well. It's really amazing for me for fans of mine who haven't heard someone like a Sam Fender, unbelievable, and just to get that moment of me sharing what I love listening to music and them giving their feedback is really nice.
Baltin: What would be the coolest thing you could hear someone say about these songs you turned them on to?
Tomlinson: For me, I'm big on lyrics and I suppose that's why I mentioned Sam Fender, I think he is a fantastic lyricist. And if there's a song or a lyric or something that I resonate with and then I get feedback from the fans that they also like that, it makes us feel even more connected and even more on the same page. And social media in general, obviously that is a massive conversation and there are of course pros and cons and everyone can be on social media less. But the amazing thing for me is it gives me a chance to have a real, genuine, direct relationship with my fans. I know that I wouldn't feel as close to my fans without social media. What is great when Taylor Swift, and she is f**king amazing with her fans, does these listening parties and brings fans to the house, the involvement of the fans is never ending. Nobody knows better than these people. So I'm always looking for clever and different ways to involve them and feel like they're included in the whole creative.
Baltin: Talk about how bringing this song to the stage excites you and also invigorates other older songs as well.
Tomlinson: Yeah, and that I have trouble with, putting a set list together because there are certain songs that fans gravitate to. I feel like, especially with my earlier couple of songs, like the Steve Aoki song, I love the song and it was a great song for me at the time, but musically it feels so different to where I'm at with "Kill My Mind" that we actually did completely strip that and start again and made a bit of an indie-pop version of it, my version of it. So it fits more in line with the rest of the stuff.
Baltin: What songs are you excited to bring to the stage and see how people respond to them?
Tomlinson: Well "Kill My Mind" obviously, I'm very excited to do that live. It's a song that naturally leans to a good live show. So that's an obvious one. But I think there are a couple of, on the album in general, songs that are written with fans in mind. So a little bit more sentimental songs and those are always special moments where, like you say, I can make eye contact with people in the first few rows and I can watch their brains thinking about the lyrics and how it relates to them.
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s-ephiroth · 4 years ago
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Sephiroth Week 2020 ( @week-of-silver-winds )
Day 7 - Re:birthday [Rebirth]
(Also available on AO3!)
Whew! It’s a wrap! A happy one at that :D Hoping everyone else had a good week!
-
"What…?" Genesis asked, caught off guard enough that he was actually flustered himself, to add to their happy little pile of cherry faced men. "I thought you liked Cloud?"
"I… I do. Very much, so," He said that after pulling back a little to stare at Cloud and caress his cheek, just to make sure the sentiment behind the words came across properly. And he accused Genesis of being a cheesy romantic. Unbelievable. "That, however, doesn't mean I'm incapable of… hn. Loving you."
Before that, Cloud had thought he would die from the sight of Sephiroth and from the feeling of being right in the middle of such an odd sandwich. But after what Sephiroth said, and the way his gaze went from him to Genesis… Cloud was almost sure he would perish from a lack of air, due to the arms around his waist tightening.
"I… c-can't breathe…" He warned.
"Oh! Sorry, darling, I didn't notice—"
"You… called me darling," Cloud cut in, now that he could breathe again. Turned just a bit to avoid looking much at Sephiroth, since that fondness on his face was doing things to him.
"But I do that all the time!"
"It sounds different when it's right after Sephiroth here chooses to… uh, distribute kisses."
Despite how entertaining to watch their bickering was, Sephiroth had to interrupt them.
“So, is this acceptable?” They looked back at him, waiting for further elaboration. More Cloud than Genesis, who had been confused and surprised but not so lost in the feeling of it. “An arrangement between the three of us?”
“I… Goddess. Yes, it’s okay in my books. I just need to know if Cloud would be okay with—”
With me being present in this, he wanted to say, but was cut by Cloud taking action against his lips. Which, despite his apparent lack of experience, wasn’t a bad thing. But Genesis had to wonder why Cloud would do something in this case and not back when he was sighing dramatically, not to beg him to just go to Sephiroth already.
Alas, Cloud didn’t say anything after that. He just turned to Sephiroth with the color of a tomato and nodded quietly. Even with his boldness and the way he almost scared Sephiroth out of his skin, he still managed to simply be cute. It was impressive that the things that happened in his world, which he mentioned from time to time, didn’t manage to steal that from him.
“Can we… Can we have a toast to that?” Genesis offered.
“Of course,” said Sephiroth, almost purring out the words in teasing, “after I indulge in both of you a little more.”
At that, Cloud let out a little noise before being silenced again between giggles.
-
Sephiroth didn’t know when his birthday was.
He never did in his first life and had even less chance of knowing during his time of blind alliance with Jenova. Genesis never bothered him much with it during the time they knew each other out of a silent respect. Sephiroth just found many of the birthday party rites to be odd; didn’t know what one was supposed to do while they stood there and others sang them “happy birthday”. Didn’t quite understand why he should celebrate when he was who he was; expected to do things because it was his place to do them and never really rewarded or pampered for his feats. Those were just his obligations, after all.
He didn’t get balloons at all.
They were too noisy when they popped and very unkind on his enhancements.
The only thing he got was the cake. But even then, he didn’t quite understand why limit oneself to have such a sugary treat on only that one occasion.
He remembered that Angeal found his lack of interest in celebrating his existence a bit revolting. However, he didn’t force a party at the time. He made Sephiroth a little cake and gave him a pot of strawberries, to make his far too practical apartment a little more lively.
It had died a little after Zack came back from Modeoheim, regardless of how much Sephiroth tried to save it. A bit of cruel irony.
He didn’t know when his birthday was, but Cloud still remembered his own. And he celebrated it with them in a way that was comfortable. Genesis got Sephiroth to help him cook Cloud’s favorite things for lunch and dinner and they treated him to breakfast in bed.
They shared a cake with strawberries on top.
Sephiroth wanted to say he missed Angeal and his opinion on things like that. But he wouldn’t dare to ruin the moment with his nostalgic sadness.
But oh, well. Cloud had been as much revolted with his lack of birthday celebrations as Angeal had, when he finally found out. Which had been bound to happen.
“But we have to do something,” he was saying, “at least to celebrate you being alive and not stabbing innocent people. When is it?”
“I don’t have a date.”
“Godsdamn,” Cloud muttered under his breath, “Then we have to pick one.”
“I don’t think that’s how it works, Cloud—”
“But he’s right,” Genesis offered, “if you don’t have a date and you want to have one, then we should pick one.”
Sephiroth looked at them and sighed.
He never had been good at choosing days to do mundane things. He usually did them as necessity arose. Or when he had orders to do things. So bad at choosing for himself between things and people that even when it came down to dating, he ended up choosing the two people who were most important to him at the present moment instead of picking one and watching the other suffer. Which, in all honesty, had been important for him to realize that he loved both of them in his own ways instead of one more than the other. And Gaia, he had been very relieved that they easily agreed with that one choice of his. Even more relieved that they ended up being into one another as much as was into them.
It was Cloud who picked up the little furrowing of his brows and came up with an idea.
“What about the day of your… uh. Rebirth? You know, when you came back to the living.”
“I don’t know for certain when that was.”
Genesis chimed in.
“When I found you… it was late October. I think the 23rd?”
Cloud gave out a frustrated sigh, sinking a little more against Sephiroth’s shoulder in an attempt to find comfort for that ordeal.
“That was almost a week ago…”
“And?” Genesis didn’t seem to be challenged by that at all. “At least it wasn’t a month ago or something. We can still do something special. I can… prepare the bathtub,” he drawled, “and I can bake a cake… while using only an apron and nothing else.”
Cloud turned around so fast that it surprised Sephiroth a little. His cheeks were the kind of red that Sephiroth really liked to see on him.
“I thought it was to celebrate his birthday and not just an excuse for you to be a horny bastard?”
“It’s a way to celebrate it!” Genesis countered.
At that, Sephiroth started chuckling.
“I’m fine with it. As long as it’s as comfortable as Cloud’s birthday was. I don’t mind that it’s a week later.” He hummed a little. “I’m just glad to have the two of you worrying about my sake.”
Sephiroth still felt troubled by a lot, and didn't get a lot of other things as well. Still barely held himself up, much like the ruins of Midgar, when it came to past traumas. Still wondered sometimes how to best handle the parts of his past which overlapped with what Cloud had gone through.
But at the very least, he wasn’t alone.
Not anymore.
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hlupdate · 5 years ago
Text
Louis Tomlinson released his invigorating new single, the indie-rock leaning “Kill My Mind,” this past week. The song has become an instant hit, earning raves from his massive fan base and critics.
When I spoke to him by phone this past Friday morning as he was leaving rehearsal for an upcoming show in Madrid, Spain, he said, “With this song I feel like I’m finally comfortable musically.”
As a fan who grew up on bands like Oasis and the criminally underrated British band James, both of whom were featured on Tomlinson’s recent playlist of “Kill My Mind,” influences, Tomlinson is very excited to explore his rock side.
I spoke with Tomlinson about what led to the new direction musically, the love he still has for One Direction fans, why he admires Taylor Swift’s social media skills and Liam Gallagher’s rock star attitude and more.
Steve Baltin: How gratifying has the response to “Kill My Mind” been?
Louis Tomlinson: I think for anyone who works creatively it’s always important to take risks and get out of your comfort zone a little bit. But, for me, with this song I feel like I’m finally really comfortable musically. I think I played around with a few different sounds on my previous singles. And I think I really found my home now. Before I was kind of making music that I think I assumed was the music I was supposed to make as opposed to just following my heart and doing what I love. I feel really comfortable and really confident in this song.
Baltin: It’s comfortable for you, but for the fans it is still a little new. So that’s what I meant about the response being gratifying.
Tomlinson: Yeah, you’re right. It’s taking a risk I suppose with the fan base. But I think also where I’m lucky and what my fans have reacted to is they see how comfortable I am and how natural this is for ne. And I think they feed into that. The reaction has been absolutely incredible, it has been amazing. I feel great about the whole process.
Baltin: Do you feel like you are more comfortable in general as you get older and that is extending to music?
Tomlinson: Yeah, and I think as you grow up you’re more confident and use your experience and trust yourself really. I think in this process it was important for me to trust myself cause when I first played the song for the record labels they were probably a little bit shocked, when I say record labels I mean my American label and UK label, but very excited. I think it’s very important to push the boundaries and it makes me feel a lot better.
Baltin: Do you feel like this is the direction you want to grow musically?
Tomlinson: It’s definitely taught me a lot and the reaction being so great, like the playlist I uploaded, this is a lot of my inspiration and a lot of my influences. I think this is probably the biggest statement off the album.I wrote this song with the deliberate intention of feeling a little bit shocking and exciting.
Baltin: Is “Kill My Mind” indicative or does it set the tone for the rest of the album?
Tomlinson: Definitely, I did a long of songwriting over the last two to three years and I’ve worked with a lot of different people. I wrote three or four songs with Jamie Hartman, who’s obviously on “Kill My Mind.” And that was the first of that bunch and it made the songwriting after that a lot easier. One thing I did just want to mention is on the sonics of the song, other songs I released were really emotionally heavy. It was a great song for me and I needed to get it off my chest, but that’s also kind of what made me excited also about the sound of “Kill My Mind” and the album kind of following on from that. It feels exciting, fun and nostalgic as opposed to being too emotionally heavy cause I didn’t want to be defined as an artist who writes sad songs. That’s now what I want to be.
Baltin: But every great artist has that diversity, from Elton John to the Stones, they have that range of sad songs and rock tracks. Who are those artists that inspire you for their evolution and range?
Tomlinson: It’s a good question because sometimes in music, I’m not gonna mention any names, you get those bands that follow the radio trends. You lose a bit of identity and who they are as artists. If I think about my favorite band ever, Oasis, and I think about Liam Gallagher, I think it’s almost as impressive he’s retained such a strong and well-known sound, but still makes it different enough and exciting enough. People have been listening to Liam Gallagher for however many years and still they’re interested.
Baltin: I have interviewed Liam multiple times and part of what makes him so special as an artist is he just doesn’t give a damn.
Tomlinson: No he don’t (laughs). It’s refreshing.
Baltin: Going back to the playlist, James for example is a band I love. It’s interesting because it often takes time when making a record to gain perspective on what a song or record is about. Did you feel all these influences right away or did it take a minute to hear them?
Tomlinson: I think that playlist, when I put it together, it was kind of a combination of general inspiration to me across my life and also specific to that song. But where I’m from in England, the North of England, that band sound was very prominent anywhere. And it’s something that I’ve always loved and is a little bit different to your average One Direction fan’s music choice. I’ve made some other playlists as well. It’s really amazing for me for fans of mine who haven’t heard someone like a Sam Fender, unbelievable, and just to get that moment of me sharing what I love listening to music and them giving their feedback is really nice.
Baltin: What would be the coolest thing you could hear someone say about these songs you turned them on to?
Tomlinson: For me, I’m big on lyrics and I suppose that’s why I mentioned Sam Fender, I think he is a fantastic lyricist. And if there’s a song or a lyric or something that I resonate with and then I get feedback from the fans that they also like that, it makes us feel even more connected and even more on the same page. And social media in general, obviously that is a massive conversation and there are of course pros and cons and everyone can be on social media less. But the amazing thing for me is it gives me a chance to have a real, genuine, direct relationship with my fans. I know that I wouldn’t feel as close to my fans without social media. What is great when Taylor Swift, and she is f**king amazing with her fans, does these listening parties and brings fans to the house, the involvement of the fans is never ending. Nobody knows better than these people. So I’m always looking for clever and different ways to involve them and feel like they’re included in the whole creative.
Baltin: Talk about how bringing this song to the stage excites you and also invigorates other older songs as well.
Tomlinson: Yeah, and that I have trouble with, putting a set list together because there are certain songs that fans gravitate to. I feel like, especially with my earlier couple of songs, like the Steve Aoki song, I love the song and it was a great song for me at the time, but musically it feels so different to where I’m at with “Kill My Mind” that we actually did completely strip that and start again and made a bit of an indie-pop version of it, my version of it. So it fits more in line with the rest of the stuff.
Baltin: What songs are you excited to bring to the stage and see how people respond to them?
Tomlinson: Well “Kill My Mind” obviously, I’m very excited to do that live. It’s a song that naturally leans to a good live show. So that’s an obvious one. But I think there are a couple of, on the album in general, songs that are written with fans in mind. So a little bit more sentimental songs and those are always special moments where, like you say, I can make eye contact with people in the first few rows and I can watch their brains thinking about the lyrics and how it relates to them.
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mondoholic · 4 years ago
Link
Josh Homme spoke to Kyuss World Radio about the 25th anniversary of KYUSS's final album, "…And The Circus Leaves Town". The Californian four-piece split three months following the LP's release, resulting in it being less critically and commercially successful when compared to the two KYUSS albums which helped birth the stoner rock movement — 1992's "Blues For The Red Sun" and 1994's "Welcome To Sky Valley".
"I'm not good at keeping memorabilia and I'm not too nostalgic because I guess it makes me feel a little sad sometimes," Josh said. "And I feel like there's such a huge pile of things to do. And sometimes I feel like when I look at a picture or something, I go, 'Man, it'll never be that. That's only where it was.' So I tend to focus forward.
"Hearing that [the album] is 25 years old, that makes me happy. It makes me a little bit proud that I got to do something that long ago, and I'm not dead yet. [Laughs]"
Asked if he had an inkling that "…And The Circus Leaves Town" would turn out to be KYUSS's swansong when he chose the LP title, Homme said: "I think the way Brant [Bjork, drums] left [after] 'Sky Valley' was a real shock, and it was very much like the rug being pulled out from under you. Because I didn't really understand [why he was leaving], and he was never able to make it really clear. Because I think it's difficult, too — when you're young like that, it's difficult to say, 'I need to go this direction.' When he left, he had our manager tell us that he was leaving, so we didn't really get to speak to Brant. And one of the things that he had said was, 'I think the band should be over.' And I really loved Brant. And I think that was a difficult moment to hear your friend was gone and he wasn't explaining why and that he thought it should be over.
"One aspect that I always agreed with is that bands, especially at that time, I was adamant that bands shouldn't go on too long," he continued. "At the time, I really felt like you do your best work, and when you realize you've done your best work, that's when you should explode the band — to preserve it is to destroy it; that you end [the band] at the absolute apex of your creativity as a group of people. And for me, personally, and I probably should have shared this, but in my gut, I was, like, 'We'll do one more record, and it'll be everything we have.' And so when I suggested that title, I think I knew that that was it, or I felt that it was coming to a close. It just felt very sort of Edgar Allan Poe, or it felt like 'Something Wicked This Way Comes', which is one of the [most] beautiful I've ever seen for a book. It's just got this beautiful ominous darkness to it. And so '…And The Circus Leaves Town' just felt timeless, and it's over, and you watch the exit on the horizon."
In March 2012, Homme and ex-KYUSS bassist Scott Reeder filed a federal lawsuit against Bjork and ex-KYUSS singer John Garcia over their involvement in the band KYUSS LIVES!, alleging "trademark infringement and consumer fraud." Five months later, a judge ruled that Garcia and Bjork could not release any recordings under the name KYUSS LIVES! and warned them that future concerts under the KYUSS LIVES! mark "might continue to subject them to liability for trademark infringement."
Asked if there is any scenario under which he would consider taking part in a KYUSS reunion of some kind, Homme told Kyuss World Radio: "My philosophy has always been, never do a reunion, never do a sequel. It's not what it was; it's what it is. And that's kind of how I've felt. A legacy that involves having been at the epicenter of a scene that got created, it's so fragile; it's like an ice sculpture. And I don't wanna be a blow dryer on that thing. That being said, I was in full support of KYUSS LIVES! and I would go to the shows and I told them as much, until what Brant and, unfortunately, what John tried to do. And that was terrible."
Elaborating on the breakdown of his relationship with Bjork and Garcia, Homme said: "All you have to do is show each other respect and say, 'Hey, we wanna do this, and we wanna talk about it.' Once Scott Reeder told me they were wanting to put out an album, I said, 'Let's sit down and talk.' So Scott and I went and talked to John and Brant. Sorry, it wasn't Brant — it was just John, because the band as it is, Brant had quit, so he wasn't part of that, what it was when it stopped, [which was] me and Scott and John. So I said, 'This is a discussion for me and you and John.' So I went and talked. And I said, 'We should find out a way for you guys to continue that's respectful.' You don't trample on what the legacy is and that you kind of let everyone understand what's going on moving forward. And the name they chose was a little unfortunate, 'cause it's actually literally saying KYUSS is alive again, which wasn't my favorite thing, but I was, like, 'Who cares?' But unbeknownst to me and Scott during that meeting, they'd already applied for a trademark to steal the name away. So I'm sitting there talking to these guys in good faith, and their managers, and they'd already applied, and you have, like, 20 days to object to the application. So the notion that I'm sitting there talking in good faith about how they could continue, and meanwhile, at that exact moment, in another room somewhere, they're applying to take the trademark for the name KYUSS so we wouldn't own it anymore, so John and Brant would own it. And so John had felt like he was robbing himself for something, and that's just not right — I don't play that way. And it also meant that they couldn't be trusted to be honest. 'Cause I'm sitting in a room, and instead of telling you that, it's like being stabbed in the back, essentially. There was no choice but to actually take action, because you can't sit down and say, 'Let's talk about this,' because now you told me that I may say something to you with my right hand, but my left hand might be stabbing you in the back. It's made it impossible to trust what was going on. And Scott and I both were, like, 'Jesus.' And it was only three people — me and John and Scott. It was, like, 'John, what are you doing? You are allowing you and Brant to take the name from you and me and Scott.'"
Homme continued: "I suppose at the end of the day, they didn't need a blessing [to play KYUSS music], but I was giving it to 'em. I want those guys to do well. And they were playing KYUSS music for a generation that had only heard of it and never heard it. I didn't see the harm in that. But trying to usurp it and take it away was just like dirty pool. The problem with all that stuff is that in a lawsuit or something like that, everyone loses; everyone looks bad. People that have loved KYUSS for so long go, 'Fuck these guys.' And that's terrible. That's why I say it's so fragile. That's why I say I've always wanted to err on the side of don't finger bang the ice sculpture; it's gonna break. If you don't touch it, it's just classic. But you don't punctuate the end of a band with a lawsuit. Those things are tragic, and they're awful. And then they lost, because, of course, you lose when you do things like that. But that damage is awful.
"But to be honest with you, and to answer your question, there have been times I thought it cannot end that way, and the only real way to end it correctly now would be to play," he explained. "And because they sort of perverted the punctuation and they knocked the wing off this beautiful dragon that's an ice sculpture, and the only way to put the motherfucking wing back on would be to [play again].
"I have thought about this, especially in the last few years, to do something special, and even to make up for that mistake of Brant and, unfortunately, John, to make up for it. [I thought we should] play and give all the money away. Like, play for the fans — cover your costs and make it five bucks. Figure out a way to be, like, this is how the punctuation will end the sentence of this band. Because it was never about money — it never was about money. It never was about fame, and when it felt like that was the move they were making, I was so sad."
After KYUSS split in 1995, Homme went on to form QUEENS OF THE STONE AGE.
In a May 2012 interview with RolllingStone.com, Bjork stated about Homme and Reeder's lawsuit, "They don't want to mention that they trademarked the name KYUSS after I left the band, assuring that I had no rights in KYUSS's future. They're both accusing John and I of doing something that they actually did themselves. Their inner conflict is this: both Josh and Scott want control and money from KYUSS LIVES!, but they don't want to participate and they ultimately don't want us to exist. The double standard is unbelievable."
He added, "Josh and I were the creative force within the band and after the completion of our second record, 'Blues For The Red Sun', we developed an opposing view on how the band should exist and operate. In 1992, Josh discovered publishing, which is the financial revenue stream for songwriting. After that, he wanted to write all the songs. As a drummer, I couldn't make him play my songs. I wasn't going to compromise my heart and soul and play drums for Josh to make money in a band I started. So I left the band. I was a confused, angry and sad 19-year-old idealist who sacrificed my love of my band for what I believed in. Two and a half years later, Josh would break up the band after John confronted him about the same thing; his need to control the band for personal gain."
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drinkteaanddream · 6 years ago
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On Why Owl City’s Music Means So Much To Me
Owl City is a brilliant musician whose works are based upon powering through the hard times and clinging onto hope and in this essay i will -
Seriously tho.
Y’all better play Owl City at my funeral his so songs can be about something really sad but still have this deep rooted optimism, look at the songs ‘Unbelievable’ and ‘Firebird’ which are both heavily nostalgic yet still so upbeat??
Take these two parts of the song for example:
Everything changes / Tell me why I look back and I wanna cry Sometimes I feel like we grew up too fast You and I had the time of our younger lives Sometimes I sigh and think about the past But it’s alright, 'cause everything changes
There’s a new guest room in my parents’ home The carpet got replaced a couple years ago Because it isn’t my bedroom anymore There’s new photographs on the freezer door But it’s alright, ‘cause everything changes
It’s looking back and being happy and being sad but being ok and making peace with it? and? i love that? so much?
Also: can we appreciate the genius that is ‘Cinematic’?
It’s so inspiring to me; this line in particular gives me chills in “fuck yes you’ve got this” kinda way:
Your worse critics are sitting up front And they're giving you two thumbs way, way up
Okay, now let’s talk about two songs from Midsummer Station: Shooting Star and Embers.
Again; from Shooting Star -
Close your tired eyes, relaxing them Count from one to ten and open them All these heavy thoughts will try to weigh you down, but not this time
Way up in the air, you're finally free, and you can stay up there, right next to me All this gravity will try to pull you down, but not this time
...
Gazing into my eyes, when the fire starts, And fan the flame so hot, it melts our hearts All the pouring rain, will try to put it out, but not this time
Focusing on the recurring line ‘All the ... but not this time’ is acknowledging that we do have doubts, we do have dark, deep pits that are so hard to climb out of, we are weighed down by so many things, but guess what? we keep on going anyway.
Onto Embers, then -
There were days when each hour was a war I fought to survive There were nights full of nightmares and I dreaded closing my eyes There were skies that burst open with a downpour to drown me alive But the world took a spark like a match in the dark and the fire brought me to life  
...
And you'll find, there'll be mornings when the ashes and embers are cold But you'll fight with a passion and you'll never stop 'cause you know Yeah you know it gets better and your story is yet to be told Every push, every shove, every war, every love Yeah the coals are beginning to glow So I'm fanning the flames to climb so high 'cause there's no other way we can stay alive
...
Don't let the fire die It gets better Just don't let the fire die, no
First of all, before I get into these lyrics: can we appreciate the clock sounds in this song? I love them. So much.
So again: we see darkness and struggles looked through a lens of upbeat optimism. Look at that first stanza! Those first three lines express difficulty and stress, a call to give up - and then the last line sets the tone for the entire song: the darkness can be strong at times but there is always that single ember of hope, however deep down it is. And when you find that ember, all you have to do is hold on to it. 
 Anyway if you couldn’t tell I really love Owl City.
Probably going to rewrite this in more detail at some point, but my mental health has been kinda bad lately and Owl City’s song help me a lot. and i needed an outlet to express why.
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darisu-chan · 6 years ago
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The Three Gruesome Mysteries of Karakura Town
Welcome to my take of the “Buzzfeed Unsolved IchiRuki AU.” I hope I did it justice, because I love BU, and you know I love these dorks. 
Hope you all like it!
You can also read it here.
Prompt: au of your choice!- Buzzfeed Unsolved AU
Summary: Ichigo tries to prove ghosts exist, meanwhile Rukia insists all evidence is the wind.
Video starts.
The scene: an abandoned building at downtown Karakura.
Two twenty-somethings, Kurosaki Ichigo and Kuchiki Rukia, stand outside, with their backs towards the building. Chad, their main cameraman, gives them a thumbs up. Ichigo takes a deep breath and then looks into the camera.
“This week on Bleach Unsolved we cover several cases and we visit some of the most haunted locations here in Karakura Town.” Ichigo explains while Rukia happily nods next to him. “In an effort to answer our ongoing question: Are ghosts real?” He asks while his partner vehemently shakes her head.
“What? Think they’re not real?” He tells her.
“Nope.” Rukia says simply. “In every case we’ve covered, there hasn’t been any compelling ghost evidence.”
“Well, today’s that about to change, since, for the first time in the show, we’re actually going to be investigating in the actual places.” Ichigo says. “Fasten your seatbelts, folks, ‘cause this is not a drill. Today we’re gonna prove ghosts are a thing!” He says excitedly.
“I’m pretty sure all we’re gonna hear is the wind.”
“Shut up! I swear to god ghosts are real!”
“You keep saying that, but I see no real reason for ghosts to exist.”
“No real reason? Rukia, our myths revolve around ghosts and demons and the supernatural!” Ichigo says gesturing around them. “They have to exist!”
She just shrugs. “You think that only because you think you saw a ghost.”
“I didn’t think I saw a ghost! I saw it!”
“It was probably a delusion.”
“I’m pretty sure it was a ghost.” He mutters angrily. “And I’m going to prove it in today’s episode!”
“Speaking of which, what are we doing here?” Rukia asks, looking around. “The building looks creepy, but that’s about it.”
Ichigo smirks. “Glad you ask. Today we’re here for our first gruesome mystery: the sad guitar incident.”
“The what now?”
“The sad guitar! Keep up!” He coughs. “Anyway, here’s how the story goes.” Ichigo changes his voice tone to a deeper, more mysterious tone. “On November 5, 1988, a strange thing occurred in an apartment building in downtown Karakura. In one of the empty apartments, a peculiar noise could be heard. It was the strums of a guitar. The neighbors filed a complaint to the landlord, who insisted nobody lived there. Since the door was locked as well as all windows, it was impossible to get inside. The landlord went in and checked the place without finding anything. However, days passed and eventually they became weeks, and the guitar playing could still be heard. It unnerved the neighbors.”
“Hold up.” Rukia says, interrupting him. “They were unnerved of a guitar?”
“Well, yeah. Imagine if you suddenly start hearing someone playing a guitar, but there’s no one in the apartment.” Ichigo says. “By the way, I forgot to mention it was always at the same time. 10 o’ clock pm.”
“It’s a lousy time to practice guitar, I’ll give you that.”
“That’s all you’re getting from the info?” He asks in disbelief.
“Well, yeah. Some people start getting ready to go to sleep at that time. Imagine if you have to get up at 5 the next day, but you can’t fall asleep because an asshole decided to play the guitar.” Ichigo wheezes. “Was the guitar playing good anyway?”
“It was described as a nostalgic tune. Hence the name ‘the sad guitar’.”
“So it wasn’t good at all?”
“Don’t think so.”
“Hah. Thought so.”
“As weeks passed by and the situation continued, the landlord started believing the building might be haunted.” Ichigo keeps retelling the events. “As it turns out, he had acquired the entire building at a low price eight years prior. He didn’t receive a lot of information about it, thinking everything was in order. Most tenants stayed, but there were unrented apartments. One of them was apartment number 25.”
“Ghost guitar apartment?”  Rukia asks.
“Ghost guitar apartment.”
“For the next eight years, the landlord, Ukitake Juushiro, would have trouble keeping that apartment rented. Each time someone came to live there, they would inexplicably leave shortly after.”
“How shortly after?”
“Six months to a year after having rented it.”
“Huh. Not that unheard of. But still…”
“Yeah. Around ten tenants went through that apartment, and when the guitar incident started happening, it had been empty for around two months.”
“Now I’m curious about the apartment.” Rukia says.
“Let’s take a look.”
Scene changes. Ichigo and Rukia get inside the building. There, they notice the empty hall. The walls look gray, the paint’s chipped, and there’s rumble littering the floor. The whole place is covered in cobwebs and dust. It seems that it was abandoned long ago.
“This place is a mess.” Ichigo mutters as they explore the place.
“How long has it been empty?” Rukia asks him as she flashes her flashlight in every corner.
“A decade.”
“Huh. Well, to me it looks like it’s been like fifty years in this state.”
“There’s a reason for that.” Ichigo starts explaining. “Eventually, Ukitake-san started digging in the records of the past tenants of that apartment. He found out that, in the early seventies, a twenty five year old man by the name of Hisagi Shuhei lived there. He was a struggling musician, who worked at a local bar. He often practiced in the apartment, to the discontentment of his neighbors. The instrument: a guitar.” He dramatically pauses to show a picture of Hisagi playing the guitar. “However, even if he was a promising musician, he wasn’t getting paid enough. His friends said he had been desperate to make more money, as he planned to woo and marry a waitress that worked at the same bar as he did.”
“Love problems. The downfall of most men in these stories.” Rukia comments.
“It’s always been the reason for most infortunes in history.”
“Like the reason I’m doing these videos in the first place.” She jokes, making Ichigo fume.
“Shut up.”
“As for Hisagi, soon he piled up a considerable debt, to the point the previous owner of the place, Tosen Kaname, told him he needed to leave the apartment in three days after he failed to pay the rent. On November of 1973, he played his guitar one last time before jumping from his fourth floor apartment. He didn’t survive the crash.”
They begin walking up the stairs to reach the four floor. As they pass, they see more rubble on the floor. The steps creak each time they walk on them. The place is dark to boot. They need to illuminate it with their flashlights.
“So, you’re saying the sad guitar is being played by a ghost?” Rukia asks as they ascend the stairs.
“It’s too much of a coincidence to have the previous tenant be a musician and then die, only for people to hear a guitar coming from that same apartment years later, on the same month he passed away, no less.” He answers her. “Right now, we’re going to the apartment to see if we can hear the guitar.”
Rukia rolls her eyes. “Yeah right, Ichigo. As if we’d suddenly hear the guitar.”
As in cue, they hear something as they walk up the stairs.
“What was that?” Ichigo asks, stopping dead on his tracks.
“It was nothing.” She dismisses it with a wave of his hand.
“No, no. I’m sure I heard something.”
There is a noise which almost sounds like guitar strums. But it is so low it can be barely heard through the video. Ichigo immediately starts running up the stairs left to reach the fourth floor.
“Where are you going?!” Rukia yells at him as he speeds up in front of her.
“That was the guitar! I need to reach the apartment to listen closely!”
They both run what is left of the way until they reach a floor which looks exactly the same as all the previous ones. There is a bit of a rustle coming from one of the apartments. Ichigo runs towards apartment 25, the camera strapped to his chest picking up more sounds.
“Aha!” He exclaims as he opens the door to reveal… absolutely nothing.
“Well, well, well.” Rukia says from behind him. “If it isn’t an open window!” She gestures to the sole window in the room, which, as she said, is opened. The wind makes the dirty curtain move and rustle, the cacophony of the room helping it create an echo. It does sound melodically. Almost like a song.
“Bu-but… I don’t understand.” Ichigo says dumbfounded. “I swear I heard the guitar!”
“It was just the wind.” His partner replies, shrugging.
“I hate it when you’re right.”
“Where are we now, Ichigo?” Rukia asks as both she and he stand outside another building at night.
“This is Karakura High School, and the setting of our next incident.”
“Karakura High? Didn’t you study here?” She asks, gesturing to the beige school behind them.
“That’s right. And I’m about to retell the most famous legend in here.”
“Oh, this will be fun.” Rukia replies, motioning to him to start speaking.
“For years and years, it has been said that exactly at 12 pm at night, in the girls’ restrooms located at the third floor, a voice can be heard coming from the third stall. It is said it’s the spirit of a girl by the name of Hiyori. If you go near her, she will insult you before slapping you in the face.”
“Slap you?” Rukia asks incredulously.
“Yeah. It’s as you heard.”
“Well this one sounds even more unbelievable than the other. Why would a ghost slap you?”
“For the record, a lot of our classmates held spiritual sessions here. A couple swear they got slapped after being called ‘baldies.’ Right, Chad?” The camera man grumbles in reply.
“But why would she slap you?” She repeats her question.
“That’s what we’re here to find out. We’re staying overnight to see if we can find her. At exactly 12, we’ll go to the stall to catch evidence.” Ichigo says.
“Man, this will be boring.”
They make their way inside the school. It looks like your average Japanese school. It has a lot of tree areas outside. The corridors are filled with classrooms, offices, restrooms and the like. They pass by the cafeteria, as Ichigo shows Rukia around.
“Does it look any different during daytime?” She asks him as they walk.
“Less creepy.” He says, shrugging. “It has many legends going on. A haunted classroom, moving chairs in the cafeteria, a ghost that peeks on the girls’ locker room. I just chose the one with more evidence for this video.”
“The ghost in the restroom has more evidence?” Rukia asks in disbelief.
“Hey! As I told before, there’ve been many eyewitnesses.”
“Sure, Ichigo.”
They finally approach a classroom on the third floor, right beside the girls’ restroom. They sit down on the ground, forming a small circle, their flashlights lighting up the room.
“Okay. Now’s time to actually tell the story.”
“Ooohhh. Storytelling time!” She exclaims.
“The story goes that there was a student by the name of Hiyori. She was mocked because she was poorer than the rest and couldn’t afford shoes. She mostly put on sandals when it was time to go home, and always got to school wearing those same sandals. However, a mean spirited group of girls once stole her sandals, so she had to go home barefoot. Here’s where the story gets muddy.”
“Muddy? I like that!”
“Some say she walked on the riverbank, where she got mugged and killed. Others say she was too ashamed to go back home, so she escaped and eventually got killed. Other stories are inconsequential. But, long story short, in all of them she dies.”
“This isn’t a fun story.”
“It’s not.” Ichigo clears his throat. “Anyway, the girls were in a club. Some stories say that it was the volleyball club, others don’t name it. The point’s that they were holding a spiritual session in this very room to scare the club’s new members. They asked for any spirit to materialize. Nothing happened right away, but, someone heard movement in the restrooms at exactly 12 pm. They dared one of the new girls to check it. She did it and then she screamed. She rushed out of the restroom as the others reached her. She claimed a girl with blonde pigtails had called her a ‘stupid baldy’ and slapped her with what felt like a sandal. They immediately knew it was Hiyori. Ever since, students have stayed overnight to have séances and the like. After that, if they hear movement in the restroom, they go to the third stall to see if there’s a ghost.”
“So that’s what we’re doing.” Rukia says. “Calling this dead girl to see if we can catch her on camera.”
“Or at least get slapped.”
“Or insulted.”
“You insult me enough.”
They both laugh. “Then why are you complaining?”
Rolling his eyes, Ichigo takes out a candle from his backpack. “So now we’re gonna hold a spiritual session. It’s exactly 11:50. Let’s see if in ten minutes we can call a ghost. Rukia, give me your hands.”
“Oh, Kurosaki-kun, so bold!” She says before grabbing his hands.
“Shut up. Anyway, here comes nothing. Spirits from beyond. We call to you to seek the truth. Tells us, is there a girl by the name of Hiyori here?”
Nothing happens.
“Nothing’s happening.” Rukia grumbles.
“Be quiet.” He tells her. “I’ll try again. Spirits, if you hear me, please tell us, is there a girl named Hiyori? Hiyori, are you here?”
They try this a couple more times to no avail. Rukia starts getting impatient, grumbling about ghosts not being real, while Ichigo starts getting frustrated. Exactly at 11:59, Ichigo tries one last time.
“Hiyori, are you here? Talk to us!”
They both hear a sound coming from the restroom next door, as if something was rustling.
“What was that?” Ichigo asks, suddenly alarmed. He stands up and looks around.
“It’s probably nothing.”
“No. It’s coming from the restroom. I’m sure.” He says before bolting out of the room. Rukia sighs just before having to follow him.
“Let’s see if Ichigo’ll finally find a ghost.”
Ichigo runs to the restroom and opens the third stall with a kick to the door to find… nothing. Rukia starts giggling uncontrollably behind him.
“Where’s your ghost, Ichigo?”
“No! What’s this? She was supposed to be here!” He says, gesturing to the door.
“I don’t see anything. But aren’t ghosts transparent.”
“Incorporeal. But that’s not the point!” Ichigo exclaims. “What was that sound if it wasn’t the ghost?!”
“Hey, look.” Rukia says, catching his attention. “The janitor left the window open. What you heard was probably the wind.”
“The wind?! Again?!”
“I’m convinced that’s all your ghost evidence.”
“I really hate you right now.”
“I love you too.”
“Well, we’re on our final location for this episode.” Ichigo says to the camera as he sits outside of a fountain. “The Karakura Mall.” He says, gesturing around him. Sure enough, he and Rukia are sitting on the fountain in the middle of a deserted mall. There’s rumble everywhere, and the entire place looks as if it had seen better days.
“What’s this place?” Rukia asks him.
“It’s the first mall we had in town. It was abandoned like 20 years ago.”
“Why?”
“Ah. That’s the thing and the reason we’re here.”
“Spooky.” Rukia says in a playful tone.
“It’s very spooky, actually.”
“Can’t wait for this one.” She says, winking at the camera.
“When the Karakura Mall was first built, it was supposed to be the highlight of the town. It was meant to attract tourists as well as bring in stores that didn’t exist here yet. It was a win-win situation for everyone involved. After it was finished, stores started opening, and the business went booming. That is, of course, until strange occurrences started happening.”
“What occurrences?” Rukia asks.
“They noticed that things weren’t in the same place they had left them during the night. First, it began with small things being moved around. Then, things were thrown to the floor. Sweaters and pants sprawled all over the place. Chairs missing. Spoons on the floor. Mannequins moving from place to place. Their initial thought was that there was a thief. The problem was that they found all the things which were missing eventually, and the cash registers were left alone. All money was there.”
“Then how did they go from a thief to a ghost? They’re very different.”
“As I was saying, because all stuff was there, and nobody stole the money from the registers.”
“It could’ve been a prank, though.” Rukia says.
“Well, here’s why they began thinking these incidents were supernatural. One very silent night, the guard was doing his rounds around the place, when he saw movement from a display window. Naturally, he approached it, thinking he had caught the person responsible. What he saw, however, wasn’t made by a human. He saw one of the mannequins from a store move its head to stare at him right before it fell to the ground with a thud.”
“Did that really happen, Ichigo?” She asks her partner. “It seems too far-fetched.”
“The guard swore by it then, and even in a recent interview for a local online magazine, he repeated the same thing. All the times he’s retold the story, the details have been the same.”
“Is he sane?”
“He didn’t imagine it. They found the mannequin on the floor the next morning.”
“Oh.”
“Yeah. And other guards started hearing noises at night. They saw chairs from the food court moving around. It came to a point the people that worked here theorized the mall was built on a cursed place.”
“Is this why the mall got abandoned?”
“No. Back then, people weren’t too materialistic and they didn’t want to spend a lot of money on the stores here. The rumors of the poltergeist activity just made it so less people came. With no costumers, it closed down entirely. Eventually, the citizens’ way of leaving would change, and they opened a new mall in another place. Yet this building remained abandoned, only being frequented by the homeless, those doing illicit activities, and people trying to find the spirits that are said to be here.”
“So just like us.”
“Well now, to catch some evidence, I’ve brought this.” Ichigo says taking out a device from his pocket.
“What’s that?”
“It’s a spirit box. It’s a device which uses radio frequencies to help ghosts communicate.”
“That doesn’t sound very scientific.”
“Well, it is, and we’re going to try it now!”
The two move to one of the empty stores on the first floor. There’s a chair lying around and Ichigo sets the box there.
“Alright, ghosts, I’ll leave this device here, it’ll help you talk to us. So, when you’re ready, you can start saying something.” Ichigo turns it on and it starts making a lot of static noise. Rukia covers her ears.
“That’s really loud!” She exclaims.
Ichigo laughs. “Yeah. Should’ve warned you. Anyway, have a question for the ghosts?”
“What’s your name?” Rukia asks.
There’s nothing except for noise.
“Why are you here?” Ichigo tries now.
“Do you hate malls? Is that why you haunt this place?” Rukia tries again.
“Yes.” Comes from the spirit box. It is said in a voice which sounds deep and masculine.
“Holy shit!” Ichigo exclaims, taking a step back while Rukia laughs.
“Do you want to harm us?”
“Maybe… brown.” Comes from the EVP.
“What’s that supposed to mean?” Both ask.
“Gerald.” It says.
“Is that your name? Gerald?” Ichigo asks.
“Potato… pie.”
“Potato pie?” Rukia asks and starts giggling. “What’s that? A new dish?”
“Okay. That’s enough.” Ichigo says as he turns it off.
“I gotta say, Ichigo, that was fun. Scientific? Eh.” She says, shaking her head and moving her hand. “Fun? Yes.”
“Ha, ha.” Ichigo says sarcastically. “Well, now let’s keep exploring.”
They walk around, laughing at discarded mannequins. They play with some of the stuff littering around the place. They decide to go upstairs, to see the other stores on the second floor. They pass by what seems to be an old video store. They’re looking around when Ichigo hears a whispering sound from the next door store.
“What was that?” He asks, turning around and squinting his eyes at the wall.
“Probably a raccoon.” Rukia says dismissively.
“No. Something’s not right.” Ichigo says and bolts to the store. He gets in to find… nothing. “Wait. What the hell was that?”
“I told you. Probably a raccoon, or a rat. Maybe a bird.” She says.
“It didn’t sound like that.”
Rukia shrugs and looks around before she starts laughing. “Hah! Found the source of the noise! There’s a hole on the roof. You probably heard the wind moving around rocks.”
“What?! No way!”
“Yes, the evidence is right here!”
In cue, Chad zooms in the hole, showing Rukia’s grin and Ichigo’s displeased expression.
“Fine. You win. For now.”
“I’ll take that.”
“Well, I guess we’ve seen enough.” Ichigo says.
“Yep. Let’s go.”
“These local buildings have been said to be haunted for years now. Although many people have heard and seen things, there’s no concrete evidence to say they are actually being haunted. The question of whether or not there are ghosts involved in these incidents here in Karakura will remain unsolved.”
What unsolved mystery do you want to see next?
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desruc · 6 years ago
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Estetiikka äskiä cry baby: list the concerts you have been to and talk about how they make you feel. messy bun: the world is listening. pick one sentence you would tell them. bands: talk about a song/band/lyric that has affected your life in some way. tattoos: how do you feel about tattoos and piercings? explain.
“List the concerts you have been to and talk about how they make you feel”
I have not been to that many concerts, but I’ve been at several smaller gigs like on festivals and such, so I’ll list those that have really stuck with me ^^
Pendulum at Provinssi, Seinäjoki (2011): Memory of this makes me feel very nostalgic, life was much more simple then, all that mattered was I finally got to see Pendulum live :DPariisin Kevät at Rytmikorjaamo, Seinäjoki (2012): Memory of this one makes me happy, I went to this one with my friend who studied in the same group as me. I had recently moved away from home, I had lots of friends close around me, I experienced a lot of new things. Exciting and happy kind of memory ^^Rush at Hartwall Areena, Helsinki (2013): I went to see Rush with my dad and his friends, and let me tell you, this concert was mindblowing. Memory of this one makes me feel very thankful of my dad. I love him.Knife Party at Provinssi, Seinäjoki (2014): I think this was the first time I got to see KP live (I’ve seen them four times so far if I remember correctly) and I went berserk jumping and dancing :’D Memory of this one makes me cringe and smile at the same time. Those were good times.deadmau5 at Weekend, Helsinki (2015): I was completely hypnotized by deadmau5′s music (I was also completely sober, which sounds unbelieveable). I feel kinda sad about this one, though. I was there with a friend who was very important to me, but we are not that close anymore, because life.Infected Mushroom at Weekend, Helsinki (2016): This was not the first time I saw IM, but I was in the front row with my friend and it was such a great concert. Memory of that one makes me feel hyped and kinda excited :DCMX at Provinssi, Seinäjoki (2017): The memory of hearing Minne paha haudattiin live makes me feel like my life is complete.Vesta at Provinssi, Seinäjoki (2018): Vesta’s song Turvallista sotaa was the only reason I wanted to go see her, but her whole set was great. Memories of this one feel a bit blue since last summer was stressful af, but I’m glad I got to see Vesta live. I hope she’ll make it big someday.
“The world is listening. Pick one sentence you would tell them.”
Everything is temporary, bitch
“Talk about a song/band/lyric that has affected your life in some way”
Hmmm this is such a hard question since I listen to music basically all the time except when I’m at work :D But about three years ago Katzenjammer’s To the Sea got me finally seriously writing the story I had been planning in my head for almost ten years. Even though the story is still not complete, I’m working on it everyday and thinking about it and my characters. Katzenjammer has great, cheery music and I wish I could convey that same mood in my story.
“How do you feel about tattoos and piercings? Explain.”
I really like both! I have two tongue piercings myself, and I feel like I’m constantly thinking about getting a tattoo, but I don’t know what kind of design I would like and not get fed up with after couple of years D: In my humble opinion tattoos and piercings are very personal and everyone should feel free to have them - or not, if they’re not their thing.
Thanks for the ask, @plargh ! ^^
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orpelia · 6 years ago
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Air: “Endgame”
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Eleven episodes and a two-week hiatus later (oops!)~~
My praise, my wishes, and my feelings of the season finale of Book I. 
[Heart eyes.]
Oh, Bo. What would we do without you.
As always, he gifted us with his silly and endearing humor,
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but he also starred in some fantastic collabs.
Bolin x Naga
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Bolin x General Iroh
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Honestly, Bolin x Any Character <--- now that’s my kind of ship.
General Iroh is just as stupidly fearsome and heroic as his grandfather.
This is fact. 
His stunt with the planes?
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Cray.
I’m looking forward to seeing more of him in the future, preferably in the same scene(s) as Zuko because that’s something I desperately need in my life.
My favorite Mako: protective and powerful.
Let’s not forget, he can break free of Noatak’s bloodbending!!!
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Korra---the freakin’ Avatar---couldn’t even do that! At least, not at first.
Amon admits it himself: “I'm impressed. No one has ever gotten the better of me like that. It is almost a shame to take the bending of someone so talented.”
I hope Mako’s talents become focal points in the next books. Please, oh please don’t revert him back to a frustrating, lovesick puppy who can’t make up his damn mind. It really doesn’t do his character justice.
Speaking of lovesick puppies...
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Without a doubt, Mako and Korra had the most compelling scenes of the entire episode (and not because they were fighting Noatak).
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Canon couple or not, these two make a great team. They obviously care about each other, but they’re fiercely protective of one another as well, and that’s what makes their chemistry so palpable.
Although I wasn’t over the moon about dropping the love bombs, even I recognize how heartwarming their moments were.
Take, for example, the penultimate scene of the finale:
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Recap: Mako tells Korra he loves her, Korra dramatically runs away with Naga, and Tenzin tells Mako they have to be patient with her, which is old people code for “give her some space.”
If you ask me, that’s shitty advice.
In real life, I want someone to go after me, even if I say I want to be alone or I tell people to go away. 
Yes, I am that person.
So you best believe my heart SOARED when the boy chased after the girl:
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At first, Mako’s shocked.
No surprise there. 
He just witnessed Korra in the Avatar State, which means 1) her bending is back and 2) the Avatar State is no joke!! The glowing eyes!! The command of the four elements at your fingertips!! That’s hardcore, bro!!
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But then he fondly smiles at her, which I wholeheartedly interpret as “Ah, yes. That’s my girl.”
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And look at her face!!
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These two aren’t endgame, so I’m allowing myself to savor in the swoon.
FYI: If there’s anything you should know about me, it’s that I’m a sucker for cheek caresses.
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Twirling hugs also make me a lil weak in the knees.
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Running to someone and barreling into their arms is just stupid cute.
[Heavy sigh.]
I was really rooting for Asami. 
After Chapter 7, I thought we were going to see how Asami was coping with the reveal of her father’s conspiring nature. Instead, her character seemed to revolve more around the love triangle (or whatever shape you want to call the ridiculous Asami x Mako x Korra situation). When Asami does mention her father, it’s only a sparse comment every other episode or so.
Thus, the showdown between father and daughter lacks an emotional weight, and it’s partly because we haven’t explored enough of their relationship to truly feel for these characters.
That isn’t to say their sequence doesn’t have powerful moments. 
I just want to take a moment to holla at ma boy @Jeremy Zuckerman, sole music composer. 
Your music is always stunning, but the accompanying track in Asami and Hiroshi’s showdown (plus the music in the boat scene and everything in the third act) is what carries the entire segment. 
Your melodies tugged at my heartstrings in ways the story couldn’t.
Their final fight, for instance:
Asami is so caught up in the battle---defending herself against her father, no less---that you think she might actually do it, she might actually hurt him. 
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But then he’s looking at her like this, 
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and she starts to hesitate (this is her father after all),
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which is the exact moment Hiroshi strikes.
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In the end, Asami captures her father, but not without remorse: “You really are a horrible father.”
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Dear Creators, 
Please give your characters the emotional depth they deserve and explore the nuances of their relationships. 
Trust me: they can lift the weight of their stories just fine.
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I am unbelievably disappointed in Noatak’s arc. 
I just---
I mean---
How?
How are you going to build the foundation of a character on a lie?
How are you going to develop that character’s arc for ten episodes, then discredit almost everything with deceit?? 
How are you going to completely undermine your character like that???
And to add insult to injury, Noatak keeps lying, going so far as to reveal a fake, painted scar: 
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Here’s the thing: Zuko is my world. 
Of all the characters from Avatar: The Last Airbender, I found pieces of myself in his story the most. Scars, then, are sore subjects for me; sometimes, I feel like I’m as sensitive about his scar as he was.
Yes, I jumped in my seat upon first seeing Noatak’s “scar,” but make no mistake---I’d rip that lie off his face in a heartbeat.
Undermining your character with lies is bad enough, but this shit felt like mockery, and while I’m certain that wasn’t the creators’ intents, I’m taking it personally anyway.
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However, attention should be paid to Noatak’s last scene:
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Again, the music is so beautifully somber, but the dialogue here is probably some of the episode’s best.
From Noatak’s “I had almost forgotten the sound of my own name,” to Tarrlok’s "It will be just like the good old days.”
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From the tear that rolls down Noatak’s cheek,
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to Tarrlok's decision to sacrifice them both.  
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It doesn’t make up for butchering Noatak’s arc, but this was, quite simply, a beautiful ending to a sad story.
Dear Creators, 
Please don’t make the same mistake twice.
You compromised the integrity of your character the moment you sacrificed a fleshed out plot for woaw!shock factor.
Villain or not, he deserved better.
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Also, I CAN’T BELIEVE YOU.
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It was at this moment that I wanted to jump into the screen and rescue Tenzin and his beautiful children myself.
LOOK AT THEIR FACES.
I WAS SO MAD. 
LIKE:
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HOW COULD YOU.
It should be said: I loved Korra in this episode.
I mean, she was pretty daft to think that hiding under a table would keep her safe from a bloodbender. A bloodbender (a psychic one at that) can feel your blood, Korra, of course he knows you’re under there.
So just for that:
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Yeah, don’t you look all silly and fuzzy.
Aside from this idiotic little slip, she was pretty badass, unlocking her airbending and fighting against Noatak’s bloodbending:
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What a crappy screenshot of her airbending, haha. Would you believe me if I said this was genuinely the best I could do?
And unlike Asami and her father, I actually felt for Korra. I was devastated when Katara couldn’t repair her severed connection to the other three elements.
Though I wonder if I felt more for Korra because she acted just as I would. That is, she’s clearly distraught over losing her bending, but she wants to spare her friends and family the trouble of making a scene:
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So she waits until she’s alone to let it all go:
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:’-(
As I said, I loved and felt for Korra in the finale, and I don’t have a problem with her...
I have a problem with the writing.
Korra’s airbending was very badass, but I completely forgot about her airbending struggles. 
The first four episodes show Korra’s conflict with the element (i.e., it’s literally the plot line of Chapter 2). If anything, these episodes have small moments that remind us of Korra’s airbending training---practicing in the temple’s courtyard or doing exercises with the kids, to name a few examples.
Then, in Chapter 8, Tarrlok insults her with the “half-baked Avatar” comment, snidely remarking on her less than satisfactory airbending. It’s in this same episode that Korra reminds Tenzin---and the audience---that she’s never been able to connect with her spiritual side. (More on this later!)
And... that’s it. 
After the eighth episode, she’s kidnapped by Tarrlok, who reveals himself as a bloodbender; she’s rescued but then Amon and Hiroshi attack Republic City, separating Korra and the teens from Tenzin, his family, and Lin; Korra decides to take Amon on her own (but not really because Mako decides to tag along) and the two of them bump into Tarrlok, who reveals that Amon is actually his long-lost, waterbending, psychic bloodbending brother, Noatak. 
It’s not necessarily a bad thing. If the creators were prioritizing awe! and shock! and woaw!, then unlocking Korra’s airbending this way definitely did the job. But it felt a little too... convenient? Plus, there was no explanation for why her airbending worked when it did. 
I mean, saving Mako obviously had something to do with it, and they didn’t have time to get into the details because, duh, they were trying to restore Korra’s bending. 
Still, the audience shouldn’t have to interpret everything.
(Or perhaps I’m just being petty, lol.)
For a book titled after the element, I guess I just expected more. 
Ultimately, I wish we saw Korra practicing more airbending; I wish we got an explanation for how and why she airbended when she did; I wish her success in unlocking her final element had not been overshadowed by the loss of her water-, earth-, and firebending.
Which brings me here, to this special moment:
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I cried.
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100%. 
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And the gentle, yet all too familiar Avatar theme playing in the background? Yeah, I was a puddle of tears.
However, as nostalgic as this was, I wasn’t too pleased at how quickly Korra’s bending was restored because it felt like the creators were taking shortcuts again.
For the record, I like that Noatak took Korra’s bending away (though I would have liked a more epic battle?), as it debunked the whole “the Avatar is invincible” concept. But, really? A quick touch of Aang’s fingers and her bending is restored, just like that?
Maybe it’s just me, but I would’ve loved to see Korra struggling to get her bending back. Perhaps we could’ve seen her retraining and relearning the other elements, which is something I still feel we were robbed of. 
Furthermore, as much as I enjoyed seeing Aang and all the former Avatar reincarnations, I didn’t like that this was also the moment Korra connected with her spiritual side. Similar to her airbending moment, I forgot about her spiritual struggles; the issue is last mentioned in Chapter 8 and, before that, all the way back in Chapter 1. But, honestly, I think the ease and convenience of this moment lends to the problematic pacing of Book I as a whole.
Dear Creators, 
While I thank you for restoring Korra and Lin’s bending, please don’t resort to convenient endings. I recognize that you only had twelve episodes, but please, no more shortcuts.
Your story will suffer.
Your characters will suffer, too.
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p.s., I’m sorry for being so mean to you. I have a lot of feelings, is all. 
Cheers to Book II, though!
Parting Thoughts
Before sitting down to write the finale’s review, I took a two-week break.
In that time, I rewatched (and re-rewatched) the entire first book.
I even had time to indulge in the fifth season of The Great British Baking Show.
Shameless Plug: 
I absolutely recommend this charming baking competition. 
You learn quite a lot about the science and precision of baking, endure (but also adore) countless baking puns, and witness what true competition looks like. That is, genuine camaraderie, rooting for your fellow bakers to succeed, and sometimes, lending them a hand if they’re pressed for time.
Warning: do not watch late at night. You will reach for a baguette. 
And yet, I still feel meh about Book I.
The season has its share of success: the music is as impeccable as ever and the technological and industrial components of the Avatar-Korra universe are developing and expanding nicely. 
However, it will always come down to the story, and the writing just wasn’t up to par. 
Truthfully, the real triumphs are the characters, who---after only twelve episodes---have built a home for themselves in my heart:
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Although, our bright, blue-eyed Avatar still has much to learn.
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(i.e., how to stop being an impatient little dumdum)
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But take heart...
Her story’s only just begun.
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From Beginning to End:
“Thanks for looking out for me, Aang.”
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credits
1 note · View note
hanatagami · 6 years ago
Text
ɪ'ᴍ ᴛʜᴇ ᴛʀᴜᴍᴘ ᴄᴀʀᴅ!? (Ch. 4)
“The new Guardian members, in other words, the fifth and sixth Guardian, is...The Red Joker: Hinamori Amu! The Black Joker: Kanade Haruto!” Haruto’s face went blank at the announcement. Everyone started talking excitedly.
“The J-Joker? What the heck is that?!“
*To The Royal Garden* “What do you mean what?” Hotori looked at them, looking genuinely confused. Like he didn’t just go against their wishes.
“Oh, we’re having brownies today.” Nadeshiko slipped in. Like that was the proBLEM.
“I love the brownies that Nadeshiko makes!” Yaya cheered, stuffing her face with the chocolate delight.
“Not that!” Hinamori let out a loud yell, “You guys just brought us into the Guardians without permission, and what’s a Joker?”
“What? You don’t know? It’s a trump card.” Kukai held up said card and showed it to them.
“Trump card?” Haruto asked.
“That’s right!” Kukai pointed a finger at them.
“Hinamori, you have three Guardian Characters. That’s amazing, and that’s why you’re a Joker. Haruto, we just didn’t know what to name you. That’s all there is to it.”  He took a bite out of a brownie as the situation was in wraps.
“That doesn’t help!” Hinamori yelled at him.
“The Joker has a special role to play.” This caught their attention.
“Special?” They asked.
“We Guardians always seem like we’re partying it up, but really most of our work is pretty boring.”  Yaya slid in the conversation with a pout.
“So basically, all the Jokers have to do are the special missions.” He was chewing the rest of his brownie, still pointing a finger at them.
“Being a Joker sounds so nice.” Yaya complained.
“You’re right.” Kukai joined in.
“Anyway.” Daichi took their attention
“Here’s our cape, Amu! Haruto!” They help up a red and blue cape for the Jokers.
“Anything but that!” Hinamori yelled.
“It’s okay, Hinamori-san, you only have to wear it for official functions.” Hotori reassured. Then, with a sparkle, “Let’s work hard together.” He had sealed the deal.
*Skip*
Haruto was laying bed, cuddled against a stuffed sheep he’s had since childhood. His gaze landed on the cape hung with his uniform.
“Guess you didn’t have to stress so much about it, since you didn’t really have a choice, huh?” Reo floated up to him and snickered.
“Yeah, I guess. Not like I can just quit after they announced it to the entire school. Just imagine the rumours that would fly.” Haruto felt a shiver run up his spine.
‘Though, I guess i’m not that against it…’ A smile appeared on his face.
“Kids! TIme for dinner!” His mom’s voice rang through the house.
Getting on his feet he left his room and made his way to the kitchen. The plates were already laid out, his father already sat at the table.
“Welcome home, Dad.” He gave his father a smile as he sat down.
“Hey bud, how was school?” At the mention of school, Haruto’s smile got bigger.
“It’s been pretty good, actually.” This peeked his parents interest. His mother gave him a curious look as she sat down next to her husband. They were used to “Good” “Fine”, but they never heard anything different.
“Did something exciting happen?” His mother asked.
“Haruto made some friends!~” They looked towards Etsuko was hopping down the stairs with a grin on her face.
“Really? That’s great hun!” His mother gave him a proud smile which he blushed at.
“I actually ended up joining a club with them, too.”
“Really? What club?” His father questioned.
“They call it ‘The Guardians.’ It’s kind of like a student council.”
“Oh! I was Guardian too when I was you age.” His mother looked at him gleefully.
“R-Really?’ This shocked him. He actually didn’t know how long the Guardians have been a thing at this school, he figured it was fairly new.
“Yep! I was the Queen’s Chair! Those were the days.” His mother gained a nostalgic look on her face, staring off into the distance.
“That’s great and all, but can we eat? I’m starving!” Etsuko complained, accompanied by a loud growl.
“Of course.” Their father said.
“Thank you for the food!”
Haruto got distracted by a vibration. He checked his phone to see he had gotten a message for the Red Joker herself.
Hinamori:‘Something so weird just happened.’
Haruto: ‘What?’
Hinamori:‘You know that weird cat guy that tried to steal my eggs?’
Haruto:‘Yeah? What about him?’
Hinamori:‘He just appeared at my window, gave me a bag of snacks, bit my ear, then declared us enemies!’
Haruto could hear her yelling through the text messages.
Haruto:‘Well it’s nice that he gave you snacks? Why did he bite your ear? And by “us” do you mean the two of us?’
Hinamori:“He must of have done it because of the tart, or something. He said he was gonna tell me something and just ended up biting my ear! He said if we stayed in the Guardians, we’d be his enemies???’
Haruto:‘You’re easily lured, aren’t you? Well it must be something between him and Hotori-kun.’
Hinamori:‘I am not! How was I supposed to know he was gonna do that?”
‘He was at your window, I don’t think anyone but you could of heard him.’
Hinamori:‘....’
Hinamori:‘Shut up.’
Haruto: ‘Good night Hinamori-san lol’
Hinamori: ‘...Night.’
*It’s a new day!*
“Nice day, isn’t it?” Nadeshiko said peacefully, sipping at a cup of tea.
“Indeed, perfect for training subjects.” Kiseki agreed.
Haruto stared at them oddly. Somehow Kukai dragging Hinamori across campus was seen as being peaceful.
“I’m going to pick up the pace!” Kukai shouted as he zoomed on by.
“So, I’m a Joker too, right?” Haruto asked.
“Yes.” Hotori confirmed.
“Then am I gonna have to do that too…?” Haruto was worried. He wasn’t all that fit, there was no way he could handle that.
“Not unless you can do character transformation.” Nadeshiko informed.
“O-Oh, that’s good…” Haruto looked down at his biscuit (or are they cookies? I don’t know) in fear. ‘I’ll just keep that to myself then.’
“Amu-chan, keep fighting!” Yaya cheered as they ran by again.
“W-Wait! Why are we racing all of a sudden?” Hinamori yelled cas she clung to the rope.
“If this is enough to make you give up, the you won’t be able to complete the Joker’s special missions.” Daichi told her casually, as Kukai gleefully dragged her around.
“You keep saying special, but just what these special missions, anyway?” Hinamori asked exhaustedly. Haruto watched also, curious to what his “duty” would of been.
Kukai slid to stop and dropped the rope. Hinamori fell into him, hands on his chest as he steadied her. Haruto could faintly see a blush appear on her cheeks as she looked at him.
He felt a small pinch of envy appear, but it left as quickly as it came. I mean, yeah, it would be nice to do that but it’s just as nice to sit next to friends, having snacks. It’s all good.
Hinamori quickly jumped way from him, which he kinda just smirked at. She crossed her arms in the Hinamori way, ” So what are the special missions?”
“X Egg hunting. That is the joker’s special duty.” Kukai answered.
“Kanade-san, have you fought an X Egg before?” Haruto’s attention was taken by Hotori.
“Um, I’ve fought a couple. I didn’t really know what I would have done if I won, so I kind of just ran away…” Haruto was lying. He was able to change them back with character transformation fairly easily, but he wasn’t going to tell them that.
“Since you’re a joker also, you’ll be helping Hinamori-san with finding them and help her purify them.” Hotori instructed.
“Don’t worry about it too much though, we’ll be there to help too.” Nadeshiko gave him a reassuring smile.
‘I really wasn’t all that worried about it, but thanks I guess.’
“I’m glad Hinamori-chan is a Joker with me,” The three Guardians looked at him questioningly, “Alongside her, we can help people believe in their dreams again. I think that’s so amazing.” He looked down at his hands with a blush.
They looked at him with shocked faces, before each one was adorned with a bright grin.
“That’s a great way to look at it, Kanade-san.” Hotori praised, as Nadeshiko nodded alongside him.
“Yeah! It’s like were heros!!” Yaya yelled.
“Yeah. Heroes...” Haruto blushed.
*Ding Dong Dang Dong* *Time skip*
Haruto was walking through the halls when he heard excited chatter. Walking to the noise, he saw a group of girls hanging around a board, and one with pink hair caught his attention.
Pushing through the crowd, he reached Hinamori who was staring at a poster in disbelief. The poster was a news article that said “Lovey Dovey with J!?” and had a big picture of Kukai and Hinamori holding onto each other on it.
“As expected of Hinamori!” Someone said.
“You just got joker’s chair, and now you’ve taken Kukai’s heart, too!” Someone else squealed.
“Hinamori-chan...I-Is this true…?” Haruto asked quietly, shocked at what he was seeing.
She tore the poster down and crumpled it to a ball, “No. Of course not.” She cooly said, walking away.
“Cool and spicy!” They chanted.
Haruto quickly ran after his fellow Joker, to walk alongside her.
“She’s great!”
“He looks so cute in the royal cape!”
“What unbelievable jokers!”
“So cool!”
Whisper spread through the student body as they walked down the halls together. “You’re doing it again, Hinamori-chan…” Haruto said, looking at her worriedly.
“It’s not like I mean too. Another facade has been created.” She said sadly.
Walking into the classroom, they were greeted with a couple of girls talking to each other.
“No way! Is it true, Yuki?”
“You’re transferring overseas so suddenly?”
A girl with dark green hair and blue eyes gave a sad nod.
“Really?” “Where are you going?” More girls crowded around her.
“America.” She answered.
“That’s Haroba Yuki?” Hinamori question softly.
The girls surrounding Haroba tried to reconcile her, “Cheer up. Even if we are separated, we’re still friends.”
“Yeah, that will never change.”
Haroba only gave a small nod.
Haruto’s eyes widened as he felt something. He gave a look towards to Reo who only nodded at him.
“Give me your new information.I’ll call you.” A girl said
“Liar.” This took everyone by surprise.
“Character change.” An ominous voice rang out.
“Huh? Whose voice was that?” Hinamori started looking around furiously.
“You heard it too, Amu?” Ran said.
“It must be…” Haruto mumbled.
Haroba threw her stuff to the floor, causing everyone to back up.
“Liar! You will change! You will change and forget me!”
“Yuki, we would never…”
“That’s mean, saying that.”
Haroba pushed them to the side as dashed out of the classroom, the girls calling after her.
Haruto’s eyes noticed something, a small little egg trailed the girl.
“That was…” Haruto started.
“An X Egg?” HInamori asked, “Then the voice was…”
:Amu!” Ran said to her.
“Right.” Haruto and Amu ran after the girl and her X Egg, but stumbled into someone.
“I’ll go on ahead, HInamori-chan.” Haruto said, running to the side of the collision and towards where he saw her run off to.
As he neared closer and closer to the egg, his earring glowed brighter and brighter. He ran into a plain-like place and heard a loud scream. Haroba was looking face to face with the egg. The egg began to crack and the light left her eyes. As the X character came out she completely collapsed to the ground.
It turned and faced the other Guardians, when they got there Haruto doesn’t know, but whatever.
“Destroy!” Long strands of english letters attacked the Guardians and they all lept out of the way.
“Reo, let’s character change.”
“Right.”
Diamond shaped ribbons appeared in his hair and and a black choker with a moon trinket on his neck. He held out his hand, and with a poof of purple sparkles and white and purple megaphone appeared in his hand.
“Lunala Roar!” Haruto held the megaphone to his mouth and with a loud scream, purple rings flew from the megaphone and towards the X Character.
“Uh-oh.” The character flew out of the way of the attack, before flying out of the area with a “Yahoo.”
“Oh no you don’t you little punk! Get back here!” Influenced by his chara change, Haruto let out a war cry before launching himself after the chara.
Jumping from tree to tree, he chased the chara with determined roars. The chara stopped at a building and threw the doors open. Haruto could faintly see the back of Hinamori in it.
Pushing himself to go faster, his legs burned at the sudden exercise he was getting. The chara started attacking Hinamori who ran further into the building.
Running into the building, he was suddenly accompanied by the King and the Jack, “Hinamori-san!” Tadase caught her attention.
“Tadase-kun, Kukai, Haruto…” She said in surprise, looking at the three boys.
“Be careful. That’s an X Character, born from an X Egg.” Hotori warned.
“An X Character?”
Responding to Hinamori’s question, the character looked at her with it’s big grin, “Yes, I am an X Character!” It shot the ominous letters out again.
Haruto jumped out of the way, as Kukai and Hotori got behind the chairs with Hinamori.
“Over here, you little mongrel!” Haruto drew the attention from the other Guardians.
The Chara shot the dark strands of the English alphabet towards him.
“Full Moon Shield!” He yelled into his megaphone once more, but insteads of rings a purple shield covered the area in front of him and protected him from attacks.
A bright light shone behind the seats, probably Hinamori. He hoped she would hurry, because he can only hold these attacks for as long as he can yell. Thankfully Hinamori lept out from the seats as Amulet Heart and got the X Characters attention. She jumped and tried to catch it with her hands, but it dodged every attempt.
“I don’t want to change!” He could hear the voice of Haroba’s inner thoughts from the chara.
“It’s fine! It’s fine to change!” This caught the chara off guard and gave Hinamori the time to use her finishing move.
“Negative Heart: Lock On!” Putting her hands in the shape of a heart, she thrusted them outwards. “Open Heart!” Pink hearts began pouring out of them, purifying the X Character.
A small stewardess appeared where the X character once was, “Attention, please. Thank you, Amu-chan. Thanks to you, I’m at ease.” She said.
“You’re who Hatoba-san really wants to be?” Hinamori asked.
“Yes. But it’ll still be a secret for now. I’ll be sleeping for a bit longer, until Yuki-chan realizes it herself.” The chara answered, before going back into her egg with a “See you again.”
Haruto let out a sigh of relief as the character change released. He was glad it was all over. He hoped nobody brought up his personality with the character change, though…
The Guardians followed the egg back to its owner's body, where it flew back into her chest.
Haroba let out a grumble as she got up, “What am I…”
“You collapsed here.” Nadeshiko told her.
“Are you dumb?” Hinamori took her attention, “No matter how far you go, you’ll always be connected under the same sky. Your friends will always be your friends, no matter where you are. Isn’t it okay to change?” Hinamori scolded the girl with her hands on her hips.
“Well something like that. I was afraid to change, too, you know. Let’s get along together from one scaredy-cat to another.” Hinamori held her hand out with a smile and a wink,
Haroba looked at Hinamori in awe before taking her hand, “Yeah.”
“Ah! Class is gonna start!” Haruto yelled.
“Later! I’ll be going ahead of you guys!” Kukai yelled, sprinting off towards his classroom.
“Kukai, that’s not fair! Don’t leave me behind!” Yaya yelled, chasing after him.
*Time Skip*
Everyone was sitting in class staring a man with brown frizzy hair, kept in a low ponytail. He had rectangular glasses and dark green eyes. The name on the board said “Nikaidou Yuu.” He also had two big stacks of books on the desk.
“While your homeroom teacher is on maternity leave, I’ll be taking over the Grade 5 Star Class-
“Sorry we’re late!” Hinamori slid the door open, walking in alongside Haruto and Haroba. While she walked up to the teacher she tripped on the ledge and fell over. This also knocked the new teacher down as well, along with books and papers.
“This is the second time today.” She mumbled, sitting up.
“Oh, I met you before. You’re a teacher?” She questioned.
He gave her a close eyed smile, “Yes I’m Nikaidou Yuu. Now that I have a chance to greet you properly… Hello, Himamori Amu-san, Kanade Naruto-san.”
“Himamori?”
“Naruto…?” They mumbled together.
He began to get up, “Anyway, first period’s-”
He stepped on a piece of paper and slipped again. The whole class started laughing at him.
“He’s quite the character.” Hinamori said, to which Haruto nodded at.
‘This man is our new teacher? He seems quite nice, actually.’ Haruto thought to himself, excited to see what this man will bring to the rest of the school year. Hopefully all good things.
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So school started. I already hate it, and i'm going to try my best to update weekly...
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fanfoolishness · 7 years ago
Text
lies we told in summertide
Burgeoning Min Hawke x Varric, set in late Act III.  Also fading Hawke/Anders and a bit of Varric/Bianca if you squint hard.  Angst, violence, blood warnings.  A Buffy reference.  And because it’s Hawke/Varric, a lot of shit talking.  5350 words.
The summer days stretched long, long, long, humming with a tension that Min Hawke could feel all around her.  It was thick in the air like chokedamp, a foul miasma that made the hairs on the back of her neck rise.  She felt it in her chest.  Felt it in her belly.  Felt it in every kiss she shared with Anders, every time he brushed the hair back behind her ear, every time he embraced her, his face pale above those black, forbidding robes.
Sometimes she tried to give it a name.  How many times had she talked with Anders?  How many times had she asked him what was wrong?  But the answers he gave her were thin and glancing.  They eased for a moment, but left her feeling more uncertain than before.  She wasn’t sure if they were lies or half-truths, but neither sat well with her.  
Lately, it felt like Varric was the only one she could talk to.  It had felt good to get it all out a few weeks ago; she’d shown up drunk at his door in the middle of the night, and like a good friend, he’d taken her in.  Since then, it’d been nearly every night.  Some nights it was simple chatter.  Other nights it was the hard stuff, Carver and Bartrand, family and the weight of it, the strife between the mages and the templars.  And some nights it was just hand after hand of Wicked Grace with anyone who happened along.
Varric had let her open up in a way she could not with the others, even after years together.  Aveline was hopeless at anything romantic, Fenris would just as soon tie up Anders and leave him bundled for the templars, Anders goaded Merrill so mercilessly Hawke hated to bring up any problems with him to the elf, and Isabela had been gone for years now.  Bethany, too.  She’d thought of writing Bethany more than once, but Bethany always sounded so distressed about Warden life, and she couldn’t bear to weigh her sister down with anything more.  Especially since the terrible letter she had had to write about losing Mum.
But Varric just listened.  Let her talk. Let her rant.  Let her cry.  She loved him for that.
She sat on the end of the bed she shared with Anders, summer heat leaching in through the walls as she kicked her heels.  She was sticky with sweat and suffocating in the heat.  Outside the bedroom, she could hear the conversations of Bodahn and Orana, Sandal’s excited interjections, Molossus snoring happy doggy snores.  She wondered that any of them could breathe at all, it choked her so.
She had to get out of the manor.  Early evening was the worst, not late enough to sleep her anxieties away, too late to head out to somewhere outside of Kirkwall with the others.
She shoved her feet into her boots.  The Hanged Man it was.  Again.
The summer twilight was a muggy, sweaty thing.  Kirkwall’s stone held the heat jealously, and the fug followed her down the familiar streets of Lowtown and into the Hanged Man.
She pushed her way past sticky elbows and the funk of unwashed Lowtowners, stopping only for a pint from Corff that she carried up the stairs.  The foam sloshed over the edge of the tankard, but she didn’t mind.  She’d have another in half an hour, anyway.
Her knuckles beat a familiar refrain on Varric’s door.  “Come in,” he called, and for the first time in days, she felt something she couldn’t quite place.  It felt good.
“Just me, Varric,” Hawke said, sidling in through the door.  “Are you free?”
Varric sat at the end of the table, sheets of parchment in front of him, pen in hand.  She caught a glimpse of him in deep concentration, brows knitted together, pensive written all over his face.  Then he caught sight of her, and his face split into a grin.  “Always for you, Hawke.”
“Flatterer,” she said.  She took the closest seat, setting her tankard far from his papers.  They looked important, Varric’s looped script small and tidy over fronts and backs of the parchment.  He set down his pen, a curious gold-plated thing that seemed terribly intricate.  Dwarven; had to be.  Quite a bit less messy than a quill.  “Am I interrupting anything?  Hard at work on your latest tale?”
Varric chuckled.  “Just keeping track of my connections.  There’s an unbelievable amount of paperwork in keeping a spy network, even one as small as mine.”  But she couldn’t help noticing that as he spoke, he carefully tucked the papers away to his other side, keeping them from her sight.
She narrowed her eyes skeptically.  “I know it’s quite a bit more elaborate than you say.  I’ve my own sources, you know.”  
He held out his hands.  “Ahh, Hawke, let me practice my deflection a little more.  Aveline’s going to be around for drinks with Donnic later, and I have to pretend all I do is sit on my ass and write my books.”
“I think she knows you rather better than that after all this time,” said Hawke.  She wondered what he was really writing, but she knew better than to needle him about it.  Varric was either disarmingly honest or infuriatingly obfuscating, and she didn’t feel like obfuscation tonight.  “We’ve all seen a lot of shit together, haven’t we?”
“That we have.  We’ve been in the thick of things.  Where do you think I get my story ideas from?”
“Do you ever miss how it used to be?” she asked.  “Before the Deep Roads, before everything got so… complicated.  Just the group of us, running round, getting into scrapes and hauling ourselves back out of them.  For a while there, it all seemed so clear.”
“Feeling nostalgic now, are you?” asked Varric.  “Keep it up, I can take some notes.”
“I don’t understand how it is it always comes back to that.  Not everything’s a story, you know,” said Hawke slowly.  “Sometimes it just is, and you have to sort it out as you go, not parcel it out afterwards into neat chapter and verse.”  She took a long draught of her drink, fighting back an abrupt wave of moroseness.  “I used to quite like stories.  Then people started telling them about me, and I -- I don’t feel like a Champion, Varric.  I’m just me, and it’s not enough.”
Varric held up the pen.  She stared at it, wondering what he was doing.  Then he rolled the papers up around it and tossed the whole package unceremoniously onto the empty chair a few feet away.  The pen clattered as it hit the hard surface, rolling out from the sheath and falling to the floor.  Varric made no move to pick it up.
“So we’ll skip the story, then,” he said.  “I was tired of staring at that shit anyway.”
“Varric,” she began.  Looked at his face, broad, ruddy, open.  The feeling from the doorway came over her again, and this time she could name it.  Trust.  She looked down into her drink.  “Everything’s going to shit, isn’t it?”
He tilted his head, gazing at her.  His hazel eyes were warm, their expression soft.  “You wanna talk about it?”
She laughed, a real smile feeling most welcome on her face.  “I really don’t.  Is that all right?”
“Course it is.  So what do you want to talk about instead?”
“Anything else,” she said, casting about for conversation ideas.  Nothing normal came to mind.  Bullshit it was, then.  She squared herself to face him, and began to unspool pure ridiculousness.
“All right, then.  I heard a rumor that Meredith has an adult-sized rocking horse in her office and rides it when she gets angry.  And that Orsino wears a bright pink dressing gown with tassels to bed.  And that Elthina has forty-three different lovers, all of them half her age at the oldest, and the real reason the Chantry’s locked at night is because she likes her orgies in private.  Care to verify any of it?”
“Well, I don’t know where you’re getting your information from, Hawke, but it’s utter crap.  Word on the street is that Elthina’s a black widow and kills off every suitor after the penultimate moment, so orgies would make that a lot more complicated.  Everyone knows it’s Cullen with the pink and the tassels, since Orsino only sleeps in the finest Antivan silks.  Meredith had a rocking horse as a kid but beat it to death since it was insubordinate.  What else you got?”  Varric leaned back in his chair, smirking.  
“Summer,” said Hawke with disgust.  “What’s this blasted Marcher summer about?  It’s sticky and revolting and entirely antithetical to the Fereldan way of life.  We’re meant to be freezing our arses off at all times.”
“You Fereldans wouldn’t know the first thing about decent weather.  You know your brains are all scrambled, too much exposure to cheese and damp dog hair.  It’s sad, really,” said Varric, shrugging.
“Now you’re just being silly.  There is never enough cheese.”
“You’re right.  That was a lie.”
“Lying is wrong, Varric.”
“So I hear.”
Hawke shifted in her chair, picking her feet up and curling up within it.  Being a dwarf’s chair, it was a bit difficult to do, but she was up to the challenge.  She rested her arms on her knees and grinned at him.  “I’m not sure what I’d do without you, you know.”
He folded his arms.  “Lying is wrong, Hawke.”
“Not lying,” she said simply.
“Right.”  For a moment, he seemed almost pained; something about the way his mouth twitched, the way his gaze slid past her purposely.  Then he was all smiles again, hazel eyes bright and playful.  “That’s because I’m indispensable.”
“It’s true.  Everyone needs a trusty dwarf,” she said.  
There was another knock at the door.  “That’ll be Aveline and Donnic,” said Varric.  “You’re welcome to stay, of course.”
“I think I will,” said Hawke.  She uncurled herself, stood up to answer the door.  Before leaving the table, she leaned down close to him, her breath making a loose strand of his hair flutter faintly.  “It’s just -- I know you must be getting sick of me, but do you mind if I come back again tomorrow?”
He looked up at her.  This close, she could appreciate the lines at the edges of his eyes, carved by years of easy winks.  The scar on his nose was a sharp red line surrounded by faded freckles, and his grin, when it came, dazzled.  “Hawke, you don’t even have to ask.”
The summer nights were inky, star-flung things, the only bit of blessed cool relief to be found.  She even fancied she felt a chill.  When the slivered crescent moons swung low she made her way out from Varric’s, daggers at her belt, boots soft and silent on the stone, her feet carrying her home.
Years past, it had always been just a night or two a week at the Hanged Man.  Now it was nightly, a far better option than the alternative.  She’d never been so good at her constellations before now.  
Some nights Anders told her he was staying at his clinic, and she didn’t leave the Hanged Man until dawn.  Some nights he stayed in, and when she asked if he wanted to come out for a drink, he said no, staring down at his manuscript in the study.  She’d kiss him, tell him she loved him, pull him close to her.  Every time she wondered if he’d return to her, the man she’d fallen in love with.
Sometimes he would, in a shy, sweet smile, or a tilt of his head, or passion alight in his eyes.  But more often he’d hug her as if she wasn’t really there, and return to the study to sit in silence with the books.  And she’d be off to see Varric again.
Hawke rubbed at her eyes with the back of her hand, hurrying down her alley shortcut, wishing she had perhaps declined a few of those later rounds.  Her head swam.  Lowtown was always eerie this time of night, and she knew she should have her head on straight, should remember where she was and what she was doing, but the world was badly made, damn it, and --
Footsteps behind her.  She rounded, daggers flashing silver in her hands, and faded into the shadows of the alley, ready for blood.
Varric stood there, shaking his head.  He’d clearly come after her in a hurry.  His overcoat was on crooked, and something about his silhouette just felt off.  “You’re slipping, Hawke.  I tailed you for three streets before you noticed.”
“Well, you aren’t creepy at all,” said Hawke, delightedly slipping her daggers back into her belt and stepping from the shadows to face him.  “What are you doing here?  I thought you were heading to sleep.  Which begs the question, do you sleep in a nightcap?  Are there special dwarven ones?”
“I don’t, there are, and you don’t even want to know what they look like,” said Varric.  “You were already gone when I realized you’d forgotten something.”  He pulled a dagger from a pouch by his belt.  “Missing this?”
“My favorite throwing dagger!  Let me guess, I left it in your wall after throwing practice tonight?”  That was right, she’d gotten it out to do a bit of target practice on Varric’s wall after Aveline and Donnic turned in for the night.  She hadn’t been sure if he still wanted her there so late, as he’d clearly been distracted by something; she’d caught him fidgeting with his parchments more than once with a pensive expression on his face.  But he’d insisted that she stay for a while, and so she had, sharing a few more rounds with him and tossing knives into the wall until they both felt better.
She took the finely made blade from his hand and carefully replaced it among her stash, though part of her wondered why he simply didn’t give it to her tomorrow.  It was a bit odd.  Helpful, though.  “You’re the best, Varric.”
“I’m just a simple dwarf who does what he can,” said Varric.
She rolled her eyes hard enough she was worried she strained an eyelid muscle.  “You’re far more than that, and I won’t hear tell otherwise,” she said.  
They both fell quiet for a moment, and Hawke realized what looked different about him.  “You -- you forgot Bianca?”
It was difficult to make out his expression in the dark.  “...huh.  Guess I did.  I thought I’d catch you closer to the Hanged Man,” he said, disquieted.
Noises around the corner of the alleyway.  “I hope we don’t regret it,” she muttered to him, hurriedly leading a path away from the sound and handing him back the throwing dagger, slapping it grip first into his palm.  For a moment it seemed as if they were in the clear.
But when they rounded the next corner, a knot of hulking men approached, their bodies taut and predatory.  “We were just leaving,” said Hawke brightly, but her hands were on her daggers in an instant.  
She had just a second to wish that she’d come fully kitted out, laden with smoke flasks and Antivan fire, but she’d gone out for drinking, not full-on war.  The men rushed at the two of them and she had to make do with what she had, lashing out in a dizzying whirlwind of kicks and daggers, flourishes and footwork.  She might’ve been drunk, but not that drunk that she couldn’t do serious damage.
She knifed one lackey in the neck and slashed another across the top of the thigh, bringing them both down, then ricocheted into the gang’s leader.  The man leapt forward with a twin strike.  She sidestepped to evade him, but he stepped with her, and before she could counter he grabbed her in a chokehold, one foul-smelling forearm locked under her jaw and the other arm pinning hers to her sides.  
Shit, shit, fuck.  She gagged as his arm dug against her throat, planted herself, and struck him with a headbutt to the chin, but he barely staggered.  
Black spots flickered at the edges of her vision.  Her lungs burned for air.  She was desperately trying to angle her leg between his for a kick to the groin when the man dropped like a stone.  She whirled back to see him flat on his belly, her throwing dagger neatly embedded between his shoulder blades.  She glanced up and there was Varric further down the alley, pulling back his arm after the throw.
“Nice one, Varric!” she called, but his name hadn’t quite left her lips when the last man darted forward and buried his dagger in Varric’s back.
She screamed as Varric crumpled to his knees, but the sound caught in her bruised throat.  So she ran forward in a vicious charge, blades singing in the night air, and she hurtled into the last bastard so hard she knocked him over.  Then she was upon him, panting, scrabbling for any weak spot in his armor, blades tearing through belly and elbows, back and throat.  Blood fountained in a black torrent, punctuated only with a terrible, fading gurgle. She ripped her blades out of his body and ran to Varric’s side, dropping her daggers on the stone below with a piercing ring.
He was curled on his side, the blade’s handle still visible around his right shoulder, cruelly jutting out at her.  She ignored it for the moment -- one never knew if removing it right now would do worse harm -- and gently rolled him enough to see his face.  “Varric,” she gasped.  “Varric, please, tell me you’re all right.”
A hoarse, rattling cough as she rolled him.  “Ahh, fuck,” Varric groaned, staring up at her.  He was pale, face twisted, sweat beading on his forehead.  “That’s my favorite coat.  Do you know how much --” he winced, gritting his teeth, “--good tailoring costs?”
“How bad is it?” she asked, slipping her arm under him so that he could sit half propped up, leaning against her.  Her heart thundered in her chest.  
“Not a healer, remember?” Varric asked with a wheeze.  He was getting greyer by the minute, his breathing rapid and labored.  He coughed, blood flecking his lips.  “A guess? Bad.”  He closed his eyes, sagging against her.
“No,” she hissed, “we are fixing this, Varric, that’s your -- your crossbow arm and your writing arm, and your wanking arm probably, and you’re going to be just fine, do you hear me, this isn’t that bad --”  
She suddenly remembered Anders, packing potions into a hip pouch for her.  You’ll want to keep this on you, love, if ever I’m not with you.  I couldn’t bear to think of you being hurt.  Poultices that smelled of deep mushroom and elfroot, things he’d charmed with wisps of spell and healing mana.  Not as good as a healer at your side, of course, but they’ll do in a pinch.
Her hands fumbled at her belt, digging frantically.  She cursed the fact that the last few ales had her dizzy, or was that the fear?  “Hang on, damn you!”  She ripped off the pouch she’d never needed before, her hands shaking, and pulled out two cloth-wrapped poultices and a small silver flask.  She pulled the top off with her teeth and thrust the flask’s mouth through Varric’s lips, hand still shaking violently against his cheek.  Once she’d emptied it into his mouth, she tore the front of his shirt open, searching for a wound.  
Nothing on the front.  At least the blade hadn’t gone all the way through.  “Stay with me, Varric dear, got to see how bad it is,” she muttered as she shifted him so that he lay half across her lap, leaving access to the hated blade buried in his back.  He was dead weight on her legs, a realization that only served to increase her terror.  She grabbed her fallen dagger and sliced through layers of leather and Highever weave, tailoring be damned, until she could peel off the blood-soaked cloth in strips and finally expose the wound.
The blade rose and fell with each shallow breath he took.  Hawke stared at the blood slicking his broad back, trickling from around the blade’s base in steady rivulets.  She tore open the outer cloth bindings on the poultices, remembering Anders’ words.  See this inner binding here?  Keeps it all together, but it’s thin enough the herbs can get through to do their work.  You could place it into a gut wound or an open fracture and it’ll work right through that inner layer.  I just hope you never need it.
She packed them around the blade and into the edges of the wound, blood hot against her fingers.  She took a deep breath, then leaned down and whispered.
“I’ve got Anders’ healing poultices on you.  They need to get down into the wound to help, but I’ve got to remove the blade.”
A faint reply, enough to make her vision blur with sudden tears.  “Trust you,” he mumbled.
She wrapped her hand around the dagger’s haft, her other hand hovering over the poultices.  She pulled -- a short, sharp groan -- the blood welled in a rising flood -- and she stuffed the poultices deep into the wound, flinging the blade aside and putting pressure on the wound with both hands.
Hawke whimpered, fighting back a sob that threatened to overwhelm.  She bowed her head, hands trembling with the effort of putting pressure on Varric’s blood-stickied back, and she tried to count his breaths.  “Come on, come on,” she bit out.  Her voice seemed to catch in her throat, making it hard to form words, but she didn't care.  She couldn’t think of anything else to do but pray, though it was nothing like what you’d hear in the Chantry.  
“You’ve got to make it until we can get you to Anders.  You’ve got to.  I can’t lose you, you foolish dwarf.  Why didn’t you bring Bianca?  Why would you ever leave without her?  You know what a shithole this city is, you know there’s wretched thieves and murderers round every step, we both know it.  Look, you can’t go like this, it’s not nearly noble enough and we both know you’ll either go out in a blaze of glory, or comfortably in your old age atop a pile of ill-gotten gold, and, and, neither of those is today so just come on, Varric, come back, come back to me.”
Movement beneath her.  Varric’s back muscles shifting as he moved his arms, tensing beneath her pressure.  “Hawke?”
“Careful, careful.  Let me see how it looks,” she said.  Cautiously she lifted up one hand a few inches, and when there was no fresh bleeding, she lifted the other one.  The poultices were bloody, but seemed to be holding even without her hands applying pressure.  She wiped the tears from her face and fumbled in the pouch again, finding a roll of clean bandage material.  “Here, let me wrap it.  I think the bleeding’s stopped.”  She wrapped the bandages round his chest and shoulder, tying them in place.  “How do you feel?” she asked uncertainly.
“Weirdly, like I got stabbed in the back,” he said, voice still faint.  “But… better.  Help a dwarf up?”  She obliged quickly, helping him up to a sitting position so that he leaned against her, her arm around him.  He rested his head against her chest.  He no longer had that awful, greyish cast to his skin; he was still pale, but there was at least a hint of color to his cheeks again.  Blearily, he blinked up at her.  “Shit, Hawke, what happened to you?”
Hawke swallowed past the bruising in her throat.  “Got choked a bit, but I’m all right.”
“No, I mean…”  He gestured weakly at her face and arms.  “Lot of blood.  You okay?  Any of it yours?”
“It’s all yours, you daft dwarf,” she said, making a noise that might have been a laugh, or a sob.  She couldn’t tell which.  She noticed her hands, coated in blood past the wrists, and remembered wiping her face just a moment ago.  She probably looked a bloody maniac, though it didn’t matter.  “I thought I was going to lose you.”  
The sound that followed was decidedly not a laugh.  She leaned her head down against his, her cheek pressed against his sweat-damped hair, and cried.
The summer dawn was bright and piercing, heralded by the screams of gulls and the smell of rising chokedamp.  Hawke spent it sitting on a cot in Anders’ clinic, keeping watch over Varric as Anders worked.
Poor Anders.  The expression on his face when he saw the pair of them -- Varric bandaged and bloodied, shirt and jacket in tatters, Hawke covered in his blood.  He’d clearly been shaken, though his fear had turned to relief when Hawke explained that Varric was the one who’d been hurt.  
Hawke ached for Anders and his worry, yes, but she also resented the relief that had crossed his face, brief as it had been.  She knew it was only that he feared for her, but she was still strangely irritated.  It might not have been me, but it was still Varric!
Together they helped Varric onto a cot.  “What happened?” Anders asked, magic flaring crisp and clean from his hands over Varric’s bloodied back.  His face showed intense concentration; he’d always found Varric the most difficult of them to heal due to his dwarven nature.
“Dagger in the back down in Lowtown,” said Hawke, watching closely as Anders laid down his magic in weaves and layers she didn’t quite understand.  His style had always been so different from Bethany’s, or Dad’s.  “I had your healing kit on me.  I don’t know what might have happened without it, Anders.  Thank you.”
“I hadn’t realized you’d gone out,” said Anders sadly.  “I might have been able to help more, had I been there.”
“I knew you were at the clinic tonight,” said Hawke.  “I didn’t want to trouble you.”  Which was a lie, of course, but she didn’t find the distinction to be important.  She swung her heels, kicking them back and forth as she sat on the edge of her cot.  
Anders spared her a small smile, which made her feel worse somehow.  “It’s true I was needed here tonight.  There are five other patients in the back.”  He let out a long breath, the magic flickering down to nothingness.  “I’m glad you were with him, Hawke.  The poultices helped a great deal.  Varric?”
There was only a quiet snore from the cot, and Anders reached out for a nearby bowl of clean water and a few cloths.  A shimmer of a flame spell heated the water briefly until steaming.  “Good, I hoped he would sleep.  He’ll mend fully within the week, though it’s going to leave a nasty scar.”  He sighed.  “I love Varric, but dwarves are just beastly to heal.”
They both turned at a faint voice from the backroom.  The call came again, and Anders looked down at Varric’s sleeping form.  “I’m sorry, love, but would you mind looking after him?  One of the boys back there is quite ill with fever.  Would you be able to clean him and get him some blankets when you’re done?”
Hawke nodded.  “Of course, Anders.  Listen--”  She reached out and gripped his wrist, dried blood cracking and flaking off her hand as she flexed her fingers.  “Thank you.”
He just gave her one of those crooked, wistful smiles, pressed a kiss to the top of her head, and headed into the back, grabbing up his staff and some bandaging as he went.  She watched him go, then shook her head.
She turned her attention to her hands.  The dried blood seemed a baleful omen, even though the danger had blessedly passed.  She dutifully scrubbed them clean in the water Anders had left her, tingeing the water pink.  Once they were clean she took the cloth, soaked it in the water (it was all his blood anyway) and began carefully washing Varric’s back, taking great care to stay away from the wound near the shoulder.  It was beginning to close up already, thanks to Anders’ magic, but she knew from experience that terrible injury wasn’t healed in an hour.  It had taken her a full two weeks to get back to fighting shape after the Arishok, even with Anders working on her daily.  Varric’s wound was centered now in a field of blooming bruises in purple and yellow, and she shivered to see it.
She cleaned gently, methodically, dipping the cloth in water periodically as the water turned darker and darker.  His skin was firm and surprisingly smooth beneath her hands.  She cleaned and cleaned until no more blood remained, then got to her feet and fetched a cloth to dry him off.
As she worked she found herself murmuring to him.  “I thought I’d lost you back there, you know.”  His back rose and fell with deep, steady breaths.  “It’s something I learned leaving Lothering.  You don’t always go out in glory.  Sometimes the other man just has one good day.”  She sighed.  “With Carver it was an ogre.  It was stupid, cut off from the rest of the darkspawn.  It wasn’t supposed to be that far from the horde at all.  But when Carver raised his sword, it veered left instead of right.  It struck him down.  And it was so stupid, you see, I was just so struck by the unfairness.  The suddenness.  It only took one mistake.  And that ogre had a real good day, up until Bethany and I killed it.  Just like that bastard in the alley nearly did.”
She finished drying his back, then stood up and collected a few ragged blankets from the cupboard.  She laid them down tidily over Varric, pulling them up to his chin.  The way he was laying, turned away from her, she could just see the curve of his cheek and one closed eye.  His color was good; his cheeks were ruddy again.  She sat down on the cot across from him, simply watching.
“I don’t know if you’re all right, Varric.  You have letters you don’t want me to see, that make you upset; you left Bianca on a fool’s errand, just to bring me back a knife when you knew I’d be back tomorrow.  Maybe you don’t want to be at home either, these days.  I don’t know.”  She pulled up her feet on the cot, stretching out onto her side.  It might feel good just to lay down for a bit.  It’d been such a long day.
“Do you ever think we ought to run away together, you and me?” she said softly.  “Far away from mages and templars and letters and knives?”  She closed her eyes, laying her head against a thin, threadbare pillow.  “I’d run away on my own, but honestly, I don’t want to think of my life without you in it.”
“Flatterer,” said Varric faintly.  
She cracked open one eye to see him on his side facing her, the blankets surrounding him like a cocoon, his hair a rumpled mess, his eyes deeply shadowed.  It took her a minute to realize he was winking.
“Honestly,” said Hawke, “you are terrible.”
“Guilty.”  He yawned, blinking sleepily at her.  “Though it’s rude to insult the gravely injured.”
“It’s rude to get gravely injured in the first place,” she said.  “Oh, no, awful.  Now you’re making me yawn.”  She reflected for a moment.  “Did you hear all that nonsense I was saying?”
Varric smiled a little.  “Some of it.  You just keep unfolding like a flower, Hawke.”
“Oh, shove it.”  Impulsively Hawke reached out, patting Varric’s arm under its blanket fortifications.  “Glad you’re all right.”  She pulled her hand back, tucking it under her head as she burrowed into her sparse bedding, and she yawned again.  “Drinks tonight?  On me.”
“Wouldn’t miss it.”
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