#this is….. an essay

[wellwhatnowlove]

“He looks down at his feet, searching for words. When he finds them, he looks up at me with the raw emotion of his father, but without the anger or the pain. “Mother, your inheritance was guilt. Father’s was surrender. Because of you, because of Father, mine is struggle. That is better than guilt. It is better than surrender. I do not blame you. I thank you. You never pretended the world wasn’t broken, even when a broken world favored you.”

Light Bringer, pg.144

I GOT TO THINKIN TODAY ABOUT WHAT PAX SAID ABOUT HIS PARENTS’ INHERITANCE AND I HAD A REVELATION. okay sorry VERY LONG WINDED ESSAY BELOW. (Light Bringer spoilers too)

If Darrow’s inheritance has always been surrender and Virginia’s has always been guilt, then Light Bringer is a study in how they’ve swapped those burdens, and both grew immensely because of it. Virginia is forced to face the reality of surrender to keep Mars from falling. She must learn to sacrifice lives on an unimaginable scale. She literally has to surrender Phobos in order to hold Mars and save lives from a bloody battle over pride. She routinely seeks out the injured and dying to confront those she sacrifices. It’s heart breaking and hard to read at times, but not once did she not feel like the character we grew to love. She stays true to herself while mentioning multiple times that she now understands Darrow’s plight more than ever from the last decade.

Then on the flip side, Darrow is forced to reckon with his insurmountable guilt when he is put on trial before the daughters in the rim to answer for betraying them in order to secure a victory for the core rising/republic. He talks about how that guilt put a wedge between him and his family. That guilt made him feel unworthy of love, and, therefore, unable to properly express his love to those he would give everything for. This mirrors Virginia’s past struggle with one particularly potent example being her inability to believe that Darrow could love her after he reveals his true identity as a red in the tunnel under Lykos at the end of Golden Son. She says

“They are my family!” she shouts, face collapsing into grief. “My father hanged your wife. He hanged her. How can you even look at me?”

I think it’s this guilt (and probably some feelings of utter betrayal, panic, and overwhelm) that led her to leave Darrow in that tunnel and indirectly led him into the Jackal’s trap. Which I’m sure she also feels immense guilt for. But I think a large part of her journey off page and into morning star is her coming to terms with that guilt. In confronting it she learns to be vulnerable with Darrow again and comes to accept that he loves her despite the insane complexity of their history. This culminating with her leaning into her understanding of her part in the society and realizing that it puts her in a place to make a true change. All of this accomplished with an education in immense humility, flexibility, and compromise. Which is the lesson Darrow grapples with and I think truly leans into throughout this book. In a way, he is forced to reckon with how his guilt drove him away from Virginia and Pax and even veered him away from Eo’s dream.

I think on a character based level, this will exponentially strengthen their relationship when (please please Pierce) they finally reunite, and will make them a more formidable pair than even before. They now understand each others struggles in such intimate ways that idk if anyone can stop these two.

Then, on a plot based level it speaks to the larger themes of resilience, understanding and the fight for humanity. Virginia finds strength in surrender and Darrow finds redemption in humility and compromise. 

Then, add in some struggle, grit and pixie dust (and a cool head tattoo I guess. WE SEE YOU OVER THERE PAX AKA ADEPT AUGUSTUS. HELL YEAH KEEP IT UP BABY WOO) and the rising might just have a true shot. Not only at victory, but at redemption and continued effort in the name of what is just and good.

[soracities]

"Absolutely no one comes to save us but us."

Ismatu Gwendolyn, "you've been traumatized into hating reading (and it makes you easier to oppress)", from Threadings, on Substack [ID'd]

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[francisforever2014]

how it feels knowing that loneliness is still time spent with the world

[ofswordsandpens]

idk why people get super pedantic about the movie logic in Home Alone and start and try to pick it apart, because like, its a Christmas movie about a child accidentally being left home alone, the premise isn't exactly asking us to suspend our disbelief that much, and yet nearly every single "gotcha" question I see people bring up about this film is literally answered within the first 15 minutes :/

[monsterfactoryfanfic]

if I've learned anything from grad school it's to check your sources, and this has proven invaluable in the dozens of instances when I've had an MBA-type try to tell me something about finances or leadership. Case in point:

Firefox serves me clickbaity articles through Pocket, which is fine because I like Firefox. But sometimes an article makes me curious. I'm pretty anal about my finances, and I wondered if this article was, as I suspected, total horseshit, or could potentially benefit me and help me get my spending under control. So let's check the article in question.

It mostly seems like common sense. "...track expenses and income for at least a month before setting a budget...How much money do I have or earn? How much do I want to save?" Basic shit like that. But then I get to this section:

This sounds fucking made up to me. And thankfully, they've provided a source to their claim that "research has repeatedly shown" that writing things down changes behavior. First mistake. What research is this?

Forbes, naturally, my #1 source for absolute dogshit fart-sniffing financial schlock. Forbes is the type of website that guy from high school who constantly posts on linkedin trawls daily for little articles like this that make him feel better about refusing to pay for a decent package for his employees' healthcare (I'm from the United States, a barbaric, conflict-ridden country in the throes of civil unrest, so obsessed with violence that its warlords prioritize weapons over universal medical coverage. I digress). Forbes constantly posts shit like this, and I constantly spend my time at leadership seminars debunking poor consultants who get paid to read these claims credulously. Look at this highlighted text. Does it make sense to you that simply writing your financial goals down would result in a 10x increase in your income? Because if it does, let me make you an offer on this sick ass bridge.

Thankfully, Forbes also makes the mistake of citing their sources. Let's check to see where this hyperlink goes:

SidSavara. I've never heard of this site, but the About section tells me that Sid is "a technology leader who empowers teams to grow into their best selves. He is a life-long learner enjoys developing software, leading teams in delivering mission critical projects, playing guitar and watching football and basketball."

That doesn't mean anything. What are his LinkedIn credentials? With the caveat that anyone can lie on Linkedin, Mr. Savara appears to be a Software Engineer. Which is fine! I'm glad software engineers exist! But Sid's got nothing in his professional history which suggests he knows shit about finance. So I'm already pretty skeptical of his website, which is increasingly looking like a personal fart-huffing blog.

The article itself repeats the credulous claim made in the Forbes story earlier, but this time, provides no link for the 3% story. Mr. Savara is smarter than his colleages at Forbes, it's much wiser to just make shit up.

HOWEVER. I am not the first person to have followed this rabbit hole. Because at the very top of this article, there is a disclaimer.

Uh oh!

Sid's been called out before, and in the follow up to this article, he reveals the truth.

You can guess where this is going.

So to go back to the VERY beginning of this post, both Pocket/Good Housekeeping and Forbes failed to do even the most basic of research, taking the wild claim that writing down your budget may increase your income by 10x on good faith and the word of a(n admittedly honest about his shortcomings) software engineer.

Why did I spend 30 minutes to make a tumblr post about this? Mostly to show off how smart I am, but also to remind folks of just how flimsy any claim on the internet can be. Click those links, follow those sources, and when the sources stop linking, ask why.

[simplyfroggy]

me when a movie is bad: 👎

me when a movie is good: 👍

me when a movie is mediocre:

[nyancrimew]

NEW ESSAY: anarchism starts in the now: hope for a better future

there is still time

cover art: @punkitt-is-here

[scrimmiestbingus]

I need someone to do a video essay-length deep dive into how 75% of the BG3 fandom fell so hard for Astarion's manipulative seductor act that they believe that's his actual personality. This man has to practice his lines and still fumbles them constantly. He flat-out says it's all a front because he believes his sex appeal is the only reason anyone would keep him around, which is tragic. When he drops the act, he becomes this kind of silly man rediscovering what it means to be himself, and what it means to both love and be loved. He says "I'm all pointy ears, love." while turning his head to show off those pointy ears. Let him be silly, let him be awkward! It's so much more authentic then him being a walking innuendo.

He has a mid charisma stat with a bonus for deception and rolled a nat 20 on all y'all.

[prokopetz]

The constant rolling disaster that is Overwatch's game development aside, what really perplexes me about how Blizzard is handling the broader franchise is their continual insistence that a canon narrative exists in spite of their equally continual refusal to tell anyone what it is.

Like, okay, the events of the games aren't canon. Fair enough: the games are multiplayer-only, and you can't account for player actions.

Oh, and the animated short films aren't canon either – they're properly understood as in-universe propaganda, not depictions of actual events. That's a little high concept for you guys, but fine.

But surely the comics are canon, right? Well, no; some of the comics (we're not telling you which ones) were canon at one point, but the writing team has decided to go in a different direction.

My dudes, what is left? The weird Source Filmmaker porn? Is that canon? Well, apparently it's at least as canon as anything else!

[mournfulroses]

Mary Oliver, from Long Life: Essays And Other Writings originally published in 2004

[toss-a-coin-to-your-stan-account]

being a student during peak pandemic was so fucking surreal like. "it's not an excuse to fall behind" I cannot stress enough to you how much A Worldwide Plague Upending Life As We Know It is literally one of The Top Three Reasons to fall behind

[reallybadblackoutpoems]

secrets of farming (1863) - john w. large

"yeowch augh taking damage ough eurgh"

[eggwishing]

I ONCE TRIED TO WASH THAT SCUFFED OLD THING WHILE HE WAS TAKING ONE OF HIS NAPS, BUT WHEN I TOOK IT OFF HE WAS WEARING ANOTHER IDENTICAL ONE UNDERNEATH! AND ANOTHER! I GOT THROUGH TEN MORE LAYERS OF THE SAME THING BEFORE HE WOKE UP. I WAS SO FRUSTRATED! WHERE DID HE EVEN GET THOSE FROM? THEY ALL EVEN HAD THE SAME STAINS!!

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.