fanfoolishness

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Now THIS is the galaxy brained shit I come on tumblr dot com to see

you know another da:tv milf rarepair that would absolutely slap actually. myrna/shathann. their sexts would have properly formated footnotes and citations. ruthless cross-cultural academic debates as foreplay. taash would have to deal with having a mortalitasi stepmom. all gold as far as I'm concerned. a bit uncool that shathann is um. dead. of course but the beauty of the mourn watch is that that need not necessarily be an insurmountable barrier here fhskadj

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I'm going to say something controversial. I think there's something Veilguard does better than any other Dragon Age game. Namely: incorporating the companions into the plot.

Look, I love Origins as much as everyone. But to be frank: you could cut every companion except Alistair, Morrigan and Loghain and the plot could still work. Once you've finished the mission where you recruit a companion, there aren't other main quests that involve them in any way.

Oghren and Wynne could have stayed home after their recruitment missions for all the difference it would make to the main plot. Sten, Leliana and Zevran could vanish and nothing would change, because once they're on your team, they don't interact with the main plot at all. (There's the Temple of Sacred Ashes, I suppose - but even then, you'd be going on that quest whether Leliana and Wynne were there or not, and it's very telling that they can both die here and next to nothing in the rest of the game is impacted.)

Again: I love Origins. This doesn't detract from any of these characters being great, or from the story being great. It just means there's a layer of separation between the two. They're involved in the story, but they're not driving it, and you seldom get to see them have strong feelings about it.

DA2 is a huge step up. Your companions' personal stories are integral parts of the main plot. You can't do the Deep Roads expedition without witnessing Karl's death and its impact on Anders. You can't enter Act 2 without seeing Varric's brother betray him, or watching your sibling either die or begin a new path in life. Act 2's climax happens because of choices Isabela and Aveline have made. Act 3's endgame is all about Anders making one enormous decision. Even Fenris and Merrill, who have the fewest ties to the plot, have strong reasons to be invested in the Mage/Templar conflict.

And then Inquisition just... backslides. There are multiple companions you don't need to recruit at all, or can send away with zero alteration to the main plot. Your companions don't like Corypheus because he's bad, but no one - except maybe Varric - has any strong personal feelings about him. They have no personal stake in defeating him, not like Alistair has a personal stake in opposing Loghain, or Anders in opposing Meredith.

We go to the Winter Palace, and Vivienne is not made a part of that story. We have a whole subplot about the Wardens, and Blackwall only gets a couple of extra lines, if you even bring him. Their personal arcs could have been somehow impacted by these missions, and they're just... not. Sera is packed with internalised self-hatred that manifests as trying to distance herself from elven culture, to the point of sometimes lashing out at other elves. And despite all the missions you do where elven history features... Sera's growth past that flaw happens entirely offscreen between the base game and Trespasser?????

IMO, this is one of the biggest reasons why Corypheus is such a bland villain. He doesn't make anyone grow, except by starting a plot for them to be part of. He doesn't challenge them emotionally. No one is invested in him. Because no one interacts with the darn plot.

Veilguard, though? Veilguard keeps your companions interacting with the story the whole way through. The Treviso/Minrathous choice affects both Lucanis and Neve heavily, and impacts who they become for the rest of the game. These cities are personal to you, even if you're not a Crow or Shadow Dragon, because your companions love them.

The Siege of Weisshaupt is beyond personal to Davrin and Lucanis, both of whom are entrusted with major parts of the quest: trying to kill the archdemon and Ghilan'nain. Lucanis is affected by his failure to kill Ghilan'nain for ages afterward. Davrin is haunted by survivor's guilt; he should have died when he struck down the archdemon. He's alive. How can he live with that?

Whenever killing the gods becomes a possibility, Rook hands the lyrium dagger to Lucanis. When the squad go to fight the gods' dragons with the Wardens, Taash is the one to flush the first dragon out. When you infiltrate the Venatori, Neve tricks your way in, and everything that happens is especially weighty to Bellara, whose people have been abducted. On Tearstone Island, because of how Lucanis and Spite have grown, they strikes true.

Did you not hate Elgar'nan before that mission? Because you probably will after you watch him capture Bellara or Neve, and see his fellow god kill Harding or Davrin.

You know what's a great piece of writing? There's no reason Emmrich shouldn't have been an option to deal with the wards on Tearstone Island; he's one of the ideal options to take out more wards with the Veil Jumpers in the final mission. But you can't select him to do it. Because Emmrich has far less personal investment in the Elgar'nan battle than the other two. This is Neve's city. This is the monster who tries to call himself Bellara's god. The game makes sure the characters who take control of the Blight at the end are the ones with the greatest stakes in doing so.

One of your companions, not you, wrests command of the Blight from Elgar'nan. The final mission depends on how well you've come to know each companion's skills. They're just... always involved.

And they're invested, too. The companions all have serious personal reasons to hate the antagonists by the end. Lucanis and Neve have either seen their city burn, or know it happened at the cost of their friend's (and potential partner's) hometown. Davrin has seen his order devastated. These are Bellara's and Davrin's supposed gods, and instead of helping the elves reclaim their history and culture, they're trying to enslave the world. Harding learns that the Evanuris maimed and destroyed her Titan ancestors.

Emmrich and Taash have perhaps the smallest emotional tie - and sadly I do think Emmrich especially gets underutilized in the plot. But heck, Taash is still hella motivated by the way the gods are abusing dragons. And Emmrich is tied thematically to the main conflict. He's facing the question of immortality, while nigh-immortal beings are right in front of him, proving how that gift can be abused. The final choice of his personal arc is whether he's willing to embrace his personal, mortal attachments, at the cost of consequences that terrify him... you know, the same question that Solas faces at the end.

And don't even get me started on how everyone is emotionally tied to Solas. Harding and Neve watched him kill Varric in front of them. Everyone not dead or captured has to watch him drag Rook into the Fade. Just about every companion faces some kind of huge regret or failure at some point, in constant foreshadowing for Solas's prison of regret: both the literal one he sticks Rook in, and the mental one of his own making.

Veilguard has its problems, but it absolutely shines at keeping its characters involved and invested in the main story. It gives them things to do, it gives them reasons to care. For all the flaws this game has, this part is good writing.

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The Sound of Music (1965) dir. Robert Wise

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Merrical April and Andy moment for @imaginative-joy

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Look, I am the biggest rookanis shipper out there, their romance is 20/10, Lucanis is my little meow meow etc. but if you dare to say one bad thing about my wife Neve I'm going to end you.

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how did i get here? (and how do i get back?)

Words: 1,547 Characters: Lace Harding/Taash Rating: Gen Summary: The broken mug finally convinced Harding that Davrin was dead, that Neve was missing, and that Rook was gone.

Commissioned by @taashyvashedan (Thank you!)

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The broken mug finally convinced Harding that Davrin was dead, that Neve was missing, and that Rook was gone.

It was the blue one. Made of ceramic that someone had twisted into the head of a cat; if the person who made it had only heard of cats as a concept. They had passed by it early on, before Weisshaupt. Before the dragons. Before Lucanis, even. It had been hanging up in one of the stalls. An ugly, misshapen thing that had made Rook laugh so hard they had to buy it.

Harding stared down at the shattered crooked nose, the ear someone had ‘creatively’ decided to turn into an oddly shaped handle, and the artist’s signature on the bottom.

So small a thing .

AO3 Link

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Happy Friday! How about "falling asleep with their head laying in the lap of their lover" for Roisin/Lucanis?

@dadrunkwriting - veilguard content warning! thank you for the prompt!!!

It started out as the two of them having a quiet night in. Rook had correspondence to read and plan replies to; Lucanis had a novel he was keen to finish. Getting to spend their time together, tucked up on her chaise, was a welcome respite from the insanity that was their day-to-day life.

Rook noticed the first time Lucanis' grasp on his book faltered. It dipped towards his face as his blinks grew longer and longer. Before his wrist could go entirely limp, he startled himself back to full wakefulness and frowned. It was, though Rook would never say it out loud, adorable.

She continued to watch out of the corner of her eye as it happened again a handful of minutes later. A third time. With a small huff, Lucanis adjusted his position. Instead of laying on his back with his head resting on the pillow he had propped against Rook's hip, he turned over onto his side. The book swapped from one hand to the other, like the fatigue could be fought if he gave his muscles a rest from the very strenuous activity of holding a paperback.

Biting back a smile, Rook shuffled her papers. Wouldn't do to attract attention to the fact that she wasn't reading anymore. Not if--oh! There he went again, slowly blinking at his page as his muscles all relaxed.

With a rogue's swiftness, Rook reached out and snagged Lucanis' book from midair as his grasp on it finally faltered, succumbing to sleep. She placed it on the buffet behind them, her own papers resting on top. They could wait until tomorrow. Right now, she wanted to be able to focus entirely on the man sleeping in her lap. The way his deep breaths caught a little with his broken nose, not quite a snore but not silent either. How his normally furrowed brow eased into something smoother. Lucanis like this was at ease in a way he never was while awake.

A faint purple glow flickered around his shoulder blades, ethereal wings just barely shimmering to life as the barrier between Spite and Lucanis thinned.

"Let him sleep, Spite," Rook whispered. She wanted to run a hand through his hair, but feared it would wake him. Instead, she settled for ghosting a touch over the plane of his forehead. "He needs the rest. We'll talk tomorrow, alright?"

The wings fluttered, then disappeared. Rook smiled.

"Thank you."

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OH I just realized that my rogue dagger wielding Hawke who gains magic late in life NEEDS TO BE A SPELLBLADE

… field trip for Min and Varric to Antiva to learn some funky magic???

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Woobification of Solas.

This is a fandom critical post. Proceed at your own risk.

Let me start this piece off by saying that this post is not meant to target a specific demographic of the fandom. If you feel targeted, that’s on you. 

In this essay, I want to talk about the infantilization, woobification, or just good plain headcanoning the bad out of Solas. Mostly it comes down to a few of the most regurgitated lines of thinking: he is a spirit of wisdom despite everything he does or has done and he is just confused and perverted from his natural state, Solas is his true self while Fen’Harel or The Dread Wolf are just select masks he wears. The sentiment is so strong that at points it comes down to disregarding or ‘uncanoning’ the entire storyline of The Veilguard because in the minds of individuals that follow this school of thought it does injustice to the character of Solas they have created in their minds. In their minds, it is bad writing to show Solas being a prideful, treacherous liar. 

Because the man, who led rebellion for centuries using dubious means, using creatures he claims to respect as if they are expandable, killing his closest confidant because he dared to oppose him outright somehow is a paragon of virtue that is just bent out of shape by his misguided loyalty. All the atrocities he has committed through thousands of years he had a physical form comes down to him being manipulated and emotionally abused by his former closest friend Mythal and later by grief and anger of losing her. Slapping the label of emotional distress and trauma on a perpetrator of … well, quite literally, war crimes, does make them more palatable, but it does not mean it should be seen as a normal practice. The acts Solas commits during the war with Titans, his rebellion against the Evanuris, and later on in current day Thedas are being construed as desperate actions of a broken man, wisdom twisted from his purpose and left to fend for himself, despite his self-induced isolation. So let me ask you this: how many acts of desperation does it take to realize that they are becoming choices? 

Yes, he was manipulated through their shared emotional bonds by Mythal. Yes, he was coerced to leave his spirit form in favor of a physical body. Then Mythal used his wisdom as a weapon, warping him against his own beliefs, making him participate in the war in ways he did not wish to. Yes, he was pushed by Evanuris’ cruelty to rebel and then lost what he perceived as his only friend to their arrogant ways and later had to live through her death by their hands. He was broken to the point he could not see a way out and doomed the entire way of Elven existence just to win the fight against the cruel and the unjust. Yes, he is a man who lost his people and his version of the world due to his own actions. He is a traumatized, sad, lonely man, who has predetermined himself to the path from which he cannot see a way back. And yet, many of the steps he took along the way cannot be downplayed as acts of a spirit of Wisdom that was bent out of shape by grief and desperation. Destroying the Titans and leaving their children orphaned is seen as an act of devotion and unconditional love towards his manipulator, Mythal. But as the world’s best detective, Jake Peralta has once said: “Cool motive. Still a murder.”

And now we arrive at the most beloved sentiment. Solas is his true self. Fen’Harel is just a mask. Oh, boy.

Everyone says that they hate one-dimensional characters until they are served a multifaceted one on the platter. Then they get to declawing and defanging them, ripping their personality apart into this and that, robbing them of parts of them that make them whole, and when that is not enough, they take on dulling off any edges they might find too abrasive. Assassination of the character is just the beginning; the remains have to be sanitized and scrubbed off any wrongdoing whatsoever, so supporting them doesn’t seem like a moral failing on fandom’s part. 

Cutting Solas and Fen’Harel apart as if they are some conjoined twins, where Fen’Harel is the evil one, is stripping Solas of things that are inherent parts of his character for the sake of feeling more comfortable with his actions. Solas is kind, caring, and wise. Fen’Harel is prideful, scheming, and treacherous. These two sides of him are now separated by their representation in the Inquisition and Veilguard. In Inquisition, he is Solas - a thoughtful mage obsessed with dreams, a soft-spoken man keen on sharing his knowledge. Except for the part where he doesn’t see current Thedosians as real people. Where everyone is tranquil in his eyes and thus, lesser. People, who he is willing to sacrifice to achieve his goals. The thoughtful things he said by the end of the road to the Inquisitor he supposedly cared for:

“I will do what I must, but there is no benefit in allowing harm to come to innocents before it's necessary.”

“I will save the Elven people, even if it means this world must die.”

“As this world burned in the raw chaos, I would have restored the world of my time... the world of the elves.”

And then he mutilated them. Yes, he did it to save their life. But the Inquisitor had no choice in the matter. What if my Inquisitor would have rather died than lost their arm? Doesn’t matter, because our thoughtful, kind apostate knows better. A kind apostate who sacrificed his world to avenge Mythal, but then by the time of the Inquisition killed her all over again. For power, of all things. And then he stripped the dignity of the one who carried what remained of Mythal through ages by depicting her as an elf, proving once again that he does not see current Thedosians, humans, as real. 

The most egregious crime of Solas’ portrayal in Veilguard seems to be painting him as a liar. Because in the Inquisition he didn’t lie. He just avoided telling the truth. He shaded it in a comfortable tale that no one would question. He spun the narrative. Solas made himself appear as an apostate mage who has gained all his knowledge from the Fade. He crumbled just enough truth without revealing his hand. Or simply said he was lying by omission. Luckily to him, no one would ever ask a random mage if, by chance, they are the infamous Fen’Harel, so he doesn’t need to lie outright. 

And what did he do in Veilguard while not being his true self and wearing that mask of Fen’Harel, that degree of separation from his true, kind self and the trickster god? He spun the narrative. He said just enough truth to be believed. He was deceitful. Solas can be caught saying one outright lie—“I abhor blood magic.” Oh, wait. He can be caught lying exactly one time in Inquisition too—if you confront him about missing court intrigue. So much for a completely different man in Veilguard. 

Fen’Harel as a mask is such a beloved statement that it disregards thousands of years of his life. “I was Solas first. Fen'harel came later, an insult I took as a badge of pride.” A badge of pride Felassan used to flock followers to his side. Badge of pride he wore all through his rebellion. The one he tried to reclaim once meeting Dalish of the current day Thedas. One he used to amass following during the events of Trespasser. How many millennia can a person willingly wear a mask and not have it be a part of who they are?

And then we end up here, where somehow the portrayal of Solas in certain parts of fandom becomes an eerily similar story to that of Portrait of Dorian Grey. We have this beautiful, virtuous man, who’s telling you the most fascinating stories of the Fade, lulling you with his kind voice and beautiful eyes. One who was manipulated, traumatized, desperate, and pushed to act against his good nature. One who would tear down the Veil to restore what was lost and make the world right again. An idealist, working towards his goal. Damned be the sacrifices it requires. Because being hurt in some minds absolves people of guilt. Some agree with his goals and damn his ugly side to the attic. The one who manipulated, one who deceived and killed. One who has the blood of countless lives on his hands. One has to exist for the other to reach that goal. One who is just as much part of his true self as the other. 

Solas is Fen’Harel. Fen’Harel is Solas. One could not exist without the other. And to love someone truly, we must accept the good, the bad, and the ugly. Because to be loved is to be seen fully. Loving a villain is not a moral failing. And yes, he is a villain. Doing something horrible for the sake of something good is still, at the core, doing something horrible. 

Love him because of the awful things he did and in spite of them.

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normalize having more than one best friend. "best friend" shouldn't just be a title reserved for one person... best friend is a species...

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Poor Tech needs some Credits to help buy new parts for the Marauder.

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Building off this post by @karissaeb

What an incredible catch. I've only played through the ending once so far and I think I was so busy taking everything in that I didn't notice, but wow. Spite using his own voice to tell Solas to fuck off. "You hurt Rook. You lie."

How does Spite see Solas? In lines with other characters who refer to Solas as Pride, Solas says that he prefers Wisdom. I talk a bit here about Spite vs Determination and even use Pride vs Wisdom as an example, but...we can all agree this point that Solas isn't wise, right? Clever, sure. Wise? A wise man would know when to call it quits. When yearning for the past becomes too detrimental to the future to be worth doing. When Solas calls him "Determination" and Spite corrects him, it serves several purposes.

1) Spite tells Rook that there are three kinds of people: Family, enemies, and contracts. Solas is an enemy. Friends or family are allowed to call him Determination if they feel so inclined (Rowan, Isabella) but Solas is not in this category, as Karissa mentions, and Spite wants (spitefully!) to let him know that.

2) It reminds Solas that what happens to you shapes you. The way you respond to those events shapes you. Determination? Pah. Spite is something sharper, something more vindicating, something angrier. Wisdom? Pah. Pride is manipulation towards your own goals instead of guidance. Pride is insistence in your own views with disregard to all others. Solas is changed and warped by trauma. Spite's correction is a reminder and a demand. Acknowledge what changed me, and what changed you.

And the delivery of this line! It's not sharp and abrupt, not curt like you'd expect of someone who doesn't want anything to do with this guy. "Spite," he says, and I almost felt like I could hear him smile and turn up his nose there, like he was flashing his teeth. He sounds pleased with his own identity and threatening all at once, the way Lucanis sounds when he says "The Crows send their regards."

And when Solas offers his help, that mask slips. Now those bared teeth sound gritted. Now there is an echo of something dark underneath his voice, and it's his voice.

This is the only time in the whole game that other people get to hear Spite's voice, aside from the time in Rook's mind prison and Emmrich's unique ability.

Referencing yet another of my posts, Spite speaks in slow chunks of sentences because he has to force his way to the surface of their body. He has to wrest control of Lucanis's mouth from him, and even after they reconcile and his speech improves a bit, it's clearly a struggle.

Spite is not a weak spirit, but speech through a mouth with two souls at the helm is difficult. You know how you become stronger when overcome with rage or panic? Perhaps it was easier because the Veil is thin here, with all the magic bullshit happening, but I can't help thinking it's a combination of the two. Solas has offered to rip Spite away from Lucanis, who I maintain that Spite loves, and he's hurt Spite's favorite person. Rook, who opens doors for him, who accompanied him steadfastly to Lucanis's mental inner sanctum. Rook, the only person to listen to him, to offer him a rope that would lead to his freedom. Rook, who is one of the very few people Spite can claim a relationship of any kind with.

Why should he trust Solas with Lucanis when Solas hurt Rook? When Lucanis and Spite where there when Solas sealed Rook away? When Rook vanished before their eyes? Can you imagine the thick, palpable, choking fury that would've overcome him, hearing that audacious offer?

This to me is the most blatant and tangible way Spite has shown his love throughout the game. The raw emotion in this single action is so, so potent. Fuck you, you lie. Know that all this love, and all the righteous anger that accompanies it, is mine.

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Hi!!! Happy Friday <3 For Lucanis & Roisin, "holding hands under the table" from the holding hands prompts maybe?

aww this is a sweet one. thanks for the prompt!! @dadrunkwriting - veilguard content warning!

Dinner is delicious. It always is when Lucanis cooks. There's something extra special about it tonight, though. Maybe it's the new spices that have shown up in the Lighthouse kitchen. Or maybe it's just the fact that Rook knows he made dessert special, for her.

She tries not to smile to widely or too much. Sure, she's an easy-going person and the good conversation around the table would have her laughing normally. But she feels almost giddy tonight. It's hard to keep it in.

She wants to, though. Wants to hold this little ember of a new... something with Lucanis close to her chest and keep it just between them (and Spite, of course) for a little while. It's taken them a while to get here even if they've known they were headed this way. It makes it feel all the more precious.

As the night goes on, she finds herself cursing the fact that the Lighthouse has actual chairs. If this were more like one of the dining halls in Weisshaupt with bench seating, she could have an excuse to drift a little closer to Lucanis. She could get near enough to feel the heat of him at her side, even if she kept herself from touching. With the chairs, all she can do is lean on the arm rest closest to him and pine for a moment alone.

At least, that's what she thinks until she feels the smallest of touches against her pinky finger, so brief she thinks she almost imagined it. Her hand's under the table, hidden from the sight of the rest of the team. And it's not like they have a table cloth so it had to have been deliberate.

The touch comes again. It stays this time, ghosting up and down her smallest finger. Careful not to react outwardly as she continues chatting with Bellara, Rook extends her pinky finger and loops it around Lucanis'. She gives it a little squeeze.

Warmth blossoms in her chest as his finger tightens its grip in turn. With his other hand, Lucanis takes a drink of his coffee and lets out a contented hum. Ostensibly because of the good roast. But Rook knows better. And she doesn't think she's ever felt so loved.

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Taash, Lucanis and Emmrich pulling Rook out of Regret Prison (fly cam)

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my funny controversial veilguard opinion is that while i get why people are saying the 'sexy lof' armor is orientalist and i do think there's a convo to be had there... that armor is also based off of actual clothes people historically wore in southeast asia. like this

is absolutely based off of these

and while these are stylised forms of the outfit it's not because of the skin being shown. the women wearing shirts underneath are not wearing it as thai people wore tabengman historically. because historically we didn't really wear a lot of shirts, shirts were not legally mandated clothes until the 1940s. my thai grandmother is older than that. in fact a lot of asia didn't get around to stigmatizing and sexualizing breasts until the 1800s or later (like you can find photos of korean women in the 1900s with their breasts out and that was fine and normal culturally). the reason these are stylized though is bc they're made of silk and they're wearing brocades. most people would've worn this in plain fabric without gold brocades bc silk and gold are expensive.

and, to be clear, a lot of both the LoF and qunari armors and fashion is based off of historical southeast asian fashion. isabella is straight up wearing a hmong necklace.

the qunari ropes are also almost certainly based off of muay boran kard chuek which is this old way of binding your hands with hemp ropes in thailand for boxing. you can also see that in qunari concept art they've drawn them with intricate knots that are very chinese in origin, they're wearing armor in rattans weaved patterns. (i'll also point out that it was explicitly said in the past that people from east tevinter, which is closer to seheron, look like dorian, and dorian's va is half indo-fijian and half malay. that man belongs to the south pacific.)

and yes, we could have a whole conversation about specifically choosing to look at these armors instead of other southeast asian armors. but i think a lot of people think the armor is based off of western fantasies of belly dancer costumes... which while may have played a part, it's also very clear to me that the devs have used a lot of southeast asian inspiration for seheron, rivain, and part of tevinter.

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so i never drew his face before making this so excuse him looking different in every frame