#this is the meta we needed!!

[bruciemilf]

“Bruce is emotionally incompetent and can’t step outside his own morality” yeah it’s a character flaw.

“Dick is extremely stubborn and thinks he’s right all the time” yeah it’s a character flaw.

“Jason has hypocritical tendencies” yeah it’s a character flaw.

“ Tim is entitled and doesn’t think about people when seeking results, and often acts uncaring” yeah it’s a character flaw.

“Damian is rude and bratty” yeah, it’s a character flaw.

Also, some people may not even regard everything listed above as flaws.

Having negative traits allows incredible flexibility within your characters, what makes them intriguing, what makes them easy to relate to. If you want to write people, then write people. But they can’t be good and clean all the time.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[soliloqueeer]

When I first watched this episode, I was very confused about Lestat's motivations for being at the trial. During Claudia's execution, I kept thinking, why isn't he moving? Just do something. Help her.

I understand now that Lestat, at this point, is much weaker than usual for reasons that haven't yet been fully explored. From interviews with Sam Reid, I also learned that there was no way Lestat would miss this trial. However, Lestat isn't a planner—he arrived, memorized his lines, yet was utterly unprepared for what was about to unfold. The only thing he knew for sure was that he was going to save Louis. That was his sole plan.

When Claudia says, "It's never been about me," you can see the guilt and shame in Lestat's eyes. Yet, when she announces her plan to kill everyone in the crowd after her death, he's staring at her with pride.

I believe Lestat did a lot of reflecting while in his coffin, pondering how he ended up in this situation and what led his fledglings to turn against him. I think he was actually proud of Claudia for successfully orchestrating his murder. She outsmarted him, and he had entirely underestimated her. This final act of violence made them equals in his eyes.

However, I don't think Lestat ever truly saw himself as a 'father.' He had no example of good parenting in his human life and this had no idea how to treat a child. From the beginning, he was referred to as Uncle Les while Louis took on the paternal role. Then, when Claudia became an adult, Lestat was forced to regard her as a sister.

The idea that someone could look to him as a father wasn't even conceivable to Lestat. In Claudia's final moments, when she looks to him like a child looks to a parent for help, it is horrifying on so many levels. It shocks him to his core when he realizes that he is her father and that he's letting her die right before his eyes. And even worse, Claudia was right—it was never about her.

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[danielsarmand]

guys. guys. guys. look at me. i beg of you to think about it for one single second. do you really genuinely honestly think that armand. 514 years old never turned a human never made a vampire. would make his first and only fledgling OUT OF SPITE? look at me in the eye. come on. i know you don't genuinely think that

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[fumifooms]

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

-

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

[emmafrostyyy]

y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...

sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me

It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.

She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.

Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".

They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.

In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.

Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.

She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.

Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.

I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo

Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.

I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.

They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.

They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.

Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.

Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[ineffably-human]

So here's my problem.

And it's not about Nandermo, not exactly anyway. Because I didn't expect Nandermo to become textual until the very end, if at all. The show kept making it clear that they liked their ambiguity to keep the relationship on the razor's edge, and Paul Simms made it clearer and clearer that for some reason (put a pin in this) he just couldn't see their connection as a sexual one.

But I frankly don't care about that, because if anything is canon in this show it's that the vampires will eventually fuck everything, and Nandor canonically fucks his other friends. More importantly, their connection was always the emotional core of both characters. And Paul always did say he saw their relationship as a romance, if a strange and non-sexual one.

So I figured we'd maybe get Nandor confessing that Guillermo meant a lot to him (and immediately walking it back a little), or Guillermo confessing how lost he feels without his vampire dream and Nandor offering him a place. Maybe an ambiguous, could-just-be-queerplatonic-partners 'I love you'. Maybe just the hug they kept teasing for three or four seasons and never got. We got like...half of two of those, in episode 10, so I guess that's a wobbly semi-fulfilled thing by my definition of it.

But it's not the Nandermo of it all. It's the Guillermo of it all. And how this final episode seemed to almost mock Guillermo's place at the emotional core of the show.

And the Guillermo of it all is why we never got the Nandermo of it all.

Shadows has vampires doing absurd-ass things, but every character also has things they want and feel, and there are various amounts of emotional ink spilled about it. The show has found space, sometimes very poignant space, to take that seriously in between the piss and sex jokes. The vampires change very slowly and in spirals, they repeat a lot of their old issues that stem back even to their mortal lives. But they always try.

And things do change in the vampire house; that is not the same household from the first season. Every single character, right down to the Baron and the Guide and Derek, are in different and better places than they were before the show began. They've made progress in their individual desires, and a lot of that is due to the improved connections they have with each other, connections we've watched them foster. A lot of the time it's because they're talked about as a found family, something Guillermo started and Guillermo believed before any of the rest of them did.

---

So where is Guillermo this season? Our human point of view, our dynamic character, the character who has a dream and wants something more than any of the others? Whose dream drives the storyline of the entire show?

Guillermo has chosen to be human, and he thinks he can't be part of the household if he's not a vampire. We watch Guillermo try to throw himself back into the human world trying to make up for lost time - to the point that he forgets the person he called his best friend, the people he called his family, in a way I think we never fully resolve. He thinks he's thriving, and he doesn't even seem upset about leaving the others behind.

We watch him revert (and that's fine, people revert sometimes) to the same waiting lapdog he was when we started the series. We watch him realize that and he says no. Nandor stands up for him, and feels better and more fulfilled in doing so, and that's a great capstone for Nandor and Nandor's own tendency for selfishness. And that's excellent. Episode 10 was a great start for all the ground they had to cover.

Nandor offers for Guillermo to be his partner in crime. His sidekick, but Guillermo expressed that desire back in season one so it's not an insult inherently. But here's the problem. Here's the part of Guillermo that has frankly always been a problem, because I thought it's something the show was eventually going to cover respectfully, and instead it was always part of the joke.

---

Guillermo is someone who made a decision sixteen years ago as part of a very young man's desire, to be respected and have cool powers, to live forever, to see the world. (He somehow thought being a vampire, and only a vampire, could get him those things but that's a rant for another time.)

That young man has grown up. He's in his mid-thirties, he has a body count. We've watched him at various times be empathetic, clever, cunning, and brave. Also extremely sexy in bodyguard gear. (And for some reason, the show keeps wanting us to forget that for a season he was extremely competent and badass and sexy pretty much all the time, and he seemed thrilled to be in that role, and he didn't even care about being a vampire if he could protect Nandor in that way and be regarded as 'part of the team'.)

Then Nandor dresses him in a stupid cowboy costume, and gives him a sidekick name ending in 'Kid', which he seems less than thrilled about. They all still talk about him the entire episode as if he's a disobedient child. The vampires speculate if Guillermo is having a fling with the crew, but no - Guillermo's had one boyfriend, who we saw him hug once and nothing more. Despite living in a house for fifteen years that is openly raunchy and shameless, he seems like a character designed to be both desexed and humiliated, and they never expand on the reason why.

(And if Guillermo were ace it'd be amazing, hell it's my headcanon at this point, but I don't think that's what they're going for. I think the show just desexualizes Guilermo. As a matter of praxis. For some reason.)

And the show has done this more and more to Guillermo in the later seasons. Nandor says he could steal original!Freddie easily from Guillermo if he wanted to. The vampires laugh at the thought of him being a vampire - "a little bat pooping everywhere," and Guillermo's time as a vampire has him basically feeling no different in his sexuality or, after a very brief moment, his confidence. Even Nandor's big climactic moment in Episode 10 has him saying that just because Guillermo isn't as cool or hot or interesting or strong as Jordan (or Nandor) doesn't mean Guillermo deserves to be treated poorly.

Look, I don't know if it's because Harvey Guillen is babyfaced, or because he's fat, or because he carries a different energy to his masculinity. Or because it's great to talk about gay sex and being horny, but writing a gay relationship is just too hard. Or some fun combination of all those things.

But I keep thinking about everyone freaking out when Nandor swooped into the collapsed floorboards to save Guillermo in season 4, and everyone freaked out and swooned. And Paul Simms expressed that as "[Nandor] has to save his little buddy."

Guillermo is a grown-ass man, with a desire to feel powerful and special and accepted, who Nandor sees as his little buddy. (Who everyone in the house sees as their little buddy, and it's nice he's part of the family, but...) After every emotional beat that makes them seem like equals with a special connection, he reverts to the less-cool sidekick who makes Nandor feel special and important. And Guillermo's prior devotion to Nandor - not to vampirism, not to a job or promotion, to Nandor - changes to other things, but Nandor never figures out why that hurts him so much. And for some reason the deepest bond of the series just isn't sexual, the showrunner just can't see it that way, in a house where everyone's fucking but not you Guillermo.

We're at the end of the story, and that's our punchline.

---

And we don't end on one of the points where Guillermo is asserting himself as someone who deserves to be taken seriously, and given the things he wants - and the show has had plenty of those moments, all of which seem to be building and evolving his relationships over the years.

We end on Guillermo being told that suddenly, the documentary is packing up without any fanfare or clarity on what they were looking for in the first place. We get Guillermo stumbling for clarity on what it all meant, what the point was for him and what his life is going to be now. We're told over and over again the documentary (and Guillermo, and the viewers) needs a satisfying capstone, needs emotional closure.

And the vampires tell him to shut up. And they tell him this has all happened before, and none of it is special to them. ("No human is special," Nandor said several episodes ago, and never went back on it.) And they tell him to do a little dance for their amusement, and Colin recites some pithy lines. And every attempt to take a moment to care about Guillermo's journey, or the core of his character and what he needs, is turned into a joke for him and for us.

Guillermo's looking for a point to it all, for some kind of fulfillment, and there wasn't one. And everyone is satisfied in that but him. And even if there were times Guillermo got the chance to be respected, to have cool powers (which he kept, but the vampires keep forgetting them), to live forever (he will die and leave Nandor someday!), to see the world - none of these things are going to come to him now.

It would make absolute, complete, and devastating sense for Guillermo to feel he's outgrown them and to leave. Nandor doesn't even seem upset enough to try and stop him. We never really get a clear reason about why he decides to stay.

I mean, it's for friendship or something, with a line about how they can still be close but he needs 'his own thing'. But in six seasons, over and over and over, we've been driven back to the idea that the most emotional part of this story is Guillermo's desire to become accepted in this family, and the effect he has on Nandor. That Guillermo needs this home and he consistently makes Nandor softer, kinder, less selfish and more fulfilled when they're together.

But those parts of their relationship, the love story parts, don't matter. Guillermo is going to find 'his own thing' when it's been clear how entrenched in this world he is (right down to his DNA), but Nandor will drag him back into shenanigans anyway, probably keeping Guillermo from whatever 'his own thing' is.

And Guillermo will always be Nandor's sidekick, his little buddy, never to be taken seriously. And one day, Guillermo will die, and he'll be someone they all forget. And for some reason, he'll be just fine with that, because he belongs with them but will never really be in a better position.

And he'll be satisfied with that. For some reason. But I won't.

[ardentpoop]

[secriden]

Not to be a Style apologist, but I feel like some viewers haven't quite picked up that Style's brand of wooing Fadel is quite literally intentionally designed (by both the writers and the character) to be as annoying and frustrating as possible.

Lets consider:

Style thinks his bff is in love for the first time in his life. He thinks Kant is genuinely down bad for Bison: let’s not forget his clear surprise when Kant agreed to give up the car. As far as Style is concerned, Kant is acting really out of character and it's because Kant desperately wants to be with Bison.

He also thinks the only thing standing in the way of True Love™ is Fadel, who according to Kant is being unreasonably difficult about Kant and Bison dating. He doesn't know that Kant has a secondary motivation, nor does he know about the mind games that Bison is playing with Kant. Worse, he has no frame of reference or context to make any of Fadel's animosity towards Kant reasonable.

Moreover, while I think we all agree that Style made a terrible first impression on Fadel, the same has to be said of Fadel towards Style. Like, yes, absolutely Style was in the wrong, but Fadel came off as not only condescending and impatient, but unreasonable (and very weirdly cagey) when Style tried to immediately offer a resolution. Again, Style has no frame of reference for why Fadel would first demand that he take responsibility for his actions and then immediately after claim to have no time to entertain Style's attempt to take said responsibility.

Also, it doesn't help Style's wounded pride that Fadel keeps 'besting' him at every turn. So at this point I think a significant portion of that initial attraction (in ep 1) has shifted to annoyance when it comes to Fadel. By the time he gets his hands on Fadel's information, I think he's more than a little invested in some payback. While I think Style very much still wants to help Kant (and Bison) out, at least a part of him figures as long as he keeps Fadel busy, he kind of meets his goal. And if he gets to embarrass, frustrate and otherwise harass Fadel along the way, all the better!

You can see him start to have some fun with it. He ramps it up SO much in ep 2. He gets to lean into that wild, brash, playful personality because he doesn't really care if Fadel likes him. Style gets to be dialled up to extremes, and I love that for him because he's honestly kind of justified because he knows so fucking little about what's really going on. I think it's only fair if the other 3 are playing 4D chess while Style only has the Uno game rules in front of him, he gets to be the most Unhinged about it.

So, yeah, while I absolutely agree with all the posts out there that recognises just how reasonable and polite and tired Fadel is, I do think we need to give Style some credit here. He's absolutely SO extra, but he's also the one, arguably, that has been lied to the most and I feel that he deserves some slack for that.

I'm so glad he figures out some things in the next episode because my darling boy deserves to at least somewhat even the playing field.

[bluberryfields]

This is what happens when you're raised by TV and trained in literary analysis

Beyond the crushing heartbreak of that finale, one thing in particular has stuck with me when I look at it in the context of S2 as a whole.

He lays out their relationship, "We're a team, a group. A group of the two of us. And we've spent our existence pretending that we aren't."

He then turns his head away and says, "I mean, the last few years, not really."

He pauses here, facing the interior of the bookshop. Really looks it up and down.

Turns back, "And I would like to spend" before choking on his words and looks toward the window. He can't finish saying something like "And I would like to spend eternity with you" because that's too much, too fast, for both of them.

But it's that "last few years" bit that has firmly lodged itself in my very broken brain.

According to Gaiman, it's been "a few years" since the end of Season 1. Armageddon has been averted. Heaven and Hell have reluctantly retreated. Crowley and Aziraphale have been effectively cut loose from their "sides," leaving them to form their own side.

So at the start of Season 2, we get a glimpse of the “fragile existence” they have carved out for themselves. To me, the biggest difference that we see is how they exist together in front of others. Going to the coffee shop, the pub, and the other shops along the street that Aziraphale has lived on for over 200 years. And don’t forget how they act in front of Nina, Maggie, and sweet, dim Muriel.

At the coffee shop, Aziraphale stammers a bit when Nina asks who Crowley is, but he still seems to have affection in his voice when he says, "We go back a long time."

Compared to Shakespearian "He's not my friend! We've never met before. We don't know each other!" panic, this is an incredible difference.

Of course, each time, Crowley is cool and cheeky and does nothing to indicate that they aren't a pair. Though, of course, he does deny it when Nina asks about Aziraphale being his side piece. “He’s not my bit on the side! He’s far too pure of heart to be anyone’s bit on the side.” And refers to him as an “Angel [swallows]I know.”

When they go the pub, Crowley's joy at doing something together in public that they do not normally do is super cute, including his cheeky order for Aziraphale's sherry. Then, when bringing the drinks over to the socially trapped Aziraphale, he greets Mr. Brown with a truly adorable, "Hello" and a signature DT smile. Then upon hearing how “excited” Mr. Fell is to host the meeting, he looks down and says, “Oh? You astonish me.” while Aziraphale sips his sherry and squirms.

We also watch as Crowley follows Aziraphale as he goes to each shop and talks to the owners about the meeting/secret ball. In theory, Crowley has no reason to tag along, and he certainly doesn’t help sway anyone who doesn’t want to/can’t go. He goofs around at the magic shop. He splays out on the bench, chin on hand, looking for all the world a husband waiting for his wife to pick out a dress at the department store. They are so married it’s ridiculous.

Finally, their behavior in front of Muriel while inside their sanctuary. Crowley sits on the arm of Aziraphale’s chair, somehow looking supremely comfortable on the old-fashioned furniture. He folds up those gloriously long limbs and presses himself as close as possible.

He smiles and plays along with Aziraphale’s coaching of Muriel in her disguise. Calls him Angel and asks to speak in private. And at the end, during the awful wait while Aziraphale talks with The Metatron, Crowley cleans up the shop and tells Muriel that he and Aziraphale will need some “us” time after all this. No beating around the bush. 

Without oversight, they can be openly together and happy. But Heaven just can’t let that happen. 

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[conundrumoftime]

One of the fun things about shipping Haladriel and about Galadriel's story in Rings of Power, for me, is that we know exactly where this is going to end up. And I wanted to babble for a bit about where that place is because I have seen so many people view it as "she is retired to some woods to be a passive wife-and-mother who can do magic but in a mystical New Age-y way", and: no! No.

So a quick overview of where she will end up by LOTR:

Very much not removed from the war against Sauron.

She is constantly mind-battling against Sauron: One of the lines that inspired McKay and Payne's whole show was her talking about this: "I say to you, Frodo, that even as I speak to you, I perceive the Dark Lord and know his mind, or all of his mind that concerns the Elves. And he gropes ever to see me and my thought." In one of the versions of the Annatar story in Unfinished Tales, Sauron immediately realises she will be his 'chief adversary', and has apparently not changed that assessment 3500 years later.

She co-ordinates joint efforts against Sauron: The White Council that Elrond talks about in LOTR, the combined force of Ring-bearers, wizards and elf-lords that first drives Sauron out of Dol Guldur - she's not just on that, she founded it.

She gets Gandalf back after Moria and the Balrog: Galadriel learns what's happened to Gandalf from the Fellowship when they arrive in Lothlórien. The the Fellowship are sad; the elves of Lothlórien mourn; Celeborn loses it a bit and says Gandalf 'fell into folly'; but Galadriel sends Gwaihir the eagle to get him, returns him to health, updates him on the situation with Boromir, gives him some messages to take to the others, and sends him back on his way.

She is possibly in Lothlórien because of its position of strategic importance: from Unfinished Tales here, she 'saw that Lórien would be a stronghold and point of power to prevent the Shadow from crossing the Anduin in the war that must inevitably come' and that's why she and Celeborn go there. (There are other versions as with almost everything else in Tolkien, but this is one of them.) She's not there to hide away from Events.

2. Calmer than in TROP, but not all-wise and all-sweet and still pretty scary.

She is still tempted by power and world domination: "I do not deny that my heart has greatly desired to ask what you offer [...] In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the morning and the night!"

And, she doesn't just turn down the One Ring because it's abstractly eeeevil. She turns it down because she knows what she, specifically, would do with it. Sam sees a vision of the Shire, and tells her "I wish you'd take his Ring. You'd put things to rights. You'd stop them digging up the Gaffer and turning him adrift. You'd make some folk pay for their dirty work," to which she says that yes, she would: "That is how it would begin. But it would not stop with that, alas! We will not speak more of it."

And saying she wants to rule the world here is not me joking about! This is Tolkien describing that moment in LOTR:

It was not until two long ages more had passed, when at last all that she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full-grown and she rejected it

People are scared of her: The only scary moment we directly see is the Ring temptation, but she does other unsettling things. When she meets the Fellowship she tests them by reading their minds and offering something they really want to see if it would make them "turn aside from the road and leave the Quest and the war against Sauron to others." (She offers Sam a garden; the One Ring later on tempts him with the same thing.) Even the hobbits are a bit disturbed by this and Boromir, who's already said he doesn't want to go into Lothlórien because people who do that never leave again, absolutely does not trust her.

Éomer, a few chapters later:

'Then there is a Lady in the Golden Wood, as old tales tell!' he said. 'Few escape her nets, they say. These are strange days! But if you have her favour, then you are also net-weavers and sorcerers, maybe.'

She's scary! She's ancient and powerful and people are scared of her.

3. Married, but not in the character-limiting way the nerdbros want it to be and would have you believe it is.

I am not telling anyone they should ship Galadriel/Celeborn or even find it interesting just because I do, but, the angry nerdbros fancasting Celeborn as Henry Cavill and talking about how he'll come back to tame her and tidy her neatly out of the narrative are writing their own little AU headcanons because that is not what's in the text.

She's the more powerful one. Partly because she's one of the 'High Elves' - she's Noldor and has lived in Valinor seen the light of the Trees - which for various reasons about the way Tolkien's elves work just makes her more powerful, partly because she has a Ring of Power and Celeborn doesn't. It's her Mirror; she's the one reading people's minds; she's the one locked in endless mental battles with Sauron; she's the one the Rohirrim (whose lands border Lothlorien's) tell each other scary stories about. Celeborn at no point ever seems to have an issue with this, and calls her his 'treasure'.

They work together. Even in a big-action-sequences sense: after Sauron's defeat, Celeborn 'led the host of Lorien over Anduin in many boats' to Dol Guldur, where Galadriel 'threw down its walls and laid bare its pits'. But the rest of the time, too: she says of him that 'together through ages of the world we have fought the long defeat'.

You really get the sense that they have been married for a loooooong time. An actual sequence of events in LOTR, somewhat condensed:

The Fellowship reveal there's a Balrog in Moria;

Celeborn goes "!!!!", complains about dwarves waking it up and says he'd never have let Gimli into Lothlorien if he'd known that;

Galadriel smacks Celeborn down for being rude to their guest;

Celeborn apologises to Gimli;

Galadriel tells the Fellowship that Celeborn is accounted the wisest of elves;

Boromir says something about "old wives' tales";

Celeborn, whose wife is one of the oldest beings in Middle-earth, tells Boromir not to be so dismissive because "old wives keep in memory word of things that once were needful for the wise to know";

Galadriel hands Celeborn a drink.

Whatever is going on here is clearly something that works for them, is what I'm saying! And you don't have to find their marriage interesting just because I do, of course; but what it's not is some trad fantasy of domestic subservient-wife anything.

So where her TROP story ends up is ultimately with LOTR Galadriel: powerful, important, tempted to rule the world, a bit calmer than in TROP, a bit happier than in TROP, co-ordinating big strategic efforts in the war, married to someone who's got her back and adores her and they fall out a bit sometimes but generally work pretty well together, and still having Sauron constantly trying to get into her head. I am fine with this! I am more than fine with this.