#this is like if a few of the last episodes never happened

[kaythefloppa]

Wild Kratts - Chimpanzee and Me - Thoughts

The last of this week's new episode premiere, released online today alongside Salamander Streaming and Bumblezzzz. Will air on TV this coming Wednesday so as always, spoilers ahead!

K, so huge confession but Zooboomafo was the only other show by the Kratt Brothers I distinctively remember watching. I watched a few clips of Kratts' Creatures, but mistook them for WK as a kid. This is most definitely a callback to some Chimpanzee adventure episode in KC that I did not happen to pick up. So it's totally lost on me.

That being said, my prediction of references to previous Kratt Brothers' works reigns supreme (and for those who view all four Kratt Brother shows in one hollistic "canon" here's some ammo for your fan-theories).

Look at those delicious yummy grapes... wonder if they're being saved for later.

I will still never forget when the synopsis for this episode came out about Chris spraining his ankle, as well as when a synopsis for the clip came of him tripping on grapes. The constant memes and reactions omfg /silly

But seriously this man is in PAIN. This season for what it's worth, does a lot of angst and in ways you'd never expect.

I've never sprained or broken a limb, so I'm probably in no place to talk, but from the looks of that frame, Chris bent his ankle pretty damn good. He's definitely gonna be on hiatus for the next few weeks (which could ironically be taken metacontextually since after this episode we'll be on another hiatus until next year when the live show comes)

Ok let's talk about the villain's plan here. He wants to replace his Zachbots with a Chimpanzee he can roboticize to do his work. Here are my many thoughts and takeaways from this, some of which, definitely are just me reaching.

A step up from his dumbass plan in the last episode. Not threatening, but motivations that are actually sensible (but still evil though).

More than once have I seen the theory floating aound where Zach programmed his bots to be smart enough to obey his commands, but dumb enough to where they won't turn against him. I assumed that this episode was going to end with the cliche of Zach's creations turning on him as laser guided karma (hint it doesn't) so it really puts things into perspective.

Considering how we are getting two Zach-related episodes in a row, coming just off the heels of Our Blue and Green World, I like to headcanon that Zach's overall character in this batch of episodes is some form of response or byproduct of the events of that special. Because between Paisley's sudden betrayal, Donita's callous threat of physical violence in the previous episode, and his henchmen's limited intellect, he realizes how much he is fundamentally losing control, both in the villain team, and in his own endeavors as a villain. He's slowly, yet consistently and constantly being knocked down from the pedestal that he views himself on, and by trying to change the status quo with a new animal assistant, he thinks he can keep himself up at the top where he thinks he belongs, completely oblivious to how he's his own worst enemy. Yes, I'm overanalyzing all 3 episodes and I love it.

This is another moment where I HAVE to use my one-video-only-free-card to convey the point across because a certain scene is that good. This is only a 34 second action sequence where the chimpanzees are running from the Zachbots, but holy hell the background music. I had to isolate the background noises just to share it with y'all so you can see my point as to how the music absolutely carries this scene. Pure West has always gone so hard with the scores in this show, but they were absolutely on fire for this brief chase scene. I actually tensed up seeing the Chimp's mother getting torn away from her baby as the music swole up. Yet another reason why PBS should release an official soundtrack for the series, it's so fucking good.

Ok so Chris doesn't activate Chimpanzee Powers, nor does he invent the disc but goddamnit! This entire plot is so cute, and dare I say, the episode actually works better with Chris not being the one to activate the suit.

Now I can use my allotted time to point out how much I love this scene and why it makes this episode very well-liked for most people, myself included. This isn't the first PBS Kids show to educate viewers on non-verbal communication such as facial expressions and sign language, and it's definitely far from the last, but it's a really sweet and sincere moment that's both educational, and really good rep for people who use sign language. It gets its point across efficiently and could very well reach out to any children at home who use ASL. It's magnificent.

Also, Leah is fun, I hope we see her more in future eps.

THE CHIMPANZEE POWER SUIT

Ok I take it back: This is definitely the best designed Creature Power Suit of S7. I remember dreading it because of how alike Chimpanzees and Humans are physically, but oh my god I am so glad to be wrong. It's giving full Season 1 vibes (looks a lot like the Orangutan Suit, total sense), and I am all FOR IT.

And again, I feel like I would/should be angry or disappointed that Chris didn't activate the suit, but again, the plot actually works better without him using the suit, and the design of the Chimpanzee Suit itself is so good, everything just comes together neatly.

Bro is in his peak.

I mean, still peak.

Joss pointed this out better than I could, but there are a lot of varied facial expressions for Zach in this episode. As mentioned earlier, during the hiatus in between Season 6 and 7, new builders and riggers were hired on the animation team for Wild Kratts, many of them likely fans of the show themselves. And again, seeing as there's a 2 year gap between S6 and S7 in terms of development, there's bound to be some slight differences in rigs or models. Which is definitely why we get a lot of moments like this in the episode.

My two cents. I can definitely see why people would be caught off guard, and yeah, at such a high frequency it can get off-putting and requires some getting used to. But at the same time, I kinda dig it, just for the camp factor. It also somewhat reminds me of some of the facial expressions used in the pilot episode, (which has the stronger excuse of different animation + art-style to back it up), but yeah, definitely something that catches the eye.

Zach's hair is defnitely giving Kovu from Lion King 2 and I mean this in the worst. Possible. Way.

This entire scene can be seen as an allegory for two different types of parenting. Zach takes harsh, demanding approaches, speaking without listening for the sake of control, all out of a place of emotional unintelligence and immaturity, which alienates + drives away the child; Whilst Chris takes a more constructive, compassionate, understanding, yet still direct approach to get through to the child/chimp, allowing for a proper solution to the issue at hand. Yes, I'm pointlessly over analyzing even more but in an episode where communication is the main focus & moral of the episode as well as the resolution to the climax, I have to wonder if someone, whether it'd be the writers, animators, or even network execs did it on purpose. Because once again, you could takeaway a really good lesson for kids, and even adults with this interpretation in mind.

Oh yeah, once we get past that stuff, the climax of this episode is like, really fucking hilarious. And Zach getting mind-controlled by his own helmet is still a good dose of laser guided karma.

CONCLUSION:

Cons:

A few of the facial expressions can be a bit jarring. Again, Joss pointed it out perfectly how this episode could've been earlier in S7's development so these adjusted rigs probably can and will get better. I wouldn't even say it as a con, it's just some little thing of the episode that doesn't really lower my overall opinions.

This is a personal nitpick of mine; Not a critique. I think we could've seen more of the chimpanzees in action. I'm talking about face-offs with gorillas (which I think we might get an episode on that in the future, idk), hunting monkeys, leopard attacks! But I do get why it wasn't in the episode, it would've just bogged down time. Frankly, the only reason why I'm putting the cons first is because there is so much I have to say otherwise.

Pros:

The animation overall

The backgrounds

The Chimpanzee Power Suit

The Chimpanzees themselves.

The Background Music

Chris angst!!!!!!

The A plot and B plot perfectly complementing each other, which makes certain writing decisions that could've fallen short, work so much better as a result in execution!

Zach not being a dumb POS like he was in the last epiosde!

The chimpanzee designs!!!!

The very well-handled representation and depiction of sign-language and lessons of communications to its young audiences!

Final Ranking: 9.2/10. Our Blue and Green World and No Name Dream subverted expectations (mainly through Paisley's redemption and the S1 callbacks + the return of the Draco Power Suit). This is the first episode of Season 7 that exceeded my expectations. It is far better than how I thought it would be, and the experimental writing that this season has been hinged upon thus far hit the mark entirely when it came to this episode. So much so that it actually raised the already-high expectations I had for the new season. It is that. Fucking. Good. I'd easily call it a contender for one of the best episodes of the season, but again, we'll have to wait and see.

[weirdgenetic-fuckup]

helloooo hiiii haii hiii

do you think you could write a fic (duff x reader) w duff being a big softie w his s/o and taking extra care of them while they’re going through a little depressive episode, just making sure they’re taking care of themself and giving em gentle cuddles and reassurance n fluffy shit? that would be super sweet <3

Warnings: Depression, idk it's mostly fluff but if you think I missed something let me know otherwise enjoy!

You honestly never saw it coming, but Duff did.

You felt yourself getting more tired more easily but just chalked it up to not getting enough sleep, you stopped eating and also thought it was just from not getting enough sleep.

Soon you were laying in bed, it was almost 3:00 pm and you hadn't moved since you woke up.

The phone was ringing every hour but you never answered, then it was every half hour, every fifteen minutes. Duff was calling you like his life depended on it.

The past few weeks he'd been listening to you complain about hurting and being tired and this, that and the other thing. He knew what was happening but you didn't.

He'd been taking you out more, dinners every other night -at first he tried taking you to restaurants but then you started saying no, not having the energy to go out. He'd come by and help with things around your apartment, washing the dishes, doing laundry.

He always tried to include you in these activities but at some point you just stopped answering to him.

You heard a knock on your door but didn't want to answer it, you didn't want to get up. It took you too long to realize what was happening and now you were just blocking everyone out.

The door opened and you knew it was Duff, you'd given him a key the last time this happened for when it happened again. This was again and he came right to your room with take-out from your favourite fast food place.

He sat next to you on your bed. He didn't wait for you to turn to him, he wrapped his arms around you, under your arms, and pulled you up. Your body slumped against him but it was better than laying down. Small victories.

He opened up the food and helped you eat, holding it to your mouth and waiting for you to take a bite. "Eat." He said. "Eat it or I'm painting your face with it." You shot him a look but took a bite, a small bite but a bite nonetheless. "Good, keep eating."

After the first bite you wanted more. You didn't feel like doing much but it was still your favourite food, you couldn't turn down your favourite food.

He stuck with you, he didn't push you to do a whole lot. He made you change your clothes and move to the couch while he took care of some cleaning.

You were laying on the couch on top of him, nuzzling into him as you watched a movie.

His arms wrapped tightly around you, occasionally kissing the top of your head or your forehead, your temple.

"Guns is going on tour." He said, running his fingers through your hair.

You nodded. "I know."

"I know you know." You looked up at him, resting your chin on his chest. "I want you to come with me." Your brows raised at that.

You'd never gone on tour with him before, it was never even a question more of just 'I'm going' 'call me every day?' and it worked fine for the both of you.

"You... want me to come?" You asked hesitantly. "What about, like, groupies?" He gave you a look.

"Groupies, seriously? I have you and I want you on tour with me, in my hotel room, in my bed, in my arms." He stated, giving you a gentle squeeze. "There's no reason you can't come, you're coming."

"I have work."

"Quit."

"I can't just quit, Duff!" You groaned, swatting his chest. He smiled. It wasn't a lot but it was a glimpse at your usual self.

"You don't need your job, you have me." In fairness, you don't know why you don't already live with Duff, very rarely are you separated, usually only tours stand in your way.

You laid your head back down on his chest. "I can't quit."

Duff let out a heavy breath. "Quit or don't quit, you're coming with me and that's final."

For the next week Duff stuck with you, every day encouraging you to do a little more. He helped you shower, starting with warm bubble baths, lit candles around, when you got in the shower he was with you, washing your hair for you, then you'd wash his hair.

He had you help him with dinner, letting you sit on the counter and just talk to him while he did the work, then he'd have you dry the dishes after he washed them. You had a washing machine but he felt this would be better.

Soon he had you going on walks around the neighbourhood and packing your bags.

You were by no means fine by the time the plane took off, but you were doing better. Every night Duff would pull you tight to his side, kiss your forehead and tell you how much he loved you, how important you were to him.

You were standing out on the balcony of the hotel you were staying at. It was a cool night and you were wearing one of Duff's shirts, the way the city lit up was beautiful to you.

"You're gonna catch a cold." Duff said, coming out to join you, wrapping his arms around you and resting his chin on your head. "Can't have you getting sick on me."

"Because then I'd have to leave?" You asked, taking his hand in yours.

"Because then you'd get me sick and I wouldn't be able to play." You smacked his arm and he laughed.

He sighed softly and rubbed your arms, giving them a gentle squeeze. "I'm glad you came." He said, voice soft in your ear. "I like being here with you."

You nodded. "I like being here too... with you."

"Glad I'm an after thought." You shook your head at him, turning in his hold to face him and nuzzling into his chest.

"Thank you." You said softly.

"Don't do that." He said, rubbing your back. "I didn't do anything special."

"You brought me here."

"Ok, yeah, fine, you get that." He said with a smile. "That's just because I'm a band, a good one... Don't thank me for the other stuff."

You looked up at him curiously. "Why not?"

"I didn't do more than what any other good boyfriend would do... just like you help me before planes, I help you through these. It's just what we do." He explained. He looked down at you, cupping your face in his hands. "You're my perfect girl, don't forget that." He leaned down and kissed your forehead, then your nose and finally your lips.

[teecupangel]

Been holding a thought on my brain for too long abt putting Desmond in Situations: have you watched Dimension 20's The Unsleeping City? At least s1. Bc 1) watch it, it's so good & 2) I specifically in this situation think abt Bad Weather being the normal version of the bar in Broadway that Kingston & Misty go to. Pre-canon Desmond seeing past the Umbral Arcana & getting involved in magic shenanigans..... Yeah.

You know his latent Eagle Vision is peeling out & seeing the magic shit happening in New York City. You KNOWWWWW. Please tell me one of your followers has been thinking this too.

I have good news for you, nonny, because I have just started watching Dimension 20 this year but I am a slow watcher so I’ve only gotten as far as the first 3 episodes of Unsleeping City season 2 (atm, I think my fav D20 moment is with the Bad Kids’ “Spring Break, I believe in you!” XD). I’m one of those few people who’s pathway to D&D and TTRPG is Oxventure→No Rolls Barred/Chaotic Neutral→Mystery Quest so I am absolutely late to the party XD

Anyway, for this one, we need to do a bit of housekeeping.

I’m basing this on the title of the opening theme New York 2006 because I think that’s the year Season 1 was set (feel free to correct me though)

This means that Desmond would be 19 at that point and we can push it that he’s already working in Bad Weather.

Now, I like the idea that Bad Weather is the normal version of the bar that Kingston and Misty goes to but, may I suggest an alternative?

An earlier possible way to add Desmond to all these shenanigans is to make Bad Weather one of the bars Sofia and Kugrash go to for their ‘hairy baby free drinks scam’.

Towards the end, maybe the last bar they go to, Desmond walks up to Sofia and requested that they leave because the big rat pet she had would make other customers uncomfortable.

Sofia and Kugrash are already drunk at this moment but they hear Desmond call Kugrash a rat and are like “you can see him???”.

Kugrash immediately remembers Desmond as one of the homeless kids he helped when Desmond first moved into the city and had clocked him as ‘strange’ because there was something about him that felt... not exactly magical but almost magical-adjacent.

This ends with Sofia and Kugrash inviting Desmond to their new party as a recruit (with Sofia thinking both (1) this boy needs someone in his life to take care of him and now I’m trying not to cry because my cheating (as far as she knows) husband and I never had kids and (2) maybe he and Pete can get along as newbies with me)

And that is how our Intrepid Heroes managed to recruit an Assassin Rogue who may or may not multiclass to Gloom Stalker in a different playstyle to Liam Wilhelmina.

.

Unorganized Notes:

This is a Desmond who doesn’t know about his destiny or his ancestors but his training on the Farm is so ingrained into him that it makes him a Rogue.

Because of his lack of knowledge, we can argue that he could turn into a Thief Rogue instead of Assassin in this one because he had never assassinated anyone before.

In terms of playstyle, he’d actually be more a close combat attacker that uses some kind of switchknife with sneak attack being part of 'bonus action: hide -> main action: sneak attack')

Another suggestion I have is for Desmond to subclass as Phantom, more because of ‘Whisper of the Dead’ where every short or long rest, he can gain one skill or tool proficiency and the flavor text describes it as one of the ghostly presence shares its knowledge to the user. Desmond has no idea what this means because this is pre-canon but this is actually his ancestors managing to create a link to him in some form thanks to the Umbral Arcana mixing with his ‘destiny’.

If you want Desmond to be given the illusion of choice and not be a Rogue, we can make him a Warlock ‘worshiping’ an unknown Fathomless. In this setup, they don’t know who Desmond’s patron is and Desmond himself just shrugs because he can do magic so that’s nice. Part of his deal is that he receives messages from his patron in the form of texts on his phone. They all come from an unknown number he can’t call and the texts are always like ‘The Scholar is pleased with your desire to learn about the history of this place’ or ‘The Prophet is worried of your health and asks that you requests your companions for a rest’ or ‘The Hunter suggests you still find a weapon even if you are using magic’ and this is some weird shit even for Kingston because it seems like Desmond has multiple patrons or maybe even an entire pantheon of unknown gods/beings.

Abstergo is going to be so fucked in this one because, by the time they try to kidnap Desmond, he’d probably be around level 10~12 and maybe even living with Pete in his apartment.

And yes. Desmond absolutely knows Ricky as Mister March as well XD

[gay-dinasaur]

"This tastes weird," Sam say, taking Dean aback.

He raises his eyebrows and waits for his brother to correct himself - Sam has done a lot of things in his life that pissed Dean off, but he's never acted disrespectful towards the food Dean made him, at least not since he was old enough to read and write.

"I said it tastes weird," Sam repeats, now looking just as confused as Dean is. "What I meant to say is, I don't really like it, but I'm gonna eat it anyway out of politeness," he adds, not really making things better.

Sam stares in dismay at the soup and Dean does the same. The liquid looks the same it did a few minutes ago, nothing out of the ordinary, just a plain pumpkin soup.

Perhaps too plain, for Sam's refined taste.

Normally, he would make a joke and leave it at that, but this situation is too similar to something they've been through and Dean does not like it one bit.

They both look at Jack, who has been up to this point contently eating said soup, apparently without any complaints.

It takes him a few seconds to realize what's happening, but then he's shaking his head. "It wasn't me," he says, shrugging his shoulders.

Dean really wishes he didn't believe him - that way, they could do something about it and fix it, but Jack has probably been affected by the spell as well as is telling the truth.

"Ah, great," Dean sights, "fucking great."

Sam finishes the soup quickly and excuses himself, running out of the room as fast as his giant legs carry him.

Jack tells Dean that he didn't mind the soup at all, which raises Dean's mood a bit before he starts washing the dishes. It's distracting enough that Dean doesn't notice the remaining inhabitant of the bunker walking into the room.

"Do you want help with that?" Comes the gravelly voice and Dean drops the plate he's holding.

Thankfully it doesn't break, only falling a few inches into the sink.

The water is still running as Dean stares at Cas, who tilts his head at him after a few seconds.

"Uh, sure," Dean manages after carefully thinking it through.

Last time, some people even said their truths out loud unprompted, just yelled them out for the world to hear. Dean can't let that happen here. He has to finish this as quickly as possible and then get the hell out of earshot.

Which, fuck, probably means at least a mile, since Cas is an angel who can hear lot more than he should.

Good news is, they both have an appreciation for silence. Sometimes, they don't need to talk, don't have to talk. It's incredibly rare and incredibly calming. Dean doesn't have to fill that silence, doesn't have to make sure Cas isn't angry at him. They just are. Right now, they are standing next to each other, shoulders pressed together and it's relaxing like few other things in this world.

Which is bad, Dean realizes - but only after the words leave his mouth.

"I love you."

That's it.

Three little words; three stupid little words and Dean's life as he knows it is over.

Cas stares at him, unmoving, and Dean thinks about what to say to salvage the situation before coming up with nothing.

Cas stares some more and then carefully puts down the glass he was drying.

Dean's hands are empty too and he's not sure what to do with them.

Cas doesn't seem to have the same problem - his hands grab onto Dean's, holding him in place and Dean realizes he was starting to back up out of the room.

"Dean," Cas says, like he always does. Dean doesn't think anyone else has ever pronounced his name like that.

"Look. It's just... It's... There's this spell, I didn't... I didn't mean to say that. At all, I didn't want to say that, I didn't..." Dean continues mumbling, feeling worse every second as Cas' face falls.

It's subtle, but Dean has years of experience reading his angel - Cas' mouth freezes in place and he sets his jaw and Dean knows he's going to let go of him and pull back just before he does.

Dean's hands feel cold, suddenly.

"What do you mean?"

"You remember what Jack did, after we lied to him? Well, he's not the one responsible, this time, but it looks like we can't lie."

"Ah," Cas responds, turning away.

"Wait."

"What, Dean? You wish to repeat it again, you wish to make it clear that you don't love me like I love you? Because I already--"

Dean interrupts him by pressing his lips to his.

Cas sights into it and then blinks up at Dean when he pulls away. Then he lowers his eyes to Dean's lips and they both lean in again, not wanting to be separated for long.

Dean's brain is nothing but fireworks, the notion of kissing Castiel so novel and yet so right, like this is what they are supposed to be doing.

He doesn't know how long have they've been kissing, but if it's anything less than a century, it's not enough.

"Guys, get this--"

Sam shrieks after turning the corner.

Dean - very reluctantly - pulls of Cas to glare at his brother, who promptly turns around and runs out of the room for the second time this hour.

"So. I take it that you do, um, love me?" Cas says sheepishly.

"Yeah." Dean swallows.

"I do."

Suptober, Day 26 - Enchanted

[jonesandashes]

[only-lonely-www]

So basically ATLA brain rot has hit me like a truck

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[dazais-guardian-angel]

this torture we're going through with the anime must be divine karma for slandering Bones all this time...... they said "oh, you don't like how we adapt things? you say the manga does it better?? okay then, well now there is no more manga. it's Bones or bust, bitches."

[moonlitlex]

ok. final thoughts on doctor who season 14 (2024) (because maybe if i say all of this i will finally stop thinking about how much i hate this season)

short version: i'm this season's biggest hater. if this season has a million haters im one of them. if this season has 1000 haters i'm still one of them. if this season has one hater it's me. if this season has no haters it means i have left this world. if the world is against this season i am with the world

long & nuanced version (under the cut)

i'm just really, really, really disappointed. i've always said that good writing can redeem any project, and it kind of feels like they just took it in the exact opposite direction this time. there's so much that went wrong and like 99% of it is down to the writing. i did a rant on my youtube channel (which i'm not gonna link here because i want to keep these accounts separate) and it was like an hour long so i'm not gonna go into detail but i'll just go over my main issues with this season

fifteen lacks depth. i think he's a very generic doctor lacking his own eccentricities. after the first season the doctor usually has quite a distinct personality, but i don't think we got that with fifteen. just compare the kind of characterization fifteen has at this point to like... eleven in his first season. he was a lot more fleshed out. we got to see multiple facets of his personality. it seems like they tried this with fifteen but everything we got to see ended up being really surface level. the susan thing just kind of happens. the rogue thing just kind of happens. he faces racism and he's just kind of incredulous and then the episode ends. it's not explored. the show just moves on to the next thing and we don't get to see how he deals with it.

ruby lacks depth. similarly, i think ruby is a very generic companion. she's a young woman from present day london which isn't in and of itself a bad thing but it's not backed up by much. like, what do we actually know about ruby? she's adopted? she was left on a church doorstep by her biomom? she loves her mom but is still disappointed she can't find her bio parents? these are all plot relevant things. what do we know about her outside of the stuff that is necessary for the plot? job? friends? life before the doctor? there are a few tiny glimpses, but not enough to make her a developed character.

fifteen and ruby's relationship is boring. they never fight. they never disagree. they never argue. they're never angry with each other. they never challenge each other on anything. they're shown to have this amazing best-friend rapport but it's never developed or fleshed out. it just kind of happens. one second they're meeting and the next second they're bffs who never disagree about anything and are always on the same page. it's just not an interesting dynamic.

i found ten and donna to be a very compelling dynamic but that's because they actually have a real friendship and have to deal with conflict and challenges and disagreements. times when the doctor and companion challenge each other are interesting. this is a feature of some really beloved doctor who stories for a reason. dalek wouldn't be so well loved if rose just agreed with nine the entire time. the conflict makes the story more compelling. meanwhile ruby can't even muster an ounce of discontentment with fifteen for the entire season.

season finale payoffs were not compelling and are in my opinion a result of prioritizing shock and surprise and social media buzz at time of release over telling an interesting story.

sutekh is not automatically a compelling villain and the way that arc is written is so... bland. he appears and kills everyone and the next episode they just hit the reset button. fine, doctor who has done this before, but there was interesting character writing back then to distract you from the baffling story decisions.

the season 3 finale had flying jesus ten but it also had interesting character dynamics. this one had sutekh defeated in the most confusing way possible (if he got his power from the time vortex why is it killing him now....) but there's barely anything going on in the character department. it's rtd so i expected hamfisted deus ex machinas, but i didn't expect the lack of care on the character front.

the susan thing was just... it came out of nowhere, didn't really make much sense, and then it immediately disappeared. the doctor thinking it's his susan was just confusing for me and it didn't land. like why would susan.... do that? why would she be basically following him around the universe by weaving herself into the scenery everywhere he landed? this is never even addressed. they just get the tardis anagram and he immediately jumps to it being his susan and you're not really sure why he's so convinced and it's never really explained.

ruby's mom being a normal woman literally just doesn't make any sense. it's never explained. "we thought she was really important" doesn't just do all the inexplicable things. why and how is ruby able to make it snow if her mom is just a normal person? why does the song in his soul scare maestro so much? why is sutekh of all people unable to figure out who her mother is? the reveal is played as a criticism of the audience for building up ruby's mom to be this huge mystery, but it wasn't the audience doing this - it was the writers. these are the clues they laid out and they're never explained. "doctor who is more fantastical now" also doesn't make any sense. fantasy has rules too. you can't just do whatever you want. the world still has to be internally consistent. the reveal by itself is a nice moment but it's just disappointing that they decided to laugh at the audience for taking their show seriously.

i've seen a lot of people compare ruby's mom thing with clara's impossible girl thing. i would like to point out 2 differences that make clara's impossible girl arc superior. first - clara's impossible girl arc never tries to weasel its way out of the mystery. the point is that who clara is is more important than the mystery surrounding her. ruby's mom mystery tries to erase the mystery entirely. second - clara's impossible girl arc is resolved the way it is because of clara. clara is a person who takes an action because of who she is. it shows courage and selflessness and care for her friend. ruby's mom mystery is solved by ruby and the doctor finding a database where they can match ruby's dna to her mom's. it doesn't say anything about her character. her character is irrelevant to the resolution.

i've also seen it compared to the hybrid thing from season 9, but with the hybrid there was never anything unexplainable happening in the first place so "it was just the characters obsessing about it all along" makes sense because it literally is just the characters bringing up the hybrid all the time.

the individual episodes are not... good. here are my opinions on each of them

church on ruby road - ok introduction, weird pacing, the goblin song was just tonally off compared to the rest of the episode

space babies - genuinely makes the doctor seem like a sadistic asshole at times like he keeps laughing at the literal babies for being scared of the monster and this is played for laughs (???), boogeyman reveal thing literally came out of nowhere there was no setup and it made no sense and was never really explained, a lot of tonal whiplash in this episode, poor exposition choices at the start

devils chord - maestro was a fun performance but nothing else about this episode is interesting, there are no beatles, the 4th wall breaks are tonally inconsistent with the rest of the season

boom - ruby gets sidelined but making ncuti act without being able to move any of his body slaps as a concept and while it was too on the nose, the thematic messaging aspects of this episode are coherent and don't talk down to the audience, some side characters get to be relevant to the story and moderately developed (mundy, splice, the dad), splice's actor was far too old to be delivering those lines and it didn't land well, the dad ai defeating the ambulance ai was a bit too much but was in line with the power of love and faith theme so i'm conflicted on how i feel about that

73 yards - did nothing right. there are a few minutes of good welsh folk horror at the start before that aspect of the story is undermined by those people in the pub. ruby gets no character development. the horror atmosphere is abandoned at the start and the horror concept is abandoned entirely partway through the story in favour of the political stuff with roger ap gwilliam, which is kind of resolved in a really anticlimactic scene which doesn't matter anyway because everything just gets undone at the end of the episode. there are no answers.

it's not a good horror story because 90% of it isn't horror. it's not a good political drama because nothing happens. it's not a good character study because we don't get to know anything about ruby's character. i genuinely think rtd has forgotten the kind of stuff he's written because he called this the best thing he's ever written and it's literally not even in the top 10 doctor who episodes he's ever written. like midnight is right there. the waters of mars is RIGHT THERE. this episode is all setup and no payoff.

also - i might just be autistic, but the "can i pay with my phone" joke doesn't land because not everyone can actually accept digital payments yet! it's like... an extremely normal question to ask. i literally ask all the time unless i see an "apple pay accepted" sign because sometimes the answer is "no, we only take cash or card". i know it was supposed to be something about how ruby thinks she's in the past or welsh people getting wrongly stereotyped for being backward but maybe rtd should've come up with a line that would actually be offensive and not just a completely normal thing to ask in 2024.

dot and bubble - this is probably my most controversial take. i hate this episode. i think it's a poorly written bad episode. and furthermore i think only people who are disconnected from all discussion around racism think it's got genuinely good commentary. for MOST of this episode, it's a "kids be on they damn phones" thing. like, genuinely. lindy can't even WALK without her phone. there's nothing in the episode to tip us as the audience off to the idea that the dots hate them because they're racist. everything in the episode is pointing at "the dots hate them because they're stupid as fuck because they're always on that damn phone".

lindy at first seems like a flawed but sympathetic character, and this could genuinely have worked with the racism commentary. if it's about them being racist cause they're sooooooo fucking stupid, maybe don't have lindy be an irredeemable extremely racist character who kills someone. maybe she's repeating all the rhetoric she's heard her entire life without ever thinking about it. maybe trying to convince her racist friends to give the doctor a chance gets her socially isolated. maybe it's about echo chambers and social bubbles. maybe lindy as an individual has no malicious intent either way but she still behaves in a racist way and still ends up siding with the racists because they're her friends and she wants to fit in and be part of the in group and trying to not be racist because the doctor seemed kinda nice got her socially ostracized so she perpetuates racism regardless. but none of this is what happens. this is a reading you can get out of it if you're really dedicated to reading into a story written by a guy who doesn't give a shit about racism.

lindy and all her friends are stupid and bad and racist and the doctor is still desperate to save them for some fucking reason and he doesn't even get to SAY anything to them, he just laughs incredulously and that's his entire reaction. the commentary in this episode is baby's first lesson on racism. it's a message of "racism is bad and stupid" tacked onto an episode with a message of "being on your phone is bad and stupid".

it's shallow. it has nothing to say. it's very clearly a story about racism written by a white man who has never had to even think about racism. the entire writer's room for this season was white as well. rtd didn't even think he should maybe consider giving the racism episode to a black writer. he just wrote a full episode where the message is "racism is bad you guys" and patted himself on the back for his social commentary. i think it's embarrassing that people praise this episode for opening their eyes to racism in the real world and helping them understand it better. literally all that tells me is they've been closing their eyes and covering their ears every time a person of colour talks about racism. like black fans have literally been talking about racism in doctor who for decades and clearly none of you listened to any of them because you're here watching an episode with an "omg racism is bad guys" message going "wow, i never though about it like that!" that's because you're an asshole.

"wow i didn't even notice that everyone in this episode is white!" that's because that's not out of the ordinary for doctor who. or for television in general. this isn't revolutionary commentary. it's an indictment of the season 14 writer's room that they thought they could write this episode without even taking a look around their own writer's room and thinking "huh, everyone here is white too. maybe we should try to change that." this show has been predominantly white for MOST of its history. i'm a huge critic of the chibnall era but at least that guy hired poc to write for the show. at least the bad racism commentary in rosa (which was, to remind you, "the future racist is wrong. racism is bad. also the entire civil rights movement was basically a happy accident") was written by a black woman. at least the weird british empire glorifying shit in the partition episode was written by an indian man (to be clear, stuff written by poc also deserves to be criticized. my point is just that at least chibnall had the basic common sense to hire people who knew more than him to write these stories). rtd didn't even consider this. not even a cowriter.

it's just embarrassing to watch white fans falling over themselves analyzing how this episode is soooo deep when it's simply not. racism isn't silly goofy stupid. it's dangerous. it gets people killed every day. it's even more ridiculous that the racism is addressed in the future episode but not anywhere else! fifteen goes to 60s england and... nothing. he goes to 1800s england and nothing. sure, future people are racist. whatever. are we seriously sanitizing the real, actual, real life racist past of britain? and then patting ourselves on the back for it? and ricky september being considered not racist? like, reading a book doesn't suddenly make you not racist. racist people aren't necessarily idiots. plenty of highly educated people are racist. making ricky explicitly racist while also a clearly smart character would have added nuance to this episode, but rtd didn't do that. watching a black man beg and plead with rich racist white kids to please let him save their lives is just... ridiculous.

there are countless (and i do mean countless) works by actual people of colour that discuss racism in a far more nuanced way. that go beyond "racism is bad and racist people are stupid". there are specifically black british shows you can watch that actually address racism and have real commentary on it outside of what you would expect a toddler who has just learnt about prejudice to say. shows that aren't about coddling while people. watch shows made by and for people who aren't white. read books written by and for people who aren't white. and don't just watch and read this stuff to "educate yourself" on other people's experiences. watch it because it's art. because it's entertaining or funny or interesting or dramatic, just like stories that are about white people are allowed to be. and stop praising an episode with a racism is bad message for being good racism commentary. seriously. we already know racism is bad. this is embarrassing for you.

dot and bubble was a "kids be on they damn phones episode" with "racism is so bad guys" tacked onto it and white fans fell over themselves explaining how it opened their eyes and it was so deep and meaningful and powerful and it was none of those things. it was bland and shallow and honestly really boring they spend WAY too long hitting us over the head with how the kids are so stupid cause they're on their damn phones. you should be embarrassed. if this episode was the first thing that made me realize racism exists and is bad you couldn't waterboard that out of me. grow up.

rogue - rogue was an underdeveloped jack harkness ripoff, there's no development of the relationship between him and the doctor, ruby got nothing to do, the proposal came out of nowhere, the chuldurs were an interesting concept but they literally didn't even do any of the larping they were there for apart from the one who was lady emily. murder is not a prominent part of bridgerton or similar regency era romances that they were supposedly there to cosplay

legend of ruby sunday - this episode is literally 99% exposition. like i'm not joking. there's exposition and exposition and exposition for the whole episode and at the end sutekh appears and kills everyone. also "i will kill everyone" is like. not a compelling motivation. doctor who is full of guys who want to kill everyone. there's nothing making sutekh particularly scary or compelling apart from the fact that he thanos snapped the whole universe and that's also not particularly scary or compelling because he spares the main characters AND because you know they're gonna hit the comic book reset button next episode. sutekh being attached to the tardis since pyramids of mars is unconvincing personally (it would've made more sense if it was since wild blue yonder)

empire of death - ??????? ruby's mom is just a normal woman. they leash sutekh like a dog and drag him through the time vortex which kills him for some reason and also hits reset on his kill switch for the whole universe and that just fixes everything. ruby calls her biomom her real mom instead of carla which just really rubbed me the wrong way. she exits the tardis to stay with her family and it's... fine. you never see why ruby and the doctor were attached to each other so them saying goodbye doesn't hit home. nothing happens and then suddenly everything happens. the fact that the reveal is unconvincing makes the whole thing worse.

conclusion: i think rtd ran out of ideas for doctor who. i think he shouldn't have come back. i think the 60th specials were season 4 fanfiction. i think they should've given the showrunner position to a different writer entirely. i think 8 episodes is far too short for a doctor who season (flux being an exception because it was one ongoing story). i think the bigger budget and better production value can't save a show with poor writing. i think gatwa and gibson are acting their hearts out and i wish they had better material because i really like both of them in these roles. i'm also kind of sick of murray gold's music at this point. he won't let emotional moments just sit and it's really annoying how every time anything happens there's a swell of music. i think rtd should give up on racism commentary and just hire someone else who can do it justice if he really wants it to be in his show. i think rtd should shift focus back to the characters and their interpersonal relationships because that's what he's good at and his plot resolutions have always been underwhelming deus ex machinas. i think they should give this show more episodes. i think they should change the broadcasting times to be a better slot in the uk and the episode should go up on streaming at the same time or after it airs. this season has little glimpses of potential (some of boom, first few minutes of 73 yards, episode concepts in general are quite interesting, more fantasy in doctor who is a fun concept) but squanders all of it with flat characters. i started dreading watching the next episode after a while because i kept hoping it would be good and then i would hate it.

but i still care too much about doctor who to not watch the show so i guess i'll be here this time next year picking season 15 apart. woo.

[haaam-guuuurl]

BABE WAKE UP THEY'RE FINALLY LETTING RHAENYRA TARGARYEN KISS WOMEN ON TV

[comradecowplant]

*sniffle* well, that's that then. voyager has made it back to the alpha quadrant (albeit i'm not the biggest fan of the "timey whimey antics save the day" means utilized but i've seen similar plots play out far worse so i'll accept it with minimal brow furrowing), my mind & heart are full with a new sci-fi obsession, and while i know i said i'm diving into TNG asap, i do think my little ticker needs a minute to process & say goodbye to the star fleet captain who-- no matter how good picard/other captains i can't wait to meet are-- will now forever be My Captain(tm), and her intrepid crew (i'll even miss the doctor!) of the U.S.S. Voyager o7

[heyitslapis]

I dont think yall know just how fucking much i have to reserve myself when i text them

[midlyfeloser]

not me crying over a children’s show at 3am

[mugmegan]

whoever was in charge of that episode must REALLY love Choso like holy shit what the hell was that they really went all out with that. (was that yukata nakamura in there somewhere?) not only with the animation but with the direction too wow. Never seen an episode that animated before that must have took forever (and a lot of tears) it felt like an anime movie but one of the most stylish action anime movie I've seen but also can the narrator please shut up

[justmossyaps]

i don’t want to jinx it but i think the flareup might actually be over :D

[ambreiiigns]

i watched One wrestling (wrestledream. much to say abt it. god willing i keep watching from that episode forward) and then 4 bungo stray dogs w brother (finished s3 fucking finally my god and saw the first from s4. it was really bad) after the most fucked up week i've had in a while