#this is what it means to be gay right?

[vegetable-soup-wizard]

I had a friend in high school that I think was in a one-sided dependent relationship with me and sometimes I lie awake at night wondering if they were in love with me or not

[scintillatingshortgirl19]

i think im having a stroke

[batpersik-art]

how are we feeling fronnie nation

[laniidae-passerine]

Our Flag Means Death Season 2 Episodes 6 + 7 Reductress Headlines

[bkdk-bylerthings]

Mike Wheeler is a Gay mess

MY THOUGHTS ON REPRESENTATION/SYMBOLISM ABOUT THAT AWKWARD KISS SCENE AT THE END OF SEASON 3

As we all know Mike Wheeler did not kiss El back, he stood there with his eyes open, arms at his side and then is left there looking more confused then ever.

Want I want to look at in the scene is the Closet and Bear

Let’s talk about the Closet first:

El and Mike are standing infront of the closet, which I find really interesting for them to be placed there.

First we have El, not being able to use her powers to reach the teddy bear so Mike steps and grabs it for her.

Right, he’s the one to reach into the closet. Which now could be the beginning of something, that something of him taking a step into the closet. If you understand what I’m saying here.

…

Then after the awkward kiss, El walks away, leaving Mike near the closest, making no steps to move at all.

He realized he didn’t like that kiss, now questioning something about himself.

So since he didn’t move my point is that he’s now in the closet— and backing that up is what I said before of him reaching into the closet, grabbing what was in the closet.

For that - he doesn’t love El romantically and is starting to realize he has feelings for someone else…

Now to add to all that - The representation of the Teddy bear:

I think the bear could represent Mike’s love and for who he thinks he loves (cough cough El)

As we know El couldn’t reach the bear in the first place bc she wasn’t tall enough, so tries with her powers— this represents and foreshadowing season 4 of her trying to reach (in this case) for Mike’s love for her.

Since she couldn’t reach it, Mike does. Mike hands her his love or this case his actually love of Will, since this bear came from the closet. He is able to reach into the closet bc that is where his Love lies, not El, bc he doesn’t love her like that and El can’t make Mike love her, she can’t force him like she tried to force the bear down—

—like in season 4, questioning Mike if he still loves her.

“But you don’t love me anymore?”

To put it as simply as I can:

The bear represents Mike’s love but a love he put into the wrong hands bc actually he (for the time being) should have left it where it was. His love for Will is in the closet, his feelings for Will are hidden away… for now. He doesn’t quite understand what to do with this thing called Love so he gives it to El while he shouldn’t be.

And so after he stands there confused, he realizes ‘I gave my love to the wrong person’ leaving him standing next to the closet after that realization. He’s almost, confused, sad, in the dark now about his feelings since there is no more light coming from the closet.

I don’t think this is truly what the show wants you to get at here, I just love reaching, and over analyzing things bc it’s fun.

[sunny-rants]

sometimes I forget that yellowjackets is a horror show and not a cute 90s high school sitcom but sapphic, where the goth loner surprises everyone by going out with the geeky theatre kid, and the uptight christian girl chills out when she starts smoking weed with her stoner girlfriend, and the mean lesbian and her butch are running the girls locker room like it’s a gay speakeasy and their exasperated health teacher/soccer coach has to keep getting them out of trouble and no one gets lost in the woods or cannibalized

[gd-dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[cosmicredcadet]

"This fandom is so queer friendly!" This fandom literally hates, bisexual, trans, nonbinary, and aspec people but ok.

[existingingrey]

백공죽 Expanded Version.

[cannibalovers]

the way all the gays have fucked the wrong gays in hannibal is very funny to me

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[corpusdiem-seizethedead]

Angel: Husk let me fell asleep with my head in his lap and kissed my cheek when I woke up. He's so cute. I wish he liked me.

Cherri: *looks into the camera like she's on The Office*

[blund3r-bust3r]

i can't believe jinx went from inventing homophobia to being caitvi's strongest soldier like what can't my girl do <3

[poorly-drawn-mdzs]

I know what you are.

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[whetstonefires]

You know I'm realizing one reason you keep seeing mdzs modern AUs where the Jiang parents are alive mainly so they can dramatically fail and betray Wei Wuxian by cutting him off financially--defaulting on his college tuition or formally disowning him etc--isn't just that people want to translate the Burial Mounds II arc into modern terms while keeping Jiang Cheng clean of it.

(Despite the fact that the internal logic of Jiang Cheng's character is largely built around him being a person who would abandon someone he intensely cared about under these specific circumstances.)

It's because it's hard to set up a modern analogue for the way that Jiang Cheng is responsible for Wei Wuxian, as his Sect Leader.

We live in a highly individualistic society. People are trying to write Wei Wuxian Tragically Wronged, and because there's a normative expectation that people in the position of parents will provide you with resources, and certainly won't withdraw them without warning, but no such assumption that people in the position of siblings necessarily owe each other support, making this work in modern setting with Jiang Cheng in his canon role would require a lot of extra work, just to get a less readily resonant result.

But I keep thinking about it. Because something that's getting lost here is, not just the nuances of character and relationship, but like...it's sort of key to the story that cutting Wei Wuxian off was, in fact, Completely Socially Appropriate.

The level on which it was a betrayal is subtle, and deeply cutting. And intensely tied up in the very different opinions each of Jiang Cheng's parents had about what obligations existed in their family wrt Wei Wuxian, and what these meant.

The level on which it was the obvious, normal course of action is blatant. That is to a huge extent why it happens: because Jiang Cheng's instinct to conform is a survival instinct, reinforced by trauma, and Wei Wuxian's choices meant he had no coherently compelling reason not to obey it, and enormous peer pressure to do so.

The fact is that Jiang Cheng was making a reasonable choice, the actual thing 'anyone would do in that situation,' unlike Wei Wuxian and Jin Guangyao's respective wildly warped ideas about what that is.

Wei Wuxian wasn't betrayed by Jiang Sect like your foster parents cutting you off because you're disobedient. Wei Wuxian was betrayed by Jiang Sect like your brother refusing to drop fifty grand to bail you out of jail.

Of course Wei Wuxian tells him not to. And of course the fact that Jiang Cheng already chose in the moment not to pay a cent because Fuck You Wei Ying still stands there glaring, a precedent that can never be taken back.

And then later he's betrayed by Jiang Cheng like your brother cooperating with a police investigation into a manslaughter you really did commit, that's being handled like domestic terrorism. And then like your brother calling the cops on you. And then like your brother helping the cops find where you're hiding.

I'm personally fascinated by the way Jiang Cheng's lifelong resentment for the way Jiang Fengmian reliably bailed Wei Wuxian out of everything informed those decisions to do the normal thing, the way he's reacting against his dead father as well as against Wei Wuxian and the actual situation.

But even without that daddy issues angle, the fact that the person who made that choice was Jiang Cheng, and that it was simultaneously the reasonable appropriate normal upstanding citizen rational thing to do and so shitty Wei Wuxian would be entitled never to forgive it is sort of. The Point.

Of the scenario, and also to a considerable degree of the entire finely tuned narrative construct that is Jiang Cheng.

[susansontag]

I think the issue mainstream shows have with portraying lesbians and lesbian community in general is sort of that these shows have liberal outlooks and this sits uncomfortably with the fact that lesbian women specifically have historically, but also now, had a close proximity to feminism (something else that popular shows also have a hard time seriously portraying). sure there’s loads of young liberal lesbians but when it comes to lesbian organising and ‘lesbian culture’ it seems like a deliberate omission, like the writers don’t know how to approach lesbians politically. and depicting gay men and bi people is not the same, it doesn’t have that same connotation, so you can do that as fun and apolitical as you like. but when all your dykes are mostly feminine young women with shaved legs it’s going to feel inauthentic to real lesbian spaces in a noticeable and uncomfortable way. I guess that’s why these writers probably prefer gay men’s culture. an easier sell to the mainstream.