#this just has a little fandom salt though not a lot

[blueberry-bubbles130]

The disappointment of the characterisation of the Bourgeois family in Miraculous Ladybug.

This essay/post will be talking about my feelings regarding the characterisation of Bourgeois family, as I'm doing a rewrite fanfiction of Miraculous and the Bourgeois family plays an extremely important part in my rewrite.

Trigger Warnings include:

TW: Child abuse

Child neglect

Verbal abuse

Emotional abuse

Domestic Violence

If I have forgotten to add any trigger warnings in the post please comment and I'll add them as soon as I can.

Getting this out of the way with now because I don't want to focus on her in this post, and because she won't be in my rewrite at all, I don't like Zoe. In the canon of the show all she serves as is a replacement for Chloe and a wielder of the Bee Miraculous. Unfortunately in the canon show, she is tied to the miraculous and Chloe in such a way that she cannot be talked about with bringing Chloe salt/bashing into the discussion, and has no true character of her own out of just being nice. There are others in the show who already could've filled the role much better. Zoe is far better written in fanon and fanfiction. But I don't want to be beating a long dead horse so there are other posts you can read to see Zoe's poor implementation in the show, and absolutely great fanfictions you can read that gives her a developed character if you like her. With that being said lets get onto the main essay.

Who are the Bourgeois family?

In the show the Bourgeois family are an upper class family that are said to hold a lot of influence. The family consists of Andre Bourgeois; the patriarch of the family who owns a hotel, and is also the mayor of Paris. Audrey Bourgeois; the matriarch of the family and a famous fashion critic. And Chloe Bourgeois; the child of the family and the temporary bee miraculous holder. The Bourgeois family can be considered a large secondary example of Miraculous's wasted potential, and it's inability to truly give a satisfying conclusion to any concept they've tried to execute during it's run. And some will say this is just the end of an arc and season 6 will continue and deliver. But it won't, especially considering Miraculous' record with delivering on expected plotlines it isn't promising in the slightest and I do not hold hope for season 6. Despite this, I'm rather interested in the Bourgeois family, and they are my favourite part of Miraculous making it even more disappointing to see the outcome of the plotline involving them.

Audrey Bourgeois-

I'm doing Audrey Bourgeois first because despite having a lot to say about all the family members, I have the least to say about Audrey.

Audrey is characterised as a harsh fashion critic who has nothing kind to say about anyone around her. Her kind words are only reserved for someone who can truly impress her, examples being Marinette and Gabriel. Marinette being shown to the audience and Gabriel being told to the audience. She is responsible for launching Gabriel into fame as a fashion designer. Audrey isn't even remotely nice to her own family. She abandons them mostly and seems to return only when work arises in Paris. And even then she belittles both her husband and Chloe constantly.

Something I find interesting in fanfiction for Miraculous Ladybug is that before we got any glimpse of who Audrey is. Everyone assumed she'd died and they either called her Simone or Julia, Julie or Juliette. And this gave depth to both Chloe, and Andre. This will be discussed again later.

Audrey's character has at least stayed consistent throughout Miraculous' ever-increasing run, which is a miracle considering Miraculous issues with characterisation, among other issues. However at the same time it's quite odd considering unlike Andre who got more developed regarding his past and what he wants, Audrey remains quite flat character-wise with only glimpses of there possibly something else to her. I think that Audrey despite staying consistent and explaining a lot about Chloe and Andre, she's still wasted potential. In one of the episodes characters such as Gabriel, Natalie and and I think maybe Tomoe are shown watching important story information on a tv. This would seemingly hint that Audrey had something to do with Gabriel. Which is believable considering Audrey's personality and previous appearances with Gabriel. However as of season 5 this has not been expanded upon in anyway whatsoever and like I keep saying I doubt it will be in season 6 or future seasons if they get anymore. This makes me believe that Audrey should've been expanded upon as a villain, she could've stolen a miraculous and possibly became a main villain. She's close to Gabriel, she's got the perfect personality for it; the only thing she needed to be a good villain was a decent motivation and I easily could've believed her becoming a villain if she'd been given decent motivation. She's already controlling and demanding, so Zoe could've never been introduced and you could've had it so she wants ultimate control over Andre and Chloe while placing herself as some sort of evil Queen. And that's all I really have to say about Audrey. Hell! I've already seen a few posts where people state that Audrey should've taken over as mayor after Andre, which makes a hell of a lot more sense then Chloe doing it. It's not exactly the same because she's the stepmother, but something I think Audrey should've been a bit like but far more toned down for the child audience is like Julia Cotton from Hellraiser. She's just so perfect as a example of someone willing to go to extremes in order to achieve their desires. Hell it's already there in her akuma, Style Queen! Just make her an evil queen, it wouldn't have been that hard and then we wouldn't have to deal with that mess we got with them attempting to make Gabriel sympathetic but then being shown him horribly abusing his son with glee at every opportunity he gets. You could keep Gabriel and Natalie sympathetic and make Audrey even more despicable than she is.

Also Audrey is clearly abusive, and in 2023 we should not need to have debates over whether she is because some people say she's just cruel. No she's abusive, it's clearly abuse.

Chloe Bourgeois-

Chloe is definitely my favourite character out of the Bourgeois family and Miraculous as a whole, and while her characterisation post season 3 does sadden and disappoint me, it doesn't anger me like what the writers did with Andre.

Chloe starts the series as nothing more than an obnoxious bully who torments her classmates. When we get to season 2 we get to see Chloe receive more depth as a character and see how her parents helped her in becoming the person she is today. Then season 3 happened and we see Miracle Queen. Now I don't think Miracle Queen is completely horrid, It makes sense that Chloe may begin to regress or backslide into her unhealthy habits. And I've even seen people still redeem her with miracle queen being in their stories. What pisses me off about Miracle Queen, especially when people online talk about it, is that they just seem to forget about Gabriel akumatising Audrey and Andre to use as blackmail against Chloe. Like yes at the end of the day, Chloe still makes the decision to become Miracle Queen and do what she did. But you cannot deny that a fully grown man who should know better, put the two people she presumably cared about the most at this point in danger in order to blackmail her. He cornered her on the balcony and essentially railroaded her into making that decision. Like what was she going to do if she said no, she can't fight Hawkmoth without a miraculous and even if she'd tried he might've legitimately hurt her or her parents to win. Here again we see fanfics just knock the show out of the water, with many people deciding to make Chloe trick Hawkmoth into giving her the miraculous and then she just runs away to get help. Also Marinette shouldn't have gotten involved in Chloe's family drama, like why did she think it was a good idea to do what she did in Queen wasp. Just why?

Something else regarding Chloe's character arc that just genuinely confuses me is that during season 2 it's obvious in episodes like Zombizou, Style Queen, Queen Wasp and Malediktator is that they're written by other writers who have differing opinions on Chloe to Thomas Astruc. And now I think Thomas was busy on a different project while this was was being written, which is fine. But what confuses me is that surely Thomas could've looked over the episode script and maybe said to change it. Instead of just letting a character he clearly does not like get development he also didn't like and then arguing with Chloe fans and Miraculous fans who may not like Chloe but understand her character arc was butchered as well as others, on twitter over it.

As well as this is season 5, I think it's revealed season 1-5 of Miraculous takes place over 1 school year. In France the average school year is about 10 months long lasting from September to late June early July. This means each season could technically take place over about 2 months. This gives Chloe 2-4 months at most to redeem herself. Which is just too much to expect of her to try and completely redeem herself and undo a lifetime of unhealthy behaviours in that short of a timespan. No wonder Miracle Queen happened, she hasn't had the proper support to try and unlearn those behaviours or redeem herself. And it makes Andre giving her over to her mother even more saddening/rage enducing, because Zoe has been around for the same time Chloe was given to try and unlearn her healthy behaviours. So Andre has abandoned his daughter who's he risen for her entire 13-14 year life for some child he's known for about 3 months at best.

Then season 4 and 5 begin the endless parade of Chloe Salt/Bashing in order to prop up Zoe. As well as the butchering of other characters, to continue hammering in that point, such as Andre, but we'll get to him later. Now I'm not saying I'm completely against the idea of evil Chloe, there are some brilliant fanfics out there with Chloe just either hamming it up as an evil villain or treated as a tragic villain, who's fall from grace is a pure tradegy. And I love it both because it treats Chloe with the seriousness she deserves, the majority of fanfics treat the abuse she's suffered with seriousness and not as some joke like the serious does. You want a absolutely brilliant Chloe Bourgeois fanfic read "Float like a Butterfly, Sting like a Bee" on ao3 it's just so good and I can't recommend it enough.

Also on the topic of redemptions Sabrina, Felix, Natalie and especially Gabriel shouldn't gotten redemptions. Gabriel, Sabrina and Felix don't show any remorse for their actions, in fact they all show glee in their actions apart from Natalie. But even then none of them truly face any punishments for their actions and sure Gabriel doesn't get to enjoy Emilie being back alive, but he still gets away with his numerous crimes.

As a final note on Chloe's development, it's been said by some people before it's quite harmful that Chloe doesn't get treated with the seriousness that she deserves and is one of the only villains not given a redemption as well as not being what is considered a "perfect" or "idealised" victim of abuse like Adrien is. And as someone who has lashed out at others due to issues with authoritive figures in the past (not to the extent Chloe has thought, especially with the bullying and wealth, I'm also not French) I do relate to Chloe in a small way. And this makes it harder for me personally, and it really is just harmful because it might give kids who have lashed out like her due to similar or the same issues the same idea that they don't deserve love or a guardian who can actually care for them in the way they need, as children.

I'm not saying give Chloe a redemption, she just should've been treat with the seriousness she needed.

Gettting back on track lets talk about the final member of the Bourgeois family.

Andre Bourgeois-

Oh Andre, where do I begin with him, in canon.

For seasons 1 to 3 he's mainly Chloe's nervous father and enabler. Then we get a bit of depth in season 4 and 5 about him wanting to be a director but not getting to due to Audrey and politics. Then in season 5 he lets Audrey take Chloe.

A deleted part of the script was revealed in which originally he gave Chloe to Audrey which in itself is horrific because he knows how Audrey is. Not only has she subjected Chloe to verbal abuse but him as well. This would be changed in the series to him just letting Audrey take Chloe, which is just as worse. These are just as bad because either way he's trying to absolve himself of any responsibility of what happened with Chloe which he is equally responsible for as he is Chloe's main enabler. And you know I actually had some hope for him in canon that he'd realise it was time to as someone else brilliantly put it "ditch the bitch" and forge a better relationship with Chloe, but that never happened. I guess that's what I get for having hope for Miraculous's canon.

It legitimately pisses me off so fucking much than in canon he gets to wash his hands clean of the whole problem with Chloe.

Now fanon Andre is so much better than his Canon counterpart and thinking about it now, Fanon Andre has always been better than his canon counterpart.

Bringing back up the whole thing about fanfics that pre-date Audrey is that it gives not only Chloe but Andre more depth. These fanfics typically paint the picture that Andre is a man that closed off not only by politics but the death of his wife and because he's not in tune with his own emotions, he can't help Chloe so instead of ignoring her grief like her father, Chloe is lashing out instead.

Even fanon versions of Andre that are more far more closed off, corrupt, and evil are much more enjoyable to read about than canon Andre, and have more depth. Something about Canon Andre just makes him even more loathsome and detestable then his many often better fanon versions. And when he does get redeemed in fanon it's just so good, because the people writing him, understand what makes his character have actual depth to him and make him realise his faults in a satisfying way that gives him a good redemption.

Maybe it was just me projecting the fanon versions of Andre onto the Canon version that made my disappointment and anger so much worse. But either way his overall canon characterisation is disappointing.

Again if you want to a fanfic that has Andre be a good antagonist, read "Chloe and the Bee" by @anxresi it isn't complete but what is there is just brilliant. And If you'd prefer to read a fanfiction where Andre is trying his best to be a good parent to Chloe read "Float like a Butterfly....Sting like a Bee" by Bookmonkey on ao3. They're both such amazing fanfics.

Conclusion-

Overall the characterisation of the Bourgeois family within the canon of the actual show is just a neatly packaged example of Miraculous' many issues such as bad writing, poor pacing, inconsistent characterisation and either attempting to poorly redeem abusers who should know better or just letting them get away without any consequences whatsoever.

I'd like to say thank you for listening to my long feral rambles about the Bourgeois family.

[hehe-hoho-ohno]

Submas canon vs fanon

The entire time I have been in the Submas fandom I have seen a lot of confusion about what is canonical and what is a wide-spread fanon. Both in the sense of people thinking things were canon when they were not, and (more rarely) people thinking things were fanon when they were not. So I thought it might be useful to put together a little guide.

Of course, there is nothing wrong with using fanon. I use most of these headcannons in my own fics because I like them and canon is dumb anyway. (Note: pokemon is a huge sprawling mass and tends to contradict itself, and there have been changes across the various games/manga/anime)

All quotations are taken from bulbapidia.

Nimbasa Trio - FANON

Elesa has no connection to Ingo and Emmet besides living in the same place. There is one interaction between them in Pokemon Masters, and while they are on friendly terms they don't appear to be particularly close. Similarly, the idea that Ingo likes bad puns/Emmet does not stemmed from their fanon friendship with her.

Uncle Drayden - FANON

The only confirmed family Ingo and Emmet have are each other.

Cilan is a huge fan - CANON

Cilan is a fanboy of both of them in the anime.

Ingo is the older twin - CANON

In the original Japanese Emmet calls Ingo "nii-san" which means older brother.

"Do you have any siblings? I have an older brother, Ingo."

- Emmet, pokemon masters

Emmet's joltik hoard - FANON

Emmet's galvantula knows the move cross poison. This is an "egg move" which can only be learnt through pokemon breeding. Since it would take several tries to get this move it probably would have left Emmet with a lot of Joltik. In theory. We don't see Emmet with joltiks in canon.

Ingo's kitty smile - CANON

He smiles like that in the manga. (Admittedly, it's not as exaggerated as the full on :3 people sometimes draw him with.) He also briefly smiles in PLA, but less cat-like.

Ingo's perpetual frown is unintentional - CANON

"<player>! Someone just told me something that troubled me deeply! They said that compared to Emmet, I'm too stiff! But that's just a misunderstanding! I know I smile when I'm having fun! I'd even say that I'm quite proud of how expressive I am when I speak! What? You say you've never seen me smile? I-is that so..."

- Ingo, Pokemon Masters

They are both autistic - FANON

They are related to the twin heros - FANON

They share similar themes and motifs to the twin heros/Zekrom/Reshiram but that's it. They have no canon relationship.

Both of them are heavily coded as autistic. However, it's never been directly stated in the games that they are autistic and (to my knowledge) nobody at Game Freak/Nintendo has confirmed anything.

Ingo has a receding hairline - (debatably) CANON

He is drawn with one in the art book. Does the art book count as canon? Until something in the main games says otherwise, probably. (Though there is some argument to be had that it might be an unflattering haircut instead.)

Ingo arrived in Hisui via wormhole - FANON

"For my part, I simply found myself one day here in Hisui, a region whose name I'd never heard... All I could remember was my own name. I was still standing there in bafflement when the Pearl Clan came to my aid."

- Ingo, PLA. (However, the art book depicts the pearl clan finding him facedown on the ground, so take his standing claim with a grain of salt)

We still don't know how he got there. Similarly, it is quite common to show Ingo arriving during a blizzard/freezing to death and generally in poor health/injured/unconsciousness. But the way he recounts it sounds much more peaceful.

It'a also common to have Sneasler be the one to find him. The art book (of dubious canon) shows a human pearl clan member finding him, and Ingo's quote seems to confirm that. It's possible Sneasler was involved but she isn't mentioned.

Ingo got amnesia from hitting his head - FANON

We don't know how he got amnesia.

Ingo remembers Emmet as "the man in white" - FANON

"I'm starting to recall a man who looked... like me. We'd battle and discuss Pokémon, I think... The words "I like winning more than anything else" flashed through my mind just now..."

- Ingo, PLA, about Emmet

He makes no mention of remembering Emmet wearing white or smiling.

Ingo calls her "Lady Sneasler" - FANON

Ingo only calls her Sneasler, no Lady. In fact, nobody calls her or any of the ride pokemon Lord or Lady because...

The ride pokemon are noble pokemon - FANON

There are 10 blessed pokemon descended from the heros of old, and these pokemon are revered by the clans and have wardens. The blessed pokemon are divided into two groups, the rides and the nobles.

The ride pokemon are not called noble pokemon, and they do not get titles. Mai talks about "the great Wyrdeer" but does not call him lord or noble.

"This suggests that even Pokémon that are not nobles can become frenzied..."

- Kamado, PLA, about the ride pokemon Ursaluna seemingly becoming frenzied

Ingo lives in Sneasler's cave - FANON

We don't know where he lives.

Ingo became a Warden because Sneasler liked him - FANON

"I showed a natural affinity for taming Pokémon, which is why I eventually became a warden. But still I wonder what my true purpose is here..."

- Ingo, PLA

There is no further information about his wardenship. There is no information on what his relationship with Sneasler was prior to him becoming her warden.

Ingo likes having photos because of the amnesia - CANON

"Ah, photographs. I appreciate having physical keepsakes—less ephemeral than memories. Would you do me the honor of posing for a photo with me, <player>?"

- Ingo, PLA, at the Photography Studio

Ingo has been in Hisui for XX years - CANON

The art book uses the placeholder XX for the amount of time Ingo has been in Hisui. Some have taken the double digits to mean 10+, however the first digit could easily be a 0. So, we still don't know. Net 0 information.

Emmet must be taking Ingo vanishing badly - FANON

We have not heard from Emmet.

***

That's all for now! I'm sure I've missed or forgotten something, feel free to add stuff in the reblogs! I might edit the list later to add more if needed.

[spinji]

I NEED TO YAP ABOUT THIS MOVIE MY GOD-

YOU'RE NEXT SPOILERS UNDER CUT

AAAAAAAAAAAAAAAAaaaaokayokay-

Can I just say I DO NOT recommend seeing this the same day as watching the new episode because I have had a DAY-

Unfortunately, the theater I went to didn't have the booklets or promotional cups but not a huge loss. It's the price I pay to have my boyfriend by my side; worth it. ♡

As with all my other MHA theater outings the screening was packed with delightful weirdos (dubbed, if you happen to care). One guy had an extensive set of custom MHA lego guys (very cool) and two very enthusiastic Toga cosplayers were so kind and kept me from feeling like a dork going out in public in a Deku wig. All the love to them, fr.

The movie itself though ohhhhh MY~

If I'm being honest this one didn't surpass World Heroes Mission or Heroes Rising for me, but also I don't know what you could do to beat out the movies that gave me such extreme brainrot it got me to be a part of this fandom in the first place. Personal rankings for the movies, best to "worst" is 3, 2, 4, 1.

Maybe it's because I had higher expectations instead of being given the best character in the franchise suddenly with no warning but I did still really REALLY love it. The highest point I can give it is easily the animation. Absolutely zero scenes in this movie feel like they fell to the standard of the anime. Everything was fluid and detailed and so fun to look at. And yes, of course it made every attack flashy as fuck. I was giddy every time Bakugou let out an explosion.

The premise did sound insane going in, and it is, but it's an anime side movie. Caring about the plot is a bonus, not a requirement. I guess my only real gripe is that it felt a little too fast? Very few scenes had time to breathe and unlike the other movies there wasn't really any slow establishing opening. If you come to MHA exclusively for the action, I think this one will be your new favorite.

Okay- I'm gonna just bullet point my highlights because I'm barely restrained enough to sit down and type.

First of all GIULIO!!!

Listen- I knew I would love this guy but oh my god babygirl~

He responds to literally everyone approaching him by pointing a gun at them. No comment this is just great

When Deku tells him to stop shooting at someone, he just pulls out a SECOND GUN and points it at him too

His motorcycle also has guns. Ngl I have expected his eye implant to also have a gun for a moment there.

He is SUCH an asshole to Deku in the first half and I love it. Their dialogue exchanges were so funny.

And in the second half he just,,,,cracks under the pressure so hard,, Man is having the WORST day of his life fr. It's really nice to know he and Anna are safe at UA rn. Poor things deserve it.

Anna and Giulio are really cute romantically, Giulio is definitely adult but he's going in the Deku harem anyway. You can't stop me, I am capable of worse.

Anna herself unfortunately doesn't get much time since she spends most of the movie mind controlled but she's harmlessly sweet and adorable. Anna they could never make me hate you.

I want to smear Dark Might across the side of a wall and given how much they overanimated his expressions, I believe this is the intended effect.

Am I the only one that hopes he sees the Mech Might livestream just to rub salt in the wound? Don't you dare let All Might's name fall from your mouth again, you bag of scum.

I really REALLY wanted Izuku to get pissed off and start naming off inconsistencies between how All Might and Dark Might look: "His eyes are SKY blue, not ocean blue, and while his broad features don't make it obvious, his chin was actually much slimmer, also you got the silver age colors wrong-!" alas... you know he was thinking it though-

Big tiddy mind control gf Deborah my beloved- she has pretty privileges for everything

Actually a lot of the lesser goons of the family were kind of dorky and odd. I loved the energy! Why was one of them literally a D&D nerd that put on a wizard robe OVER HIS SUIT. Most entertaining movie villian group for sure.

The personal dreams everyone had under the mind control? Kill me. Kill me right the fuck now!

Shoto literally just wants a happy childhood with his family??? Where Touya wants to play with him????? And Rei was still happy????? UUGAHWAAAAAAAA

Tenya and Tensei being heroes together STOP-

Shoji with the little girl he saaaaaaved,,,and he didn't have his face scars anymoooooore,,,

So glad they didn't show Ochako's because you know they would have just animated that what if pixel animation of her and Toga being childhood friends and I would have vomited in sorrow.

Absolutely infuriating they broke continuity to have Katsuki call Izuku "Deku" and not "De-Izuku". Never forget what they took from us.

"Beat it, cool side character!" is the best line in the movie. Katsuki does not forget what happened with Rody and he does NOT forgive.

Followed closely by "I'm falling down crotch-first!" And you wonder why I write the fics I do about you, Deku-

Deku being a legend as a jailbreaker hunter is so amazing?? Yes baby, they're so scared of you! You're doing amazing sweetie!

I might think of more but tldr: YOU'RE NEXT IS A REALLY FUN TIME AND YOU SHOULD WATCH IT!

[blackynsupremacy]

THERE’S SOMETHING

ABOUT YOU.

CHAPTER 4

pairing: smallville!clark kent x black!fem!oc

fandom: smallville (2001-2011)

guest starring: aaliyah haughton as lyric james

also starring:

michael rosenbaum as lex luthor

emmanuelle vaugier as dr. helen bryce

rick gonzales as omar reyes

bianca lawson as trina davis

summary: ever since lana lang has moved in with the sullivan’s, clark kent’s nightly telescopic views of the galaxy and daily glimpse of the sunrise tend to get lonelier. that is until a moving truck, a wandering amicable feline, and her frustrated owner, lyric james, makes her debut in his life as her family are the new owners of the old potter house next door. things between the new neighbors start to shift as clark is tasked as her personal tour guide at her new school. one little slip is all it takes for her to learn he’s more than meets the eye in this small town.

taglist: @sabrinasopposite @camiesully @zombigrlll @ellethespaceunicorn @rosiestalez @afrogirl3005 @afrowrites @elitesanjisimp @jkr820 @simply-the-best23 @gxuxhdjdu @tryingtograspctrl @xoxoglittergossip @hnch33rios @paisholotus

contains: lots of words, friends to neighbors, use of gifs for visuals, tooth rotting fluff, long flashback, really heavy angst, heartbreak, emotional cheating, mention of death, depression, anger, lyric and clark getting closer, mild swearing, cute moments, slow burn, main audience is black readers but everyone is welcome. lyric’s thoughts. clark’s thoughts. chloe’s thoughts.

PLEASE READ: CHAPTER 3

the golden afternoon sunlight shown down on lyric nd clark’s faces as they waited for chloe to arrive. they were outside of the barn and clark wanted to kill time by shooting some hoops while lyric sat on the side to observe. as she saw him jog and dribble the basketball to shoot it perfectly into the net, she realized that clark had a very athletic build. she could see it in his arms, legs, and best of all, his torso and chest. lyric broke her stare and chided herself for such thoughts, but one had to be a fool to not think clark as tall, dark, and handsome by any means. he also had the proficient athletic skills, and almost perfect academic standing, but he never mentioned anything about being on one of smallville high’s several athletic programs. no football, no basketball, not anything. it just seemed like a waste of talent when she saw the ball flawlessly glide through the net once again.

“you sure know how to hoop, clark!” lyric complimented with a slow nod of approval. even though clark was a little exasperated, his smile couldn’t resist the girl’s praises.

“gee, thanks, lyric! i can’t take all of the credit. i learned mostly from pete’s older brothers and they told me it’s all about technique.”

“you never fail to be modest. that’s got me thinkin’— do you play any sports at school? you never mentioned it, but it’s impossible because you got the skill, you got the grades, and you sure as hell have the looks for it!” she enthusiastically hyped, gesturing her hand towards his six foot frame. for some reason, clark’s face got heated. his cheeks flutter with a hue of red. he wasn’t so used to friends of the opposite sex speak so fondly of his appearance. calm down, dude, it’s just a compliment. take it with a grain of salt. he clears his throat and shyly wipes the sweat off his brow with his forearm.

“well, i do want to play football. i’ve tried it once earlier, but things didn’t quite work out with the coach. he had some—anger issues among other shady things that my parents weren’t exactly comfortable with. hopefully, i can give it another shot down the road while we’re still in high school. maybe if i’m good enough, i could make the quarterback spot.”

clark said as he bounced the ball and stepped towards where lyric was standing. he could remember it like it was yesterday. he joined the smallville high crows football team after so many attempts to convince his parents to at least let him try out. they only forbade it due to the risk of clark’s powers being exposed, but he’d figured he’d have a handle on them by now, and it was an activity that made him feel like a normal teen. it was all fun and games until the head coach was caught helping his players cheat on tests, so they could play. when the principal got word of it and set out the proper consequences for the coach, things got heated…literally. clark spared lyric the details because she was already so curious about the wall of weird and the last thing she needed was for her to feel like she wasn’t safe in this supposed quiet small town.

“oh. well, that’s too bad, but when you do, i’ll be rooting for you from the stands! you’d have a pretty good shot at it. i’m more of a basketball fan, but i guess i can make the exception.” they both fill the air with light laughter and their conversation comes to a halt at the sound of a tooting horn. a vibrant, red volkswagen beetle swiftly pulls up in front of the barn. the driver’s side window rolls down to reveal a smiling chloe behind the wheel and pete seated comfortably in the passenger.

“hey, you guys! are you geared up for the most exhilarating studying session of your entire lives?” chloe wittingly questions as pete chuckles and shakes his head before chiming in,

“you can always count on chloe to call a regular old studying session ‘exhilarating’. ”

“hey! in my defense, wherever there’s coffee, i might as well do what i do with caffeine in my veins.”

clark and lyric give each other a knowing glance, a glint of humor within their eyes before they make their way closer to the car. clark leans against the driver side with his arm propped up against the top. his piercing blue eyes meets chloe’s gaze with a charm that she knew too well and loved too much.

“exhilarating, huh? it sounds to me like you’re putting that vocabulary list from english to good use, chloe.” clark commented with a lopsided smirk.

“well, if i’m ever going to make it big at the daily planet as a journalist, i’d better possess some type of flawless vocabulary, clark.” the blonde retorts and leans her head over to the side to spot lyric and greet her.

“hey, lyric! you can hop in and sit in the front with me, so we can have some girl talk on the way to town.”

lyric received the offer with a grin, but shook her head to politely decline. she saw that pete was there first and didn’t want to be rude by putting him out of his seat.

“i appreciate it, chloe, but i don’t wanna take pete—“

“oh, nonsense. he’ll be fine! he can just sit in the back with clark. it’s my car after all.” chloe urges by cutting her green eyes to the boy beside her, signaling him to move to the back. pete doesn’t protest. he gathers his bag and meets with clark in the right backseat as lyric meets with chloe in the passenger seat. the teens all buckle up their seatbelts and chloe pulls off onto the dusty path out of the neighborhood to journey to downtown smallville. during the ride, chloe’s natural inquisitiveness takes over when asking general questions about the new girl next door in her passenger seat. the boys casually sit in the back quietly to observe the conversation.

“so, lyric, where you do hail from?”

“new york. brooklyn, to be exact.”

“ah, another fellow city girl. i’m from metropolis which isn’t too far from smallville, but new york to smallville is quite a stretch. is there a specific reason why?” lyric purses her lips at the question and swallows to easily get past without dwelling too much on the reason.

“my family just wanted a new scene. someplace…quiet and peaceful.” her soft voice drifts as she gazes at the lengthy path of cornfields at the side of the road.

“that’s valid. um, so what do you like to do?”

“nothing too extreme. i like to listen to vinyls, chill with my cat, and i take some pictures here and there.”

“aw, a cat! what’s their name? if my dad didn’t have such a fatal allergy, i’d love to have a furry friend.” chloe enthusiastically coos passing the sign that indicated that they were entering downtown smallville.

“her name is noir. she’s a black cat that looks like she could do no wrong, but it’s a whole ‘nother story. don’t get me wrong, i love her with all my heart, but she’s so damn sneaky sometimes that she’s almost sent me into a nervous breakdown. i’ll say if it weren’t for her, i wouldn’t have met clark though, so i guess there’s a light at the end of that tunnel.” chloe presses further to her details of the day.

pete tuned in as well to hear lyric recount that hectic morning. chloe picked up on lyric’s tone. chloe liked to her the girl beside her talk. her voice was smooth, soft, and gentle like rain to the ear. she can hear the frustration of when lyric discovered that noir was missing in a new area shift to that of ease and resolution when she discovered a well fed and content noir in the arms of the noble farm boy next door. pete turned from lyric’s direction to momentarily glance at clark as she spoke. he witnessed the sky blue pupils of his best friend attentively focus on lyric as if he were hearing this story for the first time. there was a certain positive emotion that rested on his face, he even chimed in his own perspective and a little inside joke causing the duo to dissolve into laughter. pete saw that was usually new. when clark talked to girls, he’d be a bit guarded, but friendly enough, but from what he saw between clark and lyric just now, clark looked to be so at ease, so at liberty.

once the volume of the chatter diminished to a peaceful silence, lyric’s deep, brunette pupils wandered at the sights of the many local owned establishments this quaint city had to offer. there was quite a few people out enjoying the serene, golden afternoon as they strolled with their pets and families on the sidewalk. clark, pete, and chloe were kind enough to point out some key areas that were worth exploring for when lyric was ready to take that new step. they passed an array of shops, boutiques, restaurants, and community centers, but lyric had one burning question.

“these all seem really cool, ya’ll, but does smallville have a music store? i got a whole collection to keep up with at home.” lyric inquires with expectant glance towards the trio. pete immediately knew the answer as he and his family had lived in smallville for ages.

“i know one that’s not too far from here. i think it’s called main street melody. i believe from the talon it’s just down two blocks and it’s a cool place. i’ve been there a couple times for some mixtapes. we should go check it out after we study if you’re up for it.” pete stated scooting his body forward from the backseat to the middle, positioning himself with his elbows on the console between the girls.

“yeah! i’d like to see what they got. i really appreciate that, pete. you’re a real one.” lyric’s eyes locked with his and she flashed a congenial dimpled smile of gratitude to which pete took it with a tingling sensation in his stomach and a bashful grin of his own, his chestnut toned face heated slightly.

“i-it’s, uh, it’s no problem, lyric. i’m glad to be of some help.” he lets out a stammering chuckle and scoots to the backseat. a dazed, delighted look was etched on his face. he didn’t even notice that clark examined him with an arched brow and tilted head. guess i’m not the only one. clark thought to himself. chloe was listening to the conversation unfold, she chuckled after witnessing pete’s reaction to lyric’s natural beauty and charm. for a city girl, she had that small town girl-next-door charisma down to a tee.

“ask her out, why don’t you!” chloe snickered and slowed the car down to precisely parallel park in front of a building. like smallville high, it possessed the color palette of red, gold, and black. it resembled one of those classic movie theaters from the seventies and there was a large, neon sign that displayed the word, TALON, vertically letter-by-letter in gold lettering. lyric found it to be aesthetically pleasing in an old-fashioned sort of way.

“chloe!” the guys whine in sync at chloe’s forwardness, not wanting to be put out there in front of lyric. clark knew that chloe was directly talking to pete, but he still felt like he was caught doing something he shouldn’t. lyric chortled, shaking her head and playfully rolling her eyes at chloe as the girls unbuckled their seatbelts.

“come on, chlo’, don’t bug him like that! it probably didn’t mean anything. leave them alone!” she joked and leaned down to grab her belongings and passed over chloe’s bag for her to receive.

chloe shrugged her shoulders, pursing her pink glossed lips.

“i admire your modesty, lyric, but i’ve been around them long enough to know when a guy is completely smitten. you should ask clark when it comes to lana lang.”

clark’s eyes cut to chloe in annoyance with a deadpanned expression. despite chloe trying to humor lyric, there was a hint of envy underneath her lighthearted tone.

“girl, i already know! i mean, lana seems nice and she’s gorgeous, but you are too! who wouldn’t want to be looked at like that? it’s an exciting feeling—it’s an experience to appreciate while you still got it…don’t trip on pete and clark so much. they’re good guys.” she compliments with a glance towards the backseat and proceeds to gather her belongings, exit the car, and wait for the others to follow suit. clark walked passed lyric, chloe, and pete to hold the door open for all of them to enter to the crowded hangout. once she stepped in, lyric was amazed with the turnout of this place. she noticed that the main population were teens and young adults, but there were good bit of older patrons as well. the interior was setup like any lounge of a modern coffee shop with individual tables that were scattered throughout the room. the decor was set to look like the royal palaces and chambers of ancient egypt, the walls and pillars were engraved with hieroglyphics. there were lights that were strung along giving the room such a faint ambient glow. the warmness of the luxurious golds and yellows mingled with the cool, sophisticated regalia of the blues and violets. the talon was so immense that it had a stairway and so much more that lyric wanted to gawk at before chloe grabbed her wrist to leave the boys behind to grab a table and lead her to the counter. it was there where she saw lana lang preparing a drink order by maneuvering the large, chrome coffee machine. when the girls made it to the counter, chloe’s bubbly voice caused lana to stop what she’s doing and welcome them with an award winning smile.

“hey, you guys! lyric, i’m so glad you’ve came. welcome to the talon. so, what do you think of the place so far?” lana questioned with her hands to gesture at the lounge.

“thank you, lana! i love the setup, the theme, and it’s huge! no wonder why it’s so jumpin’ here. it looks like one of those old movie theaters from the outside.” lyric compliments which lana graciously accepted before she gives lyric the run down on how the talon was in fact a movie theater where her late parents met. she’d quit cheerleading causing her to fight tooth and nail against her aunt’s expectations of her high school career and to keep the place open by converting it to a coffee shop and movie theater after partnering with lex luthor. ever since then, the talon has been thriving more than ever.

“if it weren’t for lex, this place would’ve been a distant memory.” chloe stated, her eyes perusing the scene laid out in front of them. lana solemnly nodded in agreement.

lex luthor. where did lyric hear that name before? right, at dinner with the kents. it was the rich guy that clark saved and they’ve good been friends since then. i don’t remember much about what he’d look like, but he’ll most likely stand out from the rest of the citizens of smallville for sure. lyric sympathetically nods, lending lana her congratulations and condolences while still feeling curious.

“i’m so sorry for your loss, lana. they would be so happy that you did this to keep their memory alive. i respect you for that!”

“thank you, lyric, would i be more worthy of your respect when you get your first free coffee?”

the girls briefly giggle and lyric decided to play it safe by requesting a regular cappuccino. chloe ordered the usual for her and the guys before they both walk to find clark and pete at a corner table, with their books and papers all set out for the academic cramming to begin. one empty seat was to clark’s left and the other, to pete’s right. as the girls approached them, lyric lightened the mood at the sight of the boys’ serious, focused attention on the assignments.

“did we keep ya’ll waiting that long that you’ve already started the assignment that’s due next week?” lyric joked, sharing a chuckle with chloe when clark and pete’s head’s simultaneously peer up at the sound of her voice. chloe gestured to the empty seats,

“we’ve already ordered the study fuel, by the way. mind if we sit?”

“no, not at all. here, lyric. you can take this one.” clark offers after putting his book down on the table. he stands up to pull out the empty chair next to him for her to sit. lyric felt that familiar fluttering within her stomach as she came closer to the table to sit down next to clark. girl, calm down. he’s just being a gentleman, it’s not like he’s never pulled a chair out for you before. once she was scooted in and comfortable, she thank him with a smile of gratitude and rummaged through her backpack to find the unfinished assignments she had to complete. chloe took the seat next to pete and she couldn’t help, but feel a bit—slighted. don’t get her wrong, as much as she loved clark (more than) platonically, she was unfortunately living with the reality that he would never reciprocate those feelings for the sake of their friendship and his own feelings for lana. although, she’d never seen him move so quick to have a girl next to him besides…lana. especially not a girl he’d just met a couple days ago. chloe pondered if it was just the effect of that house. god, what’s in the water there? clark nip? her train of thought halted at the sound of an annoyed ground.

“mmcht! don’t tell me that i— ugh, where’s it at!” lyric hissed as she frantically searched through her bag with a confused, yet frustrated expression.

“what’s the matter, lyric?” clark asked with inquiring, blue eyes.

“i think i left the monte cristo book at home. it’s only my first assignment and the last thing i need is to be behind even more. ugh!” she huffs and assertively zips the bag closed after gathering everything else.

“here, we can use mine. i haven’t quite finished reading yet, so we’re gonna have to split it.”

“that’s really cool of you, clark, but are you sure—“

“lyric, i insist. that’s what good neighbors neighbors are for, right?” he questioned with his amicable gaze locked with hers, flashing that cheeky, pearly white smile that she knew so well, but for so little. her face heated with a nervous grin and chuckle. to keep herself composed and promptly get the assignment done, she didn’t choose to argue.

“if you’re gonna put it that way, clark, i might as well. hell, it’s not like i got a choice. thank you—again.” she concedes and opens her notebook before scooting a little closer to clark to steal a decent glance of the text.

“it’s always my pleasure, lyric.” he softly responds with a lingering grin before filling her in on the chapter they’re supposed to report on.

as they silently read and briefly gave each other’s analysis of a phrase, clark’s attentive gaze focused on her as she spoke, but his nostrils naturally inhaled the scent of the sweet fresh, natural scent of cocoa butter mixed with hints of vanilla and coconut. it was such a pleasant aroma that complimented the smell of brewing coffee. clark was so caught up, that he didn’t even notice lex luthor waltz in the door with his fiancée, dr. helen bryce, traveling closely by his side with their fingers intertwined. the luthor’s eyes darted from table to table to find his good friend with his usual circle. to his avail, he found them at their table in the corner. there was also another person he hadn’t seen before and she was sitting awfully close to clark while chatting and taking notes. lex found it odd to see clark in such a position with a girl besides lana. with burning curiosity, he lets helen know that he’s going to speak to clark momentarily while she can use his card to get them some coffee and pastries. helen agreed, as she wanted to minimize any interaction with the farm boy knowing what she knows, but she’ll civilly swing by after she handles business at the counter, so they go their separate ways.

“long time, no see, clark.” lex says as he strides to the table of the four preoccupied teens that shift their attention to him. clark receives lex with an amicable smile and immediately greets him back,

“hey, lex! it’s good to see you out of the shadows of the mansion. how’re things going with you and dr. bryce?”

lex casually grins while stuffing his hands in the pockets of his tailored pants.

“not too bad. we both had a bit of a catastrophe of a work day, so we decided to unwind with some coffee and sweets. i hope i’m not interrupting important, you seem to be preoccupied—with your studies.”

“oh, no, not at all. let me guess, you and mr. luthor had another falling out?”

lex confirms with a silent, tight lipped nod. his inquisitive eyes shift to lyric who returned her own curious stare.

“i guess i left my manners with my father back at the mansion. it’s nice to meet you, my name is lex luthor, ceo of luthorcorp , and you must be…?” he pauses, leading her to answer,

“i’m not trippin’ over it. i’m lyric. lyric james. my family and i just moved here from new york on saturday. i’m also clark’s new next-door neighbor and i’ve heard so much about you, mr. luthor.” she cordially regards, knowing this man was definitely not in high school. he holds his hand out for her to grasp and shake briefly before pulling their hands away.

“all bad, i suppose and please, call me lex. my father, lionel, should be referred as such.”

“no, sir, mr—lex. not from the way clark talks a good deal about you. i won’t front, i’ve heard some bad, but i can’t be the one to judge too quick because i don’t know you like you don’t know me. you must be lucky to have a friend like clark to save your life.”

“when you say it out, lyric, i couldn’t agree more with you. i’m always grateful for him and the kent’s. perhaps one day, you’ll see what i mean.”

lex received her statement with a warm smile upon his face. whoever this james girl was in clark’s circle, didn’t know him from a can of paint and still gave him a fighting chance without the use of a bribe, blackmail, nor smalltown gossip. he could see why the farm boy had a bit of a entranced look on his face towards her when he walked in. there was definitely something about her that was more than more than outer beauty. lex all of people would know.

as lyric and lex finished their conversation, she didn’t notice a blushing clark that hastily averted his gaze from her to his book, but she did see a beautiful young woman saunter from across the room and stop to stand closely beside lex. she possessed long brown hair, round brown eyes with long lashes, and full pink lips. by the way she stood so close to lex, lyric could obviously tell they were romantically involved.

“lex, they didn’t have the maple scones today, so i just got us some danishes and our usual drink order.” the woman said, handing him the pastry and a cup of coffee which he gratefully received by kissing her on the cheek. she pulls her blushing face from his lips and amicably greets the group before her,

“hello! i hope you all are doing well. chloe, pete—clark, and i’m sorry, i don’t believe i’ve seen you before. my name is dr. helen bryce i work at the local hospital here in smallville. who might you be?” she inquired with her amber gaze pointed to lyric. lex helped to save the girl’s breath by giving helen the introduction.

“thank you, helen. this is lyric james, she’s the kent’s new next door neighbor. her family had just moved to smallville from new york a few days ago.”

helen squinted and registered the familiar surname before the lightbulb of realization came on,

“ah, right! when i heard “james”, i had a hunch it was you. i know your mother, crystal, she’s one of the newest nurses on my team. even though she just started, i can tell she’s a very dedicated woman to the profession. she’s mentioned that she had a daughter attend smallville high and here she is. it’s so nice to finally meet you, lyric.”

“likewise! thank you, dr. bryce for the kind words about my mom. it was great to meet you both!”

lex and helen bid the group a farewell and took their exit of the establishment. lyric beamed at the praise about her mother. it made her feel a twinge of guilt when she felt an ounce of resentment towards her parents for working so many hours of their demanding careers, but it warmed her heart at the knowledge that they made a difference, no matter where they went. hopefully, she’ll be able to live up to that expectation. two hours of studying pass by and the sun was beginning to set. chloe, clark, pete, and lyric are ready to throw in the towel and start packing up to go home. lyric wanted to check out the main street melody store, but one, she was already exhausted and two, she had a ride that she wouldn’t dare to keep waiting. she’d see it again another day.

one by one, chloe drops off her friends and wishes them a goodnight. once they made their stop in front of kent farm, chloe doesn’t leave without lyric spotting her a ten for gas. clark spectated as the girls playfully argue for two minutes because chloe kept refusing and lyric kept insisting. given her order was free, she didn’t have to spend anything and she wanted to return the favor. chloe finally conceded, took the money with gratitude, and pulled off, leaving lyric and clark alone again in front of his house. the quiet silence was filled with the sound of chirping crickets and the steady footsteps of lyric and clark as he walked her home. as they approached the james house, the driveway was bare and most of the lights were off. it appeared that her parents were still at work. clark didn’t feel right with her staying all alone in the house. outside of the light snack and coffee, he wasn’t certain if she had dinner. not to mention, the welfare of her black cat that he’s grown attached to. they stood on the large, round porch at the front door. lyric searched her bag to retrieve the entrusted house key. when she reached to turn the lock, the touch of a hand on her shoulder caused her to stop and turn around.

“what’s up, clark?”

“lyric, i think it would be safer for you and noir if you guys stayed at my house until your folks get home. at the end of the day, it’s your decision, but if you come over, you can try to call your parents and let them know. if not, just reach out if you need anything.”

lyric pondered on the farm boy’s offer with pursed lips. she was so used to this back home and it was quiet around here, so what could possibly go wrong? or so she thought, what if one those people infected by meteor rocks happened to stumble on what seemed to be an empty house with an unsuspecting teenager and her vulnerable feline sleeping peacefully? with a careful review of clark’s perspective and a deep sigh, her mind was made up.

“if it’s cool with mr. and mrs. kent, i’ll leave my parents a message, scoop noir, and we’ll be there. i didn’t want to intrude because i’ve done this before. i—“ she was cut off when a rumbling sound erupted from her abdomen. the two were dead silent for two seconds before clark broke it,

“i guess you wouldn’t mind intruding for dinner and you do know that you’re always welcome, right? judging by the sound of your stomach, it looks like you wanted to come over anyway.” he teased with a lopsided smirk.

“not too much on me, clark.” she playfully chided with her finger pointed in his direction. their laughter fills the air as she unlocks the door and she invites him to follow her inside. it didn’t take long to hear that familiar mewling sound and the soft jingling of a collar. noir cuddled herself against her owner’s ankle to receive loving pets upon her furry head, chin, and spine. when the cat spotted clark, she stood on her hind legs, tiny paws pressing against his jeans. clark took his cue to scoop her in his arms and gently hold her while lyric stood and watched in awe. she won’t lie, she loved how trusting noir was with clark. it made the butterflies in her arise when he saw this gentle giant of a farm boy cradle noir like that was his child. to keep herself down from cloud nine, she had another idea.

“hey, you want to listen to some records after dinner? that’s only if you want, we can just come back here and chill. it’s no pressure, if you’re tired i’d un—“

“lyric.”

“yeah, clark?”

“were you ever going to give me the chance to say ‘yes’?”

he grins, softly bouncing noir in his arms. she releases a faux gasp and playfully whacks him in the forearm, causing him to dissolve in laughter.

“i—clark kent! don’t mess with me right now, i know i talk a lot, but it’s been a long day. there’s nothing wrong with valuing other people’s time.” his gaze softened as he watched her take a piece of hair from that fell in her face to behind her ear.

“okay, okay. i’m sorry for teasing and thank you, i respect you for that. i’d love to come over to hear some records. it’s about time i’d expand my musical horizons. just like how you explored a literal horizon with your camera.”

“you’ve got a way with words, clark. now i can definitely see you being a journalist now. it’s a deal. you give me early morning sunrises and i’ll give you late night jam sessions, ya dig?”

he gives a nod of approval and lends lyric the chance to use her landline to call both her parent’s work extensions. crystal didn’t pick up, so she left a message. fortunately, joseph answered and gave his approval, but sternly teased lyric for her and clark to listen to records with her door open, whether he or crystal were home or not. the james girl concludes the conversation before her and clark proceed to take the familiar path to kent farm where she and noir were warmly received by jonathan and martha. they spent the next hour and a half indulging in the hot meal that was meticulously prepared and they were going around the table to share how their days went. even noir was content in the tuna and milk that was prepared for her by martha. when all were fed and the kitchen was tidy, the teens return back to the james house where lyric leads clark upstairs to her bedroom.

“welcome to my crib!” she exaggerates with wide arms as they enter and he chuckles at her quip. even with the new posters, furniture, and arrangements, clark knew that this was lana’s old room. he’d only really caught a glimpse of it through his telescope or within his odd dreams concerning his powers, but actually stepping foot inside felt so surreal. his blue eyes peruse to various spaces like to her bed, vanity, closet, and the overall setting that made the room reflect lyric of who she was. this was now her home, her room, and her space, so clark had to make peace with the fact that the past was in the past. it’s time to live in the now.

she led him to take a seat on her plush, lavender rug. while playing with noir in his lap, she walks a few feet away and squats to the record player to routinely adjust it to the proper settings. they endure a comfortable silence as lyric places the vinyl from stevie wonder’s 1971 album “where i’m coming from” on the turntable after scavenging through her growing collection.

her fingers gingerly lift the head-shell to delicately place the needle on the vinyl. as it starts to spin, the soft, soulful notes of “never dream you’d leave in summer” began to fill the room, lyric found herself lost in the music, her ebony gaze shifted to the window where the sky had transformed from a warm gold to the deep, dark shade of her cat’s coat. the melancholy melody solemnly filled her senses as the memories of him start to flood back like restless waves in the ocean. the song crooned, and lyric felt that painful lump form in her throat and the heaviness weigh in her chest. the memories all flash back within her brain —images of laughter, love, warmth, and the sharp sting of loss and betrayal that she thought was left in brooklyn still seemed to follow her no matter what she did , where she went, or who she talked to, lyric can’t forget about him. she glanced at clark who immediately met her gaze. his defined features softened by the dim amber light of her lamp. as his eyes were starting to paint the image of concern, she pondered on how long she could keep her inner turmoil a secret any longer. besides her parents, he was the only one who picked up on her sadness during the sunrise.

she realized that as the music played on, it was like a bittersweet reminder of everything she had faced back in her hometown. her bedroom suddenly felt charged with an energy that gave her the courage to speak, to finally share the real reason that why the james family would move all the way to smallville, kansas. after taking a drawn out breath, she turned her whole body to him, her lips slightly agape before she breaks the silence,

“clark, do you remember this morning when i was acting a little funny when it came to taking those pictures?— i tried so hard to play it off like it didn’t bother me of why i stopped, but if i’m going to live in the present, i need to let the past of my chest. if we’re going to be friends, the least we can do is be honest with each other, right?”

clark slowly nods and he could hear her heart racing. he sensed there was an urgency, she was scared, but of what? of who? he had hoped to the stars that it wasn’t of him. did he slip up and then perhaps she saw him use one of his powers? neither the matter, his concern was growing and he placed his hands on top of hers.

“lyric, you can tell me anything. i’m so glad that you could trust me enough to do that. just know that i’m here for you. i’m listening.” with a nod of his head, the look in his encourages her to take the time she needed.

she took one last deep, deep breath. she closed eyes her briefly to gather the millions of thoughts she had into one story.

“back in new york…i had a best friend. he became my first love then he became my worst enemy, and he’s long gone, but clark, i can’t let him go… his name was omar.”

BROOKLYN, NY 2000-2001

omar reyes was lyric james’ childhood best friend back in new york and her first love. he was a sweet boy that lived a decent childhood until his parents divorced and his dad had full custody of him after his mother moved away. to keep himself busy, omar decided to play basketball all throughout elementary and middle school. he’d study more often to make his parents proud and boy, were his grades were top tier. in the midst of that studying, he grew fond of science and anatomy, but his mind was already made up that he wanted to be a professional NBA player or a coach like his father after college. lyric could remember when he was just practicing shooting hoops on the street after the older kids excluded him for being too short to play and even though she didn’t have a deep knowledge of the sport, she learned to love it as she supported him. lyric pushed omar to show those bullies he that was capable of exceeding anyone’s expectations. the bond between him and lyric was unbreakable. omar was the one that gifted lyric with the hoops that she oddly still adorns to this day, they had their first kiss on her thirteenth h birthday, and when they turned fourteen, omar confessed his feelings and officially asked lyric to be his girlfriend to which she immediately accepted and the bliss of young love took its course in their lives.

he was a great first boyfriend for lyric. loyal, kind, affectionate, attentive, and humorous. her parents enjoyed his company, but things took a turn when they entered high school and not for the better.

omar seemed kind of…off.

he seemed to appear to be thinner and more fatigued than usual, but he just dismissed it as stress from school, sports, and life in general. while practicing in the gym, he had a hard fall that resulted in so many bruises on his body that he had to quit basketball indefinitely, so the school wouldn’t be held liable. it all came to a head at the beginning of freshman year when he was tutoring lyric at her place while crystal happened to be home preparing dinner. everything was fine until omar stood up to go to use the restroom and then he harshly collapsed to the floor after taking one step, rendering him unconscious. crystal urgently called the paramedics and his father to get him to the er. after the doctor ran some tests, omar was diagnosed with stage two leukemia and had to start treatment right away. lyric didn’t hesitate to stay by his side and visit the hospital as much as she could for the strength her boyfriend, herself, and their relationship. lyric hoped and believed that the treatment he was receiving would be the light at the end of the tunnel and everything would return to normal, right? wrong.

it all changed so drastically as the condition worsened from stage two to stage four. omar had to be sent to duke hospital for treatment. duke hospital was in durham, north carolina—which was almost five-hundred miles away. omar and lyric decided to make a long distance relationship work by writing letters and talking on the phone when they were both available. lyric and omar consistently corresponded with each other those first few weeks. well—mostly lyric, but she understood because he needed to focus on getting well and the best she could do was stick by him like a loyal girlfriend, right? she added in something special to each letter, a developed photo that she snapped with her camera. each photo possessed the inspiration that captured the essence of their home and memories.

days turn to weeks, and weeks into months with no update from neither omar nor his parents. lyric grew weary, a bitter vile feeling within the pit of her stomach. something wasn’t right. one day, she came home after school and she was baffled to see both of her parents were home, sitting in the living room. they tell her to sit down in order to relay the message from the reyes family: omar lost his battle and he was gone. lyric was so in shock that her parents voices faded out, so she couldn’t even register the details of a funeral, a wake, or a cremation. seven days of mourning passed and the event of the funeral arrived. clad in all black with dark loc shades, lyric was cold and numb, but at the urging of omar’s family, she was permitted to say heartfelt remarks about the deceased. how could she explain a lifelong bond within two to three minutes? she looked at some familiar and unfamiliar faces in the crowd as she recounted her times with boyfriend—well, ex-boyfriend. by the time she was done, the tears silently rolled down her cheeks and her mother consoled her through the entirety of the service. everyone in attendance came back to reyes’ home to eat, give their condolences, and chat about the mundane. lyric was seated on the sofa and just stared at the minimal portion of food on her plate. she’d rarely had an appetite during the time of her bereavement. her state of disassociation was paused when an unfamiliar, high pitched female voice breaks her out from her solitude.

“so i guess you must be lyric, huh?” the james girl gazed at the other teenaged girl in front of her. she was a few inches shorter. although heartache painted her face, she had striking features that consisted of tawny brown skin, deep almond shaped eyes, high cheek bones, and full lips.

“is this seat taken?” the girl asked to which lyric shook her head side to side, giving her the cue to sit. the girls sit in an awkward silence for about two minutes and the latter began to speak,

“i already know your name, so it’s only fair that you know mine— i’m trina davis. um, my mom and i came up from north carolina to say our final goodbyes. she was actually the lead nurse that helped with omar’s cancer treatment at duke.”

“it’s nice to meet you, trina. how long are you in town for?” lyric inquired.

“likewise! we’ll be flying back the day after tomorrow—lyric, may i ask you a question?”

lyric deliberately nods and placed the untouched plate from her lap onto the coffee table. she turned her body to trina, awaiting the question.

“i don’t want to pry, but i’m gonna try to make this make sense as much as possible. so—i’ve heard in your speech that you were omar’s girlfriend, how long have you guys been together?”

“well we made it official this past july. he got diagnosed in september, went to duke in october, and now it’s february, so a good six months, if my math is on point.” she dryly chuckled.

“why?” lyric quizzed and her eyes caught onto trina’s dumbfounded expression. lyric noticed the gulp that ran down the girl’s neck as her jaw clenched.

“you know how i said that my mom was the lead nurse for him, right?”

lyric nodded again to lend the girl a listening ear. trina began to explain how her mother had inspired her to work in the field of caring for cancer patients, so she decided to do volunteer work by reading to the patients and keeping them company, you know to get that experience. that was when she met omar in mid october. she would read titles such as to kill a mockingbird or the count of monte cristo. omar expressed that he was looking forward to reading those books in his honors english class, but life happened. with her mother’s permission, the teens would sit in the hospital garden and chat beyond the analysis of the characters in the texts they’ve read. on a weekly basis, they’d converse about their pet peeves, hobbies, interests, music tastes, favorite movies, and anything under the sun really.

at the start of november, trina sat at omar’s bedside and he was dozing off. that was her cue to leave silently and she ran into a nurse who had an envelope with omar’s name on it in his hand. trina told the nurse that omar was sleeping and that she will place it on his bedside. the nurse gives the envelope to trina and took his leave as she examined the enclosed message. her natural nosiness wanted to know of the hand that inked her new friend’s name in blue with such skilled calligraphy. trina stopped herself from her the temptation to open it and sat it down beside him. the next week in the garden, she questioned omar about the letter. he then dismissed the value of the letter and that it was his from his “home girl lyric” from his hometown. to ease trina’s worries, he reassured her that would read it later that day.

omar received lyric’s letters frequently, but with the sickness that took toll on his body had hindered his correspondence. it wasn’t like omar didn’t cherish her letters and photographs that he received at first, but with each passing day his heart for their relationship grew more distant as he started to grow more tired of his condition and tired of his life. omar couldn’t sit in denial that he fought the good fight for long enough. at that point, he was ready to raise and wave the white flag in surrender, but he didn’t want to tell lyric anything. he didn’t want to cause her anymore heartbreak than he already had, so he just stopped responding all together. he had hoped that one day lyric would find it in her heart forgive him, whether he lived or not. trina unknowingly accepted the answer and reassures him that his friend would understand. she joked that if she was his girlfriend then there would be some suspicions, but if they’d agreed to make that work, then lyric would be a saint.

by thanksgiving, trina and omar grew closer in their emotional connection. even though trina enjoyed the day with her own family, she found it in her heart to urge her mother to drop by duke to at least deliver omar a light plate of her grandmother’s home style cooking, with his appetite willing. jovial at her mother’s approval, she was already up the elevator and knocked softly on omar’s door before she sauntered her way in with her offering. the teens faces beamed as they saw each other after a short time apart. trina placed the aluminum foil covered plate to reveal the basics such as turkey, dressing, mac n’ cheese, and potato salad. omar looked at it like it was first —or last meal. he told her he’d eat it tomorrow when his appetite allowed him and she put it to the side. the two made small talk before she attempted to leave the room only to feel a hand meekly grab onto hers.

“omar is everything ok—“ her sentence was cut short as her face collided with his chest and both of his arms encircled around her. trina was stunned at this.

“just stay with me…. i’m scared.”

he pleads for her presence and her heart grew heavy in sorrow as omar’s tears rain on her scalp, so stayed for a little bit longer. omar knew that he wouldn’t have much time left and he needed her to be by his side until then, so it didn’t take long for them to get emotionally involved through the holiday seasons until his untimely demise.

lyric sat there as her emotions internally wreaked havoc in her mind. she swallowed before she stuttered her words out.

“y-you’re telling me t-that you and omar were—

“yes.” trina somberly interrupted. “we were together until he died. he only called you his good friend, so i thought it was okay. i’m so sorry, lyric. i swear i didn’t know because he’d rarely talk about you after that.” trina’s voice started to crack and got higher in pitch as the tears rapidly streamed down her cheeks. she gazed down at the ground with such guilt and disappointment.

“god, i wish that my nosiness made me see the truth in that letter, but i respected him that much, so i didn’t. lyric, i’m—“

“it’s fine.” lyric cut her off.

“no—no, lyric, it’s not fine. we knew of his condition and he knew it was getting worse, but it doesn’t give him the right to fool us like that. especially not to you, i only knew him in his last moments and you, his whole life! if i were you i’d be—

“don’t tell me how i should feel, trina. i said it’s fine.” lyric sternly affirmed, her face stoic as her finger brushed a piece of hair from falling in front of her eye. she deeply sighed as her eyes looked up at the white ceiling, sliding her tongue across the front of her top teeth before resuming,

“you didn’t know, so i’m not mad at you, trina. i just wish i knew why he would do that and i know that i will never get my answer. not from you and definitely not from omar, so in that case, it’s fine.” lyric wraps her arm around trina’s shoulder to wish her the best when she travels back to north carolina and departed from her seat on the couch before fishing her parents out of the sea of visitors and informing them that she was ready to leave due to nausea. not exactly a lie, but a good excuse for the james family to leave quickly to their home.

to say that lyric was an emotional wreck was an understatement. for those next few weeks, her tears poured out until they ran dry and irritated her skin. she secluded herself within the four walls of her room, all day and all night unless she had to relieve herself. she didn’t care anymore. reassuring words didn’t fix this. sleeping for several hours didn’t fix this. toni braxton’s “unbreak my heart” on repeat certainly didn’t fix it. she closed herself off at school and floated by to at least pass the ninth grade, she didn’t want to celebrate her fifteenth birthday back in april, and the only ones she invited into her life were noir and the tunes on her record player.

her parents were worried that it was just more than omar’s death that caused their daughter to spiral into such a state and they made that decision to get her counseling when summer break began. in the first and second sessions, the therapist wanted to get to know lyric personally on her own with her parents waiting outside the door. by the third session, joseph and crystal were present in the room. lyric didn’t want to speak nor cooperate. she was surprised that she got out of the sanctuary of her bed and went in the car without putting up a fight. no matter how many questions they’ve asked or exercises they were trying to perform, she’d stay frozen like a guarded statue until she reached her boiling point when asked,

“tell me this, lyric—if omar were sitting in this room what would you say to him now?”

her brows furrowed and a scowl was painted on her face. every muscle tensed as the word vomit was about to explode all over the office at the mere thought of that boy—that coward.

“everything around here reminds me of you. i want to let you go because you hurt me. you hurt me and i don’t want to think about you, but i need answers! how the hell could you break my heart without me noticing until you were gone?!”

lyric rose to her feet and began to pace around, her dark eyes shifted to a corner where she could see a vision of him so vunerable as he laid in the hospital bed, with trina at his side. “i swear, omar, if you weren’t dead already, i’d kill your ass—why the hell would you agree to a long distance relationship when you knew it wouldn’t work, huh? if it wasn’t gonna work, why didn’t you hit me up or write me back? all i did was send you letters to tell you how much i loved and missed you, omar, but you just gave up—and you didn’t want to tell me, but you had the strength for somebody else. a girl you knew for a couple of months! wow. why? why, huh? WHY!?”

lyric confessed her plight to the therapist and her chest heaved as she collapsed with her head buried in her hands. her body was quivering as the hot tears flooded like water down her face. joseph and crystal quickly come to her aid. they had never seen their daughter be so enraged and emotionally inflicted. later that night, crystal and joseph had a private conversation, made some phone calls, and decided it was best to get lyric away from new york indefinitely.

SMALLVILLE, KANSAS 2002

“so, that’s why we really moved here. that’s how we ended up here in kansas. we had to get away and find a new scene, so that i couldn’t appear as the girl that went mad with grief, but clark i still have those moments where i feel so empty. i felt like i was left to hang alone.”

by the time she concluded her story, the intensity of stevie’s voice increases, lyric tears up a bit and her lips start to quiver. she takes a deep breath and averts her gaze up to the ceiling to bottle up what she couldn’t contain any longer. before she knew it, a pool of tears started to flow down the smooth, brown skin of her solemn face. clark clutched onto her hand to lightly squeeze it of reassurance.

“you’re not alone, lyric. i know what it’s like to lose someone and they’re the only ones who have the answers that you need. you feel that you miss them because…they’re the key to the truth and there’s nothing wrong about wanting to know the truth, no matter how life altering it could be. we just have to—oh!”

clark is interrupted when her arms are clutching to his torso and her face buried was near his middle.

“thank you—so much. all you’ve done has helped me since i came here. i can’t be grateful enough for you, clark.” her muffled, soft voice vibrated against his skin.

clark responded with one action that night: being there for her. he immediately wrapped his arms around her and let her sob her sorrows out until she dozed off to sleep with her head in his lap. noir sat by their side and observed the two as her tail softly swished across the floor. thankfully, lyric was a heavy sleeper. clark gingerly adjusted his body off the floor, so that he could carry her bridal style to gently lay her on the bed. he managed to tuck her in within the lavender duvet as he heard a car pull into the driveway and the sound of her parents call out to her. clark jogs downstairs to formally greet mr. and mrs. james. clark explains what went on that evening and that lyric was safely tucked in and asleep.

at first her parents were so worried that lyric would suffer from another breakdown when the omar situation was brought up, but they felt relief wash over them as they knew that clark was there every step of the way and that she was safe. they appraised him with their gratitude and offer for him to visit often. his family had made their family welcome and it was in due time to return the favor, especially for all of what the young kent has done for their daughter. clark bid the james family a goodnight and walked off of the porch before giving a final glance to lyric’s bedroom window. it was completely dark and his eyes of blue met with the yellow-green of noir’s. the feline was perched on the window sill.

“take good care of her for me, girl.” he said to the distant cat in a hushed tone before utilizing his super speed to get him home in a timely manner.

[aroaceleovaldez]

i desperately need the fandom to do more with the fact that Percy’s attitude/emotions/physical state are directly influenced by the water around him even if he’s not directly interacting with it.

Every time we see Percy in the winter he’s notably more cold and snappier and easily annoyed, or generally is more serious when he’s in a cold environment. He gets more aggressive and prone to violence when by the rivers of the Underworld. He literally becomes toxic when Achlys brings out her poisons. He gets more mellow and generally more confident or at ease when by the Pacific, and gets even more mellow/goofy when in the Mediterranean. He gets overwhelmingly fatigued in the evil aquarium when all the tanks have sedatives in them, even though he doesn’t directly interact with the water at all. He also gets stronger when it rains. But also can create rain. Don’t think about that part too much, that’s really OP. Also his eyes (and Sally’s!) change color to match the water around him. Our “standard” for Percy is in the summer and next to the Atlantic (specifically in either Manhattan or Long Island. Does this change things significantly? Idk, up to you, but they have been cleaning up the Hudson a lot in recent years). This is his “default.” Every other scenario he’s going to start leaning to match the weather or water.

So where’s all the content of Percy going to different places and just shenanigans of how this affects him. Percy goes to a salt flat and is just so snarky the entire time (and his eyes look like mirrors). Percy getting grumpy in the desert or landlocked states. Percy going to Devils Hole in Death Valley and just gets really scary for .2 seconds. Percy going to Grand Prismatic Spring in Yellowstone and his eyes just turn rainbow. Percy at the grocery store walking by the lobsters and he just has a whole breakdown cause they’re so stressed it fucks him up, or he walks by the betta isle in a pet store and nearly dies instantly cause all the little betta cups are just pure ammonia. Someone uses one of those water flavor things in their drink and Percy’s eyes turn the same color for a minute. Percy somehow just walks by the Fountain of Salmacis and is just really confused by the directions his thoughts go in for the all of like two minutes he spends within radius of it. Come on people, we have options.

[marimbles]

thank u for your takes on the s5 finale. sometimes it genuinely feels like im going crazy when i watch people talk about it being a good wiriting choice… the whole “be nice about everything that happens on screen or shut up” culture that the fandom has cultivated is genuinely becoming a problem imo

I totally feel that. which is part of why I choose to post about it on main sometimes, even though I really don’t want to ruin other people’s enjoyment in the fandom. I might joke about being a hater, but I have been on the other side of this many, many times where I’m just having a good time my favorite cartoon and salters come in and sour my mood with their relentless negativity. So I don’t want to be like that for someone else! But the thing is, as much as I don’t want to rain on people’s parades, MY parade has been rained on, and I have a sneaking suspicion that that is also the case for a lot of people in the fandom who are staying quiet out of a similar hesitation.

if you’re a long-time fan, of course you don’t wanna be a vibe killer, and you definitely don’t want to be seen as a Salter™️ by the rest of the fandom, especially if you historically have been a person who focuses on the positive. But I hope that this fandom is reasonable and open enough to make room for good-faith criticism. Fandom is a community, and I feel like an essential part of a thriving, healthy community is the joint ability to share and engage with opposing perspectives in a respectful way—while recognizing and holding onto the thing that brought you together in the first place.

I think it’s also important not to make unfair assumptions. Lots of the people who currently have mixed or negative feelings about s5 love ML just as much as the people who have positive feelings—in fact, their feelings might be negative because they love ML so much, and the current story direction feels like a disconnect for them. There are also lots of smart, passionate, media-literate people with varying responses to the finale. We have different logical approaches to similar issues. We have different emotional responses. We have different interests and expectations and perspectives and ideas. That’s okay!

I’ll probably share more about my problems with the currently writing direction, but I’ll be sure to tag appropriately so people can filter if they want to. (Staying in your lane is generally a helpful and valid approach if you don’t want to interact with an opposing viewpoint lol.) I’ll also be blocking/filtering where needed, withdrawing when needed, and trying to stay as respectful as I can. For now, I also plan to keep watching, creating, and enjoying what I find to enjoy in the ml fandom. For me, there is space for both enjoyment and criticism in the way I engage with my interests. So this is not going to become a miraculous salt blog lol (although I might come off as salty sometimes because i’m just a dumb little guy with a lot of strong feelings about children’s cartoons and the emotions overtake me sometimes!!). I still want to contribute to the fandom in a positive way, but I also want to be able to speak critically where I see fit on my own blog. Hopefully I can express my criticism in a balanced way and still have fun:)

[blorger]

I have a confession to make: I love Pansy Parkinson.

I love her little snub nose, I love her big DH moment (even though as readers we're supposed to hate it) but, most of all, I love her because jkr hates her.

I'm not being hyperbolic when I say this either, we have it straight from the horse's mouth:

I loathe Pansy Parkinson. I don't love Draco but I really dislike her. She's every girl who ever teased me at school. She's the Anti-Hermione. I loathe her. Yeah, sorry! Sidetracked there by my latent bitterness.

("PotterCast Interviews J.K. Rowling, part two." PotterCast #131, 24 December 2007)

I recently found myself wondering how, for a self-professed Pansy stan, I sure know very little about her as a character. If we take aside the fact that I derive psychic joy from being a contrarian (especially when it comes to jkr and her garbage views), is book Pansy actually an interesting character or do I just like the Pansy that the fandom's collective unconscious created? Who even is Pansy, really?

Because I'm me and there's no problem that can't be answered by amassing huge amounts of informations, I went ahead and prepared

a Persuasive Primer to Pansy Parkinson

PART 1: PANSY'S PERSONAGE

The character of Pansy Parkinson has been present in the Harry Potter series since book 1. Her name shows up briefly during Harry's sorting since she's close to him in the class list but her first real appearance occurs during the Remembrall Incident, where jkr sets up two of her character's mainstays: her looks and her meanness.

This very first description of Pansy's face as severe and pitiless-looking is perhaps the kindest one we get in the books, since the only other times Harry, our narrator, bothers to describe her appearance he calls her pug-faced, which incidentally is where we as a fandom (and, clearly, the HP movies casting directors) got the idea that she has a snub nose.

Other than these vague and unkind descriptors, Pansy's looks are left to our imagination; the brunette bob she is well known for is a movie creation and the only other description relating to her appearance is that of the robes she wears for the Yule Ball in book 4, which are very frilly and pale pink.

As any scholar of JKR Studies worth their salt can tell you, jkr is a consummate misogynist who loathes pink and only uses it in order to give a negative connotation to something/someone; pink=girly, which is bad, and frilly=superfluously, ostentatiously girly, which is the worst possible thing a female character in the jkr extended universe can be. jkr has a lot of opinions on what constitutes an acceptable performance of femininity and the character of Pansy Parkinson exists to exemplify the complete opposite of that.

PART 2: A PERNICIOUS PERSONALITY

What can we learn from Pansy's tone? Firstly that she is shrill and annoying, as she shrieks and screeches; in her role as part of Draco's entourage she's both a mindless follower who simpers and an active participant who spreads gossip and maligns by whispering and giggling mean-spiritedly.

jkr created Pansy in the image of the girls who bullied her in her youth so Pansy has an entourage all of her own, an unnamed gang of Slytherin girls (they're always referred to as such, no further description provided) who appear in a greek chorus-like fashion to herald the bullying of Hermione (Ideal Woman and self-insert supreme).

So, what can we learn from Pansy's insults? well, for one that she doesn't like "fat little crybabies", as shown in the excerpt above. Furthermore, when she's not parroting Draco's insults, Pansy shows a single minded preoccupation with the life and looks of one Hermione Jean Granger

(from GoF, Pansy has Opinions of Rita's Skeeter's aricle)

(from GoF, Pansy is there to show us that Hermione was Beautiful All Along)

(from GoF, Pansy helps Rita Skeeter with her character piece)

(from GoF, Hermione suffers the fallout from Rita's article, Pansy is vigilant to any and all Hermione news)

We'll look more closely at Pansy and Hermione's relationship in a short while but for now let us focus on more of Pansy's barbs; I would like to take to this moment to highlight the following:

(from OoTP, Draco's gang shows up to the Gryffindor quidditch practice to do some heckling)

I find it notable that the only time Pansy insults the looks of someone who isn't Hermione it's when she makes a racist microaggression towards Angelina Johnson, one of the very few black characters in the books. While this is unquestionably vile behaviour, I struggle with interpreting jkr's intentions: does jkr even know and/or understand microaggressions? Is Pansy's insult even meant to be interpreted as racist? Does racism as we know it even exist in the hp universe?

Personally, I've always gotten the impression that the wizarding world was meant to represent a post-racial society in a very United Colors of Benetton, "I don't see race" kind of way that is very typical of nineties pseudo-liberalism, no doubt to give more space to her blood purity system (and because someone like jkr has no interest in even mentioning the pervasive effects of racism in society). Still, let's not discount what is no doubt one of Pansy's lowest moments in the books, regardless of the reading we choose vis à vis jkr's intent.

To cleanse our palates, here's a more benign insult:

(from OoTP, Harry and Cho's date is but a collection of unfortunate moments)

While I'd put the Cedric reference pretty high on the Insensitivity Scale, I find myself reluctantly entertained by Pansy's drive-by read, especially because Harry IS a garbage boyfriend to Cho.

What else do we know about Pansy's personality from the books? For one, that she likes unicorns but considers showing it outright to be undignified:

(from PoA)

We know that Pansy is made a Prefect in OotP and, while the books never specify the parameters used to choose Prefects and Hermione implies Pansy wasn't chosen for her smarts ("she's thicker than a concussed troll" is the actual quote, though Hermione's objectivity is questionable), we can assume that, at the very least, she is somewhat of a leader among the Slytherin girls (on account of the aforementioned gang).

Finally, we never hear Pansy's opinion on blood purity although it's safe to assume that it's not terribly progressive on account of the company she keeps.

PART 3: PASSIONATE PARAMOUR

While the books never state conclusively wether Pansy and Draco are ever a couple (in fact, neither of them says a word about the other in the books), we know both from statements jkr has made irl and from the in-universe characters' opinions that we are supposed to treat them as a couple of sorts. The evidence for that is as follows:

Draco is implied to exagerate the extent of his Buckbeak injury in order to garner sympathy from Pansy in PoA:

Pansy is Draco's date to GoF's Yule Ball

the infamous carriage scene in HBP:

and

and

Ron assumes that the boasting witnessed by Harry on the train was done in order to impress Pansy.

and

Regardless of wether you want to read their relationship as romantic or not, Draco and Pansy clearly hang out together a lot from the ages of 13 onwards; Pansy is often mentioned as part of Draco's posse together with Crabbe and Goyle and she's further shown as an active participant in his various schemes, most notably in the popularisation of Weasley is Our King:

(from OotP)

Pansy appears to have a genuine interest in Draco's wellbeing as shown by her concern when Draco is injured by Buckbeak in PoA:

and

Pansy if further shown to be understandably upset when Harry guts Draco like a fish in HBP:

So we can conclude that, although we have no idea of Draco's feelings, Pansy feels authentic affection for Draco.

PART 4: HERMIONE HATER?

Pansy is positioned as sort of the Female Draco: while Draco's job is to antagonize Harry and Ron, Pansy is there to deliver the Girl insults to Hermione, the Girl One of the trio. While jkr's intention was no doubt to paint Pansy as a straightforward bully, her singleminded interest in Hermione displays the same pigtail-pulling connotations as Draco's behaviour throughout the books.

Their first exchange comes by courtesy of Hermione, who hits her with her trademark condescension, which seems to specifically drive Slytherins mad like nothing else (the first "mudblood of the books comes as a direct response to one such occasion):

(from GoF, Pansy enjoys the potter stinks badges, hermione begs to disagree)

Following this exchange, we start to see Pansy engage in your typical Mean Girl behavior, which, apart from the preoccupation with her looks shown above, also includes laughing at Hermione's expense:

(from GoF, Hermione was hit by a stray curse and her teeth grew to a comical size)

and

(from GoF, Pansy shows hermione the infamous "harry is in love with Hermione" article by Rita Skeeter, which features a quote from her)

While we never see Hermione respond in kind (since her preferred method of dealing with bullies is the could shoulder), we know that this behavior definitely colors her opinion of Pansy

(from OotP, Hermione is displeased when Pansy is made Prefect)

and

(from OotP, Fred and George's departure from school left a vacuum in the prankster hierarchy and all manners of students jumped up to fill the spot)

All in all, we don't have a very precise read on the relationship between the two: do Pansy and Hermione exchange barbs whenever they meet? are they enemies or is Hermione a sainted martyr suffering in silence (on account of her moral superiority)? Just how closely do they parallel Harry and Draco's rivalry? You decide.

PART 5: PANSY'S POLEMICAL POSITION

Finally, we come to Pansy's Big Moment

(from DH, Pansy says the quiet part out loud and is banished for it)

During the Battle of Hogwarts, Pansy displays the ultimate act of Evil (in jkr's eyes) by not behaving Bravely when faced with an impossible decision. To give context, Voldemort has just given the students of Hogwarts a way out of the whole mess:

Personally, I hate this scene. Pansy doesn't know shit about just how essential Harry is to ending the whole shebang; furthermore, she's just a scared student living out her own version of the trolley problem and yet the narrative frames her (imho) understandable reaction not only as unforgivable cowardice on her part but has a condemnation of Slytherin house as a whole.

I hate how the Hogwarts student body is alternatively portrayed as a mindless horde whose opinion can be swayed by the faintest of rumors (as seen by public opinion turning on Harry in CoS, GoF and OotP) and as a prop to show the Right Way. The Hogwarts student body is essentially pulling a Spartacus moment except their reactions are somehow neatly divided into Houses: it's not some individuals who choose to react bravely and motivate the rest, its the Gryffindors as a whole, moving like a single-minded hive, who influence the other single-minded hives of Hufflepuffs and Ravenclaw. The individuality of all of these people is ignored in service of an impactful scene and the one person who shows a dissenting thought is summarily removed (together with the Evil Slytherin hive, which did not express any opinions but is nonetheless blackened by association).

jkr's bullshit black-and-white worldview rears its ugly head here and what could have been a genuinely moving moment of student solidarity - showing people from different backgrounds coming to the defense of Hogwarts together - becomes a condemnation of those who dare oppose the righteous horde instead.

In a moment in the books that feels very biblical, the non-believer who dares doubt the Savior is shunned and summarily dealt with (which opens up a whole can of worms about the Jesus-ification of Harry that I'm not prepared to go into). Pansy is merely a prop in this scene, a stand-in for the whole of her house, yet I appreciate her very human reaction: she's the only person in that room to show individuality, expressing the fear and doubt that most people would feel when placed in a similar situation.

I appreciate how Pansy goes against the grain in one of my least favorite scenes in the whole books but I acknowledge that her big moment is not really about her, nor does it tell us anything about her character that we didn't already know: All Slytherins Are Evil and the best they can hope for is to just be slimy and opportunistic (à la Slughorn) instead of straight up villains.

PART 6: PERSONAL PERORATION (or: I really shot myself in the leg with the whole alliteration thing)

So, what did we learn kids? First of all that the Pansy in the books, as intend by jkr, is an irredeemable, uninteresting shitstain, less of a fully-formed character and more like a vaguely defined caricature of a Mean Girl.

While my instinct is to go against this cartoonish portrayal and attempt to read some complexity in her thoughts and motivations, I acknowledge that, to some, Pansy is forever tainted by the harsh way in which she's depicted and therefore will forever remain unlikeable. Personally, I find myself drawn by characters with seemingly nebulous motivations and, since I don't share jkr's shitty deterministic worldview, I can see scenarios where she grows as a person; I enjoy seeing different explorations of her characters in fics just like I enjoy reading about her fellow b-team villains in general.

Choose the path that sparks the most joy for you and live your truths my friends, ignore this primer completely or allow it to change (or reinforce) your opinion of Pansy, your feelings are valid regardless.

xoxo

[utilitycaster]

I'm glad to see you mentioning how disconnected the PCs are from Marquet! I'm a little surprised that I haven't seen more discussion of this in the fandom at large (although maybe I'm looking in the wrong places), since it was a point of discussion at the very beginning of the campaign in a couple of private PoC tabletop/LARP groups I was in. The consensus in the aforementioned groups at the time was that maybe the cast didn't feel comfortable representing characters coming from cultures that were explicitly based on real world PoC cultures (but the decision to have almost everyone be an "outsider" in a PoC-coded culture had unfortunate Orientalist overtones). This was very, very early campaign (like e10 maybe), though, before we really knew the trajectory of the plot (or that they'd spend so little time in Marquet).

It definitely came up a lot early on and I think a lot of the people who felt this either left Campaign 3 quite early and said "this isn't working for me" or else said, as I did, that it is what it is.

I think my issue here is that like...Imogen and Dorian are the only Marquet-born characters and while I have complicated feelings about how people see Imogen (see my previous comments about the bizarre bordering on creepy glorification of a very white-coded Southern culture that have spread into like...white anglophone but not United States portions of the fandom) she and Dorian are both very much coded to North American cultures (Imogen, accent aside, honestly fits any rural agrarian portion of the country and honestly reads closer to the great plains than the south, and Dorian is influenced by Native American culture). I actually do think that Taliesin did a good job making Ashton feel like they were part of Bassuras (and they aren't from there originally, but did grow up there culturally), but the fact is I've seen multiple people ignore that "Bassuras" is specifically taken from Tagalog (and that Makenzie de Armas was one of the Marquet designers) and hc it as Central American rather than Filipino despite Matt explicitly saying it's the latter.

I do think that the answer, if the cast was not comfortable playing Marquesian characters (and I am not a POC so take this with that grain of salt, but I also think, with some effort and some sensitivity work, they could have done so, particularly since Marquet is inspired by but not one to one), the answer should have been to either be clearer this wouldn't be centered in Marquet and would simply start there which would have lowered those expectations and to perhaps plan an EXU in Marquet that does primarily star actors who are from north Africa, or western, southern, or southeast Asia; or just set the campaign in Issylra or something. I get that Marquet is more central and cosmopolitan than Issylra by far, but we're now in an awkward position where we might have a campaign set mostly in Fake North America; a campaign set virtually entirely in Fake Europe/debatably central/northeast Asia; and a campaign that was ostensibly set in Fake SWANA/SEAsia but really was mostly about the moon. Like, the cast doing a thoughtful but perhaps imperfect go at Marquesian characters would have, at least in my opinion, been preferable.

If it helps I think the way Matt and the worldbuilders describe Marquet it doesn't feel (to me) overly orientalist and the fandom has definitely had way more "do you see this shit Edward Said" moments than the cast, despite the fact that only half the characters had spent significant time in Marquet. Really, the narrative issue is "the characters don't feel tied to this place or invested in the same way in this plot because the plot isn't tied to this place", and the unfortunate overtones come from the fact that it was the Ostensible Marquet Campaign that got the plot that's not really about Marquet.

(as someone running Netherdeep - I will say that helps. The bulk of that story is in a lovingly and sensitively reworked Ank'Harel. I'm hoping TLOVM also does a better job than C1 with Ank'Harel.)

[mossy-green-aka-ferrythem]

I really do love how Ishmael and Heathcliff really don't squabble anymore after their respective Cantos. Hell, I think their understanding of one another has made it so Ishmael has even stopped making the rude, but friendly remarks towards Heathcliff. I think it's the kind of thing where she probably saw it as a bit of rough friendliness before, but after seeing what he went through at Wuthering Heights, I doubt she would want to even risk rubbing salt in that wound.

Also. Their dislike of each other stopped mostly when like. When Heathcliff saved her, remember what he said.

I don't remember the exact words, but it was something along the lines of "I hated you because it felt like I saw someone who was constantly sinking."

Think of it. Sinking here means to sink into despair, to let all the awful things in life, and all the awful things that have happened to you, consume you. Ishmael as a character hit too close to home for Heathcliff, she outwardly represented something he hated about himself, and thus, he hated her back. Same goes for Ishmael. It was self-loathing made mutual loathing.

Now, that all that is handled now, things are different between them. They're somewhat acquainted now. I'm not objectively saying that the narrative is meant to be read in a romantic way or anything like that. It's just simply that Ishmael and Heathcliff have many narrative ties to each other, and hated each other for it, but now that their self-loathing is fading away, they have little to no reason to hate each other anymore. I am saying this because it feels weird for fans to vouch that Ishmael and Heathcliff still hate each other, or that their mutual hatred is a constant in their dynamic, instead of it being the way it is in the story, which is that it is a character flaw to be worked out later. Limbus Company is big on character growth, after all.

Really my big thing is that. I feel as though the reason why I post about Heathcliff and his character dynamics is just that. I feel as though people treat some earlier lines as a constant, and it feels wrong. Not only that, but a negative bias against Heathcliff as a character. Like. It feels as though a lot of unkind treatment he gets kind of reverberates through the fandom sometimes, you know? Just concerned about how people read him in Limbus more than anything.

[justmystical]

The Forgotten-5

Pairing: Lucifer x Butterfly!fem!reader

Fandom: Hazbin Hotel x Star vs the forces of evil

Warnings: Takes place before Hazbin Hotel, Alternative Universe

Navigation |six

You and Eclipsa were currently huddled up together as you listen to your mother's storytelling.

"Monsters are vicious and vile creatures, it's not something you want to be messing with my little ones. They eat our kind,Mewmans" your mother spoke with a serious tone.

"mother but what if some monsters aren't bad ?"Eclipsa voiced out and you look at her with a curious look.

What if...

"believe me little ones, I've been in the Battle field against monsters long enough to know they aren't good."

"let's also not forget...Demons... They reside in underworld.They are wretched, they live for pure darkness and pure evil.If you wondered if they can be good,sorry to disappoint you little ones, they can't be redeemed "

After that night you were terrified to the core,about Monsters and Demons. You didn't want meet any of those creatures again after that.

But Eclipsa being Eclipsa,she tried reassure you that there's nothing to be afraid of... with that you grew up contemplating what to believe...You asked a lot of the people about their perspective about the monster but you left with more negativity about them.

It only got worse when...

You were happily waiting for your mother near the Palace Gates with your sister and Father...

"I'm thrilled that mother is finally going home!"You shook your sister and she almost stumbled forward.

"n/n let go of poor Eclipse,she looks like she about her balance"Your Father scolded you and you just gave a nervous laugh.

"but Father I'm just soooo excited!i haven't seen mother in months or is it almost a year?"

Your father just chuckled at your antics,as for Eclipsa she was also happy her mother coming back after the battle, even though they don't have the same vision the still loved her dearly.

You watched as the Knights who's with your Mother during the battle came back... however you noticed someone was missing...

Where's mother?

Mina Loveberry has a grim expression on her face as she bowed infront of you...

You had bad feeling, you don't wanna assume the worst,you knew your mother was the bestest Warrior out there.

"I'm sorry your highnesses..."

No...

"Queen Solaria was unfortunately killed during the battle..."

Eclipsa gasped and your father remained silent...

"no...your lying!"everyone looked at you.

"she promised she'll come back!she promised! please! I beg you! Tell me it's a joke"Mina was disappointed in herself that she couldn't save her Queen and even telling the royal family in adding salt to the wound.

"I'm sorry..." It was all she said until you felt tears fall down from your eyes,you ran as fast as you can and didn't even looked back.

You were currently in your bed , currently staring at the wall, you haven't gone out of your room in days.

Since finding out Lucifer is a Demon you haven't gone out the Palace since. No point of going out now.

You only go out if you had to eat and have magic lessons bur Glossaryck stopped giving lessons because he said:

"you look like you some time to yourself and i also do want to blast with magic spells...."

You been accidentally hitting him because you were to out of focus,the reveal dug up some memories...

Keekee walked up to the side of the bed you were currently facing, she has the portal scissors on her mouth. Keekee knew what you were truly feeling...

"i don't want to see him Keekee...never..."you rolled to the other side and tried to ignore her.

She went infront of you again trying to convince you.

"KeeKee i said NO!!" You stood up and you yelled at her , Keekee's Ears flattened.

You noticed this and instantly felt guilty.... you never shout at Keekee,she only wanted to help...

"I'm sorry..."you flopped back to your bed and pulled the covers over your whole body.

You didn't noticed that the Plants in your room withered at your outburst.

It was the next day ,you were going to eat breakfast with your sister and her husband Shastacan.

great…

He was a selfish man,and a narcissistic idiot...

Once you reached the dinning area,you saw Eclipsa with a weak smile while Shastacan has huge grin

You raised a brow and Eclipsa just waved nervously.

"what's got happy this morning?"you asked as you sat down and your started to eat your breakfast.

"well... it appears we were blessed by the gods above"you looked confused at Shastacan as you drank your drink.

"Eclipsa has been experiencing morning sickness and appears there's will be heir born" with that you spar your drink.

"ECLIPSA'S PREGNANT?!?"

[real-fire-emblem-takes]

still on your Birds of Prey thing i have two(ish) things this time around, though feel free to ramble on other details too even if it wasn't specifically asked or mentioned first off, full permission to do an entire infodump on the ocs you have for this so far, i am very curious about all the details you got collected be it details you've mentioned before, changed, or new ones in general, again full permission for you to go nuts secondly, maybe it could be where only certain weapons allow the potential for breaking when used at advantage in the weapon triangle? like you'd have to buy a more expensive and more bulky weapon that has the benefit of being able to break weapons but again is more expensive and probably harder to wield(either just high in weapon rank or just like absurdly heavy to make it hard for the user to double) idk how well it would work, i'm not exactly known for my "making good Fire Emblem gameplay" expertise so take it with a grain of salt (if i ever dabble in fangames maybe i'll get some experience but today is not that day) (also yeah it be me again, i am also realizing i might have a double standard of wanting to hear about people's ocs in this fandom but then worrying that nobody wants to hear about my own, so i might blab on the ocs i have thus far for my au i'm working on sometime (hopefully) soon, heck i could even include some of the unnamed ones since you've even mentioned some unnamed ones yourself and i still think its cool to hear about!)

BIRDS OF PREY CHARACTER STUFF (removed everything bc spoilers lmao. if you remember then good for you)

Read as much or as little as you'd like! There is a LOT so dont feel like you need to read all of it

Anna von Ernest

Gameplay Character

Still has Make a Killing. idk anything else.

Anyway time for question 2's answer: no break bc idk how to do that in fe builder

You know her.

[gffa]

Dearest gffa, you are the only person I know whose been reading Batfamily comics. (Though I do read some of the fanfic haha). The destiel meme informed me that Bad Things just happened in the latest comics. Is there a primer to the latest drama? (Everyone seems upset). Are you ok?

Best wishes, your fandom neighbor on Star Wars Street

I assume this is about the Batman #148 leaks? I haven't seen a ton of drama (other than a couple of posts, including the Destiel meme notification that got me to go see what was happening) but if that's it, it's kind of funny, because okay. As far as I've seen (the issue isn't even out yet, so I can't read it until tomorrow, I'm only going on the leaked panels I've seen) what happens in the issue is that Failsafe-- okay, let me back up. In the current Batman run (written by Chip Zdarsky), awhile back Bruce created a super powerful robot that was meant to be activated in the case of him going rogue so that it could take him down, and it's very coldly logical, based on his patterns, so it knows him extremely well and is hard to beat. It's powerful enough that it apparently took out the Justice League awhile back (I haven't read that arc yet, so take that with a grain of salt), which means now that Failsafe has gone rogue in the current Batman series that Zdarsky's writing, Bruce is having a hell of a time fighting it, especially with his "backup personality" Zur-En-Arrh (Bruce is a paranoid shit and I love him the most) is also running amok in his head and he's fighting back against that. Back up further--in late 2023, there was an event called "Gotham War" that was basically, "Bruce has been through a lot of shit lately, so he was out of commission for several months, in that time Selina stepped up in Gotham and started training crooks to be cat burglars instead of rogues' goons, Bruce woke up, thought this was bullshit, despite that crime was down, and they basically had a turf war while Bruce was losing his goddamned mind because of what he'd been through and because Zur-En-Arrh was literally ratting the bars of the cage of his mind, and part of the fallout being that Bruce dosed Jason with a gas that basically made his adrenaline go wild any time he would do anything dangerous, so that he could no longer be in this life of crime or vigilantism, because Jason had killed a lot of people, but Bruce couldn't bear to send him to jail, so this was the only way he could live with taking Jason out of the life they lived". Gotham War was extremely controversial--I had fun with it, because it was BONKERS and I fuckin' love bonkers stuff in the "punching people in the face solves crime" genre, but a lot of people were really angry about how Jason was treated in the arc. Zdarsky co-wrote Gotham War, so this is a continuation of a lot of people's frustration and anger towards how Jason has been treated by DC especially by this author.

There's also a lot of lingering frustration and resentment in fandom because Jason is not always written well or frequently. He doesn't have his own solo book these days, half of what's written about him is written by authors with VASTLY different takes from the other half of the writers out there, and there's a lot of fanon that goes around with Jason's sub-section of fandom where I think it furthers the divide because the fic that's written about Jason delves deep into his character in specific ways that the canon doesn't match and I think it can set expectations for some fans that are just not matched by DC themselves, either because they see Jason differently or because Jason just doesn't have a lot of fans at the company itself, I couldn't say for sure. So, now comes Batman #148 leaks (it's not actually out until tomorrow), where Failsafe kills Jason and Bruce has a dramatic reaction to it, and a lot of people are furious that DC would kill Jason at all, much less with such little fanfare, after how little focus he's gotten over the last several years. The thing is, though, that Jason doesn't stay dead, he's alive again by the end of the issue (I've seen panels from later in the issue) and I'm not sure how many people are reacting just to seeing the posts flying around fandom versus how many people have actually seen the whole context. Because context is slowly rolling out, but people generally aren't soothed by that, given the lead-up to this moment. Basically, years of Jason not getting much focus in the comics + the events of Gotham War have led to a powderkeg of a situation and the contextless leaks (ie, without the panel where Jason's alive again) took a match to the whole thing. And that's what's going on, as far as I know! I personally am having a great time because I was extremely skeptical that they would actually kill Jason without any fanfare and also I like Jason as a hot mess with crunchy relationships with people and that he's done bad things and had bad things done to him/been a victim as well, so all this messy drama in the story has me living for it. (This would have been a very different situation if I'd thought Jason was really dead, but I didn't, so I'm doing fine right now. Also, my Blorbo is Dick Grayson, so I've already been through this wringer and I'm still mad at DiDio for it, so it's Jason-Blorbo's time now.)

[you-can-be-what-you-want-to-be]

People aren't mad because John/Arthur aren't canon, people are mad because the creator made fun of the fans that ship them in the Christmas special

I see… the post has been deleted

I’m just very used to being in bad fandoms where something as small as “I don’t ship them personally” is taken as a homophobic statement, and people have been saying forever if it’s not canon it’ll be queer bait, so I assumed which I maybe shouldn’t have done but with it coinciding with the “John is a child episode” it just made sense

now, I do have to say though, that while I don’t know a whole lot because I’m not on the Patreon, I was for awhile. Again take this with a HEAPING load of salt for that reason since I clearly don’t know the specific situation. Everything I’m going to say I will try to say from an objective viewpoint since I don’t know the situation and will only focus on the facts I do know.

But how is this new? For the karaoke creep special they keep calling it weird to call each other romantic terms. And when Arthur died by not sacrificing the little guy last season Harlan was ROUGH. He said anyone who voted to not sacrifice were children smashing dolls together, that they forgot the story they were in and hopefully this punishment would remind them that actions have consequences. He basically said this is your fault for being stupid. He ended up having to post a semi apology saying it’s eldritch horror story, it’s supposed to be about harshness and not knowing the consequences before hand, and that he teases his audience and that if they don’t like that this isn’t the right show for them. His phobia play through he did a bit as Arthur and John where he was like “and we are NOT doing anything in the shower no matter what the fan fictions say” “let them dream John”

I also would like to mention that word of god should be ignored in these stories and that Harlan does NOT have a PR team. Again I don’t know the situation. I don’t know if he was ad libing live, in which case he should be given more Lee way as self editing in the moment is hard, I don’t know how if he said the most vile stuff alive, or if he said something a little mean but harmless like the “no we are not doing this” “let them dream” or what. Maybe it is bad and he deserves to be roasted, idk.But making jokes about a non canon thing can be a normal thing, especially if it’s a thing people keep bugging you about.

I do know that fandom as a whole has a problem attacking people over though, being someone who frequently got called homophobic for headcanoning single characters as aro, this one specifically has already harassed him about this ship which I’m sure gets annoying, and that he has explicitly said he will poke fun on the Patreon, and that he has said Jarthur won’t happen, and that he is one guy without the means to sort through hate mail removed from situations and doesn’t have a PR team to tell him “hey this off the cuff joke is a bad idea”

all that being said, again I do not know what he said specifically. I think either way a lot of people need to reassess if this is the fandom for them. I’ve seen a lot of people only get into the show for shipping and then get mad when there’s eldritch horror and the attitudes of eldritch horror in the eldritch horror podcast. If he said something that bad then maybe consider getting out since he writes about delicate subjects and it will only get worse. If what he said wasn’t that bad and people are getting mad about being lightly teased but it wasn’t confrontational or homophobic, they might want to leave because that’s just what Harlan does, tease people, and it’s not new and will continue, especially about non canon stuff in his own work. And if you got into and are only staying for the shipping…. Yeah. If that’s the only thing you want maybe it’s time to move on.

and if you decide to stay, know that. Know and be warned ahead of time that you will be teased so it isn’t a surprise next time

edit: so I did get the full context quote and it’s literally just “we want to hang out together alone for Christmas” “platonically, as in canon” “oh of course of course.” This. This isn’t bullying. It’s a little tongue in cheek sure but the whole thing is just saying it isn’t canon. I’ve heard complaints on comments on this post about other stuff he’s done, which I don’t know much about but is also applicable. I did my best to say “either way, this is stuff related.” As someone who writes and has written things before where every single chapter people kept pushing for something I wasn’t going to write I get it. I’m not saying anything he might have done is right but I think it’s understandable at the very least, for a writer to be upset about his stuff being constantly misinterpreted and having fans try to push it where he doesn’t want it.

him reminding people it won’t happen is fine, especially when people keep accusing him of queer baiting. I still think what I said earlier stands even hearing other opinions, because although I can’t say either way, it seems like everyone who is upset says this is a repeated behavior, and if you stay you can’t be surprised by it every time. If it’s going to bug you you have to either be prepared for it to keep happening or leave.

That isn’t to say no one can be upset about anything else but this specific thing I don’t think is worthy of that. All he did was jokingly repeat canon in character (which is much better than like. Someone who keeps hinting at something and never giving it) in a teasing manner. He didn’t say anything negative about shippers, or anything homophobic, just said “hey remember kids, we aren’t into each other like that.” Which is. Fine. It’s annoying but it isn’t malicious.

If the issue is mods or his interactions with people say that. Don’t make it about him light heartedly going “don’t accuse me of queerbaiting.” it makes it so when actual issues like what people are talking about in the comments (if they’re legit, again I try to stay only in the actual content part and abstain from knowing about creators) come up no one takes them seriously because so many molehills were mountained.

If you’re pissed about how he talks to his fans say that, don’t make it about a lack of queer rep when he said day one there wouldn’t be any. Make it about the issue itself. You don’t mention that someone’s a domestic abuser for example after you say “and they have NO CHEESE in their house thats MONSTROUS who does that.” If you want to be taken seriously about a problem you focus on the thing that matters which is. Hurting people.

I guess at the end of the day I’m no one’s boss, but I am tired of not knowing what to believe or not when someone saying something like “no comment” on if characters they wrote are together is homophobia, or a character who’s been Described as a dick acting like one and then the creator gets accused of being shitty (random examples not to do with this specific fandom). If everything is a big deal that makes someone the worst when the subject is not actually hurting anyone… it’s exhausting. Idk anything about Harlan. At the end of the day I’m here for my little horror stories. But I will say definitively that I don’t think it’s bullying to say a ship is not canon and that to act like it is makes it impossible for people who actually care about morals and what someone is doing to keep the energy to stay that way without becoming part of a mob just taking people at their word.

If it upset you I’m sorry, it’s always disappointing when our take on media is dismissed, especially by the creator. And it’s fine to be disappointed. I get that. But don’t blow it out of proportion, and don’t make it about something it isn’t. If you’re upset about the quote say that it’s disappointing without saying it’s punching down. The author is dead and it’s one of the biggest podcast ships out there. If you’re upset about anything else make a post about that issue without tying it to this fun bonus non canon episode. You are allowed to be upset just and if it is about shipping: stop making someone disagreeing with you about a ship a big controversy. You can ship whatever you want regardless of canon and no one is trying to stop jarthur shippers, and if it isn’t about that stop making things about shipping if that’s not what it’s actually about.

[imthepunchlord]

Just a random question, but do you like adrien and marinette being the main duo, or do you think two other people would've been better?

Yes and no.

It's kinda complicated.

So, with my long break from Miraculous, clearing out my salt mines, and doing a gradual rewatch of the show with fresh eyes and enjoying the nostalgia of what used to be, I can say I am reminded on why, we as a fandom, enjoyed them as leads and as a pair.

There was some yin-yang potential in their dynamic, specifically playing off Lady Wifi introducing the Head vs Heart idea.

Marinette's an Empathetic Head. She's observant and perceptive, the planner and quick thinker, typically, she responds logically to what's presented to her. But she does feel deeply for others, and that empathy and kindness drives her to step up and help others.

Adrien in turn is a Reasonable Heart, at least, meant to be. He works off his feelings, goes with his gut, his wants; but he's also meant to be the emotional reason, knowing what to say to ground those that are getting caught up in themselves, offer support and direction, one they didn't consider or see before.

It nicely places off that theme that there's a little bit of the other in the counterparts, which is why the two halves have those dots, a little bit of yang resides in yin and vice versa.

And between the fluff and the snark and the support/loyalty they do offer each other, that potential for them as partners and users for the Cat and Ladybug is there.

Unfortunately, the writers' bias and stubbornness ruined that dynamic. What's meant to be a partnership of equals never becomes equals. Adrien never steps up as a leader and shares the weight of responsibility, and Marinette never feels like she can ease back and trust others to handle things, making her feel like she has to solve everything and be THE solution.

There's also the factor that they decided to prioritize the romance over the friendship, which did not really help Adrien as a hero as he focused more on his romantic pursuits than being a hero, flirting at the wrong time, not taking anything seriously... it was a bad look. And then Adrien and Marinette as civilians, despite being stated to be friends, I kinda question if they truly are. Adrien never actively goes to hang out with Marinette on his own, most of the time, there's a social expectation for them to hang out as civilians, or a favor is involved.

One of the aspects that has a romance work is having a good friendship to be that foundation. But the writers don't value friendship, not between actual friends and not between the love interests.

And the third issue is their means of growth.

Thomas, unfortunately, echoed the idea that girls grow through suffering. So Marinette's growth is just having the narrative against and giving her a hard time and she just can't win no matter what she does. Damned if she do, and damned if she don't. And I got to see that she developed anxiety and has an Atlas Complex and is very stress and just...

And with Adrien, he's just stagnant. He doesn't get involved in his own plot. He doesn't step up to the responsibility of being a hero, nor does he seek to share the weight of leadership. He's handed things on a silver platter, is allowed to be upset and petty and recklessly use his power.

And all of these factors just throws a big wrench into the potential of their partnership and them as leads and as the Cat and Ladybug heroes.

Better writers can make them work. And I bet there are a lot of good fanfics out there that have made them work.

I can see that potential and promise there. It's just really poor execution that ruined it.

I also will say, personally, I do think narrative wise things would flow better if they had a kwami swap at the start. Though, this is largely working the direction canon did go and I can see how a kwami swap could've combated that.

Plagg is set up to be the ideal foil to Marinette and have her grow, as she's too much of a giver, overthinks, piles too much on her plate, and struggles to put herself first. Extra bonus that they could've been a hilarious duo to see.

Tikki's big appeal with Adrien is that she would've gotten him involved in his own plot. Would've pushed for him to figure out who he is, what he wants to do, to be more involved if not be the leader, and to think more before he acts. And there could've been some good fluff as Tikki fills the void his mom left, as she can be very affectionate and supportive.

There's also the factor that Adrien needs someone to straight up tell him when he did something wrong or uncool. Anything that's a vague hint that Plagg occasionally gives just goes over Adrien's head or is ignored.

And there is that big appeal of shifting up the dynamics. Canon's issue is that Marinette and Tikki are initiators, while Adrien and Plagg are reactors. Mixing up these dynamics would've done wonders for their characters and interactions.

So, yeah over all, they can and could've worked as leads and holders of the Ladybug and Cat. The writing just really screwed them over. Though, I will say, doing different leads for Ladybug and Cat isn't an impossibility either.

[seasurfacefullofclouds1]

I don't mean to clog your inbox but I've been thinking a lot about parasocial relationships and nostalgia. 

The same people who call One Direction boys are the ones making Tiktok's featuring clips from 2011, same people insisting these men are best friends/brothers even though there's little evidence that most of them have any current relationship. It's the same people criticizing Sabrina Carpenter, a twenty-five-year-old woman, for simulating sex on stage because they still see her as a Disney Channel star.

It's been well documented that fame at a young age is incredibly toxic. I wonder how damaging it would be to the psyche if in the public eye, you're never allowed to grow up, to evolve, to make real adult mistakes and decisions. Never able to distance yourself from the past. 

One Direction was one of the first true parasocial bands in the social media era. Everything they did was packaged and marketed to the fans. It's so clear now how artificial it all was. It's not to say there wasn't real love, care or brotherhood between them, but nothing was organically developed. These weren't five guys who found each other and created lasting friendships. They weren't even allowed to be their true selves (Zayn marketed as mysterious, especially when he was actually goofy and mischievous in the earliest videos, reeks of racism). Even if there were real relationships (Larry - whatever it actually was) they were exploited and marketed to death. 

Every article about each of them since that time, especially since Liam's death, mentions the band. (With the exception of Harry since his team has successfully distanced him/destroyed the others. Although I expect he won't be able to avoid this as much now because the media loves to exploit tragedy). Imagine being linked to a coworker/friend/frenemy from a decade ago when you've changed and accomplished so much as an individual adult. I think it would fuck with anyone's head. 

Anyway this is a long ramble. It's just fascinating to see how tied to the past, to false relationships, we all are. 

The funny thing is we don’t even see some of the effects of parasocial relationships because of our tunnel vision.

Every time Louis is between projects or just “waiting,” the fandom goes stir crazy and we go through very predictable cycles. It’s happening right now.

First, we worry about Louis’ health. The benign side is joking about whether he’s drinking enough water or sleeping enough, or wondering if he’s on vacation. The malignant side is making up rumors about Louis going to rehab (which is deeply sadistic if you think about the 1D history).

Next, either we argue with 1D subfandoms or we make up fairy tales about how close they are now based on grainy 2011 videos and Louis seen within 2 feet of an ex-bandmate.

Next, we see fake receipts from someone’s sister’s boyfriend’s uncle’s ex-wife’s cousin about Larry sightings (“they’re not even 1D fans,” “they have no investment I swear,” “I’ll have to ask for more details,” “they don’t even know Louis but described his tattoos with alarming accuracy”), Louis sightings, outrage about Freddie, 1D rumors, “take it with a grain of salt but I choose to believe.” Blah blah blah. It’s all been done to death.

Next, leaks of songs and lyrics. (Just wait a few months.)

The thing about parasocial relationships is that it affects not just fans, but the 1D men and their families too. It defines them as much as it defines us. Because of this relationship, the 1D guys cannot live a private life— even if they could, they don’t know how to do it. They’re irreversibly fucked up.

We see the same thing in most of the Disney stars like Miley Cyrus, Selena Gomez, the Jonas brothers, and Demi Lovato, and in Justin Bieber— the fact that their peak fame is almost imprinted onto their future selves, the fact that their acting out and transgressions can never be truly forgotten (the fact that they’re still being judged based on their perceived innocence or purity and cancelled for it).

We see it in every person whose childhood was put in front of a camera and broadcast to millions of people. The rate of psychological disorder, of depression, anxiety, eating disorders, addiction, poor sleep, and somatic illnesses is astronomical.

[mythoughtsandrandomcr4p]

Life is Strange: Double Exposure- Initial thoughts

So. I bought the early access version and want to give my initial thoughts on this game, having played Chapter 1 and some of Chapter 2.

PLEASE DO NOT READ AHEAD IF YOU DON'T WANT TO GET SPOILED!! YOU'VE BEEN WARNED!

First of all, the biggy. The huge issue everyone on social media and who has seen spoilers/played the game is ranting about right now. Some people (actually, a lot of people) are even choosing to refund their purchase, or to not interact with the game at all anymore due to this...

Deck Nine have seemed to dismiss the player's major choice from the ending of LIS 1, where we either chose to sacrifice Chloe or Arcadia Bay. The way they chose to (pretty lazily) write in how Max and Chloe broke up- (via a letter from Chloe, if we chose the 'we broke up' dialogue option at the start of this game)?.....a pretty shitty decision, and, for the majority of fans, seemingly a deal-breaker. A lot of fans are also disappointed in Chloe seemingly not being in this game at all...but I'll write more on that in a sec.

As for my opinions so far...I'm not gonna lie, yes I was a little disappointed and I can fully appreciate why so many people are hating, but it was something I could personally look past (even though I chose bae over bay). Firstly, the trailers and teasers leading up to this early access release pretty much set my expectations for this going in- that Chloe would likely not be a main part of the storyline at all, and that the major choice made at the end of LIS 1 wouldn't be, either. Okay, yes, the writing connecting this game to LIS 1 could have been a lot better. But...

Max is much older, and the story is centred on her time at Caledon, with new friends, a new setting and a new storyline. I went into this game really excited about all of these new things, instead of having my heart set on a game centred around the continuation of LIS 1.

LIS 1- related things aside for a sec... I LOVE the new setting, it's really gorgeous, I love the design of the university and all the new characters we get to meet, the soundtrack is amazing, and I'm just having such a blast playing this game. It's so cosy. And it certainly keeps the charming, cringe-at-times but hilarious dialogue and vibe we get in every other Life is Strange game, and I love it so much. The characters are all pretty unique, too, and I am quickly growing attached to some (and already hating others...lmao). Max's new ability to switch between universes is really well-done. I love using it and seeing all the, often subtle, little differences that really add to the atmosphere and the story-telling of the game imo.

So...personally I am really enjoying Double Exposure so far!

Back to the whole 'Max and Chloe' thing... it feels as though the game could (take this with a pinch of salt) go a certain way in regards to Chloe. I have a theory (a VERY far-fetched one, but a theory, nonetheless). If there is a chance of them actually having Chloe be in this game in Chapters 3, 4 or 5, it might just redeem a bit of respect back from the fandom. I don't think they will, but something in the back of my mind, a slither of hope, if you will, is saying that they might just do this...

So, in Chapters 1 and 2, Max finds polaroids that neither her in the 'Dead World' or her in the 'Living World' have taken. Suggesting that there aren't only two alternate universes. Now, all of these other alternate universes may have only 'opened' to Max in the present, but surely they aren't only influenced by what has happened to Safi. What if an alternate universe, perhaps the one that these mysterious polaroids are from, had Max and Chloe's relationship (or breakup) happen differently? Who's to say that we won't get a sudden, unexpected change in a future chapter where Max and Chloe meet in an alternate reality, where they didn't break up, or where they did break up but differently, or something like that?...I don't fucking know. I'm rambling lmao. I don't want to give false hope. Maybe I'm clutching at straws atp. But in LIS 1, remember when they (Don'tNod) completely baffled us with the whole, sudden 'polaroid time-travel, William being alive and Chloe ending up disabled' reality? If Deck Nine really wanted to take that kind of route with this game, this would be a hell of a way to do it. Take a sudden turn in a non- early access chapter, have people fooled, and all that. But this is Deck Nine- they have a 'reputation', and maybe they just fucked up.

Unless I've missed a crucial point of LIS 1 or LIS: DE where this just would not be possible (?), I just can't help but think that there could still be a little bit of hope for the people who wanted to see Chloe, or who are immensely effected and disappointed by how her and Max's relationship played out according to this game.

Probably not gonna happen, though. Just food for thought. If nothing close to this happens then I'm still going to fully appreciate and love this game either way, as I already currently am.

This is a hell of a waffle, but I just wanted to get all my thoughts down. Would love to hear anyone else's opinions on this whole thing. Do you like this game? Are you avoiding it now after hearing 'the news'? Do you hate Deck Nine? Are my thoughts on a potential turn-around completely wacko? lol. Any and all opinions welcome!

(also, I stream on twitch occasionally. I've been streaming some LIS:DE early access, but I play all sorts of games. if thats your thing and you wanna check out my twitch, my channel is 'splritwolf') :)