#long life: essays & other writings

[mournfulroses]

Mary Oliver, from Long Life: Essays And Other Writings originally published in 2004

[petaltexturedskies]

Mary Oliver, from "The Perfect Day" in Long Life: Essays & Other Writings

[ciderjacks]

Wip

[wordswithloveee]

[ygodmyy20]

Okay I finally am getting around to this post! It's the 'Fuck how can mob psycho help me in so many ways god damnit I hate and love this show' post!

Shigeo joining the body improvement club, and everything about this part of his story is so personal to me. I just have to talk about it.

So as we all know at the start of the story, Shigeo joins the body improvement club to impress Tsubomi. Thats it. Thats the goal. He also joins because he wants to get stronger and not rely on his psychic powers but really like...the main reason is to impress her.

And this isn't new. A character wanting to get fit, lose weight, change some physical part of themselves for a crush is SO common in stories that you barely notice it.

But what I love, what I ADORE is how this progresses and changes.

This gif from an amazing AMV by @thekagepro24 and it just UGH hits me so hard it is so perfect!!! I could watch this 5 second gif over and over and over again

I just am. I just am dying while running, I just am making progress, I just am enjoying this because I really like it.

This puts everything I feel into visuals (it's so gooooood watch the AMV!!! DO IIIIIIT)

So many times society tells us to change something about ourselves, or we tell ourselves to change for the appeal of others.

Lose weight so people think you're pretty.

Get fit so you can get into clothes that make you look hot.

Get swol to make a person think you're attractive.

You are the one and only you, this is your one and only body. So why are you working out, why do you WANT to get "swol" who are you trying to impress. Is it for yourself? A crush? Society?

I have battled with the above for so long. I come from an athletic background, and did a lot of sports growing up, but I have never been small. I have battled with weight my whole life and had my own shitty bouts with ED.

I have been in therapy, I have read books, I have watched videos, I've been in and out of PT for nearly 5 years because of a lower back and hip pain that NEVER went away.

I never figured out WHY i wanted to exercise. It just always was "To lose weight" because I couldn't get that goal out of my head for years and years and years.

But then I watched mob psycho 100.

And I started a new type of physical therapy.

And was it mp100 or was it the therapy finally working, who can say which did it—probably both—but one day I thought...

....maybe I should just go for a run...for 5-10 mins. Just to see how it feels. It went against all parts of my athlete brain (because 10 mins is too short to see "gains"....which is dumb but whatever)

I thought of Shigeo and how he basically passed out every time he ran for like 2 mins, but he got better. He had to start from 0, well...kinda like negative 5 really. But then he was doing so much not even a few months in!

35 pushups is so hard!!! You go my boi.

Shigeo started off doing it all for Tsubomi, for others, and even if he really wanted to do it to improve himself I think it was a secondary goal initially. Main goal was to impress someone. Secondary was to get stronger.

But then the marathon happened. And those goals SWITCHED! DURING THE RACE! just....man it hit me. It hit me hard. THAT WHOLE EPISODE IS JUST A LOT FOR ME GOD DAMN

He ran for her initially but he continued running for himself. He continued working at it because he wanted to and in the end, after everything, after confession arc, after all that

This scene!!! makes me cry happy tears!! look at how happy he is UGH IT JUST IS SO UGGGHHHHHHH

Anyway if you made it this far, know that everyones journey through their body improvement, mental improvement, emotional improvement is different. We all have to tackle it in the way that works for us.

It took me nearly 10 years to start again because of this beautiful anime connecting the right dots in my brain.

Every journey is different, but just keep fighting on and you'll figure it out!

[doll-fac3d]

euuiuuegehh left leg nerve pain essay due in class tomorrow 40 minutes to finish it film project due in class right after also like 40 minutes to finish it oh its sooo over maybe

[godzilla-reads]

That’s the big question, the one the world throws at you every morning. “Here you are, alive. Would you like to make a comment?” This book is my comment.

—Foreward from Long Life: Essays and Other Writings by Mary Oliver

[sos-gonetolake]

Listen I LIVE for drama and I was waiting for Eloise and Nicola c to go to a knife fight about the whole, you know, plot in bridgerton and I was so underwhelmed… so when I tell you I SCREAMT when Ava came in with a big ass goofy blazer to stab Deborah back… thank you Jesus for TV and toxic friendships with sexual tension and mean bisexuals and whatever that needle drop song was. Chef’s kiss.

[haledamage]

Past, Present, Future

I was planning to write something a little more seasonally-appropriate, but stumbled across a WIP that my brain decided to latch onto instead. So, uh… Happy Life Day?

@queen-scribbles gave me this prompt in a conversation we had well over a year ago, and I’ve finally finished it 😅 the specific request was something along the lines of “LET THEM SMOOCH ALREADY DAMMIT” for Qora/Arcann, and the prompts were:

“don’t leave, illusion, too loud, or harsh whisper”

I’m not sure where exactly this fits on the timeline, but definitely later on in-game. probably post-Echoes of Vengeance, but I… haven’t actually finished that questline yet, so there should be little to no spoilers 😆 ~2.5k words, trigger warning for abuse/violence against children, because this is Qora and Arcann we’re talking about

---

“Again.”

The overseer’s stern voice echoed through the chamber, seeming to come from everywhere at once.

The training room was dark beyond the platform Qora stood in the center of, giving her the illusion that she was alone. But she wasn’t. She knew she had an audience, but who they were or how many, she had no idea. The whole Academy could’ve been watching, and she wouldn’t know the difference.

The sweet-metallic scent of blood hung heavy in the air, along with the acrid odor of sweat and the ever-present ozone tang of lightning.

There was blood in her mouth, too. Her lip was bleeding sluggishly, split by a lucky blow… five fights ago? Six? She’d lost count.

Four acolytes stepped out of the shadows to join her on the platform. They were all older than her - most of the other acolytes were - and they were all armed.

Qora tightened the grip on her own practice blades, the handles digging into her palms. Her combat stance was steady, even if the rest of her didn’t feel it.

“Begin.”

The first acolyte lunged too quickly, too eager for the kill, and didn’t have the safety of numbers to protect him. One hard strike to the jaw, and he was on the floor before the others had even started moving.

The second and third were smart enough to attack together, both rushing her in tandem. Their swords were a blur of motion, almost too fast to follow, but she managed to keep them at bay. When the larger of the two raised his blade for what was meant to be an incapacitating blow, Qora reached out with the Force and dragged the smaller one between them. The blow took her opponent out instead. After that, the other one was dispatched easily.

The fourth snuck up behind her as soon as Two and Three were down. The pommel of his sword slammed into the back of her skull.

Her vision went white. She lashed out on instinct, swinging her blade in the direction the blow had come from.

She heard her opponent hit the mat, and followed right after him.

It was over almost as soon as it began.

“Again.”

The overseer’s voice sounded farther away, hard to hear over her own too loud heartbeat. Static hissed at the edges of Qora’s vision, and her eyes refused to focus. She could feel her consciousness slipping, and clung to it with everything she had.

“Again.”

The repeated order was a threat. A concussion would be the least of her worries if she didn’t stand up soon, but her legs refused to obey her orders.

A hand appeared in what remained of her field of vision, and Qora snapped her head up. Forcing herself to focus past the pain, she followed the arm up to… a boy. 

A boy she knew--though she wasn’t sure how she knew him. 

He looked to be around twelve or thirteen, the same age as her, with the same buzzed hair that she and all the other younger acolytes had, and gentle, pale blue eyes. The fine white robes he wore were much different than the grays and blacks the rest of them had, and contrasted so sharply against their dark surroundings that he almost seemed to glow.

“On your feet, Qora,” he said in a soft, raspy voice, his words firm but not demanding. “The next wave won’t wait for you to recover.”

“They never do,” she replied dryly. Her own voice sounded unfamiliar to her ears, a Corellian drawl instead of the crisp edges of Dromund Kaas. Like someone had filed all the corners off of her accent. She hadn't sounded like that in a long time.

She shook off the thought and took the offered hand, letting him help her to her feet. He didn’t flinch away from the cold metal of her prosthetic, or from the way she stumbled as her bruised and battered limbs protested the change in position. He just held on and let her take her time steadying herself.

He only let her go once he was sure she could stand on her own. “Are you alright?”

Part of her wanted to laugh at the question, no matter how sincere it was, but she bit it back. Instead, she said, “You shouldn’t have come here, Arcann. It’s not--not safe to be around me. Especially not here.”

“Just try and stop me.” Despite her warning and his challenge in response, Arcann carefully cupped the back of her head. The pain eased immediately in a warm yellow glow and a muted hum of the Force. “Unless you’d rather face them on your own?”

“I don’t want you to get hurt.”

“That is not what I asked.”

“...No.” Qora felt guilty as soon as the word was out. It was stupid and selfish and Arcann was going to get hurt because of her, but it was too late to take it back. “Please don’t leave me here alone.”

“Never.” His hand slid from the back of her head along her jaw, until his thumb brushed her bottom lip. Another whisper of Force healing, and there was no evidence of the split lip besides the blood in her mouth. “There is nowhere I would rather be than by your side.”

There was a sound of boots scuffing against stone as someone else approached, and Qora and Arcann turned in tandem, shifting until they stood back to back. Blindly, she reached back and pressed one of her swords into his hand.

He squeezed her hand before taking the offered weapon. “You know this is a dream, right?” he murmured, as six new acolytes stepped into the light with them.

“Yes.” She knew it the same way she knew Arcann’s name, knew the difference in her own accent. “Doesn’t make it less real.”

Further conversation was halted as the overseer’s voice snapped “Begin,” and the acolytes closed in.

Qora and Arcann moved as one, staying back to back in the center of the platform. When one of their assailants rushed toward Arcann’s left, Qora spun to intercept, knowing his vision was limited on that side--or would be, someday, in a future far from this place--and caught the oncoming vibrosword with her own before it could make contact. She took that one down with a sharp elbow strike to the jaw.

A second acolyte took advantage of her momentary distraction and threw their sword, sending it in a Force-aimed arc toward her now-unguarded side.

Arcann snatched it out of the air without even looking, still holding back another two opponents with his other hand. He presented Qora the hilt with a small, playful flourish. “Your weapon, my lord.”

She laughed, exultant and a touch manic, as she swept the sword out in front of her, sending another opponent scrambling backwards to avoid it. It was the first time the Academy walls had ever heard her laughter, even in dreams.

The remaining assailants didn’t stand a chance. They were on the floor before they had time to react.

“How many more are there?” Arcann asked, when they were alone again. He hadn’t even broken a sweat yet, that first round barely enough to make him breathe faster.

“However many it takes.”

“Again,” the overseer called out, but neither of them heeded the implied threat this time. Qora was no longer afraid, now that Arcann was by her side.

“Takes for what?”

“For me to learn my lesson.” She stepped away from him toward the edge of the platform. From there, she could just barely see past the heavy darkness to the dozens of faceless, nameless acolytes that still waited for their turn. Far more of them than there’d ever been while she was a student (a prisoner, a gladiator, a slave) at the Academy.

She felt when Arcann stepped up beside her, though his footsteps made no sound. “Is this training, or a punishment?”

She laughed again, empty, humorless, bitter. “You’d be surprised how often the two coincide.”

“No. I would not.” The anger in his voice was a distant thing, an echo of past rage rather than something fresh. His hand gently covered hers, easing the white-knuckled grip she still had on the vibroblade. “This isn’t your life anymore, Qora. You don’t have to keep fighting.”

The sword fell from her hand, and she reached out to cling to him instead. “This is who I am. What I was made for.”

“Not anymore.” He tugged on her hand, coaxing her to turn around. When she did, his other hand settled over her cheek, the warmth of his touch comforting in the chill of the training arena. “It’s time to wake up.”

Qora awoke with a gasp to find herself in the familiar confines of her quarters on Odessen. The blankets were hopelessly tangled around her legs. The cluttered shelves and tables nearest the bed were in disarray from the Force reacting to her emotions, some of their contents spilling onto the floor.

Arcann’s arm tightened around her waist, and just his presence was enough to clear her mind and slow the panicked flurry of her heart. Without a word, she rolled over and pressed her face into his shoulder.

His hand traveled up and down the length of her spine, gentle and soothing but firm enough to anchor her. With every caress, the Academy fell farther away.

Eventually, she felt calm enough to pull back, if only just far enough to see his face. The look she found there was patient and understanding, embers of anger shining in his eyes but very clearly not directed at her.

“Sometimes it feels like no matter how far I travel, part of me will always be twelve years old, alone in that pit,” she confessed quietly. Arcann’s anger flared a little brighter, but he didn’t interrupt. “It was supposed to break me. So they could reforge me into something more useful. I guess in some ways, it did.”

She certainly didn’t bear any resemblance to the child she’d been before the Sith took her, that little girl who crawled through Corellian junkyards for scraps she could turn into art. Sweet little Qora, who could fix anything you brought her, be it a speeder or a teddy bear or a broken arm. She liked to think that girl might have become a healer, if she’d been able to join the Jedi like she was meant to.

Qora let her hands wander, fingertips tracing the lines of scars on Arcann’s shoulder and chest, following the edge of where warm skin and firm muscle gave way to the cool metal of his cybernetics.

“This happened on Korriban, too, didn’t it? Not long before we met.” It wasn’t really a question, and she didn’t really expect an answer, but she got one anyway.

“Yes.” He caught her hand and stopped its further exploration, pressing it flat over his heart. “And they paid dearly for it. My brother and I made sure of that.”

“Good. I hope you burned it all down,” she said in a harsh whisper. She hoped Arcann and Thexan had reduced the entire planet to ash, every tomb, every temple, every overseer, every blasted k’lor’slug crushed under the might of the Eternal Empire. “Not even the memory of that place deserves to be left standing.”

Rage burned so hot in her chest that it hurt to breathe, and she shook with the effort to push it down. Tears blurred her vision and stung the corners of her eyes, but Qora refused to let them fall. She wouldn’t give them the satisfaction of her tears, even when they weren’t here to see it.

Arcann didn't reply, but instead rolled them over so that she was on her back, his body caging her in and pressing her down into the mattress. It grounded her, forcing her out of the past and back into her own body, driving away all thoughts of Korriban and the Academy and the shadows of the training room.

He kissed her then, slow and deep, demanding her attention to be on him and him alone. That was a command she was more than happy to follow. The fire in her chest receded, replaced by a much more pleasant warmth that built and spread through her under his skillful guidance, and the tremor in her hands abated when she cupped his face between them.

It was only when the mood started to shift from comfort to desire, kisses turning heated and hands starting to roam, that Arcann broke away. He was breathing harder just from kissing her than he had been at any point in the nightmare they’d just escaped.

“They will never touch you again. I swear it,” he vowed, deep voice solemn and utterly sincere.

“I believe you.” She exhaled a long breath, releasing the last lingering tension with it, and drew him back down enough for their foreheads to touch. “Thank you, Arcann. I needed to hear that.”

No matter what the Sith Council thought, or the machinations of whoever they’d decided to blindly follow this week, she was beyond their reach now. She had no doubt that if they tried to subjugate her again, they would learn their lesson the hard way. And Arcann would be among the first in line to teach it to them.

She was grateful that he was so willing to remind her of that, when she needed it.

Qora let out another sigh and slid her hands up to the back of his neck, playing idly with the hair at his nape. It was only barely long enough to run her fingers through, but she adored it. Both for what it represented for Arcann’s healing and growth and because it was just… pretty. His hair was silky soft to the touch, and the warm caramel color made his eyes appear an even brighter blue. It warmed her heart every time she looked at him, to see this visible proof of how far they’d come.

They should probably talk about what had just happened, she knew that, but she wasn’t in any hurry to broach the subject and reopen those wounds for the second time in one night. It’s not like this was their first time sharing dreams, anyway, even if none of the others had been quite so… authentic. Dwelling on it wouldn’t solve anything.

“Do you want to go back to sleep?” There wouldn’t be any more rest for her tonight, but that didn’t mean Arcann had to suffer on her account. “There are still a few hours until--”

“No.” How he could put so much intention into a single syllable, she’d never know, but when combined with the heated look he gave her, it was enough to make her shiver. 

“Oh?” she said in feigned innocence, even as she lightly scraped her nails against his scalp. It earned her a low rumble that she felt more than heard, something between a warning growl and a contented purr. “Did you have something else in mind?”

His smile was soft, and so was the kiss that followed it; neither did anything to dim the desire burning in his eyes.

“The past will always haunt us, in one form or another.” He took one of her hands in his and slowly led it down from his neck and over his shoulder, his chest, his ribs, lingering on a scar there.

It was one Qora knew very well. And she should--after all, she’d put it there herself. During their last fight, when she’d “defeated” him. She brushed her thumb over the thin, raised line; such a small souvenir from something that had been so important.

Arcann only let her linger for a few seconds before moving on, guiding her deliberately lower. His lips grazed her cheek before finding firmer purchase on the sensitive spot under her ear. “There is no need for us to give it more power than it already has. I would rather… appreciate what’s right in front of me.”

“By all means. Appreciate away.” Her breath hitched when he kissed the hollow of her throat, ruining any attempt at keeping her tone light and teasing. She gave it up as a lost cause, and surrendered completely to him, and to whatever came next.

[petaltexturedskies]

Once, years ago, I emerged from the woods in the early morning at the end of a walk and — it was the most casual of moments — as I stepped from under the trees into the mild, pouring-down sunlight I experienced a sudden impact, a seizure of happiness. It was not the drowning sort of happiness, rather the floating sort. I made no struggle toward it; it was given. Time seemed to vanish. Urgency vanished. Any important difference between myself and all other things vanished.

Mary Oliver, from Long Life: Essays & Other Writings; "The Perfect Day," published c. 2004

[hwanghyunjinenthusiast]

.

[the-cookie-of-doom]

protip for making yourself write/edit multiple drafts, if you're a first draft-last draft person like me: write the first one by hand on paper. Preferably out of order. Then type everything up mostly the way you wrote it, editing as you go. Now open a second document and start rewriting everything again, this time in chronological order, editing again. Boom, 3 drafts out of the way right there.

[rocaillefox]

ORV SPOILERS BELOW

something something the theme of reenacting stories being the action of becoming part of them something something you only realize which story is being told and by who at the end of orv something something the act of reading a book changes the reader in turn something something the story ends where it does in order to place you, the reader, into the position of one of kim dokja's potential partial reincarnations, and doesnt fully share the end of the story in order to encourage the reader to come up with it, therefore sharing the act of creation of the story with the reader in an interactive fashion

.........something something

[todayisafridaynight]

It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.

But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.

Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.

But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!

I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!

I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!

Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.

Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?

And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.

A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.

I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.

I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.

It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.

Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time… damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.

Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.

I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.

Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.

But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.

Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)

And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.

But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.

Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.

OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!

Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)

About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!

The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.

Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.

To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.

And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.

Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.

You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.

I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.

To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.

Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!

I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.

I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.

For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.

And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3

[grandprix-ao3]

6, 10, 16

6. which ship fans are the most annoying?

haha. well. i'll say any fan of any ship that is so toxic about their ship that they will go to great lengths to vehemently deny the existence/plausibility of a different ship with one of the same characters in it. i have no problem with anyone not wanting to read x y or z there are plenty of ships i don't like but i just. y'know. don't read or interact with them! i've felt this way in every fandom i've been in: if you don't like or don't understand a ship just don't fucking engage w it. you don't need to make 700 posts about why it would never happen in real life, like, none of this is going to happen in real life. it's fanfiction. i fr read indycar rpf i have marcus armstrong x david malukas fics in my bookmarks i don't know if they've ever even interacted in real life but it literally doesn't matter bc fanfiction is not that deep !!

10. worst part of fanon

for some reason this one has severely stumped me. i honestly have no idea. maybe any aggressively believed in theory that driver a hates driver b for x y and z whatever like i can't think of anything off the top of my head but i've always hated shit like that. like when someone just Decides that their fav driver hates their least fav because it idk feels easier that way?? i don't get it. does this even answer the question

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

and i answered this one here!

choose violence ask game

[shadow-pixelle]

Today I made a terrible mistake. This mistake was starting my Literature essay.

It's due in three weeks. It's 3000 words. Ok, not bad, I can do 1k a week and have it done for the deadline.

I had a word breakdown, telling me exactly how many words I needed per text to hit the minimum so that I could be comfortable getting it done. My word breakdown was putting it at about 1250 words per text, giving me 2500 total after the texts, and then needing only about a hundred for the introduction and conclusion to hit the minimum (10% leeway, so 2700).

Then my introduction was a bit over 200 words.

Ok, no problem, I think to myself. Means I either have less to do, or I'll be more comfortably in the limits in case I need to take things out. This is a good thing. So I move on to my first text, of which I'm talking about two characters; Carmilla, with my focus being on Laura and Carmilla. I'm expecting to spend most of it on Carmilla but start with Laura anyway.

I end the Laura segment at 1263 words.

And then wrote another 400 on Carmilla.

So my essay is now at around 1800 out of the required 3000, I've still got three characters of my second text to do (which is Dracula, for which I'm doing Lucy Mina and the three vampires in the castle), and then my conclusion, all in about 1000 words.

And then it gets worse, because I don't know whether I'm supposed to count quotes or not. Or footnotes. Because I think the teacher said footnotes count, but I don't remember, and since it's the holidays I'm not going to get an answer from the teachers any time soon. But if I do count both quotes and footnotes I'm at 1968 words, which means I've got the Dracula bits, the footnotes from those bits, and my conclusion in 1300 words (because my absolute maximum allowed wordcount is 10% above the 3000, so 3300) before I need to start actually cutting things out.

Not bad for about five hours of work, though.