#this is why i don't have a fun time in fandom

[wemlygust]

wait why are we not crossing Danny Phantom over with Jack Frost (Rise of the Guardians)? Or importing Jack along with Danny into the DC verse. Tbh I don't really care about adding any of the other Rise of the Guardians characters, nor the Christmas themes, but Jack Frost would fit so well as just a random imported character into DP x DC fics. Consider: 1 - they're both cartoon dead kids, even of a similar age.

2 - Jack Frost's "belief creates/grants power to/allows living humans to see spirits" cosmology fits neatly into the ghost zone cosmology (at least for fanon versions, idk enough about canon), especially considering that one kid ghost that adults can't see in DP, and the Guardians all having "centers" that sound a lot like "cores". In this context, Jack Frost is perhaps a cross between a regular dead-human ghost and a neverborn? Like he died under his lake, and when his ghost formed it got all tangled up with the concept of winter/a nascent winter neverborn's formation, with the result that he's sorta the ghost equivalent of an irl human chimera (the result of twins merging together at an early developmental stage, resulting in the final human having different DNA in different cells/body parts but still being a single person). 3 - they'd make for fun friends or maybe frenemies or rivals I think.

4 - they both have ice powers.

5 - they both have a mega big bad enemy with a stupid/blatantly evil name - Pariah Dark and Pitch Black. They're so similar!! Like why not just chuck this third dead kid into the dp x dc mix? We could have, like, a triplets Danny & Damian & Jack Frost situation? Or a "both Danny and Jack Frost independently show up in Gotham at around the same time for different reasons, resulting in lots of confusing rumors and maybe a spider-man pointing meme" situation, maybe with extra "Dr. Freeze is concerned by the sudden influx of teens with ice powers into Gotham" situation. Heck, maybe also throw in the Todoroki family kids (My Hero Academia). Maybe Dabi and his sibs form a brand new Gotham mafia. Or just add the kids with ice powers only, and have an ice powers mega-crossover with all the fandoms featuring ice powered-characters you can think of. Freeze Gotham! I'm losing the thread here but anyway. Jack Frost x DP and/or DP x DC x Jack Frost. I want it.

[echantedtoon]

A Lovers' Circle (Poly Haishira x Reader) Ch15 Setting Hearts A Blaze

(There'll be a small time skip as things will be repetitive until we cut over to the Rengoku household.Plus a funny meme I made for fun.)

Taglist: @shadyd3ar @jcrml

@tengensangel @miniverse-zen @mysteri0uz @jjamsbangtan

@the-unknown-fandom

@lavenderdropp @mimisweetz. @purplesoulsapphire

@kksmush @denkpanda18 @whomisi @lessthanimperfect @silver-rin

@rotting-alone @namis-noodlebox

@k1ttyluverz @akiramente

@rascalraccoon @ravenclawkae1

@gilded-sunrays @crescent-blades

Remember if you want to be added to the taglist lemme know

The sounds of traffic and wheels on the road was all that filled the early morning air as you stifled a yawn threatening to leak out of your mouth. It was rather early but you promised to drive your Aunt to the airport the day after Halloween. You hadn't gotten much sleep the night prior staying late at the party and spending a lot of time removing glittery make up on your skin. On top of that you were going to be a little late for work because of said trip you had to take.

"Thank you so much for dropping me off, Hun. These late night readings are killing my posture," your aunt said stretching out an arm. "Now I know why women my age get grey hairs! HAHA!"

You rolled your eyes at her joke before slowly coming to a stop at a stop sign. A giant suitcase was behind her in the passenger seat and you were ninety nine percent sure it was mostly packed up with fliers and other business promotional things. Not something you thought would be taken to a wedding but then again you  were talking about your aunt here. Nothing she did ever made sense.

"It's not a problem. And I did promise I would." Turning on your turn signal, you turned left going on down the road where you could make out the airport just a little bit aways. "When are you coming back?"

She waved a hand. "Two or three days from now. I'll call a taxi when I get back don't worry. I just appreciate you being nice enough to take me." She then smiled at you before reaching out to ruffle your hair like a kid. "You're a good kid. Now I can see why that big teddy bear likes you so much!"

"Not while I'm driving," you waved her hand off but smiled. "But I guess so. I feel so lucky to have him after everything that happened. It was like life finally decided to stop making me it's punching bag ....At least when it comes to dating."

The older woman smiled more. "He's a good one. I predicted a happy healthy like for you two."

"You mean when you read his palm without asking him first?"

She shrugged. "He didn't mind and everything I saw was predicable anyhoo- You still haven't let me read yours."

"Because I don't believe in those things no offense. Besides the last time you read my palm, you said I would 'be so beautiful many men and women will fall for me'." You rolled your eyes again putting on your turn signal again before slowly turning into the air port's parking lot. "And that was five years ago get it still hasn't happened."

"Give it time! My foresights always come true sooner or later." She smiled despite you sighing in response. "WHELP! Looks like I've got a date with the skies! See you in a few days!" She had just grabbed onto the car and was about to open it and step out-

"Wait!" In question she turned back around with a raised brow at you as you started patting down your clothes and frantically digging around in your pockets until you eventually pulled out something. Well a lot of somethings. "I need your help with something."

"Oh?" What she thought was a deck of cards, was actually..a deck of cards but not the playing card variety. It seemed to be a stack of business cards that was held up to her.

"There's someone who's loosing business really badly. He runs a dojo somewhere around here and I feel like I want to help him. I know you're pretty good at networking and know everyone there is..Do you think you can help?"

The softer eyes of the older woman eyed you in interest before glancing at the business cards. Taking them with a hum and eyeing the words inked onto their flimsy cardboard bodies... Before she smiled. 

"I think I can do something with these. I'm surprised you want to help a stranger so badly."

You shrugged. "I don't know why I want to...it just feels like the right thing to do. Plus he's one of Gyomei's friends. It might be good to try and get along with them."

Your aunt hummed again and you flinched as she suddenly grabbed your hand. Looking at the palm very closely and her brows rising in some kind of realization. "Interesting."

"What is?"

"Oh, nothing.~" She giggled dropping your hand and waving you off. "Don't worry about a thing honey. Just leave everything to me. By the end of this month, everyone is gonna flock to ya!"

Your face turned to confusion. "What's that supposed to mean?"

"Oh you'll find out soon enough. Oh. Look at the time! I better go before I miss my flight. You better get going before you're late too."

You hadn't the foggiest idea of what your eccentric aunt was talking about but shrugged it off as her being eccentric again. With he out of your car, you just made the long drive back home and to the college where you were unsurprisingly late and trudged yourself into the daycare tired and sore. Hopefully the children behaved especially good today so you wouldn't have to worry about anything else other than being scolded by your boss. 

"You look sleepy, Ms. Y/n," one little girl pointed out as soon as you slowly walked into the large playroom trying to tie your apron in the back.

....Yeah. Today might be a very long day for you. 

Unluckily the comment made by the little girl, whom you gently shooed to go listen to a story someone else was reading to other kids, was not missed by your boyfriend who looked up from where he was wiping glitter glue off a toy someone dropped on top of the arts and crafts table. You couldn't help the tired sigh that escaped you as Gyomei was quick to walk on over and you felt his form practically loom over you as his head tilted.

"You're tired." It wasn't a question, it was a statement that you winced at. 

"A little bit."

"I thought I asked you to stay home if you didn't get enough sleep."

You waved him off despite the fact that he obviously couldn't see you. "I'm not gonna pass out. I'm just a little bit tired, and I have things to do today."

"Such as?"

Working? Getting today's notes from Giyuu, the project you have with him, and you promised to bake a few things for everyone.  Not to mention grocery shopping, bills, cleaning up your house-

You jumped as a large hand suddenly tilted your head back up towards the staring white eyes. "None of that." He spoke as if he could literally read your mind. "After work I want you to go right home and rest. I'll inform Shinobu and Tomioka you won't be able to make the appointment today."

"W-What? But I promised them I'd do it with them not to mention that I also-"

A warmth presses against your head making you instantly turn red and a few little kids gagged and closed their eyes at the sight. One pointed at you both with a disgusted face.

"Ew, Mr. Mei! That's cooties!," she accused him to which he chuckled at her and smiled 

"Perhaps so. But I meant what I said." You were wide awake now as he patted the top of your head. "Go home and rest. If you don't I'll just take your keys and carry you home myself."

"Yo-Yo-You're bluffing!"

He hummed. "Am I?"

You decided against wanting to see if he'd actually do that and quickly scurried away when one of the younger toddlers cried out in frustration at his building blocks falling over again and again. His chubby little hands and waddle walk keeping knocking over the blocks he did stack up again and again. You'd have to console him and played with the little guy to make sure he was having a good time. 

Things weren't really too much different for the rest of the day. You did your job and helped to start clean up and check out the kids as their parents started arriving. However you didn't see Sanemi turn up. It wasn't even Kanae. Or Giyuu or Shinobu or even Mitsuri whom you were pretty good friends with by now. Instead you were treated to the sight of a tall and visibly muscular man whom walked in through the doorway. Orange hair framing his brightly smiling face and just as fiery eyes blinking around until they settled on you.

With a beaming smile he walked right up to you and you blinked as he stood before you. "HELLO, Y/N!!"

You winced at the high volume but still smiled. "Hi, Kyojuro." You greeted the positive man. "What are you doing here?"

"I've been sent to fetch Koto!," he proclaimed hands on his hips, "Sanemi's running late with his tutoring classes so he asked me to come get Koto for him!"

You blinked. "Really? I don't remember Sanemi telling me this and it's policy to call ahead of time for alternate pick ups."

His head tilted like an owl. "Really? He told the front desk lady this morning."

Oh right. You weren't here that morning. You held up a hand. "Let me go ask real quick. No offense. It's just part of the job."

"NO OFFENSE TAKEN!!"

You still chuckled despite yourself and left for just a few minutes. Confirmed with a coworker who was there that morning. And then returned a moment later with Koto on your hip and his daycare bag Sanemi always dropped off with him slung over your shoulder. The toddler was fiddling with a little car but let out a happy gasp upon seeing the red haired man.

"Ren-Ren!," he cheered throwing up his hands excitedly, "Hi!"

"Hello, Koto!" He greeted holding out his arms to the toddler. "Did you have a fun day?"

Koto was happily accepted into his arms with a nod. "Uh huh! Miss Toji reads us Beauty n da beast."

"Ooh. A fun story."

"Where's Nemi?"

"He's late, but I'm gonna take you to the park while we wait."

"YAY!!"

You chuckled at the adorable sight of him holding  up the bag. "Here. You'll be needing this. How's Mrs. Shinazugawa by the way?"

"Thank you!" The bag was taken away from you before he again tilted his head in question. Like he seemed to be studying you for a second. "She is doing better. Still a little stressed about paying back everything, but eventually she will and everything will go back to normal for everyone involved. However I believe that you had a hand in her soon to be relief."

You blinked at him. "Oh. You mean the money." He nodded and you hummed. "Well like I told everyone else, he just needed it more than me."

"A thousand dollars and free food for an entire year are a hard thing to give up for most people..and yet you have it all away to a at the time complete stranger."

You winced. "That's not totally true. I-..I didn't really think about giving it to him at first. Really I didn't think of anyone else but myself at first but-.."

"But?," he asked raising a brow in question as you sighed.

"I dunno. I didn't really have a mom growing up so-"...You looked down fingers drumming on the countertop. "So I guess seeing him trying so hard to help his mom made me feel really sorry for him. Maybe it's something I'd wanna do too if my mom was around y'know..Uh.." You stopped when you saw him intently staring at you Koto mindlessly toying with his toy. "Uh. S-Sorry. Didn't mean to ramble on."

"Please. Do not apologize for the honesty. It's rare for someone to have an honest heart and even rather for them to admit things we may not be proud up." His smile got even wider if that was possible. "I can now see why you were able to make such great friends with everyone. You're a good person!"

Despite yourself a small pink appeared on your face, hand waving at him. "Shucks. Stop it. You're embarrassing me. Oh. That reminds me. How's your dad doing? Anything change?"

He shook his head. "Not yet but a few of Senjuro's classmates have shown interest in the dojo! We just have to remain optimistic and keep working at it!"

Ah. So your aunt hadn't worked her magic yet. Makes sense. It hasn't even been a whole day yet...Eh. you really shouldn't expect results to just happen like that. It was as unrealistic as her predicting that men and women would fall for you like some badly written fantasy story.

You nodded. "We gotta look on the bright side of things for sure! Anyways it was nice to see you again, Kyojuro. I hope to see you again sometime."

"INDEED! And thank you again for those delicious cookies! Everyone loved them!"

"Cookies?"

"Not for you I'm afraid!" In one movement the energetic man turned on his heel towards the door. "Now come! The swing sets and slides await us!"

"Yay! Swings!"

You couldn't help but laugh at the goofy man as he left with the giggling child. He certainly was a bright fellow. Everything would be ok. You were sure of that. Even if your efforts did nothing, surely the Rengoku's would be able to get by well.

Days passed by. 

The October fall being kissed goodbye slowly as the leaves still fell and gave way to that weird time of the months of November where the cool of fall was merging with the soon to be cold of winter and snow. Jackets, scarfs, and mittens were already being seen on so many walking around. 

It was on one of these days that a slow miracle was creeping up to its unsuspecting gift-y. Not quite a Christmas miracle but it'll do in a pinch for what was to be taken place that evening. A hot bowl of soup and a little bit of rice was always a quick and nice meal for a cold night like this. The kind of meal that'd help to cheer him up and reminded him just how much he loved his wife's cooking when the tray was placed in front of him and a warm kiss was pressed to his lips for a second.

Smiles were always his favorite part of her. Couldn't get enough of it as she smiled at him. "Here. I made some miso soup today. It ought to help you warm up after all the work you did."

Hard work? If you can call cleaning a barely used dojo and moping around all day hard work. He would've laughed at himself if he hadn't felt so frustrated with himself right now. Instead he kept quiet and pulled the bowl closer to him muttering a barely audible thanks. Her smile slowly gave way to a sad frown before she sighed and turned away. Slowly allowing herself to start preparing her own meal and a second tray for her youngest boy. She'd take him a meal as he was busy studying for a few exams before the Christmas break. 

The scooping of hot soup sloshing around in the pot was only paused when the distant sounds of a familiar beeping noise cascaded through the air. Catching her attention and only making her husband grunt again.

"Are you going to answer that?"

She didn't answer him. Letting the ladle spoon plop back down into the soul with a watery noise and quickly making her way towards the den where no doubt the home phone was ringing out for someone to answer it. It was not too long before the cold plastic was picked up from the receiver and help up to her ear. 

"Yes?"...Red eyes blinked. "Oh? I wasn't expecting a call from you. Is everything alright?" Her head turned around back towards the man still lazily picking at his soul with a spoon and not eating it. "Yes....Alright then."

Pitiful eyes didn't look up from the sloshing liquid of the soup even as footsteps approached back softly or even when he saw a pair of legs stop at his side out of the corner of his eyes. But he did blink as something was held out to his face. Took him two seconds to realize that it was a phone, and it took him one more second to look back up to his wife in question.

"Dear, it's Mr. Ubuyashiki."

A blink. "Who?"

"He's the chairman of Senjuro's school." The phone was nudged closer to him. "He wants to talk to you."

What? He grunted looking annoyed. "So? What does he want? If Senjuro's done something then-"

"Dear, please just speak to him."

There was a small three second pause before with an annoyed look the phone was taken from her and reluctantly held up to his ear. "Yes?"

"Ah! A different voice!" The voice of the phone was a man's. Clearly one he's never heard before. "Am I to assume that this is the husband of my wonderful calligraphy teacher?"

"What do you want?" He wasn't in the mood for the cheery bull that this voice seemed to have.

"Straight to the point then I see! Then I won't beat around the bush." The voice chuckled but gained a more professional feeling with it. "I heard that you are quite a coach!"

...Another blink. "What?"

"Recently I attended a little celebration of a good friend's son. Your name happened to be on a little business card handed out to me and I was reminded of your son. Polite young man he is."

"What is the point to this? Either spit it out or I'll hang up!" He REALLY was not in the mood to be talking to a man that liked to make random small chit chat even with the stern frown his wife was giving him.

"Of course," the man remained polite and patient despite his annoyance. "It reminded me of the petition Senjuro presented to me a little bit ago to start a kendo club. Usually I wouldn't mind clubs but one of our biggest school sponsors thought it would be a great idea to have an official kendo league added to our school. Frankly I couldn't agree more."

Huh. So his youngest finally did something worthwhile huh?...Guess that was good for him but-

"What does that have to do with me?"

"Well naturally if we're to add kendo to our track and other sports teams we'll be in need of a coach to teach said sport." He completely froze at his words. "But unfortunately we have none."

The world seemed to slow down as the silence continued to stare off at nothing. His throat suddenly felt dry as he swallowed thickly in order to not let his neck to become a desert. "What..are you getting at?"

"Mr. Shinjuro I've heard quite a good deal about you from your wife and others. I'd love to hire you as one of our new sports coaches starting next semester! And have you coach our new established kendo team if that's an option for you."

CLINK. CLI-CLINK.

Ruka blinked as the spoon dropped from her husband's hand and clattered to the table flinging small droplets of miso soup around the oak wood surface. Her brow rose higher at the wide eyed stare he seemed to have. Like he just saw a ghost.

"Honey? Are you ok?"

[steddieunderdogfics]

This week’s writer spotlight feature is: thisapplepielife! @thisapplepielife has 37 works posted to AO3 in the Stranger Things fandom and 24 of them are in the Steddie tag!

Our anonymous nominator recommends the following works by @thisapplepielife:

Tuesday's Gone With the Wind

Take the Money and Run

You Oughta Know

Never Not Mine

Let the Boy Be Merry

"They are my favorite Corroded Coffin writer. I found by accident their fic “Tuesday's Gone With the Wind” and loved everything they wrote since!" -- Anonymous

Below the cut, @thisapplepielife answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

Steve Harrington. I found myself not connecting with S4 when it premiered, and decided that I probably just needed to rewatch the other three seasons again first, since it'd been a while between seasons. Well, Steve was always my favorite, but I left that re-watch with his voice fully lodged in my brain. So, I had to write something for him, just for myself. That was You Oughta Know. We all knew Eddie identified as a runner, and that just felt like the story to tell. Then somehow, for some unknown reason that I still cannot possibly explain, I decided to actually post it. I still don't know what possessed me to do that, honestly.

What’s your favorite trope to READ?

I love a good second chance fic: A divorced couple that eventually rekindles. A missed first chance that they get to take another crack at, later in life. I also like a good heartbreaker of a fic. I know, I know. Don't get me wrong, I still love happy endings, but I don't require them. Break my heart. Do it.

What’s your favorite trope to WRITE?

Slice of life? Is that considered a trope? I know I like to write about things we all deal with in real life, from the small and inconsequential: a mattress with a bad spring. The delight of clean sheets. Or the bigger: the real life heartbreak of unavoidable loss and grief.  And older Steddie is my favorite, I think. I love to spend time writing for them. These boys that turned into men, who made a full life together, and it's great. Maybe not perfect. But they wouldn't trade it for the world. That makes me happiest.

What’s your favorite Steddie fic?

The One in Which a Time Loop is Fucking Exhausting by badpancake is the one I think of that grabbed me first, and did not let go. I still need to read the final part of the trilogy! My fic TBR is so, so long because I definitely struggle with writing and reading at the same time. I know there is amazing work out there that I've just never read yet. But I look forward to it, absolutely. It's just something I've never figured out how to manage well. Joining Tumblr has helped that immensely, though! Reading the shorter fics here has been wonderful, and I've enjoyed it so much. There are amazing things being posted every single day! And I gotta say that don't start (too late) by Ark is one of the best "first time" fics I've ever read in any fandom. Eddie's inner voice is wonderful. I believe every word he thinks while he experiences this brand new thing with Steve.

Is there a trope you’re excited to explore in a future work but haven’t yet?

It's not brand new to me, but there's a found family one that I've been tinkering with for a very long time, and that excites me.  And I do love events for tossing me situations or prompts to write for that I may not have thought of, independently. @steddiemicrofic especially has been so, so fun. I think it was the very first event I wrote for on Tumblr, and the challenge of having a very limited amount of words, but still trying to make it feel like a whole story has been told, has been a blast. Thanks to @wynnyfryd and @steddieas-shegoes for challenging us all each month!

What is your writing process like?

I don't outline or anything. I just write, and edit, as I go. And I'll edit obsessively. I'll tweak and change small things over and over, ad nauseam. And even then, I know I still miss mistakes. But my mistakes are my own, I have no beta, because I kind of like being solely responsible for anything I write. Right or wrong. Here it is, take it or leave it. I also talk things through things in my own head a lot, especially dialogue, or I'll open a document, and just see where that takes me. And if I'm writing a long fic, like Tuesday's, I write totally out of order when scenes come to me. I wrote on every single year of that fic all at once. Then kept writing until they'd stitched themselves together into a full story. That's my last part of writing. Putting in the transitions from one scene to the next, when needed.  Sometimes ideas are more fully formed before I start putting words to the page, and other times I literally just start and figure it out as I go. There's one fic I wrote for Steddiemas last year where I sat Steve down at a mall food court and then just started writing. I had no idea what that was going to be. (It was Eddie turning up as the Mall Santa.)  Also: Research, research, research. I love the research aspect of writing. I'm curious in general, and if I can even think to look something up to see if it's true, or of the right time period, I will. And I like to add mixed media to my fics. That was a huge part of Take the Money & Tuesday's. All the newspaper articles and such. I felt like they were needed to make it feel like this really happened to these characters we all love so much. I did newspaper articles all throughout writing Tuesday's. In fact, I think that main article, the one at the top, was written and designed very early on in the writing process. They weren't all done at the end, they were done as the story needed them.

Do you have any writing quirks?

Short paragraphs. I love 'em. You'll pry them from my cold, dead fingers. Also see: Long sentences.  Honestly, I do like to throw out the rules, a bit. I write by feel. How does it sound, to my own ear? If it works, for my character, my fic or just me in general, I'll use it. "Don't use two "ands" in a sentence." Okay, but sometimes I'm gonna when that flows the best. Or: "That's a run-on." Okay, but I like the way it reads. "You don't need a comma there." But, I like the way that it breathes, so it's getting one. All this is especially true if writing from someone's POV. I know I don't always think in proper grammar, and I don't expect them to either. I don't want things to feel hard to read, but I do want them to feel natural. If that makes sense. I walk around, pacing as I write or edit on my phone, as if the moving somehow lets me see it differently. I think it does! And I don't know if this is a quirk, but some of the characterizations formed while writing Tuesday's have stuck, hard. Gareth is Gareth Jones, and where you find him, you'll probably find Di. Freak is Goodie. Jeff is Jeff Williams. These things have been decided in my brain, and now I feel compelled to take them with me, fic-to-fic. I didn't intend to build a headcanon I wouldn't be able to shake, but here we are.  I feel like I can transplant Steve and Eddie anywhere, into anything, and be comfortable changing things up. But the Corroded Coffin boys are cemented, as they were created, for the most part. Maybe that's because I did have to do so much shaping for them. Steve and Eddie, we know. We're all working off a decent amount of canon content. Corroded Coffin only had a few moments on screen to help flesh any of us flesh them out into real characters. And now that I've made my choices, for good or bad, they're here to stay.

Do you prefer posting when you’ve finished writing or on a schedule?

Finished, definitely. My three long fics were all mostly written before I started posting, and I still struggled to get the last part of All of Across the Universe out in a timely fashion. Tuesday's was posted over one week, one chapter per day, and I really enjoyed that fast schedule. It didn't give me any extra time to overthink the finished product. It was going out, and that was that. I had to trust that I knew what I was doing when I deemed it finished.

Which fic are you most proud of?

Tuesday's Gone With the Wind. I truly thought I was done after Take the Money and Run. And then this idea slapped me in the face, and I spent five months just lost in their world. These versions of the characters came so naturally, and they are still with me today. I feel like most of what I've written since then is shaped by those versions. Also, that was the last fic I wrote without anything else coming down the pipe. The last one before I joined Tumblr. The last one that had my full, and utter, undivided attention. It's really special to me, and I'm beyond grateful to everyone that has embraced it and recommended it to friends. I know it's got some scary warnings, but for those that have dove in and let me know that it spoke to you in some way, you've made me so happy. It spoke to me, too.

How did you get the idea for Tuesday's Gone With the Wind?

By watching the documentary "If I Leave Here Tomorrow" about the band Lynyrd Skynyrd. As I was watching it, there was an interview section where one of the band members spoke about their assistant road manager, saying: "He was like a bartender roadie. Where he took care of us really good, you know? Anybody who was sick, or needed a little more attention, he was just there for you. He was like the big brother, and sister, and your mama and everything." My brain whispered, Steve Harrington.  And that was that. Corroded Coffin were going to get Road Manager Steve Harrington, and he was gonna take care of them as they headed towards this unavoidable disaster. I wrote like 5k words the first night. It was just in there, waiting to spill out, somehow. And I think it's also an anomaly for me, but I'm fairly certain I started that fic with what turned out to be the opening. That first bit of Eddie's first interview section. I think that's where I started telling the story, and it held throughout. That's pretty rare for me. (Fun fact: I wrote all the interview bits in a separate document, and then just fit and tweaked them into the story, as needed. But not that opening. That was the launch pad into everything else.)

When writing Tuesday's Gone With the Wind, what was something you didn’t expect?

It's not exactly a Steddie answer, but - Gareth! Gareth Jones, my beloved. I wasn't on Tumblr when I wrote Tuesday's or any other social media in a fandom way. I was in my own bubble, doing my own thing. So, I didn't know the fandom had given him a fanon surname. I chose my own, and now he's just Gareth Jones to me, and always will be. He's also Eddie's best friend. I've pondered on more than one occasion on if Take the Money and Run would be different if I knew that first, lol. Just exploring my version of a character that had so little screen time to work off was incredibly fun. And has remained fun. Gareth is definitely gonna show up again in my future works. He's to Eddie, as Robin is to Steve in my head now and forevermore.

What inspired Take the Money and Run?

These lyrics from the song "Me and Paul" by Willie Nelson: Almost busted in Laredo But for reasons that I'd rather not disclose But if you're staying in a motel there and leave Just don't leave nothing in your clothes I had a literal shower thought that made me laugh. And thought, well, why are they even in a motel? Oh, they must be on a road trip. So, I wrote that little scene mainly in my head, but jotted it down, just in case, and assumed that was the end of it. But then I just kept writing it. Until I was knee deep in maps and mileage and research trying to figure this road trip out from a logistics standpoint. All because I thought it'd be funny if Eddie left weed in his pants and Steve got all put upon because of it.

What was your favorite part to write from You Oughta Know?

I loved getting to include all the fun 90s things, since that's when I was a teen, and can remember a lot of it very distinctly, first-hand. And I loved getting to use El's powers to look in on Eddie, so while they might not know where he is, they did know that he seemed to be doing okay out there in the world. Also, if I could go back and change one thing about it, I'd fix that I said Eddie's never had an acoustic guitar. I didn't notice his acoustic in his room until my re-watch. Oh well. This version of Eddie didn't, I guess, lol. (This might be from the second part, Eddie's POV. But still. It's my Roman Empire. I think of this mistake at least once a week and beat myself up. If I'd been on Tumblr at the time, I feel this would have never happened, because someone would have blogged about it, drawing my attention to it, surely.)

How do/did you feel writing Never Not Mine?

This one is heavily inspired by the Taylor Swift song imgonnagetyouback. It was fun to dig into a slightly angstier world for a bit. Because things don't always work out, or if they do, not always the first time around. I like to think they'll find each other again, in any universe, but they might not take the easiest path. They aren't perfect, and that's realistic.

What was the most difficult part of writing Let the Boy Be Merry?

Crying while writing it. This one slapped me around a little while writing. Life isn't always as romantic as fic leads us all to believe which, the audacity, honestly, lol, but the kind of love and relationship in this fic? That feels real to me. Old, and familiar, and even as well as you know a person, you can't read their mind. You don't always get what the other needs immediately, you don't get how important things can be to them, but figuring out how to compromise is love. Real, lasting love.

Do you have a favorite scene and/or line from any of your fics?

This question was hard! I'm gonna pick two from Tuesday's: For the first, I cried while writing and then cried again while editing the scene where Eddie and Steve hash out how serious their relationship is, and realize they've kind of been on different pages. There are two scenes in Tuesday's that got to me, and made me cry while writing them, over and over, and I don't even know why. (The other is Gareth picking that fight with Steve. Yeah, yeah, I know. Neither of these parts are the saddest parts of Tuesday's. But they stripped me raw, for whatever reason.) And a second, more fun, favorite: I'm gonna go with the scene where Eddie's naked and tripping on mushrooms in the backyard while Steve hangs out with him, and Eddie thinks they've written "Tom Sawyer" by Rush. That was so fun, and just a feel good write, if that makes sense. That whole summer they spent at the lake I look back on writing fondly. They are so in love there. They are all happy. And this scene is carefree in a way that they won't always be, due to circumstances coming down the pipe.

Do you have any upcoming projects or fics you’d like to share/promote?

I run @corrodedcoffinfest and I've got a whole list of planned pop-up events coming up over the next few months for that. Steddie is absolutely welcome, so if anyone would like a little more Corroded Coffin works in their life, consider coming to join us! I also finally updated my masterlist, so everything I've written for Stranger Things is finally gathered together. There's a lot that's still only on Tumblr and not on Ao3 at this point.

Outside of these questions, Is there anything YOU would like to add?

Thanks so much for including me and my works in this! And to the person who nominated me, thank you, thank you! You really made my day. It was fun to think about these fics again, and answer these questions. I've really enjoyed writing for Steddie, and I've also enjoyed making friends in the fandom. Thanks for welcoming me. Thanks for showing my fics love, and commenting or leaving kudos or reblogging. Just, thank you all so much. And I'm sorry if these answers were too long, lol. As a habitual "end notes" kind of writer, that's just the way I roll. 

Thank you to our author, @thisapplepielife, and our anonymous nominator! See more of thisapplepielife's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[userautumn]

You are always 100% right and valid btw. Because like buck and Tommy are broken up, but you also have several interviews released today where Ryan calls Buck and Eddie “brothers” and where Oliver explicitly says Eddie is straight so they will most likely continue to be just friends. So if it wasn’t for Buddie, what was the point in throwing away a relationship the audience was actually behind??

Yeah, this has always been my problem with the idea of Buck and Tommy breaking up and, now that it's happened, I can finally unload all my thoughts.

Listen, my Buddie mutuals are very assured that Buck and Eddie will get together and have this lush and beautiful arc where they settle into a relationship and feel out the kinks in their dynamic and really blend together, and I respect that. I would love to see that happen. But I don't have that same confidence. Don't get me wrong, I DO think Buck and Eddie will probably get together, I just don't think it's going to happen until the last episode of the last season in a way that's more reminiscent of Johnlock "canon" (for those who did not watch BBC Sherlock: John and Sherlock continued to live together and raise John's daughter, but this was revealed in a montage without ever actually seeing them get together, or confirm that they were in a romantic relationship) than anything.

Why? Well, because it's easier to tease your audience than it is to follow through.

Don't get me wrong, I don't think Tim is teasing the fandom in a malicious way, and—if nothing else—I know he is very aware of what these boys and the implication of their relationship means to people. 9-1-1 has always handled their relationship with a particular gravitas, and I don't see that changing now. But Tim has been writing Buck and Eddie for years. He knows what gets people going, he knows what this fandom likes to see, and what they'll read into. So why would he rush into making them "endgame," especially if he knows he already wants to take them in that direction? He has no incentive to make it happen Right Now because everyone will lap up what he puts out anyway.

And I get it, because I do love Buck and Eddie's relationship. I love the way they interact with each other and, yes, I will lap up any scene between them. But that's the part I find so draining too. I'm going to be honest, I've never liked a "will-they-won't-they" couple. As a personal preference, I've always liked to have a clear vision of a story's trajectory when I go into it. That's how I write, and that's what I gravitate toward in fiction. So the idea of going through any number of love interests until Buck and Eddie are "ready for each other" (so sick of that phrase. sob.) is literally... exhausting to me, and not in a fun way. Because this is a loop that could theoretically continue on, and on, and on, until whenever the powers that be decide enough is enough.

Sure, Eddie is happy and free now. Great. But he still doesn't know he's Queer. What happens when he does realize that? Does he need to date a guy first in order to be "ready" for Buck? Similarly (because their romantic arcs always run parallel to each other), when Buck fucks and sucks his way through Los Angeles, does he stumble upon a hot girl/guy and date her/him until Eddie's "ready" for him? How many times, exactly, am I going to sit through another love interest until they're on the same page after, by my count, three false starts? You know?

I'm obviously along for the ride. Always have been, always will be, and I fought too hard over the summer to maintain my love for these boys and their relationship to let it waste away now. But I desperately, desperately need Tim to give me something substantial that CLEARLY, and EXPLICITLY indicates IMMEDIATE strides toward ROMANTIC Buddie Canon. And I mean crystal clear. Not "building a thousand words of meta off a single line/moment" clear. Not "this look probably definitely means Eddie was thinking about ripping Buck's clothes off" clear. I mean, I want it so damn clear, a sixty-five year old grandpa with cataracts can see it.

Otherwise I'm just going to get really annoyed.

[daisiesonafield-blog]

This is an answer to a question that nobody asked me, but I saw it asked on Gina's blog @twopoppies and for some reason felt like contributing my opinion, hope yall don't mind.

The question was:

Why is it that Louies are so much more tolerant of Larry Stylinson than Harries?

It is my impression that this is the case, or rather was the case (and I say was for a reason*), due to how their careers have progressed differently, with timing playing a huge role in it. For starters, it's important to emphasize how Harry's marketing and image have always been tied to the sex appeal persona created for him. He was marketed like that as a 16 year old, and it continued like that through all of 1D and his solo career. So the fans that comprise the harries ended up falling in that category for the most part. Additionally, in my opinion, the fact that Harry began his solo career much earlier, and got a high level of success right with his 1st solo album, led him to gain a much larger fanbase much quicker. Whereas Louis' solo career took several years to grow like that, so his fanbase stayed smaller for longer, and as a result it was more likely that he'd have more larrie fans than Harry's fanbase. It's strictly a numbers game.

Now looking at how Louis' been marketed, he was not really marketed as a sex symbol for fans to desire. He was always marketed as safe, a friend, someone you could trust, someone fun. This was done through 1D via his relationship with Eleanor. They always painted that relationship as a steady, long term relationship. From the start saying that she was a childhood sweetheart, and a girl he brought home to meet the family. So that painted him as unavailable as a love interest to the fanbase at large. He was also always funny, so Louis came across as a friend who you could trust and have fun with. Someone to rely on.

I would say that this largely carried on through the beginnings of Louis' career, in part because it was slowed down due to covid delaying it, but also due to its marketing also relying on the friend image. He was a lad, sweet and caring, but a friend. His fanbase grew, but I think there was still a level of balance between solo fans and louie-larries. The pandemic brought in a boom of new fans. People who were in lockdown with nothing to do who fell down the rabbit hole of Larry. So while Louis' fanbase grew, I would say it grew a lot in larries because of 2020. FITF is where things began to change and his fanbase really grew with the larger public. I think this can be attributed to his massive tour and social media presence. His styling and image was sexier during this tour, so he also grew a lot of fans who now viewed him as a sex symbol, someone to desire. That paired with his reported split from Eleanor made him available, which in turn helped grow his image of the "rockstar boyfriend" for people to desire. I think this was also largely encourage through more frequent online discussions of how hot Louis is. Something that wasn't really commonly a part of fandom discussion prior to 2020. Whereas for Harry, it has always been a part of discussion, because it's always been how he has been marketed.

*Overall I think this is rapidly changing, and we've already seen it in how Louis' fanbase has changed through FITF. I don't think the fandom at large will have this dynamic for long, as it grows and changes.

Anyways, this is my opinion. If others have a different opinion or would like to contribute, feel free to share.

[paintednailsandsoftdetails]

911, a confession

Let me start by saying that I don't really know what I'm doing here, so bear with me. If I actually go through with posting this, and you find yourself tagged and wondering who I am and why, or even if you happen upon it in the tags, I hope you take a minute to read this.

You don't know me, but you've been my community for a while now. I've checked your blogs daily for years, I've read your posts and loved your art and sent you countless anonymous asks to pick your brains- never hate though, because I'm not a Freak.

What I am, however, is a lonely lesbian with depression and (newly diagnosed) OCD, who has always needed some hyperfixation media/fandom to find life bearable. For some ~fun context, I was Raised by the glee fandom, I will die on the hill that watching queer as folk when I was 14 and discovering its fans 10+ years after airing made me who I am, I've got the most bizarrely timed stint in the 1D fandom under my belt, and I find nothing in the world more interesting and also affirming than Queer Reading (verb) media- to the extent that I earned an English degree and wrote a thesis specifically about it.

I haven't posted on here in 1.5 years, since I fell out of my previous fandom (apologies to anyone from said fandom who still happens to follow me and is seeing this, feel free to move along.) But I've been on this app every day since, because of 911.

(starting the read more here to spare you- again especially if you are tagged, I know you're probably feeling miserable rn but I do hope the entirety of this love letter reaches you)

I started "watching" mid season 5- by which I mean I was in a deep depressive state after disconnecting with previous media hyperfixation and, when I happened upon 911 trending while in need of distraction, I quickly fell down a rabbit hole. Tale as old as time, tumblr dot com convinces you that you need to tune into *insert media here* bc its fun and there are gay people! I caught myself up through all the big blogs and by the time May Day was airing I felt like I had a decent grasp on all the lore, all the fandom drama, all the places the writers were "definitely, so brilliantly" going to be taking the show that we had to look forward to, all without ever having actually seen an episode of the show (before you boo me, yes I've watched it by now, even season 1)

But I think it is important, and also a little messed up, that I fell in love with 911 through YOU, through the fans. Obviously watching the show initially through the lens of fan reactions first and not whats actually happening on screen can have some... interesting results. We've heard it all before, with the people who started watching specifically for Buddie around season 4/5 because they saw The Will and by the time they caught themselves up and watched the end of season 6 they wanted their refunds.

Here is where I want to make a clarification- the reason I got so interested, why I started coming back every day to check in on tags and certain favorite blogs I didn't even follow bc I was denying the want to become fully Involved, was because I fell in love with Evan Buckley. I won't lie, it was Buddie that caught my attention first- of course, thats what everyone here was talking about- and as much as I quickly started discover the value of the show outside of them (Henren my absolute Beloveds!!!!! Captain Dad Bobby Nash you are so special to ME. Chimney man of all time i can keep going) none of it was enough initially to bite the bullet and catch up on 5 seasons worth of a show I also knew would have elements I WASNT interested in (Copaganda and Taylor Kelly I am looking at you.)

But then I started really getting into fan's readings of Buck *insert footage of me learning the Buck Begins of it all for the first time* as a character separate from Eddie (as much as people were capable of anyway, and I will say some of yall continue to be absolutely atrocious at it) and I knew I was done for. Buck, this character so full of goodness, and his need to be Found but to also Find his own family and purpose and sense of self, for whom the show's thesis statement concerns the act of working to Make the kind of Love you want to have in this world, even if you were raised without a blueprint for it- I'm sorry but what else were me and my gay ass queer reading inclined hyperfixated brain to do other than take Evan Buckley into the folds and never let him go?

I love Buck. I was convinced by the time the s5 finale was airing before I had actually watched the show that Buck had to be bi. Even if they never did a thing with it you couldn't convince me otherwise and I was also confident that Oliver was portraying him with a similar mindset. I never wavered in that interpretation, even when the utter disappointment of the s6 finale and the failure to do anything truly meaningful character development wise through the lightning strike-Natalia speed run hit, and certainly not as I got fully caught up actually watching the show outside of tumblr live reactions during episode airings. I'll admit I was pretty ready to Check Out after the end of season 6, to the point where I hardly checked in on fandom at all going into 7 until the rumblings of possible canon Bi Buck reached me and I doubled back like "hold on, for real this time?" But when I say Check Out, I mean I was ready to walk away from the hyperfixation with a joint lack of satisfaction with canon & firm conviction that Buck was queer.

Things with Eddie are a lil different- and I want to try and keep this bit brief bc this is ultimately a post about Buck and Bucktommy and I have no interest in unsettling those of you who may have a queer reading connection to Eddie as real as the one I feel for Buck, but unfortunately this conversation cannot exist separately from the Eddie/Buddie of it all- I personally don't think Eddie is queer. I don't really think I ever did, even when I was in the thick of it with falling for Buddie. I know me saying this would cause certain audience to pelt me with accusations of fetishizing Buck or treating Eddie as nothing more than a vehicle for Queer Buck via Buddie- false! I actually think Eddie is an incredibly fascinating character, a deeply compelling representation of grief and fatherhood and masculinity, and also a hilariously weird lil bitch guy. I just don't feel like- especially having removed fanon glasses while actually starting to watch the show, and taking the time to acknowledge that the things about Buddie that appealed to me on a romantic level (this is NOT about their friendship which i stand by being beautiful and important) all boiled down elements I was reading within and onto BUCK specifically, not Eddie. Perhaps an impossible concept for some, the idea that Bi Buck could feel so real and apparent to me primarily divorced from the idea that Eddie had to be queer as well, but I won't bore you with my explanations for it, though I suspect the people tagged and still reading by this point know exactly what I am talking about.

All of this potentially obnoxious prologue to say, I've spent the last however many months falling in love with canon Bi Buck *insert footage of me speed running back into my daily fandom involvement/blog check ins the moment I knew Buck kissed a man*, with Bucktommy, and with Bucktommy fans.

For a long while there I had resigned myself to an odd, though perhaps not as unique as I thought, reality of loving and fully believing in Queer Buck, not necessarily feeling the same about Eddie or Buddie, but also in full agreement with many that already 6 seasons in with literally nothing else having remotely worked, Buddie would be the only satisfying conclusion for Buck's love story. This is again not exactly how I felt about Eddie- but a big part of that for me is that I don't think Eddie's primarily story in 911 is a love story. He's the vessel for telling other important, beautiful stories about fatherhood and forgiveness and that is OKAY bc not every characters story is a love story!!! Evan Buckley's is though (Despite some very weird and confusing things mr stark has just said about his character that actively contradict what hes previously said and what audiences have been looking at and for this entire time, but I digress)

But then! By whatever happy accident we want to call it 911 had Tommy Kinard fall back into its lap as the solution to what felt like the impossible: They found the ONE way they could introduce a non Eddie Diaz love interest for Buck that COULD be satisfying for Bucks story. Someone with connections to the 118 and the shows history and potential for further development within main storylines as his job directly pertains to their plots. Someone with such compelling connections for interweaving these two characters that it got us- including the showrunner- talking about the Red String of Fate. That it got some of the beloved tumblr pals I had been watching for years, who NEVER would have believed they'd ever root for a Buck endgame that wasnt Buddie doing exactly that, and with joy, love, and conviction. Again I'll ask, what else were me and my Buck loving brain to do but take Bucktommy into the folds and never let go? (apparently I hadn't considered that there was apparently horrifying alternative- more on that next!)

As you all damn well know, falling in love with Bucktommy has not come without its trails. I have never seen things in fandom as vile as the things I've seen go down here. And as I mentioned before, I've been IN IT with yall for a while, even if you didnt know it. I was here, lurking, and I know this fandom has had its highlight reels of racism and misogyny and harassment (despite certain factions current batshit consensus that things were "never bad" before *gasp* a couple of people, some over the ancient age *double gasp* of 30 heard about bucktommy through tumblr the same damn way the 90% of you who havent been watching since season 1 heard about buddie and decided to invest)

What happened tonight made me cry, for about 40 minutes straight. And yeah, its been a devastating week for us all for a lot of reasons. On top of the ~national dread (I'm a lesbian in the US btw) today was my 7th out of 9 straight days of open to close shifts in a demanding retail/management position, and I have a head cold so maybe this was just a Breaking Point after a whole lotta shit.

But also, maybe, it was really fucking shitty to watch this play out. I've already seen countless people say it better than I could. Yeah, its a tv show. It's a fictional ship. But its also escapism, a spot of joy many of us were extra dependent on this week. It was something GOOD, queer representation and a love story on national tv days after a horrifying reality set in for queer people, and we are allowed to acknowledge how much losing that sucks just on a general level for a second...

Second over, now lets talk not on the general level. Lets talk about how I've watched real human beings get harassed, sent death threats, be told they are faking cancer and failing to properly grieve dead loved ones, I've watched deeply homphobic language be adopted and incorporated into everyday use despite constant correction and pleas from queer men to knock it the hell off, I've watched homophia as a whole run rampant and unchecked by big blogs, with some biphobia to boot, I've seen some images of horrific anti gay violence and historical trauma invoked as a way to make fun of others, I've seen lesbianism slandered and proffered as an excuse for such vile behavior in a disgusting erasure of the beautiful solidarity that has historically existed between gay men and lesbians in the face of homophobia, and yes, I've seen graphic descriptions of child rape via targeted fanfiction attacks.

Again, others have already said it better than I can: This isn't about Bucktommy. It's about the way that everyone who was Pulling for them as a couple, who DARED to *checks scribble on hand* enjoy a canon queer mlm couple featuring a character (or two) they've grown to care deeply for, has been subjected to all the above mentioned and more, and for...what. For. What.

In the name of a fanon couple that has not been legitimized by the writers in 7 years? of a fanon character interpretation of a canonically straight man (not just assumed straight, verbally assigned straight now on multiple occasions) that people cannot fathom perceiving this show, let alone liking these characters, without? For the version of this story that, if the writers REALLY wanted to happen could have happened so many fucking times by now- especially when the show was coming to what might have been its end in s6- and still hasn't? A version that has been dismissed multiple times by the writers cast crew and every other unfortunate individual who has been harassed repeatedly about it?

And I'm not here to say Buddie is inherently bad!!!! It brought me into this same as the rest of you. I don't even believe it would necessarily be a bad or wrong conclusion for either character or the show were it to eventually, finally happen!! But for the love of god, hear me when i say from the outsider pov of someone who has experience the show in the way I did first through fandom then stepping back to watch for real and now watching it with my mother who is a near Exact representation of the general audience of this show (experienced Procedural watcher, no idea about Buddie or fandom interpretation, had no sense of gay eddie to speak of, and is not shocked but pleasantly surprised by and endeared by Bi Buck) you are SEVERELY deluded if you think what happened tonight by breaking up Bucktommy "makes sense" to any audience outside of buddies who've been writing manifestos for years about how every single thing in this show is "carefully, intentionally, clearly" leading to Buddie canon. I swear to you the people at home do not fucking see it. The people at home saw Buck in a nice, developing relationship that finally seemed to be going somewhere real for him after discovering an important part of his identity late in life, and then they saw that relationship abruptly ended and Buck heartbroken, going to sit with his best, still straight, bud Eddie Diaz. The ONLY people this makes sense for are the people who I am afraid it seems may have legimately bullied this into happening.

And if that is the case? We are sooo far fucking past the point of no return here. There is no true satisfaction in a Buddie canon endgame here for anyone who's lived through the past half a year in this fandom unless you were a perpetrator of any of the horrific shit mentioned above. I mean that with my whole fucking chest. If, and i do think it is a Big Fucking Fat if, Buddie does happen, and you find yourself no qualms happy and satisfied with it as your well earned endgame, I hope you know how rotted you are. And while I'm at it, I hope some way some how you come to see that this was not the carefully crafted beautifully developed loved story of all time you were gods bravest soldier in waiting for. Its just what left after years of meandering storytelling and cyclical character "development" with a bow slapped on top at the last moment because the gift giver was afraid you might kill them if they presented less.

Anyway. I said a million words ago that this was a love letter, and I do mean that. As much as its also been an mental health exercise for me to write this all out. So,

@kinardbuckleys @bucksboobs @kirkaut @tevankinkley @userautumn @sunglassesmish @tommyscurls @ohithankyou @buckxtommy @princessfbi @bigfootsmom @firewasabeast

(And so many other people I'm surely forgetting, and the few artists and writters on other platforms I dared to venture to- maybe never opening twitter again after this xoxo)

Thank you. You don't know me, I never quite got over the anxiety of trying to re-enter a fandom space after a time away, or maybe some of the imposter syndrome or embarrassment I felt accidentally falling in love with this show and Buck by just watching you all talk about him before anything else. But for the last few months, some of you years, you've been my community, my escape. I've loved watching your brains and your hearts work to discuss and create, even amidst the absolute shittiest fandom behavior Ive ever seen. And I am as grateful for getting to experience it from a far as I am devastated at the thought of losing it, of not individually typing in all your blog names (I was too anxious to even FOLLOW you guys truly rip) to see what new content or spec or art or love you had to share about Buck / Bucktommy every day.

In another life- one where idk perhaps people were kinder or showrunners weren't bullied and actors weren't dropped last minute after months of torment and a satisfying canon queer love story for a character who genuinely needs it could just Be in peace- I would have loved to one day put on my big girl pants (aka saved Buck url) joined the fandom for real. To have directly talked to any of you in a way that wasnt... this.

I would have loved to love Bucktommy with you.

[utilitycaster]

anyway this is obviously a wild shift in the topic of conversation, but I was talking about it in the group chat last night as a distraction and would like to continue the distraction if I am being honest, so, with the caveat that this is based off of Fandom Osmosis Observations and a few reads of reviews and I have at this time played neither of these games, some thoughts about BG3 vs. Veilguard and what I've seen. many thanks to @captainofthetidesbreath for actually knowing things about video games and answering my many questions.

also just putting this up front with all said caveats: if you disagree that is great, I am very open that this is an outside observation and I could be very wrong but I am going to block people who get hostile without warning, and make this nonrebloggable if too many people get hostile. You are always permitted to disagree but like, I don't really care about your opinion if you're not someone with whom I have a pre-existing rapport unless idk you're like, actually a BG3 or Veilguard official story writer who happens to be on Tumblr. If you're a player? You have all of your own biases and they are not mine. Save it for someone who wants to get in a fight about this; I am not that person.

Essentially, what I've seen in terms of criticism from Veilguard that isn't just rampant transphobia comes down to the following:

why am I not playing my previous character from Inquisition again

why am I limited to a fairly consistent through line for the story

But first, I'm going to talk about BG3. What's funny is I seem like a much more obvious candidate for playing BG3, as a longtime D&D player who has come around on Forgotten Realms as a setting. However, while I looked at it for a while, I eventually lost interest for a couple of reasons. One is that apparently all the characters are WAY too eager to romance you which is like, a fun fantasy for 10 minutes but would probably annoy me in the long run. Another is that everyone who watched early reviews and kept abreast with the game told me that there was a clear favorite companion (Astarion) and that many of the characters had most of their interesting flaws sanded down (eg: Wyll was apparently much cockier originally; Shadowheart even more petulant; and as these are perhaps the two characters I was most intrigued by, reducing them to something blander destroyed much of the appeal). But perhaps the most interesting one is that as a boring goodie two shoes sort of person, my thought back when I was like "yeah, perhaps I will play this" was "oh, I do not want to have a murderous urge within me."

It became very apparent, through watching people play through and post on my dash, that if you didn't specifically play as the Dark Urge, and didn't specifically resist that urge, the story didn't really cohere. I have to admit, I know the premise of BG3 very well (tadpoles), and I know a lot of shipping trends (put a pin in that), and I know some of the more obvious points within it (Astarion is a vampire, Gale and Karlach both have bombs in their chests somehow, Shadowheart bleaches her hair) but I don't really have a great sense of the ending, and I did not avoid spoilers.

It feels like BG3 is designed for people who have one of those massive spreadsheets of D&D characters they haven't had a chance to play that are meticulously kept and thoroughly realized...and don't really leave room for modifying to fit the campaign you will actually be playing in. It feels like an OC sandbox simulator unless you do actually pick the choice the writers actually wrote for (Durge), and while it's not technically playersexual...it kinda is. I mean, I am a big fan of the trend in video games towards making it possible to romance anyone because it conjures up the idea of a world of high-powered bisexuals running around, which is very enjoyable for me, but the criticism of the Mary Sue archetype originally was never "how dare you fantasize about being cool." It was "wow, the characterizations are all warped beyond recognition solely so that everyone is in love with this character, and that makes for a dull and unsatisfying story." If you're everyone's type, and it's for romance and not just sheer lust, then either everyone around you is boring and wants the same thing, or you are sort of bland and inoffensive, or else the story is bashing characters together without a good basis for a compelling romance. This is also compounded by the fact that the companions can't get together with each other if you're playing your own character and not an Origins character.

None of this is to say it's bad to like BG3 and again, I didn't play it; but it is why I ultimately said "you know, given the effort involved to play it for me, a person without a gaming system, it's not worth it."

Veilguard has specifically intrigued me for going against a lot of this. You have a lot of choices in your character build, but they're all fairly thematically consistent: you did something within your faction that was well-intentioned but upset higher-ups and so you need to step away for a while. This establishes a personality for you! We know why you're part of a faction but also something of a free agent at the moment. We know why you're here and why you might be a good candidate for the current mission.

I'm not going to go into detail for the choices because while I'm not avoiding spoilers I don't want to spoil a relatively new game for others, but a lot of choices are fairly parallel, not in an "illusion of choice" way - they have consequences - but in terms of hitting similar themes. You can only save one city and both are places you have seen and places your companions have connections to; while the exact details may differ you are telling a consistent story.

I also think the fact that the companions can romance each other in your absence is important too! They exist even when you're not there. They are not just here to woo you, and indeed, they might be a better match for each other. I've been informed this is true in Inquisition as well, and I think it's a much more rich world if you, as the player, as the person who can ultimately decide the fates of your companions, aren't the center of their personal life. I also think it prevents the ability to sand down companions to be more agreeable to you as a player if you have to make an NPC/NPC romance compelling (and I will freely admit that, in a move that is not at all like me, I was pretty well sold by a potential in-game NPC/NPC romance, which is usually not the thing that gets me into works of fiction).

I'm not the right person to speak to the Inquisitor not being a significant character because I did not play DA:I, and I get that 'well, this is a new game with a new protagonist, as there has been for every Dragon Age game' is still not necessarily an adequate explanation. Nor is "hey, maybe it's good to attract new players" even though as someone who is highly attracted as a new player that is my opinion. However, I want to go back to the point about Resist Durge being the strongest option in BG3 in terms of story by a long shot. When I was trying to learn more, I said "ok, so just like how you're Tav in BG3 and Rook in Veilguard, you're Lavellan in Inquisition, right?" and was told that you are not - that's just the elvish Inquisitor option. Obviously this is anecdotal, but the fact that one option was far and away the most popular and thematically resonant is an indication that perhaps bringing forth the Inquisitor is carrying over some of the limitations of that game, whatever they may be. The true argument is "they are trying to tell a specific story here, and it is about a different POV than the one you previously had."

And that's really my point. I know I'm not an expert here - in fact I'm usually quite hesitant to write meta about things in which I'm not highly steeped, and very critical of those people who do - but I think an outsider perspective is useful here. The thing that is drawing me to video games is a new way to experience a fictional narrative (the other game I have been meaning to play - and even own on Steam- is Disco Elysium). That's not what everyone wants! But it is what I want. And so I want to be put into a developed, thoughtful narrative, and I don't mind if my choices are restricted in order to support it, and if I am playing a person I did not entirely choose. In tech, there is a saying of "make it easy to make the right choice (and hard to make the wrong one)" and so if you need your protagonist to hit certain beats, you should make that the required protagonist.

I think a story is stronger if your choices matter but if there is something of a foregone conclusion because it gives the writers thematic throughlines. This might sound a little silly given that this blog is largely dedicated to Actual Play but the thing is, most actual play does have, if not a foregone conclusion, at least a strongly intended conclusion of "work towards uncovering this mystery and achieving this goal", though the success of said goal is not guaranteed. I would argue that when a campaign lacks that, it tends to suffer in all aspects. RPG video games almost always have a foregone conclusion, but that's its own liability. In actual play, lacking a forgone conclusion means you spin off in any direction and it's anyone's guess if it's coherent. In an RPG, having this conclusion but not supporting it through the rest of the game will make it feel contrived. I feel a lot of Veilguard criticism is focusing on small contrivances early on that really mostly matter to a highly specific subset of potential players that prevent much larger and less forgiveable contrivances later on.

Anyway. Again, I am an outsider here, and I'm not here to say that it's bad to have a more open-world, sandboxy game with a self-insert-y OC type; but I have to be honest, I'd rather explore that in a true sandbox of fanfiction or original fiction, which is significantly cheaper and in which I can actually tell the entire story I want to tell. I don't want to be given more choices if a lot of them will be profoundly unsatisfying as a narrative. I don't want to cut through the world like a hot knife through butter. I want to be affected by it, and that's very hard to do with a character whose only trait is "self-insert whom everyone wants to fuck" or "guy that already carries the baggage of years of personal headcanons and highly variable choices that are hard to account for for every single person who ever played the previous game."

[allthingsbucktommy]

This is going to be a long post. Bear with us.

First of all, as you already know, we created this blog because we wanted to bring positivity to the fandom. We are both queer people, specifically bisexual. My partner in crime has been in the fandom since the first season, and I got carried away when he told me about the bi!Buck storyline. We were both very excited about it, seeing two queer men wanting to explore their relationship. Then we saw all the hate towards BTs and Tommy, and we decided to step forward.

We hope we have been able to help at least some of you have a better experience. We have had a lot of fun, we have enjoyed all the good things, we have had bad times because yeah, the hate has been (and will be) too much, we had high hopes of having good representation without stereotypes, but after exhaustively reading all the interviews, we think that the best thing for us is to take a step back.

It hurts us a lot, this has been the first fandom in which we have interacted so much, and also involving a canon couple. We feel disappointed, and sad. Maybe we will watch 911 again, someday, but not for the moment. I, personally, wasn't going to stop watching at first, but my partner decided that he didn't need this anymore, and I don't feel like I have the strength to continue alone. I'll probably continue enjoying the fandom privately, but my partner prefers not to do the same. We apologize for leaving this blog, and to all of you.

And please, don't forget to give your opinion to ABC!

And now that it's all over, let's get a few things off our chest:

Never, in our 24 years in fandoms, have we had to see so much hate. It's deplorable. We hope that 911 does not get carried away by bullying and hate, but we are not so sure anymore. Many people find in fandoms a safe place to express themselves, where they can be themselves, where they can escape from their lives or mental health problems. To all those people who have been receiving hate, csa fics, insults, death threats, etc., we want to say that blocking is a good solution, and getting away from the fandom is often not easy, but we hope that you put your mental health first.

We also know that Lou hasn't been treated as he deserves, in a way, by 911, as have all of Buck and Eddie's LIs. We think they will never get good representation (at least complete) until they openly acknowledge that they have a problem with a certain part of the fandom, and do something to change that.

Well, about the episode and S8 so far, we're just going to say that we don't understand why they decided to implement so many little details and backstory for Tommy and Buck, if this was what they decided to do with them a while ago. We don't think it was fair to either of them, nor was it a good representation for bisexuals and gays. The only good thing was Josh's speech, but in the end it was as if nothing had happened.

That being said (we're sure we haven't said everything we wanted, but this is it), we will be deleting this blog soon. If you need something, you can send us an ask or a private message.

We wish you all the best.

[itsclydebitches]

RWBY Recaps: Vol3E1 "Round One"

Hello, everyone, and welcome to a new collection of RWBY Recaps!!

This is a unique project in that instead of writing purely for my own entertainment, these recaps are part of the Fandom Trumps Hate auction (you can check them out here if you're interested in learning more). Specifically, these recaps are a gift for the lovely Kae who requested some meta on the earlier Volumes, or work that focused on Ozpin and/or Ironwood. I figured that Volume Three would touch on all those requests and, frankly, it's an era of RWBY that I was already interested in covering. Volume 3 was a turning point for RWBY's tone and overall mythology and I'm eager to see what I think of it in 2024, after six additional seasons and a rather chaotic overhaul.

(If anyone is reading this from the future, one of the reasons why it took me so damn long to get the first recap out is because finding official streams of RWBY has become a fool's errand as it changes ownership. Fun!)

Anyway, the game plan is simple: cover all of Volume Three at an undetermined, though hopefully steady-ish pace from here on out. Technically, the deadline for our FTH fandowrks is at the end of 2024, however, I absolutely plan to continue this series past my 5k promise. As always, this will be a RWDE-focused meta (though I'm eager to see how much nostalgia carries me through the season), so if you Don't Like; Don't Read.

Everyone got that? Great!

Now, indulge me for a moment and cast your mind back. It's October of 2015. Pizza Rat is a tumblr icon, Left Shark still reigns, and everyone is arguing over whether a dress is gold and white, or blue and black (it's the former FYI ;). Amidst such quality memes RWBY begins airing again on the 24th, presumably bringing with it another season of stellar choreography and simple, if entertaining conflict. Team RWBY has just helped contain a massive breach courtesy of Cinder's machinations, Torchewick is in Ironwood's custody, the White Fang is falling under Salem's puppeteering, Penny has revealed her android identity as well as her supposed fate to save the world, the girls are beginning to acknowledge the responsibility of their chosen career path, and the mysterious Raven has been identified as Yang's birth mother. All in all, RWBY has a lot to play with going into its third season.

It's notable then that we open peacefully. The viewer is treated to a number of environmental shots to set the scene, including one of the forest with its iconic falling Fall leaves. Ruby is positioned at the edge of a cliff with her signature rose petals drifting behind her. Stylistically it fits the scene, though from a literal standpoint it also implies that she used her semblance speed to get here. Given the momentary reveal that she's speaking to her mom, that's a rather heartwarming detail.

Sidenote: has anyone given any thought to cliffs in this series? It only occurred to me recently how often they show up, often during character milestones. Here we have Ruby talking to Summer for the first time, her (bodiless) grave situated at the end of a cliff. The Beacon initiation involves chucking the kids off a cliff and seeing how they fare, an action that is the catalyst for the group's introductions/growing dynamics. Shooting Oscar off the edge of Atlas solidifies Ironwood's turn from anti-hero to outright villain. Though I'm far from a fan of this scene, Ruby's (ridiculous) near-fall off the cliff during the fight with Cordovin preludes her (supposed) growth in leadership as she stands up to Qrow. Penny lets herself fall from Amity after sacrificing herself to get it up into the air. Then, of course, we've got the girls falling off of Ambrosius' bridge, taking them to a world where - execution aside - the intention was for them all to go through major developments: Ruby is literally reborn, Jaune experiences a lifetime of struggle, Yang and Blake finally admit their feelings, and Weiss... gets over her whole country being destroyed?

Idk, we'll have to come back to that one.

I clearly don't have a big takeaway here, just the acknowledgement that this is a visual RWBY gravitates towards. Might do a whole side meta on it some day...

Anyway, as said we realize quickly this is Summer's grave with her name carved into the headstone along with "Thus kindly I scatter." Notably, she also has her rose motif there and it's likewise prominent on Ruby's belt in this scene. Looking back, we can see how RWBY did a better job at the start of sprinkling in these significant character details before, you know, dropping them completely and then attempting a rapid-fire resurrection. Meaning, I would have bought into the emotion of Ruby giving her pendant up in Volume 9 if we'd gotten these moments consistently throughout the story's run. It wouldn't take much, just a reminder every couple of episodes to maintain the momentum. Give Ruby a scene where she explains that this rose was left by Summer before she disappeared and she's treasured it ever since. Show a flashback where we learn that it was really left behind for both girls and Yang handed it down to Ruby when she was old enough to keep track of it. Give us a minor conflict where it's lost during battle and Ruby unnecessarily endangers herself in an attempt to retrieve it (perhaps in Volume 8, setting up that the object itself is not as important as the intangible love it represents). Hell, keep it lighthearted where Yang gets Ruby something rose related at the gift shop, Nora tucks a Rose into her hair while wandering the wilderness, Qrow gives the pendant a cheeky flick while talking about how Ruby's as stubborn as her mom. My point is there are a million ways the show could have built towards that scene in Volume 9 - ways like showing us that rose on Summer's gravestone - but the show dropped the ball halfway through.

Here and now though, Ruby begins catching Summer up on everything that's happened to her since she started Beacon, which serves as a useful way to catch the viewer up too - both those who, for whatever reason, may have started RWBY with Volume 3, and those who just need a hiatus refresher.

Ruby is delightfully awkward here, a personality trait that I think becomes more forced as the series goes on. She jokes that she hasn't gotten kicked out of Beacon yet - while doing that cute little rock on her heels thing - and says that she's able to "keep [Yang] in line" by being on the same team. She follows that up with, "...that was a joke" which is just quintessential Ruby to me. Love it.

She recaps that Yang has grown a lot as a fighter since Summer left, the rest of their team is made up of Blake and Weiss, together they form Team RWBY and yes, that's as confusing as it sounds. She's stopped bad guys and met some "odd" teachers, including Ozpin.

(THAT'S MY BOY!!!)

Looking back, this is actually a fascinating couple of lines. At least, I think they have the potential to be fascinating if RT had followed a clear writing path. Ruby wonders again why Ozpin let her into Beacon early, but shrugs it off under the assumption that he'll tell her one day. "You know how he is."

Yeah, I do, Ruby. Do you?

We already knew from their initial interaction that Ruby knew who Ozpin was - she recognizes him on sight - though him posing the question implies that he never visited Patch post-her birth. At least, not recently enough for Ruby to have formed a memory of them meeting. I can only assume then that she's heard enough about him from Tai and Qrow to a) be sure of his identity (any promotional material/news about Beacon would have helped with that too) and b) believes strongly that her impression of him formed since entering Beacon aligns with what her parents presumably said about him: "You know how he is." The fact that this is in reference to Ozpin's secret keeping makes me wonder how often that came up around the dinner table. Did Tai ever express frustration, a la Ironwood, that they're clearly being kept in the dark about things? Did Qrow ever dodge the girls' questions about where he's been because he can't be honest about his spy activities, aligning Ozpin's reputation with secrecy by virtue of working for him? The casualness with which Ruby shrugs off Ozpin's secrets to Summer heavily implies that Ozpin's cagey history is both well known to the family and accepted.

Honestly, I would have loved to see this woven into Ruby's core characterization, perhaps even an extension of her "simple soul." Give me a girl who is intrinsically accepting of people, including their need to keep certain things close to the chest. Teammate deliberately kept her faunus identity under wraps? Friend hides the fact that she's an android from the whole world? Ruby accepts them. Ruby gets it. The fact that Ruby does, canonically, accept their duplicity without so much as a blink is, I think, one of the reasons why I expected her of all people to be more sympathetic towards Ozpin's hidden identity. We can argue about the girls' right to the truth via participating in this war till the cows come home, but at the end of the day Ozpin's secrets are intrinsically tied up in his family, his history, and the trauma surrounding both. Let the others get mad, prioritizing information over personal motivations (that does fit their characterizations well, with Blake perhaps being an exception), but Ruby? The show has never been willing to commit to the kind of dark story that would result in a 180 character growth - endlessly forgiving protagonist becomes jaded and cynical as she experiences The Horrors - and little moments like this one further emphasize to me that Ruby, specifically Ruby, is uniquely suited to helping Ozpin not just fight, but finally finish this war. It should never have been (just) about her talent with a scythe, or even the rarity of Silver Eyes. The Gods wanted Ozpin to unite humanity and here's a young woman who unabashedly loves everyone that the world tends to despise: secret keepers and drunk uncles and faunus and Schnees and scary androids. Ruby should have been the emotional bridge!!

Okay, I swear I'm not going to make this series a rehash of my issues with the later Volumes lol. Inevitably some things are going to crop up though.

Moving on, Ruby mentions that Tai is here too and the viewer gets to see his avatar for the first time, albeit from a distance. In keeping Summer updated on her... husband? Wait, were they married? Well, in keeping her updated on her partner, Ruby says that, "He's, you know... Dad," which, unlike the Ozpin line, is just plain funny. Sure, most of her talk is very exposition-y and absolutely functions as a soft lead-in to new content, but that's not to say a story should ever put absurd dialogue in a character's mouth simply for the sake of the viewer. That is, Ruby should never say, 'Oh, Tai is here! You know, my Dad?' because the person she's talking to, Summer, knows damn well who Tai is. Television has actually gotten better about this as a whole. Once upon a time a medical drama would have the doctor yelling, 'Her skin is turning yellow - she's jaundiced! Her liver is failing!' to ensure that the viewer understood precisely what 'jaundiced' meant, never mind how absurd it was for a professional to be shouting that among their peers. (Granted, medical dramas as a whole are absurd. I say that with love.) Despite RT's general inexperience, RWBY belongs to an era of televised storytelling where leaving certain things unsaid is par for the course.

Here, the unspoken information is what it means for Tai to be, you know, Tai. We don't really know who Tai is yet- personality-wise, I mean - so Ruby's comment functions more as a way to set up our expectations rather than to connect with us in agreement. We now expect Tai to be the kind of guy who does things to make his teenage daughter sigh and go, 'That's Dad...' and we, presumably, look forward to seeing that.

Granted, the three things we do know about Tai at this point in the story consist of:

He's a fellow Huntsmen (which is an insane job)

He let his daughter join Beacon two years early to also become a Huntress (also kinda insane but I support him)

He maintains a relationship with said daughter and daughter Sr by sending them their dog in the mail (do I really need to say it?)

Based on that I suppose we can guess as to what Tai is like lol.

He calls Ruby away so they're not late for the match and she sends a last message to Summer over her shoulder: "It was good to talk." As we transition, a murder of crows flies across the sky. Or is it an unkindness of ravens? I can barely tell in real life, let alone when they're animated blobs, but either option works well enough given the upcoming revelation about the Branwen twins.

Cutting to the arena a little time in the future, the viewer is treated to some establishing shots that, while simple, are honestly pretty cool. I believe this is our first introduction to Atlas' floating environments and showing a bit of Beacon Academy in the background helps give us a sense of scale.

This event is clearly popular, with the stadium absolutely packed with people (even more are trickling in from ferrying ships) and, to RT's credit, they did a bit of work to convey diversity in this world. We see a decent variety of skin tones as well as faunus characteristics, to say nothing of the cool designs many of the competitors will get. Beyond the main cast still being overwhelmingly white, I'd say the biggest issue here is the lack of body diversity, what with everyone having the same, stick-thin figure. Yeah, RT is clearly using the same base model copied a hundred times and I'm very aware of their previous status as a small, independent company, but such visuals nevertheless stand out in a series that's been pushing a minority plotline for three seasons.

The camera swoops down to follow Team RWBY in the midst of a battle which, again, is staged in a way that's clearly meant to catch up/invite in new viewers. It's very trailer-esque as each shot lingers on Weiss, Blake, and Yang for a moment before finishing with Ruby, complete with a twirl of Crescent Rose. This is the show visually reminding you of what it's really about. Sure, we might have started with Ruby speaking peacefully by a grave, but at the end of the day RWBY is the story of a team engaging in combat situations.

Oobleck and Port are announcing the event and Oobleck throws out his standard "Doctor" when his title goes unacknowledged.

You know, I started RWBY nearly a decade ago. Four years ago I secured a PhD, so I feel that now.

Port provides another handy info dump for those "just now joining us." AKA the viewer who has no idea what a Vytal Festival is, but this is as good an excuse as any given that people are still entering the stadium. Simply put, all the Kingdoms' huntsmen schools are competing as teams first, then as duos, then as individuals to determine the final winner who will have achieved "victory for their kingdom!" Age and year are irrelevant, which makes perfect sense given the nature of RWBY's combat. You've got young prodigies like Ruby and people who sneak into Beacon like Jaune, and though the other schools/years probably don't have as much drama going on, the variety of semblances, weapons, dust use, and personal experience really makes this anyone's game. A first year might easily beat a fourth year if they won the genetic lottery with their semblance, or a student from School A might trounce someone their age from School B, depending on how much their school has sent them into real combat situations.

Given all that, I kinda wish the Festival had developed the other Kingdoms more, given that it's the perfect opportunity for the cultures to learn from one another and/or butt heads. In a perfect world, one where RT had some sense of where their story was going, I would have loved to see:

Strong development of Vacuo's citizens, especially given that it will be the focal point of Volume 10 and possibly the end of the series (if we ever get that...).

Though the gag that Weiss excepts strict, militaristic fighters from Atlas only to get Neon is funny, that 'Don't judge a book by its cover' lesson really doesn't align well with what Volume 7 and 8 try to push. Better, perhaps, to set up Atlas' dictatorship tendencies before swinging hard in that direction (and I'll get into how what we do see doesn't make the cut).

How Remnant's racism gets displayed in a highly public competition. Do Blake and the other faunus face more discrimination now that they're in the public eye? Do asshole citizens challenge wins because no way did a faunus beat that human?

How different schools approach training their huntsmen. Specifically, everyone seems to abide by the four-person team structure, so why would this competition eventually highlight duos and individuals? It seems counter to what Beacon, and by extension all the other schools, are trying to promote. This setup would make more sense if we were shown that different schools have radically different curriculum. Maybe it's eventually 1v1 because Vacuo's individualist, survival-based culture teaches huntsmen to fend for themselves; teammates are just another liability. Maybe Atlas, being militaristic, prizes safety in numbers and has students train in groups of six rather than four. Maybe Mistral is incredibly semblance-focused (a way to develop Neptune's phobia rather than just making it a gag; a fighter who can't or won't use their semblance is considered effectively useless) and if you can negate that aspect of their style somehow, you find they're lacking severely in weapon-based combat.

Again, I know that RWBY, particularly early RWBY, only had so much time per episode, but looking back it feels like there are a lot of missed opportunities in this world-watched event. None of this is even taking into account Cinder sneaking into the school, or Penny being outed as an android. If any RWBY rewriters are reading this, the Festival is a potential goldmine of characterization and cultural development. If you're going to write random RWBY books, write some about that!

One moment of cultural significance that is shown though is the Atlas security hovering around the arena. They mostly keep to the background, without any single appearance being obtrusive (yet). This is one of those moments where (some) fans look back and say, "See? Ironwood was always a controlling, military-obsessed bastard," but the reality is that this is incredibly tame by real world standards, to say nothing of the realities of RWBY's fantasy world. Regardless of how you feel about the, uh... motivations behind the security in your country (because that's a whole other conversation), you expect there to be some level of professional oversight when that many people are meeting in one place. That's a reality we have to work with, which includes all the potential pitfalls, biases, manipulations, and accidents that come with any large-scale endeavor. Toss in the fact that RWBY's security is designed to defend against man-eating monsters and I'm honestly surprised it isn't presented as dystopian here. Meaning, we easily could have been given a story where people are comparatively safe from grimm in modern day Remnant and the security functions primarily as outside control and/or a fear-mongering tactic. It's not that security is inherently unnecessary, but those walls have done a damn good job for the last generation or so, so why is James so insistent on populating this festival with his probably not-needed robots? Seems sus 🤔.

As it stands, grimm DO attack people on the regular (that was kind of a big part of last Volume's finale), security IS necessary (according to many other council professionals once James raises the issue), and it's arguably MORE necessary now - during the festival - because there are so many potentially negative emotions just waiting to crop up. Instead of "Seems sus," the reaction to having defensive robots around is more, "No duh." At the very least RWBY might have had the characters react to the security with suspicion/fear, even if that doesn't totally track with the rest of the worldbuilding, or better yet, demonstrate that there are major issues with AI leading the charge (robot mistakes kid in grimm mask for real grimm and fires a shot!). Granted, we get that through the hacking at the very end of the Volume, but here and now the Atlas ships seem to be used primarily for transporting viewers, the crowd is fully at ease with these guys, and — as we'll see later — the prospect of additional security in the form of AI is greeted with enthusiasm, not wariness, simply because it will keep real, breathing people off the front lines. Those are all important things to keep in mind when you consider whether a) The show took a very sharp turn in Volumes 7-8 or b) The show capitalized on a long established, slow burn plotline.

(Psst the answer is 'B')

ANYWAY, Oobleck is yelling about the "Spectacular spectacles on which to speculate on!" and I love him all the more. While he and Port narrate we get some non-animated shots of people viewing the Festival from around the world, though frankly it doesn't do much to help RWBY's worldbuilding. Some people watch the fights from a camper outside, others are in a minimalist apartment, still others are in what's basically a bar... if you're looking for intriguing backgrounds to drum up interest in the world outside of Beacon, you're not going to find it here. The presence of various faunus individuals is really the only thing that distinguishes these settings from a show based in the real world.

Onto the fighting! (It's about time :p) The girls are facing off against Team ABRN (pronounced "Auburn") from Haven and they're decent for a couple of one-off characters. I like the design of the girl with the skateboard - Reese - and how her weapon, the board itself, gives her a lot of flexibility in battle. Since it functions as a hoverboard she has a lot of maneuverability, she can use the board as a shield, a projectile, adapt its abilities via Dust, and - of course - she can pull both sides apart to duel wield the guns. Looking at all that flexibility, it is a little lame that she 'loses' that particular encounter with Blake by slipping on the ice, but then we're not really supposed to care about these characters. They exist solely to get us hyped for the battles to come and give a quick primer on how those battles will work. AKA, now we've learned that the battlefield itself has hazards the girls must circumvent.

Blake is cute here though. She's so concerned and I'm like yeah, girl, that looked like it hurt 😬

This whole exchange has that same vibe: one of casual playfulness, which makes perfect sense given that this is supposed to be a fun competition. They're exhibition matches, not real attempts to take the other team out (which is why Yang's supposed act later in the tournament will be seen as so heinous). The guy with the pink hair (Nadir) full on pouts when Ruby successfully traps him in a block of ice and, of course, we have the classic "Got your back!"/"My BFF!" lines in response. The girls are enjoying themselves and that's so damn wholesome to see after all the tragedies - plot and writing-wise - of the later Volumes.

Team ABRN are able to make a bit of a comeback and - *gasp* - the girls have to actually think creatively/combine techniques in order to get the upper-hand. Blake successfully tricks Reese with a clone and catches her in the midriff with a quickly timed ribbon, cleanly knocking her out of the ring. It's here that we learn a team member can be eliminated via leaving the bounds, or having their aura dip too low (remember when that was a thing?) I know I just said there's teamwork, and there absolutely is here, but it did stand out to me how Blake just like... disappears after this moment? I mean she comes back, but it's clear RT wanted each girl to have her moment in this battle, despite the fact that any member who successfully defeated their opponent would be rushing off to help the others. That should be a near defining win condition - defeat one opponent and suddenly it's a 2 vs 1 situation for someone else - but that expectation falls by the wayside until the fight's final moments.

It's a good fight though. Not the greatest by RWBY standards, but it was no hardship to rewatch for this recap either. Weiss pulls out an epic ice hand that ensnares two of the members, now rolling chaotically across the arena, and clearly she thinks this is the end of the fight. However, Arslan — the monk-type who favors hand-to-hand combat (or the one with the "Eastern martial arts influence" according to the RWBY wiki...)— simply rolls her eyes, plants her feet, and shatters the ball with a single hit. Gotta admit, it's pretty cool.

Of course, Team RWBY still comes out victorious in the end. With all of Team ABRN now in one place, the girls have one of those lovely mind-reading moments and pull off a coordinated attack, allowing Yang to sucker-punch them all out of the ring. Again, it's nice to see that kind of teamwork, as well as the adorable way they all stand there, mildly shocked that they won.

I'll take that over the brazen, cocky confidence they've gained any day.

The only thing I'm kinda iffy about regarding this fight is how Team ABRN feels a little less like a full-fledged team to me, and more like a faint Team RWBY echo. It's most noticeable in the Yang vs. Arslan sections where you've got two yellow-coded, hand-to-hand snarkers facing off. Blake and Reese both feel like the cool, alternative style members of their teams, and then you've got the Weiss-Ruby duo trying to overtake the Bolin-Nadir duo. It's admittedly a subtle familiarity that lessens with each example, but it stood out to me in the re-watch; like Team ABRN only exists to give Team RWBY someone vaguely similar to overcome. Which, granted, they do. These are not characters we're going to follow as the series progresses, so in most respects they've done precisely what they needed to do and in a way that looks cool and feels entertaining. So this isn't a criticism, really. More an acknowledgment that RWBY is a series with limits and if we want to know more about these characters/flesh them out beyond their paralleling characteristics, we'll have to do that ourselves in the fanfic.

As Ruby jumps into the air in a victory celebration, we PowerPoint slide cut to the festival later that day where she nearly collapses, asking if anyone else is starving.

Yeah, child. You just made it through a physically intensive battle in front of an audience while existing as a teenager. Of course you're hungry. Blake's stomach gives a giant, embarrassing growl in response and Weiss sarcastically bemoans the fact that there's nowhere to eat at the food-focused festival. Good times, good times.

Ruby: "It's okay, Weiss. I forget about the fair grounds too."

Before they can grab lunch though Weiss declines a call from her father and an old 'acquaintance' suddenly shows up.

Emerald.

You know, kudos to Katie here because Emerald's laugh and, "Good to see you, Ruby" sounds so fake to me now. It just oozes, 'I secretly hate you but am pulling out all my acting skills to convince you otherwise' energy. Obviously RWBY has a host of villains/antagonists that have done a plethora of heinous things, but there's something particularly skin-crawling to me about seeing Emerald in retrospect. Part of it is the deception. I don't know about anyone else, but I personally would prefer a villain who's upfront about their nature from the get-go, rather than one who pretends to be my friend before stabbing me in the back. The first scenario just lacks the same emotional punch, you know? Though the other part of it is, of course, knowing where everyone ends up. Beacon will fall. Ozpin will "die." Pyrrha will actually die, and our heroes will be sent out into a war they're in no way ready for. Yes, Salem is our ultimate Big Bad, yes Emerald has her sympathetic moments and does a heel-turn into "good guy" territory four Volumes from now... but I think the fandom often forgets that she willingly and actively participated in this horror show. This isn't someone just along for the ride because their crush manipulated them, this is someone with a working brain between their ears who has PLENTY of time to consider the ramifications of this and still went, "Yeah, I'll lie my way into orchestrating a massacre."

All this hindsight angst is interrupted by the joke (and I use that term with great reservation) that Ruby must have dropped her wallet because "Girl pockets are the worst!" Sorry, but that has such cis-guy-trying-to-relate-to-women-and-failing-miserably energy to me. Like yeah, I also hate the super small/outright fake pockets that they often sew into women's clothing and I too have smiled at women promoting pockets as part of their independent brands... but somehow hearing the RWBY writers reference it just doesn't land. It's not #problematic, just cringy.

Emerald butters them up a bit by complimenting their fighting and Weiss notes that they haven't seen Emerald's teammates in action yet. We cut to their battle where they dominate the other team, complete with a disguised Neo showing her real eye color before she knocks the competitor out. "[They did] really well," says Emerald in the fakest humble tone ever heard.

Ruby invites them all to lunch and Emerald - clearly horrified by the prospect - dodges by claiming that her teammates are too socially awkward for a meetup. In her defense, Mercury is in the process of randomly sniffing a boot, so although this is absolutely just an excuse, she's also not wrong. Like, at all lol.

Fishing for more info, Emerald asks who's moving onto the doubles round and it turns out that Team RWBY voted for Weiss and Yang. There are three things that I love about this moment:

They voted. Yes, Ruby cheekily tries to make it sound like this is all coming from her genius as team leader, but at the end of the day they decided as a team who would represent them. It's a small detail, but those stand out so much more now that we have Ruby vocally and angrily calling the shots.

(This is a ridiculous side-note I'm 99.9% sure I've mentioned before, but every time I talk about Ruby's intense form of "leadership" in the latter Volumes, I'm reminded of Rick's, "This is not a democracy!" in The Walking Dead. If you know, you know.)

They chose Weiss and Yang. From both an in-world and meta perspective, it's actually a little surprising that Ruby isn't representing them. As established, she's team leader. The team is named after her. She's the protagonist of the show. She's also, canonically, a prodigy wielding an insanely deadly weapon. Yet it's refreshing as a viewer to have a new duo taking the spotlight and within the story-world this choice reinforces Point #1: They're a team and no matter how individually talented any one member may be - or even what titles they hold - they are, at the end of the day, all on equal footing. Why shouldn't Yang and Weiss represent?

The way they both respond to this reveal is dang cute. Weiss' "I will happily represent Team RWBY" while curtseying to Emerald vs. Yang's "Yeah! We're gonna kick some butt!" while slamming her fists together. It's a great contrast and shows why these two might have been chosen. Though powerful on their own, their styles and personality are different enough to compensate for any flaws.

With all that out of the way Emerald rejoins Mercury and her smile immediately drops. She's disgusted at having to get all buddy-buddy with them, but "Orders are orders." She has this classic villain moment where she expresses shock over how they're just so happy all the time and I'm like oh, honey. Darling. Morally misaligned baby girl. Just give it a few Volumes.

We cut to Team RWBY at lunch and aRE THE BOWLS SUPPOSED TO BE THAT BIG?

I recalled that they were big as a visual gag, but not half the girls' size. Honestly? Great choice. I too want to live in a world where you can get insanely giant noodles a millisecond after you order them.

Deviating from the others, Blake nods at the seller dude and receives an equally giant bowl filled with fish. You know, I really wish RWBY had done something with the faunus' animal traits rather than turning them into an endless joke. The concept of a god merging humans with literal animals and then, generations down the line, cat-people being influenced by cat instincts as well as human instincts (because remember, we're animals too) is actually really interesting to me... but navigating the racial implications of that takes a level of nuance that RWBY was never interested in exploring. So we're just left with a Blake who is fish obsessed and chases laser pointers and hates dogs and we're supposed to laugh at all that, rather than buying into her teachings that many people use these traits to dehumanize the faunus.

Anyway, Weiss shows off a bit and pays for all their food. At least, she tries to. Turns out her card has been declined, which is more than a little confusing to her given that she was "barely into [her] monthly allowance." Hmm, could that possibly have anything to do with her ignoring her father's phone calls? Surely no one knows.

Luckily, Pyrrha shows up and offers to pay instead (it's nice having a famous BFF, huh?), but like... what were the girls' initial plans? None of them were expecting Weiss to pay, yet they act like Pyrrha is saving the day by showing up, implying that they don't have the money to cover their meal. The shop guy even takes Blake's fish away, leaving her despondent. So what? Were they planning to eat and just worry about the bill later? Actually, that sounds exactly like something these chaotic preteens would do lol. Yang especially. She was introduced while "buying" a drink before destroying the whole dang bar.

Speaking of teenagers, they all finish their bowls with the kind of appetite only seen in 14-71yos. Although, it was a near thing for Jaune. He's very close to barfing (callback!) and Nora encourages him to "aim it at the enemy!"

She continues ragging on him for a bit, failing to come up with any compliments while hyping up her team. Pyrrha is a world-renowned fighter, Ren is basically a ninja, she can bench five of herself, and Jaune is... Jaune. Nora also doesn't include him in her secondary list which implies that Jaune a) hasn't trained as much (or, more realistically, hasn't gotten as much out of it) as the others, b) doesn't possess an "awesome" weapon, and c) is still frequently yelled at by Glynda.

Poor Jaune. I don't say that very often anymore, but he's going through it here lol.

All of this leads to Nora spiraling at the possibility of them losing. This includes the oh-so-causal drop that she and Ren "have no parents and no home left to go to" which is a HELL of a thing to throw out in a comedically framed breakdown. I mean, being orphans is sad enough, but "no home left to go to" won't be explained until we learn that their town was basically wiped off the map, so damn.

Team RWBY reassures them that a fight with actual rules is nothing compared to what they've already been through. You know, the murderers, extremists, and sociopaths. "Oh," gushes Ruby, "imagine what it'll be like when we graduate!"

As Port and Oobleck call Team JNPR to the arena for their match we cut to Emerald and Mercury settling in to enjoy the festivities. In retrospect, this right here is a really nicely composed shot:

It tells us that Emerald is serious about going through with this destruction (again, she's no manipulated damsel), but she's not getting the same personal enjoyment out of it like Mercury is, as showcased by the smirk. The focus remains on them with Team RWBY framed in between. This is the villains' Volume. They're going to win. Our eyes follow the soon-to-be champions not of the festival, but the battle, while our heroes are literally and metaphorically trapped between them. Finally, Yang is the only one who looks back. We won't know this for several episodes, but she's at the heart of their plan and has every reason to cast the almost-but-not-quite-worried glance over her shoulder. Subtle foreshadowing, how I love thee.

It's shit like this that makes my brain go, "It used to be good! RWBY used to be fun AND occasionally insightful! Those overworked animators were uplifting a mediocre story and the result was good!!!"

As they take their seats who should show up but Cinder, casually using her semblance to pop a kernel of popcorn (power move). "Even if you know how a story ends," she says, "that doesn't make it any less fun to watch." True that! I mean, she's talking about knowing that Team JNPR will be moving on because they need Pyrrha to murder Penny, but I agree with the sentiment outside of that context.

Actually, do they ever explain how they manipulated the fights? I mean, they obviously entered and are winning their own battles and we know that Mercury will be staging his injury with Yang... but here Cinder makes it sound like she's pulling strings in every match. Toss that onto the list of development I would have liked for this Volume: what precisely are they doing behind the scenes? I'll have to pay careful attention going forward to make sure I don't miss anything because right now all I can recall is them looking at Penny's blueprints (presumably obtained via Watts).

Team JNPR's area is randomized into a forest and mountainous land before the battle commences. We end on that cliffhanger, complete with the superhero-esque freeze shot.

And that concludes the first episode of Volume 3! As well as my first recap in a long while. If you've followed me at all you'll know that work has been my personal Big Bad the last two-ish years. Given the scope of my responsibilities and the energy they extract, I simply don't have the time or means to write the way I used to. However, I feel like if I can muster up the willpower to finish this on tonight of all nights (people reading from the future: check the posting date and you'll understand), then I must be getting a little better at carving out writing time in my hectic schedule. All hail self-improvement!

On that positive note, everyone have a wonderful night. Or at least try to. Seriously. Text a loved one, treat yourself to a favored snack, do something that feels fulfilling. Take some deep breaths and I'll see you for the next one.

~Clyde❤️

[bluerose5]

I'm writing this because a) it's my blog, I can do whatever the hell I want and b) I've been seeing such an increase of these types of posts on my dash and for the website/app that preaches that they're about "community", some of y'all are pretentious as fuck when it comes to fandom.

Why am I seeing all these damn posts lowkey belittling people, whether it be in a "joking" sense or otherwise, about how they do fandom? Then the OPs wanna cry in the replies about how they didn't mean it that way when people address it, and some of these posts go completely unchallenged as well. And the fact that so many people are reblogging these posts is so discouraging! Y'all, I hate to tell you but just because you headcanon things for this reason over another, just because you stick to a certain amount of canon compared to others, or you characterize so and so character based off of these specific bits of canon, oooo it's so "in-character"... Say it with me now, THAT DOES NOT MAKE YOU A BETTER FAN IN ANY INHERENT SENSE.

These posts have been veiling these sentiments under joking tones or by specifically trying to make it a preference thing, but there is often an air of superiority to them that is so easy to see, especially as a writer. I cannot stress this enough. STOP ALIENATING YOUR FAN CREATORS BY SUGGESTING ONE METHOD OF FANDOM IS INFERIOR TO OTHERS. If it's not hurting anyone, then be supportive. Now, of all times, is not when we should be tearing others down with these slick ass remarks, thinking y'all actually did something with those posts. And if anyone reading this feels guilty or defensive about what I said for some reason or another, then evaluate why that is and how you can do better to support your fandom creators better.

To any creators who need to hear this, write that crackfic, write that ship with no interaction, write that crossover. Get silly with it, and just write it, no matter what the haters say! I remember when I was younger and just started reading fanfiction, some of my favorite indulgent fics were those where the cast of characters would read the book/watch the movie/interact with their chosen media they were from. Those fics got me through hard times, and I loved the author's notes where the writers spoke with the characters. Point is, don't let anyone take your fun, magic, and joy out of fandom. Don't let them convince you that what you do is somehow lesser or "cringe" because you're having a good time. Somewhere, someone out there is your target audience and they're more than grateful for what you do! 💙

[thymejot]

About your meta, I guess the thing is if you believe that Word Of God is canon or not. Jac Schaeffer said that Agatha was thinking she wanted to save Billy and kiss Rio and that she never wanted to bring Nicholas back. For me it’s not canon unless I like what they say 😝 but the fun of reading meta is to see everyone’s sometimes wildly different takes and in the end of the day people can think anything they want because we all bring our preferences, our bias and even our traumas to it

I believe Agatha truly loved Rio, I believe there was considerable time in their lives that they weren’t toxic to each other in any way and I believe that aren’t done, they still have centuries to work out their issues but I know there are plenty of fans that don’t believe in any if that. who’s right, who’s wrong I don’t think anyone can know and as long as everyone is respectful it’s all good. I just hope this fandom continues to be fun for a long time cause we all need the distraction

It is what I love about shows like this. Honestly, I dont think there is a right or wrong way to look at things.

Like you say, everyone has their own bias and will project onto characters. I really enjoy it when people want to have discussions about the things I love. I really appreciate you wanting to talk about this with me.

And the fact that while you may disagree with me on some points, you are not mean about it and are challenging me to look at things from a different perspective. So, thank you.

While I find it interesting to read up on writers intent, I don't ever take it as gospel unless it is there on screen. Between now and a potential next project with these characters, the writers could have evolved their ideas or changed their own interpretation of the characters. So I try not to hold too tightly to what they say.

Instead, I like to take what I have seen on the screen. The characters have shown us who they are with word, action, and deed. Every choice they have made forms who they are. A show not tell approach if you will.

I agree with you, Rio and Agatha love each other deeply. There was a time that it was far less toxic, and there may come a time when that is true once more.

I want to see them in all of their evolutions and iterations.

I want to see Agatha, the mentor. She has never been one to pull her verbal punches, so she won't take any nonsense. Her dynamic with Billy is so good that I would like to see that explored more.

I want to see Billy explore his powers, find his brother, and grow up a little more without being hardened by the world.

I want to see Jen flourish as she reaquaints herself with her power once more. Still snarky but less brittle. If she ever sees Agatha and Teen, have her just turn around and get the fuck away from them. Because they only lead to death.

In the end, though, my opinion is just one in a sea of thousands. I will write some ridiculous fanfics to get this show out of my system. Maybe make them a bit too oc for my own liking. Hopefully, I will learn from that and get better.

I just want to have fun with things. I don't want to hurt anyone with things I post unless it is superficial emotional damage (I eat that shit up). I hope you keep having fun with it, too.

In the end, as much as it pains me to admit it, these are not real people. So why not just go buck wild with our imaginations and throw them in every conceivable scenario. It's not like it will hurt anyone, so why not.

Feel free to chat with me any time

[crystalkiseki]

shipping is fun until you act as if not dating anyone is miserable and pathetic

[magnusbae]

To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

[lucienne-thee-librarian]

Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly imo likability is not. the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.

[kit-screams-into-the-future]

Okay I saw more of your art and had to come back (if it’s okay)

Maybe this time….King Marty? Like in a kings outfit with the septor

and crown and stuff? Idk

no problem at all! i'm just happy you enjoy :D

anyone with any remote knowledge of historical dress from any vague period or region please avert your eyes.

[cl4ssyjazzy]

I used to always leave a comment on a fic if I saw anything about my interests not being accurately described, but thanks to SVSSS, now whenever I get the urge to correct someone the face of Shen Yuan pops into my head like a ghost of Christmas Past and I avoid being the insufferable "Uuuum.... actually!!" Guy.