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#this is just so I can see what the audience here likes
bitterkarella · 9 hours
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Midnight Pals: Ssspace Ssstory
JK Rowling: hello children Poe: oh Joanne! Poe: I'm Poe: I Poe: I really did not expect to see you again Rowling: oh really edgar? and why wasss that? Poe: because of that whole Olympics business
Poe: you know with imane khelif Poe: all that stuff you did Poe: we just kinda thought Poe: you know we all thought Poe: and I don't just mean me i mean Barker: we all thought your lawyer told you to fuckin zip it
Rowling: well well well clive Rowling: assss you should all know by now Rowling: JK Rowling heedssss the wordsss of no goblin lawyer!
Rowling: I ssslither to the beat of my own pungi! Rowling: I'm my own dark lord! Rowling: and nobody'ssss ssssweetheart! Rowling: I'M JK FUCKIN' ROWLING!!!! Poe: so then Poe: why are you here Joanne? Rowling: i'm here becaussse i have a new ssstory
Barker: a new story? Barker: is it more terf shit? Rowling: it's in ssspace! Barker: the terfs are in space now? Rowling: i didn't sssay it was about terf ssshit Barker: you also aren't denying it Rowling: Rowling: sssss
Barker: oh a space story huh? Rowling: i call it Rowling: Commander Bibbles Blobkin and the Goofy Galactic Goobygloob Barker: Poe: Koontz: Lovecraft: King: King: well, I love it!!
Barker: i'd like to ask Ursula her opinion Rowling: we don't need to get her opinion Barker: hey Ursula what do you think of this? Rowling: we really don't need to asssk her Rowling: we already know how she feels Ursula Le Guin: it stinks Rowling: yeah well sssee what i mean?
Rowling: my firssst idea wasss Chrisstmas Pigss in Ssspace
King: what inspired you to do a space story, joanne? Rowling: well, i wassss watching ssstar trek the other day King: great show, great show Rowling: i didn't care much for it Rowling: it had the ssstink of diane duane Rowling: [flicking tongue] i can tassste her!
Rowling: but what i DID like Rowling: wasss how the crew of the ssstarship enterprissse jussst poopsss whereever they want to and then they jussst beam it out into ssspace Poe: King: Lovecraft: Koontz: Barker:
Poe: i don't think that's actually how they do it, joanne Rowling: WELL Rowling: why wouldn't they??? Rowling: i mean, they have the technology!
Rowling: you are all legally obligated to love my new ssstory! Rowling: it'sss a jolly ssspace adventure! Rowling: but maybe that'sssss too ssssophissssticated for you lot here at the midnight ssssociety Rowling: maybe i would find a more receptive audience Rowling: at SSSSPACE COVEN!
Barker: so she went over to Space Coven? Barker: yeah that's gonna be weird Barker: i don't know how her terf shit will go over with them Poe: yes, sci fi writers are generally very progressive on that issue Barker: no i mean cuz they're all chasers Poe:
Barker: what? you're acting like you all didn't know this Barker: everyone knows sci fi writers are all chasers Poe: clive you're just saying things now King: yeah c'mon, surely not ALL of them King: i mean, what about Robert Heinlein? Barker: you're seriously asking?
Poe: clive do you know something or are you just making stuff up now? Barker: i'm just saying he's got a vibe Barker: tell me he doesn't
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msschemmenti · 3 days
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sing with me please
emily prentiss x singer!reader
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prompt: reader and emily are dating and she’s a rising artist on her first small tour. she’s been gone for weeks but is back in dc for a show. obviously emily is there and reader begs for emily to come on stage and sing their song with her to close out the show.
a/n: au inspired by this picture of paget and this series i’ve been writing for myself about a singing reader/oc. also this is not proofread at all. let me know what you think— and if you’re interested in more stuff like this :)
song featured : juna - clairo
“God, i can’t wait to see you.” y/n breathed down the phone quietly.
“Oh trust me, I’m right there with you. I’m starting to think I should’ve just taken the time off and gone with you.” Emily groaned into the phone from her desk.
“Oh I don’t want to hear it, I tried everything I could to get you to come along. And I mean everything. But you’re married to the job.” y/n replied with a tease.
“Aw, come on. I feel like I haven’t been here long enough to take three months off to follow my pop star girlfriend on her first-ever tour. Plus, it’s not like the world knows who you write all those love songs about anyway. And stop saying I’m married to the job, you know I hate that.” Emily all but whined.
“Right right right. Well, none of that matters now, because in just a few hours you’ll be front-row being serenaded for a good two hours.”
Emily grinned at the thought of having her girlfriend’s attention in a room full of fans. “Having my favorite singer’s attention in a room full of her adoring fans, sounds like a dream come true. What time should I get there?”
“Looks like this shoot is going to run over, so I might not be able to see you before the show. Either way, DeeDee has your name on the list already so you’ll be taken to your seat as soon as you’re there. Are you bringing anyone with you? I can give DeeDee their names too.” y/n rambled in thought.
Emily eyed the bullpen curiously, she hadn’t exactly thought to ask if anyone wanted to go with her. It felt a little too personal and after all this time on the team, she feared Garcia’s reaction to her having a serious girlfriend without her knowledge. “No, it’ll just be me. I’m sure everyone has plans. It is Friday after all.”
y/n chuckled softly at her girlfriend’s words, “Okay, make sure you text me when you get to the venue so I can let everyone know.”
“Yes ma’am. And after the show?” Emily asked hopefully. She really missed having her girlfriend home.
“I’m DC based for the next three months.” y/n grinned.
“Oh thank God.” Emily sighed in relief causing y/n to giggle softly.
“You can thank DeeDee for convincing the label to let me write and record here.”
“Well DeeDee has a very expensive bottle of wine with her name on it.”
There was a bit of shuffling on the other end of the phone and Emily knew the signs all too well, “Listen Em, I’ve got to go. They’re ready for the next outfit. Remember to text me.”
“Okay, I will. I’ll see you later.” Emily smiled.
“Yes, see you later. Love you.” y/n whispered before ending the call and handing her phone back to her manager.
-
“Hi DC.” y/n spoke into the microphone with a bright smile. The room filled with cheers almost instantly as she spoke and her cheeks grew red under the praise. “Oh you all are too sweet. How are we feeling tonight?”
y/n scanned the audience waving happily until her eyes fell on the VIP area she’d requested for Emily. Her eyes lighting up instantly as she caught Emily with her hands cupped around her mouth cheering with the other fans in the room. Sending a wink in her direction y/n spoke in the mic, “You all look so beautiful tonight. Thank you so much for coming out to my final show on my first tour. It’s been so fun meeting and talking to everyone but I’m very happy to be home. With that being said, let make this the best show yet!”
-
Emily was on cloud nine. She was absolutely beaming with pride and she couldn’t think of any place she’d rather be. When y/n said she’d be serenading her all night, she really hadn’t been kidding. As much as she could without making it too obvious, she practically spent the last two hours gazing lovingly into Emily’s eyes. And Emily felt mighty special. Her favorite voice, just for her.
“DC you’ve been so amazing tonight. I don’t think I’ve felt this happy in a long time. My favorite city, in a room full of my favorite people. It’s so so good to be home.” y/n spoke as the band set up for the last song of the night. “As you all know, we’re on our very last song and as much as I hate to end this night– I’m so excited to sleep in my own bed.”
y/n sat on the stool center stage and shuffled some papers on her music stand with a smile. She looked over to Emily with a mischievous smile that had her heart trying to beat out of her chest.
“This last one is very very special to me. It’s my biggest song and the reason I’m even on this tour. But more importantly, it’s about the most important person in my life. My love, my light, my muse.” y/n spoke eyes trained on Emily the entire time. The room awed and cheered happily at the mention of their favorite artist’s secret girlfriend. “I’m lucky to have her here with me tonight and I know she’s going to hate me for this but I wanna do something a lil different for my last show. Em, will you sing with me?”
Emily’s face was beyond red. She was staring at her girlfriend in shock and awe. Not only had she just told this room of people she was the muse for most of her discography but now she wanted her to get up on the stage to sing with her. She was shaking her head in disbelief and fear before she could even think about it. And she looked at her girlfriend like she’d grown a second head.
This only made y/n smile more, “Please Em. You’re my favorite duet partner and I’ve missed singing with you more than anything.”
Emily was cracking. Between y/n’s words and the adorable pout she was sporting there was only so much more she could take from the woman she loved before giving in.
“Everyone, let’s give her some encouragement. Can we chant ‘Emily!’? y/n asked the audience and like the loyal fans they are, their screams filled the room. And there was really nothing Emily could do at that point. Throwing her hands up in surrender, she walked toward the stage looking extremely nervous as the room cheered.
y/n moved to help Emily up the stairs and onto the stage with a blinding smile. “I can’t believe you just did that.” Emily grumbled softly as she rested her forehead against her girlfriend’s.
“Kinda surprised you came up.” y/n grinned so hard her cheeks hurt.
“Well, you unfortunately know that i will do anything for you baby. and you sure know how to milk it.” Emily replied and smiled as y/n pulled her toward the stool. She sat Emily down and turned toward the crowd.
“Alright everybody, this is the last one. If you know it sing along.” y/n placed the microphone on the mic stand. She could practically feel Emily’s nerves radiating off of her but knew once this moment would live with them for as long as they lived. y/n stood between her legs and placed a kiss on her nose lovingly before cueing the band to start the song. “Just you and me, like at home.” She coaxed before she started singing the opening line of the song.
“Come to me slowly. It's when you talk close enough that I feel it on my skin, breathe it in.”
The room buzzed in anticipation when y/n nudged Emily softly and stroked her cheek in encouragement. Emily was nervous but she truly felt like she could do anything with her girlfriend’s eyes trained on her. “Most of these days I don’t get too intimate. Why would I let you in? But I think again.”
y/n smiled instantly, throwing in some of the background vocals while Emily sang. She started timidly but with the love shining in y/n’s eyes, she grew more confident with the words. Plus the cheers from the audience helped quite a bit. They joined together sweetly, Emily taking the melody and y/n harmonizing with her as they went. “I don’t even try. I don’t have to think. With you, there’s no pretending.”
When they got to the chorus y/n smiled and turned her head to the crowd, “Come on everyone, You know me, you know me. And I just might know you too.”
The smiles on both women’s faces were permanent as y/n pulled Emily up to dance with her across the stage. In a room surrounded by people who loved her girlfriend, she knew without a doubt that none of them could compete with her. They finished the song with the help of the crowd and when the music came to an end, everyone screamed their appreciation. y/n grabbed Emily’s hand and pulled her into center stage with a laugh.
“DC, give it up for the love of my life!” And despite y/n’s hand on the small of her back, Emily timidly tried to hide from the praise. The applause died down a bit and they wished everyone a farewell before heading backstage.
Finally in the quiet of her dressing room, y/n pulled Emily into a bruising kiss. Pulling away was not a priority, but when it became a necessity their foreheads rested together.
“DC give it up for the love of my life?” Emily teased.
“Yeah. That’s you.” y/n shrugged with a smile.
“Mmhmm, is that so?” Emily asked, squeezing her waist.
“It better be so. I’m sure it’s all over the internet by now babe.”
Emily groaned, “Of course it is. You are so lucky I love you.”
y/n shrugged with a smile and reached up to pinch Emily’s cheek, “Oh I know baby, and I wake up every morning so grateful. And lucky me, I get to wake up in your arms for the next three months.”
Emily sighed happily, pulling the singer into a hug. She mentally prayed for the serial killers of the world to chill out for the foreseeable future and kissed y/n’s head. “Welcome home my love.”
-
y/n
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liked by prentissemily, and 9,000 others
dc, i love you. but not as much as i love em.
thank you for an amazing first tour. my heart is so full and i can’t wait for the next one. y/n 2 loading…
ps. whoever took that second picture— i owe you my LIFE
pennythegreat @prentissemily — rue when was this?
prentissemily literally what does this mean?
prentissemily my superstar xx
y/n my muse xx
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Musician Age Gap AU Pt 12
Lena's entire body seems to buzz as they hover in the wings offstage, waiting for the cue to proceed. She bounces on the balls of her feet, fingers twisting together with uncharacteristic nerves, completely unlike the staid presence she'd run into under the National City arena.
"You okay?" she asks hesitantly.
"I've never shared new music live before," Lena confesses. "What if they hate it?"
"Nah," Kara dismisses. She smiles. "They'll love it, cuz its you."
If nothing else, the novelty-- the privilege-- of witnessing a live performance of a never-before-heard song would ease any negativity the song itself might earn down the line. Even Kara herself hasn't had a chance to hear it.
The nearest stagehand motions one minute to go. Finally, Lena stills, taking a moment to breathe deep.
"You've got this," Kara promises, before stepping away.
The lights dim, then go out entirely as the pre-show music quiets. In its place lifts a deafening roar from the crowd. Its so dark Kara doesn't see Lena move into position. One minute she's there, and the next an overhead spotlight snaps on to illuminate Lena centerstage, arm stretched high.
She waits for the din to just start to fall away, and then she's off without a single shred of her anxiety from just moments before. Her movements are strong and confident as she strides across the stage, playing to the crowd in just the right way to get them pumped and engaged for the next two hours.
Her first song is the same from the National City show, as is the second, and third. Kara doubts anything has changed, no doubt so rehearsed Lena could do it all in her sleep, singing included. But watching it again feels an all new experience.
It steals her breath away, and she only comes back to herself when Lena slows, reaching for a mic stand. This is it.
"I know you guys came here prepared to sing along with every word," Lena begins, even her speaking voice rich like velvet. "Which I'm sure you can sing better than I can at this point."
She earns a raucous burst of laughter, and prompts a giggle from Lena.
"But I'm afraid this next one is going to be all me... cuz I've a little something new for you tonight."
Kara thinks she might have lost her hearing, ears ringing in the answering explosion of cheers. Lena patiently waits for the opening to continue, grinning all the way.
"It's pretty self-explanatory once you hear it, but here's the thing: you know that ex who keeps reaching out? Believe it or not, I have one."
Another round of laughter, and a little bit of hollering.
"I thought I blocked him on everything, but I must have missed something, because guess what I got?" Lena pauses for comedic effect. "A cashapp payment for three dollars and thirty three cents."
Laughter fills the arena, and Lena joins with a delighted giggle. "The note of course asked me to call him, but... I don't know. What do you think?"
Cries of No! and Don't do it! echoed from various areas of the audience, and Lena nods.
"I think we're on the same page then. Three dollars and thirty three cents doesn't earn you a phone call..." Lena leans in close to the microphone. "But it might just earn you a song."
The audience laps it up, eliciting even more whooping cheers. Lena nods, half to herself, and half to the audience.
"Let's hit it!"
As soon as the music starts, Lena shifts effortlessly back into performance mode. Kara listens, bopping along to the bouncing beat and playful lyrics. Playful but scathing, it turns out, listing off all the reasons this mysterious ex will never see her again.
From her spot in the wings, Kara sees the crowd dancing, not singing but cheering and spinning and bouncing and absorbing it all with reckless abandon. She registers Lillian's approach beside her, but doesn't so much as glance at her. Whatever Lillian thought about Lena's plan, it was working. Tomorrow, all the world would care about is getting their ears on this new song-- and they would love it.
"You have no idea the bullet she just dodged for you."
Kara does look over at that. Her brow furrows sharply, and Lillian smirks as she watches her daughter perform.
"This time tomorrow, the world is going to be so busy sleuthing out which of her ex's this song is about, they won't even remember your name."
Onstage, Lena finishes her song with a boisterous laugh, letting the fresh cheers roll over her. Lillian turns to Kara, leaning in close.
"So when you ultimately decide this fantasy isn't for you, remember that a twenty four year old is the reason you'll still have a real life to go back to."
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mwahsol · 6 hours
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Jewelry with initials
Description: You and Paige are in a semi-private relationship, as she's doing an interview the interviewer notices a certain ring on Paige's hand. The ring on Paige's hand is the one you usually wear with your initials on it. When the interviewer asks Paige about the ring, she hints about your relationship.
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“So Paige I couldn't help but notice that there's a certain ring on your hand that has an initial of someone very familiar.”
“I mean what can I say it's a nice ring.”
‘Does the ring belong to a specific teammate that may or may not wear the number 12?’
‘Yo not too much, but yeah it's her ring. I wanted to bring a little something of hers with me because she couldn't come with me so it'll do for now.”
“Aww that's so cute seeing your close bond.”
After hearing that Paige can feel her face heating up and the smirk she's been trying to hide is slipping through as she answers, “Yeah for sure, but imma see her in a week so when she gets here she can give me my chain back.”
As soon as those words slipped out of her mouth the interviewer had to get all the information she could, “Oh she has something of yours too? Who's idea was it to swap items so you both could have something?”
She couldn’t help but chuckle remembering how she was almost ready to beg you to just come to Seattle with her, being too impatient to wait a bit to hold you again.
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“Baby I’m going to see you in probably less than a week. I just need to visit my mom for a bit.” Even though she understands she can't help but be clingy towards you, I mean how could she not she follows you around like a puppy most of the time not ever wanting to be too far from you. “I know mama I’m just gonna miss you.” As you see Paige pouting on your bed you can't help but walk up to her, you settle in between her thighs and hug her around her shoulders while she wraps her arms around your waist and buries her head in your chest. To make her feel a little better you come up with a cute small idea, “How about I give you something of mine that you can wear so in a way I’ll be there hm? How does that sound love?’ Her head instantly shoots up so you can see the excitement in her eyes making you giggle a little. “Really? Can I pick it out?” She's too cute, “Of course you can.”
“Ok but if I get something of yours then you have to wear something of mine.’ Even though that wasn't part of your original plan you couldn't help but blush at the fact that she wants you to have something so you won't miss her too much. “I wouldn't be opposed to that”
As she gets up and looks through your jewelry box she sees the ring you wear almost all the time, except when you're playing or at practice, “Can I get this one babe?’ You knew how the public knew that ring was specifically yours. It had your initials on it and you know how much the public loves Paige, you know they're more than likely to ask her about it if they notice, and if they don't then all of the fans will. “Are you sure P? I don't want to make you comfortable if they start asking questions about it,” her heart swells up with adoration seeing how much you care and think about her first. “I’m sure, private not secret remember. I’d be happy if they asked me about you. I won't get into too much detail obviously but I can drop a few hints here and there but only if you're comfortable with it mama.” God, she knows how to make you blush, as you look down a giggle a little getting a bit shy you say, “Of course, I am, just wanted to make sure with you first.”
Paige can't help but admire how even after almost two years she still has this effect on you. “Ok, since I got your ring, how do you feel about wearing my gold chain with my initial on it so we kinda match.” You can see her little smirk knowing how much you love that necklace and can't help but say yes to getting the opportunity to wear it again. “Sounds perfect.”
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“Nah it was hers but I added a little but that's it,” the interviewer and soon the audience will be able to see how giddy she was just to talk about you.
“Alright Paige, thank you for talking with us. Good luck and hopefully you see y/n soon,” she couldn't help but laugh towards the ending seeing how Paige was so happy just to hear your name.
“Ay thank you, have a good rest of your day.”
What Paige didn't notice is that while she was being asked about you and remembering the day you traded pieces, she was playing with your ring and smiling so hard that people would rewatch the interview and repost it everywhere talking about how your guy's relationship was definitely more than platonic.
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I'm slowly releasing things please bare with me y'all, law is kicking my ass and my job is NOT helping. I promise I'm trying to rerelease my old work and somewhat write new ones. LOVE YALL THO <3
Kiss the sun 🌞
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alatismeni-theitsa · 23 hours
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In "KAOS" nothing is anything, and everything is wrong
Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.
This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!
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The "ILoveGreekMythology" Kid
Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.
KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.
Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.
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And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.
"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.
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The Greek Stuff (Nothing salvageable)
I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.
Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".
Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).
For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?
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They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.
Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.
Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.
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They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:
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(This character from an all-time favorite Greek show is called Fotis)
They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.
National Greek flag to the left, local Cretan flag to the right:
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Flag of the KAOS' "Krete":
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The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)
I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.
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Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.
Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅
Nothing is Anything
Every element KAOS played with ended up meaningless. In the words of a Lifo article:
“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”
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The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...
And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.
If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!
Bad Writing (pt.1)
KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)
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The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.
I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.
More Bad Writing!
Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.
Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.
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The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.
The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.
I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.
In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.
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To the person who thought this show was a good idea:
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Whatever. Bye. I'm fucking done.
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pleasantspark · 2 days
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What do you think of this potential 4chan leak that Lucifer is the one responsible for the hierarchy and that Sloth, Gluttony and Lust are considered good sins? https://desuarchive.org/co/thread/145383112/#145394767
> Lucifer created the terrible hierarchy of Hell as well as the Deadly Sins. He is described as a moral neutral sin.
Well, neutral is far cutting it, remember he caused nearly everything to happen in Hell. He's described as sexy, when the only sexy thing about him is his depression. No one pointed out that Lucifer was at fault for all the things to begin with, but no people are like "B-B-B-B-BUT, we needed a story to kick off Charlie!" I feel like it's stupid, also, I am a depressed person and whenever a character who is depressed does something bad, they always have to empthize on the "UWU Depressed shit" which is shit you'd see on r/gachalifecringe or r/gachaclubcringe (Which I am a moderator on, and let me tell you, the Gacha side of the Hazbin Fandom is fucked up.). I feel like most don't care because they'd much rather ship RadioApple then point out the absolute fuckery that is Lucifer himself.
>The good sins are Asmodeus, Bee, and Belphegor. The bad sins are Satan, Leviathan, and Mammon. Beelzebub actively hates the hierarchy and how it treats her hellhounds, but there isn't anything she can do about it.
Okay, first off all the sins are bad, they cannot just pick and choose. For FUCKS sake, you know who her favorite is, the funny thing is, I like Mammon, he's cute and his design/accent are great (But nothing comes greater then Jeice), so she failed at making villains scary when all they are is extremely comical people who suck at villianing and suck at life.
> Leviathan is female and a fashion queen. Alot of Envy will be focused on fashion.
Paint me green and call me a fucking pickle, more backlash would be fucking impossible. Remind me what the fuck does Fashion have to do with Envy?
Sure, people can be envious of others looks, but that ISN'T the only thing possible to be envious of.
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This is Leviathan from my Universe, he's a victim of abuse from his father. (Who by the way died because of the effect he has on people, later on.)
According to Levi's official description on the Wikia:
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Leviathan isn't actually Envious, rather the curse he has causes anyone nearby of him close or not to get envious of him as a person which is the main reason why Agatha is acting out.
This would've been better, but complicated storylines and things pulled from TVTropes isn't what Viz likes. Yes, Leviathan is meant to be Stolas from HB but better, and yes, I DO VOICE LEVI.
So what's the issue with Levi liking fashion? Well, it's obvious that she needs another Diva because at this rate Velvette isn't enough, and most of the fuckers in the Pride Ring seems to be fitted for other rings too.
I feel like she's trying to assign something to these character's to make them unique, but they aren't.
Lucifer is literally the Sin of Pride, and the only thing prideful about him is his fruitiness, so add that to the level of "Bible things that Viv added" he's far from prideful, and that's a fact.
Coming from someone whose gay myself.
Mammon, oh sweet sweet Mammon, is just the Greedlr, but a Fat Nickado Avocado Characters, minus the screaming and fits. And aussie. Because "oooo people with accents arre baad"
Beezlebub, is just, well a Bee, because "HAHAH FUNNI BEE-ZLEBUB" she wanted to relieve her golden years of AMVs and Animation Meme-Esque content, also so she can brush hands with Kesha-Senpai. I swear to fuck, she asskisses alot.
And I am BARELY getting started.
> Stella is a decent mom to Octavia. She doesn't have many powers and isn't summoned to Earth like Stolas is.
If she's such a great Mom, you so claim she is, Viv, then why not show and NOT FUCKING TELL. All we see of her, is the way to make the audience feel bad for a [N word, black POC here. Don't wanna say it.] that ain't shit, Doja Cat was right, he ain't shit.
This is ridiculous, this was seen with Jeffy in SML, he was a hated character, Logan tried every trick in the book to get the audience to feel bad for him (I.E. Giving him an emotional manipulative mom, losing his sister, WITNESSING HIS LITTLE SISTER GETTING MOLESTED, etc etc) but the problem with making an auidence feel bad for the character, it gives a in character excuse to let them continue being pricks without any character development.
In conclusion:
More pointless rep that will be thrown out as soon as it appears
More things to hype up, but ultimately fumble the bag
It sucks
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thenamesblurrito · 9 hours
Text
so. Transformers ONE was a good movie
i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!
long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):
general stuff:
gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA
the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity
this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see
in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it
i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike
there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely
this movie loved being a Transformers movie
anyways. specific stuff:
love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good
THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!
the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!
I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!
the way Dee himself was, in a way, the Fallen of this continuity.... 😭
the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON
planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise
Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force
CASUAL MIND READER SOUNDWAVE???????
Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed
so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.
the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????
okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals
also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot
Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating
Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby
Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!
i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!
Darkwing is the curly straw of this continuity
the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future
the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security
Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh
i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone
ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger
and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh
Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising
the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.
in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down
THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR
i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!
a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER
the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too
i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?
the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy
god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy
also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???
also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING
Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you
anyways
good movie, guys
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gilverrwrites · 8 hours
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at this point we should give dick a sionis!reader and call it a day 💀 all the batboys have one now except for him (but I have no idea what his plot would look like compared to the other three)
Yeah, Jason and Tim dating with his kids and now Bruce sleeping with his ex-wife, Roman’s hatred of them is becoming more and more justified. . Can I also just add that Roman would be the most miserable girl dad. Imagining him with his 3 bastard girls and ex wife who he's still hung up on but can't win back fills me with joy and its becoming a full on AU in my head.
Anyway, okay, so hear me out with my pitch; Jason/The Rebellious child, Tim/The Favourite child, Dick/The forgotten child
Specifically, one who has tried so hard all their life to not be. Even more specifically, a dancer, a singer, maybe a triple threat. It’s not that you need the attention, you’re good at what you do, you get the parts, you have a small fanbase, you’ve won some minor awards. But just once you’d like to look out into the crowd and see your father or your siblings out there cheering for you.
You try so hard to be supportive of the rest of your family, always there for everybody. You listen to your rebellious sibling and your father bitch about each other constantly, you help them mend their bridges. Rebel is notoriously flaky, but you always step up and cover for them.
You help the favourite study. You were the only one who knew when they started seeing Tim and you helped keep it a secret.
You attend all your fathers parole hearings, all his club launches. You wear the stupid clothes and play the happy, smiling child whenever he wants to show his kids off at events.
But no matter how much you do for everyone, they never return the favour. As soon as you bring up an audition you need help with or a new show you’re in, everybody dips. Nobody takes you up on the free tickets you can get them. When you were training, Roman footed the bills and told all his buddies about his kid the dancer/singer/whatever, but not once did he show up to a single one of your recitals.
But one day, at one of his stupid galas, Dick Grayson catches you dancing by yourself on the patio outside and is instantly smitten.
“Where’s your dance partner?”
“Oh, haha. Can’t you see him? He’s right here.” You jokingly gesture to the air.
“Ah of course, hello sir. Mind if I cut in? Not at all, please be my guest.” He puts on a silly voice as he answers himself before offering a hand to you. “May I?”
And you’re sceptical at first, but you take his hand, and you let him whisk you off. You dance around in circles all evening, laughing and joking, and getting to know each other. You have the night of your life, but dating Dick Grayson seems like a bad idea, it’s not that you don’t want it, it’s just that your dad would so not approve. So, you resolve to move on, but will always remember that magical night.
Until a few weeks later, you step on stage and spot him front and centre in the audience looking elated. And although it's downright euphoric for you to see him there, you're not prepared to face him. Alas, he comes to your dressing room straight after the show anyway. Reaching you before you can sneak out, and confronting you about never calling him back.
You explain your hesitations and that golden child part of his brain understands, his heart aches for you. But he so selfishly wants to see more of you, so he gently mentions how your dad doesn’t seem to care what you do... and hey, maybe he’s out of line here and if you want to tell him to take a hike he will but all he wants is a chance to be a part of your life, can’t you spare him one date? Please?
And damn is he hard to say no too. So, you concede. And one date becomes two, then three, and so on…
It doesn’t take long for you to fall hard and fast for him. C’mon who wouldn’t?
He’s handsome, and charming, funny, smart, and superb dancer to boot.
But what really does it for you is how badly he really does wants to be a part of your life. Dick Grayson wants to dance with you anywhere and everywhere; At galas, in the rain on the way home from a date, in your kitchen at 3AM.
Dick Grayson could listen to you talk about anything and everything all day long. Doesn’t have to be performance related, but he likes it best when it is. He especially loves reminiscing about his circus days with you.
And though his job may get in the way sometimes, Dick Grayson wants to be front row at every single one of your shows. He wants to clap the loudest, and bring you flowers, and tell all of his friends, THAT’S MY BOO up there! From the moment he met you, Dick Grayson could never, ever forget you.
How we feeling about this concept?
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ok so what are some of the changes you would want in the upcoming harry potter hbo series. and since your blog is Harry centric so I'll ask how do you want him to be portrayed in the series ? what traits of him do you think the series makers should shine more light on ?
Okay, I have, like, a list of things I didn't like in the movies and could be improved upon by the show. The list I have here isn't just about things the show could improve, but also things I want to see in the show in general. I think most of my opinions are pretty common, though.
(Also I'm not sure how good the show will be, like, I'm somewhat hopeful, but also very cautious with my expectations. We should start getting casting announcements around in a few months, which could help indicate where this show is going)
Regardless, here's my list of top concerns for the upcoming show:
Harry's character
This is the one you questioned specifically and one that could make or break the show for me. I want Harry's sass and anger, I don't want him to be a self-insert for the audience the way he was in the movies. I want his actual character. The sass, anger, and tenacity that is Harry Potter combined with his kindness, compassion, and sometimes clueless awkwardness. Let him be smart, clever, and talented.
Harry in the books is so much more than "just Expeliarmos" and the fact people could think that about Harry is a legitimate crime against his character the movies committed. Truly character assassination that Harry isn't an exceptional wizard with the world's lowest self-esteem and cheeky attitude.
(Also, for the love of god, give him green eyes, please. Contacts exist for a reason and it'll be a good way to differentiate the new actor from Radcliffe)
2. Ron & Hermione's characters
I could probably just put a "make all characters like in the books" category since this is true for a lot of them.
Specifically for the other two members of the Golden Trio, I want Hermione to have her flaws, and Ron to be smart. He is talented and smart and just as skilled as Harry and Hermione. He isn't the dumb comic relief and I'm so mad the movies made him such. And Hermione isn't a perfect Mary Sue who can do no wrong. Let her put Rita in a jar. Let her show how much she actually appreciates Ron and Harry and their approach to problems, different as it is to hers.
3. Voldemort's everything
I didn't like Voldemort's design, I didn't like his characterization, I didn't like how he spoke, how he walked — none of it felt like Voldemort to me.
I want Voldemort to be scary, not some odd caricature of himself. Give me a Voldemort design that looks scary. Give him the red eyes, and make him look actually skeletal. And let him move elegantly, talk softly. He isn't shouting and throwing tantrums, usually, he is very deliberate in what he says and does.
Also, give him his weird sense of humor. In the books, he makes bad puns ("Wormtail is here to lend a hand"), I like my villains a little campy with bad puns but also terrifying.
4. Dumbledore's everything
Well, honestly, I have no complaints about Dumbledore in the first movie, my problems started after he was recast.
I want Dumbledore to speak softly. I need an actor who could say "Nitwit! Blubber! Oddment! Tweak!" and make it work. I want an actor who'd smile like he knows things you don't as his eyes fucking twinkle, but could still look intense and even intimidating for the later seasons. I also want him to look whimsical and dress in the most absurd eye-catching robes you've ever seen.
5. On the matter of robes — wizard fashion
I want wizarding fashion. I want long robes, silly hats, colors, and patterns. I want the costume designers on the show to have fun with it. I want them to go wild.
The wizarding world should look whimsical and campy — that's part of the magic. I want it to look like a foreign world. Even the most purebloods of purebloods (like the Blacks) are more like the Addams Family than any serious drama. They have a sense of campiness and whimsy. Let wizards be weird as shit and show it in their dress and interior design (I mean, the Blacks hang house elf heads and have a troll leg umbrella stand, the Ministry of Magic has paper airplanes flying all around, they're weird).
6. About the more filler-y sections of the books
I want all the silly little plots that were removed from the movies. I think some of the more filer-y things add a lot to the books and to the whimsy of being a student at Hogwarts. I want the trio to sneak out Norbert, I want to see Peeves, the deathday party, all of these things that make Hogwarts truly feel like a magic school.
7. Hogwarts Castle
I love the castle of the movies and that of Hogwarts Legacy. Honestly, I think Hogwarts Legacy did a good job of capturing the feeling of the movies castle while making it its own new unique thing. I think the TV show should do something similar and kinda create a Hogwarts castle amalgamation of all previous iterations that would feel familiar and allow them to still use some of the same merchandise but also be new and unique at the same time.
8. Time period
I think this is a pretty common opinion, but I want the muggle clothes and sets to clearly be set in the 1990s. I want the show to be a period piece. I don't want to see smartphones, or modern fashion, or modern cars — none of that.
9. Age-appropriate casting
I'm not the only one who says this, but as great as Allen Rickman was, he was too old for the role. Part of the tragedy of Snape and the Marauders is how young they actually are. I think it'll just be much more heartbreaking if the actors looked as young as they're supposed to be.
(Including James and Lily in the flashbacks!)
10. Worldbuilding & extra scenes
Since it's a TV show and not a book, which opens up more perspective options, I would like to get, maybe, some extended Pottermore facts into the show. Like, to flash out the world in a way the movies didn't.
Additionally, I wouldn't mind if some extra scenes were added to build up characters we don't get as much of in the books and it could serve the plot. Like, as long as the scenes are added in a way which is like 'they might've happened in the books, we just didn't see them cause Harry wasn't there', that sort of thing without subtracting from anything else and without retconning or contradicting anything. Like, with good writers, this could be really well done, I'm just worried about them adding anything because I don't know how much faith I have in the whole project. But it could be cool if done well.
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cerise-on-top · 2 days
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Hiya! I was wondering if you could do TF141 with a S/O that is a clown who does ballon art? I think it would be silly and fun -🐍
Hey there! Sure I can!
TF141 with a Clown!S/O
Price: I think he’d be impressed with you. It’s not every day you find someone, whose purpose at his job is to entertain people like that. He’s a captain, he’s meant to be serious at all times, so there’s not much room to joke around for him. He probably would try to visit you here and there, provided you don’t work at birthday parties. But a circus? Or maybe just on stage? Yeah, he’d try to see you here and there, if he can. He’d probably be more than happy to accept a balloon animal from you. I think he’d be very happy to receive something along the lines of a turtle or tortoise. It seems very impressive to him. While I do believe he’d love to engage with you as part of the audience if your work permits it, he would leave you alone if you seem a little overworked. While he can appreciate a good joke or two from you, he won’t force you to be funny around him. If all you do after work is cuddle up to him and seek his comfort, he’s happy. He’s not the funniest person out there, but if you ask him his opinion he’ll try to come up with a nice routine for you.
Gaz: Oh, he loves it. Ever since he was little he loved clowns. He always thought them to be a nice source of entertainment. He’d totally support you being a clown and would also try to come to your shows, if possible. Although he’d hate to distract you during work, he’d probably make some jokes here and there to help get your audience laughing. He can be very funny since he’s so sassy, so there’s a good chance the two of your work well together. He’s in love with your balloon art. In fact, I do believe he’d ask you about how you do it and learn from the resident expert. Yes, that includes him blowing up his own balloons and trying to contort them into animals and whatnot. Though, be prepared, the first thing he makes for you is a balloon dick. He can be unserious too at times and will laugh if you roll your eyes at him. He probably would try to help mend your costume if it got torn somehow. And he would also try to keep it clean since he’s a big fan of it. I think that, at the end of the day, he’d love to try and make you laugh as well, whether it be by telling you a joke, making up his own routine, or otherwise.
Ghost: Not a big fan of clowns. At all. He thinks they’re super scary and untrustworthy to have around. What are they smiling about? The state of the world? Yeah, he’s not too happy about you being a clown. But then again, there’s a good chance you’re not happy with him being a military man either, so he sucks it up. He’d be hesitant to go to one of your shows since there’s a good chance there are other clowns there as well, who wish for him to participate in their tomfoolery. No thank you. You’d need to give him a good reason to go, such as paying for the ordered food or giving him free tickets to your show. But once you’re home? He’s gonna pretend to have come up with some good jokes for you to use. None of them are child friendly. You’ve heard his jokes in the “Alone” mission. And yes, he will insist on you using the most fucked up jokes you’ve heard in your life. “Why did the noodle kill itself? Because it was torte-lonely.” And yes, he does laugh at his own jokes from time to time as well. He’s a comedy genius in his eyes and he genuinely does not understand why you’re so disturbed by his humor.
Soap: He loves you, so he loves you being a clown as well. He adores your bright and colorful costume. In fact, if you’re somewhat of a similar size he’ll ask you if he can wear it as well. He can be a rather silly man, so he’d love to be silly alongside you. I think he’d try to impress you by making a few balloon animals of his own in secret and showing them to you when you least expect it. He wants you to look at him and go “Wow, Johnny, you’re so cool and epic and handsome and I love you!” It strokes his ego. Will go to your shows if he can and actively participate. He’s not the funniest person either, but he tries to go along with your slapstick humor. I think he’d probably leave after your show, just to come back a few minutes later and participate again. Yes, he will actively flirt with you and see if he can stun you into silence. Will also make a few dirty jokes, for which you have to silence him afterwards. It’s all in good fun until you hit him with the squeaky hammer. Will pretend that you hate him after you’ve hit him with it. But will still dote on you when you’re home.
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roguephenon · 15 hours
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II: The Thing That Will Always Be
"...Knowing this was the outcome, would you have still done the same?"
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"In a New York minute." (Chapter cover is by @pinkmeanschaos. Check them out; they have fantastic work.)
The beginning of the end lies under the cut.
This would be the part where I post a tease of the chapter, followed by a link to said chapter.
Let's switch it up this time.
You've all given me so much love and encouragement, and I appreciate and cherish it all. Thank you so, so much.
But I'm not the only fanfic writer for this fandom. There are so many others who deserve love too. Some come to mind.
Like...
@geekinclara just recently started a KND fic, "Those Were The Days". It looks to be their take on Rachel's days as Supreme Leader and maybe even beyond that. It's off to a fantastic start. I've occasionally seen their posts about how much prep they've been doing for it (did you know making a cohesive timeline for this show is hard? Because it truly is), so it could do with some love, non?
And then there's @spicedwatermel0n and his KND fic, "The Rebellion," a GKND AU with 15 chapters already. It explores darker themes (which he's gone through the effort of listing before it starts to prepare his audience; he cares!) while weaving a narrative of the cast trying to fight an oppressive GKND regime. In space. Which is dope. He even has his own art of his designs. I hear he loves people asking about his AU and headcanons on his side blog when he has time to answer.
Nowadays, I write stories and create art for myself first and foremost, and I believe that should be the ultimate goal. Learning to love and take pride in your work should compel your drive to tell stories!
But comments matter, too. Feedback and engagement are rarely ever not a boost. I read every review left and respond to what I can when I have spoons, and it's an amazing feeling.
So, this is just me saying, "Help them feel amazing, too!" And not just these two, but all fanfic writers! If you see a fic you like, leave a quick sentence of your favorite moment!
Even if it has no traction, you'll just be their first!
Even if it has yet to be updated in 14 years, maybe there's a chance they'll come back one day!
Just something that came to mind to me today! And, of course, everyone has boundaries and things they like and dislike. Be respectful of those, too! Seriously. I've had to learn lessons the hard way, and I hope you don't have to have as harsh of an experience.
Thanks for listening to me yap!
Here's the link to Cold Reception's penultimate chapter for your trouble.
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yanderenightmare · 2 days
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heya! do you have any more writing tips for writing on tumblr? like, any tips to get as much attention as you, kinda
Oh yes.
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♡ Post in different lengths!
Or, more precisely, don’t only post long full-fics with multiple chapters.
I know it sounds weird, but the more effort you put into something doesn’t actually guarantee more payoff. Why would anyone read your hour-long fic if they have no previous experience with your writing that gives you credibility? In other words, how can they know spending an hour reading your writing is worth it?
More people are likely to grab a bite-sized appetizer than they are to sit down for a full five-course meal.
But! The more people like those bite-sized appetizers, the more likely they are to want to sit down for that full five-course meal, you know?
Think of those bite-sized appetizers as taste tests—kind of like commercials that bring more people in to give your actual meals a try.
Also, writing in different lengths is good for you! Only writing hour-long stuff makes you burn out quickly, which brings me to my next tip:
♡ Post often!
If you can, try posting something every day. Of course, you can’t post full hour-long fics every day, which is where writing smaller things such as drabbles, headcanons, and tiny prompts come in. Think of them as flings you have in between your long-term relationships. They’re fun little things good for your health!
But anyway, here’s a tip for when you do have those long-term relationships—as in, when you want to write full-fics or longer posts in general:
♡ Start with a hook! 
My attention should be seized by the first paragraph, if not the very first sentence I read. This is so important.
I’m a very picky reader sometimes—so if that first line doesn’t interest me, I’ll be fast to scroll to find something more enticing. And you can be sure a lot of readers are the same.
Under are some examples of my own start-liners.
Something foreboding:
There’s something very off about your roommate… something eerie that makes you keep your distance.
The plot:
Thinking about the big and burly behemoth Omega finally finding himself the cutest little Alpha to breed with…
Something catchy:
Give a brat an inch, and they'll take a mile. 
Something snappy:
You’re his favorite whore…
Dialogue:
“Feels like you’re luring me into some trap.”
A prompt:
Yanderes who keep you higher than a kite…
In medias res:
You lay on your belly on the bed.
Anyway, they don’t have to be groundbreaking—just anything that will spike interest in the reader.
♡ Write for different characters! And try writing inserts!
Inserts are when you don’t name any specific character in the story but either give options for what characters your audience can imagine or leave it completely up to them. This works best if you have a nice starter-line that tells you what kind of character this is without naming them.
Examples:
Bruiser boyfriend
Ex-military Yandere
Benevolently sexist boyfriend
Creep Step-bro
You can go further and identity the reader as well:
Big, brawny, chubby-muscled Boss and his perfectly bite-sized assistant
In other words, people like to know what they’re about to read before they start.
Otherwise and lastly:
♡ Something logistic you can have in mind is making your writing accessible. 
Say I like one of your posts, and I click your profile to check you and your other posts out, but all I see when I scroll through your blog is endless reblogs and one-off comments about this and that. My second instinct is to check out your Masterlist. If you don’t have one, my mission is fraught, and I’ll be out of there quickly. If you do have one, but it’s messy, then my patience will wane, and again, I’ll be out post-haste. 
The bottomline is to have a neat pinned post that makes it easy to navigate your blog, with all your relevant stuff easily accessible. Check out mine for reference. But the most important is for it to include your rules, how to request, and your masterlists.
Then, of course, this is obvious, but:
♡ Things take time
I’ve been running @yanderenightmare since 2020. Back then, it took me half a year to get my first 1000 followers. And most of my posts would only get about 500 or so likes. And, that’s another thing—if I was doing it for the likes and follows I probably wouldn’t still be here, so make sure you enjoy what you’re writing and stuff. If you have that conviction, then the rest is just a nice bonus.
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I think there’s a mentality in the Stranger Things fandom, or certainly outside of Byler spaces, that Byler is just another m/m ship.
What do I mean by “just another” m/m ship?
We all know there’s a long history of shipping male characters together when the show they were in clearly had no intentional romantic subplot.
M/m shipping has existed since the days of Star Trek - and it’s existed for many different reasons. But over time, it’s developed a bad reputation because fans of those ships were reading into things way too much and had so much hope that something might happen to those characters, only for them to end up incredibly upset and frustrated by the end.
There has also been a lot of accusations of fetishisation.
Some of this is also because especially in the early 2000s/ 2010s, these shows used to play on those hopes and have a lot of fun exploring “bromances”, where the writing would be intentionally stirring the pot, but not crossing the line enough for there to be any real plan to take things further.
What’s really important here is that Byler are NOT that kind of ship.
There would never be this much animosity if Will was Mike’s female best friend from childhood.
Yes, there would be a Byler vs. Milkvan war. That would never change - but the excuses as to why Byler have no possible chance of being together would be entirely different. Because yes, their arguments can currently include that Mike’s in a long term relationship, or that the 1980s environment would make it difficult for them to be together, but that’s about as realistic as the arguments have been.
Compare the circumstances to other canonical unrequited love stories
Take away all of the analysis about why Mike might be gay or Bi or even interested in Will in the first place, and just look at the plot in its bare bones state.
Will is canonically in love with Will, and Mike is canonically unaware of this and in a relationship with El.
There are SO MANY examples of this sort of love triangle in fiction, and most importantly there are more scenarios than there aren’t of this love becoming requited. It’s so normal for an audience to see a scenario like this and wonder if this is going to be one of those stories.
What’s happening instead is a lot of heteronormativity.
And that’s either down to the environment that Stranger Things fans find themselves in (people still live very unexposed lives) or they are just generally ignorant about anything that isn’t really in their face or what they want to see.
So there’s a heck of a lot of fans who didn’t even recognise that Will is gay, or just disregarded their assumptions and played up the “slow to grow up” narrative because they were more comfortable with that kind of story, or could relate to it more.
And so from their point of view, because they didn’t see anything, it couldn’t possibly exist. Bylers were seeing things and making them up. Now, after the Duffers and Noah confirmed things, they’re finding a lot of comfort in instead taking some of this fandoms bigger reaches (don’t mean to offend here, sorry) and using them as ammunition instead, e.g. Finn glancing at Noah’s lips for a millisecond during a take.
But the main point I’m getting at is that people who are dismissing Byler are not recognising that this is a traditional love triangle premise.
Now compare the canonical story to previous m/m ships
So because there are some similar activities happening in this fandom to what has been seen in those previous famous m/m ship fandoms, many Stranger Things fans are dismissing Byler as an imagined ship.
But how many of those old ships were able to boast about actual confirmed feelings, albeit one sided, with time left to explore things further?
There is absolutely no reason why the Byler ship resembles any of those “bromances” or queer baiting storylines in previous franchises and fiction.
This isn’t me saying that Byler will 100% become a couple
What I’m saying is that if nothing happens between them in season 5, that doesn’t undo the fact that Byler are a legitimate ship. It doesn’t undo the fact that Will’s feelings for Mike are canonical and that their storyline follows the premise of a traditional love triangle story.
There are people out there who are already trying to make Bylers feel stupid or ashamed for even exploring the potential of the ship, and all they’re doing is showing us how incredibly ignorant they are.
But that’s not to say that lessons can’t be learned from those previous m/m ship disasters
The one thing you should take from them is that people did get really attached, and so being let down by the show really hurt. It’s fine to speculate about Byler, but please don’t set your heart on them and let it break.
If we start to get legit info or confirmation that the ship won’t be requited, please don’t let yourself fall down the rabbit hole of conspiracy and set yourself up for disappointment.
But we have no legitimate reason to rule out Byler right now
The set up is there, the filming looks positive and the Duffers haven’t said anything to dispute the ship’s potential. Speculation is more than allowed - it’s normal and an inevitable result of season 4. So let’s have as much fun as we can and know that we’re doing nothing “deluded” or wrong.
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nadianova · 2 days
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if im an artist with no following + want to make games for $ (i want to do game dev for work) shld i release games for free at first so ppl have a Taste (idk if ppl will buy even if it looks good n idk hiw to advertise. i hav no monies or job rip
idk really if your games look good and are good then ask for money but if you havent made games before and will be doing amateur work youre probably gonna get better results releasing free stuff for your first things.
if youre going to make eroges like me i thikn itch io is a good place if your game has a good look and you tag it with all the nsfw tags i use like porn and adult and if you relaly wanna be bold tag your transgirl game as futanari for free tourist traffic.. it should help with building audience
ultimately i dont think its about if its paid or free when getting started its more like.. dont spend 5 years working on your first project. aim to do small ones like jam games that take a month or two to make. then you can release a pay what you want free game and a paid game and see how it compares and then use that experience as your information going forwards
also if you're doing free games i thikn pay.what-you-want option with some bonus stuff like for example an artbook like how i do it is a pretty good way to approach free games as well. i dont see it as often as id expect given how nice it is
if you end up making money from your games eventually i think the best thing to invest in terms of games is to pay a good artist to make you nice looking sprites it helps with people taking your game more seriously be it a paid game or a free one
maqrketing is kindof annoying but I'm terminally online and cant stop posting so the tried and true method of posting porn and shitposts about my game on social media is what i do
but seriously IMO the most important thing is just that dont spend years making some bbig project in the dark and start with something small first to get more familiar with your skills and audience and what you even want to do first. even if your big project ends up being amazing its a huge risk and time investment.. it works for some peopel but theres many people who it wont work for
finishign games is hard so imo the most valuable skill is to just finish something like put aside some time in your life for 2 months for a jam and complete a game. if you can do that then it means you can do games and experiment what is the right play to do if your goal is to make money
idk how much money here truly is to be made with tiny indie games but itch io is good for porn and if you wanna sell out make some koikatsu waifu game for cis man audience and release a 0.1b version and put up a patreon looool <3 remember, no ntr. men are afraid of ntr
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thestrangesthell · 11 hours
Text
Afterlife Jobs and Civil Service
Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.
This will contain spoilers for Beetlejuice Beetlejuice.
TW: This post will discuss suicide. Please only proceed if you are comfortable.
The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.
Now, for the long version (and it really is long), read on!
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Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.
What we as the audience do see is people working in the afterlife that could have died by suicide.
There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.
It's a weird thing to pick up on, but what about the skeleton workers?
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Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).
Well, that clears things up, right?
Maybe not.
For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.
Why?
Betelgeuse himself.
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Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.
Why is this an issue?
Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?
I have two theories for that.
Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.
Then there's my second theory, which muddies the waters quite a bit.
We didn't actually see him die after he was poisoned.
I'll let that fester for a bit...
Ready to move on?
Let's talk about *Juno!
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Juno, my beloved.
Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.
The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.
(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)
The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.
This is where my theory really comes into play.
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I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.
(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)
When looking at these new characters, here's what I theorise for each of them:
Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.
Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.
Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.
The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).
The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.
Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?
Speaking of ready to go...
All aboard The Soul Train!
Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.
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(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)
WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲
After all that, here's what we do know:
If you died within a certain radius of your home, you're left to haunt it for 125 years.
If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.
If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.
You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.
In summary:
Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?
Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.
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But hey, what do I know? I'm only living.
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strawberry-cowmilk · 1 year
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