the-cookie-of-doom

[the-cookie-of-doom]

lost my selfish esteem

Rating: Teen & Up

Word Count: 4.9k

Summary:

Chay knows they need to have a conversation about it, about Kim chipping pieces of himself away and using them to build a shelter around Chay, that relationships aren’t supposed to function like that. Kim isn’t a sacrifice to be laid at Chay’s feet in the hopes of getting affection in return. Chay loves Kim as he is, he doesn’t need to be bought, but it’s obvious Kim has forgotten how to experience the unconditional part of love.

A/N:

A little fic as part of my multi-fandom series '100 Ways to Say 'I Love You'. The prompt this time around was "I was in the neighbourhood." (Chosen at random by @the-cookie-of-doom) And I wanted to explore the ways disagreements and messing up can also be part of a loving and healthy relationship; especially in new relationships as you work out how you fit together, and so this fic was born! Chay fucks up a little, and Kim has trouble enforcing his boundaries. So they talk about it!

[the-cookie-of-doom]

they won't tell you this in therapy but sometimes the best way to stop catastrophizing/anxiety is to interrupt your spiraling with "girl what the hell are you talking about"

[the-cookie-of-doom]

[the-cookie-of-doom]

nothinggg better than torturing an emotionally repressed character until every single trauma they've ever refused to process starts spilling uncontrollably out of the cracks. like a matryoshka doll situation of repressed trauma and baby you better believe i'm going in there with a hammer

[the-cookie-of-doom]

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

[the-cookie-of-doom]

Help, I have committed the cardinal sin of grocery shopping: going while hungry

[the-cookie-of-doom]

How to Write Vivid Descriptions WITHOUT Overloading

Are you the type of person who describes a setting by using an intimidatingly huge paragraph that just rambles on and on and on because you're told to be specific but don't quite know how to do it correctly? If you've been struggling to detail settings, you've come to the right place! I'll reveal how to effectively describe a setting without having to use one big chunk of text and shoving it at your reader!

~ LINK IDEAS TOGETHER

As writers, we hear "show, don't tell" quite often, and the same applies when writing settings. But for some people this tip does little to help because, well, it's a bit of a vague concept.

With that being said, "linking ideas together" is a great way to describe the setting without having to explain the location! What do I mean?

Let's say there's a green field and I'm trying to depict it. This method is to find another subject that could connect with the setting to further describe it. What else is green? What reminds the character of the field? What's something similar?

Ex: The field in front of him reminded him of a photo he once saw long ago as a boy. His parents were standing in a lush, grassy area void of people, hugging each other tightly and smiling brightly at the camera under the bright blue sky.

In that example, I linked the field to a picture the character found, and by using his memories, I was able to paint a rough image of the location while setting the tone!

Ex: She'd been there before. She was there when the building still stood tall. When the streets were filled with people bustling about and the air smelled like cigarettes. Now, there is no tall building, but instead a pile of debris. She hasn't seen anyone in thirty minutes, and any smell of cigarettes would've surely been washed away by the rain.

This time, I connected the present location with the past one. But instead of showing the similarities, I contrasted them to emphasize the changes and abandoned state of the area!

~ LITERARY DEVICES

The most common literary devices I see regarding setting are similes, metaphors, and personifications!

It's similar my previous tip, where you connect two ideas together, but more general. The similes and metaphors don't have to be based on a specific experience of the character, but instead something more universal so everyone can connect with it!

Personification, on the other hand, can be used to substitute verbs.

Examples:

The stars shone like glittering jewels.

The road carved into the mountain.

The flowers waltzed along the music of the wind.

These devices allow you to describe something quickly and elegantly!

~ USE ACTIONS

Arguably, the most common tip provided when describing a setting is to use the five senses: sight, smell, touch, hearing, and taste. If you're like me, though, and have NO clue on how that's supposed to help, let me break it down!

Instead of thinking about the senses directly, use ACTIONS that correlate with the senses.

Instead of saying "the wood felt tough", say "he touched the wood, marveling at the toughness of the material".

Instead of saying "the air smelled like candies", say "she sniffed the air, inhaling the aroma of candies".

Instead of saying "the city was bright", say "they stare at the city, admiring how the lights illuminate the buildings and roads.

Do you see how your description suddenly blends in with the text now that there's an action and separate subject involved? You're still effectively describing the scene, but you're not pushing it at your reader. This also makes it far easier to build onto the depiction of the moment because you're not limited to adjectives!

By utilizing these three concepts, you can build an evocative description of the setting that won't overwhelm nor bore the readers!

Happy writing~

3hks :D

[the-cookie-of-doom]

sex drive? i dont think computers have those

[the-cookie-of-doom]

which of my household appliances am i most closely related to

[the-cookie-of-doom]

tumblr you already had a “communities” feature. it’s called the beloved mutuals on my dash

[the-cookie-of-doom]

a lot of fic rec lists focus heavily on long fics but here’s a shoutout to short fics they give so much snack-size joy i hate how writing short form is sometimes looked down upon it has its own challenges and deserves so much more respect and love because a well executed short fic can ruin your life in 20 minutes

[the-cookie-of-doom]

You could deepthroat elf ears btw

[the-cookie-of-doom]

wish the human body had like a crash log or something so I could pin shit down. Why am I having a sudden spike of anxiety when I’m just sitting here? Well it looks like there’s a conflict here between my medication and the better foliage mod

[the-cookie-of-doom]

actually you know what that's exactly it i would rather someone add 5 parantheticals after every sentence than use tone indicators it's 1. accomplishing SO much more in terms of clarity 2. extremely funny to look at depending on how they're used

[the-cookie-of-doom]

When violent characters are gentle and tender & when gentle characters are violent and unhinged

[the-cookie-of-doom]

i sit down to write and suddenly i am the most distracted human alive. the chair is uncomfortable. my coffee is too hot. my playlist isn't quite the vibe. i need to research what victorian houses smelled like in 1872 for exactly 45 minutes even though my story takes place in space. and yet the moment i'm trying to fall asleep? every single sentence i've ever needed just lines up perfectly in my brain like some kind of creative parade i'll never get back.

[the-cookie-of-doom]

I fully understand why "character A is astounded at the sight of character B's penis" is a specific kink that gets tagged for, but the fact that some platforms choose to tag this kink as "penis awe" is unintentionally very funny. Now I'm picturing penis experience kink tags for all those other allegedly transcendent emotions in the glossary of your Philosophy 101 textbook. Penis faith. Penis Weltschmerz. Penis apprehension of the absurd.