#this is not relevant to the post at all

[secretly-a-catamount]

Anyway you cut it, either romantic or platonic, Bridget and Ella had more chemistry than Red and Chloe.

[tanoraqui]

I just love love love that there’s a guy wandering about Dungeon Meshi going, ‘but what are the socioeconomic and geopolitical consequences of this fantasy quest adventure, both while it’s ongoing and after its inevitable completion?! The skillset required to find and kill a Mad Mage is different than that required to responsibly, benevolently and effectively rule a kingdom. I personally must either find a good candidate, somehow make one, or, most likely, take on the whole Mageslayer/King role myself.” Except he doesn’t have the first skillset, and his whole party keeps dying while these highly competent chucklefucks wander past, kill and eat the monster, and save their bodies for the nth time. Kabru would demand to know if Aragorn is familiar with Gondorin tax law. His isekai energy is off the charts, because this is all exactly what I would do if dropped into a fantasy quest adventure, right down to repeatedly dying due to not actually being suited to the genre conventions.

[mcybree]

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[phibsies]

nobody asked, but all the bros have nicknames for Branch :3

[14dayswithyou]

💖 DAY 4 SNEAK PEEKS! 💖

Hiya Angels!! ^^ Here are some of the Out Of Context™ screenshots I recently shared with the 14DWY Discord boosters... Who also have early access to Day 4 as of right now!

So if you'd like to skip the wait and go on that aquarium outing with [01010111 01101000 01101111 00111111] right now, feel free to join the Discord community and boost the server! Otherwise, keep checking Tumblr and Twitter for more updates and screenshots ^^

[daz4i]

good evening i have made a bunch of hsr memes last week and this isn't even half of them. hope everyone's having a lovely and enriching day ✨ or else

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[irregularjohnnywiggins]

You ever have those moments where an idea just... won't leave your head?

[coral-canary]

New Kohane card……. She’s so cute…. She’s infodumping to her….

Also does anyone else remember when Kohane and An talked about riding the Ferris wheel in Phoenix wonderland together alone at night during Time to hang out so they could enjoy the sights.

And. And Kohane’s trained is her looking at someone while riding a Ferris wheel over a neon amusement park at night (with the neon being in her and An’s signature colors).

No…. Just me….??? Ok……

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[ceilidhtransing]

If you hear Republicans speak to other Republicans, you'll hear a lot of them say that they really don't like Trump for whatever reason (many of them aren't fans of the felony convictions, his personal manner, his business dealings, his family life, or whatever else) but that they'll still be voting for him because he'll get them closer to what they ultimately want. They're pragmatic; they don't demand purity in their candidate. They recognise him as their strategic choice so they'll set aside the issues they have with him and vote as a bloc. That's what makes them effective at getting their way. That's how they win elections.

And boy I wish we had more of that attitude on the left. Imagine what we could get done.

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[popppyfur]

sometimes when i like characters thisssss much i like drawing unnecessarily complicated comics of them having a normal ass conversation

[devotedlystrangewizard]

"ok but not all aroallos are WHORES not all aroallos are SLUTS some of us are NORMAL" ok? maybe i am a whore. maybe i am a slut. who gives a shit. shoutout to horny aroallos shoutout to aroallos who have a lot of sex shoutout to hypersexual aroallos