#this is like an important plot point

[trans-yllz]

so many otherwise good wei wuxian posts ruined by op thinking that he thinks he's bad/struggles with his goodness

[wantonlywindswept]

so I know a lot of star wars fics use flimsi or datapads to indicate when someone has a lot of work to do (piles of datapads, endless flimsiwork etc) and while all that is well and good, even today a lot of stuff is actually digital, and i imagine it would be even moreso in the future.

however with everything digital you would still need more screen space to be able to keep track of it, which is one of the reasons a lot of people have two monitors these days.

all that is to say: behold! fox's desk:

[viarayy01-blog]

you just dont get it

[levemetal]

I got Procreate and gave it a test run with some silly AU sketches of course

So have Calamity SJ adopting Hong‘er! Ft. my silly calamity MNQ AU and it’s inevitable conclusion of atticwife Jun Wu in the second pic because I am no longer in control here.

SY tried to be the cool uncle, unfortunately YQY is the cooler uncle so he got the Feng Xin treatment. Binghe about to start beef with a child lmfao.

Ling Wen is new heavenly emperor and I ensure you she is as overworked as ever, but she does not care about heavenly officials marrying calamities anymore. First was YQY, and then Jun Wu. Xie Lian and Shi Qingxuan are really not trendstarters here.

[mamawasatesttube]

it's like, i really do enjoy most of the bats as characters and i really do like a lot of their comics. but also i am sooooo tired of them being hailed as better than literally everyone else. both in fanon but also in comics (modern ones are esp egregious imo, like WHAT was that shit about batman and the joker being the most dangerous men on the planet. hi. have you heard of lanterns? speedsters? supers? actually if i keep listing groups who could kick batman's ass we'd be here all day). they're like kudzu. that shit needs to stay in its native environment (funky little neo-noir detective stories) and stop being an invasive species (putting down everyone else to make them seem cooler). put bruce wayne back into a murder mystery setting that isn't about saving the world but is about saving one person or one family that no one else would've saved right now or so help me god. the whole invasive species cross contamination thing is unhealthy for both him And the other ecosystems he keeps getting transplanted into. please. it's so dark in here

[seriousbrat]

actually Lily is the main character of the marauders era

[charmac]

How are you feeling about S17? I'm getting reaaal worried that it's going to be terrible. No Glenn in the writers room? A crossover episode?? Rob's gradual transformation into pondslime??? Help

Pondslime 😭Lmfao

I'm feeling more than fine about 17, really truly. I don't think anyone should be worried at all.

I think sometimes my interactions with Glenn come off a little more serious or abrasive than they really happened in real life (because we have to shout due to how loud it is in the bars), and my immediate transcription is just to get people *information*, which really doesn't convey tone.

For example, reporting that Glenn said "you don't want to know" in response to me asking for any teasers (as to plots this season) was met with a lot of "oh so this season is gonna suck" on Twitter, and that could not be further than the truth (sorry to the people I split-react blocked for saying that lol). In hindsight I get the reaction, because written out it's a response that can be easily misinterpreted and reads as potentially concerning, but know that when Glenn said "you don't want to know" he looked like this:

And when I was genuinely just asking for script information (regarding writers of individual scripts after he mentioned they had broken already) and mentioned Nina (Inflates) and Ross (DTAMHD), he gushed about both of them and then said, transcribed word for word, "It's been a good room, I'll say this it's been a great room. It's been an all-star room, it's been...like, breaking the stories this year has been really fun. [Me: Yeah?] Yeah. [That's great, that is great to hear.] It's been really fun."

So the idea of "no Glenn in the writers room" is really much more akin to Season 16 than 13/14. He was there to break stories (meaning he was in the room when they were brainstorming plot ideas and when they settled on which plots would be turned into scripts) but Rob and Charlie are taking the brunt of writing their (RCG's) scripts because of Sirens. This is the same thing that happened with The Gang Goes Bowling. Glenn's name is on the script, but Rob and Charlie wrote the majority of it while Glenn was shooting Blackberry. (I remember originally being convinced it was a mistake Glenn was listed as a writer for Bowling, lmfao). And Glenn is definitely still contributing, will be on revisions for the non-RCG scripts, and will classically change or improv whatever he thinks is best for Dennis when he's on set (see: the Risk E. Rats script).

Also, I know the crossover is concerning to a lot of people just given the nature of it, but as of what we know right now it's only on Abbott, so it's really just as if this season's The Gang Cracks the Liberty Bell or The Janitor Always Mops Twice took place on a different show instead of ours...

I promise promise promise Glenn was clearly holding his tongue for good things coming up, and Friday night very much restored my confidence that Season 17 will be good. (But..if you don't think Glenn has good contributions to Sunny or understands the agenda, then sorry this response probably sucks lmfao)

[kelaeri]

Spoilers for Nightwing #50/69 and Joker War

I was reminded of this during my re-read of Tom Taylor's Nightwing. But anyone else just a little annoyed so many people seemingly forgot Dick's amnesia and Ric Grayson wasn't from KGBeast?

I mean, yes, the bullet in his head definitely didn't help and it was the catalyst for essentially everything that happened after, but it wasn't the actual cause for his prolonged memory issues-- it was Dr. Isabella Haas, the doctor who had been treating his brain injury since Day 1 who oops was actually a member of the Court of Owls with access to a magical crystal that could warp someone's sense of identity (Nightwing #69). Yeah that might be important.

"I built a new you inside your mind, Richard." I don't know about you, but with an admission like that, it seems pretty clear to me who's responsible here.

But then I see so many comments like "I'll never forgive KGBeast for Ric Grayson" and ??? Literally the moment Dick gets a hold of that crystal and uses it, his memories return to him. This was 100% a Court of Owls thing. And I thought this misconception was only fandom at first, but Tom Taylor totally glosses over this too in Nightwing #91.

Hello? I know Joker War didn't get the best reception, but we're ignoring some pretty significant context here! And if you know Nightwing, then you know just how important he is to the Court of Owls. Gray Son of Gotham anyone? There was a whole prophecy about him. The Court has been after him for years. But yeah sure, let's just throw that away and put all the blame on KGBeast.

[edwinspaynes]

Both Edwin and his notebook were normal objects, once. He would have carried it in his bookbag or in his pocket, taking notes about detective novels and coursework.

But then both Edwin and his notebook were taken to Hell. Maybe he hid it under a floorboard; maybe he hid it in a hole in the wall. It was his salvation, writing notes in it while he was down there, creating maps and escape plans and little drawings while actively being tortured for decades. It didn't just enable him to escape Hell; it provided him with a refuge while he was there.

And then he got out. With the notebook.

He slipped it into his pocket, maybe, or he held it in his hand. But he walked through an entirely new world, and he started to take notes in it again about what it was like to be a ghost. Ghost rules. Facts and historical events in this new world he lives in, this new world he cannot yet fathom.

That notebook is his constant comfort. And now he's a boy back at St Hilarion's, 73 years of horrors later, taking notes in the same logbook he'd had when he was alive.

Over time, he realized: Hell changed the notebook. Just as Edwin was an eternal being, the notebook was now an eternal thing. The pages inside were limitless, and he will always be able to use it.

Edwin's relationship with his notebook must be so rich, and so nuanced. I wish we had season 2 and could delve into this more, because it's so fascinating to me and I love him so much.

[bookshelf-in-progress]

No matter how many times it happens, I'm always shocked by how reliably all my problems with any given story are solved by making it shorter. If I go into a story with the idea that it'll be long, that I should use as much detail as I want to craft a full-length and fully-fleshed-out story instead of a short one, it always turns into this rambling, meandering, soulless thing that's no fun to read, and I get tangled up in so many flimsy, sprawling layers of character and worldbuilding that the plot becomes unworkable.

The minute I tell myself, "Let's make this as short as possible," the problems fall away, I find the heart of the story again, the pacing is brisk, scenes get multiple purposes, the world feels deeper because I'm implying things that spark the reader's imagination rather than trying to put every threadbare, boring detail on the page. Every time. You'd think I'd have learned by now.

[aroaceleovaldez]

i stand by that a better, more sensible, and more intriguing plot for TSATS would have been, instead of retconning literally everything:

Bob is dead (because he was very explicitly absorbed/killed by Tartarus Himself in House of Hades, alongside Damasen), and nobody is going into Tartarus to save him. He made his sacrifice and is gone. However. Remember how the Titans, including Bob, were just kind of kicking around for several years? Particularly. On a cruise ship full of mortals. And Bob happened to be kicking around in general for an extra year versus all the other Titans. And he mythologically sometimes has a mortal demigod son who partook in the Calydonian Boar Hunt (Dryas of Calydon). Yeah.

So turns out, Bob/Iapetus leaves behind a demigod (demititan?) child. And because Nico was pretty much his only friend, he named Nico his child's godfather. And while he's not being left in charge of the child, as a son of Hades and godfather to this kid, Nico is duty-bound to fulfill Bob's last will and go find this like 2 year old to make sure they're safe. So Nico has to undertake this very unusual quest (that raises many questions, such as "demititans are a thing?" and "DOES THIS MEAN THERE'S POTENTIALLY MORE-?!" and "SHOULD WE BE CONCERNED ABOUT THIS?") and is kind of freaking out because. He's the son of Hades! He's notoriously bad with living things, and animals, and definitely small children! Even if he does find this kid and assure they're safe, he is the last person who should be undergoing any kind of quest involving even potentially having to babysit. Fortunately, his boyfriend is the human embodiment of sunshine and calmness and good vibes, and also once helped a nymph give birth, so he feels Marginally More Confident in theoretical demititan babysitting and offers to come along on this Epic Journey of Figuring Out What In Hades' Name Is Up With This Demititan Baby Business.

Proceed with wholesome epic shenanigans quest of Nico and Will scurrying around trying to locate this random OP baby while Nico has an existential crisis about the nature of his powers because he doesn't want to let Bob down! Both for Hades Kid Honor Reasons and because Bob was his friend! But what if he's destined to fail this quest just because of who he is? Because he's simply not built for hanging out with the living/mortals? And Will reassuring him that He Will Probably Not Traumatize The Weird OP Titan Baby And It'll Be Fine, and simultaneously getting a peek into the weird other life Nico leads hanging out with immortals much more than the average demigod, which Nico considers his norm. Bonus shenanigans of both of them getting caught off-guard and culture shocked from where each other's respective worlds (Nico's mostly-immortal versus Will's mostly-mortal) cross over and learning to navigate those for each other - Nico finally starting to make some mortal connections and get glimpses at modern mortal American life, and Will trying not to get his brain literally incinerated while Nico's happily casually catching up with some of his old friends who happen to be literal gods.

[ssaalexblake]

Why is 13's regen abt a white dude and why is 15's regen abt a white dude when do we get rid of that white man that just Cannot let other people have their own moments I swear this is so old, like really, it's a tale as old as time where white dudes are the center of the narrative and universe and everyone caters to them, and I'm so bored of it being celebrated. It's not innovative, it's not new, it's not brave.

[kismetconstellations]

@sockdooe, This is the full original image:

According to the Tumblr post I originally snagged it from, it's an early piece of promotional artwork, meant to depict Keith as the series's central character. Shiro is shoved into the background, presumably to illustrate that he was intended to fulfill a Doomed Mentor role.

[laniidae-passerine]

Oddly for a sequel show, Cobra Kai is putting far too much weight on the original TKK film. They keep acting like this is teenage Johnny and teenage Daniel going toe to toe, but these are adult men. They should have lived adult lives and processed adult experiences and emotions before getting to the beginning of Cobra Kai’s story. Why can’t Johnny ever seem to grow up in a meaningful way? Why does Daniel keep chucking his healthy wealthy family life to the side to get involved in random ass karate shit? Why do they refuse to truly mend the fences between them? I understand showing trauma affecting them and TKK being an important moment in their lives, but the show acts like that was THE important moment in their lives. Nothing was bigger or more life changing than that (basically a high school karate tournament that happened one time) even though they’re decades past it. These characters aren’t truly allowed to be adult men grappling with the past, they’re written like stunted teens who are simply walking through some strange daydream life where they’ve got kids and jobs. And if the writers don’t ever treat them like adults, they’re never going to act like it nor will they ever grow in meaningful and permanent ways.

[amoritasart]

The way the tragic love story of Caleb and Evelyn is only recited through a legend told by people who never knew them, read from pages of the diary of the very person who destroyed their love. I-

[howtodisappearcompletelyand]

20/10 stars little guy